A typical circus clown

Clowns are comic performers stereotypically characterized by the grotesque image of the circus clown's colored wigs, stylistic makeup, outlandish costumes, unusually large footwear, and red nose, which evolved to project their actions to large audiences. Other less grotesque styles have also developed, including theatre, television, and film clowns. Peter Berger writes that "It seems plausible that folly and fools, like religion and magic, meet some deeply rooted needs in human society".^[1] For this reason, clowning is often considered an important part of training as a physical performance discipline, partly because tricky subject matter can be dealt with, but also because it requires a high level of risk and play in the performer.^[2]

The humour in clowning comes from the self deprecating actions of the performer, rather than the audience laughing with the performer as is common with other forms of comedy.

The term coulrophobia has been coined to describe those individuals who report a fear of clowns.^[3]

History of clowns[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2010)

The most ancient clowns have been found in the Fifth dynasty of Egypt, around 2400 BCE.^[4] Contrary to court jests, clown have traditionally served a socio-religious and psychological role, and traditionally the role of priest and clown have been held by the same persons.^[4][5][6][7]

Clowning was developed from a broad tradition of historical performances, and it is difficult to point out a singular tradition or even a few different ones as being the primary precursors to clowns.^{[citation needed]} However there are a few past prominent forms of entertainment contemporarily linked to clowning as its possible antecedents.

Examples of historical, clown-like comedic performers have been the pantomimus in ancient Greece, the Lazzi of Commedia dell'Arte, bouffons, court jesters, as well as the French mime tradition. On top of this there are many non-European clowning traditions (including clown-like figures in Japanese Kabuki theatre), North American native shaman traditions to consider which may or may not have influenced what we now think of as a clown in the Western world.

Principal types[link]

This unreferenced section requires citations to ensure verifiability.

Whiteface[link]

A clown with some classic whiteface characteristics; full whiteface, extravagant clothes

A whiteface character does not always wear the classic whiteface makeup.^{[citation needed]} Additionally, a character can wear traditional whiteface makeup and be an auguste.

Classic appearance. Traditionally, the whiteface clown uses "clown white" makeup to cover his or her entire face and neck with none of the underlying flesh color showing. In the European whiteface makeup, the ears are painted red. Features, in red and black, are delicate. He or she is traditionally costumed far more extravagantly than the other two clown types, sometimes wearing the ruffled collar and pointed hat which typify the stereotypical "clown suit".

Character. The whiteface character-type is often serious, all-knowing (even if not particularly smart), bossy and cocky. He is the ultimate authority figure. He serves the role of "straight-man" and sets up situations that can be turned funny.

America's first great white faced clown was stage star George "G.L." Fox. Following in the footsteps of legendary English Joseph Grimaldi, Fox popularised the Humpty Dumpty stories throughout the land in the first half of the 19th century.

Some circus examples include Pipo Sossman, François Fratellini (the Fratellini family), Felix Adler, Paul Jung, Harry Dann, Chuck Burnes, Albert White, Ernie Burch, Bobby Kaye, Jack and Jackie LeClaire, Joe and Chester Sherman, Keith Crary, Charlie Bell, Tim Tegge, Kenny Dodd, Frankie Saluto, Tammy Parish, David Konyot (Circus Barum and The Toni Alexis trio), Jay Stewart and Prince Paul Albert.

Auguste[link]

Typical aspects of an Auguste; white muzzle and eyes

Appearance[link]

The auguste face base makeup color is a variation of pink, red, or tan rather than white. Features are exaggerated in size and are typically red and black in color. The mouth is thickly outlined with white (called the muzzle) as are the eyes. The auguste is dressed (appropriate to character) in either well-fitted garb or in a costume that does not fit – either oversize or too small is appropriate. Bold colors, large prints or patterns, and suspenders often characterize auguste costumes.

Character[link]

The auguste character-type is often an anarchist, a joker, or a fool. He is clever and has much lower status than the whiteface. Classically the whiteface character instructs the auguste character to perform his bidding. The auguste has a hard time performing the given task which leads to funny situations. Sometimes the auguste plays the role of an anarchist and purposefully has trouble following the whiteface's directions. Sometimes the auguste is confused or is foolish and is screwing up less deliberately.

The contra-auguste[link]

The contra-auguste plays the role of the mediator between the whiteface character and the auguste character. He has a lower status than the whiteface but a higher status than the auguste. He aspires to be more like the whiteface and often mimics everything the whiteface does to try to gain approval. If there is a contra-auguste character, he often is instructed by the whiteface to correct the auguste when he is doing something wrong.

Character clown[link]

The character clown adopts an eccentric character of some type, such as a butcher, a baker, a policeman, a housewife or hobo. Prime examples of this type of clown are the circus tramps Otto Griebling and Emmett Kelly. Red Skelton, Harold Lloyd, Buster Keaton, and Charlie Chaplin would all fit the definition of a character clown.

The character clown makeup is a comic slant on the standard human face. Their makeup starts with a flesh tone base and may make use of anything from glasses, mustaches and beards to freckles, warts, big ears or strange haircuts.

North American[link]

Emmet Kelly

The most prevalent character clown in the American circus is the hobo, tramp or bum clown. There are subtle differences in the American character clown types. The primary differences among these clown types is attitude. According to American circus expert Hovey Burgess, they are (in order of class):

• The Hobo Migratory and finds work where he travels. Down on his luck but maintains a positive attitude.
• The Tramp Migratory and does not work where he travels. Down on his luck and depressed about his situation.
• The Bum Non-migratory and non-working.

Emmett Kelly was the preeminent clown of this type. Others include Barry Lubin, Tom Dougherty, Bill Irwin, David Shiner, Geoff Hoyle, Funny Man Poodles, John Gilkey, Eric Davis, Peter Shub, Poodles Hanneford, Bluch Landolf, Larry Pisoni, John Lepiarz, Bobo Barnett, Happy Kellams, Fumagalli, Charlie Cairoli, Bebe^{[disambiguation needed ]}, Jojo Lewis, Abe Goldstein, Rhum, David Larible, Scott Linker, Kenny Raskin, Oleg Popov, Rik Gern, and Bello Nock.^{[citation needed]}

Native American clowning[link]

Many native tribes have a history of clowning. The Canadian Clowning method developed by Richard Pochinko and furthered by his former apprentice, Sue Morrison, combines European and Native American clowning techniques.

In this tradition, masks are made of clay while the creator's eyes are closed. A mask is made for each direction of the medicine wheel. During this process, the clown creates a personal mythology which explores his or her personal experiences and innocences.

Rodeo clown[link]

A rodeo clown is a cowboy, or animal wrangler, dressed in wild costumes. They are used in bull riding riding competitions where their primary job is to distract the bull from the rider when the rider dismounts either at the conclusion of the ride (typically 8 seconds) or by being thrown before the conclusion of the ride. Rodeo clowns are also referred to as bull fighters and cowboy protection within rodeo circles. Rodeo clowns usually work in pairs or in threes and move towards the bull, waving and yelling to attract the bull's attention to themselves as soon as a bull rider dismounts or is thrown from the bull. This action allows the rider to escape to safety. In situations where a rider becomes entangled and unable to free him or herself from the bull, the rodeo clowns put themselves at risk by rushing to the bull and placing themselves between the bull's horns and rider while at the same time attempting to free the rider from bull. Many modern rodeos will showcase rodeo clowns by featuring them in a segment separate from bull riding where the clowns demonstrate their bull fighting prowess by directly confronting bulls, jumping over them and using other specialized evasive maneuvers.

Commedia dell'Arte[link]

(*see Harlequinade)

Archetypal Pierrot and Harlequin as painted by Paul Cézanne

There are two distinct types of clown characters, which originated in Commedia dell'Arte but which still hold some favor today, Pierrot and Harlequin.

Pierrot/Pirouette. Derived from the commedia dell'arte character Pedrolino – the youngest actor of the troupe, deadpan and downtrodden. Although Pedrolino appeared without mask, Pierrot usually appears in whiteface, typically with very little other color on the face. Like Arlecchino, Pedrolino's character changed enormously with the rising popularity of pantomime in the late 19th century, becoming Pierrot. This clown character prefers black and white or other a simple primary color in his or her costume. (le Pierrot is often female, and has also been called "Pirouette" or "Pierrette". When Bernard Delfont was made a life peer, he chose "Pierrot and Pierrette" as the heraldic supporters of his coat of arms.).

The tragic Robert Hunter song "Reuben and Cerise" mentions Pirouette twice, in symbolic colors: <poem>

...Cerise was dressing as Pirouette in white

when a fatal vision gripped her tight

Cerise beware tonight...</poem>

Cerise is Reuben's "true love", but Ruby Claire was a temptress:

<poem>

...Sweet Ruby Claire at Reuben stared

At Reuben stared

She was dressed as Pirouette in red

and her hair hung gently down

</poem>

Both women have names which translate as "red", but Reuben's true love is dressed in pure white. The other, to whom he played his fateful song, is the "lady in red." This symbolism might imply that Reuben was Pierrot's companion, Arlecchino:

Harlequin, or Arlecchino, is a "motley" clown. In the Commedia, Arlecchino always carries a cane with which to strike the other performers, although this cane is normally taken from him by the other performers and used against him. This is believed to be the origin of the slapstick form of comedy. A slapstick (battacio in Italian), is a prop with two flat flexible wooden pieces mounted in parallel so that the two sticks slap together when the implement is struck, causing a slapping sound, exaggerating the effect of a comedic blow. Despite the slapstick, Arlecchino is not malicious, but mischievous, the slapstick being a classic example of carnivalesque phallic imagery (see also the commedia masks' noses).

Like a cross between the characters of Puck and Nick Bottom in A Midsummer Night's Dream, Arlecchino is nimble and adept at the same time as being clumsy and dim, and is normally the 'messenger' character in a comedy — the catalyst for mayhem.

Arlecchino has a female counterpart, Arlecchina, or Rosetta, but more often he is in love with the character of Columbina, a straightforward and intelligent maid, who is usually given the prologue and epilogue.

Arlecchino has other derivatives with slightly different features: Traccagnino, Bagattino, Tabarrino, Tortellino, Naccherino, Gradelino, Mezzettino, Polpettino, Nespolino, Bertoldino, Fagiuolino, Trappolino, Zaccagnino, Trivellino, Passerino, Bagolino, Temellino, Fagottino, Fritellino, Tabacchino, whose names could all be considered funny-sounding names, even to an Italian. Arlecchino's name is probably derived from "hellech" plus the diminutive suffix "-ino", meaning little devil. In the same way, "Trufflino" is "Little Truffler", Trivellino is (Arlecchino's) "Little Brother", and so on. The Harlequin often loses much of Arlecchino's character in pantomime, as he becomes more of a ballet character, to a large extent stripped of dialogue and subversive content.

Joseph Grimaldi was the most celebrated of English clowns, his performances made this character central in British harlequinades.

Clowning terminology[link]

This unreferenced section requires citations to ensure verifiability.

Egg Register[link]

When clowns join Clowns International in England, which claims to be the oldest clown society in the world, they register their individual make-up patterns in the "Egg Gallery". Eggshells are decorated as replicas of the clown's heads, and act as sort of clown copyright for the make-up designs. When a clown dies, his egg is smashed.

Skills[link]

The Clown and the tightrope walker.

In the circus, a clown might perform another circus role:

• Walk a tightrope, a highwire, a slack rope or a piece of rope on the ground.
• Ride a horse, a zebra, a donkey, an elephant or even an ostrich.
• Substitute himself in the role of "lion tamer".
• Act as "emcee", from M.C. or Master of Ceremonies, the preferred term for a clown taking on the role of "Ringmaster".
• "Sit in" with the orchestra, perhaps in a "pin spot" in the center ring, or from a seat in the audience.
• Anything any other circus performer might do. It is not uncommon for an acrobat, a horse-back rider or a lion tamer to secretly stand in for the clown, the "switch" taking place in a brief moment offstage.

Frameworks[link]

Frameworks are the general outline of an act that clowns use to help them build out an act. Frameworks can be loose, including only a general beginning and ending to the act, leaving it up to the clown's creativity to fill in the rest, or at the other extreme a fully developed script that allows very little room for creativity.

Shows are the overall production that a clown is a part of, it may or may not include elements other than clowning, such as in a circus show. In a circus context, clown shows are typically made up of some combination of Entrées, Side dishes, Clown Stops, Track Gags, Gags and bits.

Joey, the Auguste and the ringmaster[link]

In clown duos, Clowns often rely on the Joey & Auguste framework, or Manipulator/Victim. The Ringmaster relationship is the addition of an ur-manipulator, or ur-victim to this chemistry. This often takes the form of a mutual enemy or nemesis. An example of this situation might be as follows:

A husband comes home late, he's drunk, and has a collar covered in lipstick. His wife wants to know where he's been and a manipulator-victim relationship occurs. Suddenly their child enters the scene and the dynamic changes in an attempt to avoid traumatizing him/her. The child wants to know why there's a strange man in their bedroom, and the manipulator-victim dymnamic shifts during the next argument. Then it turns out that the child has constructed this elaborate ruse in order to steal cookies and watch late-night TV without notice, giving him ur-manipulator status.

This is an example of a ringmaster situation. Clowns in the ringmaster position are often character clowns, where Joey and Auguste duos are typically made up of a Whiteface Clown and an Auguste.

Gags, bits and business[link]

"Business" is the individual motions the clown uses, often used to express the clown's character. A "gag" is a very short piece of clown comedy which when repeated within a bit or routine may become a "running gag". Gags may be loosely defined as "the jokes clowns play on each other". Bits are the clown's sketches or routines made up of one or more gags either worked out and timed before going on stage or impromptu bits composed of familiar improvisational material. A gag may have a beginning, a middle and an end to them, or they may not. Gags can also refer to the prop stunts/tricks or the stunts that clowns use, such as a squirting flower.

Menu[link]

Entrées are feature clowning acts lasting 5–10 minutes. They are typically made up of various gags and bits, and usually use a clowning framework. Entrées almost always end with a blow-off. (The blow-off is the comedic ending of a show segment, bit, gag, stunt or routine.)

Side dishes are shorter feature acts. Side dishes are essentially shorter versions of the Entrée, typically lasting 1–3 minutes. Side dishes are typically made up of various gags and bits, and usually use a clowning framework. Side dishes almost always end with a blow-off.

Interludes[link]

"Clown Stops" or "interludes" are the brief appearances of clowns while the props and rigging are changed. These are typically made up of a few gags or several bits. Clown Stops almost always end with a blow-off. Clown stops will always have a beginning, a middle and an end to them. These are also called reprises or run-ins by many and in today's circus they are an art form in themselves, originally they were bits of "business" usually parodying the act that had preceded it. If for instance there had been a wire walker the reprise would involve two chairs with a piece of rope between and the clown trying to imitate the artiste by trying to walk between them with the resulting falls and cascades bringing laughter from the audience. Today they are far more complex and in many modern shows the clowning is a thread that links the whole show together.

Prop stunts[link]

Among the more well-known clown stunts are: squirting flower; the "too-many-clowns-coming-out-of-a-tiny-car" stunt; doing just about anything with a rubber chicken, tripping over ones own feet (or an air pocket or imaginary blemish in the floor), or riding any number of ridiculous vehicles or "clown bikes". Individual prop stunts are generally considered to be individual bits.

Fear of clowns[link]

A depiction of an evil clown, a character depicted in the media, which might cause anxiety to someone with coulrophobia

The term coulrophobia has been proposed to denote an abnormal, exaggerated, or irrational fear of clowns. The term is of recent use but is not commonly used in psychology, and according to one analyst, "has been coined more on the Internet than in printed form because it does not appear in any previously published, psychiatric, unabridged, or abridged dictionary".^[8] In particular, the term is not recognised as a specific disorder by the American Psychiatric Association in its latest categorisation of disorders, nor is it recognised by the World Health Organisation as a valid disorder.

It is common for children to be afraid of disguised, exaggerated, or costumed figures—even Santa Claus.^{[citation needed]} Ute myths feature a cannibalistic clown monster called the Siats.^{[citation needed]} In the Space To Care study aimed at improving hospital design for children, researchers from the University of Sheffield polled 250 children regarding their opinions on clowns;^[9] all 250 children in the study, whose ages ranged between four and sixteen, reported that they found clowns frightening and disliked clowns as part of hospital decor.^[10][11]

Clown costumes tend to exaggerate the facial features and some body parts, such as hands and feet and noses. This can be read as monstrous or deformed as easily as it can be read as comical. Some have suggested, however, that a fear of clowns may stem from early childhood experience, when infants begin to process and make sense of facial features.^{[citation needed]} The significant aberrations in a clown's face may frighten a child so much that they carry this phobia throughout their adult life.^{[citation needed]}

The British arts and music festival Bestival cancelled its planned clown theme in 2006 after many adult ticketholders contacted the organizers expressing a fear of clowns.^[12]

See also[link]

Wikiquote has a collection of quotations related to: Clowns

Wikimedia Commons has media related to: Clowns

• Bouffon
• Circus clown
• Circus Knie
• Clown car
• Clown society
• Evil clown
• Jester
• List of clowns
• Mime artist
• John Wayne Gacy, a convicted serial killer also known as the "Killer Clown"

References[link]

Notes

Bibliography

Emeli Sandé
Background information
Birth name	Adele Emeli Sandé
Born	(1988-03-10) 10 March 1988 (age 24)[1][2]
Genres	Soul, R&B, pop
Occupations	Singer, musician, songwriter
Years active	2009–present
Labels	Virgin (2010–present)
Website	www.emelisande.com

Adele Emeli Sandé  /sænˈdeɪ/ san-DAY, (born 10 March 1988)^[1] known by her stage name Emeli Sandé, is a Scottish soul and R&B recording artist and songwriter. Sandé first became known to the public eye after she featured on rapper Chipmunk's third single, "Diamond Rings", which gained herself and Chipmunk a first top 10 single on the UK Singles Chart. In 2010, she appeared on Roll Deep star, Wiley's "Never Be Your Woman", which became another top ten hit. Simon Cowell called her "his favourite songwriter at the minute". She has written for a number of artists, including Cher Lloyd, Parade, Susan Boyle, Preeya Kalidas, Leona Lewis, Alesha Dixon, Cheryl Cole, and Tinie Tempah.

In 2010, she signed a publishing deal with EMI Music Publishing. She later announced that Virgin Records had given her a record deal. Sandé released her first solo single "Heaven" in August 2011, which was an instant hit around the globe. Sandé has two number-one singles across the United Kingdom and Ireland with "Read All About It" with Professor Green and "Next to Me". She released Our Version of Events, in February 2012, upon the release the album peaked number one in the UK.^[3]

Early life[link]

Emeli Sandé was born to a Zambian father and English mother. She was raised in Alford, Aberdeenshire.^[4][5] She studied Medicine at the University of Glasgow, but stopped in her fourth year.^[4] She said that education was one of the most important things to her, stating that if her music career failed, she has education to fall back on. Sandé said that her manager, Adrian Sykes, waited patiently since she was 16, saying "Adrian really respects that I want to get an education behind me. He also knows my parents are keen that I finish university."^[6] Sandé has a tattoo of artist Frida Kahlo.^[7] At the age of 11, when Sandé was still in primary school, she wrote her first song for a school talent show.^[7] She spoke "That was the first time I thought I might be a songwriter. I always knew I wanted to be a musician, and I always knew I wanted to write. Because the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.^[7] The first song we wrote in was called "Tomorrow Starts Again", the song had proper structure, which even had a Middle eight.^[7] At the age of 15, Choice FM invited her to London, United Kingdom to take part in a competition they were holding, the "Rapology". Richard Blackwood also had her down to MTV's Camden studios to sing gospel.^[7] Sandé went to the same secondary school at which her father was a teacher. She said "I hated to be ill and to miss a day because I was so hungry to learn. I was very shy, nerdy and extremely well-behaved. Inevitably, throughout secondary school, it was part and parcel of my identity that I was Mr Sandé’s daughter. No way could I muck about or get into trouble, because it would've got back to him within minutes. And Dad was strict, let me tell you."^[8]

Career[link]

2008–10: Career beginnings[link]

Sandé's sister made a video of her playing the piano and singing to one of her favourite songs, "Nasty Little Lady".^[7] They sent the clip to Trevor Nelson's BBC Urban music competition. Sandé won the show and was offered a record deal, but the management that she met via the competition decided against the deal.^[7] Her parents sent 1Xtra a CD of her songs. Ras Kwame played on his "Homegrown Sessions", and four artists that year were asked to do a show in Soho. She met with Watford-born music producer/writer Shahid Khan aka Naughty Boy,^[9] who has previously worked with Ms Dynamite and Bashy,^[7] and they began writing tracks for artists such as Alesha Dixon, Chipmunk, Professor Green, Devlin, Preeya Kalidas, Cheryl Cole, and Tinie Tempah. Sandé soon signed a record deal with Virgin Records and EMI Records.^[10] In an interview, she said "I was doing a show in London for 1Xtra and I met this guy called Naughty Boy. We got in the studio and we clicked work wise. We just started writing, not necessarily for me, we just thought ‘let's write a pop tune’ and experiment. And we wrote the Chipmunk track and I thought nothing of it. Naughty Boy sent it off to Chipmunk who really liked it and wrote his stuff around it."^[10] She signed a record deal with Virgin Records in 2010. She later signed another deal with EMI Records in early 2011.^[11] Sandé made her singing career debut in 2009 after appearing on the track she wrote for Chipmunk's first debut single, "Diamond Rings". The single charted at No. 6 on the UK Singles Charts, making it Chipmunk and Sandé's first ever Top 10 Hit.^[12] She later appeared on another single singing guest vocals, after collaborating with Wiley on his comeback single "Never Be Your Woman", the single charted at number-eight on the UK Singles Charts becoming Sandé's second consecutive Top 10 Single.^[9] Sandé announced she changed her name from Adele Sandé to her middle name Emeli Sandé due to Adele's growing success. She spoke; "I changed it as soon as Adele came out. I just thought, 'You've kind of taken the [name] now', so I went with my middle name. She was just getting bigger and bigger, so I thought I just really need it."^[13]

[edit] 2011–present: Our Version of Events, international success and songwriting

While making her debut album, Sandé began to work with Tinie Tempah. She co-wrote "Let Go", on which she provided guest vocals. She also started working with Devlin after recording a song titled "Dreamer". Sandé later revealed she would be working on Alesha Dixon's upcoming album, The Entertainer. She co-wrote the hit single "Radio" along with Shahid Khan.^[14] and co-wrote tracks on Cheryl Cole's albums as well as Professor Green's album, which Sandé gave guest vocals on.^[15] Sandé revealed her first solo single would be released in early 2011.^[16] There was some speculation surrounding what track she would release, after many newspapers stated that it would be "Daddy". The first official single from her upcoming debut album was "Heaven" and was released on 14 August 2011.^[17] The song has received positive reviews from blogs such as This Must Be Pop^[18] and Robot Pigeon.^[19]

Sandé at XOYO

She revealed that she is Simon Cowell's favourite song-writer at the moment; due to her writing songs for Leona Lewis and Susan Boyle.^[13] Sandé stated in an interview; she said that she would love to meet Boyle after writing songs for her saying, "I haven’t met her yet. I just sent her the song. I’d love to meet her because I think she is a bit of a rock star." One song that Sandé had cowritten for Boyle will appear on her new album, titled "This Will Be The Year". Leona had heard a couple of songs so we had a week in the studio with her. Leona and I got along really well. Then we had another week together. It was very natural. She recorded a song called Trouble and another called Mountains, so I look forward to hearing them on her album."^[13] It was revealed after Professor Green announced his album tracking list for his album, At Your Inconvenience, that Sandé would feature on the first single from the album, "Read All About It". The single was released in October 2011,^{[dated info]} a week before the album was released.^[20] The pair also performed the song live on The X Factor results show.^[21] She confirmed that "Daddy" would be the second official single released from Our Version of Events. Sandé achieved her first number-one single on the UK Singles Chart after "Read All About" entered at number-one. On 26 November, Sandé performed at the LG ARENA in Birmingham for BRMB 2011. On 15 December 2011, she was named as the Brit Awards Critics' Choice for 2012.^[4][22][23] Sandé`s debut album includes songs written by her and has been reviewed as having "richly melodic, classically powerful, retro-futurist soul-pop songs."^[7] She draws on influences for her music from Nina Simone, Joni Mitchell and Lauryn Hill.^[7] Sandé said that all her songs are about World peace and political issues.^[7]

Sandé said that the key to a good song when songwriting is using "honesty" and "raw emotion" as the best way to write. She said that if she attempts to write something which is "too smart" the creative process will not work for her. "Kill the Boy" was one of the first ideas that came to Sandé's head. She said if she has to work on a song longer than a day, she will not go back to it, as she said it won't work. She went onto say if it was to work, it the idea for the song would be almost instant.^[7] It was announced that she was up for another BRIT Award in 2012, for British Breakthrough Act.^[24] Sandé is currently writing material for the original lineup of Sugababes. On 24 January 2012, Sandé performed a one off gig for Q Magzine at XOYO, London. She was supported by British soul singer Michael Kiwanuka. She recorded a version of David Guetta's "Titanium" and the pair performed the song at NRJ Music Awards in France.^[25][26] Sandé has penned a track for Naughty Boy's upcoming LP entitled "Hollywood" which features soul singer Gabrielle. It is about fame coming and going and will be released in November.^[27]

Personal life[link]

In January 2012, Sandé confirmed that she is engaged to her unidentified, long-term boyfriend.^[28] Her boyfriend has requested not to be identified and Sandé has said he is not in the music industry but that he is a scientist.^[29]

Discography[link]

Albums

• Our Version of Events (2012)

Touring[link]

Headlining

• Our Version of Events tour (2011-2012)

Supporting

• Mylo Xyloto Tour (2011-2012)

Awards and nominations[link]

References[link]

Wikimedia Commons has media related to: Emeli Sandé

External links[link]

• Official website
• Aberdeen Famous Faces

Roger Black is an insult comedian known for his character Yucko the Clown.^[1]

Yucko is a regular guest on The Howard Stern Show.^[2]

He is also known for starring in The DAMN! Show along with fellow writer and creator Waco O'Guin and MTV2 series Stankervision, which included sketches from The DAMN! Show, which ran for one season of eight episodes.^[3]

Yucko has recently been reported to be working with Daniel Tosh of Tosh.0 fame on a Comedy Central show.^[4]

References[link]

External links[link]

• Official website
• Yucko the Clown at the Internet Movie Database
• The Damn Show - Official home of Yucko the Clown

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2010)

Stephen King
Stephen King, February 2007
Born	Stephen Edwin King (1947-09-21) September 21, 1947 (age 64) Portland, Maine
Pen name	Richard Bachman, John Swithen
Occupation	Novelist, short story writer, screenwriter, columnist, actor, television producer, film director
Alma mater	University of Maine (B.A., English, 1970)
Genres	Horror, fantasy, science fiction, drama, gothic, genre fiction, dark fantasy
Notable work(s)	Carrie, The Shining, The Stand, It, and The Dark Tower
Spouse(s)	Tabitha King
Children	Naomi King Joe King Owen King
Influences Burton Hatlen[1] Bram Stoker Elmore Leonard Shirley Jackson H. P. Lovecraft Richard Matheson Ray Bradbury[2] Edgar Allan Poe[3] John D. MacDonald Don Robertson
Influenced Peter David[4] J. J. Abrams[5] Damon Lindelof[5] Jeaniene Frost[6]
Signature
www.stephenking.com

Stephen Edwin King (born September 21, 1947) is an American author of contemporary horror, suspense, science fiction and fantasy fiction. His books have sold more than 350 million copies^[7] and have been adapted into a number of feature films, television movies and comic books. As of 2011, King has written and published 49 novels, including seven under the pen name Richard Bachman, five non-fiction books, and nine collections of short stories. Many of his stories are set in his home state of Maine.

King has received Bram Stoker Awards, World Fantasy Awards, British Fantasy Society Awards, his novella The Way Station was a Nebula Award novelette nominee,^[8] and in 2003, the National Book Foundation awarded him the Medal for Distinguished Contribution to American Letters.^[9] He has also received awards for his contribution to literature for his whole career, such as the World Fantasy Award for Life Achievement (2004), the Canadian Booksellers Association Lifetime Achievement Award (2007) and the Grand Master Award from the Mystery Writers of America (2007).^[10]