The term apocrypha is used with various meanings, including "hidden", "esoteric", "spurious", "of questionable authenticity", ancient Chinese "revealed texts and objects" and "Christian texts that are not canonical".

The word is originally Greek (ἀπόκρυφα) and means "those hidden away". Specifically, ἀπόκρυφα is the neuter plural of ἀπόκρυφος, an adjective related to the verb ἀποκρύπτω [infinitive: ἀποκρύπτειν] (apocriptein), "to hide something away."^[1]

The general term is usually applied to the books in the Roman Catholic Bible, and the Eastern Orthodox Bible, but not the Protestant Bible on their claim that it is not God's word. As such, it is misleading in this sense to refer to the Gospel according to the Hebrews or Gnostic writings as apocryphal, because they would not be classified in the same category by orthodox believers: they would be classified as a heretical subset of antilegomenae, to distinguish them from now-canonical ancient antilegomenae such as 2 Peter, 3 John and the Revelation of John, and non-canonical but non-heretical books which were quoted by the Early Fathers such as the pseudepigraphic Epistle of Barnabas, the Didache, or The Shepherd of Hermas. The gnostic writings are generally not accorded any status, not even a negative one: they are ignored, as they are incompatible with the accepted canon prima facie. Non-canonical books are texts of uncertain authenticity, or writings where the work is seriously questioned. Given that different denominations have different beliefs about what constitutes canonical scripture, there are several versions of the apocrypha.

During 16th-century controversies about the biblical canon, the word acquired a negative connotation, and has become a synonym for "spurious" or "false". This usage usually involves fictitious or legendary accounts that are plausible enough to be commonly considered true. For example, Laozi's alleged authorship of the Tao Te Ching and the Parson Weems account of George Washington and the cherry tree are considered apocryphal.

Definitions and usage[link]

Apocrypha has evolved in meaning somewhat, and its associated implications have ranged from positive to pejorative. Apocrypha, according to Merriam-Webster Dictionary, means "books included in the Septuagint and Vulgate but excluded from the Jewish and Protestant canons of the Old Testament."^[2]

Esoteric writings and objects[link]

The word "apocryphal" (ἀπόκρυφος) was first applied, in a positive sense, to writings which were kept secret because they were the vehicles of esoteric knowledge considered too profound or too sacred to be disclosed to anyone other than the initiated. For example, it is used in this sense to describe A Holy and Secret Book of Moses, called Eighth, or Moyseos holy books citing esoteric eighth St (Μωυσέως ἱερὰ βίβλος ἀπόκρυφος ἐπικαλούμενη ὀγδόη ἢ ἁγία). This is a text taken from a Leiden papyrus of the third or fourth century AD. The text may be as old as the first century, but other proof of age has not been found. In a similar vein, the disciples of the Gnostic Prodicus boasted that they possessed the secret (ἀπόκρυφα) books of Zoroaster. The term in general enjoyed high consideration among the Gnostics (see Acts of Thomas, pp. 10, 27, 44).^[3]

Renowned Sinologist Anna Seidel refers to texts and even items produced by ancient Chinese sages as apocryphal and studied their uses during Six Dynasties China (220 to 589 AD). These artifacts were used as symbols legitimizing and guaranteeing the Emperor's Heavenly Mandate. Examples of these include talismans, charts, writs, tallies, and registers. The first examples were stones, jade pieces, bronze vessels and weapons, but came to include talismans and magic diagrams.^[4] From their roots in Zhou era China (1066 to 256 BC) these items came to be surpassed in value by texts by the Han dynasty (206 BC to 220 CE). Most of these texts have been destroyed as Emperors, particularly during the Han dynasty, collected these legitimizing objects and proscribed, forbade and burnt nearly all of them to prevent them from falling into the hands of political rivals.^[4] It is therefore fitting with the Greek root of the word, as these texts were obviously hidden away to protect the ruling Emperor from challenges to his status as Heaven's choice as sovereign.

Writings of questionable value[link]

"Apocrypha" was also applied to writings that were hidden not because of their divinity but because of their questionable value to the church. Many in Protestant traditions cite Revelation 22:18-19 as a potential curse for those who attach any canonical authority to extra-biblical writings such as the Apocrypha. However, a strict explanation of this text would indicate it was meant for only the Book of Revelation. Rv.22:18-19f. (KJV) states: "For I testify unto every man that heareth the words of the prophecy of this book, If any man shall add unto these things, God shall add unto him the plagues that are written in this book: And if any man shall take away from the words of the book of this prophecy, God shall take away his part out of the book of life, and out of the holy city, and from the things which are written in this book." In this case, if one holds to a strict hermeneutic, the "words of the prophecy" do not refer to the Bible as a whole but to Jesus' Revelation to John. Origen, in Commentaries on Matthew, distinguishes between writings which were read by the churches and apocryphal writings: γραφὴ μὴ φερομένη μέν ἒν τοῖς κοινοῖς καὶ δεδημοσιευμένοις βιβλίοις εἰκὸς δ' ὅτι ἒν ἀποκρύφοις φερομένη (writing not found on the common and published books in one hand, actually found on the secret ones on the other).^[5] The meaning of αποκρυφος is here practically equivalent to "excluded from the public use of the church", and prepares the way for an even less favourable use of the word.^[3]

Spurious writings[link]

In general use, the word "apocrypha" came to mean "false, spurious, bad, or heretical." This meaning also appears in Origen's prologue to his commentary on the Song of Songs, of which only the Latin translation survives: De scripturis his, quae appellantur apocryphae, pro eo quod multa in iis corrupta et contra fidem veram inveniuntur a majoribus tradita non placuit iis dari locum nec admitti ad auctoritatem.^[3] "Concerning these scriptures, which are called apocryphal, for the reason that many things are found in them corrupt and against the true faith handed down by the elders, it has pleased them that they not be given a place nor be admitted to authority."

Other meanings[link]

Other uses of apocrypha developed over the history of Western Christianity. The Gelasian Decree refers to religious works by church fathers Eusebius, Tertullian and Clement of Alexandria as apocrypha. Augustine defined the word as meaning simply "obscurity of origin," implying that any book of unknown authorship or questionable authenticity would be considered as apocryphal. On the other hand, Jerome (in Protogus Galeatus) declared that all books outside the Hebrew canon were apocryphal.^[3] In practice, Jerome treated some books outside the Hebrew canon as if they were canonical, and the Western Church did not accept Jerome's definition of apocrypha, instead retaining the word's prior meaning (see: Deuterocanon). As a result, various church authorities labeled different books as apocrypha, treating them with varying levels of regard.

Some apocryphal books were included in the Septuagint with little distinction made between them and the rest of the Old Testament. Origen, Clement and others cited some apocryphal books as "scripture," "divine scripture," "inspired," and the like. On the other hand, teachers connected with Palestine and familiar with the Hebrew canon excluded from the canon all of the Old Testament not found there. This view is reflected in the canon of Melito of Sardis, and in the prefaces and letters of Jerome.^[3] A third view was that the books were not as valuable as the canonical scriptures of the Hebrew collection, but were of value for moral uses, as introductory texts for new converts from paganism, and to be read in congregations. They were referred to as "ecclesiastical" works by Rufinus.^[3]

These three opinions regarding the apocryphal books prevailed until the Protestant Reformation, when the idea of what constitutes canon became a matter of primary concern for Roman Catholics and Protestants alike. In 1546 the Catholic Council of Trent reconfirmed the canon of Augustine, dating to the second and third centuries, declaring "He is also to be anathema who does not receive these entire books, with all their parts, as they have been accustomed to be read in the Catholic Church, and are found in the ancient editions of the Latin Vulgate, as sacred and canonical." The whole of the books in question, with the exception of 1 Esdras and 2 Esdras and the Prayer of Manasseh, were declared canonical at Trent.^[3] The Protestants, in comparison, were diverse in their opinion of the deuterocanon. Some considered them divinely inspired, others rejected them. Anglicans took a position between the Catholic Church and the Protestant Churches; they kept them as Christian intertestamental readings and a part of the Bible, but no doctrine should be based on them. John Wycliffe, a 14th century Christian Humanist, had declared in his biblical translation that "whatever book is in the Old Testament besides these twenty-five shall be set among the apocrypha, that is, without authority or belief."^[3] Nevertheless, his translation of the Bible included the apocrypha and the Epistle of the Laodiceans.^[6]

The respect accorded to apocryphal books varied between Protestant denominations. In both the German (1534) and English (1535) translations of the Bible, the apocrypha are published in a separate section from the other books, although the Lutheran and Anglican lists are different. In some editions (like the Westminster), readers were warned that these books were not "to be any otherwise approved or made use of than other human writings." A milder distinction was expressed elsewhere, such as in the "argument" introducing them in the Geneva Bible, and in the Sixth Article of the Church of England, where it is said that "the other books the church doth read for example of life and instruction of manners," though not to establish doctrine.^[3]

According to the Orthodox Anglican Church:

On the other hand, the Anglican Communion emphatically maintains that the Apocrypha is part of the Bible and is to be read with respect by her members. Two of the hymns used in the American Prayer Book office of Morning Prayer, the Benedictus es and Benedicite, are taken from the Apocrypha. One of the offertory sentences in Holy Communion comes from an apocryphal book (Tob. 4: 8-9). Lessons from the Apocrypha are regularly appointed to be read in the daily, Sunday, and special services of Morning and Evening Prayer. There are altogether 111 such lessons in the latest revised American Prayer Book Lectionary [The books used are: II Esdras, Tobit, Wisdom, Ecclesiasticus, Baruch, Three Holy Children, and I Maccabees.] The position of the Church is best summarized in the words of Article Six of the Thirty-nine Articles: “In the name of Holy Scripture we do understand those canonical Books of the Old and New Testament, of whose authority there was never any doubt in the Church… And the other Books (as Hierome [St. Jerome] saith) the Church doth read for example of life and instruction of manners; but yet doth it not apply them to establish any doctrine…”

—^{[citation needed]}

Metaphorical usage[link]

The adjective apocryphal is commonly used in modern English to refer to any text or story considered to be of dubious veracity or authority, although it may contain some moral truth. In this broader metaphorical sense, the word suggests a claim that is in the nature of folklore, factoid or urban legend.

Texts[link]

Judaism[link]

Although traditional rabbinical Judaism insists on the exclusive canonization of the current 24 books in the Tanakh, it also claims to have an oral law handed down from Moses. The Sadducees - unlike the Pharisees but like the Samaritans - seem to have maintained an earlier and smaller number of texts as canonical, preferring to hold to only what was written in the Law of Moses^[7] (making most of the presently accepted canon, both Jewish and Christian, apocryphal in their eyes). Certain circles in Judaism, such as the Essenes in Judea and the Therapeutae in Egypt, were said to have a secret literature (see Dead Sea scrolls). Other traditions maintained different customs regarding canonicity.^[8] The Ethiopic Jews, for instance, seem to have retained a spread of canonical texts similar to the Ethiopian Orthodox Christians,^[9] cf Encyclopaedia Judaica, Vol 6, p 1147. A large part of this literature consisted of the apocalypses. Based on prophecies, these apocalyptic books were not considered scripture by all, but rather part of a literary form that flourished from 200 BC to AD 100.^{[citation needed]}

Intertestamental[link]

During the birth of Christianity, some of the Jewish apocrypha that dealt with the coming of the Messianic kingdom became popular in the rising Jewish Christian communities. Occasionally these writings were changed or added to, but on the whole it was found sufficient to reinterpret them as conforming to a Christian viewpoint. Christianity eventually gave birth to new apocalyptic works, some of which were derived from traditional Jewish sources. Some of the Jewish apocrypha were part of the ordinary religious literature of the Early Christians. This was strange, as the large majority of Old Testament references in the New Testament are taken from the Greek Septuagint, which is the source of the deuterocanonical books^[10] as well as most of the other biblical apocrypha.^[11]

Slightly varying collections of additional Books (called deuterocanonical by the Roman Catholic Church) form part of the Roman Catholic, Eastern Orthodox and Oriental Orthodox canons. See Development of the Old Testament canon.

The Book of Enoch is included in the biblical canon only of the Oriental Orthodox churches of Ethiopia and Eritrea. The Epistle of Jude quotes the book of Enoch, and some believe the use of this book also appears in the four gospels and 1 Peter.^[12][1] The genuineness and inspiration of Enoch were believed in by the writer of the Epistle of Barnabas, Irenaeus, Tertullian and Clement of Alexandria and much of the early church. The epistles of Paul and the gospels also show influences from the Book of Jubilees, which is part of the Ethiopian canon, as well as the Assumption of Moses and the Testaments of the Twelve Patriarchs, which are included in no biblical canon.

The high position which some apocryphal books occupied in the first two centuries was undermined by a variety of influences in the Christian church. All claims to the possession of a secret tradition (as held by many Gnostic sects) were denied by the influential theologians like Irenaeus and Tertullian, which modern historians refer to as the Proto-orthodox, the timeframe of true inspiration was limited to the apostolic age, and universal acceptance by the church was required as proof of apostolic authorship. As these principles gained currency, books deemed apocryphal tended to become regarded as spurious and heretical writings, though books now considered deuterocanonical have been used in liturgy and theology from the first century to the present.

Christianity[link]

New Testament apocrypha—books similar to those in the New Testament but almost universally rejected by Catholics, Orthodox and Protestants—include several gospels and lives of apostles. Some were written by early Jewish Christians (see the Gospel according to the Hebrews). Others of these were produced by Gnostic authors or members of other groups later defined as heterodox. Many texts believed lost for centuries were unearthed in the 19th and 20th centuries, producing lively speculation about their importance in early Christianity among religious scholars, while many others survive only in the form of quotations from them in other writings; for some, no more than the title is known. Artists and theologians have drawn upon the New Testament apocrypha for such matters as the names of Dismas and Gestas and details about the Three Wise Men. The first explicit mention of the perpetual virginity of Mary is found in the pseudepigraphical Infancy Gospel of James.

The Gnostic tradition was a prolific source of apocryphal gospels. While these writings borrowed the characteristic poetic features of apocalyptic literature from Judaism, Gnostic sects largely insisted on allegorical interpretations based on a secret apostolic tradition. With them, these apocryphal books were highly esteemed. A well-known Gnostic apocryphal book is the Gospel of Thomas, the only complete text of which was found in the Egyptian town of Nag Hammadi in 1945. The Gospel of Judas, a Gnostic gospel, also received much media attention when it was reconstructed in 2006.

Roman Catholics and Orthodox Christians as well as Protestants generally agree on the canon of the New Testament, see Development of the New Testament canon. The Ethiopian Orthodox have in the past also included I & II Clement and Shepherd of Hermas in their New Testament canon.

The Church of Jesus Christ of Latter-day Saints[link]

Joseph Smith, Jr. said that when compiling the inspired version of the Holy Bible, he inquired of Heavenly Father about what to do regarding the Apocrypha, the Deuterocanonical Books of the Catholic bible, that are not the 66 books contained in the 1769 edition of the Authorized King James Bible. What Smith claimed to receive from God is now stated in Section 91 of the Doctrine and Covenants of the Church of Jesus Christ of Latter-day Saints.

"Verily, thus saith the Lord unto you concerning the Apocrypha-There are many things contained therein that are true, and it is mostly translated correctly; There are many things that are not true, which are interpolations by the hands of men. Verily, I say unto you, that it is not needful that the Apocrypha should be translated. Therefore, whoso readeth it, let him understand, for the spirit manifesteth truth; And whoso is enlightened by the Spirit shall obtain benefit therefrom; And whoso receiveth not by the Spirit, cannot be benefited. Therefore it is not needful that it should be translated. Amen."

The 91st Section of the Doctrine and Covenants is the reason that the Church of Jesus Christ of Latter-day Saints currently uses the 1769 edition of the Authorized King James Bible along with excerpts from the Joseph Smith Translation (JST). Furthermore, despite having canonized the 1769 edition of the Authorized King James Bible, Joseph Smith Jr. made a note that the Song of Solomon was not inspired, and therefore it is considered Apocrypha despite it being contained in the canon. The Community of Christ, another offshoot of the Latter Day Saint movement, has canonized the JST and therefore has excluded the Song of Solomon.

Taoism[link]

Prophetic texts called the Ch'an-wei were written by Han Dynasty (206 BC to 220 CE) Taoist priests to legitimize as well as curb imperial power.^[13] They deal with treasure objects that were part of the Zhou (1066 to 256 BC) royal treasures. Emerging from the instability of the Warring States Period (476-221 BC), ancient Chinese scholars saw the centralized rule of the Zhou as an ideal model for the new Han empire to emulate. The Ch'an-wei are therefore texts written by Han scholars about the Zhou royal treasures, only they were not written to record history for its own sake, but for legitimizing the current imperial reign. These texts took the form of stories about texts and objects being conferred upon the Emperors by Heaven and comprising these ancient sage-king's (this is how the Zhou emperors were referred to by this time, about 500 years after their peak) royal regalia.^[13] The desired effect was to confirm the Han emperor's Heavenly Mandate through the continuity offered by his possession of these same sacred talismans. It is because of this politicized recording of their history that it is difficult to retrace the exact origins of these objects. What is known is that these texts were most likely produced by a class of literati called the Fang-Shih. These were a class of nobles who were not part of the state administration; there were considered specialists or occultists, for example diviners, astrologers, alchemists or healers.^[13] It is from this class of nobles that the first Taoist priests are believed to have emerged. Seidel points out however that the scarcity of sources relating to the formation of the early Taoist church make the exact link between the apocryphal texts and the Taoist church unclear.^[13]

See also[link]

Notes[link]

1. ^ Apocrypha - Definition and More from the Free Merriam-Webster Dictionary
2. ^ Apocrypha
3. ^ ^{a b c d e f g h i} Charles 1911
4. ^ ^{a b} Seidel, Anna. "Imperial treasures and Taoist sacraments", in M. Strickmann, ed., Tantric and Taoist Studies in Honor of Rolf A. Stein, II, Bruxelles, Institut belge des hautes etudes chinoises. pp. 291-371.
5. ^ Commentaries on Matthew, X. 18, XIII. 57^{[not specific enough to verify]}
6. ^ Wyclif's Bible
7. ^ Jewish Encyclopedia: Sadducees
8. ^ The Old Testament Canon
9. ^ Ethiopian Orthodox Old Testament
10. ^ Deuterocanonical books literally means books of the second canon. The term was coined in the 16th century.
11. ^ The Style Manual for the Society of Biblical Literature recommends the use of the term deuterocanonical literature instead of apocrypha in academic writing, although not all apocryphal books are properly deuterocanonical.
12. ^ Clontz, T.E. and J., "The Comprehensive New Testament", Cornerstone Publications (2008), ISBN 978-0-9778737-1-5
13. ^ ^{a b c d} Seidel, Anna. "Imperial treasures and Taoist sacraments", in M. Strickmann, ed., Tantric and Taoist Studies in Honor of Rolf A. Stein, II, Bruxelles, Institut belge des hautes etudes chinoises. 291-371.

Attribution

•  This article incorporates text from a publication now in the public domain: Charles, Robert Henry (1911). "Apocryphal literature". In Chisholm, Hugh. Encyclopædia Britannica (11th ed.). Cambridge University Press. http://www.1911encyclopedia.com/Apocryphal_literature. 
•  This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). "Apocrypha". Catholic Encyclopedia. Robert Appleton Company.  (Information concerning the Hellenist Jews was incorporated from the Catholic Encyclopedia).

External links[link]

Look up apocrypha in Wiktionary, the free dictionary.

Wikiquote has a collection of quotations related to: Apocrypha

• Alin Suciu's blog on various Coptic apocrypha
• EarlyChristianWritings.com A chronological list of early Christian books and letters, both complete and incomplete works; canonical, apocryphal and Gnostic. Many with links to English translations.
• The Apocrypha Is in the Religion Section at The e.Lib.
• Noncanonical Literature
• Complete NT Apocrypha Claims to be the largest collection of New Testament apocrypha online
• Deuterocanonical books - Full text from Saint Takla Haymanot Church Website (also presents the full text in Arabic)
• LDS Bible Dictionary > Apocrypha Definition & LDS POV, including brief book descriptions.
• Christian Cyclopedia article on Apocrypha
• New Testament Allusions to Apocrypha and Pseudepigrapha
• Canon Comparison Chart
•  A. J. Schem (1879). "Apocrypha". The American Cyclopædia. 

Thomas "Tom" Horn, Jr. (November 21, 1860 – November 20, 1903) was an American Old West lawman, scout, soldier, hired gunman, detective, outlaw and assassin. On the day before his 43rd birthday, he was hanged in Cheyenne, Wyoming, for the murder of Willie Nickell.

Biography[link]

Early life[link]

Born to Thomas S. Horn, Sr. and Mary Ann Maricha (née Miller), in rural northeastern Scotland County, Missouri, on the family farm of 600 acres (bisected by the South Wyaconda River) between the towns of Granger and Etna, he was the fifth of twelve children.^[2]

Scout[link]

At sixteen, he headed to the American Southwest, where he was hired by the U.S. Cavalry as a civilian scout under Al Sieber and became involved in the Apache Wars, aiding in the capture of warriors such as Geronimo. On January 11, 1886, Tom Horn was involved in an expedition into Mexican territory in the pursuit of Geronimo as a packer and interpreter. During the operation, Horn's camp was attacked by Mexican militia and he was wounded in the arm.^[3] Horn allegedly killed his first man in a duel-a second lieutenant in the Mexican Army^[1] Horn was present at Geronimo's final surrender, acting as an interpreter under Charles B. Gatewood.^[4]

Later, hiring out his skills with a gun, he took part in the Pleasant Valley War in Arizona between cattlemen and sheepmen, but it is not known for certain as to which side he was allied, and both sides suffered several killings to which no known suspects were ever identified.^[5]

Career as a detective and lawman[link]

He worked in Arizona for a time as a deputy sheriff, where he drew the attention of the Pinkerton Detective agency due to his tracking abilities. Hired by the agency circa late 1889 or early 1890, he handled investigations in Colorado and Wyoming, in other western states, and around the Rocky Mountain area, working out of the Denver office. He became known for his calm under pressure, and his ability to track down anyone assigned to him.

On one instance, Horn and another agent, C. W. Shores, captured two men for robbing the Denver and Rio Grande Western Railroad (on August 31, 1890) between Cotopaxi and Texas Creek in Fremont County, Colorado. Horn and Shores tracked Thomas Eskridge (aka "Peg-Leg" Watson) and Burt "Red" Curtis to a house (the home of a man named Wolfe) in either Washita or Pauls Valley, Oklahoma, along the Washita River, without firing a shot. In his report on that arrest, Horn stated in part "Watson, was considered by everyone in Colorado as a very desperate character. I had no trouble with him."^[6]

His termination from employment, however, was not as a result of his killings. In Charlie Siringo's book, "Two Evil Isms: Pinkertonism and Anarchism", he wrote that "William A. Pinkerton told me that Tom Horn was guilty of the crime, but that his people could not allow him to go to prison while in their employ." More likely than not, this was due to the agency's desire to avoid negative press. Siringo would later indicate that he respected Horn's abilities at tracking, and that he was a very talented agent but had a wicked element.^[7][8]

Horn resigned from the agency, under pressure, in 1894. Over the course of the late 1890s he hired out as a range deputy US marshal and detective for various wealthy ranchers in Wyoming and Colorado, specifically during the Johnson County War, when he worked for the Wyoming Stock Grower's Association; and is alleged to have been involved in the killing of Nate Champion and Nick Ray on April 9, 1892.^[1] In 1895, Horn supposedly killed a known cattle thief named William Lewis near Iron Mountain, Wyoming. Horn was exonerated for that crime and for another six weeks later, the murder of Fred Powell. In 1896, a ranchman named Campbell who had a large stock of money was last seen with Horn and "disappeared."^[1]

Although his official title was always "Range Detective," he actually functioned as a killer for hire.^[9] In 1900, he was implicated in the murder of two known rustlers and robbery suspects in northwest Colorado. Just prior to the killings, Horn had begun working for the Swan Land and Cattle Company, He had killed the two rustlers, Matt Rash and Isom Dart, while he was following up on what became known as the Wilcox Train Robbery, and he was possibly working freelance for the Pinkerton Agency when he did so.^[10]

During his involvement in the Wilcox Train Robbery investigation, Horn obtained information from Bill Speck that revealed which of the robbers had killed Sheriff Josiah Hazen, who had been shot and killed during the pursuit of the robbers.^[11] He passed this information on to Charlie Siringo, who was working the case by that time for the Pinkerton's. This information indicated that either George Curry or Kid Curry had killed the sheriff. Both outlaws were members of the Butch Cassidy's Wild Bunch gang, which was then known as "The Hole-in-the-Wall Gang."

He left that line of work briefly to serve a stint in the Army during the Spanish American War. Before he could steam from Tampa for Cuba, he contracted malaria.^[12] When his health recovered he returned to Wyoming. Shortly after his return, in 1901, Horn began working for wealthy cattle baron John C. Coble.^[7]

Willie Nickell murder, Horn's arrest and trial[link]

On July 18, 1901, Horn was again working near Iron Mountain when Willie Nickell, the 14-year-old son of a sheepherding rancher, was murdered. Horn was arrested for the murder after a questionable confession to Joe Lefors, an office deputy in the US Marshal's office, in 1902. Horn was convicted and hanged in Cheyenne in 1903. The prosecutor in the case was Walter Stoll.^[13]

During Horn's trial, the prosecution introduced a vague confession by Horn to Lefors, taken while he was intoxicated. Only certain parts of Horn's statement were introduced, distorting the significance of the statement. Additionally, testimony by at least two witnesses, including lawman Lefors, was presented by the prosecution, as well as circumstantial evidence that only placed him in the general vicinity of the crime scene.

Glendolene M. Kimmell, a school teacher who knew the Miller family, testified on the Millers' behalf during the inquest. She further testified that Jim Miller (no relation to the Texas outlaw Jim Miller) was nervous on the morning of the murder. Jim Miller and the Nickell boy's father had been in several disputes with each other over the Nickells' sheep grazing on Miller's land.^[14]

In 1993, the case was retried in a mock trial in Cheyenne and Horn was acquitted.^[15]

It is still debated whether Horn committed the murder. Some historians such as Chip Carlson believe he did not, while others like Dean Fenton Krakel believe that he did, but that he did not realize he was shooting a boy. Whatever the case, the consensus is that regardless of whether he committed that particular murder, he had certainly committed many others.^[7] Chip Carlson, who extensively researched the Wyoming v. Tom Horn prosecution, concluded that although Horn could have committed the murder of Willie Nickell, he probably did not. According to Carlson's book Tom Horn: Blood on the Moon, there was no actual evidence that Horn had committed the murder, he was last seen in the area the day before the murder, his alleged confession was valueless as evidence, and no efforts were made to investigate involvement by other possible suspects. In essence, Horn's reputation and history made him an easy target for the prosecution.^[2]

Execution[link]

Tom Horn has the distinction of being one of the few people in the "Wild West" to have been hanged by an automated process. A Cheyenne, Wyoming architect named James P. Julian designed the contraption in 1892, earning the name "The Julian Gallows," which made the condemned man hang himself. The trap door was connected to a lever which pulled the plug out of a barrel of water. This would cause a lever with a counterweight to rise, pulling on the support beam under the gallows. When enough pressure was applied, this would cause the beam to break free, opening the trap and hanging the condemned man. Tom Horn was buried in the Columbia Cemetery in Boulder, Colorado. ^[16]

Films[link]

Tom Horn has been the subject of two movies: Mr. Horn (1979) a made-for-TV movie starring David Carradine, and Tom Horn (1980), starring Steve McQueen. The McQueen film was not entirely accurate but McQueen's performance was praised and the film was well received.^[17][18] There was a third movie, "Fort Utah" (1967), a western fiction with John Ireland playing Tom Horn.

The History Channel aired (December 2009) the series "Cowboys & Outlaws" which featured an hour-long episode entitled "Frontier Hitman" about the life of Tom Horn.

In 1954, Louis Jean Heydt played Tom Horn in an episode of the syndicated television series, Stories of the Century, narrated and starring Jim Davis. Walter Coy appeared in the episode as Sam Clayton.^[19]

Notes[link]

References[link]

• Herring, Hal (2008). Famous Firearms of the Old West: From Wild Bill Hickok's Colt Revolvers to Geronimo's Winchester, Twelve Guns That Shaped Our History. Globe Pequot. pp. 121–136. ISBN 978-0-7627-4508-1. 
• Gatewood, Charles B. (2005). Louis Kraft. ed. LT. Charles Gatewood & His Apache Wars Memoir. University of Nebraska Press. ISBN 978-0-8032-2772-9. </ref>

Further reading[link]

• Carlson, Chip, (2001). - Tom Horn: Blood on the Moon - Dark History of the Murderous Cattle Detective. - Glendo, Wyoming: High Plains Press. - ISBN 978-0-931271-58-8.
• Henry, Will, (1975). - I, Tom Horn. - New York: Bantam Books. - ISBN 978-0-553-29835-2.

(NOTE: fictionalization of Life of Tom Horn: Government Scout and Interpreter and other documents)

• Horn, Tom; John C. Coble (1904). Life of Tom Horn: Government Scout and Interpreter (full-text view via Google books). Denver: The Smith-Brooks Printing Company. http://books.google.com/books?id=lUctmKI0lG0C. Retrieved 2007-07-08.  Also available as:
  • Horn, Tom, and John C. Coble, (2001). - Life of Tom Horn - Government Scout and Interpreter. - Narrative Press. - ISBN 978-1-58976-068-4.
  • Horn, Tom, edited by Doyce B. Nunis, Jr., (1987). - Life of Tom Horn - Government Scout and Interpreter - Written by Himself: A Vindication. - Chicago: The Lakeside Press, R. R. Donnelley & Sons Company.
  • Horn, Tom, and Dean Krakel, (1985). - Life of Tom Horn - Government Scout and Interpreter: A Vindication. - University of Oklahoma Press. - ISBN 978-0-8061-1044-8.
• Krakel, Dean, (1954). - The Saga of Tom Horn. - Powder River Publishing.
• Tom Horn's Story - Hanged By The Neck Until You Are Dead at Tom-Horn.com (Horn's last letter proclaiming his confession being staged and not accurate)

External links[link]

Biography portal

• Tom Horn website
• Tom Horn at www.thrillingdetective.com

Andrew Bird
Andrew Bird with violin, 2009
Background information
Born	(1973-07-11) July 11, 1973 (age 38) Chicago, Illinois, United States
Genres	Indie rock, indie folk, folk rock, baroque pop
Occupations	Musician, songwriter
Instruments	Voice, whistling, violin, guitar, glockenspiel
Years active	1996–present
Labels	Rykodisc, Righteous Babe, Fat Possum, RCRD LBL, Bella Union, Earwig Music, Waterbug, Carrot Top, Delmark, Mom+Pop
Associated acts	Andrew Bird's Bowl of Fire, Squirrel Nut Zippers, Kevin O'Donnells Quality Six, Dosh
Website	andrewbird.net

Andrew Wegman Bird (born July 11, 1973) is an American musician, songwriter, and multi-instrumentalist.

History[link]

Early life and the Bowl of Fire (1973–2002)[link]

Trained in the Suzuki method from the age of four,^[1] Bird graduated from Lake Forest High School in 1991 and Northwestern University with a bachelor's degree in violin performance in 1996. That same year he self-released his first solo album, Music of Hair. Vastly different from his later work, this album showcased his violin skills and paid tribute to his fascination with both American and European folk traditions, as well as jazz and blues. Following this, his initial commercial exposure came through collaborative work with the band Squirrel Nut Zippers, appearing on three of their albums (Hot, Sold Out, and Perennial Favorites) between 1996 and 1998.

Taking on the role of bandleader, Bird released Thrills on Rykodisc in 1997 with his group Andrew Bird's Bowl of Fire, shortly followed by second album Oh! The Grandeur in 1998. Both albums were heavily influenced by traditional folk, pre-war jazz, and swing, with Bird relying on the violin as his primary musical instrument, as well as providing vocals along with his trademark verbose lyrics. The Bowl of Fire featured musicians from Bird's home town of Chicago, including Kevin O'Donnell, Joshua Hirsch, Nora O'Connor, Andy Hopkins, Jimmy Sutton, Colin Bunn, and Ryan Hembrey. During this period, Andrew Bird was a member of the jazz group Kevin O'Donnells Quality Six, for which he was the lead singer and violinist and contributed to arrangements and songwriting for the albums Heretic Blues (Delmark 1999) and Control Freak (Delmark 2000) (both Delmark albums were produced by Raymond Salvatore Harmon).

In 2001, the Bowl of Fire released their third album, The Swimming Hour, a dramatic departure from their previous recordings. It featured a mixture of styles, from the zydeco-influenced "Core and Rind" to more straightforward rock songs such as "11:11". Due to this eclectic nature, Bird has often referred to it as his "jukebox album". Although gaining critical praise (The Swimming Hour received a 9.0 from indie music website Pitchfork^[2]), the band failed to attain commercial success or recognition, playing to audiences as small as 40 people.^[3] In 2002, Bird was asked to open for a band in his hometown of Chicago, but fellow Bowl of Fire members were unavailable for the date. The reluctant Bird performed the gig alone, and the surprising success of this solo show suggested potential new directions for his music.^[3]

Early solo career (2003–2005)[link]

Andrew Bird in concert 2005

The Bowl of Fire unofficially disbanded in 2003, and Bird went on to radically re-invent himself as a solo artist. His two subsequent albums were released on Ani Difranco's Righteous Babe Records label. 2003's Weather Systems (originally released on Grimsey Records) was a sparse record with a dramatic change in musical direction. It featured the tracks "Skin" and "I", proto-versions of songs that would later become "Skin Is, My" (The Mysterious Production of Eggs) and "Imitosis" (Armchair Apocrypha).

The Mysterious Production of Eggs (2005) continued a progression towards an eclectic indie–folk sound, and both records formed a stark stylistic break with Bird's earlier work, swapping the lush backing of a full band for carefully layered samples of sound constructed using multitrack recorders and loop pedals. As his sound changed, Bird made increasing use of guitar, glockenspiel, and whistling in his songwriting, in addition to his traditional violin and vocals.

Bird is noted for improvising and reworking his songs during live performance, as can be seen in his series of self-released live compilations entitled Fingerlings, Fingerlings 2, and Fingerlings 3, the first of which was released in 2002. Each Fingerlings EP was released prior to a studio album, and presented a mixture of live performances from different shows, including old tracks, covers, and previously unreleased songs, some of which have since appeared on studio albums. Fingerlings 3, released in October 2006, also featured studio outtakes. Fingerlings 2 provided Bird with an unexpected boost in recognition in 2004 when it was named album of the month by Mojo.^[1]

In 2005, co-collaborator Martin Dosh joined Bird's line-up, adding percussion and keyboards to his sound.^[1] Jeremy Ylvisaker was later added to the group on bass and backup vocals.

Signed to Fat Possum Records (2006–2011)[link]

Bird performing at the 2007 Coachella Valley Music and Arts Festival

In September 2006, Bird signed to Fat Possum Records, and in March 2007 he released his third post-Bowl of Fire album, Armchair Apocrypha.^[4] The album was recorded in collaboration with electronic musician Martin Dosh, and includes a track composed by Dosh (with lyrics by Bird) entitled "Simple X". This song first appeared without Bird's lyrics as "Simple Exercises" on Dosh's 2004 release Pure Trash. The album was produced by Ben Durrant (who had worked on Dosh's The Lost Take), and also featured Haley Bonar and Chris Morrissey.^[5] In advance of the March release date, Armchair Apocrypha was leaked to the Internet in January 2007. The album went on to sell over 100,000 copies.^[1]

As publicity for Armchair Apocrypha, Bird made his network television debut on April 10, 2007, performing "Plasticities" (from the new album) on the Late Show with David Letterman. He also appeared on Late Night with Conan O'Brien on June 14, 2007, performing "Imitosis" from the same album. In April 2007, he did a Take-Away Show acoustic video session shot by Vincent Moon. These appearances were accompanied by an extensive tour, which ended with sell-out performances at the Beacon Theater, New York and the Orpheum Theater, Los Angeles.^[1]

In January 2007, Andrew Bird made an appearance on the Noggin television network's Jack's Big Music Show, playing the part of Dr. Stringz and appearing in order to mend a character's broken dulcimer. Bird sang a brief song called "Dr. Stringz", written specially for the show. He now often plays it live as an introduction to the song "Fake Palindromes".^[6][7]

On May 20, 2007, National Public Radio aired a live concert by Bird from Washington, D.C.'s 9:30 Club^[8] He also worked with Reverb, a non-profit environmental organization, for his 2007 spring tour.^[9]

Five of his songs – "Banking on a Myth" from "The Mysterious Production of Eggs," a medley of "I" from Weather Systems and "Imitosis" from "Armchair Apocrypha," and "Skin" and "Weather Systems" from Weather Systems – have been licensed for use by Marriott Residence Inn.^[10]

Since March 2008, Bird has contributed to "Measure for Measure,"^[11] a New York Times blog in which musicians write about their songwriting process. In it, he has charted the development of the song "Oh No," previewing samples at various stages of development through to the finished album recording. He also discussed the conception of the song "Natural Disaster," the recording of instrumental piece "Hot Math," and previewed "Master Sigh." The first two songs were later released on Bird's 2009 album "Noble Beast," whilst the latter two appeared on its bonus disc "Useless Creatures."^[12]

In December 2008, Bird appeared in the second series of Nigel Godrich's From the Basement alongside Radiohead and Fleet Foxes. His performance included a preview of new song "Section 8 City," a ten minute re-imagining of "Sectionate City," which originally appeared on the "Soldier On EP."^[13]

Bird's fifth solo album, "Noble Beast," was released on January 20, 2009, and contained fourteen new songs, with bonus tracks available for download from iTunes and eMusic. "The Privateers" is a re-imagining of a very early song entitled "The Confession" from 1999's "Oh! The Grandeur."^[1] A limited deluxe edition of the album included alternate packaging and artwork, as well as an all-instrumental companion disc entitled "Useless Creatures." The entirety of "Useless Creatures" was made available via Bird's website during the run-up to the release. "Noble Beast" has been met with generally favourable reviews, receiving a score of 79 out of 100 from review collation site Metacritic.^[14]

In 2009, Bird contributed a cover of the song "The Giant of Illinois" to the HIV and AIDS benefit album "Dark Was the Night" produced by the Red Hot Organization. On May 11, 2009, Bird released the EP "Fitz and the Dizzy Spells." It contains "Fitz and the Dizzyspells" from "Noble Beast," as well as other songs from that album's recording sessions. Some of the songs on the EP were previously available for download from iTunes and eMusic as bonus tracks to "Noble Beast."

In 2010, Bird recorded with the Preservation Hall Jazz Band, contributing vocals and violin on a cover of "Shake It and Break It" on "Preservation: An Album to Benefit Preservation Hall & The Preservation Hall Music Outreach Program."

Andrew Bird currently uses custom-made Schroeder amplifiers.^[15]

Break It Yourself (2011–present)[link]

In late 2011 Bird signed to the record label Mom+Pop. Andrew Bird's first release for the label was the soundtrack to the film Norman, which included his original score as well as songs by other artists.^[16] Bird sequenced the soundtrack to flow as a stand-alone album rather than a compilation of music from the film.^[16] Its music supervisor, Peymon Maskan, told HitQuarters: "The best compliment I've heard is that without having seen the film, you can imagine it by listening to the soundtrack. The sequence is a big part of that effect."^[16]

On December 6 Bird announced a new album Break it Yourself, the follow up to 2009's Noble Beast.^[17]

Influences[link]

Growing up, Bird was surrounded by classical music. As a child, he was interested in Irish tunes and bluegrass. He also cites English and Scottish folk music as an early influence.^[18] His early jazz influences were Johnny Hodges, Lester Young, and Fats Waller.^[19][20] He has also had a number of classical influences such as Claude Debussy, Maurice Ravel, and Bela Bartok.^[21] Other influences included jazz, swing, calypso, and folk. Bird has stated that, at 22, he found a lot of indie rock and pop music repetitive and boring, but now understands it better.^[22]

Discography[link]

Bowl of Fire albums[link]

• Thrills (1998)
• Oh! The Grandeur (1999)
• The Swimming Hour (2001)

Solo albums[link]

• Music of Hair (1996)
• Weather Systems (2003)
• & the Mysterious Production of Eggs (2005)
• Armchair Apocrypha (2007, Fat Possum) #76 US
• Noble Beast (2009, Fat Possum) #12 US
• Break it Yourself (2012, Bella Union [UK]; Mom+Pop [US]) #10 US, #46 CAN

Companion album[link]

• Useless Creatures (2010) (bonus disc to Noble Beast)

Live albums[link]

• Fingerlings (2002, Grimsey Records)
• Fingerlings 2 (2004, Grimsey)
• Fingerlings 3 (2006, Grimsey)
• Live at Austin City Limits Music Festival 2007: Andrew Bird (2007, Austin City Limits Music Festival)
• Live In Montreal (2008, Bella Union)
• Fingerlings 4 (2010, Wegawam Music Co.)

EPs and singles[link]

• The Ballad of the Red Shoes (2002)
• Sovay (2005, Fargo Records) – single
• Live at Bonnaroo Music Festival (2006, Live at Bonnaroo Music Festival) – Live EP
• Soldier On (2007) – European tour EP
• Fitz and the Dizzy Spells (2009)
• Anonanimal (2009) – Download only single
• Fake Conversations (2012) – 2011 Tour Live EP

Other album appearances[link]

• Kiltartan Road – Joy to the Morning (1995)
• Kat Eggleston – Outside Eden (1996, Waterbug Records)
• Lil Ed and Dave Weld with The Imperial Flames – Keep On Walkin' (1996, Earwig Music)
• Andrew Calhoun – Phoenix Envy (1996, Earwig Music)
• Charlie Nobody – Soup (1996)
• Squirrel Nut Zippers – Hot (1996, Mammoth Records)
• Squirrel Nut Zippers – Perennial Favorites (1998, Mammoth)
• Rose Polenzani – Dragersville (1998, The Orchard)
• Pinetop Seven – Rigging the Toplights (1998)
• Extra Virgin – Twelve Stories High (1999)
• Kevin O'Donnell – Heretic Blues (1999, Delmark Records)
• Andrew Calhoun – Where Blue Meets Blue (1999, Waterbug)
• Sally Timms – Cowboy Sally's Twilight Laments for Lost Buckaroos (1999, Bloodshot Records)
• Squirrel Nut Zippers – Bedlam Ballroom (2000, Hollywood Records)
• The Blacks – Just Like Home (2000, Bloodshot)
• The Handsome Family – In the Air (2000, Carrot Top Records)
• Devil in a Woodpile – Division Street (2000, Bloodshot)
• Kevin O'Donnell – Control Freak (2000 · Delmark Records)
• Neko Case – Canadian Amp (2001)
• The Verve Pipe – Underneath (2001, RCA Records)
• Jenny Toomey – Antidote (2001, Misra Records)
• Kelly Hogan – Because It Feel Good (2001, Bloodshot)
• Sinister Luck Ensemble – Anniversary (2002, Perishable Records)
• Abandon Jalopy – Mercy (2002)
• WYEP Live and Direct: Volume 4 – On Air Performances – "Core and Rind" (2002)
• Kristin Hersh – The Grotto (2003)
• The Autumn Defense – Circles (2003, Arena Rock Recording Co.)
• Bonnie 'Prince' Billy – Sings Greatest Palace Music (2004, Drag City)
• Bobby Bare, Jr. – From the End of Your Leash (2004, Bloodshot)
• Nora O'Connor – Til the Dawn (2004, Bloodshot)
• Ani DiFranco – Knuckle Down (2005, Righteous Babe Records)
• My Morning Jacket – Z (2005, ATO Records)
• Bobby Bare – The Moon Was Blue (2005, Dualtone Music Group)
• Emily Loizeau – London Town (in French and English) (2006)
• Dosh – The Lost Take (2006, anticon.)
• Candi Staton – His Hands (2006, Astralwerks)
• Magnolia Electric Co. – The Black Ram (2007, Secretly Canadian)
• KFOG Live From the Archives Volume 14 – (2007)
• Song of America – "How You Gonna Keep 'Em Down On the Farm" (2007, Split Rock Records/Thirty One Tigers)
• Charlie Louvin – "Sings Murder Ballads and Disaster Songs" (2008, Tompkins Square)
• Todd Sickafoose – "Tiny Resistors" (2008, Cryptogramophone)
• Dosh – Wolves and Wishes (2008, anticon.)
• Final Fantasy – Plays to Please (2008, Blocks Recording Club)
• Dianogah – Qhnnnl (2008, Southern Records)
• Loney, Dear – Dear John^[23] (2009)
• Dark Was the Night – "The Giant of Illinois" (Red Hot Organization, 2009)
• Live at KEXP Vol.5 – Oh No (2009)[5]
• Thao with the Get Down Stay Down – Know Better Learn Faster (2009, Kill Rock Stars)
• Dosh – Tommy
• Twistable Turnable Man: A Musical Tribute to Shel Silverstein – The Twistable, Turnable Man Returns (2010, Sugar Hill Records)
• Muppets: The Green Album – "Bein' Green" (2011, Walt Disney Records)
• Norman (Original Motion Picture Soundtrack) (2011, Mom + Pop Music)
• The Muppets: Original Soundtrack – "The Whistling Caruso" (2011, Walt Disney Records)

References[link]

External links[link]

Wikimedia Commons has media related to: Andrew Bird

• Official site

Mary Magdalene
Mary Magdalene, polychrome clay. Unknown Portuguese artist of the 18th century
West: Penitent East: Myrrhbearer and Equal of the Apostles Both: Apostle to the Apostles
Born	Date unknown Place unknown
Died	Date unknown Place: possibly Saint-Maximin-la-Sainte-Baume, Ephesus, Asia Minor [1]
Honored in	Eastern Orthodoxy Roman Catholic Church Anglican Communion Lutheranism other Protestant churches Bahá'í Faith
Feast	July 22
Attributes	Western: alabaster box of ointment Eastern: container of ointment (as a myrrhbearer), or holding a red egg (symbol of the resurrection); embracing the feet of Christ after the Resurrection
Patronage	Apothecaries; Kawit, Cavite; Atrani, Italy; Casamicciola Terme, Ischia; contemplative life; converts; glove makers; hairdressers; penitent sinners; people ridiculed for their piety; perfumeries; pharmacists; reformed prostitutes; sexual temptation; tanners; women

Mary Magdalene (original Greek Μαρία ἡ Μαγδαληνή),^[2] or Mary of Magdala, was one of Jesus' most celebrated disciples, and the most important female disciple in the movement of Jesus.^[3] Jesus cleansed her of "seven demons", ^{[Lu 8:2] [Mk 16:9]} sometimes interpreted as referring to complex illnesses.^[4] She became Jesus' close friend and most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection,^[3] according to both John 20 and Mark 16:9.

Mary Magdalene is considered by the Catholic, Orthodox, Anglican, and Lutheran churches to be a saint, with a feast day of July 22. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers.

Name[link]

Consistently in the four Gospels, Mary Magdalene seems to be distinguished from other women named Mary^[5] by adding "Magdalene" (η Μαγδαληνή) to her name.^[2] Traditionally, this has been interpreted to mean that she was from Magdala, a town thought to have been on the western shore of the Sea of Galilee. Luke 8:2 says that she was actually "called Magdalene." In Hebrew מגדל Migdal means "tower", "fortress"; in Aramaic, "Magdala" means "tower" or "elevated, great, magnificent".^[6]

In the Gospel of John, Mary Magdalene is also referred to simply as "Mary" at least twice.^[7] Gnostic writings use Mary, Mary Magdalene, or Magdalene.

Mary Magdalene's given name Μαρία (Maria) is usually regarded as a Latin form of Μαριὰμ (Mariam), which is the Greek variant used in Septuagint for Miriam, the Hebrew name for Moses' sister. The name had become very popular during Jesus' time due to its connections to the ruling Hasmonean and Herodian dynasties.^[8]

Sources[link]