• Afro
• Afro textured hair
• Agora
• Alopecia
• Ancient Greece
• Androgenic hair
• Anno Domini
• Asymmetric cut
• Backcombing
• Baldness
• Barber
• Barber chair
• Barber paradox
• Barber pole
• Barber surgeon
• Barber's pole
• Barbershop music
• Beard
• Bearded lady
• Beauty salon
• Beehive (hairstyle)
• Big hair
• Birds Barbershop
• Bloodletting
• Blowout (hairstyle)
• Bob cut
• Bouffant
• Bowl cut
• Braid
• Bronze Age
• Bucharest
• Bun (hairstyle)
• Bunches
• Butch cut
• Buzz cut
• Caesar cut
• Category Hair
• Chemical depilatory
• Chest hair
• Chin curtain
• Chinstrap beard
• Chonmage
• Comb over
• Coming of age
• Conk
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• Cosmetology
• Crew cut
• Crop (hairstyle)
• Croydon facelift
• Curly hair
• Curtained hair
• Delhi
• Dental extraction
• Dentist
• Dentistry
• Devilock
• Dice Bob
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• Digital perm
• DOVO Solingen
• Dreadlocks
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• Electrology
• Emo Hair
• Enema
• Facial hair
• Fauxhawk
• Feathered hair
• Finger wave
• Fire cupping
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• Fringe (hair)
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• Hair highlighting
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• Handlebar moustache
• Head shaving
• Hi-top fade
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• Hime cut
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• Humayun's Tomb
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• Laboratory mice
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• Latin
• Layered hair
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• Leg shaving
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• List of hairstyles
• Long hair
• Magna Grecia
• Middle Ages
• Mohawk hairstyle
• Moptop
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• Mullet (haircut)
• Nasal hair
• Neckbeard
• Nikolaos Gyzis
• Oseledets
• Pageboy
• Part (haircut)
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• Personal grooming
• Pigtail
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• Project Gutenberg
• Pubic hair
• Queue (hairstyle)
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• Rattail (haircut)
• Razor
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• Razors
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• Roman empire
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• Scurry County, Texas
• Shag (hairstyle)
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• Shenandoah (beard)
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• Wikisource
• 
  

• 
  Bucharest
  Bucharest (Romanian: București pronounced [bukuˈreʃtʲ] ( listen)) is the capital municipality, cultural, industrial, and financial centre of Romania. It is the largest city in Romania, located in the southeast of the country, at 44°25′57″N 26°06′14″E / 44.4325°N 26.10389°E / 44.4325; 26.10389Coordinates: 44°25′57″N 26°06′14″E / 44.4325°N 26.10389°E / 44.4325; 26.10389, and lies on the banks of the Dâmbovița River.
  Bucharest was first mentioned in documents as early as 1459. Since then it has gone through a variety of changes, becoming the state capital of Romania in 1862 and steadily consolidating its position as the centre of the Romanian mass media, culture and arts. Its eclectic architecture is a mix of historical (neo-classical), interbellum (Bauhaus and Art Deco), Communist-era and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nickname of "Little Paris" (Micul Paris). Although many buildings and districts in the historic centre were damaged or destroyed by war, earthquakes, and Nicolae Ceaușescu's program of systematization, many survived. In recent years, the city has been experiencing an economic and cultural boom..
  
  wn.com/Bucharest
• 
  Delhi
  Delhi (/ˈdɛli/; locally pronounced Dillee or Dehli), officially the National Capital Territory of Delhi (NCT), is the largest metropolis by area and the second-largest metropolis by population in India. It is the eighth largest metropolis in the world by population with 16.7 million inhabitants in the Territory at the 2011 Census. The region has been given special status of National Capital Region under The Constitution (69th Amendment) Act, 1991. There are nearly 22.2 million residents in the greater National Capital Region urban area (which also includes the cities Noida, Greater Noida, Ghaziabad, Gurgaon,Sonepat and Faridabad along with other smaller nearby towns).
  Delhi is known to have been continuously inhabited since at least the 6th century BCE, though human habitation is believed to have existed since the second millennium BCE. Delhi is also widely believed to have been the site of Indraprastha, the legendary capital of the Pandavas during the times of the Mahabharata. Delhi re-emerged as a major political, cultural and commercial city along the trade routes between northwest India and the Gangetic plain after the rise of the Delhi sultanates. It is the site of many ancient and medieval monuments, archaeological sites and remains.
  
  wn.com/Delhi
• 
  Humayun's Tomb
  Humayun's tomb (Urdu: ہمایوں کا مقبرہ Humayun ka Maqbara) is the tomb of the Mughal Emperor Humayun. The tomb was commissioned by Humayun's wife Hamida Banu Begum in 1562 AD, and designed by Mirak Mirza Ghiyath, a Persian architect. It was the first garden-tomb on the Indian subcontinent, and is located in Nizamuddin East, Delhi, India, close to the Dina-panah citadel also known as Purana Qila (Old Fort), that Humayun founded in 1533. It was also the first structure to use red sandstone at such a scale The tomb was declared a UNESCO World Heritage Site in 1993, and since then has undergone extensive restoration work, which is still underway. Besides the main tomb enclosure of Humayun, several smaller monuments dot the pathway leading up to it, from the main entrance in the West, including one that even pre-dates the main tomb itself, by twenty years; it is the tomb complex of Isa Khan Niyazi, an Afghan noble in Sher Shah Suri's court of the Suri dynasty, who fought against the Mughals, constructed in 1547 CE.
  
  wn.com/Humayun's_Tomb
• 
  Scurry County, Texas
  Scurry County is a county located in the U.S. state of Texas. As of the 2010 census, its population was 16,921. Its county seat is Snyder. Scurry County was one of forty-six prohibition, or entirely dry, counties in the state of Texas, until a 2006 election approved the sale of beer and wine in Snyder, and a 2008 election approved the sale of liquor by the drink throughout the county.
  This county, lying directly north of Mitchell County, was created in 1876, and was organized June 28, 1884. It was named for William Read Scurry, lawyer and Confederate Army general. Until 1909 it was without railroad facilities, and the nearest shipping points were Colorado City on the south and still later the railroad towns in Fisher County on the east.
  The first railroad was the Roscoe, Snyder and Pacific Railway, built from Roscoe on the Texas & Pacific in Nolan County, to Snyder, the county seat of Scurry County, about 1909, and subsequently extended to Fluvanna, also in Scurry County. In 1911, the Texico-Coleman division of the Santa Fe system was built through the county, giving it a trunk line of railway. Development has been particularly rapid during the early 1900s.
  
  wn.com/Scurry_County,_Texas
• 
  Shiraz
  Coordinates: 29°37′N 52°32′E / 29.617°N 52.533°E / 29.617; 52.533
  Shiraz ( listen (help·info) Persian: شیراز‎ Shīrāz Persian pronunciation: [ʃiːˈrɒːz]) is the sixth most populous city in Iran and is the capital of Fars Province, the city's 2009 population was 1,455,073. Shiraz is located in the southwest of Iran on the Roodkhaneye Khoshk (Dry river) seasonal river. Shiraz has a moderate climate and has been a regional trade center for more than one thousand years.
  The earliest reference to the city, as Tiraziš, is on Elamite clay tablets dated to 2000 BC. In the 13th century, Shiraz became a leading center of the arts and letters, thanks to the encouragement of its ruler and the presence of many Persian scholars and artists. Shiraz was the capital of Persia during the Zand dynasty from 1750 until 1781, as well as briefly during the Saffarid period.
  Shiraz is known as the city of poets, literature, wine and flowers. The word "shir" in Persian means "lion", but it could also mean "milk". It is also considered by many Iranians to be the city of gardens, due to the many gardens and fruit trees that can be seen in the city. Shiraz has had major Jewish and Christian communities. The crafts of Shiraz consist of inlaid mosaic work of triangular design; silver-ware; pile carpet-weaving and weaving of kilim, called gilim and jajim in the villages and among the tribes. In Shiraz industries such as cement production, sugar, fertilizers, textile products, wood products, metalwork and rugs dominate. Shirāz also has a major oil refinery and is also a major center for Iran's electronic industries: 53% of Iran's electronic investment has been centered in Shiraz. Shiraz is home to Iran's first solar power plant. Recently the city's first wind turbine has been installed above Babakoohi mountain near the city.
  
  wn.com/Shiraz
• 
  Snyder, Texas
  Snyder is a city in and the county seat of Scurry County, Texas, United States. The population was 10,653 at the 2010 census. It is located on Deep Creek, a minor tributary of the Colorado River of Texas. Snyder is approximately 150 km (93 miles) southeast of Lubbock.
  Located in Snyder is the Scurry County Coliseum, a large meeting hall which hosts area events. Now known only as "The Coliseum," the structure has since 2008 been operated by Western Texas College. Outside the Coliseum is a locomotive engine and a small restored historic village.
  On the courthouse grounds downtown is a veterans' monument and the sculpture of a rare albino buffalo.
  As of the census of 2000, there were 10,783 people, 4,980 households, and 2,880 families residing in the city. The population density was 1,256.8 people per square mile (485.2/km²). There were 5,013 housing units at an average density of 584.3 per square mile (225.6/km²). The racial makeup of the city was 79.00% White, 4.69% African American, 0.57% Native American, 0.25% Asian, 13.68% from other races, and 1.81% from two or more races. Hispanic or Latino of any race were 31.8% of the population.
  
  wn.com/Snyder,_Texas

• 
  Afro textured hair
  Afro-textured hair is a term used to refer to the natural texture of Black African hair that has not been altered by hot combs, flat irons, or chemicals (through perming, relaxing, or straightening).
  Each strand of this hair type grows in a tiny spring-like, helix shape. The overall effect is such that, despite relatively fewer actual hair shafts compared to straight hair, this texture appears (and feels) denser than its straight counterparts.
  For several reasons, possibly including its relatively flat cross section (among other factors), this hair type also conveys a dry or matte appearance. Its unique shape also renders it very prone to breakage when combed or brushed. The members of many post-Columbian Western societies have typically used adjectives such as "kinky", "nappy", or "spiralled" to describe natural afro-textured hair. More recently, however, it has become common (in some circles) to apply numerical grading systems to human hair types. One particularly popular version of these systems describes afro-hair as being 'type 4' (as opposed to the straight type 1, wavy type 2 and curly type 3); with the subcategory of type 4C being the most exemplary of the afro texture (Walker, 1997) But, it should also be said that afro-textured hair is difficult to categorize because of the many different variations it has from person to person. Those variations include pattern (coils, springs, zig zags, s-curves), pattern size (watch spring to chalk), density (sparse to dense), strand diameter (fine, medium, wide) and feel (cottony, wooly, spongy).
  
  wn.com/Afro_textured_hair
• 
  Long hair
  Long hair is a hairstyle. Exactly what constitutes long hair can change from culture to culture, or even within cultures. For example, a woman with chin-length hair in some cultures may be said to have short hair, while a man with the same length of hair in some of the same cultures would be said to have long hair.
  Scientists view long hair as playing a large part in natural selection among many species, since long, thick and healthy hair or fur is frequently a sign of fertility and youth. As hair grows slowly, long hair reveals several years of a person's health status and reproductive fitness. Hair length is significantly correlated with female attractiveness, as rated by men as well as women. Hair length and quality can act as a cue to especially a woman's youth and health, signifying reproductive potential. The prevalence of trichophilia (hair partialism or fetischism) is 7% in the population, and very long hair is a common subject of devotion in this group.
  Ways of life often viewed as more rigid, such as soldiers and religious cultures, often have explicit rules regarding hair length. For example, Buddhist monks shave their heads as part of their order of worship. Even outside religious structures, cultures often associate male long hair with ways of life outside of what is culturally accepted. Subservient cultures, for example, are sometimes detected by their rulers through hair length, as was the case with the Gaelic Irish under English rule and the Moors under Spanish rule in Medieval Spain.
  
  wn.com/Long_hair
• 
  Nikolaos Gyzis
  Nikolaos Gyzis (Greek: Νικόλαος Γύζης, pronounced [ɣizis]; 1 March 1842 – 4 January 1901) was considered one of Greece's most important 19th-century painters. He was most famous for his work Eros and the Painter, his first genre painting. It was auctioned in May 2006 at Bonhams in London, being last exhibited in Greece in 1928. He was the major representative of the so-called "Munich School", the major 19th-century Greek art movement.
  Gyzis was born in the island of Tinos, which has a long artistic history. As his family settled in Athens in 1850, he soon embarked on a study at the Athens School of Fine Arts. His studies there, formed the foundation of his artistic education and helped him to develop his natural skill in painting.
  In 1865, having won a scholarship, he went to continue his studies at the Academy of Fine Arts, Munich, where he settled for the rest of his life. He was very soon incorporated into the German pictorial climate, and became one of its most characteristic representatives of the Greek artistic movement of the Munich School. This is expressed in the painting News of Victory of 1871, which deals with the Franco-Prussian War, and the painting Apotheosis i Thriamvos tis Vavarias (Apotheosis or Triumph of Bavaria).
  
  wn.com/Nikolaos_Gyzis
• 
  Studs Terkel
  Louis "Studs" Terkel (May 16, 1912 – October 31, 2008) was an American author, historian, actor, and broadcaster. He received the Pulitzer Prize for General Non-Fiction in 1985 for The Good War, and is best remembered for his oral histories of common Americans, and for hosting a long-running radio show in Chicago.
  Terkel was born to Samuel Terkel, a Russian Jewish tailor and his wife, Anna Finkelin in New York City, New York. At the age of eight he moved with his family to Chicago, Illinois, where he spent most of his life. He had two brothers, Ben (1907–1965) and Meyer (1905–1958).
  From 1926 to 1936, his parents ran a rooming house that also served as a meeting place for people from all walks of life. Terkel credited his understanding of humanity and social interaction to the tenants and visitors who gathered in the lobby there, and the people who congregated in nearby Bughouse Square. By 1939, he had grown to adulthood, marrying Ida Goldberg (1912–1999) that year, and the couple produced one son, Dan. Although he received his law degree from the University of Chicago Law School in 1934, he decided instead of practicing law, he wanted to be a concierge at a hotel, and he soon joined a theater group.
  
  wn.com/Studs_Terkel
• Sweeney Todd
  Sweeney Todd is a fictional character who first appeared as the murderer of the Victorian penny dreadful The String of Pearls (1846–1847) and he was later introduced as an antihero of Sweeney Todd: The Demon Barber of Fleet Street and its film adaptations. Claims that Sweeney Todd was a historical person are strongly disputed by scholars, although there are possible legendary prototypes.
  In the original version of the tale, Todd is a barber who dispatches his victims by pulling a lever while they are in his barber chair, which makes them fall backward down a revolving trapdoor into the basement of his shop, generally causing them to break their necks or skulls. Just in case they are alive, he goes to the basement and "polishes them off" (slitting their throats with his straight razor). In some adaptations, the murdering process is reversed, with Todd slitting the throats of his customers before they are dispatched into the basement via the revolving trapdoor. After Todd has robbed his dead victims of their goods, Mrs. Lovett, his partner in crime (in some later versions, his friend and/or lover), assists him in disposing of the bodies by baking their flesh into meat pies, and selling them to the unsuspecting customers of her pie shop. Todd's barber shop is situated at 186 Fleet Street, London, next to St. Dunstan's church, and is connected to Mrs. Lovett's pie shop in nearby Bell Yard by means of an underground passage. In most versions of the story, he and Mrs. Lovett hire an unwitting orphan boy, Tobias Ragg, to serve the pies to customers.
  
  wn.com/Sweeney_Todd

• Violin Concerto, Op. 14: I. Allegro
• Violin Concerto, Op. 14: II. Andante
• Violin Concerto, Op. 14: III. Presto in moto perpetuo
• Piano Concerto, Op. 38: I. Allegro appassionato
• Piano Concerto, Op. 38: II. Canzone: Moderato
• Piano Concerto, Op. 38: III. Allegro molto
• Adagio for Strings, Op. 11
• Second Essay for Orchestra, Op. 17
• The School for Scandal, Op. 5: Overture

• Adagio for Strings, Op.11 (London Symphony Orchestra feat. conductor: Michael Tilson Thomas)
• Knoxville: Summer of 1915 (London Symphony Orchestra feat. conductor: Michael Tilson Thomas, soprano: Barbara Hendricks)
• Violin Concerto, Op. 14: I. Allegro (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira)
• Violin Concerto, Op. 14: II. Andante (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira)
• Violin Concerto, Op. 14: III. Presto in moto prepetuo (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira)
• Overture to 'The School for Scandal', Op. 5 (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin)
• Essay for Orchestra No.1, Op. 12 (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin)
• Medea's Dance of Vengeance, Op. 32a (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin)

• There's Nae Lark
• The Beggar's Song
• In the Dark Pinewood
• Three Songs, Op. 2 No. 3: Bessie Bobtail
• Hermit Songs, Op. 29 No. 1: At St Patrick's Purgatory
• Hermit Songs, Op. 29 No. 2: Church Bell at Night
• Hermit Songs, Op. 29 No. 3: St Ita's Vision
• Hermit Songs, Op. 29 No. 4: The Heavenly Banquet
• Hermit Songs, Op. 29 No. 5: The Crucifixion
• Hermit Songs, Op. 29 No. 6: Sea Snatch
• Hermit Songs, Op. 29 No. 7: Promiscuity
• Hermit Songs, Op. 29 No. 8: The Monk and His Cat
• Hermit Songs, Op. 29 No. 9: The Praises of God
• Hermit Songs, Op. 29 No. 10: The Desire for Hermitage
• Three Songs, Op. 10 No. 1: Rain Has Fallen
• Three Songs, Op. 10 No. 2: Sleep Now
• Three Songs, Op. 10 No. 3: I Hear an Army
• Mélodies passagères, Op. 27 No. 1: Puisque tout passe
• Mélodies passagères, Op. 27 No. 2: Un cygne
• Mélodies passagères, Op. 27 No. 3: Tombeau dans un parc
• Mélodies passagères, Op. 27 No. 4: Le clocher chante
• Mélodies passagères, Op. 27 No. 5: Départ
• Three Songs, Op. 2 No. 1: The Daisies
• Three Songs, Op. 2 No. 2: With Rue My Heart Is Laden
• Four Songs, Op. 13 No. 4: Nocturne
• Four Songs, Op. 13 No. 3: Sure on This Shining Night
• Dover Beach, Op. 3

• Adagio for Strings (London Symphony Orchestra feat. conductor:André Previn)
• Violin Concerto Op 14: I. Allegro (violin:Elmar Oliveira)
• Violin Concerto Op 14: II. Andante (violin:Elmar Oliveira)
• Violin Concerto Op 14: III. Presto in moto perpetuo (violin:Elmar Oliveira)
• Essay No.1 Op 12 (Saint Luis Symphony Orchestra feat. conductor:Leonard Slatkin)
• Cello Concerto Op 22: I. Allegro moderato (Scottish Chamber Orchestra feat. conductor:Jukka-Pekka Saraste cello:Ralk Kirshbaum)
• Cello Concerto Op 22: II. Andante sostenuto (Scottish Chamber Orchestra feat. conductor:Jukka-Pekka Saraste cello:Ralk Kirshbaum)
• Cello Concerto Op 22: III. Molto allegro e appassionato (Scottish Chamber Orchestra feat. conductor:Jukka-Pekka Saraste cello:Ralk Kirshbaum)
• Agnus Dei (Winchester Cathedral Choir feat. conductor:David Hill)

• Adagio for Strings, Op. 11
• Summer Music, Op. 31
• Four Excursions, Op. 20, No. 1
• Four Excursions, Op. 20, No. 2
• Four Excursions, Op. 20, No. 3
• Four Excursions, Op. 20, No. 4
• Dover Beach for Voice and String Quartet, Op. 3
• String Quartet, Op. 11: I. Molto allegro e appassionato
• String Quartet, Op. 11: II. Molto adagio
• String Quartet, Op. 11: III. Molto Allegro
• Vanessa, Op. 32: Intermezzo from Act II
• Toccata Festiva, Op. 36

• Capricorn Concerto, Op. 21: I. Allegro ma non troppo
• Capricorn Concerto, Op. 21: II. Allegretto
• Capricorn Concerto, Op. 21: III. Allegro con brio
• A Hand of Bridge, Op. 35
• Mutations from Bach
• Intermezzo from "Vanessa"
• Canzonetta for Oboe and Strings, Op. posth. 48
• Fadograph of a Yestern Scene, Op. 44

• Vanessa, Op. 32: Act I, Scene I. Introduction
• Vanessa, Op. 32: Act I, Scene I. "Potage crème aux perles" (Erika)
• Vanessa, Op. 32: Act I, Scene I. "No, I cannot understand why..." (Vanessa)
• Vanessa, Op. 32: Act I, Scene I. "Must the winter come so soon?" (Erika)
• Vanessa, Op. 32: Act I, Scene I. "Listen!... They are here" (Erika)
• Vanessa, Op. 32: Act I, Scene I. "Do not utter a word, Anatol" (Vanessa)
• Vanessa, Op. 32: Act I, Scene I. "Yes, I believe I shall love you" (Anatol)
• Vanessa, Op. 32: Act I, Scene I. "Who are you?" (Erika)
• Vanessa, Op. 32: Act I, Scene II. "And then?" (Baroness)
• Vanessa, Op. 32: Act I, Scene II. "No, you are not as good a skater..." (Vanessa)
• Vanessa, Op. 32: Act I, Scene II. "Under the willow tree..." (Doctor)
• Vanessa, Op. 32: Act I, Scene II. "Erika, I am so happy" (Vanessa)
• Vanessa, Op. 32: Act I, Scene II. "Did you hear her?" (Erika)
• Vanessa, Op. 32: Act I, Scene II. "Help, help! Save me from their talk" (Anatol)
• Vanessa, Op. 32: Act I, Scene II. "Outside this house the world has changed" (Anatol)
• Vanessa, Op. 32: Act I, Scene II. "Hurry now!" (Vanessa)
• Vanessa, Op. 32: Act I, Scene II. "In morning light let us rejoice" (Chorus)

• Wind Quintet in A major, Op. 43: I. Allegro bon moderato
• Wind Quintet in A major, Op. 43: II. Menuet
• Wind Quintet in A major, Op. 43: III. Praeludium: Adagio - Tema con variazioni
• Bagatelle No. 1: Allegro con spirito
• Bagatelle No. 2: Rubato. Lamentoso
• Bagatelle No. 3: Allegro grazioso
• Bagatelle No. 4: Presto ruvido
• Bagatelle No. 5: Adagio. Mesto (Béla Bartók in memoriam)
• Bagatelle No. 6: Molto vivace. Capriccioso
• Summer Music, Op. 31
• Wind Quintet No. 1: I. Andante tranquillo - Allegro assai
• Wind Quintet No. 1: II. Presto - Trio
• Wind Quintet No. 1: III. Tema con variazoni
• Wind Quintet No. 1: IV. Tempo di marcia francese

• Knoxville: Summer of 1915, Op. 24
• Second Essay, Op. 17
• Third Essay, Op. 47
• Toccata Festiva, Op. 36

• Concerto for Violin and Orchestra, Op. 14: I. Adagio
• Concerto for Violin & Orchestra, Op. 14: II. Andante
• Concerto for Violin and Orchestra, Op. 14: III. Presto in Moto
• Concerto for Piano and Orchestra, Op. 38: I. Allegro Appassionato
• Concerto for Piano and Orchestra, Op. 38: II. Canzone: Moderato
• Concerto for Piano and Orchestra, Op. 38: III. Allegro Molto
• Adagio for String, Op. 11
• Second Essay for Orchestra, Op. 17
• Overture to the School for Scandal, Op. 5

• Cello Concerto in E minor: Adagio - Moderato
• Cello Concerto in E minor: Lento - Allegro molto
• Cello Concerto in E minor: Adagio
• Cello Concerto in E minor: Allegro
• Cello concerto, Op. 22: Allegro moderato
• Cello concerto, Op. 22: Andante sostenuto
• Cello concerto, Op. 22: Molto allegro e appassionato

• Symphony No. 1
• Essay for Orchestra No. 1
• Essay for Orchestra No. 2
• Night Flight
• Music From Shelley
• Knoxville

• Concerto for Piano and Orchestra: I. Allegro appassionato (feat. piano: Stephen Prutsman)
• Concerto for Piano and Orchestra: II. Canzone: Moderato (feat. piano: Stephen Prutsman)
• Concerto for Piano and Orchestra: III. Allegro molto (feat. piano: Stephen Prutsman)
• Die Natali, Op. 37
• Medea's Meditation and Dance of Vengeance, Op. 29A
• Commando March

• Violin Concerto, Op. 14: I. Allegro (feat. violin: James Buswell)
• Violin Concerto, Op. 14: II. Andante (feat. violin: James Buswell)
• Violin Concerto, Op. 14: III. Presto in moto perpetuoso (feat. violin: James Buswell)
• Souvenirs (Ballet Suite), Op. 28: I. Waltz (The Lobby)
• Souvenirs (Ballet Suite), Op. 28: II. Schottische (Third Floor Hallway)
• Souvenirs (Ballet Suite), Op. 28: III. Pas de Deux (A Corner of the Ballroom)
• Souvenirs (Ballet Suite), Op. 28: IV. Two-Step (Tea in the Palm Court)
• Souvenirs (Ballet Suite), Op. 28: V. Hesitation Tango (A Bedroom Affair)
• Souvenirs (Ballet Suite), Op. 28: VI. Galop (The Next Afternoon)
• Serenade for Strings, Op. 1: I. Un poco adagio: Allegro con spirito
• Serenade for Strings, Op. 1: II. Andante con moto
• Serenade for Strings, Op. 1: III. Dance: Allegro giocoso
• Music for a Scene From Shelley, Op. 7

• Adagio for Strings, Op. 11
• The School for Scandal - Overture, Op. 5
• Violin Concerto, Op. 14: I. Allegro
• Violin Concerto, Op. 14: II. Andante
• Violin Concerto, Op. 14: III. Presto in moto perpetuo
• Essay for Orchestra, Op. 12
• Second Essay for Orchestra, Op. 17
• Medea's Dance of Vengeance, Op. 23a

• Cello Concerto Op. 22: I. Allegro moderato
• Cello Concerto Op. 22: II. Andante sostenuto
• Cello Concerto Op. 22: III. Molto allegro e appassionato
• Medea Op. 23: Parodos
• Medea Op. 23: Choros. Medea and Jason
• Medea Op. 23: The Young Princess. Jason
• Medea Op. 23: Chroso
• Medea Op. 23: Medea
• Medea Op. 23: Kantikos Agonias
• Medea Op. 23: Exodos
• Adagio for Strings Op. 11

• The School for Scandal Overture, Op. 5
• Symphony No. 1, Op. 9: Allegro ma non troppo
• Symphony No. 1, Op. 9: Allegro molto
• Symphony No. 1, Op. 9: Andante tranquillo
• First Essay for Orchestra, Op. 12
• Symphony No. 2, Op. 19: Allegro ma non troppo
• Symphony No. 2, Op. 19: Andante, un poco mosso
• Symphony No. 2, Op. 19: Presto, senza battuto - Allegro risoluto

• Concerto for Violin and Orchestra No. 2: I. Agitato
• Concerto for Violin and Orchestra No. 2: II. Lento
• Concerto for Violin and Orchestra No. 2: III. Allegro con spirito
• Concerto for Violin and Orchestra, Op. 14: I. Allegro
• Concerto for Violin and Orchestra, Op. 14: II. Andante
• Concerto for Violin and Orchestra, Op. 14: III. Presto in moto perpetuo
• Concerto for Violin and Orchestra in G minor, Op. 43: Allegro con brio - Adagio - Andantino - Lento, allegro con brio

• Adagio For Strings, Op. 11 (Boston Symphony Strings)
• Adagio For Strings, Op. 11 (flute: James Galway, synthesizer: Hiro Fujikake)
• Adagio For Strings, Op. 11 (Canadian Brass)
• Adagio For Strings, Op. 11: Agnus Dei (Choir of Trinity College, Cambridge)
• Adagio For Strings, Op. 11 (Kalman Opperman Clarinet Choir feat. clarinet: Richard Stoltzman)
• Adagio For Strings, Op. 11 (Tokyo String Quartet)
• Adagio For Strings, Op. 11 (organ: David Pizarro)
• Adagio For Strings, Op. 11 (Smithsonian Chamber Players)

• Adagio for Strings: Molto adagio
• Concerto for Violin and Orchestra, Op. 14: I. Allegro (feat. violin: Isaac Stern)
• Concerto for Violin and Orchestra, Op. 14: II. Andante (feat. violin: Isaac Stern)
• Concerto for Violin and Orchestra, Op. 14: III. Presto in moto (feat. violin: Isaac Stern)
• To Thee Old Cause
• In Praise of Shahn: Vigoroso: I. Vigoroso
• In Praise of Shahn: Vigoroso: II. Lento (Bar 185)

• Medea's Dance of Vengeance, Op. 23a
• String Quartet in B minor, Op. 11: II. Adagio
• Second Essay for Orchestra, Op. 17
• Overture to "The School for Scandal", Op. 5
• Andromache's Farewell, Op. 39
• Vanessa, Op. 32: Act II. Intermezzo
• Amelia al Ballo: Overture
• Wozzeck: Act III. Interlude
• Fervaal, Op. 40: Introduction

• Dover Beach, Op. 3
• Serenade for String Quartet, Op. 1: I. Un poco adagio - Allegro con spirito
• Serenade for String Quartet, Op. 1: II. Andante con moto
• Serenade for String Quartet, Op. 1: III. Dance. Allegro giocoso
• Three Songs, Op. 2 No. 1 "The Daisies"
• Three Songs, Op. 2 No. 2 "With Rue My Heart Is Laden"
• Three Songs, Op. 2 No. 3 "Bessie Bobtail"
• Three Songs, Op. 10 No. 1 "Rain Has Fallen"
• Three Songs, Op. 10 No. 2 "Sleep Now"
• Three Songs, Op. 10 No. 3 "I Hear an Army"
• Four Songs, Op. 13 No. 4 "Nocturne"
• Four Songs, Op. 13 No. 3 "Sure on This Shining Night"
• Despite and Still, Op. 41 No. 4 "Solitary Hotel"
• Three Songs, Op. 45 No. 1 "Now Have I Fed and Eaten Up the Rose"
• Three Songs, Op. 45 No. 2 "A Green Lowland of Pianos"
• Three Songs, Op. 45 No. 3 "O Boundless, Boundless Evening"
• Quartet for Strings, Op. 11: I. Molto allegro e appassionato
• Quartet for Strings, Op. 11: II. Adagio
• Quartet for Strings, Op. 11: III. Molto adagio. Presto

• A Slumber Song of the Madonna
• There's Nae Lark
• Love at the Door
• Serenades
• Love's Caution
• Night Wanderers
• Of That So Sweet Imprisonment
• Strings in the Earth and Air
• The Beggar's Song
• In the Dark Pinewood
• The Daisies, Op. 2 No. 1
• With Rue My Heart Is Laden, Op. 2 No. 2
• Bessie Bobtail, Op. 2 No. 3
• Rain Has Fallen, Op. 10 No. 1
• Sleep Now, Op. 10 No. 2
• I Hear an Army, Op. 10 No. 3
• A Nun Takes the Veil, Op. 13 No. 1
• The Secrets of the Old, Op. 13 No. 2
• Sure on this Shining Night, Op. 13 No. 3
• Nocturne, Op. 13 No. 4
• Dover Beach, Op. 3

• Excursions, Op. 20: I. Un poco allegro
• Excursions, Op. 20: II. In slow blues tempo
• Excursions, Op. 20: III. Allegretto
• Excursions, Op. 20: IV. Allegro molto
• Nocturne, Op. 33: Moderato
• Sonata for Piano, Op. 26: I. Allegro energico - Un poco meno mosso - Tempo I
• Sonata for Piano, Op. 26: II. Allegro vivace e leggero
• Sonata for Piano, Op. 26: III. Adagio mesto
• Sonata for Piano, Op. 26: IV: Fuga. Allegro con spirito
• Ballade, Op. 46: Restless - Allegro con fuoco - Restless, as before
• Souvenirs, Op. 28: I. Waltz
• Souvenirs, Op. 28: II. Schottische
• Souvenirs, Op. 28: III. Pas de deux
• Souvenirs, Op. 28: IV. Two-step
• Souvenirs, Op. 28: V. Hesitation-Tango
• Souvenirs, Op. 28: VI. Galop

• Serenade for Strings in C (Op. 48): Pezzo in forma di sonatina: Andante non troppo - Allegro moderato
• Serenade for Strings in C (Op. 48): Waltz: Moderato (Tempo di valse)
• Serenade for Strings in C (Op. 48): Elégie: Larghetto elegiaco
• Serenade for Strings in C (Op. 48): Finale (Tema russo): Andante - Allegro con spirto
• Italian Serenade in G
• Introduction and Allegro for Strings (Op. 47): Introduction
• Introduction and Allegro for Strings (Op. 47): Allegro
• Adadio for Strings (Op. 11)

• String Quartet, Op. 11: I. Molto allegro e appassionato
• String Quartet, Op. 11: IIa. Molto adagio
• String Quartet, Op. 11: IIb. Molto allegro (come prima)
• String Quartet in F major "American", Op. 96: I. Allegro ma non troppo
• String Quartet in F major "American", Op. 96: II. Lento
• String Quartet in F major "American", Op. 96: III. Molto vivace
• String Quartet in F major "American", Op. 96: IV. Finale - vivace ma non troppo
• String Quartet No. 1: Part One
• String Quartet No. 1: Ambient Pause
• String Quartet No. 1: Part Two

• String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto
• String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante
• String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile
• String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale
• Scherzo, S. 84 No. 2 "Holding Your Own"
• String Quartet in B major, Op. 11: I. Molto allegro e appassionato
• String Quartet in B major, Op. 11: II. Molto adagio - attacca:
• String Quartet in B major, Op. 11: III. Molto allegro (come prima) - Presto
• String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto
• String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto
• String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso

• The Planets: Mars, the Bringer of War
• The Planets: Venus, the Bringer of Peace
• The Planets: Mercury, the Winged Messenger
• The Planets: Jupiter, the Bringer of Jollity
• The Planets: Saturn, the Bringer of Old Age
• The Planets: Uranus, the Magician
• The Planets: Neptune, the Mystic
• Adagio for Strings
• Pomp and Circumstance, op.39

• Cello Concerto, Op. 22: I. Allegro moderato
• Cello Concerto, Op. 22: II. Andante sostenuto
• Cello Concerto, Op. 22: III. Molto allegro e appassionato
• Cello Sonata, Op. 6: I. Allegro ma non troppo
• Cello Sonata, Op. 6: II. Adagio
• Cello Sonata, Op. 6: III. Allegro appassionato
• Adagio for Strings, Op. 11

• Knoxville: Summer of 1915 (Eleanor Steber)
• Dover Beach, Op. 3
• Hermit Songs: I. At Saint Patrick's Purgatory (Leontyne Price)
• Hermit Songs: II. Church Bell at Night
• Hermit Songs: III. St. Ita's Vision
• Hermit Songs: IV. The Heavenly Banquet
• Hermit Songs: V. The Crucifixion
• Hermit Songs: VI. Sea-snatch
• Hermit Songs: VII. Promiscuity
• Hermit Songs: VIII. The Monk and His Cat
• Hermit Songs: IX. The Praises of God
• Hermit Songs: X. The Desire for Hermitage
• Andromache's Farewell, Op. 39 (New York Philharmonic , Martina Arroyo)

• Adagio for Strings (from String Quartet, Op. 11)
• Overture to "The School for Scandal", Op. 5
• First Essay for Orchestra, Op. 12
• Music for a Scene from Shelley, Op. 7
• Second Essay for Orchestra, Op. 17
• Symphony No. 1 (in one movement), Op. 9: Allegro, ma non troppo
• Symphony No. 1 (in one movement), Op. 9: Allegro molto
• Symphony No. 1 (in one movement), Op. 9: Andante tranquillo
• Symphony No. 1 (in one movement), Op. 9: Con moto

• Overture to The School for Scandal, Op. 5
• Knoxville: Summer of 1915, Op. 24
• [First] Essay for Orchestra, Op. 12
• Second Essay, Op. 17
• Adagio for Strings, Op. 11
• Medea's Dance of Vengence, Op. 23A

• Symphony No. 1, Op. 9: I. Allegro ma non troppo
• Symphony No. 1, Op. 9: II. Allegro molto
• Symphony No. 1, Op. 9: III. Andante tranquillo
• Symphony No. 1, Op. 9: IV. Con moto [Passacaglia]
• Piano Concerto, Op. 38: I. Allegro appassionato (feat. piano: John Browning)
• Piano Concerto, Op. 38: II. Canzone: Moderato (feat. piano: John Browning)
• Piano Concerto, Op. 38: III. Allegro molto (feat. piano: John Browning)
• Souvenirs, Suite from the Ballet: I. Waltz (feat. piano: John Browning, Leonard Slatkin)
• Souvenirs, Suite from the Ballet: II. Schottische (feat. piano: John Browning, Leonard Slatkin)
• Souvenirs, Suite from the Ballet: III. Pas de deux (feat. piano: John Browning, Leonard Slatkin)
• Souvenirs, Suite from the Ballet: IV. Two-Step (feat. piano: John Browning, Leonard Slatkin)
• Souvenirs, Suite from the Ballet: V. Hesitation-Tango (feat. piano: John Browning, Leonard Slatkin)
• Souvenirs, Suite from the Ballet: VI. Galop (feat. piano: John Browning, Leonard Slatkin)

• Sonata K. 330 in C - I) Allegro moderato
• Sonata K. 330 in C - II) Andante cantabile
• Sonata K. 330 in C - III) Allegretto
• Estampes No. 2 - La soirée dans Grenade
• Études No. 5 - Étude pour les octaves
• Prélude No. 7 Livre II - La terrasse des audiences du clair de lune
• Estampes No. 3 - Jardins sous la pluie
• Images No. 1 Livre I - Reflets dans l'eau
• Prélude No. 12 Livre II - Feux d'artifice
• Sonata Op. 26 - I) Allegro energico
• Sonata Op. 26 - II) Allegro vivace e leggero
• Sonata Op. 26 - III) Adagio mesto
• Sonata Op. 26 - IV) Fuga - Allegro con spirito

• Piano Sonata No. 7 in B-flat major, Op. 83: I. Allegro inquieto
• Piano Sonata No. 7 in B-flat major, Op. 83: II. Andante caloroso
• Piano Sonata No. 7 in B-flat major, Op. 83: III. Precipitato
• Piano Sonata, Op. 26: I. Allegro energico
• Piano Sonata, Op. 26: II. Allegro vivace e leggero
• Piano Sonata, Op. 26: III. Adagio mesto
• Piano Sonata, Op. 26: IV. Fuga: Allegro con spirito
• Piano Sonata No. 3 in F major, Op. 46: I. Allegro con moto
• Piano Sonata No. 3 in F major, Op. 46: II. Andante cantabile
• Piano Sonata No. 3 in F major, Op. 46: III. Allegro Giocoso
• Toccata in D minor, Op. 11
• Nocturne No. 13 in B minor, Op. 119
• Presto in B-flat major

• Vanessa: Act I. "Potage crème aux perles"
• Vanessa: Act I. "No I cannot understand"
• Vanessa: Act I. "Must the winter come so soon?"
• Vanessa: Act I. "Listen!... They are here..."
• Vanessa: Act I. "Do not utter a word, Anatol"
• Vanessa: Act I. "Yes I believe I shall love you"
• Vanessa: Act I. "Who are you?"
• Vanessa: Act II. "And then?" / "He made me drink"
• Vanessa: Act II. "No, you are not as good a skater"
• Vanessa: Act II. "Under the willow tree..."
• Vanessa: Act II. "Erika, I am so happy"
• Vanessa: Act II. "Our arms entwined"
• Vanessa: Act II. "Did you hear her?"
• Vanessa: Act II. "Outside this house the world has changed"
• Vanessa: Act II. Orchestral Interlude / Hymn

• Cello Concerto, Op. 22: I. Allegro moderato
• Cello Concerto, Op. 22: II. Andante sostenuto
• Cello Concerto, Op. 22: III. Molto allegro e appassionato
• Symphony for Cello and Orchestra, Op. 68: I. Allegro maestoso
• Symphony for Cello and Orchestra, Op. 68: II. Presto inquieto
• Symphony for Cello and Orchestra, Op. 68: III. Adagio
• Symphony for Cello and Orchestra, Op. 68: IV. Passacaglia: Andante allegro

• Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico)
• Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo)
• Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing)
• Agnus Dei
• In the Beginning
• Three Motets: Help Us, O Lord
• Three Motets: Have Mercy on Us, O My Lord
• Three Motets: Sing Ye Praises to Our King

• Allegro appassionato
• Moderato
• Allegro molto
• Medea: Meditation & Dance of Vengence
• Adagio for Strings

• Piano Concerto: Allegro appassionato (feat. piano: Tedd Joselson)
• Piano Concerto: Moderato (feat. piano: Tedd Joselson)
• Piano Concerto: Allegro molto (feat. piano: Tedd Joselson)
• Medea: Meditation & Dance of Vengeance
• Adagio for Strings

• Cello Concerto, Op. 22: I. Allegro moderato
• Cello Concerto, Op. 22: II. Andante sostenuto
• Cello Concerto, Op. 22: III. Molto allegro ed appassionato
• Cello Concerto No. 1 in E-flat major, Op. 107: I. Allegretto
• Cello Concerto No. 1 in E-flat major, Op. 107: II. Andante sostenuto
• Cello Concerto No. 1 in E-flat major, Op. 107: III. Cadenza
• Cello Concerto No. 1 in E-flat major, Op. 107: IV. Allegro con brio

• Concerto for Violin and Orchestra, Op. 14: I. Allegro
• Concerto for Violin and Orchestra, Op. 14: II. Andante
• Concerto for Violin and Orchestra, Op. 14: III. Presto in moto perpetuo
• Concerto No. 1 in A minor for Violin and Orchestra, Op 99: I. Nocturne
• Concerto No. 1 in A minor for Violin and Orchestra, Op 99: II Scherzo
• Concerto No. 1 in A minor for Violin and Orchestra, Op 99: III Passacaglia
• Concerto No. 1 in A minor for Violin and Orchestra, Op 99: IV. Burlesque

• Antony and Cleopatra: Act I, Prologue. "The Empire"
• Antony and Cleopatra: Act I, Scene 1. "Cleopatra's Palace in Alexandra"
• Antony and Cleopatra: Act I, Scene 1. "I am sick and sullen"
• Antony and Cleopatra: Act I, Scene 1. Orchestral Interlude
• Antony and Cleopatra: Act I, Scene 2. "The Senate in Rome"
• Antony and Cleopatra: Act I, Scene 3. "Cleopatra's Palace"
• Antony and Cleopatra: Act I, Scene 3. Slaves' Dance
• Antony and Cleopatra: Act I, Scene 4. "A Roman Banquet Hall"
• Antony and Cleopatra: Act I, Scene 4. "When first she met Mark Antony"
• Antony and Cleopatra: Act I, Scene 4. "Vision of Cleopatra's Barge"
• Antony and Cleopatra: Act II, Scene 1. "The Senate in Rome"
• Antony and Cleopatra: Act II, Scene 2. "Cleopatra's Garden"
• Antony and Cleopatra: Act II, Scene 2. "Hush, here come the Queen and Antony"
• Antony and Cleopatra: Act II, Scene 3. "Outside Antony's Battlefield Tent"
• Antony and Cleopatra: Act II, Scene 4. "Inside the Tent"
• Antony and Cleopatra: Act II, Scene 4. Duet. "Oh take, oh take those lips away"

• Sonata for Piano Op. 26: I. Allegro energico
• Sonata for Piano Op. 26: II. Allegro vivace e leggero
• Sonata for Piano Op. 26: III. Adagio mesto
• Sonata for Piano Op. 26: IV. Fuga: Allegro con spirito
• Interlude No. 1 "Adagio for Jeanne"
• Nocturne Op. 33
• Ballade Op. 46
• Excursions Op. 20: I. Un poco allegro
• Excursions Op. 20: II. In Slow Blues Tempo
• Excursions Op. 20: III. Allegretto
• Excursions Op. 20: IV. Allegro molto

• Capricorn Concerto, Op. 21: I. Allegro ma non troppo (San Diego Chamber Orchestra feat. conductor: Donald Barra)
• Capricorn Concerto, Op. 21: II. Allegretto (San Diego Chamber Orchestra feat. conductor: Donald Barra)
• Capricorn Concerto, Op. 21: III. Allegro con brio (San Diego Chamber Orchestra feat. conductor: Donald Barra)
• Canzone, Op. 38a (feat flute: Alexa Still, piano: Susan DeWitt Smith)
• Fadograph of a Yestern Scene, Op. 44 (New Zealand Symphony Orchestra feat. conductor: Andrew Schenck)
• Cave of the Heart, Op. 23: V. Media's Dance of Vengeance (Atlantic Sinfonietta feat. conductor: Andrew Schenck)
• Adagio for Strings, Op. 11 (New Zealand Symphony Orchestra feat. conductor: James Sedares)
• Souvenirs Suite: Hesitation Waltz (arr. Arthur Gold & Rolbert Fizdale) (feat. pianos: The Malinova Sisters)
• Hermit Songs, Op. 29 No. 3: St. Ita's Vision (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer)
• Hermit Songs, Op. 29 No. 4: The Heavenly Banquet (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer)
• Hermit Songs, Op. 29 No. 5: The Crucifixion (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer)
• Hermit Songs, Op. 29 No. 6: Sea-Snatch (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer)
• Hermit Songs, Op. 29 No. 7: Promiscuity (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer)
• Hermit Songs, Op. 29 No. 8: The Monk and his Cat (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer)
• Hermit Songs, Op. 29 No. 9: The Praises of God (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer)
• Hermit Songs, Op. 29 No. 10: The Desire for Hermitage (arr. Todd Palmer) (feat. clarinet: Todd Palmer, piano: Carol Archer)
• To Be Sung on Water, Op. 42 No. 2 (Oregon Repertory Singers feat. conductor: Gilbert Seeley)
• The Lovers, Op. 43 No. 8: Tonight I Can Write (Chicago Symphony Orchestra & Chorus feat. conductor: Andrew Schenck, baritone: Dale Duesing)
• Summer Music, Op. 31 (Arioso Wind Quintet)

• Hermit Songs, Op. 29: At Saint Patrick's Purgatory
• Hermit Songs, Op. 29: Church Bell at Night
• Hermit Songs, Op. 29: Sait Ita's Vision
• Hermit Songs, Op. 29: The Heavenly Banquet
• Hermit Songs, Op. 29: The Crucifixion
• Hermit Songs, Op. 29: Sea-Snatch
• Hermit Songs, Op. 29: Promiscuity
• Hermit Songs, Op. 29: The Monk and His Cat
• Hermit Songs, Op. 29: The Praises of God
• Hermit Songs, Op. 29: The Desire for Hermitage
• Sleep Now, Op. 10, No. 2
• The Daises, Op. 2, No. 1
• Nocturne, Op. 13, No. 4
• Nuvoletta, Op. 25
• Knoxville: Summer of 1915
• Antony and Cleopatra: Give Me Some Music
• Antony and Cleopatra: Give Me My Robe

• Prayers of Kierkegaard "O Thou Who Art Unchangeable", Op. 30: Grave and remote
• Prayers of Kierkegaard "Lord Jesus Christ Who Suffer'd", Op. 30: Andante con moto tranquillo
• Prayers of Kierkegaard, "Father in Heaven, Well We Know That it is Thou" Op. 30: Un poco mosso
• Prayers of Kierkegaard, Op. 30: Allegro molto
• Prayers of Kierkegaard "Father in Heaven! Hold Not Our Sins Up Against Us", Op. 30: Quietly
• The Lovers, Op. 43: I. Body of a Woman
• The Lovers, Op. 43: II. Lithe Girl, Brown Girl
• The Lovers, Op. 43: III. In the Hot Depth of This Summer
• The Lovers, Op. 43: IV. Close Your Eyes
• The Lovers, Op. 43: V. The Fortunate Isles
• The Lovers, Op. 43: VI. Sometimes
• The Lovers, Op. 43: VII. We Have Lost Even This Twilight
• The Lovers, Op. 43: VIII. Tonight I Can Write
• The Lovers, Op. 43: IX. Cemetery of Kisses

• Agnus Dei
• Totus tuus
• Magnificat
• Ubi caritas
• Annunciation
• De profundis
• Tantum ergo
• Amen
• Chichester Psalms I
• Chichester Psalms II
• Chichester Psalms III

• Adagio for Strings - from String Quartet Op. 11
• Violin Concerto - Andante
• Symphony No.1, Op. 9 - Andante Tranquillo
• Symphony No.1, Op. 9 - Con Moto
• First Essay for Orchestra, Op. 12
• Knoxville: Summer of 1915 - for Soprano and Orchrestra
• Second Essay for Orchestra, Op. 17
• Adagio for Strings (Vocal Version)

• Cello Sonata, Op. 6: I. Allegro ma non troppo
• Cello Sonata, Op. 6: II. Adagio - Presto
• Cello Sonata, Op. 6: III. Allegro appassionato
• Canzone for Flute and Piano, Op. 38a
• Excursions, Op. 20: I. Un poco allegro
• Excursions, Op. 20: II. In slow blues tempo
• Excursions, Op. 20: III. Allegretto
• Excursions, Op. 20: IV. Allegro molto
• Nocturne (Homage to John Field), Op. 33
• Summer Music, Op. 31: I. Slow and indolent
• Summer Music, Op. 31: II. Faster
• Summer Music, Op. 31: III. Lively, still faster
• Summer Music, Op. 31: IV. With motion, as before
• Summer Music, Op. 31: V. Joyous and flowing
• Summer Music, Op. 31: VI. Tempo I
• Souvenirs, Op. 28: Pas de deux
• Souvenirs, Op. 28: Two-Step

Born: 1910-03-09

Died: 1981-01-23

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• timeline:
• 2012
• 2011
• 2010
• 2009
• 2008
• 2007
• 2006
• 2005
• 2004
• 2003
• 2002
• 2001