In general, spectacle refers to an event that is memorable for the appearance it creates. Derived in Middle English from c. 1340 as "specially prepared or arranged display" it was borrowed from Old French spectacle, itself a reflection of the Latin spectaculum "a show" from spectare "to view, watch" frequentative form of specere "to look at."^[1] The word spectacle has also been a term of art in theater dating from the 17th century in English drama.

Ancient cultural origins[link]

The term was borrowed from the Roman practice of staging Circuses, in the rather famous philosophy of the Roman elite of "Bread and Circuses" to maintain civil order due to an inability to solve underlying social and economic problems.^[2]

Low and high culture[link]

Spectacle operates in two contexts simultaneously. On the one hand, it refers to high culture (drama, movies) performances where the draw for an audience is the impressive visual accomplishment. On the other hand, it refers to low cultural shows operating in a folk environment. These can range from the freak show to folk drama to tablieau and beast-plays. The two worlds have always interacted to a lesser or greater degree, with the folks spectacle often being rewritten into a literary spectacle, whether for humor (e.g. The Mechanicals with their performance of Pyramus and Thisbe in William Shakespeare's A Midsummer Night's Dream) or not (e.g. the serious treatment of the folk Everyman).

Low and high culture mingled in the spectacle as long as folk productions of spectacle were possible. In the 17th century in England, popular spectacles of the playhouse would be adapted into spectacles for the fair, and in the 18th century fair shows and pantomimes would be adapted to the playhouse stage. In the 19th century, theaters moved farther from folk cultural spectacles and began to develop stand-alone seasonal plays that were centered on a spectacular piece. However, in the 20th century, with the invention of movie theaters, folk festivals were unable to create or recreate the spectacles on film, and the theaters themselves were soon unable to replicate the spectaculars of films. Although film adaptation would occasionally begin with the old, folk mythological narrative material, the movie that resulted would be distributed out to all audiences, thus destroying the audience and source of folk spectacle.

The Masque and spectacle[link]

Court masques and masques of the nobility were most popular in the Jacobean and Caroline era. Such masques, as their name implies, relied heavily upon a non-verbal theater. The character lists for masques would be quite small, in keeping with the ability of a small family of patrons to act, but the costumes and theatrical effects would be lavish. Reading the text of masques, such as The Masque at Ludlow (most often referred to as Comus), the writing is spare, philosophical, and grandiose, with very few marks of traditional dramatic structure. This is partially due to the purpose of the masque being family entertainment and spectacle. Unlike The Masque at Ludlow, most masques were recreations of well-known mythological or religious scenes. Some masques would derive from tableau. For example, Edmund Spenser (Fairie Queene I, iv) describes a masque of The Seven Deadly Sins.

Masques were multimedia, for they almost always involved costuming and music as a method of conveying the story or narrative. Joseph Bigler, for example, wrote masques with the architect Inigo Jones. William Davenant, who would become one of the major impresarios of the English Restoration, also wrote pre-Revolutionary masques with Inigo Jones. The role of the architect was that of designer of the staging, which would be elaborate and often culminate in a fireworks show.

The Hollywood Spectacular[link]

When the zoetrope and nickelodeon technology first appeared, the earliest films were spectacles. They caught the attention of common people. They showed things people would rarely see, and they showed it to the wide audience.

• Thomas Edison filmed Eiffel Tower, actual American Indians in a simulated attack, and even celebrated beauty queens.
• Louis Lumière filmed a train pulling into a station in 1895. The camera was in front of the train, and the train "came" directly at the viewer. It was a sensational because it gave an object of gaze.

Spectacle and Society[link]

Within industrial and post-industrial cultural and state formations, Spectacle implies an organization of appearances that are simultaneously enticing, deceptive, distracting and superficial. Jonathan Crary: 2005

Spectacle can also refer to a society dominated by electronic media, consumption, and surveillance, reducing citizens to spectators by political neutralization. Recently the word is associated with the many ways in which a capitalist structure creates play-like celebrations of its products and leisure time consumption. Guy Debord's philosophical critique and documentary The Society of the Spectacle explores the concept.

See also[link]

• Extravaganza
• The Society of the Spectacle
• Michel Foucault
• Guy Debord

Notes[link]

External links[link]

• Holonet on the Lumière Brothers retrieved August 1, 2005.
• Milton, John. An online critical edition of Comus retrieved July 30, 2005.

Levon Helm
Levon Helm performing in 2004 on the Village Green in Woodstock, New York.
Background information
Birth name	Mark Lavon Helm
Born	(1940-05-26)May 26, 1940 Elaine, Arkansas, United States
Died	April 19, 2012(2012-04-19) (aged 71) New York City, New York, United States
Genres	Rock and roll, rhythm and blues, rock, blues, country, folk
Occupations	Musician, songwriter, actor, producer
Instruments	Vocals, drums, percussions, mandolin, guitar, bass, harmonica, banjo, violin
Years active	1957–2012
Labels	Capitol, Mobile Fidelity, MCA, Breeze Hill, Levon
Associated acts	The Band, Ronnie Hawkins & The Hawks, Bob Dylan, Levon Helm's Ramble on the Road, Levon Helm and The RCO All-Stars, Ringo Starr & His All-Starr Band, Eric Clapton
Website	levonhelm.com

Mark Lavon "Levon" Helm (May 26, 1940 – April 19, 2012)^[1] was an American rock multi-instrumentalist and actor who achieved fame as the drummer and frequent lead and backing vocalist for The Band.

Helm was known for his deeply soulful, country-accented voice, and creative drumming style highlighted on many of the Band's recordings, such as "The Weight", "Up on Cripple Creek", "Ophelia" and "The Night They Drove Old Dixie Down". His 2007 comeback album Dirt Farmer earned the Grammy Award for Best Traditional Folk Album in February 2008, and in November of that year, Rolling Stone magazine ranked him #91 in the list of The 100 Greatest Singers of All Time.^[2] In 2010, Electric Dirt, his 2009 follow-up to Dirt Farmer, won the first ever Grammy Award for Best Americana Album, an inaugural category in 2010.^[3] In 2011, his live album Ramble at the Ryman was nominated for the Grammy in the same category and won.^[4]

On April 17, 2012, his wife and daughter announced on Helm's website that he was "in the final stages of his battle with cancer" and thanked fans while requesting prayers. Two days later, Helm died at Memorial Sloan-Kettering Cancer Center in New York City.^[5][6]

Biography[link]

Early years[link]

Born in Elaine, Arkansas,^[7], Helm grew up in Turkey Scratch, a hamlet west of Helena, Arkansas. His parents, Nell and Diamond Helm, cotton farmers and also great lovers of music, encouraged their children to play and sing. Young Lavon (as he was christened) began playing the guitar at the age of eight and also played drums during his formative years. He saw Bill Monroe & his Blue Grass Boys at the age of six and decided then to become a musician.

Arkansas in the 1940s and 50s stood at the confluence of a variety of musical styles—blues, country and R&B—that later became known as rock and roll. Listening to all these styles on the Grand Ole Opry show on radio station WSM and R&B on radio station WLAC out of Nashville, Tennessee influenced Helm. He also saw traveling shows such as F.S. Walcott's Rabbit's Foot Minstrels that featured top African-American artists of the time.

Another early influence on Helm was the work of harmonica, guitarist and singer Sonny Boy Williamson II, who played blues and early rhythm and blues on the King Biscuit Time radio show on KFFA in Helena and performed regularly in Marvell with blues guitarist Robert Lockwood, Jr. In his 1993 autobiography, This Wheel's on Fire - Levon Helm and the Story of The Band, Helm describes watching Williamson's drummer, James "Peck" Curtis, intently during a live performance in the early 1950s and later imitating this R&B drumming style. Helm established his first band, The Jungle Bush Beaters, while in high school.

Helm also witnessed some of the earliest performances by Southern country music, blues and rockabilly artists such as Elvis Presley, Conway Twitty, Bo Diddley and a fellow Arkansan, Ronnie Hawkins. At age 17, Helm began playing in clubs and bars around Helena.

The Hawks[link]

After graduating from high school, Helm was invited to join Ronnie Hawkins' band, The Hawks, a popular Southern bar and club act which also had success in Canada, where rockabilly acts were very popular. Soon after, Helm joined The Hawks, and they moved to Toronto, Ontario, Canada, where, in 1959, they signed with Roulette Records and released several singles, including a few hits.

Helm reports in his biography, This Wheel's on Fire, that fellow Hawks band members had difficulty pronouncing "Lavon" correctly, and started calling him "Levon" (/ˈliːvɒn/ LEE-von) because it was easier to pronounce.

In the early 1960s, Helm and Hawkins recruited an all-Canadian lineup of musicians: guitarist Robbie Robertson, bassist Rick Danko, pianist Richard Manuel, and organist Garth Hudson- although all the musicians were multi-instrumentalists. In 1963, the band parted ways with Hawkins and started touring under the name "Levon and The Hawks," and later as "The Canadian Squires" before finally changing back to "The Hawks." They recorded two singles, but remained mostly a popular touring bar band in Texas, Arkansas, Canada, and on the East Coast of the United States, where they found regular summer club gigs on the New Jersey shore.

Helm with The Band, at the Santa Cruz Civic Auditorium 1976 Photo: David Gans

By the mid 1960s, songwriter and musician Bob Dylan was interested in performing electric rock music and asked The Hawks to be his backing band. Disheartened by fans' negative response to Dylan's new sound, Helm returned to Arkansas for what turned out to be a two-year layoff, being replaced by drummer Mickey Jones. During this period, Helm ended up working on off-shore oil rigs in the Gulf of Mexico until he was asked to rejoin the band.

After The Hawks toured Europe with Dylan, they followed him to live around Woodstock, New York, and remained under salary to him. The Hawks recorded a large volume of demo and practice tapes in Woodstock, playing almost daily with Dylan, who had completely withdrawn from public life the previous year. These recordings were widely bootlegged and were partially released officially in 1975 as The Basement Tapes. The songs and themes developed during this period played a crucial role in the group's future direction and style. The Hawks members also began writing their own songs. Rick Danko and Richard Manuel also shared writing credits with Dylan on a few songs. In 1967, Danko called Helm and invited him to return to the band in Woodstock.

The Band[link]

Helm returned to the group, then referred to simply as "the band." While contemplating a recording contract, Helm had dubbed the band as "The Crackers." However, when Robertson and their new manager Albert Grossman worked out the contracts, the group's name was cited as "The Band." Under these contracts, The Band was contracted to Grossman, who in turn contracted their services to Capitol Records. This arrangement allowed The Band to release recordings on other labels if the work was done in support of Dylan. This allowed The Band to play on Dylan's Planet Waves album and on The Last Waltz, both non-Capitol releases. The Band also recorded their own album Music from Big Pink, which catapulted them into stardom.

Helm, center, performing with The Band. Hamburg, 1971.

On Music From Big Pink, Manuel was the most prominent vocalist and Helm sang mainly backup, with the exception of "The Weight." However, as Manuel's health deteriorated and Robbie Robertson's songwriting increasingly looked to the South for influence and direction, subsequent albums relied more and more on Helm's vocals, alone or in harmony with Danko. Helm played drums for perhaps 85% of The Band's songs,^{[citation needed]} including most of those for which he sang lead. On the others, Manuel switched to drums while Helm played mandolin or, on rare occasion, guitar or bass guitar. The entire group was multi-instrumental and certain songs featured Manuel on drums, Helm on mandolin (as on "Evangeline"), rhythm guitar (the 12-string guitar backdrop to "Daniel and the Sacred Harp" is by Helm), or bass (while Danko played fiddle).^[8]

Helm remained with The Band until their 1976 farewell performance, The Last Waltz, which was recorded in a documentary film by director Martin Scorsese.The documentary is widely considered the greatest rock and roll film ever made.

Many music enthusiasts know Helm through his appearance in the concert film, a performance remarkable for the fact that Helm's vocal tracks appear substantially as he sang them during a grueling concert. However, Helm repudiated his involvement with The Last Waltz shortly after the completion of its final scenes. In his autobiography, Helm offers scathing criticisms of the film and of Robertson, who produced it.^[9]

Solo artist and the reformed Band[link]

Helm playing mandolin in 1971

With the breakup of The Band in its original form, Helm began working on a solo album Levon Helm and the RCO All Stars, followed by Levon Helm. Helm recorded solo albums in 1980 and 1982 entitled American Son and (once again) Levon Helm. Helm also participated in musician Paul Kennerley's 1980 country music concept album, The Legend of Jesse James, singing the role of Jesse James alongside Johnny Cash, Emmylou Harris and Albert Lee.

In 1981, Helm married the former Sandra Dodd.

In 1983, The Band reunited without Robbie Robertson, with Jim Weider on guitar. In 1986, while on tour, Manuel committed suicide. Helm, Danko and Hudson continued in The Band, releasing the album Jericho in 1993 and High on the Hog in 1996. The final album from The Band was the 30th anniversary album, Jubilation, released in 1998.

In 1989, Helm and Danko toured with drummer Ringo Starr and His All-Starr Band. Other musicians in the band included singer/guitarist Joe Walsh, singer/pianist Dr. John, guitarist Nils Lofgren, singer Billy Preston, saxophonist Clarence Clemons and drummer Jim Keltner. Garth Hudson was a guest on accordion on certain dates. Levon played drums and harmonica, and sang "The Weight" and "Up On Cripple Creek" each night.

Helm performed with Danko and Hudson as The Band in 1990 at Roger Waters' epic The Wall – Live in Berlin Concert in Germany to an estimated 300,000 to half a million people.

In 1993, Helm published an autobiography entitled This Wheel's on Fire – Levon Helm and the Story of The Band.

The Midnight Ramble[link]

Helm's performance career in the 2000s revolved mainly around the Midnight Ramble at his home and studio, "The Barn," in Woodstock, New York. These concerts, featuring Helm and a variety of musical guests, allowed Helm to raise money for his medical bills and to resume performing after a nearly career-ending bout with cancer.

In the late 1990s, Helm was diagnosed with throat cancer suffering hoarseness. Advised to undergo a laryngectomy, Helm instead underwent an arduous regimen of radiation treatments at Memorial Sloan–Kettering Cancer Center in New York City. Although the tumor was then successfully removed, Helm's vocal cords were damaged, and his clear, powerful tenor voice was replaced by a quiet rasp. Initially Helm only played drums and relied on guest vocalists at the Rambles, but Helm's singing voice grew stronger. On January 10, 2004, he sang again of his Ramble Sessions. In 2007, during production of Dirt Farmer, Helm estimated that his singing voice was 80% recovered.

The Levon Helm Band featured his daughter guitarist Amy Helm, along with Larry Campbell, Teresa Williams, Jim Weider (the Band's last guitarist), Jimmy Vivino, Mike Merritt, Brian Mitchell, Erik Lawrence, Steven Bernstein, Howard Johnson (tuba player in the horn section who played on The Band's "Rock of Ages" and "The Last Waltz" live albums), Byron Isaacs, and blues harmonica player Little Sammy Davis. Helm hosted Midnight Rambles at his home in Woodstock that were open to the public.

Helm performing in Central Park, New York, 2007

The Midnight Ramble was an outgrowth of an idea Helm explained to Martin Scorsese in The Last Waltz. Earlier in the 20th century, Helm explained, traveling medicine shows and music shows such as F.S. Walcott Rabbit's Foot Minstrels, featuring African-American blues singers and dancers, would put on titillating performances in rural areas. This was also turned into a song by the Band, "The W.S. Walcott Medicine Show," with the name altered so the lyric was easier to sing.

"After the finale, they'd have the midnight ramble," Helm told Scorsese. With young children off the premises, the show resumed: "The songs would get a little bit juicier. The jokes would get a little funnier and the prettiest dancer would really get down and shake it a few times. A lot of the rock and roll duck walks and moves came from that."

Artists who performed at the Rambles include Helm's former bandmate Garth Hudson, as well as Elvis Costello, Emmylou Harris, Dr. John, Chris Robinson, Allen Toussaint, Donald Fagen of Steely Dan, Jon Herington of Steely Dan, Jimmy Vivino of "Late Night with Conan O'Brien's" The Max Weinberg 7, Sean Costello, The Muddy Waters Tribute Band, Pinetop Perkins, Hubert Sumlin, Carolyn Wonderland, Kris Kristofferson, Gillian Welch, David Rawlings, Justin Townes Earle, Bow Thayer, Luther "Guitar Junior" Johnson, Rickie Lee Jones, Kate Taylor, Ollabelle, The Holmes Brothers, Catherine Russell, Norah Jones, Elvis Perkins in Dearland, Phil Lesh (along with his sons Grahame and Brian), Hot Tuna (although Jorma Kaukonen introduced the group as "The Secret Squirrels"), Michael Angelo D'Arrigo with various members of the Sistine Chapel, Johnny Johnson, Ithalia, David Bromberg and Grace Potter and the Nocturnals^[10].

As for his drumming, in recent years Helm switched to the matched grip and adopted a less busy, greatly simplified style, as opposed to his years with The Band when he played with the traditional grip.^[11]

Helm was busy touring every year during 2000s, generally traveling by tour bus to venues in Eastern Canada and the Eastern United States. Since 2007, Helm had performed in large venues such the Beacon Theater in New York. Dr. John and Warren Haynes (The Allman Brothers Band, Gov't Mule) and Garth Hudson played at the concerts as well along with several other guests. At a show in Vancouver, Canada, Elvis Costello joined to sing "Tears of Rage." The Alexis P. Suter Band was a frequent opening act. Helm was a favorite of radio personality Don Imus and was frequently featured on Imus in the Morning. In the Summer of 2009, it was reported that a reality television series centering around the Midnight Ramble was in development.

[edit] Dirt Farmer and after

The Levon Helm Band performing at Austin City Limits Music Festival 2009

Levon Helm at Life is Good Festival in 2011

The Fall of 2007 saw the release of Dirt Farmer, Helm's first studio solo album since 1982. Dedicated to Helm's parents and co-produced by his daughter Amy, the album combines traditional tunes Levon recalled from his youth with newer songs (by Steve Earle, Paul Kennerley and others) which flow from similar historical streams. The album was released to almost immediate critical acclaim, and earned him a Grammy Award in the Traditional Folk Album category for 2007.

Helm declined to attend the Grammy Awards ceremony, instead holding a "Midnight Gramble" and celebrating the birth of his grandson, named Lavon (Lee) Henry Collins.^[12][13][14]

In 2008, Helm performed at Warren Haynes' Mountain Jam Music Festival in Hunter, New York. Helm played alongside Warren Haynes on the last day of the three-day festival. Levon also joined guitarist Bob Weir and his band RatDog on stage as they closed out the festival. Helm performed to great acclaim at the 2008 Bonnaroo Music Festival in Manchester, Tennessee.^[15][16]

Helm drummed on a couple of tracks for Jorma Kaukonen's February, 2009 album River of Time, recorded at the Levon Helm studio.

Helm released the album Electric Dirt on his own label on June 30, 2009.^[17] The album won a best album Grammy for the newly created Americana category in 2010. Helm performed on the CBS Television program David Letterman Show on July 9, 2009. He also toured that same year in a supporting role with the band Black Crowes.

In March, 2010, a documentary on Helm's day-to-day life titled Ain't in It for My Health: A Film About Levon Helm was released. Directed by Jacob Hatley, it made its debut at the South by Southwest film festival in Austin, Texas, and went on to screen at the Los Angeles Film Festival in June 2009.^[18]

On May 11, 2011, Helm released Ramble at the Ryman, a live album recorded during his September 17, 2008 performance at Nashville's Ryman Auditorium. The album features Helm's band playing six songs by The Band and other cover material, including some songs from previous Helm solo releases.^[19] The album won the Grammy Award for Best Americana Album.^[20]

Acting career[link]

In addition to his work as musician, Helm also acted in several dramatic films after the breakup of The Band. His first acting role was the 1980 film Coal Miner's Daughter in which he portrayed Loretta Lynn's father, followed three years later when he appeared as U.S. Air Force test pilot and engineer, Jack Ridley, in The Right Stuff. He also had a brief cameo as a weapons expert in the film "Shooter (film)" with Mark Walberg.

Death[link]

Levon Helm's grave at Woodstock Cemetery, May 26, 2012

In 2012, during the Rock and Roll Hall of Fame Induction Ceremonies in Cleveland, Robbie Robertson sent “love and prayers” to Helm, fueling speculation on Helm's health. Helm had previously cancelled several performances, citing poor health or a "slipped disk" in his back.^[21]

On April 17, 2012, Helm's wife Sandy and daughter Amy revealed that Helm had end-stage cancer. They posted the following message on Helm's website:

"Dear Friends,

Levon is in the final stages of his battle with cancer. Please send your prayers and love to him as he makes his way through this part of his journey.

Thank you fans and music lovers who have made his life so filled with joy and celebration... he has loved nothing more than to play, to fill the room up with music, lay down the back beat, and make the people dance! He did it every time he took the stage...

We appreciate all the love and support and concern.

From his daughter Amy, and wife Sandy"^[22]

On April 18, Robertson revealed on his Facebook page that he had a long visit with Helm at the hospital the previous Sunday.^[23] On the same day, Garth Hudson posted on his personal website that he was "too sad for words". He then left a link for a video of himself and the Alexis P. Suter band performing Bob Dylan’s song "Knocking on Heaven's Door".^[24]

Surrounded by family and friends, Helm died on April 19, 2012, at 1:30 pm at Memorial Sloan-Kettering Cancer Center in New York.^[25][26][27]

Fans were invited to a public wake at Helm's Barn studio complex on April 26. Approximately 2,000 fans came to pay their respects to the fallen musical icon. After a private funeral service and a procession through the streets of Woodstock, Helm was interred in the Woodstock Cemetery the following day, within sight of the grave of his longtime bandmate Rick Danko.

Tributes[link]

Elton John wrote the song "Levon" and named his son after Helm.^[28]

Marc Cohn wrote the song "Listening to Levon" in 2007. "The Man Behind the Drums," written by Robert Earl Keen and Bill Whitbeck, appeared on Keen's 2009 album The Rose Hotel.

In 1994, Helm was inducted into The Rock and Roll Hall of Fame as a member of The Band.^[29]

At their May 2, 2012 concert at the Prudential Center in Newark, NJ, Bruce Springsteen and the E Street Band performed "The Weight" as a tribute to Helm.^[30]Springsteen called Helm "one of the greatest, greatest voices in country, rockabilly and rock 'n' roll ... staggering ... while playing the drums. Both his voice and his drumming were so incredibly personal. He had a feel on the drums that comes out of certain place in the past and you can't replicate it." Springsteen also said it was one of the songs that he had drummer Max Weinberg audition with prior to joining the band.

List of works[link]

Discography[link]

Filmography[link]

• The Last Waltz (1978)
• Coal Miner's Daughter (1980)
• The Right Stuff (1983)
• The Dollmaker (1984)
• Smooth Talk (1985)
• End of the Line (1987)
• Staying Together (1989)
• Feeling Minnesota (1996)
• Fire Down Below (1997)
• The Three Burials of Melquiades Estrada (2005)
• Shooter (2007)
• In the Electric Mist (2009)

References[link]

External links[link]

Wikimedia Commons has media related to: Levon Helm

• Official website
• Levon Helm at the Internet Movie Database
• Allmusic
• Review of Dirt Farmer
• RS Editor's Review: Electric Dirt
• Levon Helm lyrics

Elvis Costello
Costello at the 2009 International Film Festival, Toronto, Canada.
Background information
Birth name	Declan Patrick MacManus
Also known as	D.P. Costello The Imposter Little Hands of Concrete Napoleon Dynamite D.P.A. MacManus Declan Patrick Aloysius MacManus The Right Reverend Jimmy Quickly
Born	(1954-08-25) 25 August 1954 (age 57) Paddington, London, England
Genres	Punk rock Pub rock New Wave
Occupations	Musician, singer-songwriter, record producer
Instruments	Vocals, guitar, keyboards, bass, drums
Years active	1970–present
Labels	Stiff, Radar, F-Beat, Demon, Columbia, Warner Bros., Mercury, Island, Deutsche Grammophon, Lost Highway, Verve, HearMusic, Rykodisc, Rhino, Hip-O
Associated acts	The Attractions, The Imposters, Diana Krall, Burt Bacharach, Brodsky Quartet, Nick Lowe, Madness, The Strokes,The Specials,Squeeze,
Website	Elvis Costello.com
Notable instruments
Fender Jazzmaster Fender Telecaster

Elvis Costello (born Declan Patrick MacManus, 25 August 1954) is an English singer-songwriter.^[1] He came to prominence as an early participant in London's pub rock scene in the mid-1970s and later became associated with the punk/New Wave genre.^[2][3] Steeped in word play, the vocabulary of Costello's lyrics is broader than that of most popular songs. His music has drawn on many diverse genres; one critic described him as a "pop encyclopaedia", able to "reinvent the past in his own image".^[4]

Costello has won multiple awards in his career, including a Grammy Award, and has twice been nominated for the Brit Award for Best British Male.^[5] In 2003, Elvis Costello & the Attractions were inducted into the Rock and Roll Hall of Fame.^[6] In 2004, Rolling Stone ranked Costello number 80 on their list of the 100 Greatest Artists of All Time.^[7]

Early life[link]

Costello was born Declan Patrick MacManus^[8] in St Mary's Hospital, London, the son of Lilian Alda (née Ablett, b. 1927, Liverpool)^[9] and Ross MacManus (1927–2011), a musician and bandleader.^[10] He is of Irish heritage.^[11] Costello lived in Twickenham, attending Hounslow Secondary Modern School, which is now St Mark's Catholic Secondary School, in neighbouring Hounslow.^[12][13] With a musically inclined father (who was a jazz trumpeter and sang with The Joe Loss Orchestra),^[14] Costello's first broadcast recording was alongside his dad in a television commercial for R. White's Lemonade (I'm a Secret Lemonade Drinker). His father wrote and sang the song; Costello provided backing vocals. The advertisement won a silver award at the 1974 International Advertising Festival.

Costello moved with his Liverpool-born mother to Birkenhead in 1971. There, he formed his first band, a folk duo called Rusty, with Allan Mayes. After completing secondary school at St. Francis Xavier's College, he moved back to London where he next formed a band called Flip City,^[15] which had a style in the pub rock vein. They were active from 1974 through to early 1976. Around this time, Costello adopted the stage name D.P. Costello. His father had performed under the name Day Costello, and Elvis has said in interviews that he took this name as a tribute to his father.

To support himself, he worked at a number of office jobs, most famously at Elizabeth Arden – immortalised in the lyrics of "I'm Not Angry" as the "vanity factory" – where he worked as a data entry clerk. He worked for a short period as a computer operator at the Midland Bank computer centre in Bootle. He continued to write songs, and began actively looking for a solo recording contract. On the basis of a demo tape, he was signed to independent label Stiff Records. His manager at Stiff, Jake Riviera, suggested a name change, combining Elvis Presley's first name and Costello, his father's stage name.^[16]

Career[link]

1970s[link]

Costello's first single for Stiff was "Less Than Zero", released on 25 March 1977. Two months later, his debut album, My Aim Is True (1977), was released to moderate commercial success (No. 14 in the UK and, later, Top 40 in the US) with Costello appearing on the cover in what became his trademark oversize glasses, bearing some resemblance to Buddy Holly. Stiff's records were initially distributed only in the UK, which meant that Costello's first album and singles were initially available in the US as imports only. In an attempt to change this, Costello was arrested for busking outside a London convention of CBS Records executives, protesting that no US record company had yet seen fit to release his records in the United States.^[17] Costello signed to CBS's Columbia Records label in the US a few months later.

The backing for Costello's debut album was provided by American West Coast band Clover, a country outfit living in England whose members would later go on to join Huey Lewis and the News and The Doobie Brothers. Later in 1977, Costello formed his own permanent backing band, The Attractions, consisting of Steve Nieve (born Steve Nason; piano), Bruce Thomas (bass guitar), and Pete Thomas (drums; unrelated to Bruce Thomas). Growing antipathy between Costello and Bruce Thomas contributed to the Attractions' first split in 1986, and the rift was exacerbated by what Costello felt was his unflattering portrayal in Thomas' 1990 roman à clef The Big Wheel. Despite this, the original group reunited for the 1994 album Brutal Youth and toured together over the next two years, but split for good in 1996, although Nieve and Pete Thomas continued to back Costello through various touring and recording line-ups and as of 2011 are still members of his current backing group The Imposters. The split between Costello and Bruce Thomas appears permanent, however; Bruce made a brief appearance with his former bandmates when the group was inducted into the Rock & Roll Hall of Fame in 2003, but when Costello was asked why Bruce did not play with them at the event, he reportedly replied, "I only work with professional musicians."

Costello released his first major hit single, "Watching the Detectives", which was recorded with Nieve and the pair of Steve Goulding (drums) and Andrew Bodnar (bass), both members of Graham Parker's backing band The Rumour (whom he had used to audition for The Attractions).

Elvis Costello, in Massey Hall, Toronto, April 1979

On 17 December 1977, Costello and The Attractions appeared as the musical guest act on the episode of Saturday Night Live as a last minute fill-in for the Sex Pistols. Scheduled to play "Less Than Zero", he surprised the SNL crew by abruptly stopping the song mid-intro, and launching into "Radio Radio." Following a whirlwind tour with other Stiff artists – captured on the Live Stiffs album, notable for Costello's recording of the Burt Bacharach/Hal David standard "I Just Don't Know What to Do With Myself" – the band recorded This Year's Model (1978). Some of the more popular tracks include the British hit "(I Don't Want to Go To) Chelsea" and "Pump It Up." His U.S. record company saw Costello as such a priority that his last name replaced the word Columbia on the label of the disc's original pressing. The Attractions' first tour of Australia in December 1978 was notable for controversial performance at Sydney's Regent Theatre when, angered by the group's failure to perform an encore after their brief 35-minute set, audience members destroyed some of the seating.^[18]

A tour of the U.S. and Canada also saw the release of the much-bootlegged Canadian promo-only Live at the El Mocambo, recorded at a Toronto rock club, which finally saw an official release as part of the 2½ Years box set in 1993. It was during the ensuing United States tour that Costello met and developed a relationship with former Playboy model Bebe Buell. Their on-again-off-again courtship would last until 1984 and would allegedly become a deep well of inspiration for Costello's songwriting.

In 1979, he released his third LP Armed Forces (originally to have been titled Emotional Fascism, a phrase that appeared on the LP's inner sleeve). Both the album and the single "Oliver's Army" went to No. 2 in the UK, and the opening track "Accidents Will Happen" gained wide television exposure thanks to its innovative animated music video, directed by Annabel Jankel and Rocky Morton. Costello also found time in 1979 to produce the debut album for the 2 Tone ska revival band The Specials.

Costello's standing in the U.S. was bruised for a time when in March 1979, during a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio Holiday Inn bar, the singer referred to James Brown as a "jive-ass nigger", then upped the ante by pronouncing Ray Charles a "blind, ignorant, nigger".^[19][20] Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious in order to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press. According to Costello, "it became necessary for me to outrage these people with about the most obnoxious and offensive remarks that I could muster." In his liner notes for the expanded version of Get Happy!!, Costello writes that some time after the incident he had declined an offer to meet Charles out of guilt and embarrassment, though Charles himself had forgiven Costello saying "Drunken talk isn't meant to be printed in the paper." Costello worked extensively in Britain's Rock Against Racism campaign both before and after the incident. The incident inspired his Get Happy!! song "Riot Act."^[21]

Costello is also an avid country music fan and has cited George Jones as his favourite country singer. In 1977, he appeared in Jones' duet album My Very Special Guests, contributing "Stranger in the House", which they later performed together on an HBO special dedicated to Jones.

1980s[link]

The soul-infused Get Happy!! would be the first, and—along with King of America–possibly most successful, of Costello's many experiments with genres beyond those he is normally associated with. The single, "I Can't Stand Up for Falling Down" was an old Sam and Dave song (though Costello increased the tempo considerably). Lyrically, the songs are full of Costello's signature word play, to the point that he later felt he had become something of a self-parody and toned it down on later releases; he has mockingly described himself in interviews as "rock and roll's Scrabble champion." His only 1980 appearance in North America was at the Heatwave festival in August near Toronto.

In 1981, the band released Trust amidst growing tensions within the band, particularly between Bruce and Pete Thomas. In the U.S., the single "Watch Your Step" was released and played live on Tom Snyder's Tomorrow show, and received airplay on FM rock radio. In the UK, the single "Clubland" scraped the lower reaches of the charts; follow-up single "From a Whisper to a Scream" (a duet with Glenn Tilbrook of Squeeze) became the first Costello single in over four years to completely miss the charts. Costello also co-produced Squeeze's popular 1981 album East Side Story (with Roger Bechirian) and also performed backing vocals on the group's hit single "Tempted".

Following Trust, Costello released Almost Blue, an album of country music cover songs written by the likes of Hank Williams ("Why Don't You Love Me (Like You Used to Do?)"), Merle Haggard ("Tonight the Bottle Let Me Down") and Gram Parsons ("How Much I Lied"). The album was a tribute to the country music he had grown up listening to, especially George Jones. It received mixed reviews. The first pressings of the record in the UK bore a sticker with the message: "WARNING: This album contains country & western music and may cause a radical reaction in narrow minded listeners." Almost Blue did spawn a surprise UK hit single in a version of George Jones' "Good Year for the Roses" (written by Jerry Chesnut), which reached #6.

Imperial Bedroom (1982) marked a much darker sound, due in part to the production of Geoff Emerick, famed for engineering several Beatles records. Imperial Bedroom remains one of his most critically acclaimed records, but again failed to produce any hit singles. Costello has said he disliked the marketing pitch for the album. The album also featured Costello's song "Almost Blue"; jazz singer and trumpeter Chet Baker would later perform and record a version of this song.

In 1983, he released Punch the Clock, featuring female backing vocal duo (Afrodiziak) and a four-piece horn section (The TKO Horns), alongside The Attractions. Clive Langer (who co-produced with Alan Winstanley), provided Costello with a melody which eventually became "Shipbuilding", which featured a trumpet solo by Chet Baker. Prior to the release of Costello's own version, a version of the song was a minor UK hit for former Soft Machine drummer Robert Wyatt.

Under the pseudonym The Imposter, Costello released "Pills and Soap", an attack on the changes in British society brought on by Thatcherism, released to coincide with the run-up to the 1983 UK general election. Punch the Clock also generated an international hit in the single "Everyday I Write the Book", aided by a music video featuring lookalikes of the Prince and Princess of Wales undergoing domestic strife in a suburban home. The song became Costello's first Top 40 hit single in the U.S. Also in the same year, Costello provided vocals on a version of the Madness song "Tomorrow's Just Another Day" released as a B-side on the single of the same name.

Tensions within the band—notably between Costello and bassist Bruce Thomas—were beginning to tell, and Costello announced his retirement and the break-up of the group shortly before they were to record Goodbye Cruel World (1984). Costello would later say of this record that they had "got it as wrong as you can in terms of the execution". The record was poorly received upon its initial release; the liner notes to the 1995 Rykodisc re-release, penned by Costello, begin with the words "Congratulations!, you've just purchased our worst album". Costello's retirement, although short-lived, was accompanied by two compilations, Elvis Costello: The Man in the UK, Europe and Australia, and The Best of Elvis Costello & The Attractions in the U.S.

In 1985, he appeared in the Live Aid benefit concert in England, singing the Beatles' "All You Need Is Love" as a solo artist. (The event was overrunning and Costello was asked to "ditch the band".) Costello introduced the song as an "old northern English folk song", and the audience was invited to sing the chorus. In the same year Costello teamed up with friend T-Bone Burnett for the single "The People's Limousine" under the moniker of The Coward Brothers. That year, Costello also produced Rum Sodomy & the Lash for the Irish punk/folk band The Pogues.

By 1986, Costello was preparing to make a comeback. Working in the U.S. with Burnett, a band containing a number of Elvis Presley's sidemen (including James Burton and Jerry Scheff), and minor input from the Attractions, he produced King of America, an acoustic guitar-driven album with a country sound. It was billed as by "The Costello Show featuring the Attractions and Confederates" in the UK and Europe and "The Costello Show featuring Elvis Costello" in North America. Around this time he legally changed his name back to Declan MacManus, adding Aloysius as an extra middle name. Costello retooled his upcoming tour to allow for multiple nights in each city, playing one night with The Confederates (James Burton et al.), one night with The Attractions, and one night solo acoustic. In May 1986, Costello performed at Self Aid, a benefit concert held in Dublin that focused on the chronic unemployment which was widespread in Ireland at that time.

Later that year, Costello returned to the studio with the Attractions and recorded Blood and Chocolate, which was lauded for a post-punk fervour not heard since 1978's This Year's Model. It also marked the return of producer Nick Lowe, who had produced Costello's first five albums. While Blood and Chocolate failed to chart a hit single of any significance, it did produce what has since become one of Costello's signature concert songs, "I Want You." On this album, Costello adopted the alias Napoleon Dynamite, the name he later attributed to the character of the emcee that he played during the vaudeville-style tour to support Blood and Chocolate. (The pseudonym had previously been used in 1982, when the B-side single "Imperial Bedroom" was credited to Napoleon Dynamite & The Royal Guard, and was later appropriated by the 2004 film Napoleon Dynamite). In 1989, Costello, with a new contract with Warner Bros., released Spike, which spawned his biggest single in America, the Top 20 hit "Veronica", one of several songs Costello co-wrote with Paul McCartney in that period (see Collaborations).

1990s[link]

In 1991, having grown a long beard, Costello released Mighty Like a Rose, which featured the single "The Other Side of Summer." He also found time to co-compose and co-produce, with Richard Harvey, the title and incidental music for the mini-series G.B.H. by Alan Bleasdale. This entirely instrumental, and largely orchestral, soundtrack garnered a BAFTA, for Best Music for a TV Series for the pair.

In 1993, Costello experimented with classical music with a critically acclaimed collaboration with the Brodsky Quartet^[22][23] on The Juliet Letters. During this period, Costello wrote a full album's worth of material for Wendy James, and these songs became the tracks on her 1993 solo album Now Ain't the Time for Your Tears. Costello returned to rock and roll the following year with a project that reunited him with The Attractions, Brutal Youth. In 1995, Costello released Kojak Variety, an album of cover songs recorded five years earlier, and followed in 1996 with an album of songs originally written for other artists, All This Useless Beauty. This was the final album of original material that he issued under his Warner Bros. contract. In the spring of 1996, Costello played a series of intimate club dates, backed only by Nieve on the piano, in support of All This Useless Beauty. An ensuing summer and fall tour with the Attractions proved to be the death knell for the band. With relations between Costello and bassist Bruce Thomas at a breaking point, Costello announced that the current tour would be the Attractions' last. The quartet performed their final U.S. show in Seattle, Washington on 1 September 1996, before wrapping up their tour in Japan. To fulfill his contractual obligations to Warner Bros., Costello released a greatest hits album titled Extreme Honey (1997). It contained an original track titled "The Bridge I Burned", featuring Costello's son, Matt, on bass. In the intervening period, Costello had served as artistic chair for the 1995 Meltdown Festival, which gave him the opportunity to explore his increasingly eclectic musical interests. His involvement in the festival yielded a one-off live EP with jazz guitarist Bill Frisell, which featured both cover material and a few of his own songs.

In 1998, Costello signed a multi-label contract with Polygram Records, sold by its parent company the same year to become part of the Universal Music Group. Costello released his new work on what he deemed the suitable imprimatur within the family of labels. His first new release as part of this contract involved a collaboration with Burt Bacharach. Their work had commenced earlier, in 1996, on a song called "God Give Me Strength" for the movie Grace of My Heart. This led the pair to write and record the critically acclaimed album Painted From Memory, released under his new contract in 1998, on the Mercury Records label, featuring songs that were largely inspired by the dissolution of his marriage to Cait O'Riordan. Costello and Bacharach performed several concerts with a full orchestral backing, and also recorded an updated version of Bacharach's "I'll Never Fall in Love Again" for the soundtrack to Austin Powers: The Spy Who Shagged Me, with both appearing in the film to perform the song. He also wrote "I Throw My Toys Around" for The Rugrats Movie and performed it with No Doubt. The same year, he collaborated with Paddy Moloney of The Chieftains on "The Long Journey Home" on the soundtrack of the PBS/Disney mini-series of the same name. The soundtrack won a Grammy that year.

In 1999, Costello contributed a version of "She", released in 1974 by Charles Aznavour and Herbert Kretzmer, for the soundtrack of the film Notting Hill, with Trevor Jones producing. For the 25th anniversary of Saturday Night Live, Costello was invited to the program, where he re-enacted his abrupt song-switch: This time, however, he interrupted the Beastie Boys' "Sabotage", and they acted as his backing group for "Radio Radio".

2000 to present[link]

Costello performing at Glastonbury, 2005

In 2000, Costello appeared at the Town Hall Theatre, New York, in Steve Nieve's opera Welcome to the Voice, alongside Ron Sexsmith and John Flansburgh of They Might Be Giants. In 2001, Costello was artist-in-residence at UCLA and wrote the music for a new ballet. He produced and appeared on an album of pop songs for the classical singer Anne Sofie von Otter. He released the album When I Was Cruel in 2002 on Island Records, and toured with a new band, the Imposters (essentially the Attractions but with a different bass player, Davey Faragher, formerly of Cracker). He appeared as himself in the "How I Spent My Strummer Vacation" episode of The Simpsons. On 23 February 2003, Costello, along with Bruce Springsteen, Steve Van Zandt, and Dave Grohl, performed a version of The Clash's "London Calling" at the 45th Grammy Awards ceremony, in honour of Clash frontman Joe Strummer, who had died the previous December. In March, Elvis Costello & the Attractions were inducted into the Rock and Roll Hall of Fame. He announced his engagement in May to Canadian jazz singer and pianist Diana Krall, whom he had seen in concert and then met backstage at the Sydney Opera House in Australia. That September, he released North, an album of piano-based ballads concerning the breakdown of his former marriage, and his falling in love with Krall. Also that year, Costello made an appearance in the television series Frasier as a folk singer in the Cafe Nervosa, sending Frasier and Niles on a search for a new coffee bar.^[24][25]

The song "Scarlet Tide" (co-written by Costello and T-Bone Burnett and used in the film Cold Mountain) was nominated for a 2004 Academy Award; he performed it at the awards ceremony with Alison Krauss, who sang the song on the official soundtrack. Costello co-wrote many songs on Krall's 2004 CD, The Girl in the Other Room, the first of hers to feature several original compositions. In July 2004, Costello's first full-scale orchestral work, Il Sogno, was performed in New York. The work, a ballet after Shakespeare's A Midsummer Night's Dream, was commissioned by Italian dance troupe Aterballeto, and received critical acclaim from the classical music critics. Performed by the London Symphony Orchestra, conducted by Michael Tilson Thomas, the recording was released on CD in September by Deutsche Grammophon. Costello released the album The Delivery Man, recorded in Oxford, Mississippi, and released on Lost Highway Records, in September of the same year, and it was hailed as one of his best albums.

Costello's hand prints on the European Walk of Fame, Rotterdam.

A CD recording of a collaboration with Marian McPartland on her show Piano Jazz was released in 2005. It featured Costello singing six jazz standards and two of his own songs, accompanied by McPartland on piano. In November, Costello started recording a new album with Allen Toussaint and producer Joe Henry. The River in Reverse was released in the UK on the Verve label the following year in May.

A 2005 tour included a gig at Glastonbury that Costello considered to be so dreadful that he said "I don't care if I ever play England again. That gig made up my mind I wouldn't come back. I don't get along with it. We lost touch. It's 25 years since I lived there. I don't dig it, they don't dig me....British music fans don't have the same attitude to age as they do in America, where young people come to check out, say Willie Nelson. They feel some connection with him and find a role for that music in their lives."^[26]

In a studio recording of Nieve's opera Welcome to the Voice (2006, Deutsche Grammophon), Costello interpreted the character of Chief of Police, with Barbara Bonney, Robert Wyatt, Sting and Amanda Roocroft, and the album reached No. 2 in the Billboard classical charts. Costello later reprised the piece on the stage of the Théâtre du Châtelet in Paris in 2008, with Sting, Joe Sumner of Fiction Plane (Sting's son) and Sylvia Schwartz. Also released in 2006 was a live recording of a concert with the Metropole Orkest at the North Sea Jazz Festival, entitled My Flame Burns Blue. The soundtrack for House M.D. featured Costello's interpretation of "Beautiful" by Christina Aguilera, with the song appearing in the second episode of Series 2.

Costello was commissioned to write a chamber opera by the Danish Royal Opera, Copenhagen, on the subject of Hans Christian Andersen's infatuation with Swedish soprano Jenny Lind. Called The Secret Songs it was unfinished.^[27] In a performance in 2007 directed by Kasper Bech Holten at the Opera's studio theatre (Takelloftet), finished songs were interspersed with pieces from Costello's 1993 collaborative classical album The Juliet Letters, featuring Danish soprano Sine Bundgaard as Lind. The 2009 album Secret, Profane & Sugarcane includes material from Secret Songs.

On 22 April 2008, Momofuku was released on Lost Highway Records, the same imprint that released The Delivery Man, his previous studio album. The album was, at least initially, released exclusively on vinyl (with a code to download a digital copy). That summer, in support of the album, Costello toured with The Police on the final leg of their 2007/2008 Reunion Tour. Costello played a homecoming gig at the Liverpool Philharmonic Hall on 25 June 2006.^[28] and, that month, gave his first performance in Poland, appearing with The Imposters for the closing gig of the Malta theatre festival in Poznań.

In July 2008, Costello (as Declan McManus) was awarded an honorary degree of Doctor of Music from the University of Liverpool.

From late 2008 into 2010, Costello hosted Channel 4/CTV's series Spectacle in which Costello talked and performed with stars in various fields, styled similarly to Inside the Actors Studio. Between its two seasons, the show compiled 20 episodes, including one where Costello was interviewed by actress Mary-Louise Parker.^[29]

Costello was featured on Fall Out Boy's 2008 album Folie à Deux, providing vocals on the track "What a Catch, Donnie", along with other artists who are friends with the band.

Costello appeared in Stephen Colbert's television special A Colbert Christmas: The Greatest Gift of All. In the program, he was eaten by a bear, but later saved by Santa Claus; he also sang a duet with Colbert. The special was first aired on 23 November 2008.^[30] Costello released Secret, Profane & Sugarcane, a collaboration with T-Bone Burnett, on 9 June 2009. Burnett previously worked with Costello on King of America and Spike.^[31] It was his first on the Starbucks Hear Music label and a return to country music in the manner of Good Year for the Roses.

Costello performing in tribute to music legends Chuck Berry and Leonard Cohen who were the recipients of the first annual PEN Awards for songwriting excellence, at the JFK Presidential Library, in Boston, Massachusetts on 26 February 2012.

Costello appeared as himself in the finale of the third season of 30 Rock and sang in the episode's celebrity telethon, Kidney Now!.^[32] The episode references Costello's given name when Jack Donaghy accuses him of concealing his true identity: "Declan McManus, international art thief."

In May 2009, Costello made a surprise cameo appearance on-stage at the Beacon Theater in New York as part of Spinal Tap's Unwigged and Unplugged show, singing their fictional 1965 hit "Gimme Some Money" with the band backing him up.

On 15 May 2010, Costello announced he would withdraw from a concert performed in Israel in opposition to Israel's treatment of Palestinians. In a statement on his website, Costello wrote, "It has been necessary to dial out the falsehoods of propaganda, the double game and hysterical language of politics, the vanity and self-righteousness of public communiqués from cranks in order to eventually sift through my own conflicted thoughts."^[33]

Also in 2010, Elvis Costello appeared as himself in David Simon's television series, Treme.^[34] Costello released the album National Ransom in autumn of 2010.

In 2011, Elvis Costello appeared as himself once again, this time on Sesame Street to perform a song with Elmo and Cookie Monster, titled "Monster Went and Ate My Red 2", a play on (The Angels Wanna Wear My) Red Shoes. The same year, Costello performed "Taken for a Fool", live from Madison Square Garden with The Strokes.

On 26 February 2012, Costello paid tribute to music legends Chuck Berry and Leonard Cohen who were the recipients of the first annual PEN Awards for songwriting excellence, at the JFK Presidential Library, in Boston, Massachusetts on 26 February 2012.^[35]

Personal life[link]

Costello has been married three times, the first time to Mary Burgoyne in 1974, with whom he had a son.^[26]

In 1985, Costello became involved with Cait O'Riordan, former bassist for the English/Irish group The Pogues, while he was producing The Pogues' album Rum Sodomy and the Lash.^{[citation needed]} They married in 1986 and split up by the end of 2002.^[26]

Costello became engaged to pianist Diana Krall in May 2003,^[26] and married her at the home of Elton John on 6 December that year.^[36] Krall gave birth to twin sons, Dexter Henry Lorcan and Frank Harlan James, on 6 December 2006 in New York City.^[37]

A vegetarian since the early 1980s, Costello says he was moved to reject meat after seeing the documentary The Animals Film (1982), which also helped inspire his song "Pills and Soap" (from Punch the Clock, 1983).^[14]

Humanitarian causes[link]

Costello sits on the Advisory Board of the Board of Directors of the Jazz Foundation of America.^[38][39] Costello began working with the Jazz Foundation in 2001, and has been a featured performer in their annual benefit A Great Night in Harlem^[40] since 2006. Costello has donated his time working with the Jazz Foundation of America^[41] to save the homes and the lives of America's elderly jazz and blues musicians, including musicians who survived Hurricane Katrina.

Collaborations[link]

In addition to his major recorded collaborations with Bacharach, the Brodsky Quartet, and von Otter, Costello has frequently been involved in other collaborations.

In 1987, Costello began a long-running songwriting collaboration with Paul McCartney. They wrote a number of songs together, including:

• "Back On My Feet", the B-side of McCartney's 1987 single "Once Upon a Long Ago", later added as a bonus track on the 1993 re-issue of McCartney's Flowers in the Dirt
• Costello's "Veronica" and "Pads, Paws and Claws" from Spike (1989) (Also, McCartney plays Hofner bass but does not have a writing credit for "This Town" – the opening song for the album.)
• "So Like Candy" and "Playboy to a Man" from Mighty Like a Rose (1991)
• McCartney's "My Brave Face", "Don't Be Careless Love", "That Day Is Done" and "You Want Her Too" from Flowers in the Dirt (1989)
• "The Lovers That Never Were" and "Mistress and Maid" from Off the Ground (1993).
• "Shallow Grave" from All This Useless Beauty (1996).

Costello talked about their collaboration:

When we sat down together he wouldn't have any sloppy bits in there. That was interesting. The ironic part is, if it sounds like he wrote it, I probably did and vice versa. He wanted to do all the ones with lots of words and all on one note, and I'm the one trying to work in the "Please Please Me" harmony all over the place.^{[citation needed]}

• In 1987, he appeared on the HBO special Roy Orbison and Friends, A Black and White Night, which featured his long-time idol Roy Orbison, and was invited back to Saturday Night Live for the first time since 1977.

• In 1988, Costello co-wrote "At the Other End (of the Telescope)" with Aimee Mann; this song appears on the Til Tuesday album Everything's Different Now.

• In 2000, Costello wrote lyrics to "Green Song", a solo cello piece by Svante Henryson; this song appears on the Anne Sofie von Otter album For the Stars.

• In 2005, Costello performed with Green Day frontman Billie Joe Armstrong. They played both Costello and Green Day songs together, including "Alison", "No Action", "Basket Case" and "Good Riddance (Time of Your Life)".

• In 2007, Costello collaborated with the Argentinean/Uruguay an electro-tango band Bajofondo on the song "Fairly Right" from the album Mar Dulce.

• In 2008, Costello collaborated with Fall Out Boy on the track "What a Catch, Donnie" from their album Folie a Deux.

• In Jenny Lewis' 2008 release, Acid Tongue, Costello provided vocals for the song "Carpetbaggers".

• In November 2009, Costello appeared live with Bruce Springsteen and the E Street Band at Madison Square Garden and performed the Jackie Wilson song, Higher and Higher.^[42]

• In December 2009, it was announced that Costello would be portraying The Shape in the upcoming album Ghost Brothers of Darkland County, a collaboration between rock singer John Mellencamp and novelist Stephen King.^[43]

• In February 2010, Costello appeared in the live cinecast of Garrison Keillor's Prairie Home Companion, singing some of his own songs, and participating in many of the show's other musical and acting performances.

• In April 2011, played the song "Taken For a Fool" with The Strokes in Madison Square Garden.

• On 30 April 2011, played the song "Pump it Up" with The Odds before the start of a Vancouver Canucks playoff game at Rogers Arena in Vancouver BC.^[44]

Artistic significance[link]

Costello has worked with Paul McCartney, Tony Bennett, Lucinda Williams, Kid Rock, Lee Konitz, Brian Eno, and Rubén Blades.

Costello is also a music fan, and often champions the works of others in print. He has written several pieces for the magazine Vanity Fair, including the summary of what a perfect weekend of music would be. He has contributed to two Grateful Dead tribute albums and covered Jerry Garcia/Robert Hunter tunes such as "Ship of Fools", "Friend of the Devil", "It Must Have Been the Roses", "Ripple" and "Tennessee Jed" in concert. His collaboration with Bacharach honoured Bacharach's place in pop music history. Costello also appeared in documentaries about singers Dusty Springfield, Brian Wilson, Wanda Jackson, Ron Sexsmith and Memphis, Tennessee-based Stax Records. He has also interviewed one of his own influences, Joni Mitchell. He was instrumental in bringing Sexsmith to a wider audience in 1995 by championing his debut album in Mojo magazine, even appearing on the cover with the album.^[45]

In 2004, Rolling Stone Magazine ranked him No. 80 on their list of the 100 Greatest Artists of All Time.^[46][47]

Discography[link]

Costello has released over 30 studio albums on his own and with the Attractions, the Imposters, or others. He has also released five live albums: Live at the El Mocambo, Deep Dead Blue, Costello & Nieve, My Flame Burns Blue, Live at Hollywood High, and The Return Of The Spectacular Spinning Songbook. There have also been numerous compilations, box sets, and reissues by labels such as Rykodisc, Demon, Rhino, and Universal Music Enterprises.

Filmography[link]

Actor[link]

• 1979 film debut as "The Earl of Manchester" in Americathon
• 1984 as "Henry Scully" in the UK TV series, Scully
• 1984 as "Stone Deaf A&R Man" in "The Bullshitters", a Comic Strip film first aired on Channel 4.
• 1985 as inept magician "Rosco de Ville" in the Alan Bleasdale film, No Surrender
• 1987 as "Hives the Butler" in the Alex Cox film, Straight to Hell, starring Joe Strummer and Courtney Love
• 1994 as himself on The Larry Sanders Show in the episode "People's Choice"
• 1997 as a barman in Spice World.
• 1999 as himself performing "I'll Never Fall In Love Again" with Burt Bacharach in Austin Powers: The Spy Who Shagged Me
• 1999 as a younger version of himself in 200 Cigarettes
• 2001 as himself performing "Fly Me to the Moon" on the series finale of 3rd Rock from the Sun
• 2002 as himself on the episode "How I Spent My Strummer Vacation" of The Simpsons
• 2003 as Ben on Frasier, one episode
• 2004 as himself in the UK TV Dead Ringers New Year Special, apparently and reportedly having serendipitously entered a filming venue^[48]
• 2004 as himself in Two and a Half Men – Season 2, Episode 1^[49]
• 2006 as himself in Delirious
• 2006 as himself in Talladega Nights: The Ballad of Ricky Bobby
• 2008 as himself in "A Colbert Christmas: The Greatest Gift of All!"
• 2009 as himself on the episode of 30 Rock, "Kidney Now!"^[50]
• 2010 as himself on Treme

Soundtrack[link]

• 2003 Academy Award nomination for best original song, "The Scarlet Tide", in Cold Mountain

Bibliography[link]

• Costello, Elvis. A Singing Dictionary. London: Plangent Visions Music; New York, N.Y.: Exclusive selling agent for the United States and Canada, Warner Bros. Publications, 1980. ISBN 0-7692-1505-X. Sheet music, chords, and lyrics for works 1977–1980.

References[link]

Further reading[link]

• Paumgarten, Nick (8 November 2010). "Profiles: Brilliant Mistakes". The New Yorker 86 (35): 48–59. 

External links[link]

Wikimedia Commons has media related to: Elvis Costello

Wikiquote has a collection of quotations related to: Elvis Costello

• ElvisCostello.com
• Official Elvis Costello Lost Highway Records Artist Page
• Elvis Costello at the Internet Movie Database
• Elvis Costello at Allmusic. Retrieved 5 December 2010.
• The Elvis Costello Home Page Wiki