- published: 01 Oct 2012
- views: 5941
- author: sdroceRylF
{marc bolan}
Ooow!
Well you're dirty and sweet
Clad in black
Don't look back
And I love you
You're dirty, sweet and...oh yeah!
Well you're slim and you're weak
You got the teeth of the hydra upon ya
You're dirty sweet and you're my girl
Get it on
Bang a gong
Get it on
Get it on
Bang a gong
Get it on
Well, you're built like a car
You got a hubcap diamond star halo
You're built like a car
Oh yeah
Your hands serving me
You got the holes in your shoes and your stockings
You're dirty sweet
And you're my girl (aghh!)
Get it on
Bang a gong
Get it on
(aghh!)
Get it on
Bang a gong
Get it on
(ooow!)
Take me...yeah
Get it on
Bang a gong
Get it on
(ooow!)
Get it on
Bang a gong
Get it on
You're built like a car
You got a hubcap diamond star halo
You're built like a car...oh yeah!
Your hands ? ____? me
You got the holes in your shoes and your stockings
You're dirty sweet
And you're my girl
Get it on
Bang a gong
Get it on
(ooow!)
Get it on
Bang a gong
Get it on
(aghh!)
Dreamer
Who is stealing a ? ? ? ? ? ? ...yeah!
Get it on
Bang a gong
Get it on
Get it on
Bang a gong
Get it on
Get it on
Bang a gong
Get it on
Get it on
Bang a gong
Get it on!
telegram sam
telegram sam
you're my main man
golden nose slim
golden nose slim
i know's where you 'bin
purple pie pete
purple pie pete
your lips are like lightning
girls melt in the heat
telegram sam
you're my main man
telegram sam
you're my main man
bobby's alright
bobby's alright
he's a natural born poet
he's just out a sight
jungle faced jake
jungle faced jake
i said make no mistake
about jungle faced jake
automatic shoes
automatic shoes
give me 3d vision
and the california blues
me i funk but i don't care
i ain't no square with my corkscrew hair
telegram sam
Marc Bolan | |
---|---|
File:Marc bolan.jpg | |
Background information | |
Birth name | Mark Feld |
Born | (1947-09-30)30 September 1947 Hackney, London, England |
Died | 16 September 1977(1977-09-16) (aged 29) Barnes, London, England |
Genres | Glam rock, hard rock, psychedelic folk, psychedelic rock, pop rock |
Occupations | Musician |
Instruments | Guitar, vocals, bass, Moog synthesizer, percussion |
Years active | 1957–1977 |
Labels | Reprise, Blue Thumb, Regal Zonophone, EMI, A&M |
Associated acts | T. Rex, John's Children |
Notable instruments | |
Gibson Les Paul Gibson Flying V Fender Stratocaster |
Marc Bolan (born Mark Feld; 30 September 1947 – 16 September 1977) was an English singer-songwriter, guitarist and poet. He is best known as the frontman of glam rock group T. Rex.
Contents |
Bolan grew up in post-war Hackney, northeast London, the son of Phyllis Winifred (née Atkins) and Simeon Feld, a lorry driver. His father was Jewish (of Russian and Polish origin) and his mother was from a Christian background.[1][2][3] Later moving to Wimbledon, southwest London, he fell in love with the rock and roll of Gene Vincent, Eddie Cochran, Arthur Crudup and Chuck Berry[citation needed] and was considered a mod because of dress, hanging around coffee bars such as the 2 I's in Soho.[citation needed] He appeared as an extra in an episode of the television show Orlando, dressed as a mod. At the age of nine, Bolan was given his first guitar and began a skiffle band. While at school, he played guitar in "Susie and the Hoops," a trio whose vocalist was a 12-year old Helen Shapiro. At 15, he left school "by mutual consent".[citation needed]
He briefly joined a modelling agency and became a "John Temple Boy", appearing in a clothing catalogue for the menswear store. He was a model for the suits in their catalogues as well as for cardboard cut-outs to be displayed in shop windows. "TOWN" magazine featured him as an early example of the mod movement in a photo spread with two other models. Mark Feld had changed his stage-name to Toby Tyler when he met and moved in with child actor Allan Warren, who was to become his first manager. This fortuitous encounter afforded Bolan a lifeline to the heart of show-business, as Warren saw Toby Tyler's potential whilst the latter spent hours sitting cross-legged on Warren's floor playing his acoustic guitar. A series of photographs was to be commissioned with photographer Michael McGrath, who later recalls that Bolan "left no impression" on him.[4] Warren also hired a recording studio and had Bolan's first acetates cut. One track was the Bob Dylan song "Blowin' in the Wind". A version of Betty Everett's "You're No Good" was later submitted to EMI for a test screening but was turned down.
Warren later sold Bolan's contract and recordings for £200 to his landlord, property mogul David Kirch, in lieu of three months' back rent. Kirch was too busy with his property empire to do anything for him. A year or so later, Bolan's mother pushed into Kirch's office and shouted at him that he had done nothing for her son. She demanded he tear up the contract and willingly he complied.[5][6][7] The tapes produced during the Toby Tyler recording session vanished for over 25 years before resurfacing in 1991 and selling for nearly $8,000. Their eventual release on CD in 1993 made available the earliest of Marc's known recordings.
After changing his name again to Marc Bolan (via Mark Bowland) while with Decca Records he released his first single "The Wizard". According to Danny Baker speaking on QI Series G, episode 15 on BBC television, Bolan is a contraction of Bob Dylan.[8][9] In early 1967, manager Simon Napier-Bell added him to the pop art/mod band John's Children, which achieved some success as a live band but sold few records. A John's Children single written by Marc Bolan called "Desdemona" was banned by the BBC for its line "lift up your skirt and fly." His tenure with the band was brief. Bolan claimed to have spent time with a wizard in Paris who gave him secret knowledge and could levitate. The time spent with him was often alluded to but remained "mythical"; in reality the wizard was probably U.S. actor Riggs O'Hara with whom Bolan made a trip to Paris in 1965. His song-writing took off and he began writing many of the neo-romantic songs that would appear on his first albums with Tyrannosaurus Rex.
When John's Children collapsed (amongst other problems, the band were stunned to discover their equipment had been stolen from a studio, according to a Bolan biographer), Bolan and Steve Peregrin Took created Tyrannosaurus Rex, a psychedelic-folk rock acoustic duo, playing Bolan's songs, with Took playing assorted hand and kit percussion and occasional bass to Bolan's acoustic guitars and voice.
This version of Tyrannosaurus Rex released four albums and four singles, flirting with the charts, reaching as high as number fifteen and supported with airplay by Radio 1 DJ John Peel. One of the highlights of this era was when the duo played at the first free Hyde Park concert in 1968. Although the free-spirited, drug-taking Took was fired from the group after their first American tour, they were a force to be reckoned with in the hippy underground scene while they lasted. Their music was filled with Marc's otherworldly poetry, a book of which he published in 1969, 'The Warlock Of Love'. In keeping with his early rock and roll interests, Bolan began bringing amplified guitar lines into the duo's music, buying a vintage Gibson Les Paul guitar (later featured on the cover of the album T. Rex in 1970). After replacing Took with Mickey Finn, he let the electric influences come forward even further on A Beard of Stars, the final album to be credited to Tyrannosaurus Rex. It closed with the song "Elemental Child," featuring a long electric guitar break influenced by Jimi Hendrix.
Bolan, by now married to his girlfriend June Child (a former secretary to the manager of another of his heroes, Syd Barrett), shortened the group's name to T. Rex and wrote and recorded "Ride a White Swan", dominated by a rolling, hand clapping back-beat, Bolan's electric guitar and Finn's percussion.
Bolan and his producer Tony Visconti oversaw the session for "Ride a White Swan", the single that changed Bolan's career. Recorded on 1 July 1970 and released later that year, it made slow progress in the UK Top 40, until it finally peaked in early 1971 at number two.
Bolan took to wearing top hats and feather boas on stage as well as putting drops of glitter on each of his cheekbones. Stories are conflicting about his inspiration for this—some say it was introduced by his personal assistant, Chelita Secunda, although Bolan told John Pidgeon in a 1974 interview on Radio 1 that he noticed the glitter on his wife's dressing table prior to a photo session and casually daubed some on his face there and then. Other performers—and their fans—soon took up variations on the idea.
The glam era also saw the rise of Bolan's friend David Bowie, whom Bolan had come to know in the underground days (Bolan had played guitar on Bowie's 1970 single "Prettiest Star").
Bolan followed "Ride a White Swan" and T. Rex by expanding the group to a quartet with bassist Steve Currie and drummer Bill Legend, and cutting a five-minute single, "Hot Love", with a rollicking rhythm, string accents and an extended sing-along chorus inspired somewhat by "Hey Jude". It was number one for six weeks and was quickly followed by "Get It On", a grittier, more adult tune that spent four weeks in the top spot. The song was renamed "Bang a Gong (Get It On)" when released in the United States, to avoid confusion with another song of the same name by the American band Chase. The song reached #10 in the United States in early 1972, the only Top 40 single the band had in America.
In November 1971, the band's record label, Fly, released the Electric Warrior track "Jeepster" without Bolan's permission. Outraged, Bolan took advantage of the timely lapsing of his Fly Records contract and left for EMI, who gave him his own record label, the T. Rex Wax Co. Its bag and label featured an iconic head-and-shoulders image of Bolan. Despite the lack of Bolan's endorsement, "Jeepster" peaked at number two.
In 1972, Bolan achieved two more British number ones with "Telegram Sam" and "Metal Guru" (the latter of which stopped Elton John getting to the top with "Rocket Man") and two more number twos in "Children Of The Revolution" and "Solid Gold Easy Action". Bolan told Gloria Jones the track "Metal Guru" would be "the smoothest song in history".
In the same year he appeared in Ringo Starr's film Born to Boogie, a documentary showing a concert at Wembley Empire Pool on 18 March 1972. Mixed in were surreal scenes shot at John Lennon's mansion in Ascot and a session with T. Rex joined by Ringo Starr on second drum kit and Elton John on piano. At this time T. Rex record sales accounted for about 6 percent of total British domestic record sales. The band was reportedly selling 100,000 records a day; however, no T. Rex single ever became a million-seller in the UK, despite many gold discs and an average of four weeks at the top per Number One hit.
In 1973, Bolan played twin lead guitar alongside his friend Jeff Lynne on the Electric Light Orchestra songs "Ma-Ma-Ma Belle" and "Dreaming of 4000" (originally uncredited) from On the Third Day, as well as on "Everyone's Born To Die", which was not released at the time but appears as a bonus track on the 2006 remaster.
Bolan played guitar on the track "Have You Seen My Baby (Hold On)" on Ringo Starr's album Ringo.
By late 1973, his pop star fame gradually began to wane, even though he achieved a number three hit, "20th Century Boy", in February and mid-year "The Groover" followed it to number four. "Truck On (Tyke)" missed the UK Top 10 reaching only #12 in December. However, "Teenage Dream" from the 1974 album Zinc Alloy And The Hidden Riders of Tomorrow showed that Bolan was attempting to create richer, more involved music than he had previously attempted with T. Rex. He expanded the line up of the band to include a second guitarist, Jack Green, and other studio musicians, and began to take more control over the sound and production of his records.
In 1974, Bolan played guitar for Ike & Tina Turner. He appeared on "Nutbush City Limits", "Sexy Ida (Part II)", and "Baby Get It On". Tina Turner confirmed this in a BBC Radio 1 interview.[citation needed]
Eventually, the vintage T. Rex line-up disintegrated. Legend left in 1973 and Finn in 1975 and Bolan's marriage came to an end because of his affair with backing singer Gloria Jones. He spent a good deal of his time in the U.S. for much of the next three years, continuing to release singles and albums which, while less popular to the masses, were full of unusual lyrics and sometimes eccentric musical experiments. Although Bolan's health began to fail as he put on weight, the former glam rock icon cleaned up and continued working, producing at least one UK chart hit every year until his death in 1977.
Gloria Jones gave birth to Bolan's son in September 1975, whom they named Rolan Bolan (although his birth certificate lists him as 'Rolan Seymour Feld'). That same year, Bolan returned to the UK from tax exile in the U.S. and Monaco and to the public eye with a low-key tour. Bolan made regular appearances on the LWT pop show Supersonic, directed by his old friend Mike Mansfield and released a succession of singles, but he never regained the success of his glory days of the early 1970s. The last remaining member of Bolan's halcyon era T. Rex, Currie, left the group in late 1976.
In early 1977, Bolan got a new band together, released a new album, Dandy in the Underworld, and set out on a fresh UK tour, taking along punk band The Damned as support to entice a young audience who did not remember his heyday. Granada Television commissioned Bolan to front a six-part series called Marc, where he introduced new and established bands and performed his own songs. By this time Bolan had lost weight, appearing as trim as he had during T. Rex's earlier heyday. The show was broadcast during the post-school half-hour on ITV earmarked for children and teenagers; it was a big success.[citation needed] One episode reunited Bolan with his former John's Children-bandmate Andy Ellison, then fronting the band Radio Stars. The last episode featured a unique Bolan "duet" with David Bowie during which Bolan fell off the stage just as the singing was commencing.[10] With no time for a retake, this occurrence was aired and Bowie's amusement was clearly visible.
Bolan died on 16 September 1977, two weeks before his 30th birthday.[11][12] He was a passenger in a purple Mini 1275GT (registration FOX 661L) driven by Gloria Jones as they headed home from Mortons drinking club and restaurant in Berkeley Square. Jones lost control of the car and it struck a sycamore tree after failing to negotiate a small humpback bridge near Gipsy Lane on Queens Ride, Barnes, southwest London. Richard Madeley of daytime TV fame informed fans that it was low tyre pressure that contributed to the fatal crash.[11]
Bolan died instantly, while Jones suffered a broken arm and broken jaw and spent time in hospital; she did not learn of Bolan's death until the day of his funeral. Bolan's home, which was less than a mile away at 142 Upper Richmond Road West in East Sheen, was quickly looted. Fans quickly turned the site of the crash into a shrine and in 2007 the site was officially recognised as Bolan's Rock Shrine.
At Bolan's funeral, attended by James Stroud, David Bowie, Paul Davis and Rod Stewart, a swan-shaped floral tribute was displayed outside the service in recognition of his breakthrough hit single. His funeral service was at the Golders Green Crematorium which is a secular provision in North London. Bolan himself stated that he was Jewish, the religion of his father. However, because his mother was not Jewish he would be considered a gentile under Orthodox Jewish law (Halakha). His ashes were buried at Golders Green Crematorium.
Bolan never learned to drive, fearing a premature death. Despite this fear, cars or automotive components are at least mentioned in, if not the subject of, many of his songs. He also owned a number of vehicles, including a famed white Rolls-Royce, which had been lent by his management to Hawkwind on the night of his death.
Fellow T. Rex member Steve Currie also died in a car crash less than four years later.
Guitars
Electric: Marc Bolan was mostly seen playing Gibson Les Pauls. His main guitar, a Les Paul Standard (fitted with a Les Paul Custom replacement neck after the original neck was broken) was refinished in a translucent orange to resemble Gretsch guitars played by one of his heroes Eddie Cochran. He was also seen playing a black Gibson Flying V with tremolo and a late 1960s model Olympic White Fender Stratocaster. One with both an eye and ear for the unusual, Bolan also played various models of visually striking guitars from smaller independent companies, among them a Veleno aluminium guitar, and the Burns Flyte.
Acoustic: Bolan favoured the Epiphone and Gibson brands. Most notably the Gibson Hummingbird and Gibson J-160E models.
In 2011, Gibson Guitar Corporation issued a specification-correct model of his main Gibson Les Paul guitar as part of their Signature series.
Amplification
While Bolan was known to use makes as diverse as Vox, Orange, HH Electronics and Marshall, he is perhaps most associated with the short-lived Vampower line of British amplifiers. Used through 1970–1973, the model MK1A Vampower 100 watt stack was present and utilised on the T. Rex tours and recordings of that period.
Signal processors
Dallas-Arbiter Fuzz Face, Electro-Harmonix Screaming Tree, MXR Blue Box, Vox wah.
In 1979, Siouxsie and the Banshees released a cover of "20th Century Boy" as the b-side to the single "The Staircase (Mystery)".
In December 1980, "Telegram Sam" was the fourth single released by British gothic rock band Bauhaus.
Also in 1980, The Bongos were the first American group, with "Mambo Sun," to enter the Billboard charts with a T.Rex cover. Since then, Bongos frontman Richard Barone has recorded several other Bolan compositions ("The Visit," "Ballrooms of Mars"), worked with T.Rex producer Tony Visconti for his current solo album, Glow (2010, Bar/None Records) that includes a remake of Bolan's "Girl" from Electric Warrior, and has himself produced tracks for Bolan's son Rolan.
In 1981, Department S released a cover of "Solid Gold Easy Action" as the b-side to the single "Is Vic There?".
In 1984, The Replacements released a cover of "20th Century Boy" as a B-side to the single "I Will Dare"; it is also included on the reissue version of their album Let It Be.[13] In 1993, Adam Ant covered the track live on the Limed Edition live disc of his Antmusic: The Very Best of Adam Ant collection.
In 1985, Duran Duran splinter band Power Station, with Robert Palmer as vocalist, took a version of "Get It On" into the UK Top 40 and to US #6, the first cover of a Bolan song to enter the charts since his death. They also performed the tune (with Michael Des Barres replacing Palmer) at the U.S. Live Aid concert.
In 1986, the Violent Femmes performed "Children of the Revolution" on their third album The Blind Leading the Naked, for which they also recorded a music video.
In 1989, X released a live cover of "20th Century Boy" as the B-side to their single "Kurenai".
In 1990, Baby Ford did a cover of "Children of the Revolution" that appeared on the album Oooh, The World of Baby Ford.
In 1993, Guns N' Roses covered "Buick MacKane" on 'The Spaghetti Incident?" but it was mislabelled on the album as "Buick Makane".
In 1994, Billy Idol wore a t-shirt reproducing The Slider album cover in his popular video supporting the song "Speed". That was a clear homage to Marc Bolan, who helped Generation X to rise at the very beginning of their career.
Also in 1994, A House covered "Children of the Revolution" as a B-side on their "Here Come the Good Times" single alongside tracks originally by Bolan's erstwhile support band, The Damned, and by Donna Summer.
In 1995 Darryl Read released "Teenage Dream" as a single and Bill Legend of T. Rex drums on this version - for the second time round. This single was reissued in 2009 along with a promotional video filmed at the Roundhouse London - featuring Read and Legend with T. Rex fans.
In 2003 Depeche Mode's Martin Gore recorded a cover of "Life Is Strange", and included it as a b-side of the single "Stardust".[14]
In 2006 Def Leppard released their album Yeah which contains covers of their favourite bands while growing up, the first song on this album is "20th Century Boy". Joe Elliott wanted to sing "Metal Guru" while Vivian Campbell wanted "Telegram Sam" but end up agreeing to "20th Century Boy". It's not the first time that Def Leppard has sung a T.Rex song; there is a live version of Get It On.
"Children of the Revolution" was similarly performed by Elton John and Pete Doherty of The Libertines at Live 8, 20 years later. U2's Bono and Gavin Friday also covered "Children of the Revolution" on the Moulin Rouge! soundtrack.
In 2000, Naoki Urasawa created a Japanese manga entitled 20th Century Boys that was inspired by Marc Bolan's song, "20th Century Boy". The series is a multiple award-winner, and has also been released in North America. The story was adopted into three successful live-action movies from 2008 to 2009, which were also released in the US, Canada and the UK.
"20th Century Boy" introduced a new generation of devotees to Bolan's work in 1991 when it was featured on a Levi's jeans TV commercial featuring Brad Pitt, and was re-released, reaching the UK Top 20. The song was performed by the fictional band The Flaming Creatures (performed by Placebo, reprised by Placebo and David Bowie at the 1999 BRIT Awards) in the 1998 film Velvet Goldmine. In every decade since his death, a Bolan greatest hits compilation has placed in the top 20 UK albums and periodic boosts in sales have come via cover versions from artists inspired by Bolan, including Morrissey and Siouxsie and the Banshees. Similarly, "I Love to Boogie" was briefly used on an advert for Robinson's soft drink in 2001, bringing Bolan's music to a new generation. Mitsubishi also featured "20th Century Boy" in a 2002 car commercial, prompting Hip-O Records to release a best-of collection CD titled 20th Century Boy: The Ultimate Collection.
His music is still widely used in films, recent notable cases being Breakfast on Pluto, Death Proof, Lords of Dogtown, Billy Elliot, Jarhead, Moulin Rouge!, Herbie: Fully Loaded, Breaking-Up, Hot Fuzz, Click, School of Rock & Scott Pilgrim vs. the World. Bolan is still cited by many guitar-centric bands as a huge influence (Joy Division/New Order's Bernard Sumner has said that the first single he owned was "Ride a White Swan".) However, he always maintained he was a poet who put lyrics to music. The tunes were never as important as the words.
An altogether less welcome legacy for his friends and family is the ongoing row about his fortune. Bolan had arranged a discretionary trust to safeguard his money. His death left the fortune beyond the reach of those closest to him and both his family and journalists have taken an active interest in investigating the situation, so far with little result other than bringing the story to wider attention. A small, separate Jersey-based trust fund has allowed his son to receive some income. However, the bulk of Bolan's fortune, variously estimated at between £20 and £30 million pounds (approx $38 – $57 million), remains in trust. As of 2007, Bolan's family is supposed to have a house paid for by the trust, and Rolan is supposed to receive an allowance.[15]
Bolan returned to the top of the UK charts in 2005 when the remastered, expanded Born to Boogie DVD hit No. 1 in the Music DVD charts.
Steve Kilbey – a self-confessed Marc Bolan fan and singer for renowned Australian art-rock group The Church – performed Bolan's "One Inch Rock" on the Steve Kilbey Live DVD, released in January 2008.[16]
In 2006, it was revealed that English Heritage had refused to commission a blue plaque to commemorate Bolan, as they believed him to be of "insufficient stature or historical significance".[17] There is, however, an existing plaque dedicated to Bolan at his childhood home, put there by Hackney Council.
There are also two plaques dedicated to his memory at Golders Green Crematorium in North London. The second one to be displayed was placed there by the official Marc Bolan fan club and fellow fans in September 2002, to commemorate the 25th anniversary of his passing. The inscription on the stone, which also bears his image, reads '25 years on – his light of love still shines brightly'. Placed beneath the plaque there is an appropriate ceramic figure of a white swan.
In 2006, TV series Life on Mars, William Matheson portrays Marc Bolan, circa 1973, in a bar in Manchester. Time-travelling Sam Tyler recognises him, has a fan boy moment, and warns him to be careful of riding in Minis. In the American version of the series, the character is replaced by that of Jim Croce, who died later that year in a plane crash, and Sam warns him. However, the T. Rex version of "Get It On" is played in the New York dance club in that scene.
One of Bolan's guitars, a Gibson Flying V, recently[when?] turned up on Antiques Roadshow in the hands of a private collector. The appraiser estimated the value of the guitar to be approximately £50,000–60,000.
A school is planned in his honour, to be built in Sierra Leone: The Marc Bolan School of Music and Film.[citation needed]
The Cameron Crowe-created movie "Almost Famous" features a scene where a Black Sabbath groupie is telling aspiring journalist William Miller (said to be created in Crowe's own image) about how, "Marc Bolan broke her heart, man. It's famous," regarding the character of Penny Lane, played by Kate Hudson.
My Chemical Romance's song "Vampire Money" taken from their album Danger Days: The True Lives of the Fabulous Killjoys released on 22 November 2010 features the lyric 'glimmer like Bolan in the morning sun', referencing Marc Bolan.
A musical, 20th Century Boy, based on Bolan's life, and featuring his music, premiered at the New Wolsey Theatre in Ipswich.[18] in 2011.
John's Children:
Tyrannosaurus Rex:
Dib Cochran and the Earwigs:
Big Carrot:
T. Rex:
Marc Bolan:
T. Rex:
Marc Bolan and Gloria Jones:
T. Rex:
|
Persondata | |
---|---|
Name | Bolan, Marc |
Alternative names | Feld, Mark |
Short description | |
Date of birth | 1947-9-30 |
Place of birth | Hackney, east London, England |
Date of death | 1977-9-16 |
Place of death | Barnes, London, England |
"A Whiter Shade of Pale" | ||||
---|---|---|---|---|
File:Awsop-procol-harum.gif | ||||
Single by Procol Harum | ||||
from the album Procol Harum | ||||
B-side | "Lime Street Blues" | |||
Released | 12 May 1967 | |||
Format | 7" | |||
Recorded | Olympic Studios | |||
Genre | Psychedelic rock Progressive rock Baroque rock |
|||
Length | 4:03 | |||
Label | Deram Records | |||
Writer(s) | Gary Brooker, Keith Reid, Matthew Fisher | |||
Producer | Denny Cordell | |||
Procol Harum singles chronology | ||||
|
"A Whiter Shade of Pale" | ||||
---|---|---|---|---|
Single by Annie Lennox | ||||
from the album Medusa | ||||
B-side | "Heaven" "(I'm Always Touched By Your) Presence, Dear" |
|||
Released | May 1995 | |||
Format | CD single | |||
Genre | Pop | |||
Length | 5:15 | |||
Label | Arista | |||
Writer(s) | Gary Brooker, Matthew Fisher, Keith Reid | |||
Producer | Stephen Lipson | |||
Annie Lennox singles chronology | ||||
|
"A Whiter Shade of Pale" is the debut song by the British band Procol Harum, released 12 May 1967. The single reached number one in the UK Singles Chart[1] on 8 June 1967, and stayed there for six weeks. Without much promotion, it reached #5 on the US charts, as well. It is one of the fewer than 30 all-time singles to have sold 10 million (or more) copies worldwide.[citation needed]
With its haunting Bach-flavoured instrumental melody, soulful vocals, and unusual lyrics—by the song's co-authors Gary Brooker, Keith Reid,[2] and Matthew Fisher-- "A Whiter Shade of Pale" reached #1 in several countries when released in 1967. In the years since, it has become an enduring classic. It was the most played song in the last 75 years in public places in the UK (as of 2009),[3] and the United Kingdom performing rights group Phonographic Performance Limited in 2004 recognised it as the most-played record by British broadcasting of the past 70 years.[4] Also in 2004, Rolling Stone placed "A Whiter Shade of Pale" #57 on its list of the 500 Greatest Songs of All Time.
More than 1000 recorded cover versions by other artists are known.[5] The song has been included in many music compilations over the decades and has also been used in the soundtracks of numerous films, including The Big Chill, Purple Haze, Breaking the Waves, The Boat That Rocked and notably in Martin Scorsese's segment of New York Stories. Cover versions of the song have also been featured in many films, for example by King Curtis in Withnail and I and by Annie Lennox in The Net.
The original writing credits were for Brooker and Reid only. On 30 July 2009, Matthew Fisher won co-writing credit for the music in a unanimous ruling from the Law Lords.
Contents |
The song was performed and recorded at Olympic Studios in London, England with Gary Brooker providing the vocals and piano, Matthew Fisher on a Hammond M-102 organ, David Knights on bass and Ray Royer on guitar. Drums were by session drummer Bill Eyden. A few days later, the song was re-recorded with the band's then newly-recruited drummer Bobby Harrison. That version, though, was considered inferior[citation needed] and one of the original mono recordings was chosen for release.
Producer for the record was Denny Cordell and Keith Grant was the sound engineer.[6]
The song was included on the original U.S. release of the Procol Harum album, but not on the UK version.
Reid got the title and the starting point for the song at a party. He overheard someone at the party saying to a woman, "You've turned a whiter shade of pale," and the phrase stuck in his mind.[7][8] The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances by Procol Harum, and more seldom also the fourth.[9] The author of Procol Harum: beyond the pale, Claes Johansen, suggests that the song "deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act."[8] This is supported by Tim de Lisle in Lives of the Great Songs, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys.[10] Other observers have also commented that the lyrics concern a sexual relationship.[7]
Structurally and thematically, the song is unusual in many respects. While the recorded version is 4:03 long, it is composed of only two verses, each with chorus. The piece is also more instrument-driven than most songs of the period, and with a much looser rhyme scheme. Its unusually allusive and referential lyrics are much more complex than most lyrics of the time (for example, the chorus focuses on Chaucer's The Miller's Tale). Thus, this piece can be thought of as a forerunner to the progressive rock that would reach its zenith about ten years later.
The phrase a whiter shade of pale has since gained widespread use in the English language, noticed by several dictionaries.[11][12][13] As such, the phrase is today often used in contexts independent of any consideration of the song. (See [14] for many annotated examples complete with links to original sources.) It has also been heavily paraphrased, in forms like an Xer shade of Y--this to the extent that it has been recognised[15][16] as a snowclone – a type of cliché and phrasal template.
The song is in moderate time, in C major, and is characterised by the bassline moving stepwise downwards in a repeated pattern throughout. In classical music this is known as a ground bass. The harmonic structure is identical for the organ melody, the verse and the chorus, except that the chorus finishes with a cadence. The main organ melody appears at the beginning and after each verse/chorus. But it is also heard throughout, playing variations of its theme and counterpointing the vocal line. Both the vocal and the organ accompaniment reach a crescendo at the beginning of the chorus "And so it was, and later ..."; where the organist rapidly runs his finger down and up the entire keyboard. The final instrumental fades out to silence - a common device in pop music of the time.
The Hammond organ line of "A Whiter Shade of Pale" was inspired by Johann Sebastian Bach's "Sleepers, Wake!" and "Air on the G String" - both of which use a similar stepwise bass motion. But contrary to popular belief, the song is not a direct copy or paraphrase of any music by Bach,[17] although it makes clear references to both pieces. This similarity is referred to in the 1982 play The Real Thing by Tom Stoppard and the 1991 film The Commitments. A yet closer melodic influence that is seldom cited can arguably[weasel words] be found in the organ choral prelude "O Mensch bewein dein' Sünde groß" (O Man, Lament Your Sin So Great), BWV 622, from Bach's Orgelbüchlein (Little Organ Book). The music also borrows ideas from "When a Man Loves a Woman" by Percy Sledge.[18]
The single was released on 12 May 1967 by Deram Records and entered the UK charts on 25 May. In two weeks it reached number one where it stayed for six weeks, and on the UK chart for a total of 15 weeks. A May 1972 re-release on Fly Records stayed in the UK charts for a total of 12 weeks, and reached number 13 as highest. In the US, it reached #5 and sold over one million copies. In the Netherlands it entered the chart at number one in June 1967 and again reached number one in July 1972.
Chart positions: # 1 (UK), # 1 (the Netherlands), # 1 (Germany), # 1 (Ireland), # 1 (Australia), # 1 (World), # 3 (Norway VG-lista), # 5 (USA Hot 100). "A Whiter Shade of Pale" also managed to peak at number twenty-two on the soul charts in the U.S.[19]
Over time, "A Whiter Shade of Pale" has earned extensive critical acclaim:
In 2005, former Procol Harum organist Matthew Fisher filed suit in the High Court against Gary Brooker and his publisher, claiming that he co-wrote the music for the song.[21]
Fisher won the case on 20 December 2006 but was awarded 40% of the composers' share of the music copyright, rather than the 50% he was seeking and was not granted royalties prior to 2005.[22]
Gary Brooker and publisher Onward Music were granted leave to appeal, and a hearing on the matter was held before a panel of three judges during the week of 1 October 2007. The decision, on 4 April 2008, by Lord Justice Mummery, in the Court of Appeal upheld Fisher's co-authorship[23] but ruled that he should receive no royalties as he had taken too long (38 years) to bring his claim to litigation. Full royalty rights were returned to Brooker.[24]
On 5 November 2008, Matthew Fisher was granted permission to appeal this decision to the House of Lords.[25] Lawyers say it is the first time the Law Lords have been asked to rule on a copyright dispute involving a song.[26] The appeal was heard in the House of Lords on 22–23 April 2009.[27]
On 30 July 2009 the Law Lords unanimously ruled in Fisher's favour. They noted that the delay in bringing the case had not caused any harm to the other party; on the contrary they had benefited financially from it. They also pointed out that there were no time limits to copyright claims under English law. The right to future royalties was therefore returned to Fisher.[28][29] The musicological basis of the judgment, and its effect on the rights of musicians who contribute composition to future works, has drawn some attention in the music world.[30]
The first video for the song was shot in the ruins of Witley Court in Worcestershire, England.[31] The Witley Court video features four of the five musicians who played on the hit single: Gary Brooker, Matthew Fisher, David Knights and Ray Royer, in performance and walking through the ruins. Only the drummer in the video isn't on the record: early band member Bobby Harrison is seen miming to session man Bill Eyden's drumming. According to Shindig! Magazine's Procol Harum cover story by Alan Robinson (November–December 2009 issue – page 55), the video was directed by Peter Clifton whose insertion of Vietnam War newsreel footage caused it to be banned from airplay on the "Top of the Pops" TV show. The band subsequently made another video using "Scopitone" technology, but by this time, Robin Trower and B.J. Wilson had replaced Royer and Harrison in the band, so only three of the five musicians on the recording are represented, and no performance footage included – only the five musicians cavorting around London, running across fields, etc. This lineup, with Fisher in a monk's cowl, also mimed to the song on Top of the Pops, (though Gary Brooker sang live) and black and white footage of this performance has been shown online, perhaps constituting the third video of the song from 1967. (See also its inclusion on the 'Top of the Pops 40th Anniversary 1964–2004 DVD'.)
There was also a video shot as part of Joel Gallen's Deja-View music video series.[32] Originally airing on various networks in late 1985 through 1986, this video starred Harry Dean Stanton and Bernie Taupin, but featured no member of the band. It has also aired on VH1 Classic, and has recently surfaced online.[33][34]
Preceded by "Silence is Golden" by The Tremeloes |
UK Singles Chart number one single 8 June 1967–18 July 1967 (six weeks) |
Succeeded by "All You Need Is Love" by The Beatles |
Preceded by "Black Velvet Band" by Johnny McEvoy |
Ireland 1967 number one single 22 June 1967–19 July 1967 (five weeks) |
Succeeded by "Black Velvet Band" by Johnny McEvoy |
Preceded by "This is My Song" by Petula Clark |
Australia 1967 number one single 8 July 1967–28 July 1967 (three weeks) |
Succeeded by "All You Need is Love / Baby, You're a Rich Man" by The Beatles |
|
Noddy Holder | |
---|---|
Holder in 1981 |
|
Background information | |
Birth name | Neville John Holder |
Born | (1946-06-15) 15 June 1946 (age 66) Walsall, West Midlands, England |
Genres | Glam rock, hard rock |
Occupations | Singer-songwriter, actor, musician, writer, broadcaster, voice over artist |
Instruments | Vocals, guitar |
Years active | 1966–present |
Associated acts | Slade, Dave Hill |
Notable instruments | |
Fender Telecaster, Gibson SG Junior, Ovation Deacon John Birch Cherry Red Gibson SG |
Neville John "Noddy" Holder MBE (born 15 June 1946, Walsall, Staffordshire, England)[1] is an English musician and actor. He was the lead vocalist and guitarist with the rock band Slade.
Holder co-wrote most of Slade's material with bassist, occasional keyboard player and violinist Jim Lea. Holder has been praised for his distinctive vocal style.
Contents |
The son of a window cleaner, Holder passed the Eleven plus exam and attended a grammar school for a year until it closed.[1] He then attended the new T. P. Riley Comprehensive School and passed 6 GCE O-level exams.[2] He formed a group called The Rockin' Phantoms with school friends at the age of 13, and with money earned from a part time job, he bought a guitar and an amplifier.[2] Holder turned professional with a band called The Memphis Cutouts and then with Steve Brett & the Mavericks in the early 60s made four singles for Columbia Records.
He was born in the Caldmore area, near Walsall town centre, but moved to the Beechdale council estate in the north of the town as a child during the early 1950s.
In 1966 Don Powell (drummer) persuaded Holder to join The 'NBetweens. The group already included guitarist / bass guitarist Dave Hill and bass guitarist / keyboard player / violinist / songwriter Jim Lea and the four of them went on to eventually become Slade, one of Britain's top selling rock bands worldwide. The sheer power of Holder's rock vocals has rarely been equalled,[citation needed] but Slade also recorded some sensational ballads,"Everyday" & "How Does It Feel?" in particular being widely acclaimed.
Lea and Holder turned out to be the group's most successful song-writing partnership, composing almost all of the band's songs.The band clocked up 40 hit singles and released well over twenty albums in their 25 year career as the original line - up.
Slade are best remembered for the single "Merry Xmas Everybody"[3] written by Holder and Lea. Holder recorded the single with Slade in 1973, and the song became the band's sixth number one and the third Slade single to go straight in at number one in the UK chart.[4] "Merry Xmas Everybody" has remained seasonally popular ever since and is a festive classic. It is regularly voted the most popular Xmas song of all time. To date, in the UK alone, sales of this song have exceeded several million copies.[4]
After twenty five years with Slade, Noddy left to pursue a solo career.
Since his departure from Slade in 1991, Noddy has appeared on hundreds of TV shows, most notably the ITV comedy/drama series The Grimleys (1996–2001) as classical music teacher Neville Holder, which ran until 2001.[5] For the series, Holder recorded acoustic versions of the Slade songs "Coz I Luv You", "Cum On Feel the Noize", "Mama Weer All Crazee Now" and "Everyday".[6]
He had his own radio shows on Piccadilly 1152 and Key 103 in Manchester, which were syndicated around the country in the 1990s, then on Century and Capital Radio syndication from 2000 to 2004.
Holder also presented 31 episodes of Noddy's Electric Ladyland, a surreal television quiz show. He was a team captain in BBC1's music series A Question of Pop[1] and was immortalised as a puppet character Banger on the TV show Bob the Builder.
In 1999 Holder's autobiography, Who's Crazee Now?, was published by Ebury. Updated in paperback in 2001 it is still available online.
Noddy was awarded the MBE in 2000 honours list for his services to showbusiness. In his 50th year the singer was the subject of the This Is Your Life TV show.[1]
On 8 December 2000, Holder made a cameo appearance on the live episode of Granada Television's Coronation Street, as a character called Stan, saving the cobbles from being replaced on the street. This helped mark the 40th anniversary of the soap.[7]
Holder's voice is famously used in the lift announcements at the Walsall New Art Gallery.
In November 2004, Noddy made a guest appearance in Peter Kay's Max and Paddy's Road to Nowhere - where he played a garage mechanic called Mick Bustin.
Also for the past 20 years Holder has voiced, sang and appeared in many adverts for TV, film and radio worldwide.
In 2006, Holder made a guest appearance in a music video for the Misty's Big Adventure single, "Fashion Parade".[8][9] Holder also occasionally appeared on the BBC show Grumpy Old Men.[10] Holder is a regular TV critic and reviewer for The Radcliffe and Maconie Show on BBC Radio 2, and the three often talk about rock star gossip from all eras. Radcliffe often refers to Holder as 'Sir Nodward of Holdershire'.
Holder was the third celebrity to be inducted onto the Birmingham Walk of Stars. 27,000 people turned out to his induction ceremony, which took place on 9 December 2007 at Birmingham's 2007 Canal Boat Light Parade.[11][12]
For Christmas 2007, 2008, 2009, 2010 & 2011 Noddy has recorded a TV show countdown of hit Christmas tunes.
He is the Nobby's Nuts mascot.
Holder also made an appearance on a Xmas edition of BBC's humorous news quiz show, Have I Got News for You as a member of Paul Merton's team.
In January 2010 Holder and his wife appeared on All Star Mr. and Mrs. on ITV where they won the £30,000 jackpot for charity.
In 2011 Noddy as King Of The Sizzle has fronted British Sausage Week, touring the country to find the Best British Bangers.
Noddy married TV producer Suzan Price in 2004, with whom he has a son, Django (named after Django Reinhardt). From his previous marriage, to Leandra, Holder has two daughters, Jessica and Charisse.[1]
Persondata | |
---|---|
Name | Holder, Noddy |
Alternative names | Holder, Neville John |
Short description | English musician |
Date of birth | 15 June 1946 |
Place of birth | Walsall, West Midlands, England |
Date of death | |
Place of death |
Lynsey de Paul | |
---|---|
Lynsey de Paul in 1974 |
|
Background information | |
Birth name | Lynsey Monckton Rubin |
Born | (1950-06-11) 11 June 1950 (age 62) Cricklewood, London, England |
Genres | Pop |
Occupations | Singer-songwriter, actress |
Instruments | Vocals, piano |
Website | www.lynseydepaul.com |
Lynsey de Paul (born 11 June 1950)[1] is an English singer-songwriter. Allmusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career".[2]
Contents |
Born Lynsey Monckton Rubin in Cricklewood, London to Meta and Herbert Rubin, a property developer. She grew up in a Jewish family in Cricklewood, North London,[3] and attended South Hampstead High School followed by Hornsey College of Art, now part of Middlesex University.
de Paul took an unusual route to becoming the UK's first commercially successful female singer-songwriter. While attending Hornsey College of Art, and wanting to leave home,[4] she started to design album sleeves for artists which required her to listen to the tracks. From income earned from album sleeve design, she got her first flat, where she turned to songwriting. Three of her earliest songs were co-written with Ed Adamberry and recorded by Jack Wild: "E.O.I.O." from the album A Beautiful World (and also released as a single by The Beads) plus "Takin' It Easy" and "Bring It on Back to Me" from the album Everything's Coming Up Roses.
After these initial successes, de Paul was contracted to ATV-Kirshner music publishing, located above the Peter Robinson's store on Oxford Street, where she joined a group of professional songwriters that included Barry Blue and Ron Roker, resulting in revenues from songs recorded by other artists from 1971. Her breakthrough came early in 1972 as the co-writer (with Ron Roker) of The Fortunes' top 10 U.K. hit, "Storm in a Teacup".[1] She was credited as 'L. Rubin' on the record. Around this time, she was also had chart success in the Netherlands as the writer of "On the Ride", a Top 30 hit by the Continental Uptight Band.
A few months later she was propelled into the limelight as the performer of her own hit song "Sugar Me", which reached the Top 10 of the UK Singles Chart (#5),[5] as well as the top of the singles charts in the Netherlands, Spain and Belgium, the first UK female singer-songwriter to do this. "Sugar Me" was covered in the US by Nancy Sinatra and Claudine Longet, and more recent cover versions are still being released (see below). Noted[by whom?] for her keyboard skills, ability to write catchy songs and sultry looks, De Paul went on to be a regular chart and TV fixture over the next five years. Her follow up single to "Sugar Me" was the amusing "Getting a Drag" (UK #18) which was a light hearted dig at the glam rock scene.[5] After the relatively poor chart performance of her third single "All Night" which was written with Ron Roker and peaked in the UK at #56, de Paul returned to the U.K. Top 20 with "Won't Somebody Dance With Me" [5] which she always felt should have been her third single. She was the first woman to be awarded an Ivor Novello Award for this ballad,[2] which was also a hit in Ireland and the Netherlands. The BBC Radio 1 disc jockey Ed Stewart spoke the words "May I Have The Pleasure Of This Dance" near the end of the record (he often played the record on his Junior Choice programme on Saturday mornings) although Tony Blackburn and Dave Lee Travis spoke these words when she appeared on BBC Television's Top of the Pops. De Paul recorded the female lyric to Mott The Hoople's album track version of "Roll Away the Stone", but she was replaced by female trio Thunderthighs on the hit single version of the song. In 1973, when Mick Ralphs left Mott the Hoople, his replacement Luther Grosvenor was contractually obliged to change his name - de Paul suggested Ariel Bender.[6] After appointing Don Arden, her new manager at the end of 1973, de Paul released "Ooh I Do", which hit the charts in the UK,[5] Netherlands and Japan. The song's co-writer, Barry Blue, also recorded a version of the song as an album track.
A second Ivor Novello award followed a year later for "No Honestly", which was also the theme tune to a hit ITV comedy of the same name, and provided her with another UK Top 10 hit, peaking at #7.[5] The TV series No Honestly was followed by Yes Honestly, and although Georgie Fame wrote and performed the theme tune to the first series of Yes Honestly, an instrumental version of de Paul's "No Honestly" was chosen as the theme for the second series. De Paul continued to release a number of singles through the 1970s and early 1980s, including the UK hit "My Man and Me", which she performed an acoustic version of on The Old Grey Whistle Test.
A prolific songwriter, de Paul also continued to write songs for a wide range of recording artists as well as composing the theme music to the 1970s documentary television programme Pilger (John Pilger) for ATV.[1] In a five year period (1972–1977), she wrote a total of fourteen UK Singles Chart hits,[2] most notably "Dancin' (on a Saturday Night)" which was a hit for co-writer Barry Blue, as well as Flash Cadillac and bond. De Paul's songs have reached the charts in many territories, including the US, Japan, Germany, the Netherlands, France, Switzerland, Belgium, Austria, Sweden, Norway, Canada and Australia. She has also performed producing and arranging duties on many of these recordings. In 1976, she was the recipient of the 'Woman Of The Year Award For Music' from the Variety Club of Great Britain.[7] Management problems with Don Arden however, made this a difficult time for de Paul and her third album for Jet Records Before You Go Tonight was shelved as the two parted ways.[8]
"Rock Bottom", which she wrote with Mike Moran, was the UK entry in the Eurovision Song Contest 1977. As she later explained, as well as being an honour, this was a way to circumvent the legal wrangles that were preventing her from signing to a new record label. Although it came second in the Eurovision Song Contest, it went on to become a Top 20 hit in many European countries including France, Germany, Austria and Switzerland, where it reached the top of their singles chart. De Paul and Moran went on to write a number of songs, such as "Let Your Body Go Downtown" (1977), a #38 UK hit for the Martyn Ford Orchestra;[9] and the follow-up "Going to a Disco", as well as "Without You", and "Now and Then", which appeared on the albums Tigers and Fireflies and Just a Little Time, respectively. De Paul also wrote and performed the theme music for the 1977 revival by London Weekend Television of the sitcom, The Rag Trade;[1] the same year she composed "Hi Summer", the title of another ITV variety show, performed by Carl Wayne. Later TV credits included the theme to the BBC's Hearts Of Gold and "Olympian Way", while in the US she wrote "A Little TLC" for Kidd Video. In addition to songs composed by her serving as the themes of nine prime time UK television series, de Paul's songs have been featured in such films as The Big Sleep, Anita & Me, Side by Side, American Swing and Aces Go Places.[2]
After a three year period of being based in California in the late 1970s and early 1980s with her partner at the time, actor James Coburn, de Paul returned to England. During this period, she co-wrote with Terry Britten "A Little TLC", which was covered by Sam Hui and awarded an RTHK top 10 gold award in Hong Kong in 1986. Other versions of this song were recorded by Menudo, sung by their lead singer Ricky Martin, and also featured in the US children's television programme, Kidd Video. Whilst writing songs for Shirley Bassey, Heatwave and The Real Thing, de Paul also branched out into record production, acting in musicals and plays, interviewing and TV presentation, drawing cartoons and also self defence.
De Paul has orchestrated, played, and produced two classical records of compositions by Handel and Bach for Deutsche Grammophon and released "Air on a Heart String" backed with "Arrival of the Queen" with panflautist Horea Crishan.[7] De Paul has also composed and performed songs for children. This included work for the Channel Tunnel Group, which involved writing and producing an album of children's songs with an accompanying song colouring book for Eurotunnel's mascot, entitled Marcus The Mole, as well as film music for the children's film, Gabrielle and the Doodleman, where she had a starring role as an actress.[2] De Paul has also composed jingles for radio stations including Capital Radio. In 1983, she appeared at the Conservative Party conference, where she sang a song she had composed especially for the occasion - "Vote Tory, Tory, Tory/For election glory". In 1985, she was awarded the Rear of the Year title for which she thanked the organisers from the "heart of her bottom". She was also a judge on the television talent show New Faces and has hosted television shows such as Club Vegetarian, Shopper's Heaven, Eat Drink & Be Healthy, Women of Substance, The Vinyl Frontier and 15 episodes of Living Room Legends, which featured home videos.[2]
She returned to the public spotlight in a different role in 1992 when she released a self defence video for women called Taking Control. Lord Mackenzie, former president of the Police Association endorsed it by saying: "It is a very positive contribution to crime prevention and the protection of women and I will be recommending it". She also presented a documentary about women's self defence, called Eve Fights Back, which won a Royal Television Society award.[2][3] In 2006, an updated DVD of her self-defence training programme Taking Control was released and featured on television (The Wright Stuff) and in the media. The programme showed the importance of self-defence for women, and she has approached schools and universities to include the DVD in the curriculum.
Her contribution to the music industry was recognised in 2005 when de Paul received a Gold Badge Award. This was followed by her becoming a director on the board of the Performing Rights Society (PRS) on 30 June 2006 where she has proved to be an active member. The PRS was renamed PRS for Music and in 2009 de Paul was re-elected for a second three year term.[10]
In 2007, she played Sheila Larsen in the first episode of Kingdom, the Stephen Fry drama series. On 10 April 2008, de Paul participated in a celebrity version of the Channel 4 show Come Dine With Me along with Tamara Beckwith, MC Harvey and Jonathan Ansell. De Paul, who is a vegetarian, came in last place. She was also featured on a celebrity version of Cash in the Attic in March 2009 where she became a temporary auctioneer.[1]
She wrote the foreword for the book Medium Rare by Billy Roberts, Liam Scott (Apex Publishing, ISBN 978-1-906358-49-5) published in April 2009. The book is about the spiritual medium, Liam Scott. She has also written travel articles for the Daily Mail on Mauritius (February 2008) and Australia's east coast (April 2009).
In 2011, she had her own programme on Sky, entitled Lynsey's Love Songs. According to a news item on her website, she chose the songs she liked and researched the songwriters and people who made the records. In February 2012, Vintage TV broadcasted three episodes where de Paul interviewed the songwriters Gilbert O'Sullivan, Mike Batt and Howard Jones. Aled Jones interviewed Lynsey on his Good Morning Sunday programme on BBC Radio Two on 29th April 2012. He asked her about her life, career and religious beliefs as well as what inspires her.[1]. Lynsey attended the 2012 Ivor Novello Awards held at the Grosvenor House Hotel, London, on 17 May 2012.[11]. She has been selected for the UK jury for the 2012 Eurovision Song Contest on the BBC.[1] Some of her songs, including previously unreleased material, are avilable as MP3s via her own shop, which is linked to her official website.[7]
Although never married, at various times de Paul has been romantically linked with Ringo Starr, Roy Wood, James Coburn, George Best, Sean Connery, Dodi Fayed, Bill Kenwright, Bernie Taupin, Chas Chandler and Dudley Moore.[3] Known for her sharp sense of humour, de Paul was labelled "Looney de Small" by Spike Milligan.[2] She is a patron of the Spike Milligan Statue Memorial Fund.[7]
Year | Title | Chart positions | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
UK[5] | DE | CH | NL | IRE | ES | AT | BE | SWE | FR | AUS | ||
1972 | "Sugar Me" | 5 | 16 | - | 1 | - | 1 | 2 | 1 | 4 | - | 4 |
"Getting A Drag" | 18 | 48 | - | - | - | - | - | - | - | - | - | |
1973 | "All Night" | 56 | - | - | - | - | - | - | - | - | - | - |
"Won't Somebody Dance With Me" | 14 | - | - | 21 | 9 | - | - | - | - | - | - | |
1974 | "Ooh I Do" | 25 | - | - | 16 | - | - | - | 12 | - | - | - |
"No Honestly" | 7 | - | - | - | - | - | - | - | - | - | - | |
1975 | "My Man And Me" | 40 | - | - | - | - | - | - | - | - | - | - |
1977 | "Rock Bottom" (with Mike Moran) | 19 | 4 | 1 | - | 7 | - | 2 | - | 6 | 10 | - |
Artists who have recorded songs written or co-written by Lynsey de Paul include:
<ref>
tag; no text was provided for refs named http:.2F.2Fpictures.metro.co.uk.2Fthe-ivor-novello-awards-2012.2F1481460.2FThe-Ivor-Novello-Awards-London
; see the help page.Awards and achievements | ||
---|---|---|
Preceded by Brotherhood of Man with "Save Your Kisses for Me" |
UK in the Eurovision Song Contest 1977 (with Mike Moran) |
Succeeded by Co-Co with "The Bad Old Days" |
Persondata | |
---|---|
Name | Paul, Lynsey de |
Alternative names | Rubin, Lynsey Monckton |
Short description | English singer-songwriter |
Date of birth | 11 June 1950 |
Place of birth | Cricklewood, London, England |
Date of death | |
Place of death |
Sir Elton John CBE |
|
---|---|
Elton John attending the premiere of The Union at the 2011 Tribeca Film Festival |
|
Background information | |
Birth name | Reginald Kenneth Dwight |
Born | (1947-03-25) 25 March 1947 (age 65) Pinner, Middlesex, England |
Genres | Rock, R&B, pop rock, glam rock, soft rock |
Occupations | Musician, singer-songwriter, record producer, composer |
Instruments | Vocals, piano, keyboards, guitar |
Years active | 1964–68 (Bluesology) 1969–present (Solo) |
Labels | DJM, Uni, MCA, Geffen, Rocket/Island, Universal, Interscope, Mercury, UMG |
Associated acts | Bernie Taupin, Tim Rice, John Lennon, Yoko Ono, Kiki Dee, Billy Joel, George Michael, Eminem, Gladys Knight, Stevie Wonder, Dionne Warwick, Neil Sedaka |
Website | eltonjohn.com |
Sir Elton Hercules John, CBE (born Reginald Kenneth Dwight on 25 March 1947) is an English rock singer-songwriter, composer, pianist and occasional actor. He has worked with lyricist Bernie Taupin as his songwriter partner since 1967; they have collaborated on more than 30 albums to date.
In his four-decade career John has sold more than 250 million records, making him one of the most successful artists of all time.[1] His single "Candle in the Wind 1997" has sold over 33 million copies worldwide, and is the best selling single in Billboard history.[2] He has more than 50 Top 40 hits, including seven consecutive No. 1 US albums, 56 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won six Grammy Awards, four Brit Awards, an Academy Award, a Golden Globe Award and a Tony Award. In 2004, Rolling Stone ranked him Number 49 on its list of the 100 greatest artists of all time.[3]
John was inducted into the Rock and Roll Hall of Fame in 1994.[4] Having been named a Commander of the Order of the British Empire in 1996, John received a knighthood from Queen Elizabeth II for "services to music and charitable services" in 1998.[5]
He has been heavily involved in the fight against AIDS since the late 1980s.[6] In 1992, he established the Elton John AIDS Foundation and a year later began hosting the annual Academy Award Party, which has since become one of the most high-profile Oscar parties in the Hollywood film industry. Since its inception, the foundation has raised over $200 million.[7]
John entered into a civil partnership with David Furnish[8] on 21 December 2005 and continues to be a champion for LGBT social movements. In 2008, Billboard magazine ranked him as the most successful male solo artist on "The Billboard Hot 100 Top All-Time Artists" (third overall, behind only The Beatles and Madonna).[9]
Contents |
John was born Reginald Kenneth Dwight on 25 March 1947, the eldest child of Stanley and only child of Sheila Eileen Dwight (née Harris)[10][11][12] and was raised in Pinner, Middlesex in a council house of his maternal grandparents. His parents did not marry until he was 6 years old, when the family moved to a nearby semi-detached house.[13][14][15] He was educated at Pinner Wood Junior School, Reddiford School and Pinner County Grammar School, until age 17, when he left just prior to his A Level examinations to pursue a career in the music industry.[16][17][18]
When John began to seriously consider a career in music, his father, who served as a Flight Lieutenant in the Royal Air Force, tried to steer him toward a more conventional career, such as banking.[16] John has stated that his wild stage costumes and performances were his way of letting go after such a restrictive childhood.[18] Both of John's parents were musically inclined, his father having been a trumpet player with the Bob Millar Band, a semi-professional big band that played at military dances.[18] The Dwights were keen record buyers, exposing John to the popular singers and musicians of the day, and John remembers being immediately hooked on rock and roll when his mother brought home records by Elvis Presley and Bill Haley & His Comets in 1956.[16][17]
John started playing the piano at the age of 3, and within a year, his mother heard him picking out Winifred Atwell's "The Skater's Waltz" by ear.[16][17] After performing at parties and family gatherings, at the age of 7 he took up formal piano lessons. He showed musical aptitude at school, including the ability to compose melodies, and gained some notoriety by playing like Jerry Lee Lewis at school functions. At the age of 11, he won a junior scholarship to the Royal Academy of Music. According to one of his instructors, John promptly played back, like a "gramophone record", a four-page piece by Handel that he heard for the first time.[17]
For the next five years he attended Saturday classes at the Academy in central London, and has stated that he enjoyed playing Chopin and Bach and singing in the choir during Saturday classes, but that he was not otherwise a diligent classical student.[17] "I kind of resented going to the Academy", he says. "I was one of those children who could just about get away without practising and still pass, scrape through the grades."[17] He even claims that he would sometimes skip classes and just ride around on the Tube.[17] However, several instructors have testified that he was a "model student", and during the last few years he was taking lessons from a private tutor in addition to his classes at the Academy.[17]
John's mother, though also strict with her son, was more vivacious than her husband, and something of a free spirit. With Stanley Dwight uninterested in his son and often physically absent, John was raised primarily by his mother and maternal grandmother. When his father was home, the Dwights would have terrible arguments that greatly distressed their son.[17] When John was 14, they divorced.[19] His mother then married a local painter, Fred Farebrother, a caring and supportive stepfather whom John affectionately referred to as "Derf", his first name in reverse.[17] They moved into flat No. 1A in an eight-unit apartment building called Frome Court, not far from both previous homes. It was there that John would write the songs that would launch his career as a rock star; he would live there until he had four albums simultaneously in the American Top 40.[20]
At the age of 15, with the help of his mother and stepfather, Reginald Dwight became a weekend pianist at a nearby pub, the Northwood Hills Hotel, playing Thursday to Sunday nights for £35 a week and tips.[21][22] Known simply as "Reggie", he played a range of popular standards, including songs by Jim Reeves and Ray Charles, as well as songs he had written himself.[23][24] A stint with a short-lived group called the Corvettes rounded out his time.[17]
In 1964, Dwight and his friends formed a band called Bluesology. By day, he ran errands for a music publishing company; he divided his nights between solo gigs at a London hotel bar and working with Bluesology. By the mid-1960s, Bluesology was backing touring American soul and R&B musicians like The Isley Brothers, Major Lance, Billy Stewart, Doris Troy and Patti LaBelle and The Bluebelles. In 1966, the band became musician Long John Baldry's supporting band and played 16 times at The Marquee Club.[25]
After failing lead vocalist auditions for King Crimson and Gentle Giant, Dwight answered an advertisement in the New Musical Express placed by Ray Williams, then the A&R manager for Liberty Records.[26] At their first meeting, Williams gave Dwight a stack of lyrics written by Bernie Taupin, who had answered the same ad. Dwight wrote music for the lyrics, and then mailed it to Taupin, beginning a partnership that still continues[update]. When the two first met in 1967 they recorded what would become the first Elton John/Bernie Taupin song: "Scarecrow". Six months later Dwight was going by the name "Elton John" in homage to Bluesology saxophonist Elton Dean and Long John Baldry.[23]
The team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, like Roger Cook and Lulu.[27] Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he couldn't come up with anything quickly.[27] For two years, they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the British entry for the Eurovision Song Contest in 1969, for Lulu, called "Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released recording, the single "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson.[28][29]
During this period, John was also a session musician for other artists including playing piano on The Hollies' "He Ain't Heavy, He's My Brother" and singing backing vocals for The Scaffold.[30]
On the advice of music publisher Steve Brown, John and Taupin started writing more complex songs for John to record for DJM. The first was the single "I've Been Loving You" (1968), produced by Caleb Quaye, former Bluesology guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, "Lady Samantha", and an album, Empty Sky.
For their follow-up album, Elton John, John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger. Elton John was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the USA, and established the formula for subsequent albums; gospel-chorded rockers and poignant ballads. The first single from the album, "Border Song", made into the US Top 100, peaking at Number 92. The second single "Your Song" made the US Top Ten, peaking at number eight and becoming John's first hit single as a singer. The album soon became his first hit album, reaching number four on the Billboard 200 album chart.[31]
Backed by ex-Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, John's first American concert took place at The Troubadour in Los Angeles in August 1970, and was a success.[32]
The concept album Tumbleweed Connection was released in October 1970, and reached the Top Ten on the Billboard 200. The live album 17-11-70 (11–17–70 in the US) was recorded at a live show aired from A&R Studios on WABC-FM in New York City. Sales of the live album were heavily hit in the US when an east coast bootlegger released the performance several weeks before the official album, including all 60 minutes of the aircast, not just the 40 minutes selected by Dick James Music.[33]
John and Taupin then wrote the soundtrack to the obscure film Friends and then the album Madman Across the Water, the latter reaching the Top Ten and producing the hit "Levon", while the soundtrack album produced the hit "Friends". In 1972, Davey Johnstone joined the Elton John Band on guitar and backing vocals. The band released Honky Chateau, which became John's first American number 1 album, spending five weeks at the top of the charts and spawning the hit singles "Rocket Man (I Think It's Going To Be A Long, Long Time)" (which is often compared to David Bowie's "Space Oddity") and "Honky Cat".[34]
The pop album Don't Shoot Me I'm Only the Piano Player came out at the start of 1973, and produced the hits "Crocodile Rock" and "Daniel"; the former became his first US Billboard Hot 100 number one hit.[35] Both the album and "Crocodile Rock" were the first album and single, respectively on the consolidated MCA Records label in the USA, replacing MCA's other labels including Uni.
Goodbye Yellow Brick Road gained instant critical acclaim and topped the chart on both sides of the Atlantic, remaining at Number 1 for two months.[36] It also temporarily established John as a glam rock star. It contained the number 1 hit "Bennie and the Jets", along with the popular and praised "Goodbye Yellow Brick Road", "Candle in the Wind", "Saturday Night's Alright for Fighting", "Funeral For A Friend/Love Lies Bleeding" and "Grey Seal" (originally recorded and released in 1970 as the B-side to the UK-only single, "Rock and Roll Madonna"). There is also a VHS and DVD as part of the Classic Albums series, discussing the making, recording, and popularity of "Goodbye Yellow Brick Road" through concert and home video footage including interviews.
John formed his own MCA-distributed label Rocket Records and signed acts to it – notably Neil Sedaka ("Bad Blood", on which he sang background vocals) and Kiki Dee – in which he took a personal interest. Instead of releasing his own records on Rocket, he opted for $8 million offered by MCA. When the contract was signed in 1974, MCA reportedly took out a $25 million insurance policy on John's life.[37]
In 1974 a collaboration with John Lennon took place, resulting in Elton John covering The Beatles' "Lucy in the Sky with Diamonds" and Lennon's "One Day at a Time", and in return Elton John and band being featured on Lennon's "Whatever Gets You thru the Night". In what would be Lennon's last live performance, the pair performed these two number 1 hits along with the Beatles classic "I Saw Her Standing There" at Madison Square Garden. Lennon made the rare stage appearance to keep the promise he made that he would appear on stage with Elton if "Whatever Gets You Thru The Night" became a number 1 single.[38]
Caribou was released in 1974, and although it reached number 1, it was widely considered[39] a lesser quality album. Reportedly recorded in a scant two weeks between live appearances, it featured "The Bitch Is Back"[39] and the lushly orchestrated "Don't Let the Sun Go Down on Me".[39]
Pete Townshend of The Who asked John to play a character called the "Local Lad" in the film of the rock opera Tommy, and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used for the movie release in 1975 and the single came out in 1976 (1975 in the US). The song charted at number 7 in England. Bally subsequently released a "Captain Fantastic" pinball machine featuring an illustration of John in his movie guise.
In the 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy, John revealed his previously ambiguous personality, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in John's music. "Someone Saved My Life Tonight" was the hit single from this album and captured an early turning point in John's life.
The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray, two people who had contributed much of the band's signature sound and who had helped build his live following since the beginning.
According to Circus Magazine[40] a spokesman for John Reid (Connie Papas) said the decision was reached mutually via phone while Elton was in Australia promoting Tommy. She said there was no way John Reid could have fired them "because the band are not employed by John Reid, they're employed by Elton John."[40] She went on to say Nigel would be going back to his solo work and Dee would do session work "and possibly cut a solo album".[40]
Davey Johnstone and Ray Cooper were retained, Quaye and Roger Pope returned, and the new bassist was Kenny Passarelli; this rhythm section provided a heavier-sounding backbeat. James Newton-Howard joined to arrange in the studio and to play keyboards. John introduced the line-up before a crowd of 75,000 in London's Wembley Stadium.
The rock-oriented Rock of the Westies entered the US albums chart at number 1 like Captain Fantastic, a previously unattained feat. Elton John's stage wardrobe now included ostrich feathers, $5,000 spectacles that spelled his name in lights, and dressing up like the Statue of Liberty, Donald Duck, or Mozart, among others, at his concerts.[41][42]
To celebrate five years since he first appeared at the venue, in 1975 John played a two-night, four-show stand at The Troubadour. With seating limited to under 500 per show, the chance to purchase tickets was determined by a postcard lottery, with each winner allowed two tickets. Everyone who attended the performances received a hardbound "yearbook" of the band's history. That year he also played piano on Kevin Ayers' Sweet Deceiver, and was among the first and few white artists to appear on the black music series Soul Train on American television.[36] On 9 August 1975, John was named the outstanding rock personality of the year at the first annual Rock Music Awards at ceremonies held in Santa Monica, California.[43]
In 1976, the live album Here and There was released in May, followed by the Blue Moves album in October, which contained the single "Sorry Seems to Be the Hardest Word". His biggest success in 1976 was "Don't Go Breaking My Heart", a duet with Kiki Dee that topped both the American and British charts. Finally, in an interview with Rolling Stone that year entitled "Elton's Frank Talk", John stated that he was bisexual.[44]
Besides being the most commercially successful period, 1970–1976 is also held in the most regard critically. Within only a three year span, between 1972 and 1975 John saw seven consecutive albums reach Number 1 in the charts, which had not been accomplished before.[36] Of the six Elton John albums to make the 500 Greatest Albums of All Time in Rolling Stone'in 2003, all are from this period, with Goodbye Yellow Brick Road ranked highest at number 91; similarly, the three Elton John albums given five stars by Allmusic (Tumbleweed Connection, Honky Château, and Captain Fantastic) are all from this period too.
During the same period, John made a guest appearance on the popular Morecambe and Wise Show on the BBC. The two comics spent the episode pointing him in the direction of everywhere except the stage in order to prevent him singing.[45]
In November 1977 John announced he was retiring from performing; Taupin began collaborating with others. Now only producing one album a year, John issued A Single Man in 1978, employing a new lyricist, Gary Osborne; the album produced no singles that made the Top 20 in the US but the two singles from the album released in the UK, Part-Time Love and Song for Guy, both made the Top 20 in the UK with the latter reaching the Top 5. In 1979, accompanied by Ray Cooper, John became one of the first Western solo artists to tour the Soviet Union (as well as one of the first in Israel), then mounted a two-man comeback tour of the US in small halls. John returned to the singles chart with "Mama Can't Buy You Love" (number 9, 1979), a song originally rejected in 1977 by MCA before being released, recorded in 1977 with Philadelphia soul producer Thom Bell.[46] Elton reported that Thom Bell was the first person to give him voice lessons; Bell encouraged John to sing in a lower register. A disco-influenced album, Victim of Love, was poorly received. In 1979, John and Taupin reunited, though they did not collaborate on a full album until 1983's Too Low For Zero. 21 at 33, released the following year, was a significant career boost, aided by his biggest hit in four years, "Little Jeannie" (number 3 US), although the lyrics were written by Gary Osborne.
His 1981 album, The Fox, was recorded in part during the same sessions as 21 at 33, and also included collaborations with Tom Robinson and Judie Tzuke. On 13 September 1980, John, with Olsson and Murray back in the Elton John Band, performed a free concert to an estimated 400,000 fans on The Great Lawn in Central Park in New York City. His 1982 hit "Empty Garden (Hey Hey Johnny)", came from his Jump Up! album, his second under a new US recording contract with Geffen Records.
He married his close friend and sound engineer, Renate Blauel on Valentine's Day 1984 – the marriage lasted three years.[47] The Biography Channel Special detailed the loss of Elton's voice in 1986 while on tour in Australia. Shortly thereafter he underwent throat surgery, which permanently altered his voice. Several non-cancerous polyps were removed from his vocal cords, resulting in a change in his singing voice.[48] In 1987 he won a libel case against The Sun which published allegations of sex with rent boys.[49]
With original band members Johnstone, Murray and Olsson together again, John was able to return to the charts with the 1983 hit album Too Low for Zero, which included "I'm Still Standing" and "I Guess That's Why They Call It the Blues", the latter of which featured Stevie Wonder on harmonica and reached number 4 in the US, giving John his biggest hit there since "Little Jeannie". He placed hits in the US Top Ten throughout the 1980s – "Little Jeannie" (number 3, 1980), "Sad Songs (Say So Much)" (number 5, 1984), "Nikita" boosted by a mini-movie pop video directed by Ken Russell (number 7, 1986), a live orchestral version of "Candle in the Wind" (number 6, 1987), and "I Don't Wanna Go On With You Like That" (number 2, 1988). His highest-charting single was a collaboration with Dionne Warwick, Gladys Knight, and Stevie Wonder on "That's What Friends Are For" (number 1, 1985); credited as Dionne and Friends, the song raised funds for AIDS research. His albums continued to sell, but of the six released in the latter half of the 1980s, only Reg Strikes Back (number 16, 1988) placed in the Top 20 in the United States.
In 1985, Elton John was one of the many performers at Live Aid held at Wembley Stadium.[50] John played "Bennie and the Jets" and "Rocket Man"; then "Don't Go Breaking My Heart" with Kiki Dee for the first time in years; and introduced his friend George Michael, still then of Wham!, to sing "Don't Let the Sun Go Down on Me".[50] He enlisted Michael to sing backing vocals on his single "Wrap Her Up", and also recruited teen idol Nik Kershaw as an instrumentalist on "Nikita". John also recorded material with Millie Jackson in 1985. In 1986, he played the piano on two tracks on the heavy metal band Saxon's album Rock the Nations.
In 1988, he performed five sold-out shows at New York's Madison Square Garden,[51] giving him 26 for his career. Netting over $20 million, 2,000 items of John's memorabilia were auctioned off at Sotheby's in London.[52]
In 1990, John finally achieved his first UK number one hit on his own, with "Sacrifice" (coupled with "Healing Hands") from the previous year's album Sleeping with the Past; it would stay at the top spot for six weeks.[53] The following year, John's "Basque" won the Grammy for Best Instrumental, and a guest concert appearance he had made on George Michael's cover of "Don't Let the Sun Go Down on Me" was released as a single and topped the charts in both the US and UK.[54] At the 1991 Brit Awards in London, Elton John won the award for Best British Male.[55]
In 1992 he released the US number 8 album The One, featuring the hit song "The One".[56][57] John and Taupin then signed a music publishing deal with Warner/Chappell Music for an estimated $39 million over 12 years, giving them the largest cash advance in music publishing history.[58] In April 1992, John appeared at the Freddie Mercury Tribute Concert at Wembley Stadium, performing "The Show Must Go On" with the remaining members of Queen, and "Bohemian Rhapsody" with Axl Rose of Guns N' Roses and Queen.[59] In September, John performed "The One" at the 1992 MTV Video Music Awards, and also closed the ceremony performing "November Rain" with Guns N' Roses.[60] The following year, he released Duets, a collaboration with 15 artists including Tammy Wynette and RuPaul. This also included a new collaboration with Kiki Dee, entitled "True Love", which reached the Top 10 of the UK charts.[61]
Along with Tim Rice, Elton John wrote the songs for the 1994 Disney animated film The Lion King, which became the 3rd highest-grossing animated feature of all time.[62] At the 67th Academy Awards ceremony, The Lion King provided three of the five nominees for the Academy Award for Best Song, which John won with "Can You Feel the Love Tonight".[63] Both that and "Circle of Life" became hit songs for John.[64][65] "Can You Feel the Love Tonight" would also win Elton John the Grammy Award for Best Male Pop Vocal Performance at the 37th Grammy Awards.[63] After the release of the The Lion King soundtrack, the album remained at the top of Billboard's charts for nine weeks. On 10 November 1999, the RIAA certified The Lion King "Diamond" for selling 15 million copies.[2]
In 1995 John released Made in England (number 3, 1995), which featured the single "Believe".[66] John performed "Believe" at the 1995 Brit Awards, and picked up the prize for Outstanding Contribution to Music.[67] A compilation called Love Songs was released in 1996.[68]
Early in 1997 John held a 50th birthday party, costumed as Louis XIV, for 500 friends. John also performed with the surviving members of Queen in Paris at the opening night (17 January 1997) of Le Presbytère N'a Rien Perdu De Son Charme Ni Le Jardin De Son Éclat, a work by French ballet legend Maurice Béjart which draws upon AIDS and the deaths of Freddie Mercury and the company's principal dancer Jorge Donn. Later in 1997, two close friends died: designer Gianni Versace was murdered; Diana, Princess of Wales died in a Paris car crash on 31 August.[69]
|
Most of the lyrics of "Candle in the Wind 1997" were written to suit the circumstances of Diana, Princess of Wales' life and death
|
Problems listening to this file? See media help. |
In early September, John contacted his writing partner Bernie Taupin, asking him to revise the lyrics of his 1973 song "Candle in the Wind" to honour Diana, and Taupin rewrote the song accordingly.[70] On 6 September 1997, John performed "Candle in the Wind 1997" at the funeral of Diana, Princess of Wales in Westminster Abbey.[71] The song became the fastest, and biggest-selling single of all time, eventually selling over 33 million copies worldwide.[2][72][73] The best-selling single in UK Chart history, it sold 4.86 million copies in the UK.[74] The best-selling single in Billboard history, and the only single ever certified Diamond in the United States, the single sold over 11 million copies in the U.S.[75][76] The song proceeds of approximately £55 million were donated to the Diana, Princess of Wales Memorial Fund. It would win John the Grammy Award for Best Male Pop Vocal Performance at the 40th Grammy Awards ceremony in 1998.[73] John has publicly performed "Candle in the Wind 1997" only once, at Diana's funeral, vowing never to perform it again unless asked by Diana's sons.[77]
In the musical theatre world, in addition to a 1998 adaptation of The Lion King for Broadway, John also composed music for a Disney production of Aida in 1999 with lyricist Tim Rice, for which they received the Tony Award for Best Original Score at the 54th Tony Awards,[78] and the Grammy Award for Best Musical Show Album at the 43rd Grammy Awards.[79][80] The musical was given its world premiere in the Alliance Theatre in Atlanta. It went on to Chicago and eventually Broadway. He also released a live compilation album called Elton John One Night Only – The Greatest Hits from the show he did at Madison Square Garden in New York City that same year.
In 2000, John and Tim Rice teamed again to create songs for DreamWorks' animated film The Road to El Dorado. In August 2003, John scored his fifth UK number one single when "Are You Ready for Love" topped the UK Charts.[81] Returning again to musical theatre, John composed music for a West End Theatre production of Billy Elliot the Musical in 2005 with playwright Lee Hall. John's only theatrical project with Bernie Taupin so far is Lestat: The Musical, based on the Anne Rice vampire novels. However it was slammed by the critics and closed in May 2006 after 39 performances.[82]
John was named a Disney Legend for his numerous outstanding contributions to Disney's films and theatrical works on 9 October 2006, by The Walt Disney Company.[83] In 2006 he told Rolling Stone magazine that he plans for his next record to be in the R&B/hip-hop genre. "I want to work with Pharrell {Williams}, Timbaland, Snoop {Dogg}, Kanye {West}, Eminem and just see what happens."[84]
In March 2007 he performed at Madison Square Garden for a record breaking 60th time for his 60th birthday, the concert was broadcast live and a DVD recording was released as Elton 60 - Live at Madison Square Garden;[85] a greatest-hits compilation CD, Rocket Man – Number Ones, was released in 17 different versions worldwide, including a CD/DVD combo; and his back catalogue – almost 500 songs from 32 albums – became available for legal download.[86]
On 1 July 2007, Elton John appeared at the Concert for Diana held at Wembley Stadium in London, in honour of Diana, Princess of Wales, on what would have been her 46th birthday.[87] John opened the concert with "Your Song", and then closed the concert with his second performance, with "Saturday Night's Alright For Fighting", "Tiny Dancer", and "Are You Ready For Love".[87]
In a September 2008 interview with GQ magazine, John said: "I’m going on the road again with Billy Joel again next year," referring to "Face to Face," a series of concerts featuring both musicians. The tour began in March and will continue for at least two more years.[88]
In October 2003, John announced that he had signed an exclusive agreement to perform 75 shows over three years at Caesars Palace on the Las Vegas Strip. The show, entitled The Red Piano, was a multimedia concert featuring massive props and video montages created by David LaChapelle. Effectively, he and Celine Dion share performances at Caesars Palace throughout the year – while one performs, one rests. The first of these shows took place on 13 February 2004.[89] On 21 June 2008, he performed his 200th show in Caesars Palace. A DVD/CD package of The Red Piano was released through Best Buy in November 2008. A two year global tour was sandwiched between commitments in Las Vegas, Nevada, some of the venues of which were new to John. The Red Piano Tour closed in Las Vegas in April 2009.
Elton John performed a piano duet with Lady Gaga at the 52nd Grammy Awards.[90] On 6 June 2010, John performed at the fourth wedding of conservative commentator Rush Limbaugh for a reported US$1 million fee.[91] Eleven days later, and 17 years to the day after his last previous performance in Israel, he performed at the Ramat Gan Stadium; this was significant because of other then-recent cancellations by other performers in the fallout surrounding an Israeli raid on Gaza Flotilla the month before. In his introduction to that concert, Elton John noted he and other musicians should not "cherry-pick our conscience", in reference to Elvis Costello, who was to have performed in Israel two weeks after Elton did, but cancelled in the wake of the aforementioned raid, citing his [Costello's] conscience.[92][93]
John's latest studio album is entitled The Union and was released on 19 October 2010. John says his collaboration with American singer-songwriter and sideman Leon Russell marks a new chapter in his recording career, saying: "I don't have to make pop records any more."[94]
Elton John began his new show "The Million Dollar Piano" at The Colosseum at Caesars Palace, Las Vegas on 28 September 2011.[95] John will be performing the show at Caesars for the next three years. John performed his 3000th concert on Saturday 8 October 2011 at Caesars.[96][97] In 2011, John performed vocals on Snowed in at Wheeler Street with Kate Bush for her 50 Words for Snow album.[98]
It was announced in March 2012 that Elton had recently completed work on his thirty-first album entitled The Diving Board. The album was produced by T-Bone Burnett and is set for release in the fall of 2012.[99][100] The album's release will be delayed until February 2013 for promotional reasons.[101]
John has written with his songwriting partner Bernie Taupin since 1967 when he answered an advertisement for talent placed in the popular UK music publication, New Musical Express, by Liberty records A&R man Ray Williams.[102] The pair have collaborated on more than 30 albums to date.[103]
The 1991 film documentary Two Rooms described the writing style that John and Taupin use, which involves Taupin writing the lyrics on his own, and John then putting them to music, with the two never in the same room during the process. Taupin would write a set of lyrics, then mail them to John, wherever he was in the world, who would then lay down the music, arrange it, and record.[104] John is a fellow of the British Academy of Songwriters, Composers and Authors (BASCA).[105]
John's voice was once classed as tenor; it is now baritone.[17] His piano playing is influenced by classical and gospel music.[106] He used Paul Buckmaster to arrange the music on his studio albums during the 1970s.[107]
In the late 1960s, John was engaged to be married to his first lover, secretary Linda Woodrow, who is mentioned in the song "Someone Saved My Life Tonight".[108][109] He married German recording engineer Renate Blauel on 14 February 1984, in Darling Point, Sydney, with speculation that the marriage was a cover for his homosexuality. John had come out as bisexual in a 1976 interview with Rolling Stone,[108][109] but after his divorce from Blauel in 1988 he told the magazine that he was "comfortable" being gay.[110]
In 1993, John began a relationship with David Furnish, a former advertising executive and now filmmaker. John and Furnish entered a civil partnership on 21 December 2005. They held a low-key ceremony at the Windsor Guildhall, followed by a lavish party at their Berkshire mansion,[111] thought to have cost £1 million.[112] Their son, Zachary Jackson Levon Furnish-John, was born to a surrogate mother on 25 December 2010 in California.[113][114] John and Furnish chose Lady Gaga, magazine editor Ingrid Sischy, and Sichy's partner Sandy Brant as Zachary's godmothers.[115]
In September 2009, John announced his intention to adopt a 14-month-old boy, Lev, from an AIDS orphanage in Ukraine, but he was denied due to his age and marital status.[116] Furnish stated they would continue to financially support Lev and his brother and would campaign for a change in Ukrainian law.[117] John has ten known godchildren, including Sean Lennon, David and Victoria Beckham's sons Brooklyn and Romeo, Elizabeth Hurley's son Damian Charles, and the daughter of Seymour Stein.[118][119][120]
In April 2009, the Sunday Times Rich List estimated John's wealth to be £175 million (US$265 million), and ranked him as the 322nd richest person in Britain.[121] John was estimated to have a fortune of £195 million in the Sunday Times Rich List of 2011, making him one of the 10 richest people in the British music industry.[122] Aside from his main home "Woodside" in Old Windsor, Berkshire, John owns residences in Atlanta, Nice, London's Holland Park, and Venice. John is an art collector, and is believed to have one of the largest private photography collections in the world.[123]
In 2000, John admitted to spending £30 million in just under two years—an average of £1.5 million a month. Between January 1996 and September 1997, he spent more than £9.6m on property and £293,000 on flowers.[124] In June 2001 John sold 20 of his cars at Christie's, saying he didn't get the chance to drive them because he was out of the country so often.[125] The sale, which included a 1993 Jaguar XJ220, the most expensive at £234,750, and several Ferraris, Rolls-Royces, and Bentleys, raised nearly £2 million.[126] In 2003, John sold the contents of his Holland Park home—expected to fetch £800,000 at Sotheby's—in a bid to create more room for his collection of contemporary art which includes many works of art by Young British Artists such as Sam Taylor-Wood and Tracy Emin.[127] Every year since 2004, John has opened a shop called "Elton's Closet" in which he sells his second-hand clothes.[128]
Throughout his career, John has battled addictions to alcohol and cocaine. By 1975, the pressures of stardom had begun to take a serious toll on him. During "Elton Week" in Los Angeles that year, John suffered a drug overdose.[129] He also battled the eating disorder bulimia. In a CNN interview with Larry King in 2002, King asked if John knew of Diana, Princess of Wales' eating disorder. John replied, "Yes, I did. We were both bulimic."[130]
A longtime tennis enthusiast, John wrote the song "Philadelphia Freedom" in tribute to long-time friend Billie Jean King and her World Team Tennis franchise of the same name. John and King also co-host an annual pro-am event to benefit AIDS charities, most notably John's own Elton John AIDS Foundation, for which King is a chairwoman. John was coached by Donald Watt, who often toured with him during the 1980s & early 90's. Watt was a coach at David Lloyd Leisure and then operations director for it, then Next Generation Clubs[131] (now merged with David Lloyd). Watt was also close friends with Tim Henman,[132] and also David and John Lloyd. John, who maintains a part-time residence in Atlanta, Georgia, became a fan of the Atlanta Braves baseball team when he moved there in 1991.[133]
John became chairman and director of Watford Football Club in 1976, appointing Graham Taylor as manager and investing large sums of money as the club rose three divisions into the First Division.[134] The pinnacle of the club's success was finishing runners up in the First Division in 1983 and reaching the FA Cup Final a year later. He sold the club to Jack Petchey in 1987, but remained their life-long president.[135] In 1997 he re-purchased the club from Petchey and once again became chairman. He stepped down in 2002 when the club needed a full-time chairman although he continued as president of the club.[135] Although no longer the majority shareholder, he still holds a significant financial interest. In June 2005 he held a concert at Watford's Vicarage Road ground, donating the funds to the club, and another concert in May 2010.[135] For a time[when?] he was also a part-owner of the Los Angeles Aztecs of the North American Soccer League.
John has been associated with AIDS charities since the deaths of his friends Ryan White and Freddie Mercury, raising large amounts of money and using his public profile to raise awareness of the disease. For example, in 1986 he joined with Dionne Warwick, Gladys Knight, and Stevie Wonder to record the single "That's What Friends Are For", with all profits being donated to the American Foundation for AIDS Research. The song won John and the others the Grammy Award for Best Pop Performance by a Duo or Group with Vocal (as well as Song of the Year for its writers, Burt Bacharach and Carole Bayer Sager). In April 1990, John performed "Skyline Pigeon" at the funeral of White, a teenage haemophiliac he had befriended.
John founded the Elton John AIDS Foundation in 1992 as a charity to fund programmes for HIV/AIDS prevention, for the elimination of prejudice and discrimination against HIV/AIDS-affected individuals, and for providing services to people living with or at risk of contracting HIV/AIDS. This cause continues to be one of his personal passions. In early 2006, John donated the smaller of two bright-red Yamaha pianos from his Las Vegas, Nevada show to auction on eBay to raise public awareness and funds for the foundation.
To raise money for his AIDS charity, John hosts annually a glamorous White Tie & Tiara Ball, to which many famous celebrities are invited. On 28 June 2007, the 9th annual White Tie & Tiara Ball took place. The menu consisted of a truffle soufflé followed by Surf and Turf (filet mignon with Maine lobster tail) and a giant Knickerbocker glory ice cream. An auction followed the dinner held by Stephen Fry. A Rolls Royce ‘Phantom’ drophead coupe and a piece of Tracey Emin's artwork both raised £800,000 for the charity fund, with the total amount raised reaching £3.5 million.[136] Later on in the event, John sang "Delilah" with Tom Jones and "Big Spender" with Shirley Bassey.[137] Tickets for the Ball cost £1,000 a head. The event raised £4.6 million for his AIDS Foundation in 2006.[138]
On 1 April 2010, John joined Cyndi Lauper in the launch of her Give a Damn campaign to bring a wider awareness of discrimination of the LGBT community as part of her True Colors Fund.[139] In the advertisement, John states: "Imagine walking down the street and wondering if this is the day you'll get beaten up, or even killed, simply because of who you are".[139] The campaign is to bring straight people to stand up with the gay, lesbian, bisexual, transgendered community and stop the discrimination. Other names included in the campaign are Whoopi Goldberg, Jason Mraz, Judith Light, Cynthia Nixon, Kim Kardashian, Clay Aiken, Sharon Osbourne, Kelly Osbourne, and Anna Paquin.[139]
He is an occasional columnist in The Guardian.[140]
John was inducted into the Rock and Roll Hall of Fame in his first year of eligibility in 1994. He and Bernie Taupin had previously been inducted into the Songwriters Hall of Fame in 1992. John was made a Commander of the Order of the British Empire (CBE) in 1995.[141] For his charitable work, John was knighted by Queen Elizabeth II on 24 February 1998. In October 1975, John became the 1,662nd person to receive a star on the Hollywood Walk of Fame.[142]
He became a recipient of a Kennedy Center Honor in 2004, and a Disney Legends Award in 2006. In 2010, Elton John was awarded with the PRS for Music Heritage Award, which was erected, on The Namaste Lounge Pub in Watford, where Elton performed his first ever gig.[143]
Music awards include the Academy Award for Best Original Song for "Can You Feel The Love Tonight" from The Lion King (award shared with Tim Rice); the Golden Globe Award for Best Original Song in 1994 for "Can You Feel The Love Tonight" from The Lion King (award shared with Tim Rice); and the Tony Award for Best Original Score in 2000 for Elton John and Tim Rice's Aida (award shared with Tim Rice).
John has six Grammy Awards:
Since 1970, John's band, of which he is the pianist and lead singer, has been known as the Elton John Band.[144][145] The band has had multiple line-up changes, but Nigel Olsson, Davey Johnstone, and Ray Cooper have been members (albeit non-consecutively) since 1970 (Olsson) and 1972 (Johnstone and Cooper). Ray Cooper is on and off with the Elton John Band because he works with other musicians as a session and road-tour percussionist. Furthermore, John has also used a number of session musicians in the time of his career.
Book: Elton John | |
Wikipedia books are collections of articles that can be downloaded or ordered in print. |
Wikimedia Commons has media related to: Elton John |
Quotations related to Elton John at Wikiquote
|
|
Persondata | |
---|---|
Name | John, Elton |
Alternative names | Reginald Kenneth Dwight |
Short description | English musician |
Date of birth | 25 March 1947 |
Place of birth | Pinner, Middlesex, UK |
Date of death | |
Place of death |
Marc Bolan (born Mark Feld; 30 September 1947 – 16 September 1977) was an English singer-songwriter, guitarist and poet. He is best known as the frontman of glam rock group T. Rex.
Bolan grew up in post-war Hackney, northeast London, the son of Phyllis Winifred (née Atkins) and Simeon Feld, a lorry driver. His father was Jewish (of Russian and Polish origin) and his mother was from a Christian background. Later moving to Wimbledon, southwest London, he fell in love with the rock and roll of Gene Vincent, Eddie Cochran, Arthur Crudup and Chuck Berry[citation needed] and was considered a mod because of dress, hanging around coffee bars such as the 2 I's in Soho.[citation needed] He appeared as an extra in an episode of the television show Orlando, dressed as a mod. At the age of nine, Bolan was given his first guitar and began a skiffle band. While at school, he played guitar in "Susie and the Hoops," a trio whose vocalist was a 12-year old Helen Shapiro. At 15, he left school "by mutual consent".[citation needed]