This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010)

This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. Specific concerns may be found on the talk page. See Wikipedia's guide to writing better articles for suggestions. (October 2011)

A joke^[1] is something spoken, written, or done with humorous intention. Jokes may have many different forms, e.g., a single word or a gesture (considered in a particular context), a question-answer, or a whole short story. The word "joke" has a number of synonyms, including wisecrack, gag, prank, quip and jest.^[2]

To achieve their end, jokes may employ irony, sarcasm, word play and other devices. Jokes may have a punch line, i.e. an ending to make it humorous.

A practical joke or prank differs from a spoken joke in that the major component of the humour is physical rather than verbal (for example placing salt in the sugar bowl).

Purpose[link]

Jokes are typically for the entertainment of friends and onlookers. The desired response is generally laughter; when this does not happen the joke is said to have "fallen flat" or "bombed". However, jokes have other purposes and functions, common to comedy/humour/satire in general.

Antiquity of jokes[link]

Jokes have been a part of human culture since at least 1900 BC. According to research conducted by Dr Paul McDonald of the University of Wolverhampton, a fart joke from ancient Sumer is currently believed to be the world's oldest known joke.^[3] Britain's oldest joke, meanwhile, is a 1,000-year-old double-entendre that can be found in the Codex Exoniensis.^[4]

A recent discovery of a document called Philogelos (The Laughter Lover) gives us an insight into ancient humour. Written in Greek by Hierocles and Philagrius, it dates to the third or fourth century AD, and contains some 260 jokes. Considering humour from our own culture as recent as the 19th century is at times baffling to us today, the humour is surprisingly familiar. They had different stereotypes: the absent-minded professor, the eunuch, and people with hernias or bad breath were favourites. A lot of the jokes play on the idea of knowing who characters are:

A barber, a bald man and an absent minded professor take a journey together. They have to camp overnight, so decide to take turns watching the luggage. When it's the barber's turn, he gets bored, so amuses himself by shaving the head of the professor. When the professor is woken up for his shift, he feels his head, and says "How stupid is that barber? He's woken up the bald man instead of me."

There is even a joke similar to Monty Python's "Dead Parrot" sketch: a man buys a slave, who dies shortly afterwards. When he complains to the slave merchant, he is told: "He didn't die when I owned him." Comic Jim Bowen has presented them to a modern audience. "One or two of them are jokes I've seen in people's acts nowadays, slightly updated. They put in a motor car instead of a chariot - some of them are Tommy Cooper-esque."^[5]

Psychology of jokes[link]

Why people laugh at jokes has been the subject of serious academic study, examples being:

• Immanuel Kant, in Critique of Judgement (1790) states that "Laughter is an effect that arises if a tense expectation is transformed into nothing." Here is Kant's 220-year old joke and his analysis:

An Englishman at an Indian's table in Surat saw a bottle of ale being opened, and all the beer, turned to froth, rushed out. The Indian, by repeated exclamations, showed his great amazement. - Well, what's so amazing in that? asked the Englishman. - Oh, but I'm not amazed at its coming out, replied the Indian, but how you managed to get it all in. - This makes us laugh, and it gives us a hearty pleasure. This is not because, say, we think we are smarter than this ignorant man, nor are we laughing at anything else here that it is our liking and that we noticed through our understanding. It is rather that we had a tense expectation that suddenly vanished...

• Henri Bergson, in his book Le rire (Laughter, 1901), suggests that laughter evolved to make social life possible for human beings.
• Sigmund Freud's "Jokes and their Relation to the Unconscious". (Der Witz und seine Beziehung zum Unbewußten).
• Arthur Koestler, in The Act of Creation (1964), analyses humour and compares it to other creative activities, such as literature and science.
• Marvin Minsky in Society of Mind (1986).

Marvin Minsky suggests that laughter has a specific function related to the human brain. In his opinion jokes and laughter are mechanisms for the brain to learn nonsense. For that reason, he argues, jokes are usually not as funny when you hear them repeatedly.

• Edward de Bono in "The Mechanism of the Mind" (1969) and "I am Right, You are Wrong" (1990).

Edward de Bono suggests that the mind is a pattern-matching machine, and that it works by recognising stories and behaviour and putting them into familiar patterns. When a familiar connection is disrupted and an alternative unexpected new link is made in the brain via a different route than expected, then laughter occurs as the new connection is made. This theory explains a lot about jokes. For example:

• Why jokes are only funny the first time they are told: once they are told the pattern is already there, so there can be no new connections, and so no laughter.
• Why jokes have an elaborate and often repetitive set up: The repetition establishes the familiar pattern in the brain. A common method used in jokes is to tell almost the same story twice and then deliver the punch line the third time the story is told. The first two tellings of the story evoke a familiar pattern in the brain, thus priming the brain for the punch line.
• Why jokes often rely on stereotypes: the use of a stereotype links to familiar expected behaviour, thus saving time in the set-up.
• Why jokes are variants on well-known stories (e.g. the genie and a lamp and a man walks into a bar): This again saves time in the set up and establishes a familiar pattern.

• In 2002, Richard Wiseman conducted a study intended to discover the world's funniest joke [1].

Laughter, the intended human reaction to jokes, is healthy in moderation, uses the stomach muscles, and releases endorphins, natural "feel good" chemicals, into the brain.

Jokes in organizations[link]

Jokes can be employed by workers as a way to identify with their jobs. For example, 9-1-1 operators often crack jokes about incongruous, threatening, or tragic situations they deal with on a daily basis.^[6] This use of humour and cracking jokes helps employees differentiate themselves from the people they serve while also assisting them in identifying with their jobs.^[7] In addition to employees, managers use joking, or jocularity, in strategic ways. Some managers attempt to suppress joking and humour use because they feel it relates to lower production, while others have attempted to manufacture joking through pranks, pajama or dress down days, and specific committees that are designed to increase fun in the workplace.^[8]

Rules[link]

The rules of humour are analogous to those of poetry. These common rules are mainly timing, precision, synthesis, and rhythm. French philosopher Henri Bergson has said in an essay: "In every wit there is something of a poet."^[9] In this essay Bergson views the essence of humour as the encrustation of the mechanical upon the living. He used as an instance a book by an English humorist, in which an elderly woman who desired a reputation as a philanthropist provided "homes within easy hail of her mansion for the conversion of atheists who have been specially manufactured for her, so to speak, and for a number of honest folk who have been made into drunkards so that she may cure them of their failing, etc." This idea seems funny because a genuine impulse of charity as a living, vital impulse has become encrusted by a mechanical conception of how it should manifest itself.

Precision[link]

To reach precision, the comedian must choose the words in order to provide a vivid, in-focus image, and to avoid being generic as to confuse the audience, and provide no laughter. To properly arrange the words in the sentence is also crucial to get precision.

Synthesis[link]

That a joke is best when it expresses the maximum level of humour with a minimal number of words, is today considered one of the key technical elements of a joke.^{[citation needed]} An example from George Carlin:

I have as much authority as the Pope, I just don't have as many people who believe it.^[10]

Though, the familiarity of the pattern of "brevity" has led to numerous examples of jokes where the very length is itself the pattern-breaking "punchline".^{[citation needed]} Numerous examples from Monty Python exist, for instance, the song "I Like Traffic Lights". More recently, Family Guy often exploits such humour: for example in the episode "Wasted Talent", Peter Griffin bangs his shin, a classic slapstick routine, and tenderly nurses it while inhaling and exhaling to quiet the pain, for considerably longer than expected.^[vague] Certain versions of the popular vaudevillian joke The Aristocrats can go on for several minutes, and it is considered an anti-joke, as the humour is more in the set-up than the punchline.^[vague]

Rhythm[link]

The joke's content (meaning) is not what provokes the laugh, it just makes the salience of the joke and provokes a smile. What makes us laugh is the joke mechanism. Milton Berle demonstrated this with a classic theatre experiment in the 1950s: if during a series of jokes you insert phrases that are not jokes, but with the same rhythm, the audience laughs anyway^{[citation needed]}. A classic is the ternary rhythm, with three beats: Introduction, premise, antithesis (with the antithesis being the punch line).

In regards to the Milton Berle experiment, they can be taken to demonstrate the concept of "breaking context" or "breaking the pattern". It is not necessarily the rhythm that caused the audience to laugh, but the disparity between the expectation of a "joke" and being instead given a non-sequitur "normal phrase." This normal phrase is, itself, unexpected, and a type of punchline—the anti-climax.

Comic[link]

In the comic field plays the 'economy of ideative expenditure'; in other words excessive energy is wasted or action-essential energy is saved. The profound meaning of a comic gag or a comic joke is "I'm a child"; the comic deals with the clumsy body of the child.

Laurel and Hardy are a classic example. An individual laughs because he recognises the child that is in himself. In clowns stumbling is a childish tempo. In the comic, the visual gags may be translated into a joke. For example in Side Effects (By Destiny Denied story) by Woody Allen:

"My father used to wear loafers," she confessed. "Both on the same foot".

The typical comic technique is the disproportion.

Wit[link]

In the wit field plays the "economy of censorship expenditure"^[11] (Freud calls it "the economy of psychic expenditure"); usually censorship prevents some 'dangerous ideas' from reaching the conscious mind, or helps us avoid saying everything that comes to mind; adversely, the wit circumvents the censorship and brings up those ideas. Different wit techniques allow one to express them in a funny way. The profound meaning behind a wit joke is "I have dangerous ideas". An example from Woody Allen:

I contemplated suicide again - this time by inhaling next to an insurance salesman.

Or, when a bagpipe player was asked "How do you play that thing?" his answer was "Well." Wit is a branch of rhetoric, and there are about 200 techniques (technically they are called tropes, a particular kind of figure of speech) that can be used to make jokes.^[12]

Irony can be seen as belonging to this field.

Humour[link]

In the comedy field, humour induces an "economised expenditure of emotion" (Freud calls it "economy of affect" or "economy of sympathy". Freud produced this final part of his interpretation many years later, in a paper later supplemented to the book.).^[11][13] In other words, the joke erases an emotion that should be felt about an event, making us insensitive to it.e.g.: "yo momma" jokes. The profound meaning of the void feeling of a humour joke is "I'm a cynic". An example from Woody Allen:

Three times I've been mistaken for Robert Redford. Each time by a blind person.

This field of jokes is still a grey area, being mostly unexplored. Extensive use of this kind of humour can be found in the work of British satirist Chris Morris, like the sketches of the Jam television program.

Black humour and sarcasm belong to this field. Another kind of joke is the ever popular "Yo Mamma" joke.

Cycles[link]

Folklorists, in particular (but not exclusively) those who study the folklore of the United States, collect jokes into joke cycles. A cycle is a collection of jokes with a particular theme or a particular "script". (That is, it is a literature cycle.)^[14] Folklorists have identified several such cycles:

• the Helen Keller Joke Cycle that comprises jokes about Helen Keller^[15]
• Viola jokes^[16]
• the NASA, Challenger, or Space Shuttle Joke Cycle that comprises jokes relating to the Space Shuttle Challenger disaster^[17][18][19]
• the Chernobyl Joke Cycle that comprises jokes relating to the Chernobyl disaster^[20]
• the Polish Pope Joke Cycle that comprises jokes relating to Pope John Paul II^[21]
• the Essex girl and the Stupid Irish joke cycles in the United Kingdom^[22]
• the Dead Baby Joke Cycle^[23]
• the Newfie Joke Cycle that comprises jokes made by Canadians about Newfoundlanders^[24]
• the Little Willie Joke Cycle, and the Quadriplegic Joke Cycle^[25]
• the Jew Joke Cycle and the Polack Joke Cycle^[26]
• the Rastus and Liza Joke Cycle, which Dundes describes as "the most vicious and widespread white anti-Negro joke cycle"^[27]
• the Jewish American Princess and Jewish American Mother joke cycles^[28]
• The Wind-up doll joke cycle^[29]
• The "Blonde joke" cycle.

Gruner discusses several "sick joke" cycles that occurred upon events surrounding Gary Hart, Natalie Wood, Vic Morrow, Jim Bakker, Richard Pryor, Princess Diana and Michael Jackson, noting how several jokes were recycled from one cycle to the next. For example: A joke about Vic Morrow ("We now know that Vic Morrow had dandruff: they found his head and shoulders in the bushes") was subsequently recycled about Admiral Mountbatten, and again applied to the crew of the Challenger space shuttle ("How do we know that Christa McAuliffe had dandruff? They found her head and shoulders on the beach.").^[30]

Berger asserts that "whenever there is a popular joke cycle, there generally is some widespread kind of social and cultural anxiety, lingering below the surface, that the joke cycle helps people deal with".^[31]

Types of jokes[link]

This unreferenced section requires citations to ensure verifiability.

Jokes often depend on the humour of the unexpected, the mildly taboo (which can include the distasteful or socially improper), or playing off stereotypes and other cultural beliefs. Many jokes fit into more than one category.

Subjects[link]

Political jokes are usually a form of satire. They generally concern politicians and heads of state, but may also cover the absurdities of a country's political situation. A prominent example of political jokes would be political cartoons. Two large categories of this type of jokes exist. The first one makes fun of a negative attitude to political opponents or to politicians in general. The second one makes fun of political clichés, mottoes, catch phrases or simply blunders of politicians. Some, especially the "you have two cows" genre, derive humour from comparing different political systems.

Professional humour includes caricatured portrayals of certain professions such as lawyers, and in-jokes told by professionals to each other.

Mathematical jokes are a form of in-joke, generally designed to be understandable only by insiders. (They are also often strictly visual jokes.)

Ethnic jokes exploit ethnic stereotypes. They are often racist and frequently considered offensive.

For example, the British tell jokes starting "An Englishman, an Irishman and a Scotsman..." which exploit the supposed parsimony of the Scot, stupidity of the Irish or rigid conventionality of the English. Such jokes exist among numerous peoples.

Jokes based on other stereotypes (such as blonde jokes) are often considered funny.

Religious jokes fall into several categories:

• Jokes based on stereotypes associated with people of religion (e.g. nun jokes, priest jokes, or rabbi jokes)
• Jokes on classical religious subjects: crucifixion, Adam and Eve, St. Peter at The Gates, etc.
• Jokes that collide different religious denominations: "A rabbi, a medicine man, and a pastor went fishing..."
• Letters and addresses to God.

Self-deprecating or self-effacing humour is superficially similar to racial and stereotype jokes, but involves the targets laughing at themselves. It is said to maintain a sense of perspective and to be powerful in defusing confrontations. A common example is Jewish humour. A similar situation exists in the Scandinavian "Ole and Lena" joke.

Self-deprecating humour has also been used by politicians, who recognise its ability to acknowledge controversial issues and steal the punch of criticism.^{[citation needed]} For example, when Abraham Lincoln was accused of being two-faced he replied, "If I had two faces, do you think this is the one I’d be wearing?".

Dirty jokes are based on taboo, often sexual, content or vocabulary. The definitive studies on them have been written by Gershon Legman.

Other taboos are challenged by sick jokes and gallows humour, and to joke about disability is considered in this group.^{[citation needed]}

Surrealist or minimalist jokes exploit semantic inconsistency, for example: Q: What's red and invisible? A: No tomatoes..^{[citation needed]}

Anti-jokes are jokes that are not funny in regular sense, and often can be decidedly unfunny, but rely on the let-down from the expected joke to be funny in itself.^{[citation needed]}

An elephant joke is a joke, almost always a riddle or conundrum and often a sequence of connected riddles, frequently operating on a surrealistic, anti-humorous or meta-humorous level, that involves an elephant.

Jokes involving non-sequitur humour, with parts of the joke being unrelated to each other; e.g. "My uncle once punched a man so hard his legs became trombones", from The Mighty Boosh TV series.

Dark humour is often used in order to deal with a difficult situation in a manner of "if you can laugh at it, it won't kill you". Usually those jokes make fun of tragedies like death, accidents, wars, catastrophes or injuries.

Styles[link]

The question/answer joke, sometimes posed as a common riddle, has a supposedly straight question and an answer which is twisted for humorous effect; puns are often employed. Of this type are knock-knock joke, light bulb joke, the many variations on "why did the chicken cross the road?", and the class of "What's the difference between a _______ and a ______" joke, where the punch line is often a pun or a spoonerism linking two apparently entirely unconnected concepts.

Some jokes require a double act, where one respondent (usually the straight man) can be relied on to give the correct response to the person telling the joke. This is more common in performance than informal joke-telling.

A shaggy dog story is an extremely long and involved joke with an intentionally weak or completely non-existent punchline. The humour lies in building up the audience's anticipation and then letting them down completely. The longer the story can continue without the audience realising it is a joke, and not a serious anecdote, the more successful it is.

See also[link]

• Anecdote
• Comedy
• Comedy genres
• Computational humour
• East Frisian jokes
• Feghoot
• Funny
• Humour
• Internet humour
• Irish jokes
• Joke chess problem
• Mathematical joke
• Paradox
• Polish joke
• Practical jokes
• Pun
• Punch line
• Roman jokes
• Russian jokes
• Stand-up comedy
• The Funniest Joke in the World
• World's funniest joke

Notes[link]

References[link]

• Mary Douglas "Jokes." in Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies. [1975] Ed. Chandra Mukerji and Michael Schudson. Berkeley: U of California P, 1991.

Further reading[link]

• Cante, Richard C. (March 2008). Gay Men and the Forms of Contemporary US Culture. London: Ashgate Publishing. ISBN 0-7546-7230-1. Chapter 2: The AIDS Joke as Cultural Form. 
• Holt, Jim (July 2008). Stop Me If You've Heard This: A History and Philosophy of Jokes. New York: W. W. Norton. ISBN 0-393-06673-8. 
• Grace Hui Chin Lin & Paul Shih Chieh Chien, (2009) Taiwanese Jokes from Views of Sociolinguistics and Language Pedagogies [2]

External links[link]

Look up joke in Wiktionary, the free dictionary.

• Dictionary of the History of ideas: Sense of the Comic
• Jokes at the Open Directory Project – An active listing of links to jokes.

Harrison Ford
Ford in 2010
Born	(1942-07-13) July 13, 1942 (age 69) Chicago, Illinois, U.S.
Occupation	Actor, producer
Years active	1966–present
Spouse	Mary Marquardt (1964–1979; divorced) Melissa Mathison (1983–2004; divorced) Calista Flockhart (2010–present)

Harrison Ford (born July 13, 1942) is an American film actor and producer. He is famous for his performances as Han Solo in the original Star Wars trilogy and as the title character of the Indiana Jones film series. Ford is also known for his roles as Rick Deckard in Blade Runner, John Book in Witness and Jack Ryan in Patriot Games and Clear and Present Danger. His career has spanned six decades and includes roles in several Hollywood blockbusters, including Presumed Innocent, The Fugitive, Air Force One, and What Lies Beneath. At one point, four of the top six box-office hits of all time included one of his roles.^[1] Five of his films have been inducted into the National Film Registry.

In 1997, Ford was ranked No. 1 in Empire's "The Top 100 Movie Stars of All Time" list. As of July 2008^[update], the United States domestic box office grosses of Ford's films total over US$3.5 billion, with worldwide grosses surpassing $6 billion, making Ford the third highest grossing U.S. domestic box-office star.^[2] Ford is the husband of actress Calista Flockhart.

Early life[link]

Ford was born July 13, 1942, at Chicago, Illinois' Swedish Covenant Hospital.^[3] His mother, Dorothy (née Dora Nidelman), was a homemaker and former radio actress, and his father, Christopher Ford (born John William Ford), was an advertising executive and a former actor.^[4][5] A younger brother, Terence, was born in 1945. Ford's paternal grandparents, John Fitzgerald Ford and Florence Veronica Niehaus, were of Irish Catholic and German descent, respectively.^[4] Ford's maternal grandparents, Harry Nidelman and Anna Lifschutz, were Jewish immigrants from Minsk, Belarus (at that time a part of the Russian Empire).^[4] When asked in which religion he and his brother were raised, Ford has jokingly responded, "Democrat,"^[6] "to be liberals of every stripe".^[7] In a television interview shown in August 2000, when asked about what influence his Irish Catholic and Russian Jewish ancestry may have had on his life as a person and as an artist, Ford humorously stated "As a man I've always felt Irish, as an actor I've always felt Jewish."^[8][9]

Ford was active in the Boy Scouts of America, and achieved its second-highest rank, Life Scout. He worked at Napowan Adventure Base Scout camp as a counselor for the Reptile Study merit badge. Because of this, he and Eagle Scout director Steven Spielberg later decided to depict the young Indiana Jones as a Life Scout in the film Indiana Jones and the Last Crusade. They also jokingly reversed Ford's knowledge of reptiles into Jones' fear of snakes.

In 1960, Ford graduated from Maine East High School in Park Ridge, Illinois. His was the first student voice broadcast on his high school's new radio station, WMTH,^[8] and he was its first sportscaster during his senior year (1959–1960). He attended Ripon College in Wisconsin,^[8] where he was a member of the Sigma Nu fraternity. He took a drama class in the final quarter of his senior year to get over his shyness.^[10] Ford, a self-described "late bloomer,"^{[citation needed]} became fascinated with acting.

Early career[link]

In 1964, Ford traveled to Los Angeles, California to apply for a job in radio voice-overs. He did not get it, but stayed in California and eventually signed a $150 a week contract with Columbia Pictures' New Talent program, playing bit roles in films. His first known part was an uncredited role as a bellhop in Dead Heat on a Merry-Go-Round (1966). There is little record of his non-speaking roles (or "extra" work) in film. Ford was at the bottom of the hiring list, having offended producer Jerry Tokovsky after he played a bellboy in the feature. He was told by Tokovsky that when actor Tony Curtis delivered a bag of groceries, he did it like a movie star; Ford felt his job was to act like a bellboy.^[11] Ford managed to secure other roles in movies, such as A Time for Killing (The Long Ride Home), starring Glenn Ford, George Hamilton and Inger Stevens.

His speaking roles continued next with Luv (1967), though he was still uncredited. He was finally credited as "Harrison J. Ford" in the 1967 Western film, A Time for Killing, but the "J" did not stand for anything, since he has no middle name. It was added to avoid confusion with a silent film actor named Harrison Ford, who appeared in more than 80 films between 1915 and 1932, and died in 1957. Ford later said that he was unaware of the existence of the earlier Harrison Ford until he came upon a star with his own name on the Hollywood Walk of Fame. Ford soon dropped the "J" and worked for Universal Studios, playing minor roles in many television series throughout the late 1960s and early 1970s, including Gunsmoke, Ironside, The Virginian, The F.B.I., Love, American Style, and Kung Fu. He appeared in the western Journey to Shiloh (1968) and had an uncredited, non-speaking role in Michelangelo Antonioni's 1970 film Zabriskie Point, as an arrested student protester. Not happy with the roles being offered to him, Ford became a self-taught professional carpenter^[8] to support his then-wife and two small sons. While working as a carpenter, he became a stagehand for the popular rock band The Doors. He also built a sun deck for actress Sally Kellerman and a recording studio for Brazilian band leader Sérgio Mendes.

He was then hired to build cabinets at the home of director George Lucas, who subsequently cast him in a pivotal supporting role for his film American Graffiti (1973).^[8] Ford's relationship with Lucas affected his career later on. After director Francis Ford Coppola's film The Godfather was a success, he hired Ford to expand his office and gave him small roles in his next two films, The Conversation (1974) and Apocalypse Now (1979); in the latter film he played a smarmy officer named "G. Lucas."

Milestone franchises[link]

[edit] Star Wars

Ford's carpentry work eventually landed him his first starring film role. In 1975, George Lucas hired him to read lines for actors auditioning for parts in his Star Wars (1977). Lucas was eventually won over by Ford's portrayal, and cast him as Han Solo.^[12] Star Wars became one of the most successful movies of all time worldwide, and established Ford as a superstar.^[8] He went on to star in the similarly-successful Star Wars sequels, The Empire Strikes Back (1980) and Return of the Jedi (1983), as well as The Star Wars Holiday Special (1978). Ford wanted Lucas to kill off Han Solo at the end of either sequel, saying, "That would have given the whole film a bottom," but Lucas refused.^[13]

[edit] Indiana Jones

The type of fedora worn by Ford in the Indiana Jones films

Ford's status as a leading actor was solidified when he starred as Indiana Jones in the George Lucas/Steven Spielberg collaboration Raiders of the Lost Ark (1981).^[8] Though Spielberg was interested in casting Ford in the lead role from the start, Lucas was not, due to having already worked with the actor in American Graffiti and Star Wars, but he eventually relented after Tom Selleck was unable to accept.^[14][8] Ford reprised the role for the prequel Indiana Jones and the Temple of Doom (1984) and the sequel Indiana Jones and the Last Crusade (1989).^[8] He later returned to his role as Indiana Jones again for a 1993 episode of the television series The Young Indiana Jones Chronicles, and for the fourth film, Indiana Jones and the Kingdom of the Crystal Skull (2008).

Other film work[link]

Ford has been in numerous other films, including Heroes (1977), Force 10 from Navarone (1978), and Hanover Street (1979). Ford also co-starred alongside Gene Wilder in the buddy-Western The Frisco Kid (1979), playing a bank robber with a heart of gold. He then starred as Rick Deckard in Ridley Scott's cult sci-fi classic Blade Runner (1982), and in a number of dramatic-action films: Peter Weir's Witness (1985) and The Mosquito Coast (1986), and Roman Polanski's Frantic (1988).^[8]

The 1990s brought Ford the role of Jack Ryan in Tom Clancy's Patriot Games (1992) and Clear and Present Danger (1994), as well as leading roles in Alan Pakula's Presumed Innocent (1990) and The Devil's Own (1997), Andrew Davis' The Fugitive (1993), Sydney Pollack's remake of Sabrina (1995), and Wolfgang Petersen's Air Force One (1997). Ford also played straight dramatic roles, including an adulterous husband in both Presumed Innocent (1990) and What Lies Beneath (2000), and a recovering amnesiac in Mike Nichols' Regarding Henry (1991).^[8]

Many of Ford's major film roles came to him by default through unusual circumstances: he won the role of Han Solo while reading lines for other actors, was cast as Indiana Jones because Tom Selleck was not available, and took the role of Jack Ryan supposedly due to Alec Baldwin's fee demands, although Baldwin disputes this (Baldwin had previously played the role in The Hunt for Red October).

Recent roles[link]

Ford in 2007

Starting in the late 1990s, Ford appeared in several critically derided and commercially disappointing movies, including Six Days Seven Nights (1998), Random Hearts (1999), K-19: The Widowmaker (2002), Hollywood Homicide (2003), Firewall (2006), and Extraordinary Measures (2010). One exception was 2000's What Lies Beneath, which grossed over $155 million in the United States and $291 million worldwide.^[15]

In 2004, Ford declined a chance to star in the thriller Syriana, later commenting that "I didn't feel strongly enough about the truth of the material and I think I made a mistake."^[16] The role eventually went to George Clooney, who won an Oscar and a Golden Globe for his work. Prior to that, he had passed on a role in another Stephen Gaghan-written role, Robert Wakefield in Traffic. That role went to Michael Douglas.

In 2008, Ford enjoyed success with the release of Indiana Jones and the Kingdom of the Crystal Skull, another collaboration between George Lucas and Steven Spielberg. The film received generally positive reviews and was the second highest-grossing film worldwide in 2008.^[17] He later said he would like to star in another sequel, "...if it didn't take another 20 years to digest."^[18]

Other 2008 work included Crossing Over, directed by Wayne Kramer. In the film, he plays an immigrations officer, working alongside Ashley Judd and Ray Liotta.^[19][20] He also narrated a feature documentary film about the Dalai Lama entitled Dalai Lama Renaissance.^[21]

Ford at the 2008 Cannes Film Festival

Ford filmed the medical drama Extraordinary Measures^[22] in 2009 in Portland, Oregon. Released January 22, 2010, the film also starred Brendan Fraser and Alan Ruck. Also in 2010, he co-starred in the film Morning Glory, along with Patrick Wilson, Rachel McAdams, and Diane Keaton.^[23]

He has expressed interest in returning to the Jack Ryan franchise.^[24]

In July 2011, Ford starred alongside Daniel Craig and Olivia Wilde in the science fiction Western film Cowboys & Aliens. Ford portrays Colonel Woodrow Dolarhyde, a character who rules the town of Absolution with an iron fist.^[25] Ford and executive producer Steven Spielberg did not want to have the character wear a cowboy hat because they were worried that it would remind audiences of the Indiana Jones films.^[26] Ford described his character as a "grumpy old man."^[27] To promote the film, Ford made his first appearance at the San Diego Comic-Con International, being led onstage in handcuffs by two security guards, giving the audience the impression that he was being dragged to Comic-Con against his will. However, the actor's arrival involuntarily referred to an actual assault that occurred shortly before the presentation of the film, after which the alleged assailant was taken away in handcuffs. Ford received a long standing ovation as he joined his co-stars, and, apparently surprised by the warm welcome, told the audience, "I just wanted to make a living as an actor. I didn't know about this."^{[28][29][30][31][32]}

In 2011, Ford starred in Japanese commercials advertising the video game Uncharted 3: Drake's Deception for the PlayStation 3. In it, he can be seen playing the game whilst appearing amazed and praising it.^[33]

As of April 2012, he was said to be in late-stage negotiations to join the corporate espionage thriller Paranoia. The movie already has Hunger Games star Liam Hemsworth confirmed as the lead while Gary Oldman is also in final talks to star in a supporting role. Directed by Robert Luketic, Paranoia takes place in the fast-paced world of business and involves a duel between telecom giants. Production is scheduled to begin this summer.^[34]

Personal life[link]

Marriages and family[link]

Ford with wife Calista Flockhart at the 2009 Deauville American Film Festival

Ford is one of Hollywood's most private actors,^[8] guarding his personal life. He has two sons (Benjamin and Willard) with his first wife, Mary Marquardt, as well as two children (Malcolm and Georgia) with his second wife, screenwriter Melissa Mathison.

Ford began dating actress Calista Flockhart after meeting at the 2002 Golden Globes, and together they are parents to her adopted son, Liam. Ford proposed to Flockhart over Valentine's Day weekend in 2009.^[35] They married on June 15, 2010, in Santa Fe, New Mexico, where Ford was filming Cowboys and Aliens.^[36]

Ford has three grandchildren: Eliel (born 1993), Giuliana (born 1997), and Ethan (born 2000).^[37] Son Benjamin owns Ford's Filling Station, a gastro pub in Culver City, California.^{[38][39][40][41]} Son Willard is co-owner of Ford & Ching showroom, as well as Ludwig Clothing company.^[42]

Chin and back injury[link]

Ford injured his chin at the age of 20 when his car, a Volvo 544, hit a telephone pole in Northern California;^{[citation needed]} the scar is visible in his films. An explanation for it on film is offered in Indiana Jones and the Last Crusade, when a young Indiana Jones cuts his chin while attempting to crack a whip to ward off a lion. In Working Girl, Ford's character explains that it happened when he passed out and hit his chin on the toilet when a college girlfriend was piercing his ear. In June 1983, at age 40, during the filming of Indiana Jones and the Temple of Doom in London, he herniated a disc in his back, forcing him to fly back to Los Angeles for an operation. He returned six weeks later.^[43]

Aviation[link]

Ford is a private pilot of both fixed-wing aircraft and helicopters,^[8] and owns an 800-acre (3.2 km²) ranch in Jackson, Wyoming, approximately half of which he has donated as a nature reserve. On several occasions, Ford has personally provided emergency helicopter services at the behest of local authorities, in one instance rescuing a hiker overcome by dehydration.^[44]

Ford began flight training in the 1960s at Wild Rose Idlewild Airport in Wild Rose, Wisconsin, flying in a Piper PA-22 Tri-Pacer, but at $15 an hour he was unable to continue the training.^[45] In the mid-1990s, he bought a used Gulfstream II and asked one of his pilots, Terry Bender, to give him flying lessons. They started flying a Cessna 182 out of Jackson, Wyoming, later switching to Teterboro, New Jersey, flying a Cessna 206, the aircraft he soloed in.^[46]

On October 23, 1999, Harrison Ford was involved in the crash of a Bell 206L4 LongRanger helicopter (N36R). The NTSB accident report states that Ford was piloting the aircraft over the Lake Piru riverbed near Santa Clarita, California, on a routine training flight. While making his second attempt at an autorotation with powered recovery Ford allowed the aircraft's altitude to drop to 150–200 feet before beginning power up. As a result the aircraft was unable to recover power before hitting the ground. The aircraft landed hard and began skidding forward in the loose gravel before one of its skids struck a partially embedded log and flipped onto its side. Neither Ford nor the instructor pilot suffered any injuries, though the helicopter was seriously damaged. When asked about the incident by fellow pilot James Lipton in an interview on the TV show Inside the Actor's Studio Ford replied, "I broke it."^[47]

Ford keeps his aircraft at Santa Monica Airport,^[48] though the Bell 407 is often kept and flown in Jackson, Wyoming, and has been used by the actor in two mountain rescues during the actor's assigned duty time assisting the Teton County Search and Rescue. On one of the rescues Ford recovered a hiker who had become lost and disoriented. She boarded Ford's Bell 407 and promptly vomited into one of the rescuers' caps, unaware of who the pilot was until much later; "I can't believe I barfed in Harrison Ford's helicopter!" she said later.^[49]

Ford flies his de Havilland Canada DHC-2 Beaver (N28S) more than any of his other aircraft, and although he dislikes showing favoritism, he has repeatedly stated that he likes this aircraft and the sound of its Pratt & Whitney R-985 radial engine.^[50] Ford first encountered the Beaver while filming Six Days Seven Nights, and soon purchased one.^{[citation needed]} Kenmore Air in Kenmore, Washington, restored Ford's yellow and green Beaver — a junked former U.S. military aircraft — with updated avionics and an upgraded engine. According to Ford, it had been flown in the CIA's Air America operations, and was riddled with bullet holes that had to be patched up.^[51] He uses it regularly for impromptu fly-ins at remote airports and bush strips, as well as gatherings with other Beaver owners and pilots.^{[citation needed]}

In March 2004, Ford officially became chairman of the Young Eagles program of the Experimental Aircraft Association (EAA). Ford was asked to take the position by Greg Anderson, Senior Vice President of the EAA at the time, to replace General Charles "Chuck" Yeager who was vacating the post that he had held for many years. Ford at first was hesitant, but later accepted the offer and has made appearances with the Young Eagles at the EAA AirVenture Oshkosh gathering at Oshkosh, Wisconsin for two years. In July 2005, at the gathering in Oshkosh Ford agreed to accept the position for another two years. Ford has flown over 280 children as part of the Young Eagles program, usually in his DHC-2 Beaver, which can seat the actor and five children. Ford is involved with the EAA chapter in Driggs, Idaho, just over the mountains from Jackson, Wyoming.

As of 2009, Ford appears in Web advertisements for General Aviation Serves America, a campaign by advocacy group AOPA (Aircraft Owners and Pilots Association).^[52]

Ford is an Honorary Board Member of the humanitarian aviation organization Wings of Hope.^[53]

He has also flown as an invited VIP with the Blue Angels.^[54]

Aircraft owned

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2010)

Activism[link]

Environmental causes[link]

Ford sits on the board of directors of Conservation International.^{[citation needed]} He received the Jules Verne Spirit of Nature Award for his ongoing work in preservation of the planet.^[55]

In 1993, the arachnologist Norman Platnick named a new species of spider Calponia harrisonfordi, and in 2002, the entomologist Edward O. Wilson named a new ant species Pheidole harrisonfordi (in recognition of Harrison's work as Vice Chairman of Conservation International).^[56]

Since 1992, Ford has lent his voice to a series of public service messages promoting environmental involvement for EarthShare, an American federation of environmental and conservation charities.^{[citation needed]}

Political views[link]

Like his parents, Ford is a lifelong Democrat,^[57] and a close friend of former President Bill Clinton.^[19]

On September 7, 1995, Ford testified before the U.S. Senate Foreign Relations Committee in support of the Dalai Lama and an independent Tibet, and was banned thereafter by the Chinese government from entering Tibet and China.^[58][59] In 2008, he narrated the documentary Dalai Lama Renaissance.^{[citation needed]}

In 2003, he publicly condemned the Iraq War and called for "regime change" in the United States. He also criticized Hollywood for making violent movies, and called for more gun control in the United States.^[60] He opposed the recall of Californian Governor Gray Davis, and stated in an interview that replacing Davis with Arnold Schwarzenegger would be a mistake.^[61]

Archaeology[link]

Following on his success portraying the archaeologist Indiana Jones, Ford also plays a part in supporting the work of professional archaeologists. He serves as a General Trustee^[62] on the Governing Board of the Archaeological Institute of America (AIA), North America's oldest and largest organization devoted to the world of archaeology. Ford assists them in their mission of increasing public awareness of archaeology and preventing looting and the illegal antiquities trade.

Community work[link]

Ford volunteered as a food server. On November 21, 2007, Ford and other celebrities, including Kirk Douglas, Nia Long and Calista Flockhart, helped serve hot meals to the homeless at the annual Thanksgiving feast at the Los Angeles Mission.^[63]

Awards[link]

Ford's star on the Hollywood Walk of Fame

Ford received a nomination for the Academy Award for Best Actor for Witness, for which he also received "Best Actor" BAFTA and Golden Globe nominations. He received the Cecil B. DeMille Award at the 2002 Golden Globe Awards and on June 2, 2003, he received a star on the Hollywood Walk of Fame. He has received three additional "Best Actor" Golden Globe nominations for The Mosquito Coast, The Fugitive and Sabrina.

In 2006, Ford was awarded the Jules Verne Spirit of Nature Award for his work in nature and wildlife preservation. The ceremony took place at the historic Shrine Auditorium in Los Angeles, California.^[55]

He received the first ever Hero Award for his many iconic roles, including Han Solo and Indiana Jones, at the 2007 Scream Awards, and in 2008, the Spike TV's Guy's Choice Award for Brass Balls.^[64][65]

Harrison Ford received the AFI Life Achievement Award in 2000.^[66]

Filmography[link]

See also[link]

References[link]