Languedoc
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Country	France
Time zone	CET

Languedoc (/ˌlɒŋɡəˈdɒk/; French: [lɑ̃ɡdɔk]; Occitan: Lengadòc [ˌleŋɡɔˈðɔ]) is a former province of France, now continued in the modern-day régions of Languedoc-Roussillon and Midi-Pyrénées in the south of France, and whose capital city was Toulouse, now in Midi-Pyrénées. It had an area of approximately 42,700 km² (16,490 sq. miles).

Geographical extent[link]

The gouvernement of Languedoc (including Gévaudan, Velay, and Vivarais) among the former gouvernements of France.

The traditional provinces of the kingdom of France were not formally defined. A province was simply a territory of common traditions and customs, but it had no political organization. Today, when people refer to the old provinces of France, they actually refer to the gouvernements as they existed in 1789. Gouvernements were military regions established in the middle of the 16th century and whose territories closely matched those of the traditional provinces. However, in some cases, small provinces had been merged with a large one into a single gouvernement, so gouvernements are not exactly the same as the traditional provinces.

Historically, the region was called the county of Toulouse, a county independent from the kings of France. The county of Toulouse was made up of what would later be called Languedoc, but it also included the province of Quercy (now département of Lot and northern half of the département of Tarn-et-Garonne) and the province of Rouergue (now département of Aveyron), both to the northwest of Languedoc. At some times it even included the province of Agenais (now eastern half of the département of Lot-et-Garonne) to the west of Languedoc, the province of Gévaudan (now département of Lozère), the province of Velay (now the central and eastern part of the département of Haute-Loire), the southern part of the province of Vivarais (now the southern part of the département of Ardèche), and even all the northern half of Provence. After the French conquest the entire county was dismantled, the central part of it being now called Languedoc.

The gouvernement of Languedoc was created in the middle of the 16th century. In addition to Languedoc proper, it also included the three small provinces of Gévaudan, Velay, and Vivarais (in its entirety), these three provinces being to the northeast of Languedoc. Some people also consider that the region around Albi was a traditional province, called Albigeois (now département of Tarn), although it is most often considered as being part of Languedoc proper. The provinces of Quercy and Rouergue, despite their old ties with Toulouse, were not incorporated into the gouvernement of Languedoc, instead being attached to the gouvernement of Guienne and its far-away capital Bordeaux. This decision was probably intentional, to avoid reviving the independently-spirited county of Toulouse. In the rest of the article, Languedoc refers to the territory of this gouvernement of Languedoc.

Area and location of Languedoc[link]

The province of Languedoc covered an area of approximately 42,700 km² (16,490 sq. miles) in the central part of southern France, roughly the region between the Rhône River (border with Provence) and the Garonne River (border with Gascony), extending northwards to the Cévennes and the Massif Central (border with Auvergne).

Old administrative structures and the question of the capital city of Languedoc[link]

The governors of Languedoc resided in Pézenas, on the Mediterranean coast, away from Toulouse but close to Montpellier. In time they had increased their power well beyond military matters, and had become the real administrators and executive power of the province, a trend seen in the other gouvernements of France, but particularly acute in Languedoc, where the duke of Montmorency, governor of Languedoc, even openly rebelled against the king, then was defeated and beheaded in Toulouse in 1632 by the order of Richelieu. The kings of France became fearful of the power of the governors, so after King Louis XIV (the Sun King) they had to reside in Versailles and were forbidden to enter the territory of their gouvernement. Thus the gouvernements became hollow structures, but they still carried a sense of the old provinces, and so their names and limits have remained popular until today.

Saint-Sernin Basilica in Toulouse, displaying the typical pink brick architecture of Upper Languedoc.

For administrative purposes, Languedoc was divided in two généralités, the généralité of Toulouse and the généralité of Montpellier, the combined territory of the two generalities exactly matching that of the gouvernement of Languedoc. At the head of a generality was an intendant, but in the case of Languedoc there was only one intendant responsible for both generalities, and he was often referred to as the intendant of Languedoc, even though technically speaking he was in fact the intendant of the generality of Toulouse and intendant of the generality of Montpellier. The generality of Toulouse is also referred to as Upper Languedoc (Haut-Languedoc), while the generality of Montpellier, down to the level of the sea, is referred to as Lower Languedoc (Bas-Languedoc). The intendants of Languedoc resided in Montpellier, and they had a sub-delegate in Toulouse. Montpellier was chosen on purpose to diminish the power of Toulouse, whose parlement was very influential, and which symbolized the old spirit of independence of the county of Toulouse. The intendants replaced the governors as administrators of Languedoc, but appointed and dismissed at will by the king, they were no threat to the central state in Versailles. By 1789 they were the most important element of the local administration of the kingdom.

For judicial and legislative matters, Languedoc was overseen by the Parlement of Toulouse, founded in the middle of the 15th century. It was the first parlement created outside of Paris by the kings of France in order to be the equivalent of the Parlement of Paris in the far-away southern territories of the kingdom. The jurisdiction of the Parlement of Toulouse included the whole of the territory of the gouvernement of Languedoc, but it also included the province of Rouergue, most of the province of Quercy, and a part of Gascony. The Parlement of Toulouse was the supreme court of justice for this vast area of France, the court of last resort whose rulings could not be appealed, not even to the Parlement of Paris. The Parlement of Toulouse could also create case law through its decisions, as well as interpret the law. It was also in charge of registering new royal edicts and laws, and could decide to block them if it found them to be in contravention with the liberties and laws of Languedoc.

Finally, for purposes of taxation, Languedoc was ruled by the States of Languedoc, whose jurisdiction included only Languedoc proper (and Albigeois), but not Gévaudan, Velay, and Vivarais, which kept each their own provincial states until 1789. Languedoc proper was one of the very few provinces of France which had the privilege to decide over tax matters, the kings of France having suppressed the provincial states in most other provinces of the kingdom. This was a special favor from the kings to ensure that an independently-spirited region far-away from Versailles would remain faithful to the central state. The States of Languedoc met in many different cities, and for some time they established themselves in Pézenas, but in the 18th century they were relocated definitively to Montpellier, where they met once a year, until 1789.

For religious purposes, Languedoc was also divided into a certain number of ecclesiastical provinces, which had great importance at the time, but are less relevant to this article.

Resulting from this intricate entanglement of administrations and jurisdictions so typical of France before the French Revolution, it is hard to say which city was the capital city of Languedoc. Toulouse and Montpellier both often claim to be the capital of Languedoc. As a matter of fact, in the 18th century the monarchy clearly favored Montpellier, a city much smaller than Toulouse, and with less history and memories attached to it than the ancient metropolis of Toulouse, of which the kings of France were always fearful. However, most people consider that Toulouse is the real capital city of the province of Languedoc, due to its old status as center of the county of Toulouse, and due to the mighty power of its parlement. On maps (both ancient and modern) showing the provinces of France in 1789 (in fact the gouvernements as was explained above), Toulouse is always marked as the capital city of Languedoc.

Modern administrative divisions[link]

The province of Languedoc has been divided between four modern-day régions:

• 55.5% of its former territory lies in the Languedoc-Roussillon région, capital city Montpellier, covering the départements of Gard, Hérault, Aude, Lozère, and the extreme-north of Pyrénées-Orientales, which account for 86.5% of the territory of Languedoc-Roussillon. The remaining 13.5% is Roussillon (Pyrénées-Orientales), a province which was never part of Languedoc historically.
• 24.8% of its former territory lies in the Midi-Pyrénées région, capital city Toulouse, covering the département of Tarn, as well as the eastern half of Haute-Garonne, the southeast of Tarn-et-Garonne, and the northwest and northeast of Ariège, which account for 23.4% of the territory of Midi-Pyrénées. The remaining 76.6% is made of Quercy and Rouergue (of which was talked above), as well as the province of County of Foix (which had been a vassal of the county of Toulouse in the Middle Ages), several small provinces of the Pyrénées mountains, and a large part of Gascony.
• 13% lies in the Rhône-Alpes région, covering the département of Ardèche, which accounts for 12.7% of the territory of Rhône-Alpes
• 6.7% lies in the Auvergne région, covering the central and eastern part of the département of Haute-Loire, which account for 11% of the territory of modern-day Auvergne région

Population and cities[link]

Typical view of the mountainous Cévennes area in the thinly-populated interior of Languedoc: plateaus (the Causses) with deep river canyons

On the traditional territory of the province of Languedoc there live approximately 3,650,000 people (as of 1999 census), 52% of these in the Languedoc-Roussillon région, 35% in the Midi-Pyrénées région, 8% in the Rhône-Alpes région, and 5% in the Auvergne région.

The territory of the former province shows a stark contrast between some densely populated areas (coastal plains as well as metropolitan area of Toulouse in the interior) where density is between 150 inhabitants per km²/390 inh. per sq. mile (coastal plains) and 300 inh. per km²/780 inh. per sq. mile (plain of Toulouse), and the hilly and mountainous interior where density is extremely low, the Cévennes area in the south of Lozère having one of the lowest densities of Europe with only 7.4 inhabitants per km² (19 inh. per sq. mile).

The five largest metropolitan areas on the territory of the former province of Languedoc are (as of 1999 census): Toulouse (964,797), Montpellier (459,916), Nîmes (221,455), Béziers (124,967), and Alès (89,390).

The population of the former province of Languedoc is currently the fastest-growing in France, and also among the fastest-growing in Europe, as an increasing flow of people from northern France and the north of Europe relocating to the sunbelt of Europe, in which Languedoc is located. Growth is particularly strong in the metropolitan areas of Toulouse and Montpellier, which are the two fastest growing metropolitan areas in Europe at the moment. However, the interior of Languedoc is still losing inhabitants, which increases the difference of density that was mentioned.

Population of the coast of Languedoc as well as the region of Toulouse is rather young, educated, and affluent, whereas in the interior the population tends to be much older, with significantly lower incomes, and with a lower percentage of high school and especially college graduates.

Economy[link]

Agriculture[link]

Languedoc is a significant producer of wine, and a major contributor to the surplus known as the "wine lake". Today it produces more than a third of the grapes in France, and is a focus for outside investors. Wines from the Mediterranean coast of Languedoc are labeled as Languedoc, those from the interior have other labels such as Fronton, Gaillac, or Limoux to the west – and Côtes du Rhône towards east.

Other crops include wheat (the traditional crop which made the fortune of the landlords and parliamentarians based in Toulouse, and for whose trade the famous Canal du Midi was built), maize (the new and nowadays most popular crop in the region), olives (only on the Mediterranean coast of Languedoc), fruit, and rice (in some coastal areas). In the hilly and mountainous areas of the interior, sheep and goat are raised for meat and cheese. The coastal area is, naturally, a source of fish and shellfish.

Industry[link]

Aerospace (Airbus, EADS, CNES, etc.), electronics (Motorola, etc.), and bio-tech industries in Toulouse; high-tech, electronics, and computer (IBM) industries in Montpellier; pharmaceutical industry (Pierre Fabre Group) in Castres.

The first completed Airbus A380 at the "A380 Reveal" event on 18 January 2005 in Toulouse, home base of the European aerospace industry.

There is also a significant chemical sector in Toulouse, which has been quite battered since the terrible explosion of AZF on 21 September 2001. It has been decided that chemical industries would be moved out of Toulouse, and a large campus devoted to cancer research and bio-tech R&D will be opened on the site.

Elsewhere in the region industries are small and in decline, in particular around the formerly mining areas of Alès and Carmaux in the interior of the region.

Services and tourism[link]

Services are the largest sector of the economy in the region. In particular, government services employ a significant part of the workforce, especially in small towns. Key administrations have been relocated to the region, such as France's National Meteorology Office (Météo-France) relocated from Paris to Toulouse in 1982.

The area is also a major tourist destination. There exists three types of tourism. First, a massive summer tourism industry on the coast, with huge sea resorts such as Cap d'Agde, Palavas-les-Flots, or Grau-du-Roi, built in the 1970s.

Tourism related to history and art is also strong, as the region contains the historic cities of Carcassonne, Toulouse, Montpellier, countless Roman monuments (such as the Roman arenas in Nîmes), medieval abbeys, Romanesque churches, and old castles (such as the ruined Cathar castles in the mountains of Corbières, testimony of the bloody Albigensian Crusade).

More recently, "green" and sports tourism is on the rise, with the gorges of the Tarn River, the Ardèche Gorges, as well as the vast preserved expanses of Cévennes, Ardèche, Lauragais, and other sites.

Tourism on the Canal du Midi combines history (for example viewing the nine locks of Fonseranes near Béziers) with activities such as boating on the Canal, and walking or cycling on the towpaths.

Toulouse and Montpellier are also popular places for business congresses and conventions.

History[link]

The walled city of Carcassonne, a major tourist attraction of Languedoc.

The Mediterranean coast of Languedoc was settled by the Greeks, Phoenicians and Romans, and invaded by the Alamanni, Vandals, Visigoths (Septimania), and Saracens. Languedoc was known in the Middle Ages as the county of Toulouse, an independent county which was in theory part of the kingdom of France. In the 12th century, Languedoc was the center of the Cathar religious movement. The Roman Catholic Church declared them heretics, and the Albigensian Crusade wiped them out. As a consequence, the county of Toulouse was taken by the crown of France in 1271, (the county of Toulouse was a vassal of the crown of France, but had many connections with the Crown of Aragon, which included Catalonia) and has been part of France ever since. Later the name given to the area was Languedoc, literally meaning "language of oc", from the word "yes" in the local Occitan language ("oc", as opposed to "oïl", later "oui", in the north of France). The kings of France made Languedoc one of the provinces of the kingdom, and established the parlement of Languedoc in Toulouse. The parlement and the province were abolished at the time of the French Revolution, like all the other parlements and provinces of France.

Sports[link]

Rugby union is the "national" sport in Languedoc, unlike most other parts of France where football is more popular. The Toulouse rugby club (Stade Toulousain) is one of most successful in Europe; it regularly competes for the French championship and has won four European titles (1996, 2003,2005 and 2010) in the ten years of the European championship's existence.

Bullfighting and other bull-related events are popular in the eastern part of Languedoc. Sea jousts (Joutes nautiques) are held on the coast. Dating from the 11th century, this sport has local leagues and attracts large crowds.

Property[link]

Property in the Languedoc is quite varied and ranges from beautiful newly built villas with swimming pools and tennis courts, to rambling old village houses set into the old ramparts of ancient fortified towns. Some of these village houses date back a very long time. A small house in the village of Magalas, Hérault département, has a date of 13th century carved into its stonework. Being a large area, the type of property available in Languedoc varies a lot, from apartments in beach resorts such as Cap D'Agde to isolated bastides in the rural interior.

See also[link]

• French wine
• Languedoc wine
• Languedoc-Roussillon
• Midi-Pyrénées
• Occitania
• Septimania timeline

References[link]

• Languedoc-Roussillon Tourist Board Official Tourism Website for the Region (in English)
• The Canal du Midi at Béziers Official Béziers Website (in English)
• (French) The Languedoc-Roussillon Official Site of the Région.
• The Hérault tourist board website Department of Hérault in Languedoc Région. All informations to discover Hérault and to book your holidays in Languedoc. Free brochures and lodging.
• An introduction to the Languedoc for tourists including regional overview and main tourist attractions.
• (French)Atlas historique de la province de Languedoc, de l'époque romaine à nos jours, by Élie Pélaquier, CNRS.
• The Languedoc and Roussillon history, geography, climate, cities, towns and historic monuments.
• http://congenies.canalblog.com quakers end Methodists since 18 th century

v t e Historical Provinces of France Alsace Angoumois Anjou Artois Aunis Auvergne Basse-Navarre Béarn Beaujolais Berry Bourbonnais Brittany Burgundy Champagne Corsica Dauphiné Flanders and Hainaut Foix Forez Franche-Comté Gascony Guyenne Île-de-France Languedoc Limousin Lorraine Lyonnais Maine Marche Montbéliard Mulhouse Nice Nivernais Normandy Orléanais Perche Picardy Poitou Provence Roussillon Saintonge Savoy Touraine Trois-Évêchés Venaissin

Floraleda Sacchi (June 14, 1978) is an Italian harpist, composer and musicologist born in Como.

Biography[link]

She studied music in Italy, United States and Canada, with Lisetta Rossi, Alice Giles, Judy Loman, Alice Chalifoux. She won prizes, in Italy and abroad, at 16 music competitions. She performed extensively in Europe, North and South America, Asia in concert halls and festivals: Carnegie Hall-Weill Recital Hall (New York), United Nations Palace (New York), Klang-Bogen (Vienna), Gewandhaus (Leipzig), Konzerthaus (Belin), Sala Verdi (Milan), Teatro Valle (Rome), Matsuo Hall (Tokyo), Prefectural Hall Alti (Kyoto), Teatro Municipal de Lima (Peru), Salle Varese (Lyon), Gasteig (Munich), Hypo-Kunsthalle (Munich), Concerts de la Croix Rouge (Geneva), Theatre Bellevue (Amsterdam), Gessler Hall (Vancouver), CBC - Glenn Gould Studio (Toronto), Teatro Bibiena (Mantova), Emilia Romagna Festival, Festival Pontino, Lamspringer September, and Rosegart Stiftung (Lucerne).

She plays pedal harp (also electro and Celtic harp) as well as historical instruments (single and double action pedal harp). Several composers dedicated to her music. Among them: Peter Machajdik, David Clark Little, Dimitri Nicolau, Paolo Castaldi, Gianluca Cangemi, Jean Chatillon, Louis Berenguer, Nicola Campogrande, Claudia Montero, Gianluca Podio.

She wrote musicological articles related to harp and harpists. Her main book, entitled Elias Parish Alvars, Life, Music, Documents published in 1999, received the Harpa Award (Prague 1999) in recognition. She edited 18th and 19th century harp music, bringing back to public several forgotten composers (such as Sophia Dussek) and refreshing harp repertoire. She directs the Amadeus Arte sheet music edition.

She is the author of shows uniting music and acting. Among them: Mystery Tales (for actor, harp and string quartet, dedicated to the relation among fantasy and horror literature and music) and Travel to the Moon (for actor, harp and planetarium - presented regularly at Milan's Planetarium) - freely inspired from Cosmicomiche by Italo Calvino. From June 2007 she plays live in Ottavia Piccolo's monologue Donna non rieducabile. The show, based on a text by Stefano Massini, remember journalist Anna Politkovskaja. the show was transformed in 2009 by Felice Cappa into a movie produced by RAI TV with the title "Il sangue, la neve" (The blood, the Snow). Published by PromoMusic in DVD, the movie was presented at 66th Venice Film Festival.

Since 2006 she is the artistic director of Lake Como Festival.

Prizes and distinctions[link]

• 1996
  • Financial award of Italia Nostra for best student of the year at Como Conservatory of Music.
  • Financial award of Società Umanitaria (Milan).
  • X F. Schubert Competition (Tagliolo, Alessandria): 3rd prize as soloist
  • XI Rovere d’Oro Prize (San Bartolomeo al Mare, Imperia): 2nd prize as soloist
• 1997
  • Viglianoviva Competition (Vigliano, Biella): 1st prize as soloist
  • IV A.Gi. Mus. Competition (Varenna, Lecco): 1st prize as soloist
  • Concorso Musicale Italiano (Cortemilia, Cuneo): 2nd prize as soloist
  • Jupiter Competition "Genova 1997" (Genoa): 2nd prize as soloist
• 1998
  • VII TIM – Torneo Internazionale di Musica (Rome): 1st prize ("Diploma d’onore") as soloist
  • Concours Internationaux UFAM – Union des Femmes Artistes et Musiciennes (Paris): 2nd prize as soloist
  • XII Città di Cento Competition (Cento, Ferrara): 3rd prize as soloist
• 1999
  • Harpa Award Prize by World Harp Society, International Harp Centre (Basel, Switzerland) for her book Elias Parish Alvars: Life, Music, Documents
• 2002
  • TIM - Torneo Internazionale di Musica (Rome), "Diploma d'onore" with Æolian Harp Duo
  • TIM - Torneo Internazionale di Musica (Rome), "Diploma d'onore" as soloist
  • Galbiati-Beltrami Prize (Milan), 1st prize with Allegro Ensemble (Ravel: Introduction et Allegro, Debussy: Prélude à l'après-midi d'un faune)
  • XI "Riviera della Versilia" Competition: 1st prize with Æolian Harp Duo
• 2003
  • Honorary member of Rotary International (Rotary Club Milano Europa) for her artistic careear.
  • Sinfonia Toronto Concerto Competition (Toronto, Canada), 2nd prize
• 2007
  • Honorary member of Unione Nazionale Scrittori e Artisti for her artistic careear.

Main discography[link]

• Una storia scritta in cielo. Music composed and performed by Floraleda Sacchi (Multimedia, Como) 1999.
• The Riddle of the Rough. Music by David Clark Little (Adnarim, USA) 2000
• Musica da camera. (Stradivarius) 2002 published also with Amadeus Journal
• Jan Krtitel Krumpholtz: Six sonatas for flute and harp op. 8. Claudio Ferrarini (flute), Floraleda Sacchi (harp). (Aulia) 2005
• Suite en Duo. Claudio Ferrarini (flute), Floraleda Sacchi (harp). Music by: Erik Satie; Philip Glass; Ástor Piazzolla; Jean Cras; Ravi Shankar; Nino Rota. (Philips Records - Universal Music Group) 2007
• Chiaroscuro. Floraleda Sacchi (harp). Music composed and performed by Floraleda Sacchi (Amadeus Arte for iTunes). 2007
• Parole Alate. 2 DVD collecting the 3rd edition of Parole Alate, a festival organized by Università degli studi of Milano, to promote ancient Greek literature. Lamberto Puggelli (Director), Dario Del Corno, Giuseppe Zanetto (Texts selection), Floraleda Sacchi (music and arrangements performed on harp). Texts read by: Moni Ovadia, Luciano Virgilio (L'eredità di Pericle), Massimo Foschi, Franco Graziosi (La morte di Cesare), Laura Marinoni, Umberto Ceriani, Ferruccio Soleri (Serse e Leonida), Massimo Popolizio (Alexander the Great) (CTU^{[disambiguation needed ]}). 2008
• Sweet Dreams. Floraleda Sacchi is guest artist in the CD by Neja. (Exclaim. 2008)
• Namah. Floraleda Sacchi perform Nell'autunno del suo abbraccio insonne by Peter Machajdik. (Musica Slovaka, 2008)
• MINIMAL HARP. Floraleda Sacchi (harp & percussion). Music by: Lou Harrison; Philip Glass; György Ligeti; Nicola Campogrande; Henry Cowell; John Cage; Peter Machajdik; Michael Nyman. (Decca - Universal Music Group) 2008. Cat. No. 476 3172
• Sophia Dussek: Works for solo Harp. Floraleda Sacchi (arpa). (Tactus). 2009. Cat. No. 772801
• Il Sangue, La Neve. Memorandum su Anna Politkovskaja (DVD). Actor: Ottavia Piccolo. Original Soundrack: Floraleda Sacchi. Text: Stefano Massini. Montaggio: Andrea Nobile. Photography: Gianfranco Saponari. Director: Silvano Piccardi and Felice Cappa. Production RAIDUE PALCOSCENICO, RAITRADE, LA CONTEMPORANEA srl. PromoMusic.it See the movie
• Ave maria Adagios. Floraleda Sacchi (Harfe). (Ozella Music) 2010. Cat. No. OZ030
• Harp Dances. Floraleda Sacchi (Harp). (DECCA - Universal Music Group) 2010. Cat. No. 476 3856
• Evocaciones. Floraleda Sacchi (harp) plays Claudia Montero (Amadeus Arte for iTunes). 2010
• Harp Favorites. Floraleda Sacchi (arpa). (Universal Music Group) 2010. Cat. No. 476 4149. A collection of famous classics by JS Bach, Corelli, Pachelbel, Purcell, Handel...
• Specifications. Floraleda Sacchi (harp), music by David Clark Little, (Amadeus Arte, 2011) Cat. No. AA11002
• Inside the Tree. Floraleda Sacchi (harp), Piero Salvatori (cello), music by Peter Machajdik, (Amadeus Arte, 2011) Cat. No. AA11003

Audio file[link]

• Felix Godefroid: Etude de concert pour harpe op.193. Floraleda Sacchi (arpa) (live recording)
• Krumpholtz: Sonata op. 8 n. 1 (2. Romance très lente). Floraleda Sacchi (Harp), Claudio Ferrarini (Flute) (live recording)

Video[link]

• Live performances by Floraleda Sacchi

Publications[link]

• Elias Parish Alvars, Life, Music, Documents: annotated catalogue of his works for harp, piano, orchestra and voice, Odilia Publishing, 1999 - ISBN 3-9521367-1-9. 220 pag, 40 ill.
• "Specchio", a poem with artworks by Cristoforo Mantegazza. Pulcino Elefante Editions, February 2004
• "Violette", a poem with artworks by Cristoforo Mantegazza. Pulcino Elefante Editions, February 2004

Articles[link]

• "Elias Parish Alvars", HARPA n. 30, 1999
• "Masterclass di Judy Loman", HARPA n. 37, 2000
• "A conversation with Judy Loman", HARPA n. 34, 2000
• "The 7th World Harp Congress", HARPA n. 32-33, 2000
• "Ask it to Salzedo", EOLUS Bulletin, HARPA, Autumn 2001
• "Introducing Parish Alvars", American Harp Journal 2009
• "Parish Alvars in Italy", World Harp Congress Review, 2009
• "Sophia Dussek|Sophia Corri Dussek", World Harp Congress Review, 2009

Sheet music editions[link]

Harp solos[link]

• "Enrique Granados: Album per arpa: Valses Poeticos - Danzas Españolas (2. Oriental, 5. Andaluza, 7. Valenciana, 8. Asturiana). Ut Orpheus, HS 176
• "Johann Sebastian Bach: Toccata e fuga in D minor BWV 565". Arrangiamento di Floraleda Sacchi. Ut Orpheus, HS 177.
• "Isaac Albeniz: Album per arpa: Suite Española op. 47 (5. Asturias, 8. Cuba) - 2 Danzas Españolas op. 164 (1. Jota, 2. Tango). Ut Orpheus, HS 175
• "Sophia Corri Dussek: Main Works for Solo Harp" (6 Sonatas op. 2, Introduction & Waltz, French Air, C'est l'Amour, La Chasse). Ut Orpheus, HS 174
• "the Baroque Harp": 18 pezzi celebri trascritti per arpa. Johann Sebastian Bach: Toccata con Fuga BWV 565; Adagio dal Concerto BWV 974 su un tema di A. Marcello; Preludio n. 1 BWV 846 dal Clavicembalo ben temperato; Adagio. Sinfonia dalla Cantata BWV 156; Tempo di Borea dalla Partita n. 1 per Violino BWV 1002 - Arcangelo Corelli: Adagio dal Concerto Grosso op. 6 n. 4; Adagio dalla Sonata op. 5 n. 5; Giga dalla Sonata op. 5 n. 9 - François Couperin: Sarabanda dal Concert Royal n. 4 - Georg Friedrich Händel: The Arrival of the Queen of Sheba; Sinfonia dall'Oratorio Solomon HWV 67; Passacaglia dalla Suite n. 7 HWV 432; Sarabanda dalla Suite n. 4 HWV 437; Larghetto dal Concerto op. 4 n. 6 HWV 294 - Johann Pachelbel: Canone da Canone e Giga PWV 37 - Domenico Paradisi: Toccata dalla Sonata n. 6 per Clavicembalo - Henry Purcell: Hornpipe ZT 685; Hornpipe ZT 570 - Antonio Vivaldi: Largo dal Concerto op. 8 n. 4 «Inverno». Ut Orpheus HS 183
• "Franz Schubert: Three Romances (Fruhlingsglaube, Du bist die Ruh, Standchen)". Arranged by Elias Parish Alvars, edited by Floraleda Sacchi. Amadeus Arte, 2007
• "Elias Parish Alvars: Illustrazioni della poesia italiana op. 97, vol. 1: Francesco Petrarca". Amadeus Arte, 2007
• "Elias Parish Alvars: Fantaisie sur des motifs italiens op. 57". Amadeus Arte, 2007
• "Elias Parish Alvars: Ricordi di Napoli: Serenata op. 83, Il Mandolino op. 84, Il Pappagallo op. 85, Marcia op. 87". Amadeus Arte, 2007
• "Elias Parish Alvars: Scenes of my Youth or the Pleasures and the Sorrows of an Artist" (9 Romances op. 42, 48, 56 & Gran Fantasia op. 75). Amadeus Arte, 2007
• "Elias Parish Alvars: Sultan's Favourite March op. 30 & Travel of a Harpist in the Orient op. 62" (1. Souvenir of Bosphore, 2. Bulgarian Dance, 3. Hebrew Air from Philipolis, 4. Armenian Air, 5. Sultan's Parade March, 6. Greek Song from Santorini). Amadeus Arte, 2007
• "Elias Parish Alvars: A Collection of easy pieces" (12 Favourite Airs, Lights and Shadows (2 Romances and a Waltz), Hungarian March, Barcarola, Fantasia on themes from La Figlia del Reggimento by Donizetti, The Plaint of a Young Girl op. 64). Amadeus Arte, 2007

Chamber music[link]

• "Verdi, Giuseppe: Fantasia su temi de 'La Traviata" for Flute and Harp. Edited by Floraleda Sacchi. Amadeus Arte, 2007
• "Ernest II von Sachsen-Coburg-Gotha: Casilda Fantasia" for Flute and Harp. Edited and corrected by Floraleda Sacchi from the original score by Franz Doppler and Antonio Zamara for Flute, Harp and Orchestra. Amadeus Arte, 2007
• "Ernst Theodor Amadeus Hoffmann: Quintette" for Harp and String Quartet. Amadeus Arte, 2007
• "Franz Liszt: Am grabe Richard Wagner" for or Harp and String Quartet. Amadeus Arte, 2007

Link[link]

• Official website www.floraledasacchi.com
• YouTube Channel
• Floraleda on Myspace
• Italian page on Wikipedia
• German page on Wikipedia