Look up protection or protect in Wiktionary, the free dictionary.

Protection may refer to:

Film[link]

• Protection (film), 2001 film directed by John Flynn

Music[link]

• Protection (album), by Massive Attack
• "Protection" (Donna Summer song)
• "Protection" (Massive Attack song)
• "Protection," a song by Krokus from To You All
• "Protection," a song by Graham Parker from Squeezing Out Sparks

Places[link]

• Protection, Kansas
• Protection, New York

Safety and technology[link]

• Consumer protection
• Dust#Control of dust resistance on surfaces
• Environmental protection
• Executive Protection, security measures taken to ensure the safety of important persons
• Fireproofing
• Power system protection
• Protection (climbing)
• Protection (poker)
• Protection animals, such as Guard dogs
• Protection mechanism (Computer science)
• Protection racket
• Protectionism in economic policy
• Public health
  • Infection control
  • Personal protective equipment
  • Sexual protection, e.g. condoms
• Rustproof
• Thermal conductivity#Resistance
• Toughness
• Waterproofing

See also[link]

• Preservation (disambiguation)
• Preserve (disambiguation)
• Safety
• Security

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Donna Summer
Donna Summer at a recording studio in 1977
Background information
Birth name	LaDonna Adrian Gaines
Also known as	Donna Gaines
Born	(1948-12-31)December 31, 1948 Boston, Massachusetts, United States
Died	May 17, 2012(2012-05-17) (aged 63) Englewood, Florida, U.S.
Genres	Pop, disco, dance-pop, rock
Occupations	Singer, songwriter
Instruments	Vocals, piano
Years active	1969–2012
Labels	Oasis, Casablanca (1975–80), Geffen (1980–88), Atlantic (1988–91), Mercury (1994–96), Warner-Elektra-Atlantic (1980–91), Epic (1999–2001), Burgundy (2006–12)
Associated acts	Giorgio Moroder, Brooklyn Dreams

LaDonna Adrian Gaines (December 31, 1948 – May 17, 2012),^[1] known by the stage name Donna Summer, was an American singer and songwriter who gained prominence during the disco era of the late 1970s. She had a mezzo-soprano vocal range, and was a five-time Grammy Award winner. Summer was the first artist to have three consecutive double albums reach number one on the United States Billboard chart, and she also charted four number-one singles in the United States within a 13-month period.

Born into a devoutly Christian lower middle class African American family in Boston, Massachusetts, Summer first became involved with singing through church choir groups before joining a number of bands influenced by the Motown Sound. Influenced by the counterculture of the 1960s, she became the front singer of a psychedelic rock band named Crow and moved to New York City. Joining a touring version of the musical Hair, she spent several years living in West Germany, where she married Helmut Sommer, whose surname she adopted as her stage name.

Returning to the United States, Summer co-wrote the song "Love to Love You Baby" with Pete Bellotte; music producer Giorgio Moroder convinced her to sing it herself, and it was released to mass commercial success in 1975, particularly on the disco scene. Over the following years, Summer followed this success with a string of other disco hits, such as "I Feel Love", "MacArthur Park", "Hot Stuff" and "No More Tears (Enough is Enough)". Becoming known as the "Queen of Disco", she regularly appeared at the Studio 54 club in New York City, while her music gained a particularly large following within the gay community, for whom she became a gay icon. Struggling with drug addiction and depression, she subsequently became a born-again Christian.^[2]

Diagnosed with lung cancer, Summer died in May 2012, at her home on Manasota Key in Englewood, Florida, after a battle with the disease. She was posthumously described as the "undisputed queen of the Seventies disco boom" who reached the status of "one of the world's leading female singers."^[2] Her work with Moroder, particularly "I Feel Love", has also been described as "really the start of electronic dance" music, by Moroder himself.^[3]

Early life[link]

Summer was born LaDonna Adrian Gaines on December 31, 1948 in Boston, Massachusetts, to her parents, Andrew and Mary Gaines, and was one of seven children.^[4] She and her family were raised in the Boston neighborhood of Mission Hill. Her father, Andrew Gaines, was a butcher, and her mother Mary, was a schoolteacher.^[5] Summer's mother later recalled that from the time she could talk, Summer would often sing: "She literally loved to sing. She used to go through the house singing, singing. She sang for breakfast and for lunch and for supper."^[5]

Summer's performance debut occurred at church when she was ten years old, when she replaced a vocalist who had failed to show up.^[5] Her priest invited Summer to perform, judging from her small frame and speaking voice that she would be an "amusing spectacle", but instead Summer's voice recalled a voice older than her years and frame.^[5] Summer herself recalled that as she sang, "I started crying, everybody else started crying. It was quite an amazing moment in my life and at some point after I heard my voice came out I felt like God was saying to me 'Donna, you're going to be very, very famous' and I knew from that day on that I would be famous."^[5]

Summer later attended Boston's Jeremiah E. Burke High School, where she performed in school musicals and was considered popular.^[5] She was also something of a troublemaker, skipping home to attend parties, circumventing her parents' strict curfew.^[5] In 1967, just weeks before graduation, Summer left for New York where she was a member of the blues-rock band, Crow. After they were passed by every record label, they agreed to break up. Summer stayed in New York and auditioned for a role in the counterculture musical, Hair. When Melba Moore was cast in the part, Summer agreed to take the role in the Munich production of the show. She moved to Munich, Germany after getting her parents' reluctant approval.^[5]

Summer eventually became fluent in German, singing various songs in German. She participated in the musicals Ich Bin Ich (the German version of The Me Nobody Knows), Godspell and Show Boat. Within three years, she moved to Vienna, Austria and joined the Vienna Volksoper. She briefly toured with an ensemble vocal group called FamilyTree, the creation of producer Guenter "Yogi" Lauke. In 1968, Summer released (as Donna Gaines) on Polydor her first single, a German version of the title Aquarius from the musical Hair, followed in 1971 by a second single, a cover of The Jaynetts' "Sally Go 'Round the Roses", from a one-off European deal with Decca Records.^[6] In 1972, she issued the single, "If You Walkin' Alone" on Philips Records.^[6]

In 1973, she married Austrian actor Helmuth Sommer and had a daughter, Mimi, the same year. Citing marital problems caused by her affair with German artist (and future live-in boyfriend) Peter Mühldorfer, she divorced Helmuth. She kept his last name, but Anglicized it to "Summer". She provided backing vocals on producer-keyboardist Veit Marvos on his 1972 Ariola Records release, Nice to See You, credited as "Gayn Pierre". Several subsequent singles included Summer performing with the group, but she often denied singing on any of the Marvos releases. The name "Gayn Pierre" was also used by Donna while performing in Godspell with Helmuth Sommer during 1972.^[6]

Music career[link]

1974–1979: Initial success[link]

While singing background in a recording session at Munich's Musicland Studios for Three Dog Night, Summer met German-based producers Giorgio Moroder and Pete Bellotte. The trio forged a working partnership and began collaborating on songs together starting in 1974. A demo tape of Summer's work with Moroder and Bellotte led to a deal with the European-distributed label, Groovy Records. The label issued Summer's first album, Lady of the Night. The album became a hit success in selected countries with two songs, "The Hostage" and "Lady of the Night", reaching the top of the charts in countries such as the Netherlands and Belgium.

In mid-1975, while working on another album, Summer passed on an idea for a song that Moroder was working on for another artist in the then-nascent disco sound, writing part of the song and labeling it as "Love to Love You". Summer would later say that she had imagined how Marilyn Monroe would sing this song and demonstrated how she felt Monroe would've approached it. Prior to recording the song and to get into the mood, she requested Moroder to turn off the lights while they sat on a sofa with him inducing her moans and groans. Moroder liked what he heard after hearing its playback and felt Summer's song should be released. The song was then sent to Casablanca Records president Neil Bogart in hopes of getting an American release. Bogart informed Summer and Moroder he would release the song (now called "Love to Love You Baby") but requested that Moroder produce a longer version for discothèques. Moroder, Bellotte, and Summer returned with a 17 minute version and Casablanca signed Summer and released the single in November 1975. The shorter version of the single was promoted to radio stations while clubs regularly played the 17 minute version (the longer version would also appear on the album). Casablanca became one of the first record labels to popularize the 12" single format.

By early 1976, "Love to Love You Baby" had reached No. 2 on the US Billboard Hot 100, while the parent album of the same name sold over a million copies. The song generated controversy due to Summer's moans and groans and some American and European radio stations, including the BBC, refused to play it.^[7] "Love to Love You Baby" found chart success in several European countries, and made the Top 5 in the United Kingdom despite the BBC ban. Other upcoming singles included "Try Me, I Know We Can Make It", US No. 80; "Could It Be Magic", US No. 52; "Spring Affair", US No. 58; and "Winter Melody", US No. 43. The subsequent albums Love Trilogy and Four Seasons of Love both went gold in the US.

In 1977, Summer released the concept album I Remember Yesterday. This album, again co-produced by Moroder and Bellotte, included her second top ten single, "I Feel Love", which reached number six in the US and number one in the UK. Another concept album, also released in 1977, was Once Upon a Time, a double album which told of a modern-day Cinderella "rags to riches" story through the elements of orchestral disco and ballads. This album would also attain gold status. In 1978, Summer released her version of the Jimmy Webb ballad, "MacArthur Park", which became her first US number one hit. The song was featured on Summer's first live album, Live and More, which also became her first album to hit number one on the US Billboard 200 chart, and went platinum selling over a million copies. Other studio tracks included the top ten hit, "Heaven Knows", which featured the group Brooklyn Dreams accompanying her on background and Joe "Bean" Esposito singing alongside her on the verses. Summer would later be romantically involved with Brooklyn Dreams singer Bruce Sudano and the couple married two years after the song's release. Also in 1978, Summer acted in the film, Thank God It's Friday, playing a singer determined to perform at a hot disco club. The film met modest success, but a song from the film, titled "Last Dance", reached number three on the Hot 100 and resulted in Summer winning her first Grammy Award. Its writer, Paul Jabara, won an Academy Award for the composition.

In 1979, Summer performed at the world-televised Music for UNICEF Concert, joining contemporaries such as Abba, Olivia Newton-John, the Bee Gees, Andy Gibb, Rod Stewart, John Denver, Earth, Wind & Fire, Rita Coolidge and Kris Kristofferson for an hour's TV special that raised funds and awareness for the world's children. Artists donated royalties of certain songs, some in perpetuity, to benefit the cause.

[edit] 1979–1980: Bad Girls and the break from disco

Summer began work on her next project with Moroder and Bellotte, Bad Girls, an album that had been in production for nearly two years. Summer based the whole concept on prostitution (revisiting the theme for 1974's Lady of the Night), even dressing as a hooker herself on the cover art.

The album became a huge success, spawning the number one hits "Hot Stuff" and the title track and the number two "Dim All the Lights". With "MacArthur Park", "Hot Stuff", "Bad Girls", and the Barbra Streisand duet "No More Tears (Enough is Enough)", Summer achieved four number one hits within a thirteen month period. Those aforementioned songs, along with "Heaven Knows", "Last Dance", "Dim All the Lights", and "On the Radio" (from her upcoming double-album) would give her eight US Top 5 singles within a two year period. "Hot Stuff" later won her a second Grammy in the Best Female Rock Vocal Performance, the first time the category was included. That year, Summer played eight sold-out nights at the Universal Amphitheater in Los Angeles.

Summer released On the Radio: Greatest Hits Volumes I & II, her first (international) greatest hits set in 1979. The double album reached number one in the United States, becoming her third consecutive number one album. A new song from the compilation, "On the Radio", reached the US top five, selling over a million copies in the United States alone.

1980–1985: Continued success[link]

After the release of the On the Radio hits album, Summer wanted to branch out into other musical styles in addition to disco, which led to tensions between her and Casablanca Records as Casablanca wanted her to continue to record in the disco format while Summer wanted to sing more rock and pop-based music. Sensing that they could no longer come to terms, Summer and the label parted ways in 1980, and she signed with Geffen Records, the new label started by David Geffen.

Summer's first Geffen album, The Wanderer, featured an eclectic mixture of sounds similar to Bad Girls but with only little emphasis on Summer's past disco success, instead, bringing elements of rock, rockabilly, new wave and gospel music. The album continued Summer's streak of gold albums with the title track peaking at No. 3 in the US, though its follow-up singles, "Cold Love" and "Who Do You Think You're Foolin'" were only modestly received.

When Summer presented Geffen with her projected second album, I'm a Rainbow, the label disapproved of its production sensing Moroder's sound had grown stale and advised Summer to change producers, leading to an argument between the artist and the label. Eventually, Moroder and Bellotte and Summer agreed to part ways with Geffen hiring top R&B and pop producer Quincy Jones to produce Summer's next album, the eponymously titled Donna Summer, released in 1982 and which took over six months to record, which was unusual for Summer's recordings. Among its releases included the top ten hit, "Love Is in Control (Finger on the Trigger)", and the more moderately received "State of Independence" (No. 41 pop) and "The Woman in Me" (No. 33 pop). Problems then increased between Summer and Geffen Records after they were notified by Polygram Records, Summer's former label Casablanca was by then a wholly owned subsidiary, that she needed to deliver them one more album to fulfill her contract with them.

Summer delivered the album, She Works Hard for the Money, and Polygram released it on its Mercury imprint in 1983. The title song became a hit reaching number three on the US Hot 100, and would provide Summer with a Grammy nomination. The album also featured the reggae-flavored UK Top 20 hit "Unconditional Love", which featured the British group Musical Youth who were riding high from the success of their single "Pass the Dutchie". The third US single, "Love Has A Mind of Its Own", reached the top forty of the Billboard R&B chart. The album itself was certified gold.

In late 1984, with her obligation to Polygram complete, Summer returned on Geffen Records with her next release. Geffen, wanting to keep the momentum going, enlisted She Works Hard for the Money's producer Michael Omartian to produce Cats Without Claws. The album, however, was not as successful as She Works Hard for the Money and failed to attain gold status in the US, becoming her first album since her 1974 debut not to do so. It did include a moderate hit in The Drifters cover "There Goes My Baby", which peaked at No. 21. Jellybean Benitez remixed two of the songs for the album that were released as 12" singles for club play "Eyes" & "I'm Free".

On January 19, 1985, she sang at the nationally-televised 50th Presidential Inaugural Gala, the day before the second inauguration of Ronald Reagan. She was introduced by Merv Griffin.

Controversy over alleged anti-gay comments[link]

In the mid 1980s, Summer was embroiled in a controversy. She had allegedly made anti-gay remarks regarding the then-relatively new disease, AIDS, which as a result had a significantly negative impact on her career. Summer, by this time a born-again Christian, was alleged to have said that AIDS was a punishment from God for the immoral lifestyles of homosexuals. ^[8][9] However, she denied that she had ever made any such comment and, in a letter to the AIDS campaign group ACT UP in 1989, she said that it was "a terrible misunderstanding. I was unknowingly protected by those around me from the bad press and hate letters... If I have caused you pain, forgive me." She went on to apologize for the delay in refuting the rumours and closed her letter with Bible quotes (from Chapter 13 of 1 Corinthians).^[10]

Also in 1989, Summer told The Advocate magazine that "A couple of the people I write with are gay, and they have been ever since I met them. What people want to do with their bodies is their personal preference."^[11] A couple of years later she filed a lawsuit against New York magazine when it reprinted the rumours as fact just as she was about to release her album Mistaken Identity in 1991.^[12] According to a Biography television program dedicated to Summer in which she participated in 1995, the lawsuit was settled out of court though neither side was able to divulge any details.^[13][14]

1987–1989: Continued success in Europe[link]

In 1987, Summer returned with the album All Systems Go, which did not sell well, becoming her second consecutive album not to achieve gold status. It featured the single "Dinner with Gershwin" (written by Brenda Russell), which was only a minor US hit, though it peaked at No. 13 in the UK. The album's title track, "All Systems Go", was released only in the UK where it peaked at No. 54.

For Summer's next album, Geffen Records hired the British hit production team of Stock Aitken Waterman (or SAW), who had enjoyed incredible success by writing and producing for such acts as Kylie Minogue, Dead or Alive, Bananarama, and Rick Astley among others. However, Geffen decided not to release the album, entitled Another Place and Time, and Summer and Geffen Records parted ways in 1988. The album was released in Europe in March 1989 on Warner Bros. Records, which had been Summer's label in Europe since 1982. The single "This Time I Know It's for Real" had become a top ten hit in several countries in Europe, prompting the Warner Bros. subsidiary company Atlantic Records to sign Summer in the US and pick up the album for a North American release soon after. The single peaked at No. 7 on the Hot 100 in the US, and became her twelfth gold single there. It was also Summer's final Top 40 hit on the American pop charts, though she scored two more UK hits from the album, "I Don't Wanna Get Hurt" (UK No. 7) and "Love's About to Change My Heart" (UK No. 20).

[edit] 1990–1999: Mistaken Identity, acting, and Live & More Encore

In 1990, a Warner compliation, The Best of Donna Summer, was released. The album went gold after the song "State of Independence" had been re-released there to promote the album. The following year, Summer emerged with the album, Mistaken Identity, which included elements of R&B as well as new jack swing. While the album itself failed to become a success, the song "When Love Cries" continued her success on the R&B charts, reaching No. 18. In 1992, Summer embarked on a world tour to promote the album and later that year received her star on the Hollywood Walk of Fame. In 1993, Polygram issued the two-disc set, The Donna Summer Anthology, which included 34 tracks of all of Summer's material with Casablanca and Mercury while also including songs from her tenures with Atlantic and Geffen.

Summer signed with Mercury/Polygram that same year and in 1994, issued the the Christmas album, Christmas Spirit which included renditions of classic Christmas songs such as "O Holy Night" and "Joy To The World", while also including Summer-penned songs as well. Another hits collection, Endless Summer: Greatest Hits, was released, featuring eighteen songs, that were single cuts of the songs differentiating from the Anthology set where fuller length recordings were featured. In 1992, she reunited with Giorgio Moroder recording the dance song, "Carry On", which later won Summer the first Grammy given to anyone in its dance category. The 1995 dance tune "Melody of Love (Wanna Be Loved)" went number-one on the dance charts in the U.S. while becoming a top 30 hit in the UK, peaking at number 21.

During this time, Summer was offered a guest role on the sitcom Family Matters as Steve Urkel's (Jaleel White) Aunt Oona. She made a second appearance in 1997. In 1998, Summer received a Grammy Award for Best Dance Recording, being the first to do so, after a remixed version of her 1992 collaboration with Giorgio Moroder, "Carry On", was released in 1997. In 1999, Summer taped a live television special for VH1 titled Donna Summer – Live and More Encore, producing the second highest ratings that year for the network, after their annual Divas special. A CD of the event was released by Epic Records and featured two studio recordings, "I Will Go with You (Con te partirò)" and "Love Is the Healer", both of which reached number one on the US dance charts.

[edit] 2000–2009: Later recordings and Crayons

Summer performing at the Nobel Peace Prize Concert in 2009

In 2000, Summer participated in VH-1's third annual Divas special, dedicated to Diana Ross, though Summer sung mostly her own material for the show. In 2003, Summer issued her autobiography, Ordinary Girl: The Journey and that same year released a best-of set titled The Journey: The Very Best of Donna Summer. In 2004, Summer was inducted to the Dance Music Hall of Fame alongside the Bee Gees and Barry Gibb as an artist. Her classic song, "I Feel Love", was also inducted that night. In 2004 and 2005, Summer's success on the dance charts continued with the songs "You're So Beautiful" and "I Got Your Love".

Summer, in a 2008 interview with The Daily Telegraph, claimed that one month before the September 11 Attacks she had a premonition that they would occur. Summer was living in Manhattan at the time of the attacks. In the same interview she said for a period of time after the attacks she was so depressed she was unable to leave her bedroom and left her blinds closed.^[15]

In 2008, Summer released her first studio album of fully original material in 17 years, entitled Crayons. Released on the Sony BMG label Burgundy Records, it peaked at No. 17 on the United States Top 200 Album Chart (her highest placing on the chart since 1983), and achieved modest international success. The songs "I'm a Fire", "Stamp Your Feet", and "Fame (The Game)" reached number one on the United States Billboard Dance Chart. The ballad "Sand on My Feet" was released to adult contemporary stations and reached number thirty on that chart. While commenting on the album, Summer said "I wanted this album to have a lot of different directions on it. I did not want it to be any one baby. I just wanted it to be a sampler of flavors and influences from all over the world. There's a touch of this, a little smidgeon of that, a dash of something else...like when you're cooking." On the song "The Queen Is Back", Summer reveals her wry and witty self-awareness of her musical legacy and her public persona. "I'm making fun of myself," she admits. "There's irony, it's poking fun at the idea of being called a queen. That's a title that has followed me, followed me, and followed me. We were sitting and writing and that title kept popping up in my mind and I'm thinking, 'Am I supposed to write this? Is this too arrogant to write?' But people call me 'the queen,' so I guess it's ok to refer to myself as what everybody else refers to me as. We started writing the song and thought it was kind of cute and funny." Summer wrote "The Queen Is Back" and "Mr. Music" with J. R. Rotem and Evan Bogart, the son of Casablanca Records founder, Neil Bogart.

On December 11, 2009, Summer performed at the Nobel Peace Prize Concert in Oslo, Norway, in honor of United States President Barack Obama. She was backed by the Norwegian Radio Orchestra.

2010–2012: Final recordings[link]

In August 2010, she released the single "To Paris With Love", co-written with Bruce Roberts and produced by Peter Stengaard. In October 2010, the single reached No. 1 on the US Billboard Dance Chart (it would be her last charted single). Also that month, Summer appeared in the PBS Television Special Hitman Returns: David Foster and Friends. In it, Summer performed with Seal on a medley of the songs "Unbreak My Heart / Crazy / On the Radio", before Summer closed the show with "Last Dance".^[16]

On July 29, 2010, Summer gave an interview with Allvoices.com, wherein she was asked if she would consider doing an album of standards. She replied:

I actually am, probably in September. I will begin work on a standards album. I will probably do an all-out dance album and a standards album. I'm gonna do both, and we will release them however were gonna release them. We are not sure which is going first.^[17]

On September 15, 2010, Summer appeared as a guest celebrity singing alongside rising star Prince Poppycock on the television show America's Got Talent.

On October 16, 2010, she performed at a benefit concert at the Phoenix Symphony.^[18]

On June 6, 2011, Summer was a guest judge on the show, Platinum Hit in week two titled, "Dance Floor Royalty". Platinum Hit is a reality competition series on Bravo launched in 2011, in which 12 singer-songwriters compete through innovative songwriting challenges that test their creativity, patience and drive. Every episode features a different topic, from a dance track to a love ballad, that requires the contestants to write and perform lyrics from a multiple of genres, for a cash prize of $100,000, a publishing deal with songwriting collective The Writing Camp, and a recording deal with RCA/Jive label.

In July 2011, Summer was working at Paramount Recording Studios in Los Angeles with her nephew, the rapper and producer O'Mega Red. Together they worked on a track titled "Angel".

Personal life[link]

LaDonna Gaines was one of seven children born and raised in Boston's Mission Hill neighborhood, living on the first floor of a three-decker home. Following her move to Austria in 1971, she met and fell in love with actor Helmuth Sommer while the two were acting in Godspell. In 1973, the couple married^[19] and that year Gaines gave birth to her first child, daughter Mimi Sommer. In 1975, the couple divorced.^[19] Gaines took her husband's last name, translated to English, as her stage name.

In 1978, while working on the hit track, "Heaven Knows" which featured Brooklyn Dreams member Joe "Bean" Esposito on vocals, Summer met fellow member Bruce Sudano. Within a few months, Summer and Sudano became a couple. They married on July 16, 1980. In 1981, Summer gave birth to another daughter (her first child with Sudano), Brooklyn Sudano, named after Sudano's group. In 1982, Summer and Sudano had their second child, Amanda Sudano. (Brooklyn would grow up to star in the hit ABC production My Wife and Kids.)

In 1995, Summer and her family moved from Sherman Oaks, California to Nashville,^[20] where she took time out from show business to focus on painting, a hobby she began back in the 1980s. Also during 1995, Summer's beloved mother, Mary Gaines, died of lung cancer. Her father, Andrew Gaines, died in 2004 of natural causes.

Death and aftermath[link]

Death[link]

Summer died on the morning of May 17, 2012, at her home in Englewood, Florida at the age of 63.^[21][22] She had been diagnosed with lung cancer not related to smoking,^[23][24] reportedly being a non-smoker. She believed she contracted the illness by inhaling toxic particles following the 9/11 terrorist attacks in New York.^[25][26] Summer is survived by her husband Bruce Sudano, their daughters Brooklyn and Amanda, as well as her daughter Mimi from a previous marriage. Her funeral was held in Nashville, Tennessee on May 23, 2012.^[27] Her body was buried in Harpeth Hills Memory Gardens Cemetery in Nashville, Tennessee.^[28]

Reactions[link]

Donna Summer's memorial made by fans in the Castro District, San Francisco

Singers and music industry professionals around the world reacted to Donna Summer's death.^[29][30] Gloria Gaynor, a famous disco performer during the late 1970s,^[31] said that she was "deeply saddened" and that Donna was "a fine lady and human being." Gaynor said she was devastated by the death of her longtime friend, and that she had not known about Summer's cancer.^[32] Harry Wayne Casey of KC and the Sunshine Band said he and Donna "ran in the same circles and are part of the same generation."^[30] Liza Minnelli said, "She was a queen, the queen of disco, and we will be dancing to her music forever." She said that her "thoughts and prayers are with her family always."^[30] Dolly Parton said, "Donna, like Whitney, had one of the greatest voices ever. I loved her records. She was the disco queen, and will remain so. I knew her and found her to be one of the most likable and fun people ever. She will be missed and remembered."^[30] Janet Jackson wrote that Donna "changed the world of music with her beautiful voice and incredible talent."^[30] Barbra Streisand wrote: "I loved doing the duet with her. She had an amazing voice and was so talented. . . It's so sad."^[30] Quincy Jones wrote that Donna's voice was "the heartbeat and soundtrack of a decade."^[30] Aretha Franklin said, "It's so shocking to hear about the passing of Donna Summer. In the 70s, she reigned over the disco era and kept the disco jumping. Who will forget 'Last Dance.' A fine performer and a very nice person."^[33] Chaka Khan said: "Donna and I had a friendship for over 30 years. She is one of the few black women I could speak German with and she is one of the few friends I had in this business."^[33] Gloria Estefan wrote that "It's the end of an era," and posted a photo of herself with Summer.^[33] Elton John said, "I'm so sad. This woman was the queen of disco and so much more. Her records sound as good today as they ever did. That she has never been inducted into the Rock and Roll Hall of Fame is a total disgrace, especially when I see the second-rate talent that has been inducted. She is a great friend to me and to the Elton John AIDS Foundation and I will miss her greatly."^[34]

United States President Barack Obama said: "Michelle and I were saddened to hear about the passing of Donna Summer. A five-time Grammy Award winner, Donna truly was the 'Queen of Disco.' Her voice was unforgettable, and the music industry has lost a legend far too soon. Our thoughts and prayers go out to Donna's family and her dedicated fans."^[30][35]

Donna Summer was honored at the 2012 Billboard Music Awards ceremony.^[36][37] Singer Natasha Bedingfield honored Summer, calling her "a remarkable woman who brought so much light, and who inspired many women, including myself through her music. And if we can remember her through her music, this will never really be the last dance." After her statement, she began to sing the "Last Dance", Summer's song that received an Academy Award.^[37] As she sang the song, photos of Summer were displayed on a screen overhead.^[37] Many fans of Summer noticed and were unsatisfied that the Summer's tribute was cut off, supposedly for commercial benefits.^[37]

Fans paid a tribute to Donna by leaving flowers and memorabilia on her star on the Hollywood Walk of Fame.^[38] A few days after her death, her album sales increased by a 3,277 percent, according to Nielsen SoundScan. Billboard reported that the week before she died, Summer sold about 1,000 albums. After her death, that number increased to 26,000.^[39]

Funeral[link]

Summer's funeral service was held in the Christ Presbyterian Church in Nashville, Tennessee on the afternoon of May 23, 2012.^[27][40][41] The exact location and time of the service was kept secret.^[42] Several hundred of Summer's friends and family appeared at the singer's funeral, according to CNN.^[41] The funeral was a private ceremony^[41] and cameras were not allowed inside the church.^[41] TMZ obtained a copy of Summer's funeral program.^[43][44][45] The program includes a Proverb dedicated to Summer about a "wife of noble character".^[44] According to the program, Pastor Tim Johnson started the service and welcomed the guests.^[44] Afterward, Ricky Gaines, who is a relative of Summer's, gave a speech.^[44] Summer's sisters: Linda Gaines Lotman, Mary Ellen Bernard, Dara Bernard, and Jenette Yancey, performed "We've Come This Far By Faith."^[44] Mary Ellen Bernard performed "Because of Whose You Are".^[44] After that, Rick Dohler, the husband of one of Summer's daughters, gave a speech. Next, Pastor Tim Johnson spoke, again.^[44] The service was closed by David Foster and Natalie Grant performing "The Prayer".^[41][44] Guests left the church, entered their cars, and followed the black hearse with Summer's body to the Harpeth Hills Memory Gardens cemetery in Nashville, where she was buried.^[28][44] Other guests included Giorgio Moroder, who produced several of Summer's hits, and singer Tony Orlando.^[41]

Awards and recognition[link]

Cover versions by other artists[link]

"I Feel Love" has been sampled several times. The song was sampled by artists such as David Guetta, Darren Hayes, Whitney Houston, Madonna, Bette Midler, Moby, Moloko, Mylo, Stuart Price, Diana Ross, Britney Spears, and Robbie Williams. Italian company Gucci used a special version of it in the "Flora" perfume advertising, filmed by Chris Cunningham. "I Feel Love" has been covered onstage by Madonna, the Red Hot Chili Peppers' John Frusciante, Kylie Minogue, Blondie, Basement Jaxx, and Finnish progressive rock band Kingston Wall. Venus Hum with Blue Man Group also performed this song with Japanese singer Kumi Koda for their album The Complex, and in 2006, Tracy Bonham stood in for Hum on the Blue Man Group tour, performing the song. Bronski Beat and Marc Almond released the track as a duet with an added bridge section and titled it "I Feel Love/Johnny Remember Me", reaching number 3 in the UK charts in April 1985. In 1992 U.K. alterna-pop group Curve recorded a version for the NME's 40th anniversary compilation Ruby Trax, which became an instant underground classic.

"Love to Love You Baby" was sampled in Beyoncé Knowles's "Naughty Girl" and by TLC on their original version of "I'm Good at Being Bad", but was removed by request of Summer on later editions. The song has been covered in portions onstage by Dionne Warwick. Summer's "Starting Over Again" was a number one hit on the Hot Country Songs chart as a single for Dolly Parton in 1980. It also was a top-forty hit for Parton on the Billboard Hot 100. Reba McEntire named her 1995 album after the song, and McEntire's version hit No. 17 on the country singles chart in 1996. McEntire stated in the album's liner notes that her recording of the song was intended as something of a tribute to Summer and Parton, both artists whom she admired. Summer's "On the Radio" was covered by country artist Emmylou Harris for her 1983 album White Shoes. British singer and actress Martine McCutcheon recorded a version that reached number seven in the UK charts in February 2001.

Legacy[link]

According to longtime synthpop/electropop musician Marc Almond, Donna Summer's collaboration with producer Georgio Moroder "changed the face of music".^[46] Giorgio Moroder himself has stated in a BBC Radio 5 Live interview that her song I Feel Love was "really the start of electronic dance".^[3] Summer was the first artist to have three double albums reach No. 1 on Billboard's album chart: Live and More, Bad Girls, and On the Radio: Greatest Hits Volumes I & II. She became a cultural icon, not only as one of the defining voices of the era, but also as an influence on pop divas ranging from Madonna to Beyoncé. Unlike some other stars of disco who faded as the music became less popular in the 1980s and beyond, Summer was able to grow beyond the genre and later segued to a pop-rock sound. She had one of her biggest hits in the 1980s with "She Works Hard For the Money", which became another anthem, this time for women's rights. Although, Summer was never inducted into the Rock Hall of Fame, she was garnered as Queen of Disco. Summer was the first African American woman to be nominated for an MTV Video Music Award. Summer remained a force on the Billboard Dance/Club Play Songs chart all through her career, fitting, for the Queen of Disco. She notched 14 No. 1s on the chart – all the way up through her most recent hit, 2010's "To Paris With Love". Her last studio album, 2008's Crayons, spun off three No. 1 dance/club hits with "I'm a Fire", "Stamp Your Feet", and "Fame (The Game)". In May 2012, it was announced that "I Feel Love" was included in the list of preserved recordings at the Library of Congress' National Recording Registry.^[47]

Concert tours[link]

Discography[link]

• 1974: Lady of the Night
• 1975: Love to Love You Baby
• 1976: A Love Trilogy
• 1976: Four Seasons of Love
• 1977: I Remember Yesterday
• 1977: Once Upon a Time
• 1979: Bad Girls
• 1980: The Wanderer
• 1981: I'm a Rainbow
• 1982: Donna Summer
• 1983: She Works Hard for the Money
• 1984: Cats Without Claws
• 1987: All Systems Go
• 1989: Another Place and Time
• 1991: Mistaken Identity
• 1994: Christmas Spirit
• 2008: Crayons

References[link]

External links[link]

Wikimedia Commons has media related to: Donna Summer

Wikinews has related news: Disco diva Donna Summer dies at 63

	Book: Donna Summer
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Official website
• Donna Summer at the Internet Movie Database
• Donna Summer collected news and commentary at The New York Times
• Donna Summer collected news and commentary at The Guardian
• Works by or about Donna Summer in libraries (WorldCat catalog)

Bruce Springsteen
Springsteen in 2009; Working on a Dream Tour in Valladolid, Spain
Background information
Also known as	The Boss, Bad Scooter
Born	(1949-09-23) September 23, 1949 (age 62) Long Branch, New Jersey, United States
Genres	Rock, folk rock, heartland rock, hard rock, roots rock
Occupations	Musician, Songwriter
Instruments	Vocals, guitar, harmonica, bass guitar, piano, percussion, banjo, drums, keyboards
Years active	1969–present
Labels	Columbia
Associated acts	The E Street Band, Steel Mill, Miami Horns, The Sessions Band
Website	www.brucespringsteen.net
Notable instruments
Fender Telecaster Takamine Guitars Gibson J-45 Hohner Marine Band Harmonica Gibson J-200 Gibson ES-335 Gibson Hummingbird

Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed "The Boss," is an American singer-songwriter-performer who records and tours with the E Street Band. Springsteen is widely known for his brand of heartland rock, poetic lyrics, and Americana sentiments centered on his native New Jersey.^[1]

Springsteen's recordings have included both commercially accessible rock albums and more somber folk-oriented works. His most successful studio albums, Born in the U.S.A. and Born to Run, showcase a talent for finding grandeur in the struggles of daily American life; he has sold more than 65 million albums in the United States and more than 120 million worldwide^[2] and he has earned numerous awards for his work, including 21 Grammy Awards, two Golden Globes and an Academy Award. He is widely regarded by many as one of the most influential songwriters of the 20th century, and in 2004, Rolling Stone ranked him as the 23rd Greatest Artist of all time.

Early life[link]

Springsteen was born in Long Branch, New Jersey, and spent his childhood and high school years in Freehold Borough. He lived on South Street in Freehold Borough and attended Freehold Borough High School. His father, Douglas Frederick Springsteen, was of Dutch and Irish ancestry and worked, among other vocations, as a bus driver, although he was frequently unemployed; his surname is Dutch for jump stone.^[3] His mother, Adele Ann (née Zerilli), was a legal secretary and was of Italian ancestry.^[4] His maternal grandfather was born in Vico Equense, a city near Naples. He has two younger sisters, Virginia and Pamela. Pamela had a brief film career, but left acting to pursue still photography full time; she took photos for the Human Touch and Lucky Town albums.

Raised a Roman Catholic,^[5] Springsteen attended the St. Rose of Lima Catholic school in Freehold Borough, where he was at odds with the nuns and rejected the strictures imposed upon him, even though some of his later music reflects a Catholic ethos and included a few rock-influenced, traditional Irish-Catholic hymns.^[6] Recently in Paris (2012) before the launch of his latest album, Wrecking Ball, he explained that it was his Catholic upbringing rather than political ideology that most influenced his music. He noted in the interview that his faith had given him a "very active spiritual life," although he joked that this "made it very difficult sexually." He added: "Once a Catholic, always a Catholic."^[7]

In ninth grade, he transferred to the public Freehold Regional High School, but did not fit in there, either. Old teachers have said he was a "loner, who wanted nothing more than to play his guitar." He completed high school, but felt so uncomfortable that he skipped his own graduation ceremony.^[8] He briefly attended Ocean County College, but dropped out.^[6]

Career history[link]

1962–1972: Early years[link]

Springsteen had been inspired to take up music at the age of seven after seeing Elvis Presley on The Ed Sullivan Show. At 13, his mother bought him his first guitar for $18; later, she took out a loan to buy the 16-year-old Springsteen a $60 Kent guitar, as he later memorialized in his song "The Wish".

In 1965, he went to the house of Tex and Marion Vinyard, who sponsored young bands in town. They helped him become the lead guitarist and subsequently the lead singer of The Castiles. The Castiles recorded two original songs at a public recording studio in Brick Township and played a variety of venues, including Cafe Wha? in Greenwich Village. Marion Vinyard said that she believed the young Springsteen when he promised he would make it big.^[9]

Called for induction when he was 18, Springsteen failed his physical examination and did not serve in Vietnam. In an interview in Rolling Stone magazine in 1984, he said, "When I got on the bus to go take my physical, I thought one thing: I ain't goin'." He had suffered a concussion in a motorcycle accident when he was 17, and this together with his "crazy" behaviour at induction and not taking the tests, was enough to get him a 4F.^[10]

New Jersey beach towns such as Asbury Park inspired the themes of ordinary life in Bruce Springsteen's music.

In the late 1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey. Springsteen acquired the nickname "The Boss" during this period as when he played club gigs with a band he took on the task of collecting the band's nightly pay and distributing it amongst his bandmates.^[11] Springsteen is not fond of this nickname, due to his dislike of bosses,^[12] but seems to have since given it a tacit acceptance. Previously he had the nickname "Doctor".^[13] From 1969 through early 1971, Springsteen performed with Steel Mill, which also featured Danny Federici, Vini Lopez, Vinnie Roslin and later Steve Van Zandt and Robbin Thompson. They went on to play the mid-Atlantic college circuit, and also briefly in California. In January 1970 well-known San Francisco Examiner music critic Philip Elwood gave Springsteen credibility in his glowing assessment of Steel Mill: "I have never been so overwhelmed by totally unknown talent." Elwood went on to praise their "cohesive musicality" and, in particular, singled out Springsteen as "a most impressive composer." During this time Springsteen also performed regularly at small clubs in Canton, Massachusetts, Richmond, Virginia, Asbury Park and along the Jersey Shore, quickly gathering a cult following. Other acts followed over the next two years, as Springsteen sought to shape a unique and genuine musical and lyrical style: Dr. Zoom & the Sonic Boom (early–mid 1971), Sundance Blues Band (mid 1971), and The Bruce Springsteen Band (mid 1971–mid 1972). With the addition of pianist David Sancious, the core of what would later become the E Street Band was formed, with occasional temporary additions such as horn sections, "The Zoomettes" (a group of female backing vocalists for "Dr. Zoom") and Southside Johnny Lyon on harmonica. Musical genres explored included blues, R&B, jazz, church music, early rock 'n' roll, and soul. His prolific songwriting ability, with "More words in some individual songs than other artists had in whole albums", as his future record label would describe it in early publicity campaigns, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, and legendary Columbia Records talent scout John Hammond, who, under Appel's pressure, auditioned Springsteen in May 1972.

Even after Springsteen gained international acclaim, his New Jersey roots showed through in his music, and he often praised "the great state of New Jersey" in his live shows. Drawing on his extensive local appeal, he routinely sold out consecutive nights in major New Jersey, Philadelphia and New York venues. He also made many surprise appearances at The Stone Pony and other shore nightclubs over the years, becoming the foremost exponent of the Jersey Shore sound.

1972–1974: Initial struggle for success[link]

Springsteen signed a record deal with Columbia Records in 1972, with the help of John Hammond, who had signed Bob Dylan to the same label a decade earlier. Springsteen brought many of his New Jersey–based colleagues into the studio with him, thus forming the E Street Band (although it would not be formally named as such for several more years). His debut album, Greetings from Asbury Park, N.J., released in January 1973, established him as a critical favorite,^[14] though sales were slow. Because of Springsteen's lyrical poeticism and folk rock–rooted music exemplified on tracks like "Blinded by the Light", (which would later be a hit for Manfred Mann and go to No. 1, making it the only time Springsteen had a No. 1 single as a songwriter), and "For You", as well as the Columbia and Hammond connections, critics initially compared Springsteen to Bob Dylan. "He sings with a freshness and urgency I haven't heard since I was rocked by 'Like a Rolling Stone,'" wrote Crawdaddy magazine editor Peter Knobler in Springsteen's first interview/profile, in March 1973. Crawdaddy discovered Springsteen in the rock press and was his earliest champion.^[15] (Springsteen and the E Street Band acknowledged by giving a private performance at the Crawdaddy 10th Anniversary Party in New York City in June 1976.)^[16] Music critic Lester Bangs wrote in Creem in 1975 that when Springsteen's first album was released "... many of us dismissed it: he wrote like Bob Dylan and Van Morrison, sang like Van Morrison and Robbie Robertson, and led a band that sounded like Van Morrison's."^[17] The track "Spirit in the Night" especially showed Morrison's influence, while "Lost in the Flood" was the first of many portraits of Vietnam veterans and "Growin' Up", his first take on the recurring theme of adolescence.

In September 1973 his second album, The Wild, the Innocent & the E Street Shuffle, was released, again to critical acclaim but no commercial success. Springsteen's songs became grander in form and scope, with the E Street Band providing a less folky, more R&B vibe and the lyrics often romanticized teenage street life. "4th of July, Asbury Park (Sandy)" and "Incident on 57th Street" would become fan favorites, and the long, rousing "Rosalita (Come Out Tonight)" continues to rank among Springsteen's most beloved concert numbers.

In the May 22, 1974, issue of Boston's The Real Paper, music critic Jon Landau wrote after seeing a performance at the Harvard Square Theater, "I saw rock and roll's future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time."^[18] Landau subsequently became Springsteen's manager and producer, helping to finish the epic new album, Born to Run. Given an enormous budget in a last-ditch effort at a commercially viable record, Springsteen became bogged down in the recording process while striving for a wall of sound production. But, fed by the release of an early mix of "Born to Run" to progressive rock radio, anticipation built toward the album's release. All in all the album took more than 14 months to record, with six months alone spent on the song "Born To Run". During this time Springsteen battled with anger and frustration over the album, saying he heard "sounds in [his] head" that he could not explain to the others in the studio. It was during these recording sessions that "Miami" Steve Van Zandt would stumble into the studio just in time to help Springsteen organize the horn section on "Tenth Avenue Freeze-Out" (it is his only written contribution to the album), and eventually led to his joining the E Street Band.^{[citation needed]} Van Zandt had been a long-time friend of Springsteen, as well as a collaborator on earlier musical projects, and understood where he was coming from, which helped him to translate some of the sounds Springsteen was hearing. Still, by the end of the grueling recording sessions, Springsteen was not satisfied, and, upon first hearing the finished album, threw the record into the alley and told Jon Landau he would rather just cut the album live at The Bottom Line, a place he often played.^[19]

1975–1983: Breakthrough[link]

On August 13, 1975, Springsteen and the E Street Band began a five-night, 10-show stand at New York's Bottom Line club. The engagement attracted major media attention, was broadcast live on WNEW-FM, and convinced many skeptics that Springsteen was for real. (Decades later, Rolling Stone magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.^[20]) With the release of Born to Run on August 25, 1975, Springsteen finally found success. The album peaked at No. 3 on the Billboard 200, and while there were no hit singles, "Born to Run" (Billboard No. 23), "Thunder Road", "Tenth Avenue Freeze-Out" (Billboard No. 83), and "Jungleland" all received massive album-oriented rock airplay and remain perennial favorites on many classic rock stations. The songwriting and recording was more disciplined than before, while still maintaining an epic feel. With its panoramic imagery, thundering production and desperate optimism, Born to Run is considered by some fans to be among the best rock and roll albums of all time and Springsteen's finest work. It established him as a sincere and dynamic rock and roll personality who spoke for and in the voice of a large part of the rock audience. To cap off the triumph, Springsteen appeared on the covers of both Time and Newsweek in the same week, on October 27 of that year. So great did the wave of publicity become that Springsteen eventually rebelled against it during his first venture overseas, tearing down promotional posters before a concert appearance in London.

A legal battle with former manager Mike Appel kept Springsteen out of the studio for nearly a year, during which time he kept the E Street Band together through extensive touring across the U.S. Despite the optimistic fervor with which he often performed, his new songs had taken a more somber tone than much of his previous work. Reaching settlement with Appel in 1977, Springsteen returned to the studio, and the subsequent sessions produced Darkness on the Edge of Town (1978). Musically, this album was a turning point in Springsteen's career. Gone were the raw, rapid-fire lyrics, outsized characters and long, multi-part musical compositions of the first two albums; now the songs were leaner and more carefully drawn and began to reflect Springsteen's growing intellectual and political awareness. The cross-country 1978 tour to promote the album would become legendary for the intensity and length of its shows.^{[citation needed]}

Springsteen at Félix Houphouët-Boigny International Airport in Ivory Coast during Amnesty International's 1988 Human Rights Now! Tour.

By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann's Earth Band had achieved a U.S. No. 1 pop hit with a heavily rearranged version of Greetings' "Blinded by the Light" in early 1977. Patti Smith reached No. 13 with her take on Springsteen's unreleased "Because the Night" (with revised lyrics by Smith) in 1978, while The Pointer Sisters hit No. 2 in 1979 with Springsteen's also unreleased "Fire".

In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated set while premiering two songs from his upcoming album. The subsequent No Nukes live album, as well as the following summer's No Nukes documentary film, represented the first official recordings and footage of Springsteen's fabled live act, as well as Springsteen's first tentative dip into political involvement.

Springsteen continued to consolidate his thematic focus on working-class life with the 20-song double album The River in 1980, which included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads, and finally yielded his first hit Top Ten single as a performer, "Hungry Heart". This album marked a shift in Springsteen's music toward a pop-rock sound that was all but missing from any of his earlier work.^{[citation needed]}This is apparent in the stylistic adoption of certain eighties pop-rock hallmarks like the reverberating-tenor drums, very basic percussion/guitar and repetitive lyrics apparent in many of the tracks. The title song pointed to Springsteen's intellectual direction, while a couple of the lesser-known tracks presaged his musical direction. The album sold well, becoming his first topper on the Billboard Pop Albums chart, and a long tour in 1980 and 1981 followed, featuring Springsteen's first extended playing of Europe and ending with a series of multi-night arena stands in major cities in the U.S.

The River was followed in 1982 by the stark solo acoustic Nebraska. Recording sessions had been held to expand on a demo tape Springsteen had made at his home on a simple, low-tech four-track tape deck. However during the recording process Springsteen and producer Landau realized the songs worked better as solo acoustic numbers than full band renditions and the original demo tape was released as the album. Although the recordings of the E Street Band were shelved, other songs from these sessions would later be released, including "Born in the U.S.A." and "Glory Days". According to the Marsh biographies, Springsteen was in a depressed state when he wrote this material, and the result is a brutal depiction of American life. While Nebraska did not sell as well as Springsteen's two previous albums, it garnered widespread critical praise (including being named "Album of the Year" by Rolling Stone magazine's critics) and influenced later significant works by other major artists, including U2's album The Joshua Tree. It helped inspire the musical genre known as lo-fi music, becoming a cult favorite among indie-rockers. Springsteen did not tour in conjunction with Nebraska's release.

1984–1991: Commercial and popular phenomenon[link]

Springsteen probably is best known for his album Born in the U.S.A. (1984), which sold 15 million copies in the U.S. and became one of the best-selling albums of all time, with seven singles hitting the Top 10, and the massively successful world tour that followed it. The title track was a bitter commentary on the treatment of Vietnam veterans, some of whom were Springsteen's friends and bandmates. The lyrics in the verses were entirely unambiguous when listened to, but the anthemic music and the title of the song made it hard for many, from politicians to the common person, to get the lyrics—except those in the chorus, which could be read many ways.^[21] The song was widely misinterpreted as jingoistic, and in connection with the 1984 presidential campaign became the subject of considerable folklore. Springsteen also turned down several million dollars offered by the Chrysler Corporation to use the song in a car commercial. (In later years, to eliminate the bombast and make the song's original meaning more explicitly clear, Springsteen performed the song accompanied only by acoustic guitar. An acoustic version also appeared on Tracks, a later album.) "Dancing in the Dark" was the biggest of seven hit singles from Born in the U.S.A., peaking at No. 2 on the Billboard music charts. The music video for the song featured a young Courteney Cox dancing on stage with Springsteen, an appearance which helped kickstart the actress's career. The song "Cover Me" was written by Springsteen for Donna Summer, but his record company persuaded him to keep it for the new album. A big fan of Summer's work, Springsteen wrote another song for her, "Protection". Videos for the album were made by noted film directors Brian De Palma and John Sayles. Springsteen was featured on the "We Are the World" song and album in 1985. His live single "Trapped" from that album received moderate airplay on U.S. Top 40 stations as well as reaching No. 1 on the Billboard Top Rock Tracks chart.^[22]

During the Born in the U.S.A. Tour, Springsteen met actress Julianne Phillips, whom he would marry in 1985.

Springsteen performing on the Tunnel of Love Express at the Radrennbahn Weißensee in East Berlin on July 19, 1988.

The Born in the U.S.A. period represented the height of Springsteen's visibility in popular culture and the broadest audience demographic he would ever reach (aided by the release of Arthur Baker's dance mixes of three of the singles). Live/1975–85, a five-record box set (also on three cassettes or three CDs), was released near the end of 1986 and became the first box set to debut at No. 1 on the U.S. album charts. It is one of the most commercially successful live albums of all time, ultimately selling 13 million units in the U.S. Live/1975–85 summed up Springsteen's career to that point and displayed some of the elements that made his shows so powerful to his fans: the switching from mournful dirges to party rockers and back; the communal sense of purpose between artist and audience; the long, intense spoken passages before songs, including those describing Springsteen's difficult relationship with his father; and the instrumental prowess of the E Street Band, such as in the long coda to "Racing in the Street". Despite its popularity, some fans and critics felt the album's song selection could have been better. Springsteen concerts are the subjects of frequent bootleg recording and trading among fans.

During the 1980s, several Springsteen fanzines were launched, including Backstreets magazine, which started in Seattle and continues today as a glossy publication, now in communication with Springsteen's management and official website.

After this commercial peak, Springsteen released the much more sedate and contemplative Tunnel of Love album (1987), a mature reflection on the many faces of love found, lost and squandered, which only selectively used the E Street Band. It presaged the breakup of his marriage to Julianne Phillips and described some of his unhappinesses in the relationship. Reflecting the challenges of love in "Brilliant Disguise", Springsteen sang:

The subsequent Tunnel of Love Express tour shook up fans with changes to the stage layout, favorites dropped from the set list, and horn-based arrangements. During the European leg in 1988, Springsteen's relationship with backup singer Patti Scialfa became public and Phillips and Springsteen filed for divorce in 1988.^[23] Later in 1988, Springsteen headlined the worldwide Human Rights Now! tour for Amnesty International. In late 1989 he dissolved the E Street Band, and he and Scialfa relocated to California, marrying in 1991.

1992–2001: Artistic and commercial ups and downs[link]

In 1992, after risking fan accusations of "going Hollywood" by moving to Los Angeles (a radical move for someone so linked to the blue-collar life of the Jersey Shore) and working with session musicians, Springsteen released two albums at once. Human Touch and Lucky Town were even more introspective than any of his previous work and displayed a newly revealed confidence. As opposed to his first two albums, which dreamed of happiness, and his next four, which showed him growing to fear it, at points during the Lucky Town album, Springsteen actually claims happiness for himself.

An electric band appearance on the acoustic MTV Unplugged television program (later released as In Concert/MTV Plugged) was poorly received and further cemented fan dissatisfaction. Springsteen seemed to realize this a few years hence when he spoke humorously of his late father during his Rock and Roll Hall of Fame acceptance speech:

A multiple Grammy Award winner, Springsteen also won an Academy Award in 1994 for his song "Streets of Philadelphia", which appeared the soundtrack to the film Philadelphia. The song, along with the film, was applauded by many for its sympathetic portrayal of a gay man dying of AIDS.^{[citation needed]} The music video for the song shows Springsteen's actual vocal performance, recorded using a hidden microphone, to a prerecorded instrumental track.^{[citation needed]} This technique was developed on the "Brilliant Disguise" video.

In 1995, after temporarily re-organizing the E Street Band for a few new songs recorded for his first Greatest Hits album (a recording session that was chronicled in the documentary Blood Brothers), he released his second (mostly) solo guitar album, The Ghost of Tom Joad, inspired by John Steinbeck's The Grapes of Wrath and by Journey to Nowhere: The Saga of the New Underclass, a book by Pulitzer Prize-winners author Dale Maharidge and photographer Michael Williamson. This was generally less well-received than the similar Nebraska, due to the minimal melody, twangy vocals, and political nature of most of the songs, although some praised it for giving voice to immigrants and others who rarely have one in American culture. The lengthy, worldwide, small-venue solo acoustic Ghost of Tom Joad Tour that followed successfully featured many of his older songs in drastically reshaped acoustic form, although Springsteen had to explicitly remind his audiences to be quiet and not to clap during the performances.

Following the tour, Springsteen moved back to New Jersey with his family.^[25] In 1998, Springsteen released the sprawling, four-disc box set of out-takes, Tracks. Subsequently, Springsteen would acknowledge that the 1990s were a "lost period" for him: "I didn't do a lot of work. Some people would say I didn't do my best work."^[26]

Springsteen was inducted into the Rock and Roll Hall of Fame in 1999 by Bono of U2, a favor he returned in 2005.

In 1999, Springsteen and the E Street Band officially came together again and went on the extensive Reunion Tour, lasting over a year. Highlights included a record sold-out, 15-show run at Continental Airlines Arena in East Rutherford, New Jersey and a ten-night, sold-out engagement at New York City's Madison Square Garden which ended the tour. The final two shows were recorded for an HBO Concert, with corresponding DVD and album releases as Bruce Springsteen & the E Street Band: Live in New York City. A new song, "American Skin (41 Shots)", about the police shooting of Amadou Diallo which was played at these shows proved controversial.

In November 2000, Springsteen filed legal action against Jeff Burgar which accused him of registering the domain brucespringsteen.com (along with several other celebrity domains) in bad faith to funnel web users to his Celebrity 1000 portal site. Once the legal complaint was filed, Burgar pointed the domain to a Springsteen biography and message board. In February 2001, Springsteen lost his dispute with Burgar. A WIPO panel ruled 2 to 1 in favor of Burgar.^[27][28]

On Labor Day 2001 Springsteen played at Donovan's Reef in Sea Bright, NJ, surprising a local cover band named Brian Kirk and the Jerks and performed "Rosalita" with them showing his support and love.

2002–2007: Return to success[link]

In 2002, Springsteen released his first studio effort with the full band in 18 years, The Rising, produced by Brendan O'Brien. The album, mostly a reflection on the September 11 attacks, was a critical and popular success. (Many of the songs were influenced by phone conversations Springsteen had with family members of victims of the attacks who in their obituaries had mentioned how his music touched their lives.) The title track gained airplay in several radio formats, and the record became Springsteen's best-selling album of new material in 15 years. Kicked off by an early-morning Asbury Park appearance on The Today Show, The Rising Tour commenced, barnstorming through a series of single-night arena stands in the U.S. and Europe to promote the album in 2002, then returning for large-scale, multiple-night stadium shows in 2003. While Springsteen had maintained a loyal hardcore fan base everywhere (and particularly in Europe), his general popularity had dipped over the years in some southern and midwestern regions of the U.S. But it was still strong in Europe and along the U.S. coasts, and he played an unprecedented 10 nights in Giants Stadium in New Jersey, a ticket-selling feat to which no other musical act has come close.^[29] During these shows Springsteen thanked those fans who were attending multiple shows and those who were coming from long distances or another country; the advent of robust Bruce-oriented online communities had made such practices more common. The Rising Tour came to a final conclusion with three nights in Shea Stadium, highlighted by renewed controversy over "American Skin" and a guest appearance by Bob Dylan.

During the early 2000s, Springsteen became a visible advocate for the revitalization of Asbury Park, and played an annual series of winter holiday concerts there to benefit various local businesses, organizations, and causes. These shows were explicitly intended for the devoted fans, featuring numbers such as the E Street Shuffle outtake "Thundercrack", a rollicking group-participation song that would mystify casual Springsteen fans. He also frequently rehearses for tours in Asbury Park; some of his most devoted followers even go so far as to stand outside the building to hear what fragments they can of the upcoming shows. The song "My City of Ruins" was originally written about Asbury Park, in honor of the attempts to revitalize the city. Looking for an appropriate song for a post-Sept. 11 benefit concert honoring New York City, he selected "My City of Ruins", which was immediately recognized as an emotional highlight of the concert, with its gospel themes and its heartfelt exhortations to "Rise up!" The song became associated with post-9/11 New York, and he chose it to close The Rising album and as an encore on the subsequent tour.

At the Grammy Awards of 2003, Springsteen performed The Clash's "London Calling" along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt and No Doubt's bassist, Tony Kanal, in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double The River and the triple Sandinista!. In 2004, Springsteen and the E Street Band participated in the "Vote for Change" tour, along with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, the Dave Matthews Band, Jackson Browne, and other musicians. All concerts were to be held in swing states, to benefit the liberalism political organization group America Coming Together and to encourage people to register and vote. A finale was held in Washington, D.C., bringing many of the artists together. Several days later, Springsteen held one more such concert in New Jersey, when polls showed that state surprisingly close. While in past years Springsteen had played benefits for causes in which he believed – against nuclear energy, for Vietnam veterans, Amnesty International, and the Christic Institute – he had always refrained from explicitly endorsing candidates for political office (indeed he had rejected the efforts of Walter Mondale to attract an endorsement during the 1984 Reagan "Born in the U.S.A." flap). This new stance led to criticism and praise from the expected partisan sources. Springsteen's "No Surrender" became the main campaign theme song for John Kerry's unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.

An acoustic guitar number during the solo Devils & Dust Tour performance at the Festhalle Frankfurt, June 15, 2005.

Devils & Dust was released on April 26, 2005, and was recorded without the E Street Band. It is a low-key, mostly acoustic album, in the same vein as Nebraska and The Ghost of Tom Joad although with a little more instrumentation. Some of the material was written almost 10 years earlier during, or shortly after, the Ghost of Tom Joad Tour, a couple of them being performed then but never released.^[30] The title track concerns an ordinary soldier's feelings and fears during the Iraq War. Starbucks rejected a co-branding deal for the album, due in part to some sexually explicit content but also because of Springsteen's anti-corporate politics. The album entered the album charts at No. 1 in 10 countries (United States, Austria, Switzerland, Sweden, Denmark, Italy, Germany, the Netherlands, the United Kingdom, and Ireland). Springsteen began the solo Devils & Dust Tour at the same time as the album's release, playing both small and large venues. Attendance was disappointing in a few regions, and everywhere (other than in Europe) tickets were easier to get than in the past. Unlike his mid-1990s solo tour, he performed on piano, electric piano, pump organ, autoharp, ukulele, banjo, electric guitar, and stomping board, as well as acoustic guitar and harmonica, adding variety to the solo sound. (Offstage synthesizer, guitar, and percussion were also used for some songs.) Unearthly renditions of "Reason to Believe", "The Promised Land", and Suicide's "Dream Baby Dream" jolted audiences to attention, while rarities, frequent set list changes, and a willingness to keep trying even through audible piano mistakes kept most of his loyal audiences happy.

In November 2005, Sirius Satellite Radio started a 24-hour, seven-day-a-week radio station on Channel 10 called E Street Radio. This channel featured commercial-free Bruce Springsteen music, including rare tracks, interviews, and daily concerts of Bruce Springsteen & the E Street Band recorded throughout their career.

Springsteen and The Sessions Band performing on their tour at the Fila Forum, Milan, Italy on May 12, 2006.

In April 2006, Springsteen released We Shall Overcome: The Seeger Sessions, an American roots music project focused around a big folk sound treatment of 15 songs popularized by the radical musical activism of Pete Seeger. It was recorded with a large ensemble of musicians including only Patti Scialfa, Soozie Tyrell, and The Miami Horns from past efforts. In contrast to previous albums, this was recorded in only three one-day sessions, and frequently one can hear Springsteen calling out key changes live as the band explores its way through the tracks. The Bruce Springsteen with The Seeger Sessions Band Tour began the same month, featuring the 18-strong ensemble of musicians dubbed The Seeger Sessions Band (and later shortened to The Sessions Band). Seeger Sessions material was heavily featured, as well as a handful of (usually drastically rearranged) Springsteen numbers. The tour proved very popular in Europe, selling out everywhere and receiving some excellent reviews,^[31] but newspapers reported that a number of U.S. shows suffered from sparse attendance.^[32][33][34] By the end of 2006, the Seeger Sessions tour toured Europe twice and toured America for only a short span. Bruce Springsteen with The Sessions Band: Live in Dublin, containing selections from three nights of November 2006 shows at The Point Theatre in Dublin, Ireland, was released the following June.

Springsteen's next album, titled Magic, was released on October 2, 2007. Recorded with the E Street Band, it featured 10 new Springsteen songs plus "Long Walk Home", performed once with the Sessions band, and a hidden track (the first included on a Springsteen studio release), "Terry's Song", a tribute to Springsteen's long-time assistant Terry Magovern, who died on July 30, 2007.^[35] The first single, "Radio Nowhere", was made available for a free download on August 28. On October 7, Magic debuted at No. 1 in Ireland and the UK. Greatest Hits reentered the Irish charts at No. 57, and Live in Dublin almost cracked the top 20 in Norway again. Sirius Satellite Radio also restarted E Street Radio on Channel 10 on September 27, 2007, in anticipation of Magic.^[36] Radio conglomerate Clear Channel Communications was alleged to have sent an edict to its classic rock stations to not play any songs from the new album, while continuing to play older Springsteen material. However, Clear Channel Adult Alternative (or "AAA") station KBCO did play tracks from the album, undermining the allegations of a corporate blackout.^[37] The Springsteen and E Street Band Magic Tour began at the Hartford Civic Center with the album's release and continued through North America and Europe. Springsteen and the band performed live^[38] on NBC's Today Show in advance of the opener. Longtime E Street Band organist Danny Federici left the tour in November 2007 to pursue treatment for melanoma^[39] from which he would die in 2008.^[40]

2008–present: Recent activities[link]

Springsteen at a rally for the presidential candidate Barack Obama

Cleveland, Ohio on November 2, 2008

Springsteen supported Barack Obama's 2008 presidential campaign, announcing his endorsement in April 2008^[41] and going on to appear at several Obama rallies as well as performing several solo acoustic performances in support of Obama's campaign throughout 2008,^[42] culminating with a November 2 rally where he debuted "Working On A Dream" in a duet with Scialfa.^[43] At an Ohio rally, Springsteen discussed the importance of "truth, transparency and integrity in government, the right of every American to have a job, a living wage, to be educated in a decent school, and a life filled with the dignity of work, the promise and the sanctity of home...But today those freedoms have been damaged and curtailed by eight years of a thoughtless, reckless and morally-adrift administration."^[44]

Following Obama's electoral victory on November 4, Springsteen's song "The Rising" was the first song played over the loudspeakers after Obama's victory speech in Chicago's Grant Park. Springsteen was the musical opener for the Obama Inaugural Celebration on January 18, 2009 which was attended by over 400,000.^[45] He performed "The Rising" with an all-female choir. Later he performed Woody Guthrie's "This Land Is Your Land" with Pete Seeger.

On June 18, 2008, Springsteen appeared live from Europe at the Tim Russert tribute at the Kennedy Center in Washington, D.C., to play one of Russert's favorite songs, "Thunder Road". Springsteen dedicated the song to Russert, who was "one of Springsteen's biggest fans."^{[citation needed]}

On January 11, 2009, Springsteen won the Golden Globe Award for Best Song for "The Wrestler", from the Mickey Rourke film by the same name.^[46] After receiving a heartfelt letter from Mickey Rourke, Springsteen supplied the song for the film for free.^[47]

Springsteen performed at the halftime show at Super Bowl XLIII on February 1, 2009,^[48] agreeing to do it after many previous offers.^[49] A few days before the game, Springsteen gave a rare press conference, where he promised a "twelve-minute party."^[50][51] His 12:45 set, with the E Street Band and the Miami Horns, included abbreviated renditions of "Tenth Avenue Freeze-Out"", "Born to Run", "Working on a Dream", and "Glory Days", the latter complete with football references. The set of appearances and promotional activities led Springsteen to say, "This has probably been the busiest month of my life."^[52]

Springsteen's Working on a Dream album was released in late January 2009^[53] and the supporting Working on a Dream Tour ran from April 2009 until November 2009. The tour featured few songs from the new album, with instead set lists dominated by classics and selections reflecting the ongoing late-2000s recession.^[54] The tour also featured Springsteen playing songs requested by audience members holding up signs as on the final stages of the Magic Tour.^[54] Drummer Max Weinberg was replaced for some shows by his 18-year-old son Jay Weinberg, so that the former could serve his role as bandleader on The Tonight Show with Conan O'Brien.^[54] During this tour, Springsteen and the band made their first real foray in the world of music festivals, headlining nights at the Pinkpop Festival in the Netherlands, Festival des Vieilles Charrues in France, the Bonnaroo Music Festival in the United States and the Glastonbury Festival in the UK^[55] and Hard Rock Calling in the UK.^[56] Several shows on the tour featured full album presentations of Born to Run, Darkness on the Edge of Town, or Born in the U.S.A.^[57] The band performed a stretch of five final shows at his homestate Giants Stadium, opening with a new song highlighting the historic stadium, and his Jersey roots, named "Wrecking Ball".^[58] The tour ended as scheduled in Buffalo, NY in November 2009 amid speculation that it was the last performance ever by the E Street Band, but during the show Springsteen said it was goodbye “for a little while.”^[59] A DVD from the Working on a Dream Tour entitled London Calling: Live in Hyde Park was released in 2010.