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For the UK radio overnight sustaining service see The Superstation. For the Orcadian commercial radio station see The Superstation Orkney.

Superstation in United States television can have several meanings. In its most precise meaning, a superstation is defined by the Federal Communications Commission as "A television broadcast station, other than a network station, licensed by the FCC that is secondarily transmitted by a satellite carrier." ^[1]

United States[link]

Early superstations[link]

In the early days of broadcasting, most large media markets had, by standards of the day, a large number of TV stations. Generally, these markets had three VHF stations affiliated with NBC, ABC, and CBS (the then dominant television networks), one or more PBS public broadcasting stations, and several UHF stations without network affiliation. These independent stations relied on syndicated reruns, old movies, and local programming such as news, weather, or sports to fill their broadcast days. Smaller media markets, however, often had only the basic three channels. Cable television systems in smaller areas sought a foothold by "importing" signals from the city for their customers. The stations, anxious for more viewers, assisted by relaying their signals by wire or microwave signals to these towns. These stations, especially those independents owned by Gaylord Broadcasting such as Milwaukee's WVTV, KSTW in Seattle, and KTVT from Fort Worth along with Houston's KHTV, which all served their respective states with entertainment programming via these connections, became the first "superstations," on a regional basis.

WTCG: The first national superstation[link]

With the advent of C-Band satellites, Ted Turner had the idea of distributing his WTCG (later renamed WTBS) in Atlanta, Georgia via C-Band to the entire country (and beyond). This was the first national superstation, and his idea was soon copied by companies who applied for satellite connections to distribute other stations, including WGN-TV in Chicago, Illinois.

One key legal point is that Ted Turner's contracts with content providers charged him for content as if his station were reaching only a local market. No one had thought of adding contract language to deal with satellite broadcast to a much larger market. This terrestrial loophole was eventually closed, so other local stations that could get a satellite spot were charged appropriately.

Conflicts[link]

This eventually caused conflict between these stations and providers of similar, or identical, programming in local markets. Eventually TBS, the successor to WTCG, gave up its status as a superstation and became a regular cable television channel (outside of Atlanta). The FCC placed tight restrictions on the remaining superstations (excluding WGN America), allowing no new ones and limiting the distribution of the five grandfathered ones to rural areas without distributors of similar programming. Many of the intrastate superstations eventually let their carriage on out-of-market cable systems expire due to contractual restrictions resulting from them becoming affiliated with UPN and The WB, or becoming affiliates of the Big Four networks after network shuffles in their markets.

The remaining "true" superstations[link]

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In addition to WGN-TV, the five remaining true superstations, WSBK-TV in Boston, Massachusetts and WWOR-TV in Secaucus, New Jersey (part of the New York metropolitan area), and CW Television Network affiliates WPIX-TV in New York, KWGN-TV in Denver, Colorado, and KTLA-TV in Los Angeles, California, are carried on some rural cable systems, and on the DISH Network direct broadcast satellite system. But syndicated exclusivity blackout requests have led DISH Network to stop selling one or more stations in some markets. As of 2006, Superstation WGN boasted over 68 million households on cable and satellite.^{[citation needed]}

TBS Superstation is now simply known as TBS and WTBS is now known as WPCH-TV and only available in and near Atlanta. Until May 2008, WGN billed itself as Superstation WGN, but changed its name to WGN America that year. However, while the FCC defines "superstation" as a term, it does not prohibit its use by others such as KYUR in Anchorage, Alaska, which are affiliates of ABC and The CW that have a network of repeater stations in other parts of that state and call themselves The Alaska SuperStation. The term is used by many other TV and radio stations, but none of these operations is a superstation as defined by the FCC.

Canada[link]

Canada does not have any television stations that operate as "superstations" in the official sense of the term. Technically, almost every station in Canada is a superstation, as almost all local TV stations are carried nationally by one or both satellite providers, and any of these stations can be carried by any Canadian cable system, at least on digital cable. The closest Canadian equivalent to the "superstation" model is an independent station (the number of which has grown recently with the demise of E!), and to some extent the television system. Moreover, Canadian providers are able to distribute American television stations in their digital package, regardless of whether or not they are licensed superstations.

Beginning in the late 1980s, Canadian Satellite Communications began distributing BCTV from Vancouver, ITV from Edmonton, and CHCH from Hamilton, primarily for distribution by smaller cable systems throughout Canada. Coincidentally, these stations were, like Cancom, owned (or later acquired) by Western International Communications. As a result of their early availability, which predated most Canadian specialty channels, these stations (the first two now owned by Canwest, the latter by Channel Zero) continue to have a superstation-type status on analog cable in many smaller Canadian communities, and in the United States along border-area cable systems (such as Buffalo, New York/Niagara Falls, New York, Burlington, Vermont, and Bellingham, Washington).

Presently, both the aforementioned CHCH and CJON-TV in St. John's, Newfoundland and Labrador use slogans referring to each as a "superstation" (the channels have no corporate affiliation). However, once again, neither station has any special regulatory status at present conferring that title.

Canadian subscribers to premium movie channels The Movie Network and/or Moviepix also receive several major US superstations like KTLA and WPIX, depending on their cable provider. TBS was removed from the Canadian market when it moved to a cable only service in the US, as this would have required CRTC approval to be carried on Canadian cable. However, it has been replaced with the Atlanta feed of Peachtree TV.

Mexico[link]

Much like Canada, Mexico has almost all its stations available on satellite and carried on select Mexican cable systems. And just like Canada, Mexican providers can obtain American television stations in their digital package, even if they aren't licensed superstations.

Radio superstations[link]

Radio stations in North America are permitted to uplink to satellite. WSM (AM) got a lot of attention in the 80s as it was delivered via c-band alongside The Nashville Network. Very few stations actually distribute themselves through c-band, as there's not much reason to do so and stations' audio can be dialed in through either ISDN lines, or listened to via an audio stream over the internet (if the station offers such). Ones that do, like WEEI, often do so to feed their station to others which simulcast it. This is the case with several stations in Mexico, as radio in Mexico is very nationalized and most local stations are merely 24-hour-a-day affiliates of a national network.

Some local radio stations are, or have been distributed on satellite radio throughout the United States, and Canada in select cases. Stations once distributed on satellite radio include WLTW New York (XM), KHMX Houston (XM), KIIS-FM Los Angeles (XM), KNEW San Francisco (XM), WTKS-FM Orlando (XM), WLW Cincinnati (XM), WSIX-FM Nashville (XM), and WSM Nashville (Sirius). XM, in particular, used superstations owned by Clear Channel Communications for much of its early programming, and still had two superstations from Clear Channel as recently as late 2008 (talk-radio WLW and country music WSIX); both of those have been dropped as of March 2009. WSIX, KIIS, and WLTW returned to the now-merged Sirius XM lineup in June 2011, along with new additions WHTZ New York and WGCI Chicago.

Two other stations, both of them specialty stations, are currently distributed on satellite radio; these are WBBR New York (Bloomberg Radio) and WCSP-FM Washington DC (C-SPAN Radio). Most of WBBR's programming is also syndicated terrestrially to other stations through United Stations Radio Networks; as of 2011, it is the only terrestrial superstation (KPIG-FM ended its terrestrial syndication deal with Dial Global in 2010).

CBS Radio has begun using HD Radio technology to introduce its major market stations to other markets. For instance, KFRG San Bernardino is carried on KTWV-HD3 Los Angeles, KSCF San Diego is heard on KAMP-HD2 Los Angeles, WBZ-FM Boston is heard on WTIC-HD3 Hartford, KROQ-FM Los Angeles is heard on KSCF-HD2 San Diego and an as of yet to be determined affiliate in New York City (likely current K-Rock WXRK-HD2), and WFAN New York is simulcast on three affiliates in Florida (WOCL-HD3 Orlando, WLLD-HD3 Tampa Bay, and WEAT-HD3 West Palm Beach).[1]

In many of these cases where stations are distributed outside of their market area, some concessions are made, such as the original local advertising being replaced with either national advertising or a bed of production music which plays over commercial breaks. Also in the example of WFAN, that station's play-by-play coverage of the Mets, Giants, Devils and Nets is not carried on the Florida HD Radio affiliates and replaced with alternate programming, as the station only has rights to broadcast the programming in the New York metro area.

Notes[link]

Stevie Wonder
Stevie Wonder at a conference in Salvador, Brazil, in July 2006
Background information
Birth name	Stevland Hardaway Judkins
Also known as	Stevland Hardaway Morris, Little Stevie Wonder, Eivets Rednow
Born	(1950-05-13) May 13, 1950 (age 62) Saginaw, Michigan, United States
Origin	Detroit, Michigan, United States
Genres	Soul, pop, R&B, funk, jazz
Occupations	Singer-songwriter, multi-instrumentalist, record producer, activist
Instruments	Vocals, synthesizer, piano, keyboards, harmonica, clavinet, drums, bass guitar, congas, bongos, melodica, keytar, accordion
Years active	1961–present
Labels	Tamla, Motown
Website	www.steviewonder.net

Stevland Hardaway Morris (born May 13, 1950 as Stevland Hardaway Judkins),^[1] known by his stage name Stevie Wonder, is an American singer, songwriter, and multi-instrumentalist, a child prodigy who developed into one of the most creative musical figures of the late 20th century.^[2] Blind since shortly after birth,^[3] Wonder signed with Motown's Tamla label at the age of eleven,^[2] and continues to perform and record for Motown to this day.

Among Wonder's best known works are singles such as "Superstition", "Sir Duke", "I Wish" and "I Just Called to Say I Love You". Well known albums also include Talking Book, Innervisions and Songs in the Key of Life.^[2] He has recorded more than thirty U.S. top ten hits and received twenty-two Grammy Awards, the most ever awarded to a male solo artist. Wonder is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King, Jr.'s birthday a holiday in the United States.^[4] In 2009, Wonder was named a United Nations Messenger of Peace.^[5] In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's fiftieth anniversary, with Wonder at number five.

Early life[link]

Stevie Wonder was born in Saginaw, Michigan, in 1950, the third of six children to Calvin Judkins and Lula Mae Hardaway. Owing to his being born six weeks premature, the blood vessels at the back of his eyes had not yet reached the front and their aborted growth caused the retinas to detach.^[3] The medical term for this condition is retinopathy of prematurity, or ROP, and it was exacerbated by the oxygen pumped into his incubator.^[6]

When Stevie Wonder was four, his mother left his father and moved herself and her children to Detroit. She changed her name back to Lula Hardaway and later changed her son's surname to Morris, partly because of relatives. Morris has remained Stevie Wonder's legal surname ever since. He began playing instruments at an early age, including piano, harmonica, drums and bass. During childhood he was active in his church choir.

Discovery and early Motown recordings[link]

Ronnie White of The Miracles gives credit to his brother Gerald White for persistently nagging him to come to his friend's house in 1961 to check out Stevie Wonder.^[7] Afterward, White brought Wonder and his mother to Motown. Impressed by the young musician, Motown CEO Berry Gordy signed Wonder to Motown's Tamla label with the name Little Stevie Wonder.^[1] Before signing, producer Clarence Paul gave Wonder his trademark name after stating "we can't keep calling him the eighth wonder of the world". He then recorded the regional Detroit single, "I Call It Pretty Music, But the Old People Call It the Blues", which was released on Tamla in late 1961. Wonder released his first two albums, The Jazz Soul of Little Stevie and Tribute to Uncle Ray, in 1962, to little success.

Music career[link]

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Early success: 1963–1971[link]

By age 13, Wonder had a major hit, "Fingertips (Pt. 2)", a 1963 single taken from a live recording of a Motor Town Revue performance, issued on the album Recorded Live: The 12 Year Old Genius. The song, featuring Wonder on vocals, bongos, and harmonica, and a young Marvin Gaye on drums, was a #1 hit on the Billboard Hot 100 and R&B charts, making him the youngest artist to top the former in its history and launching him into the public consciousness.

In 1964, Stevie Wonder made his film debut in Muscle Beach Party as himself, credited as "Little Stevie Wonder". He returned in the sequel released five months later, Bikini Beach. He performed on-screen in both films, singing "Happy Street," and "Happy Feelin' (Dance and Shout)," respectively.

Dropping the "Little" from his name, Wonder went on to have a number of other hits during the mid-1960s, including "Uptight (Everything's Alright)",^[8] "With a Child's Heart", and "Blowin' in the Wind", a Bob Dylan cover, co-sung by his mentor, producer Clarence Paul. He also began to work in the Motown songwriting department, composing songs both for himself and his label mates, including "Tears of a Clown", a number one hit performed by Smokey Robinson & the Miracles.

In 1968 he recorded an album of instrumental soul/jazz tracks, mostly harmonica solos, under the pseudonym (and title) Eivets Rednow, which is "Stevie Wonder" spelled backwards. The album failed to get much attention, and its only single, a cover of "Alfie", only reached number 66 on the U.S. Pop charts and number 11 on the U.S. Adult Contemporary charts. Nonetheless, he managed to score several hits between 1968 and 1970 such as "I Was Made to Love Her";^[8] "For Once in My Life" and "Signed, Sealed, Delivered I'm Yours". In September 1970, at the age of 20, Wonder married Syreeta Wright, a songwriter and former Motown secretary. Wright and Wonder co-wrote the songs on the next album, Where I'm Coming From, which did not succeed in the charts. Reaching his twenty-first birthday on May 13, 1971, he allowed his Motown contract to expire.^[9]

In 1970, Wonder co-wrote, and played numerous instruments on the hit "It's a Shame" for fellow Motown act The Spinners. His contribution was meant to be a showcase of his talent and thus a weapon in his ongoing negotiations with Gordy about creative autonomy.^[10]

Classic period: 1972–1976[link]

Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown.^{[citation needed]} Eventually the label agreed to his demands for full creative control and the rights to his own songs. The 120-page contract was a precedent at Motown and gave Wonder a much higher royalty rate.^[11] Wonder returned to Motown in March 1972 with Music of My Mind. Unlike most previous albums on Motown, which usually consisted of a collection of singles, B-sides and covers, Music of My Mind was a full-length artistic statement with songs flowing together thematically.^[11] Wonder's lyrics dealt with social, political, and mystical themes as well as standard romantic ones, while musically Wonder began exploring overdubbing and recording most of the instrumental parts himself.^[11] Music of My Mind marked the beginning of a long collaboration with Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil).^[12][13]

	"Superstition" (reduced quality) noicon from Talking Book by Stevie Wonder, Motown 1972-10-27. Sample from Stevie Wonder Song Review: A Greatest Hits Collection, Motown, 1996-12-10
Problems listening to this file? See media help.

Released in late 1972, Talking Book featured the No. 1 hit "Superstition",^[14] which is one of the most distinctive and famous examples of the sound of the Hohner clavinet keyboard.^[15] The song features a rocking groove that garnered Wonder an additional audience on rock radio stations.^{[citation needed]} Talking Book also featured "You Are the Sunshine of My Life", which also peaked at No. 1. During the same time as the album's release, Stevie Wonder began touring with the Rolling Stones to alleviate the negative effects from pigeon-holing as a result of being an R&B artist in America.^[7] Wonder's touring with The Rolling Stones was also a factor behind the success of both "Superstition" and "You Are the Sunshine of My Life".^[11][16] Between them, the two songs won three Grammy Awards.^[17] On an episode of the children's television show Sesame Street that aired in April 1973,^[18] Wonder and his band performed "Superstition", as well as an original song called "Sesame Street Song", which demonstrated his abilities with the "talk box".

Innervisions, released in 1973, featured "Higher Ground" (#4 on the pop charts) as well as the trenchant "Living for the City" (#8).^[14] Both songs reached No. 1 on the R&B charts. Popular ballads such as "Golden Lady" and "All in Love Is Fair" were also present, in a mixture of moods that nevertheless held together as a unified whole.^[19] Innervisions generated three more Grammy Awards, including Album of the Year.^[17] The album is ranked #23 on Rolling Stone Magazine's 500 Greatest Albums of All Time.^[20] Wonder had become the most influential and acclaimed black musician of the early 1970s.^[11]

On August 6, 1973, Wonder was in a serious automobile accident while on tour in North Carolina, when a car in which he was riding hit the back of a truck.^[11][21] This left him in a coma for four days and resulted in a partial loss of his sense of smell and a temporary loss of sense of taste.^[22] Despite the setback, Wonder re-appeared in concert at Madison Square Garden in March 1974 with a performance that highlighted both up-tempo material and long, building improvisations on mid-tempo songs such as "Living for the City".^[11] The album Fulfillingness' First Finale appeared in July 1974 and set two hits high on the pop charts: the #1 "You Haven't Done Nothin'" and the Top Ten "Boogie On Reggae Woman". The Album of the Year was again one of three Grammys won.^[17]

The same year Wonder took part in a Los Angeles jam session which would become known by the bootleg album A Toot and a Snore in '74.^[23][24] He also co-wrote and produced the Syreeta Wright album Stevie Wonder Presents: Syreeta.^[25][26]

On October 4, 1975, Wonder performed at the historical "Wonder Dream Concert" in Kingston, Jamaica, a benefit for the Jamaican Institute for the Blind.^[27]

By 1975, in his 25th year, Stevie Wonder had won two consecutive Grammy Awards: in 1974 for Innervisions and in 1975 for Fulfillingness' First Finale.^{[citation needed]} In 1975 he featured on the album It's My Pleasure by Billy Preston, playing harmonica on two tracks.^{[not relevant]}

The double album-with-extra-EP Songs in the Key of Life, was released in September 1976. Sprawling in style, unlimited in ambition, and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement and one of the most recognizable and accomplished albums in pop music history.^[11][14][28] The album became the first of an American artist to debut straight at #1 in the Billboard charts, where it remained for 14 non-consecutive weeks.^[29] Two tracks, became #1 Pop/R&B hits "I Wish" and "Sir Duke". The baby-celebratory "Isn't She Lovely?" was written about his newborn daughter Aisha, while songs such as "Love's in Need of Love Today" (which years later Wonder would perform at the post-September 11, 2001 America: A Tribute to Heroes telethon) and "Village Ghetto Land" reflected a far more pensive mood. Songs in the Key of Life won Album of the Year and two other Grammys.^[17] The album ranks 56th on Rolling Stone Magazine's 500 Greatest Albums of All Time.^[20]

After such a concentrated and sustained level of creativity, Wonder stopped recording for three years, releasing only the 3 LP Looking Back, an anthology of his first Motown period. The albums Wonder released during this period were very influential on the music world: the 1983 Rolling Stone Record Guide said they "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade";^[14] Rolling Stone magazine's 2003 list of the 500 Greatest Albums of All Time included four of the five albums, with three in the top 90.^[20]

Commercial period: 1979–1990[link]

It was in Wonder's next phase that he began to commercially reap the rewards of his legendary classic period. The 1980s saw Wonder scoring his biggest hits and reaching an unprecedented level of fame evidenced by increased album sales, charity participation, high-profile collaborations, political impact, and television appearances.

When Wonder did return, it was with the soundtrack album Journey through the Secret Life of Plants (1979), featured in the film The Secret Life of Plants. Mostly instrumental, the album was composed using the Computer Music Melodian, an early sampler. Wonder toured briefly in support of the album, and used a Fairlight CMI sampler on stage.^[30] In this year Wonder also wrote and produced the dance hit "Let's Get Serious", performed by Jermaine Jackson and (ranked by Billboard as the #1 R&B single of 1980).

Hotter than July (1980) became Wonder's first platinum-selling single album, and its single "Happy Birthday" was a successful vehicle for his campaign to establish Dr. Martin Luther King's birthday as a national holiday. The album also included "Master Blaster (Jammin')", "I Ain't Gonna Stand for It", and the sentimental ballad, "Lately".

In 1982, Wonder released a retrospective of his 1970s work with Stevie Wonder's Original Musiquarium, which included four new songs: the ten-minute funk classic "Do I Do" (which featured Dizzy Gillespie), "That Girl" (one of the year's biggest singles to chart on the R&B side), "Front Line", a narrative about a soldier in the Vietnam War that Stevie Wonder wrote and sang in the 1st person, and "Ribbon in the Sky", one of his many classic compositions. Wonder also gained a #1 hit that year in collaboration with Paul McCartney in their paean to racial harmony, "Ebony and Ivory".

In 1983, Wonder performed the song "Stay Gold", the theme to Francis Ford Coppola's film adaptation of S.E. Hinton's novel The Outsiders. Wonder wrote the lyrics.

In 1983, Wonder scheduled an album to be entitled "People Work, Human Play." The album never surfaced and instead 1984 saw the release of Wonder's soundtrack album for The Woman in Red. The lead single, "I Just Called to Say I Love You", was a #1 pop and R&B hit in both the United States and the United Kingdom, where it was placed 13th in the list of best-selling singles in the UK published in 2002. It went on to win an Academy Award for "Best Song" in 1985. The album also featured a guest appearance by Dionne Warwick, singing the duet "It's You" with Stevie and a few songs of her own. The following year's In Square Circle featured the #1 pop hit "Part-Time Lover". The album also has a Top 10 Hit with "Go Home." It also featured the ballad "Overjoyed" which was originally written for Journey Through the Secret Life of Plants, but didn't make the album. He performed "Overjoyed" on Saturday Night Live when he was the host. He was also featured in Chaka Khan's cover of Prince's "I Feel For You", alongside Melle Mel, playing his signature harmonica. In roughly the same period he was also featured on harmonica on Eurythmics' single, "There Must Be an Angel (Playing with My Heart)" and Elton John's "I Guess That's Why They Call It The Blues".

By 1985, Stevie Wonder was an American icon,^{[citation needed]} the subject of good-humored jokes about blindness and affectionately impersonated by Eddie Murphy on Saturday Night Live.^{[citation needed]} Wonder sometimes joined in the jokes himself such as in The Motown Revue with Smokey Robinson. He was in a featured duet with Bruce Springsteen on the all-star charity single for African Famine Relief, "We Are the World", and he was part of another charity single the following year (1986), the AIDS-inspired "That's What Friends Are For". He also played the harmonica on the album Dreamland Express by John Denver in the song "If Ever", a song Wonder co-wrote with Stephanie Andrews. He also wrote the track "I Do Love You" for The Beach Boys' 1985 self-titled album. Stevie Wonder also played the harmonica on a track called "Can't Help Lovin' That Man" from "Showboat" on "The Broadway Album" by Barbra Streisand.

In 1986, Stevie Wonder appeared on The Cosby Show, as himself, in the episode "A Touch of Wonder".

In 1987, Wonder appeared on Michael Jackson's Bad album on the duet "Just Good Friends". Michael Jackson also sang a duet with him titled "Get It" on Wonder's 1987 album Characters. This was a minor hit single, as were "Skeletons" and "You Will Know". In the fall of 1988, Wonder duetted with Julio Iglesias on the hit single "My Love", which appeared on Iglesias' album Non Stop.^{[citation needed]}

Later career: 1991–2001[link]

Stevie Wonder at the Grammy Awards of 1990

After 1987's Characters LP, Wonder continued to release new material, but at a slower pace. He recorded a soundtrack album for Spike Lee's film Jungle Fever in 1991. From this album, singles and videos were released for "Gotta Have You" and "These Three Words". The B-side to the "Gotta Have You" single was "Feeding Off The Love Of The Land", which was played during the end credits of the movie Jungle Fever but was not included on the soundtrack. A piano and vocal version of "Feeding Off The Love Of The Land" was also released on the Nobody's Child: Romanian Angel Appeal compilation. It is rumored that "Feeding Off The Love Of The Land" was originally intended for release on Fulfillingness' First Finale Volume Two, a project that has never been confirmed as completed.

Conversation Peace and the live album Natural Wonder were also released in the 1990s. The former received its European launch at a high-profile March 1995 press conference in Paris, where Stevie mentioned how the tearing down of The Wall between East and West Berlin and the desire for a united Europe had played a significant part in the inspiration behind the album.^[31]

In 1994, Wonder made a guest appearance on the KISS cover album KISS My Ass: Classic KISS Regrooved, playing harmonica and supplying background vocals for the song "Deuce", performed by Lenny Kravitz.

In 1996, Stevie Wonder's Songs in the Key of Life was selected as a documentary subject for the Classic Albums documentary series. This series dedicates 60 minutes to one groundbreaking record per feature. The same year, he performed John Lennon's song "Imagine" in the closing ceremony of the Atlanta Olympic Games.^[32] The same year, Wonder performed in a remix of "Seasons of Love" from the Jonathan Larson musical Rent.^[33]

In 1997, Wonder collaborated with Babyface for a song about abuse (domestic violence) called "How Come, How Long" which was nominated for an award.^{[citation needed]}

In December 1999, Wonder announced that he was interested in pursuing an intraocular retinal prosthesis to partially restore his sight.^[34] That same year, Wonder was featured on harmonica in the Sting song "Brand New Day".^[35]

In 2000, Stevie Wonder contributed two new songs to the soundtrack for Spike Lee's Bamboozled album ("Misrepresented People" and "Some Years Ago").^[36]

Current career: 2002–present[link]

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In March 2002, Wonder performed at the opening ceremonies of the 2002 Winter Paralympics in Salt Lake City.^[37]

On July 2, 2005, Wonder performed in the Live 8 concert in Philadelphia.^[38]

Wonder's first new album in ten years, A Time to Love, was released on October 18, 2005, after having been pushed back from first a May, and then a June release. The album was released electronically on September 27, 2005, exclusively on Apple's iTunes Music Store. The first single, "So What the Fuss", was released in April. A second single, "From the Bottom of My Heart" was a hit on adult-contemporary R&B radio. The album also featured a duet with India.Arie on the title track "A Time to Love".

Wonder performed at the pre-game show for Super Bowl XL in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying Aretha Franklin during "The Star Spangled Banner".

Stevie Wonder at a conference in Salvador, Brazil, in July 2006

In March 2006, Wonder received new national exposure on the top-rated American Idol television program. Wonder performed "My Love Is on Fire" (from A Time To Love) live on the show itself. In June 2006, Stevie Wonder made a guest appearance on Busta Rhymes' new album, The Big Bang on the track "Been through the Storm". He sings the refrain and plays the piano on the Dr. Dre and Sha Money XL produced track. He appeared again on the last track of Snoop Dogg's new album Tha Blue Carpet Treatment, "Conversations". The song is a remake of "Have a Talk with God" from Songs in the Key of Life.

In 2006, Wonder staged a duet with Andrea Bocelli on the latter's album Amore, offering harmonica and additional vocals on "Canzoni Stonate". Stevie Wonder also performed at Washington, D.C.'s 2006 "A Capitol Fourth" celebration.

On August 2, 2007, Stevie Wonder announced the A Wonder Summer's Night 13 concert tour—his first U.S. tour in over ten years. This tour was inspired by the recent passing of his mother, as he stated at the conclusion of the tour on December 9 at the Jobing.com Arena in Glendale, Arizona.

Wonder performs during the final day of the 2008 Democratic National Convention in Denver, Colorado.

On August 28, 2008, Wonder performed at the Democratic National Convention at Invesco Field at Mile High in Denver, Colorado. Songs included a previously unreleased song, "Fear Can't Put Dreams to Sleep," and "Signed, Sealed, Delivered I'm Yours".^[39]

On September 8, 2008, Wonder started the European leg of his Wonder Summer's Night Tour, the first time he had toured Europe in over a decade. His opening show was at the National Indoor Arena in Birmingham. During the tour, Wonder played eight UK gigs; four at The O2 Arena in London, two in Birmingham and two at the M.E.N. Arena in Manchester. Stevie Wonder's other stops in the tour's European leg also found him performing in Holland (Rotterdam), Sweden (Stockholm), Germany (Cologne, Mannheim and Munich), Norway (Hamar), France (Paris), Italy (Milan) and Denmark (Aalborg). Wonder also toured Australia (Perth, Adelaide, Melbourne, Sydney and Brisbane) and New Zealand (Christchurch, Auckland and New Plymouth) in October and November.^[40]

By June 2008, Wonder was working on two projects simultaneously: a new album titled The Gospel Inspired By Lula which will deal with the various spiritual and cultural crises facing the world, and Through The Eyes Of Wonder, an album which Wonder has described as a performance piece that will reflect his experience as a blind man. Wonder was also keeping the door open for a collaboration with Tony Bennett and Quincy Jones concerning a rumored jazz album.^[41] If Wonder was to join forces with Bennett, it would not be for the first time; Their rendition of "For Once in My Life" earned them a Grammy for best pop collaboration with vocals in 2006.^[17] Wonder's harmonica playing can be heard on the 2009 Grammy-nominated "Never Give You Up" featuring CJ Hilton and Raphael Saadiq.^[42]

Wonder is presented the Gershwin Award for Lifetime Achievement by United States president Barack Obama.

Wonder performed on January 18, 2009 at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial. On Inauguration Day, January 20, 2009, Wonder performed the song "Brand New Day" with musician Sting. He performed his new song "All About the Love Again" and, with other musical artists, "Signed, Sealed & Delivered". On February 23, 2009, Wonder became the second recipient of the Library of Congress's Gershwin Prize for pop music, honored by President Barack Obama at the White House.^[43]

On July 7, 2009, Wonder performed "Never Dreamed You'd Leave In Summer" and "They Won't Go When I Go" at the Staples Center for Michael Jackson's memorial service.^[44] On October 29, 2009, Wonder performed at the 25th anniversary concert for the Rock and Roll Hall of Fame. Among songs with B.B. King, Wonder performed Michael Jackson's 'The Way You Make Me Feel', during which he became distraught and was unable to continue until he regained his composure.

Wonder at the October 16, 2011 Martin Luther King, Jr. Memorial dedication concert

On January 22, 2010, Wonder performed Bridge Over Troubled Water for the Hope for Haiti Now: A Global Benefit for Earthquake Relief event to help victims of the earthquake in Port-au-Prince on January 12, 2010.

On March 6, 2010, Wonder was awarded the Commander of the Arts and Letters by French Culture Minister Frédéric Mitterrand. Wonder had been due to receive this award in 1981, but scheduling problems prevented this from happening. A lifetime achievement award was also given to Wonder on the same day, at France's biggest music awards.^[45]

His 2010 tour included a two-hour set at the Bonnaroo Music Festival in Manchester, Tennessee,^[46] a stop at London's "Hard Rock Calling" in Hyde Park, and appearances at England's Glastonbury Festival, Rotterdam's North Sea Jazz Festival, and a concert in Bergen, Norway and a concert in Dublin, Ireland at the O2 Arena on June 24.

In February 2011, the Apollo Theater announced that Stevie Wonder will be the next in line for the Apollo Legends Hall of Fame. The theater said that the singer will be inducted into the New York City institution's Hall of Fame in five months.^[47]

On June 25, 2011, Wonder performed at the opening ceremony of the 2011 Special Olympics World Summer Games in Athens, Greece.^[48] On January 28, 2012, Wonder and Christina Aguilera gave a musical tribute at Etta James' funeral. Wonder played "Shelter in the Rain" and The Lord's Prayer while while Aguilera sang "At Last."^[49]

Wonder performed at the February 19, 2012 memorial service for Whitney Houston at the New Hope Baptist Church in Newark, New Jersey. He changed some of the lyrics of his song Ribbon in the Sky in dedication to Ms. Houston.^[50]

Legacy[link]

A prominent figure in popular music during the latter half of the 20th century, Wonder has recorded more than thirty U.S. top ten hits and won twenty-two Grammy Awards^[17] (the most ever won by a solo artist) as well as a Lifetime Achievement Award. He has also won an Academy Award for Best Song,^[51] and been inducted into both the Rock and Roll^[52] and Songwriters^[53] halls of fame. He has also been awarded the Polar Music Prize.^[54] American music magazine Rolling Stone named him the ninth greatest singer of all time.^[55][56] In June 2009 he became the fourth artist to receive the Montreal Jazz Festival Spirit Award.^[57] Stevie Wonder was voted into the Michigan Rock and Roll Legends online Hall of Fame in 2005.^[58] His hit recording of "Superstition" was selected as a Legendary Michigan Song in 2010.^[59]

He has ten U.S. number-one hits on the pop charts as well as 20 R&B number one hits, and album sales totaling more than 100 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bass guitar, bongos, organ, melodica, and clavinet. In his childhood, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocal ability. Wonder was the first Motown artist and second African American musician to win an Academy Award for Best Original Song for his 1984 hit single "I Just Called to Say I Love You" from the movie The Woman in Red.^{[citation needed]}

Classic period[link]

Wonder's "classic period" is generally agreed to consist of the concept albums^[60] he created in the early- to mid-1970s, peaking in 1976.^[61] Some observers see in 1971's Where I'm Coming From certain indications of the beginning of the classic period, such as its new funky keyboard style which Wonder used throughout the classic period.^[61] Some determine Wonder's first "classic" album to be 1972's Music of My Mind, on which he attained personal control of production, and on which he programmed a series of songs integrated with one another to make a concept album.^[61] Others skip over early 1972 and determine the beginning of the classic period to be Talking Book in late 1972,^[62] the album in which Wonder "hit his stride".^[61]

Impact[link]

Wonder's songs are renowned for being quite difficult to sing. He has a very developed sense of harmony and uses many extended chords utilizing extensions such as ninths, elevenths, thirteenths, diminished fifths, etc. in his compositions. Many of his melodies make abrupt, unpredictable changes. Many of his vocal melodies are also melismatic, meaning that a syllable is sung over several notes. Some of his best known and most frequently covered songs are played in keys which are more often found in jazz than in pop and rock. For example, "Superstition", "Higher Ground" and "I Wish" are in the key of E flat minor, and feature distinctive riffs in the E flat minor pentatonic scale (i.e. largely on the black notes of the keyboard).^{[citation needed]}

Wonder played a large role in bringing synthesizers to the forefront of popular music. He developed many new textures and sounds never heard before.^{[citation needed]} In 1981, Wonder became the first owner of an E-mu Emulator.^[63]

Songs sampled by other musicians[link]

This section may contain an excessive amount of intricate detail that may only interest a specific audience. Please help relocate any relevant information, and remove excessive detail that may be against Wikipedia inclusion policy. (June 2011)

Wonder has recorded with Jon Gibson, a Christian Soul musician, on a remake of his own song, "Have a Talk With God" (from the 1989 album Body & Soul), covered by Gibson in which Wonder plays harmonica.^[64] The two men met in the early 1980s through a shared music agent (Bill Wolfer).^[65]

Red Hot Chili Peppers covered "Higher Ground" in 1989 on their Mother's Milk album. Stevie Ray Vaughan & Double Trouble covered "Superstition" and Wonder made a cameo appearance in the official music video for the song.^{[citation needed]}

De La Soul sampled "Hey Love" in their song "Talkin' Bout Hey Love" on their 1991 album De La Soul Is Dead.

"Don't You Worry 'bout a Thing" was rendered by English band Incognito in 1992 and John Legend covered this song for the 2005 film, Hitch. George Michael and Mary J. Blige covered "As" in the late 1990s. In 1999, Salomé de Bahia made a Brazilian version of "Another Star". Tupac Shakur sampled "That Girl" for his hit song "So Many Tears".^{[citation needed]}

"Pastime Paradise" would become an interpolation for Coolio's "Gangsta's Paradise" while Will Smith would use "I Wish" as the basis for the theme song to his movie, Wild Wild West. The elements of "Love's In Need of Love Today" were used by 50 Cent in the song "Ryder Music", and Warren G sampled "Village Ghetto Land" for his song "Ghetto Village".^{[citation needed]}

Mary Mary did a cover of his song "You Will Know" on their 2002 album, Incredible. Australian soul artist Guy Sebastian recorded a cover of "I Wish" on his Beautiful Life album. In 2003, Raven-Symoné recorded a cover of "Superstition" for the soundtrack to Disney's The Haunted Mansion. In 2005, Canadian singer Dave Moffatt, from the group The Moffatts, sang the song "Overjoyed" from the In Square Circle album on Canadian Idol. Clay Aiken performed "Isn't She Lovely?" in the episode "My Life in Four Cameras" of Scrubs.^{[citation needed]}

Personal life[link]

Wonder has been married twice: to Motown singer Syreeta Wright from 1970 until their divorce in 1972; and since 2001, to fashion designer Kai Millard Morris.^[66] He has seven children from his two marriages and several relationships.^[66]

Stevie met Yolanda Simmons when she applied for a job as his secretary for his publishing company.^[67] Simmons bore Wonder a daughter on February 2, 1975: Aisha Morris.^[68][69]) According to Stevie, the name Aisha is "African for strength and intelligence".^[67] After she was born, Stevie said "she was the one thing that I needed in my life and in my music for a long time.^[67] It was this in mind, she was the inspiration for his hit single "Isn't She Lovely." Aisha Morris is a singer who has toured with her father and accompanied him on recordings, including his 2005 album, A Time 2 Love. Wonder has two sons with Kai Millard Morris; the older is named Kailand and he occasionally performs as a drummer on stage with his father. The younger son, Mandla Kadjay Carl Stevland Morris, was born May 13, 2005, his father's 55th birthday.^[66] In May 2006, Wonder's mother died in Los Angeles, at the age of 76. During his September 8, 2008 UK concert in Birmingham, he spoke of his decision to begin touring again following his loss. "I want to take all the pain that I feel and celebrate and turn it around."^[70]

Wonder's Taxi Productions owns Los Angeles radio station KJLH.

Charting discography[link]

Top 40 singles[link]

U.S. and UK albums[link]

Awards and recognition[link]

Grammy Awards[link]

Wonder has won 22 Grammy Awards:^[17] as well as a Grammy Lifetime Achievement Award which he was presented in 1996.^[74]

• From 1965 to 1980 a self-produced artist received one GRAMMY Award as an artist and an additional one as a producer in the Record of the Year and Album of the Year categories

Other awards and recognition[link]

• 1983: inducted to the Songwriters Hall of Fame.^[53]
• 1984: received an Academy Award for Best Song for "I Just Called to Say I Love You" from the movie The Woman in Red.^[51]
• 1989: inducted to the Rock and Roll Hall of Fame.^[52]
• 1999: received the Polar Music Prize^[54] and Kennedy Center Honors.^[76]
• 2002: received the George and Ira Gershwin Lifetime Achievement Award at UCLA's Spring Sing.^[77] The same year, Wonder received the Sammy Cahn Lifetime Achievement Award from the Songwriters Hall of Fame.^[78]
• 2004: received the Billboard Century Award.^[79] Also in 2004, Rolling Stone Magazine ranked him #15 on their list of the 100 Greatest Rock and Roll Artists of All Time.^[80]
• 2006: was inducted, as one of the first inductees, into the Michigan Walk of Fame.^[81] The same year, Wonder received a Lifetime Achievement Award from the National Civil Rights Museum in Memphis.^[82]
• 2008: Ranked at number five on "The Billboard Hot 100 Top All-Time Artists", making him as the third most successful male artist in the history of Billboard Hot 100 chart.^[83]
• 2009: Recipient of the second Gershwin Prize For Popular Song.^[84]
• 2009: Recipient of the Montreal Jazz Festival Spirit Award.^[57] This special award underlines a popular artist’s extraordinary contribution to the musical world. The Montreal Jazz Festival Spirit Award is in bronze.
• 2009: Named a Messenger of Peace by the United Nations.^[5]

See also[link]

	Book: Stevie Wonder
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Best selling music artists
• List of number-one hits (United States)
• List of Billboard Hot 100 chart achievements and milestones
• List of artists who reached number one on the Hot 100 (U.S.)

References[link]