Rock + Live is the second live album by Christos Dantis and first from a solo concert, recorded from his MAD Secret Concert and released in 2007 in Greece and Cyprus by Sony BMG Greece. The album is composed mostly of covers of other artists, most of which is English-language material. The album also features guest appearances by Kostas Tournas, who Dantis previously collaborated on an album with, Peggy Zina, Tamta, and Kostas Martakis. The entire album possesses a rock theme. The concert was broadcasted on ANT1 and its main supporters were Flocafé and Samsung Hellas.^[1]

Track listing[link]

Disc 1

1. "Somebody Told Me" (The Killers)
2. "Ruby" (Kaiser Chiefs)
3. "Instabile" (Nek)
4. "Un Film di Fantasia" (Tainia Fantasias) (Fili Gia Panda)
5. "Vithos" (Depth)
6. "Fly Away" (Lenny Kravitz)
7. "Dani California" (Red Hot Chili Peppers)
8. "Kommatia" (Pieces)
9. "Desire" (U2)
10. "No Madonna"
11. "Min tis to Peis" (Don't tell her) (with Kostas Tournas)
12. "Gia To Kalo Mou" (For my own good) (Giannis Miliokas)

Disc 2

1. "To Teleftaio Potiraki" (with Peggy Zina) (The last shot)
2. "Heaven" (Bryan Adams)
3. "Psycho Killer" (Talking Heads)
4. "One Way or Another" (Blondie
5. "Summertime Blues" (with Kostas Martakis) (Eddie Cochran)
6. "It's a Man's Man's Man's World" (James Brown)
7. "Superstition" (Stevie Wonder)
8. "Black Betty" (Iron Head)
9. "Hoochie Coochie Man" (Muddy Waters)
10. "Are You Gonna Go My Way" (with Tamta) (Lenny Kravitz)
11. "Boulevard of Broken Dreams" (Green Day)
12. "Alcoholic" (Starsailor)
13. "Bleeding" (Matono) (Peggy Zina)

Single[link]

To Teleftaio Potiraki

Dantis' collaboration with Zina was the first single from the album. The music video was created using footage from the live performance.

Gia To Kalo Mou

Dantis' cover of Giannis Miliokas' "Gia To Kalo Mou" was the second single from the album. A music video of the live performance was released.

Promotion[link]

Dantis performed James Brown's "It's a Man's Man's Man's World" onstage at the sixth Arion Music Awards on October 29, 2007.

References[link]

External links[link]

• Official site

Herbie Hancock
Hancock in concert at the Nice Jazz Festival 2010
Background information
Birth name	Herbert Jeffrey Hancock
Also known as	Herbie Hancock
Born	(1940-04-12) April 12, 1940 (age 72) Chicago, Illinois, United States
Genres	Jazz, bebop, post bop, jazz fusion, hard bop, jazz-funk, funk, R&B, electro funk, classical
Occupations	Musician, composer, bandleader
Instruments	Piano, synthesizer, organ, clavinet, keytar, vocoder
Years active	1961–present
Labels	Columbia, Blue Note, Verve, Warner Bros.
Associated acts	Miles Davis Quintet, Jaco Pastorius, Joni Mitchell, Stevie Wonder
Website	www.herbiehancock.com

Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist, keyboardist, bandleader and composer.^[1] As part of Miles Davis's Second Great Quintet, Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the "post-bop" sound. He was one of the first jazz musicians to embrace music synthesizers and funk music (characterized by syncopated drum beats). Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.

Hancock's best-known solo works include "Cantaloupe Island", "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaría), "Maiden Voyage", "Chameleon", and the singles "I Thought It Was You" and "Rockit". His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award after Getz/Gilberto in 1965.

Hancock is a member of Sōka Gakkai International.^[2][3]

On July 22, 2011 at a ceremony in Paris, Hancock was named UNESCO Goodwill Ambassador for the promotion of Intercultural Dialogue.

Early life and career[link]

Hancock was born in Chicago, Illinois. Like many jazz pianists, Hancock started with a classical music education. He studied from age seven, and his talent was recognized early. Considered a child prodigy,^[4] he played the first movement of Mozart's Piano Concerto No. 5 at a young people's concert with the Chicago Symphony at age eleven.^[5]

Through his teens, Hancock never had a jazz teacher, but developed his ear and sense of harmony. He was also influenced by records of the vocal group the Hi-Lo's. He reported that:

the time I actually heard the Hi-Lo's, I started picking that stuff out; my ear was happening. I could hear stuff and that's when I really learned some much farther-out voicings -like the harmonies I used on 'Speak Like a Child' -just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it came from.^[6]

In 1960, he heard Chris Anderson play just once, and begged him to accept him as a student.^[7] Hancock often mentions Anderson as his harmonic guru. Hancock left Grinnell College, moved to Chicago and began working with Donald Byrd and Coleman Hawkins, during which period he also took courses at Roosevelt University. (He later graduated from Grinnell with degrees in electrical engineering and music. Grinnell also awarded him an honorary Doctor of Fine Arts degree in 1972).^[5][8] Donald Byrd was attending the Manhattan School of Music in New York at the time and suggested that Hancock study composition with Vittorio Giannini, which he did for a short time in 1960. The pianist quickly earned a reputation, and played subsequent sessions with Oliver Nelson and Phil Woods. He recorded his first solo album Takin' Off for Blue Note Records in 1962. "Watermelon Man" (from Takin' Off) was to provide Mongo Santamaría with a hit single, but more importantly for Hancock, Takin' Off caught the attention of Miles Davis, who was at that time assembling a new band. Hancock was introduced to Davis by the young drummer Tony Williams, a member of the new band.

Miles Davis quintet and Blue Note[link]

Hancock received considerable attention when, in May 1963,^[5] he joined Miles Davis's Second Great Quintet. Davis personally sought out Hancock, whom he saw as one of the most promising talents in jazz. The rhythm section Davis organized was young but effective, comprising bassist Ron Carter, 17-year-old drummer Tony Williams, and Hancock on piano. After George Coleman and Sam Rivers each took a turn at the saxophone spot, the quintet would gel with Wayne Shorter on tenor saxophone. This quintet is often regarded as one of the finest jazz ensembles, and the rhythm section has been especially praised for its innovation and flexibility.

The second great quintet was where Hancock found his own voice as a pianist. Not only did he find new ways to use common chords, but he also popularized chords that had not previously been used in jazz. Hancock also developed a unique taste for "orchestral" accompaniment – using quartal harmony and Debussy-like harmonies, with stark contrasts then unheard of in jazz. With Williams and Carter he wove a labyrinth of rhythmic intricacy on, around and over existing melodic and chordal schemes. In the later half of the sixties their approach became so sophisticated and unorthodox that conventional chord changes would hardly be discernible; hence their improvisational concept would become known as "Time, No Changes". 

While in Davis's band, Hancock also found time to record dozens of sessions for the Blue Note label, both under his own name and as a sideman with other musicians such as Wayne Shorter, Tony Williams, Grant Green, Bobby Hutcherson, Sam Rivers, Donald Byrd, Kenny Dorham, Hank Mobley, Lee Morgan and Freddie Hubbard.

His albums Empyrean Isles (1964) and Maiden Voyage (1965) were to be two of the most famous and influential jazz LPs of the sixties, winning praise for both their innovation and accessibility (the latter demonstrated by the subsequent enormous popularity of the Maiden Voyage title track as a jazz standard, and by the jazz rap group US3 having a hit single with "Cantaloop" (derived from "Cantaloupe Island" on Empyrean Isles) some twenty five years later). Empyrean Isles featured the Davis rhythm section of Hancock, Carter and Williams with the addition of Freddie Hubbard on cornet, while Maiden Voyage also added former Davis saxophonist George Coleman (with Hubbard remaining on trumpet). Both albums are regarded as among the principal foundations of the post-bop style. Hancock also recorded several less-well-known but still critically acclaimed albums with larger ensembles – My Point of View (1963), Speak Like a Child (1968) and The Prisoner (1969) featured flugelhorn, alto flute and bass trombone. 1963's Inventions and Dimensions was an album of almost entirely improvised music, teaming Hancock with bassist Paul Chambers and two Latin percussionists, Willie Bobo and Osvaldo "Chihuahua" Martinez.

During this period, Hancock also composed the score to Michelangelo Antonioni's film Blowup, the first of many soundtracks he recorded in his career.

Davis had begun incorporating elements of rock and popular music into his recordings by the end of Hancock's tenure with the band. Despite some initial reluctance, Hancock began doubling on electric keyboards including the Fender Rhodes electric piano at Davis's insistence. Hancock adapted quickly to the new instruments, which proved to be instrumental in his future artistic endeavors.

Under the pretext that he had returned late from a honeymoon in Brazil, Hancock was dismissed from Davis's band. In the summer of 1968 Hancock formed his own sextet. However, although Davis soon disbanded his quintet to search for a new sound, Hancock, despite his departure from the working band, continued to appear on Miles Davis records for the next few years. Noteworthy appearances include In a Silent Way, A Tribute to Jack Johnson and On the Corner.

[edit] Fat Albert and Mwandishi

Hancock playing a Roland AX-7 keytar, at The Roundhouse, Camden, London, 2006

Hancock left Blue Note in 1969, signing up with Warner Bros. Records. In 1969, Hancock composed the soundtrack for the Bill Cosby animated children's television show Fat Albert and the Cosby Kids. Titled Fat Albert Rotunda, the album was mainly an R&B-influenced album with strong jazz overtones. One of the jazzier songs on the record, "Tell Me A Bedtime Story", was later re-worked as a more electronic sounding song for the Quincy Jones album, Sounds...and Stuff Like That.

Hancock became fascinated with accumulating musical gadgets and toys. Together with the profound influence of Davis's Bitches Brew, this fascination would culminate in a series of albums in which electronic instruments are coupled with acoustic instruments.

Hancock's first ventures into electronic music started with a sextet comprising Hancock, bassist Buster Williams and drummer Billy Hart, and a trio of horn players: Eddie Henderson (trumpet), Julian Priester (trombone), and multireedist Bennie Maupin. Dr. Patrick Gleeson was eventually added to the mix to play and program the synthesizers. In fact, Hancock was one of the first jazz pianists to completely embrace electronic keyboards.^{[citation needed]}

The sextet, later a septet with the addition of Gleeson, made three experimental albums under Hancock's name: Mwandishi (1971), Crossings (1972) (both on Warner Bros. Records), and Sextant (1973) (released on Columbia Records); two more, Realization and Inside Out, were recorded under Henderson's name with essentially the same personnel. The music often had very free improvisations and showed influence from the electronic music of some contemporary classical composers.

Synthesizer player Patrick Gleeson, one of the first musicians to play synthesizer on any jazz recording, introduced the instrument on Crossings, released in 1972, one of a handful of influential electronic jazz/fusion recordings to feature synthesizer that same year. On Crossings (as well as on I Sing the Body Electric), the synthesizer is used more as an improvisatory global orchestration device than as a strictly melodic instrument. This reflected Gleeson's (and Powell's) interest in contemporary European electronic music techniques and in the West Coast synthesis techniques of Morton Subotnick and other contemporaries, several of whom were resident at one time or another, as was Gleeson, at The Mills College Tape Music Center. An early review of Crossings in Downbeat magazine complained about the synthesizer, but a few years later the magazine noted in a cover story on Gleeson that he was "a pioneer" in the field of electronics in jazz. Gleeson used a modular Moog III for the recording of the album, but used an ARP 2600 synthesizer, and occasionally an ARP Soloist for the group's live performances. On Sextant Gleeson used the more compact ARP synthesizers instead of the larger Moog III for both studio and live performances. In the albums following The Crossings, Hancock started to play synth himself and unlike Gleeson, he plays it as a melodical and rhythm instrument just like electric pianos.

Hancock's three records released in 1971–1973, became later known as the "Mwandishi" albums, so-called after a Swahili name Hancock sometimes used during this era (Mwandishi is Swahili for writer). The first two, including Fat Albert Rotunda were made available on the 2-CD set Mwandishi: the Complete Warner Bros. Recordings, released in 1994, but are now sold as individual CD editions. Of the three electronic albums, Sextant is probably the most experimental since the Arp synthesizers are used extensively, and some advanced improvisation ("post-modal free impressionism") is found on the tracks "Hornets" and "Hidden Shadows" (which is in the meter 19/4). "Hornets" was later revised on the 2001 album Future2Future as "Virtual Hornets".

Among the instruments Hancock and Gleeson used were Fender Rhodes piano, ARP Odyssey, ARP 2600, ARP Pro Soloist Synthesizer, a Mellotron and the Moog synthesizer III.

All three Warner Bros. albums Fat Albert Rotunda, Mwandishi, and Crossings, were remastered in 2001 and released in Europe but were not released in the U.S.A. as of June 2005. In the Winter of 2006–7 a remastered edition of Crossings was announced and scheduled for release in the Spring.

[edit] Headhunters and Death Wish

Hancock performing in concert, 2006

After the sometimes "airy" and decidedly experimental "Mwandishi" albums, Hancock was eager to perform more "earthy" and "funky" music. The Mwandishi albums – though these days seen as respected early fusion recordings – had seen mixed reviews and poor sales, so it is probable that Hancock was motivated by financial concerns as well as artistic restlessness.^{[citation needed]} Hancock was also bothered by the fact that many people did not understand avant-garde music. He explained that he loved funk music, especially Sly Stone's music, so he wanted to try to make funk himself.

He gathered a new band, which he called The Headhunters, keeping only Maupin from the sextet and adding bassist Paul Jackson, percussionist Bill Summers, and drummer Harvey Mason. The album Head Hunters, released in 1973, was a major hit and crossed over to pop audiences, though it prompted criticism from some jazz fans. Head Hunters was recorded at Different Fur studios.

Despite charges of "selling out", Stephen Erlewine of Allmusic positively reviewed the album among other friendly critics, saying, "Head Hunters still sounds fresh and vital three decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul, and hip-hop."^[9]

Mason was replaced by Mike Clark, and the band released a second album, Thrust, the following year. (A live album from a Japan performance, consisting of compositions from those first two Head Hunters releases was released in 1975 as Flood. The record has since been released on CD in Japan.) This was almost as well received as its predecessor, if not attaining the same level of commercial success. The Headhunters made another successful album (called Survival of the Fittest) without Hancock, while Hancock himself started to make even more commercial albums, often featuring members of the band, but no longer billed as The Headhunters. The Headhunters reunited with Hancock in 1998 for Return of the Headhunters, and a version of the band (featuring Jackson and Clark) continues to play live and record.

In 1973, Hancock composed his second masterful soundtrack to the controversial film The Spook Who Sat By The Door. Then in 1974, he also composed the soundtrack to the first Death Wish film. One of his memorable songs, "Joanna's Theme", would later be re-recorded in 1997 on his duet album with Wayne Shorter 1 + 1.

Hancock's next jazz-funk albums of the 1970s were Man-Child (1975), and Secrets (1976), which point toward the more commercial direction Hancock would take over the next decade. These albums feature the members of the 'Headhunters' band, but also a variety of other musicians in important roles.

[edit] Back to the basics: VSOP and Future Shock

During late 1970s and early 1980s, Hancock toured with his "V.S.O.P." quintet, which featured all the members of the 1960s Miles Davis quintet except Davis, who was replaced by trumpet giant Freddie Hubbard. There was constant speculation that one day Davis would reunite with his classic band, but he never did so. VSOP recorded several live albums in the late 1970s, including VSOP (1976), and VSOP: The Quintet (1977).

In 1978, Hancock recorded a duet with Chick Corea, who had replaced him in the Miles Davis band a decade earlier. He also released a solo acoustic piano album titled The Piano (1978), which, like so many Hancock albums at the time, was initially released only in Japan. (It was finally released in the US in 2004.) Several other Japan-only releases have yet to surface in the US, such as Dedication (1974), VSOP: Tempest in the Colosseum (1977), and Direct Step (1978). Live Under the Sky was a VSOP album remastered for the US in 2004, and included an entire second concert from the July 1979 tour.

From 1978–1982, Hancock recorded many albums consisting of jazz-inflected disco and pop music, beginning with Sunlight (featuring guest musicians including Tony Williams and Jaco Pastorius on the last track) (1978). Singing through a vocoder, he earned a British hit,^[10] "I Thought It Was You", although critics were unimpressed.^[11] This led to more vocoder on the 1979 follow-up, Feets, Don't Fail Me Now, which gave him another UK hit in "You Bet Your Love".^[10] Albums such as Monster (1980), Magic Windows (1981), and Lite Me Up (1982) were some of Hancock's most criticized and unwelcomed albums, the market at the time being somewhat saturated with similar pop-jazz hybrids from the likes of former bandmate Freddie Hubbard. Hancock himself had quite a limited role in some of those albums, leaving singing, composing and even producing to others. Mr. Hands (1980) is perhaps the one album during this period that was critically acclaimed. To the delight of many fans, there were no vocals on the album, and one track featured Jaco Pastorius on bass. The album contained a wide variety of different styles, including a disco instrumental song, a Latin-jazz number and an electronic piece in which Hancock plays alone with the help of computers.

Hancock also found time to record more traditional jazz while creating more commercially oriented music. He toured with Tony Williams and Ron Carter in 1981, recording Herbie Hancock Trio, a five-track live album released only in Japan. A month later, he recorded Quartet with Wynton Marsalis, released in the US the following year. Hancock, Williams and Carter toured internationally with Wynton and his brother Branford Marsalis in what was affectionately known as "VSOP II". This quintet can be heard on Marsalis' debut album on Columbia (1981). In 1982 he contributed to the Simple Minds album New Gold Dream (81,82,83,84), playing a synthesizer solo on the track "Hunter and The Hunted".

In 1983, Hancock had a mainstream hit with the Grammy-award winning instrumental single "Rockit" from the album Future Shock. It was perhaps the first mainstream single to feature scratching, and also featured an innovative animated music video which was directed by Godley and Creme and showed several robot-like artworks by Jim Whiting. The video was a hit on MTV and reached No.8 in the UK.^[12] The video won five different categories at the inaugural MTV Video Music Awards. This single ushered in a collaboration with noted bassist and producer Bill Laswell. Hancock experimented with electronic music on a string of three LPs produced by Laswell: Future Shock (1983), Sound-System (1984) and Perfect Machine (1988). Despite the success of "Rockit", Hancock's trio of Laswell-produced albums (particularly the latter two) are among the most critically derided of his entire career, perhaps even more so than his erstwhile pop-jazz experiments. Hancock's level of actual contribution to these albums was also questioned, with some critics contending that the Laswell albums should have been labelled "Bill Laswell featuring Herbie Hancock".

During this period, he appeared onstage at the Grammy awards with Stevie Wonder, Howard Jones, and Thomas Dolby, in a famous synthesizer jam (The video on Youtube can be found here.). Lesser known works from the 1980s are the live album Jazz Africa and the studio album Village Life (1984), which were recorded with Gambian kora player Foday Musa Suso.^[13] Also, in 1985 Hancock performed as a guest on the album So Red The Rose by the Duran Duran offshoot group Arcadia. He also provided introductory and closing comments for the PBS rebroadcast in the United States of the BBC educational series from the mid-1980s, Rockschool (not to be confused with the most recent Gene Simmons' Rock School series).

In 1986, Hancock performed and acted in the film 'Round Midnight. He also wrote the score/soundtrack, for which he won an Academy Award for Original Music Score. Often he would write music for TV commercials. "Maiden Voyage", in fact, started out as a cologne advertisement. At the end of the Perfect Machine tour, Hancock decided to leave Columbia Records after a 15-plus-year relationship.

As of June 2005, almost half of his Columbia recordings have been remastered. The first three US releases, Sextant, Head Hunters and Thrust as well as the last four releases Future Shock, Sound-System, the soundtrack to Round Midnight and Perfect Machine. Everything released in America from Man-Child to Quartet has yet to be remastered. Some albums, made and initially released in the US, were remastered between 1999 and 2001 in other countries such as Magic Windows and Monster. Hancock also re-released some of his Japan-only releases in the West, such as The Piano.

1990s and later[link]

Hancock live in concert

After leaving Columbia, Hancock took a break. Then, with friends Ron Carter, Tony Williams, Wayne Shorter, and Davis admirer Wallace Roney, they recorded A Tribute to Miles, which was released in 1994. The album contained two live recordings and studio recording classics, with Roney playing Davis's part as trumpet player. The album won a Grammy for best group album. He also toured with Jack DeJohnette, Dave Holland and Pat Metheny in 1990 on their Parallel Realities tour, which included a memorable performance at the Montreux Jazz Festival in July 1990.

Hancock's next album, Dis Is Da Drum, released in 1994, saw him return to Acid Jazz. Also in 1994, he appeared on the Red Hot Organization's compilation album Stolen Moments: Red Hot + Cool. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African-American community, was heralded as "Album of the Year" by Time Magazine.

1995's The New Standard found Hancock and an all-star band including John Scofield, Jack DeJohnette and Michael Brecker interpreting pop songs by Nirvana, Stevie Wonder, The Beatles, Prince, Peter Gabriel and others. A 1997 duet album with Wayne Shorter entitled 1 + 1 was successful, the song "Aung San Suu Kyi" winning the Grammy Award for Best Instrumental Composition. Hancock also achieved great success in 1998 with his album Gershwin's World, which featured inventive readings of George and Ira Gershwin standards by Hancock and a plethora of guest stars, including Stevie Wonder, Joni Mitchell and Shorter. Hancock toured the world in the support of Gershwin's World with a sextet that featured Cyro Baptista, Terri Lynne Carrington, Ira Coleman, Eli Degibri and Eddie Henderson.

In 2001, Hancock recorded Future2Future, which reunited Hancock with Bill Laswell and featured doses of electronica as well as turntablist Rob Swift of The X-Ecutioners. Hancock later toured with the band, and released a live concert DVD with a different lineup which also included the "Rockit" music video. Also in 2001, Hancock partnered with Michael Brecker and Roy Hargrove to record a live concert album saluting Davis and John Coltrane entitled Directions in Music: Live at Massey Hall, recorded live in Toronto. The threesome toured to support the album, and toured on and off through 2005.

The year 2005 saw the release of a duet album called Possibilities. It features duets with Carlos Santana, Paul Simon, Annie Lennox, John Mayer, Christina Aguilera, Sting and others. In 2006, Possibilities was nominated for Grammy awards in two categories: "A Song For You", featuring Christina Aguilera was nominated for a Grammy Award for Best Pop Instrumental Performance, and "Gelo No Montanha", featuring Trey Anastasio on guitar, was nominated for a Grammy Award for Best Instrumental Performance. Neither nomination resulted in an award.

Also in 2005, Hancock toured Europe with a new quartet that included Beninese guitarist Lionel Loueke, and explored textures ranging from ambient to straight jazz to African music. Plus, during the summer of 2005, Hancock re-staffed the famous Headhunters and went on tour with them, including a performance at The Bonnaroo Music & Arts Festival.

However, this lineup did not consist of any of the original Headhunters musicians. The group included Marcus Miller, Terri Lyne Carrington, Lionel Loueke and John Mayer. Hancock also served as the first artist in residence for Bonnaroo that summer.

Also in 2006, Sony BMG Music Entertainment (which bought out Hancock's old label, Columbia Records) released the two-disc retrospective The Essential Herbie Hancock. This two-disc set is the first compilation of Herbie's work at Warner Bros. Records, Blue Note Records, Columbia and at Verve/Polygram. This became Hancock's second major compilation of work since the 2002 Columbia-onlyThe Herbie Hancock Box, which was released at first in a plastic 4x4 cube then re-released in 2004 in a long box set. Hancock also in 2006, recorded a new song with Josh Groban and Eric Mouquet (co-founder of Deep Forest) entitled "Machine". It is featured on Josh Groban's CD Awake. Hancock also recorded and improvised with guitarist Lionel Loueke on Loueke's debut album Virgin Forest on the ObliqSound label in 2006, resulting in two improvisational tracks "Le Réveil des Agneaux (The Awakening of the Lambs)" and "La Poursuite du lion (The Lion's Pursuit)".

Hancock, a longtime associate and friend of Joni Mitchell released a 2007 album, River: The Joni Letters, that paid tribute to her work. Norah Jones and Tina Turner recorded vocals,^[14] as did Corinne Bailey Rae, and Leonard Cohen contributed a spoken piece set to Hancock's piano. Mitchell herself also made an appearance. The album was released on September 25, simultaneously with the release of Mitchell's album Shine.^[15] "River" was nominated for and won the 2008 Album of the Year Grammy Award, only the second jazz album ever to receive either honor. The album also won a Grammy for Best Contemporary Jazz Album, and the song "Both Sides Now" was nominated for Best Instrumental Jazz Solo.

Recently Hancock performed at the Shriner's Children's Hospital Charity Fundraiser with Sheila E, Jim Brickman, Kirk Whalum and Wendy Alane Wright.

His latest work includes assisting the production of the Kanye West track "RoboCop", found on 808s & Heartbreak.

On June 14, 2008, Hancock performed at Rhythm on the Vine at the South Coast Winery in Temecula, California, for Shriners Hospital for Children. Other performers at the event, that raised $515,000 for Shriners Hospital, were contemporary music artist Jim Brickman, and Sheila E. & the E. Family Band.^[16]

On January 18, 2009, Hancock performed at the We Are One concert, marking the start of inaugural celebrations for American President Barack Obama.^[17] Hancock also performed the Rhapsody in Blue at the 2009 Classical BRIT Awards with classical pianist Lang Lang. Hancock was named as the Los Angeles Philharmonic's creative chair for jazz for 2010–12.^[18] In June 2010, Hancock released his newest album, The Imagine Project.

On June 5, 2010, Hancock received an Alumni Award from his alma mater, Grinnell College.^[19]

Discography[link]

Filmography[link]

As a Leader[link]

• 2000: Dejohnette, Hancock, Holland and Metheny – Live in Concert
• 2002: Herbie Hancock Trio: Hurricane! with Ron Carter and Billy Cobham^[20]
• 2002: The Jazz Channel Presents Herbie Hancock (BET on Jazz) with Cyro Baptista, Terri Lynne Carrington, Ira Coleman, Eli Degibri and Eddie Henderson (recorded in 2000)
• 2004: Herbie Hancock – Future2Future Live
• 2006: Herbie Hancock – Possibilities with John Mayer, Christina Aguilera, Joss Stone, and more

Awards[link]

Academy Awards[link]

• 1986, Original Soundtrack, for Round Midnight

Grammy Awards[link]

1. 1984, Best R&B Instrumental Performance, for Rockit
2. 1985, Best R&B Instrumental Performance, for Sound-System
3. 1988, Best Instrumental Composition, for Call Sheet Blues
4. 1995, Best Jazz Instrumental Performance, Individual Or Group, for A Tribute to Miles
5. 1997, Best Instrumental Composition, for Manhattan (Island Of Lights And Love)
6. 1999, Best Instrumental Arrangement Accompanying Vocal(s), for St. Louis Blues
7. 1999, Best Jazz Instrumental Performance, Individual Or Group, for Gershwin's World
8. 2003, Best Jazz Instrumental Album, Individual or Group, for Directions in Music: Live at Massey Hall
9. 2003, Best Jazz Instrumental Solo, for My Ship
10. 2005, Best Jazz Instrumental Solo, for Speak Like a Child
11. 2008, Album of the Year, for River: The Joni Letters
12. 2008, Best Contemporary Jazz Album, for River: The Joni Letters
13. 2011, Best Improvised Jazz Solo, for A Change Is Gonna Come
14. 2011, Best Pop Collaboration with Vocals, for Imagine

Playboy Music Poll[link]

• Best Jazz Group, 1985
• Best Jazz Keyboards, 1985
• Best Jazz Album – Rockit, 1985
• Best Jazz Keyboards, 1986
• Best R&B Instrumentalist, 1987
• Best Jazz Instrumentalist, 1988

Keyboard Magazine's Readers Poll[link]

• Best Jazz & Pop Keyboardist, 1983
• Best Jazz Pianist, 1987
• Best Jazz Keyboardist, 1987
• Best Jazz Pianist, 1988

Other notable awards[link]

• MTV Awards (5 awards in total) – Best Concept Video – Rockit, 1983–84
• Gold Note Jazz Awards – NY Chapter of the National Black MBA Association, 1985
• French Award Officer of the Order of Arts & Letters - Paris, 1985
• BMI Film Music Award Round Midnight, 1986
• U.S. Radio Award "Best Original Music Scoring – Thom McAnn Shoes", 1986
• Los Angeles Film Critics Association "Best Score – Round Midnight", 1986
• BMI Film Music Award Colors, 1989
• Miles Davis Award, granted by the Montreal International Jazz Festival, 1997
• Soul Train Music Award "Best Jazz Album – The New Standard", 1997
• Festival International Jazz de Montreal Prix Miles Davis, 1997
• VH1's 100 Greatest Videos Rockit is "10th Greatest Video", 2001
• NEA Jazz Masters Award, 2004
• Downbeat Magazine Readers Poll Hall of Fame, 2005

^[21]

References[link]

External links[link]

• Official website of Herbie Hancock
• Official Herbie Hancock MySpace page
• Herbie Hancock at Verve Records
• River:The Joni Letters at Verve Records
• Possibilities Herbie Hancock
• Discography Herbie Hancock Discography
• Interview with Herbie Hancock on music and technology from AppleMatters
• Interview with Herbie Hancock on the "Possibilities" album release from LiveDaily
• Herbie Hancock: Outside The Comfort Zone Herbie Hancock interview from JamBase
• "Herbie Hancock: Essential Recordings" by Ted Gioia (www.jazz.com)
• Herbie Hancock's Grinnell College Alumni Award citation from Grinnell College Alumni Assembly on June 5, 2010.

Uriah Heep
David Copperfield character
Drawing by Fred Barnard
Created by	Charles Dickens
Information
Gender	Male
Occupation	Moneylender
Nationality	British

Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.

The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man.^[1] He is the central antagonist of the later part of the book.

In book[link]

David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:

[Uriah's face] was quite as cadaverous as it had looked in the window, though in the grain of it there was that tinge of red which is sometimes to be observed in the skins of red-haired people. It belonged to a red-haired person—a youth of fifteen, as I take it now, but looking much older—whose hair was cropped as close as the closest stubble; who had hardly any eyebrows, and no eyelashes, and eyes of a red-brown, so unsheltered and unshaded, that I remember wondering how he went to sleep. He was high-shouldered and bony; dressed in decent black, with a white wisp of a neckcloth; buttoned up to the throat; and had a long, lank, skeleton hand, which particularly attracted my attention, as he stood at the pony's head, rubbing his chin with it, and looking up at us in the chaise.

Uriah has been employed as clerk to Wickfield for four years, since he was eleven. Uriah's father, who instilled him with the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Uriah addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.

Uriah is repeatedly mentioned as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Uriah's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Uriah's snakelike character. Uriah explains in another part of the book that his ambition and greed are fueled by resentment from the double-standard of his schooling and from his treatment as a child, and by encouragement from his parents. As Uriah works for Wickfield for the next five or so years, he teaches himself law at night, and by blackmailing Mr. Wickfield, gains control over his business.

He eventually succeeds in having himself made a full partner in the business. His eventual ambition is to marry Agnes and gain control of the Wickfield fortune. Like most of Dickens' villains, greed is his main motivation. Heep is eventually stymied by Mr. Micawber and Tommy Traddles, with help from David and Agnes. Once his fraud and treachery are unmasked, he persists in hounding Micawber and Copperfield. Towards the end of the novel, he is last seen in Mr. Creakle’s prison where we find that he has returned to his "umble" ways, and puts himself forward as a model prisoner. He is said to be sentenced for transportation for life, which likely means he will eventually be sent to one of the penal colonies in Australia.

Origins[link]

Art by Frank Reynolds (1910).

Much of David Copperfield is autobiographical and some scholars believe Heep's mannerisms and physical attributes to be based on Hans Christian Andersen,^[2][3] whom Dickens met shortly before writing the novel. Uriah Heep's schemes and behaviour are more likely based on Thomas Powell,^[4] employee of a friend of Dickens, Thomas Chapman. Powell "...ingratiated himself into the Dickens household" and was discovered to be a forger and a thief, having embezzled £10,000 from his employer. He later attacked Dickens in pamphlets, calling particular attention to Dickens' social class and background.

The characteristics of grasping manipulation and insincerity can lead to a person being labelled "a Uriah Heep" as Lyndon Johnson is called in Robert Caro's biography. Seymour Fleming, a character in the play Babes in Arms, is also called thus.^{[citation needed]} Author Philip Roth once compared President Richard Nixon to Uriah Heep.^[5] More recently, the historian Tony Judt used the term to describe Marshal Philippe Pétain of the French Vichy government.^[6] Pakistani-British historian and leftist political commentator Tariq Ali likened Pakistani dictator Muhammad Zia-ul-Haq to the character.

Film and television[link]

In film and television adaptations, the character has been played by, amongst others, Peter Paget (1934)^[7], Roland Young (1935), Colin Jeavons (1966), Ron Moody (1970), Martin Jarvis (1974), Paul Brightwell (1986), Nicholas Lyndhurst (1999) and Frank MacCusker (2000).^[8]

Cultural references[link]

The British rock band Uriah Heep is named after the character.^[9]

In the BBC television series Blake's 7, the computer character Slave was described by Peter Tuddenham, who voiced it, as "...a Uriah Heep type of character...."^[10]

References[link]

External links[link]

• Information, Illustrations, Analysis, Select Resources on the novel

John Cena
John Cena, 2008
Ring name(s)	John Cena[1]
Billed height	6 ft 1 in (1.85 m)[2]
Billed weight	251 lb (114 kg)[2]
Born	(1977-04-23) April 23, 1977 (age 35)[3] West Newbury, Massachusetts[2]
Resides	Tampa, Florida[4]
Billed from	Classified (UPW)[5] West Newbury, Massachusetts (WWE)[2]
Trained by	Ultimate Pro Wrestling[5] Ohio Valley Wrestling[6]
Debut	2001[6]

John Felix Anthony Cena^[7] (/ˈsiːnə/; born April 23, 1977)^[3] is an American professional wrestler and actor. He is currently signed to WWE as a member of its Raw brand.^[8]

In WWE, Cena has won 19 championships in total, including 12 world titles (having won the WWE Championship a record 10 times^[9] and the World Heavyweight Championship twice). In addition, Cena has also won the WWE United States Championship three times,^[10] and is a four-time Tag Team Champion, having held the World Tag Team Championship twice (once each with Shawn Michaels and Batista),^[11] and the WWE Tag Team Championship twice (once each with David Otunga and The Miz). Cena also won the 2008 Royal Rumble match, and is a two-time Superstar of the Year Slammy Award winner (2009 and 2010).^[12] He also has the fourth highest number of combined days as WWE Champion behind Bob Backlund, Hulk Hogan and Bruno Sammartino.

Cena started his professional wrestling career in 2000, wrestling for Ultimate Pro Wrestling, where he held the UPW Heavyweight Championship. In 2001, Cena signed a contract with the World Wrestling Federation (WWF) and was sent to Ohio Valley Wrestling (OVW) where he held the OVW Heavyweight Championship and the OVW Southern Tag Team Championship (with Rico Constantino).

Outside of wrestling, Cena has released the rap album You Can't See Me, which debuted at No.15 on the US Billboard 200 chart, and starred in the feature films The Marine (2006), 12 Rounds (2009), and Legendary (2010).^[13] Cena has also made appearances on television shows including Manhunt, Deal or No Deal, MADtv, Saturday Night Live, Punk'd, and Psych. Cena was also a contestant on Fast Cars and Superstars: The Gillette Young Guns Celebrity Race, where he made it to the final round before being eliminated, placing third in the overall competition.

Early life[link]

John Cena was born April 23, 1977, in West Newbury, Massachusetts,^[3] the son of Carol and John Cena, Sr.^[14] He is the second eldest of five brothers – Dan, Matt, Steve, and Sean.^[15] After graduating from Cushing Academy, Cena attended Springfield College in Springfield, Massachusetts.^[16] In college he was a Division III All-American center on the college football team,^[17] wearing the number 54,^[16] which is still used on some of his WWE merchandise.^[18][19] He graduated from Springfield in 1998 with a degree in exercise physiology,^[20] after which he pursued a career in bodybuilding,^[21][22] and also worked as a chauffeur for a limousine company.^[23]

Professional wrestling career[link]

Training (2000–2001)[link]

UPW[link]

Cena started training to become a professional wrestler in 2000 at the California-based "Ultimate University" operated by Ultimate Pro Wrestling. Once he was placed into an in-ring role, Cena began using a semi-robotic character known as The Prototype.^[24][25] Some of this period of his career was documented in the Discovery Channel program Inside Pro Wrestling School.^[26] While in UPW, Cena held the UPW Heavyweight Championship for just shy of a month in April 2000.^[27]

OVW[link]

In 2001, he signed a developmental contract with the World Wrestling Federation (WWF) and was assigned to its developmental territory Ohio Valley Wrestling (OVW).^[28] During his time there, Cena wrestled as both The Prototype and Mr. P, and held the OVW Heavyweight Championship for three months and the OVW Southern Tag Team Championship (with Rico Constantino) for two months.^[29][30][31]

World Wrestling Entertainment[link]

Debut (2002–2004)[link]

Cena performing an FU (now "Attitude Adjustment") to Kurt Angle.

Cena made his television debut answering an open challenge by Kurt Angle on June 27, 2002.^[32] Inspired by a speech given by WWE Chairman Vince McMahon to the rising stars of the company, exhorting them to show "ruthless aggression" to earn a place among the legends, Cena took advantage of the opportunity to face Angle. Cena managed to counter the Angle Slam and the ankle lock submission hold,^[33] but ultimately lost to a hard amateur wrestling-style pin.^[33] Following the near-win, Cena became a fan favorite and started feuding with Chris Jericho, defeating Jericho at Vengeance.^[32] In October, Cena and Billy Kidman took part in a tag team tournament to crown the first WWE Tag Team Champions of the SmackDown! brand, losing in the first round.^[34] The next week, Cena turned on and attacked Kidman, blaming him for their loss, becoming a villain.^[32]

Shortly after the Kidman attack, on a Halloween themed episode of SmackDown, Cena dressed as Vanilla Ice performing a freestyle rap.^[32] The next week, Cena received a new character: a rapper who cut promos while rhyming.^[32] As the gimmick grew, Cena began adopting a variant of the 1980s WWF logo – dropping the "F" – as his "signature symbol", along with the slogan "Word Life".^[35] Moreover, he was joined by an enforcer, Bull Buchanan, who was rechristened B-2 (also written B² and pronounced "B-Squared").^[32] Buchanan was later replaced by Red Dogg,^[32] until he was sent to the Raw brand in February.

For the first half of 2003, Cena sought the WWE Championship and chased the reigning champion, Brock Lesnar, performing weekly "freestyles" challenging him to matches.^[36][37][38] During the feud, Cena unveiled a new finishing maneuver: the FU, a Fireman's carry powerslam, named to Brock Lesnar's F-5, with his first victim being Rikishi.^[39] Cena won a number one contenders tournament against Lesnar at Backlash. However, Cena was defeated by Lesnar. At Vengeance Cena lost a singles match against The Undertaker.^[32][40] At the end of the year, Cena became a fan favorite again when he joined Kurt Angle as a member of his team at Survivor Series.^[41][42]

United States and WWE Champion (2004–2005)[link]

Cena, wearing his customized U.S. Championship belt

In early 2004, Cena participated in the Royal Rumble match at the 2004 Royal Rumble,^[43] making it to the final six before being eliminated by Big Show and the Match being won by Chris Benoit.^[44] The Royal Rumble elimination led to a feud with Big Show,^[45][46] which Cena won the United States Championship from Big Show at WrestleMania XX.^[47] During his reign, Cena came into contention with SmackDown General Manager Kurt Angle over issues arising with René Duprée and Torrie Wilson.^[48] The reign ended almost four months later, when he was stripped of the belt on July 8 by Angle after he accidentally knocked him over, thus attacking an official.^[49] Cena won the championship back defeating Booker T in a best of five series that culminated at No Mercy,^[50] only to lose it to the debuting Carlito Caribbean Cool the next week.^[51] After the loss to Carlito, the duo began a feud, which Cena was stabbed in the kidney while at a Boston-area nightclub by Carlito's bodyguard, Jesús.^[52][53] This worked injury was used to keep Cena out of action for a month, while Cena was filming The Marine.^[30] Immediately on his return in November, Cena won the United States Championship back from Carlito debuting a "custom made" spinner-style championship belt.^[54][55]

Cena took part in the 2005 Royal Rumble match, making it to the final two. Cena and Raw brand wrestler Batista went over the top rope at the same time, ostensibly ending the match. Vince McMahon, however, appeared on stage and re-started the match in sudden death rules, with Batista eventually eliminating Cena.^[56] The next month, Cena defeated Kurt Angle to earn a spot in the SmackDown brand's WrestleMania 21 main event match,^[57] beginning a feud with WWE Champion John "Bradshaw" Layfield (JBL) and his Cabinet in the process. In the early stages of the feud, Cena lost his US belt to Cabinet member Orlando Jordan,^[58] who proceeded to "blow up" the spinner championship with JBL and returning a more traditional style belt.^[59] Cena defeated JBL at WrestleMania winning the WWE Championship, giving Cena his first world championship.^[60] Cena then had a spinner WWE Championship belt made,^[61] while JBL took the original belt and claimed to still be WWE Champion,^[61] until Cena reclaimed the original belt in an "I Quit" match at Judgment Day.^[62]

Cena was drafted to the Raw brand on the June 6, 2005, becoming the first wrestler selected by General Manager Eric Bischoff in the annual draft lottery.^[63] Cena immediately entered a feud with Bischoff, after refusing to participate in the "war" against the Extreme Championship Wrestling (ECW) roster at One Night Stand.^[64] With Bischoff vowing to make Cena's stint on Raw difficult, he hand picked Jericho to take Cena's championship from him.^[65] During their feud, even though Cena was portrayed as the fan favorite and Jericho as the villain, a vocal section of live crowds, nonetheless, were booing Cena during their matches.^[66] More crowds followed suit during Cena's next feud with Kurt Angle,^[67] who took over as Bischoff's hand-picked number-one contender after Cena defeated Jericho in a You're Fired match on the August 22 Raw.^[68] As the feud continued and the dissenters grew more vocal, sometimes seeming to outnumber fans by wide margins,^[69] the announce team was forced to acknowledge the booing on television and began calling Cena a "controversial champion", claiming some people disliking him on account of his "in-ring style" and his chosen fashion.^[70] Despite the mixed and negative reactions, Cena held on to his championship through his feud with Angle, losing to him by disqualification^[71] – which titles do not change hands in WWE – at Unforgiven and pinning him at Survivor Series.^[72] The feud with Angle also saw Cena add a secondary, submission based, finishing maneuver – the STFU (a Stepover Toehold Sleeper, though named for a Stepover Toehold Facelock) – when he was put into a Triple Threat Submissions Only match on the November 28 Raw.^[73]

WWE Championship feuds and injury (2006–2007)[link]

Cena facing off against Edge at a WWE house show.

Cena lost the WWE Championship at New Year's Revolution, but not in the Elimination Chamber match that he had been advertised to participate in beforehand. Instead, immediately after winning the Elimination Chamber, he was forced into a match against Edge, who cashed in his Money in the Bank contract – a "guaranteed title match for the WWE Champion at a time and place of the owners choosing." After two quick spears pinned Cena, winning the championship.^[74] Three weeks later, Cena won the championship back at the Royal Rumble.^[74] After winning the championship, Cena began feuding with Triple H, which the crowd began booing Cena and cheering the intended villain, Triple H.^[75][76] Cena beat Triple H at Wrestlemania 22 to retain his WWE Title.^[6] The negative reaction towards Cena intensified when facing Rob Van Dam at One Night Stand. Taking place in front of a crowd of mostly "old school" ECW fans at the Hammerstein Ballroom, Cena was met with raucous jeering and chants of "Fuck you, Cena", "You can't wrestle", and "Same old shit". When he began performing different moves into the match, the fans began chanting "You still suck". Cena lost the WWE Championship at One Night Stand, with Van Dam pinning Cena after interference from Edge.^[77]

Cena, addressing fans at a Raw show

In July, after Edge won the championship from Van Dam in a Triple Threat match that also involved Cena,^[78] re-ignited the feud between him and Cena from earlier in the year. After Edge went about retaining the title by dubious means – getting himself disqualified^[79] (for which Championships do not change hands) and using brass knuckles^[77] – he introduced his own version of Cena's "custom" belt, this one with his logo placed on the spinner.^[80] Cena eventually won the championship back in a Tables, Ladders, and Chairs match at Unforgiven. The match had an added stipulation that had Cena lost he would leave the Raw brand and go to SmackDown.^[81][82] Cena returned his version of the spinner belt on the next night's Raw.^[83]

On the heels of his feud with Edge, Cena was placed in an inter-brand angle to determine the "Champion of Champions" – or which was the most dominant champion in WWE's three brands. Cena, the World Heavyweight Champion King Booker, and the ECW World Champion The Big Show engaged in a mini-feud leading to a Triple Threat match at Cyber Sunday, with the viewers voting on which of the three championships would be placed on the line.^[84] At the same time, Cena became involved in a storyline with non-wrestler Kevin Federline, when he began appearing on Raw with Johnny Nitro and Melina. After getting into a worked physical altercation with Federline on Raw,^[84] Federline appeared at Cyber Sunday to hit Cena with the World Heavyweight Championship during the match, helping King Booker retain his championship.^[77] 2006 ended with Cena beginning a feud with the undefeated Umaga over the WWE Championship,^[85] while 2007 began with the end of his storyline with Kevin Federline. On the first Raw of the new year, Cena was pinned by Federline with an assist from Umaga, although later in the night he was able to get his hands on Federline performing an FU on him.^[86]

One night after the Royal Rumble, an impromptu team of Cena and Shawn Michaels defeated Rated-RKO (Edge and Randy Orton) for the World Tag Team Championship, making Cena a double champion.^[87] On the April 2 episode of Raw, after losing a WWE Championship match to Cena at WrestleMania 23,^[88] Michaels turned on Cena, costing them the championship in the second of two 10 team battles royals, by throwing Cena over the top rope and eliminating the team. The Hardys (Matt and Jeff) eventually won the match and the championship.^[89] For the rest of the month, Cena feuded with Michaels, Orton, and Edge until The Great Khali declared his intentions to challenge for Cena's championship attacking and "laying out" all three of the top contenders^[90] before assaulting Cena himself and stealing the physical belt.^[91] For the next two months, Cena feuded with Khali over the championship, eventually becoming the first person in WWE to defeat him by submission at Judgment Day^[92][93] and then by pinfall at One Night Stand.^[94][95] Later that summer, Randy Orton was named the number one contender for the WWE championship,^[96] starting a feud between the two. Leading up to SummerSlam, Orton delivered a number of sneak-attacks, performing three RKOs to Cena, but in the actual match, Cena retained the championship.^[97] A rematch between the two occurred at Unforgiven, with Orton winning by disqualification after Cena ignored the referee's instructions and continued to beat on him in the corner.^[98]

During a match with Mr. Kennedy on the October 1, 2007 episode of Raw, Cena suffered a legitimate torn pectoral muscle while executing a hip toss.^[99] Though finishing the match and taking part in the scripted attack by Randy Orton after the match, surgery the following day found that his pectoralis major muscle was torn completely from the bone, estimating at the time to require seven months to a year of rehabilitation.^[100][101] As a result, Cena was stripped of the title in an announcement by Vince McMahon on the next night's episode of ECW,^[102] ending what was the longest WWE Championship reign in over 19 years.^[103] Cena's surgery was performed by orthopedic surgeon James Andrews at St. Vincent's Hospital in Birmingham, Alabama.^[99] Two weeks later, in a video update on WWE.com, Dr. Andrews and Cena's physical trainer both said that he was several weeks ahead of where he was expected to be in his rehabilitation at that time.^[104] Despite his injury, Cena attended the annual WWE Tribute to the Troops show filmed at Camp Speicher in Tikrit, Iraq on December 7, and aired on December 24.^[105]

Return and various feuds (2008–2010)[link]

Cena made an unannounced return as the final participant of the Royal Rumble match, winning the match, and the traditional WrestleMania title shot, by last eliminating Triple H.^[12] Instead of waiting until WrestleMania, the title shot was cashed in against WWE Champion Randy Orton at February's No Way Out pay-per-view^[106] in a match where Cena won by disqualification, resulting in him not getting the championship.^[107] The night after No Way Out, Cena was placed back into WrestleMania XXIV's WWE Championship match, making it a Triple Threat match also involving Triple H,^[108] during which he was pinned by Orton.^[109] At Backlash, Cena failed to regain the title in a Fatal Four-Way elimination match, in which he was pinned by Orton.^[110] Triple H won the title during that match. During the match, Cena eliminated JBL,^[110] renewing their feud from 2005. Cena defeated JBL at Judgment Day and then at One Night Stand in a First Blood match.^[111][112] JBL, however, defeated him in a New York City Parking Lot Brawl at The Great American Bash in July.^[113]

Cena as one half of the World Tag Team Champions

On the August 4 episode of Raw, Cena became a World Tag Team Champion for a second time, teaming with Batista to defeat Cody Rhodes and Ted DiBiase,^[114] but failed to retain the titles the following week against the former champions.^[115] Batista defeated Cena at SummerSlam;^[116] shortly after, he was named one of four contenders for CM Punk's World Heavyweight Championship in the Championship scramble match at Unforgiven. He was replaced by Rey Mysterio, however, after announcing Cena had suffered a herniated disc in his neck, which would require surgery.^[117] Cena underwent successful surgery to repair the injury.^[118][119]

Cena made his in-ring return at the November pay-per-view event, Survivor Series, defeating Chris Jericho to win his first World Heavyweight Championship.^[120] The two continued their rivalry up to Armageddon, where Cena retained his championship.^[121] Cena lost the championship at No Way Out, to Edge after Kofi Kingston was attacked by Edge, who took his place in the Elimination Chamber match.^[122] Cena was given an opportunity to regain the title at WrestleMania XXV in a Triple Threat match also involving Big Show, which Cena won.^[123]

Cena lost the championship back to Edge in a Last Man Standing match at Backlash after interference from Big Show, who chokeslammed Cena through a big spotlight.^[124] This angle resulted in Cena beginning a feud with Big Show. Cena defeated Big Show at Judgment Day^[125] and at Extreme Rules in a Submission match by applying the STFU.^[126]

At the July pay-per-view, Night of Champions, he participated in a Triple Threat match for the WWE Championship, which also involved Triple H and WWE Champion Randy Orton. Cena, however, did not win the match.^[127] Two months later, at Breaking Point, Cena defeated Randy Orton for the WWE Championship in an "I Quit" match to win his fourth WWE Championship.^[128] At Hell in a Cell, Cena dropped the title to Orton in a Hell in a Cell match.^[129] Three weeks later, at WWE Bragging Rights, Cena defeated Orton in a 60-minute Iron Man match.^[130]

Two months later, Cena would lose the title to Sheamus at TLC: Tables, Ladders & Chairs in a Tables match.^[131]

John Cena as WWE Champion in 2010

In February 2010, Cena regained the WWE title at the Elimination Chamber pay-per-view in an Elimination Chamber match after last eliminating Triple H. However, immediately after the match Mr. McMahon declared that he would immediately defend his title against Batista, who had been involved with Cena in Vince McMahon and Bret Hart's rivalry. Cena lost that match to Batista, and the WWE Championship and marking one of the shortest WWE Championship reigns in history.^[132] The following night after the Elimination Chamber pay-per-view, Cena asked for a rematch for the title at WrestleMania, which McMahon gave him the opportunity to as long as he defeated Batista that night. Later that night, Batista intentionally got himself disqualified by kicking Cena in the groin to set up their match at WrestleMania XXVI.^[133] At the event, Cena defeated Batista to win back the WWE title.^[134] At the April pay-per-view, Extreme Rules, Cena defeated Batista in a rematch for the WWE title in a Last Man Standing match.^[135] He faced Batista one more time in an I Quit match at Over the Limit which he won.^[136]

Feuding and joining The Nexus (2010–2011)[link]

On the June 7, 2010 episode of Raw, Cena was suddenly thrust into a new storyline when during his main event match against CM Punk, he was attacked by all eight former contestants of WWE NXT Season 1, with Wade Barrett as their leader. Punk, his follower Luke Gallows, and other personnel around the ring were attacked as well, but Cena took the worst of the attack and was carried out on a stretcher. This group would later refer to themselves as The Nexus.^[137]

At June's Fatal 4-Way event, Cena lost the WWE title to Sheamus in a fatal four-way match that also involved Edge and Randy Orton due to interference by Nexus.^[138] The following month, in a WWE title rematch against Sheamus in a steel cage match at the Money in the Bank pay-per-view, the group interfered, thus costing Cena the chance of regaining the championship.^[139] Cena later formed an alliance with Edge, Chris Jericho, John Morrison, R-Truth, The Great Khali and Bret Hart to face the Nexus at SummerSlam, where Cena's team defeated Nexus with the returning Daniel Bryan, a former member of Nexus, who replaced Khali after getting injured.^[140]

Cena being forced to read a public address by Wade Barrett while a member of Nexus.

Nexus's actions, however, did not stop after SummerSlam. Hoping to end Nexus for good, Cena challenged Wade Barrett to a match at Hell in a Cell only to lose due to interference by two fans, later identified as Husky Harris and Michael McGillicutty. Due to the stipulations in place, Cena was forced to join Nexus.^[141] Cena had originally planned to destroy Nexus from within as a member of the group, but the Raw general manager ordered him to follow orders from Barrett, or else he would be fired. At Bragging Rights, Cena and Nexus member David Otunga defeated "Dashing" Cody Rhodes and Drew McIntyre to win the Tag Team Championship.^[142]

Later in the show Cena was forced to help Barrett to win his WWE Championship match against Randy Orton. If Barrett didn't win the match Cena would be fired. Cena twisted his words around and attacked Barrett, giving Barrett the win via disqualification but not Orton's title.^[142] The following day, Cena and Otunga lost the Tag Team Championship to fellow Nexus members Heath Slater and Justin Gabriel, when Barrett ordered Otunga to lay down and lose the title.^[143] At Survivor Series, Cena officiated a match for the WWE Championship between Wade Barrett and Randy Orton. As a part of a pre-match stipulation, if Barrett didn't win the championship, Cena would be fired from the WWE.

Orton defeated Barrett to retain the title, thus ending Cena's career in the WWE.^[144] The following day on Raw, Cena gave a farewell speech, before costing Wade Barrett the WWE Championship by interfering in his rematch with Randy Orton.^[145] A week later, Cena invaded Raw, first as a spectator, but he then attacked members of Nexus, explaining that he would still take down Nexus one by one, despite not having a job in the WWE anymore.^[146] On the December 13 episode of Raw, Cena was rehired by Barrett, in exchange that he would face him at TLC: Tables, Ladders & Chairs in a Chairs Match.^[147] Prior to TLC, Cena teamed up with Randy Orton and Rey Mysterio to defeat Wade Barrett, The Miz and Alberto Del Rio at The WWE Tribute to the Troops. On December 19 at TLC: Tables, Ladders & Chairs, John Cena was victorious against Wade Barrett in a Chairs match in the main event of the evening.

John Cena at WWE Tribute to the Troops in 2010.

On the December 27 episode of Raw, The Nexus, minus Wade Barrett, announced they were under new management and offered to bury the hatchet with John Cena, to which Cena refused. The Nexus attacked Cena, leaving a Nexus armband in the ring during the process. As the group retreated, CM Punk, who had attacked Cena with a steel chair twice the week before, came to the ring to, what looked like attack John Cena, but instead put on the armband left behind to symbolically announce his allegiance with The Nexus.^[148] The next week, Wade Barrett returned to Raw and confronted CM Punk over the issue of who the leader of The Nexus was and who was responsible for Cena's attack the week before. Barrett was placed into a Triple Threat Steel Cage Match that night that would determine the No. 1 contender for the WWE Championship. CM Punk added his own stipulation to the match saying if Barrett lost, he would be banished from the group, but if he won he would remain leader. Wade Barrett would lose the match after CM Punk interfered by ripping of Barrett's armband.^[149]

On the January 17 episode of Raw, Cena returned and faced Punk in a match. During the match, a man, who would later be revealed to be Mason Ryan, attacked Cena. During the 2011 Royal Rumble match, Cena would eliminate most of the Nexus, ending his feud with them.

Record-breaking WWE Champion; various feuds (2011–present)[link]

The Rock and John Cena agree to face each other at WrestleMania XXVIII.

Cena competed in the 2011 Royal Rumble match at the pay-per-view, making it to the final five before being eliminated by The Miz, the current WWE Champion at the time, who wasn't an official participant in the match. At the Elimination Chamber pay-per-view, Cena won the Elimination Chamber match to face The Miz at WrestleMania XXVII for the WWE Championship.^[150] On the February 21 episode of Raw, Cena replied to The Rock's comments about him from the previous week, as The Rock returned as the announced guest host of WrestleMania, where he made a rap about Rock. That same night, Cena was placed into a WWE Tag Team Championship match, with him teaming with The Miz, where they defeated Justin Gabriel and Heath Slater to become WWE Tag Team Champions. After the match, Wade Barrett invoked Gabriel and Slater's rematch clause straight away, where they won their titles back, after Miz attacked Cena.^[151] After weeks of insults to each other, Cena met Rock face-to-face on the March 28 episode of Raw, where Cena would hit his Attitude Adjustment finishing move on Rock.^[152] At WrestleMania, Cena and Miz would fight to a double count-out, but guest host Rock would restart the match, only for him to hit his Rock Bottom finishing move on Cena, allowing Miz to retain his title.^[153] The next night on Raw, Cena and Rock agreed to face each other at WrestleMania XXVIII, making it the first match to be set up at WrestleMania one year in advance. At Extreme Rules, Cena would defeat Miz and Morrison to become WWE Champion.^[153] Cena went on to defend the title against The Miz at Over the Limit in an "I Quit" match^[154] and R-Truth at Capitol Punishment^[155]

At Money in the Bank, CM Punk defeated Cena to win the WWE Championship, and left the company with the title.^{[156][157][158]} A tournament was then conducted to determine the new WWE Champion for the "vacant" WWE title, which was won by Rey Mysterio on the July 25 episode of Raw. That same night, Cena challenged and defeated Mysterio to become WWE Champion for a record breaking ninth time.^[159] Following the match, CM Punk returned to the company, with the WWE Championship he won at Money in the Bank, leading to a title unification match at SummerSlam, where Punk defeated Cena to become "undisputed" WWE Champion. Punk would lose the championship following the match to Mr. Money in the Bank Alberto Del Rio.^[160] On the August 22 episode of Raw, Cena defeated Punk to become number one contender for the WWE Championship, and would defeat Del Rio at Night of Champions to become WWE Champion.^[161] Cena would then lose the title back to Del Rio two weeks later at Hell in a Cell, in a Triple Threat Hell in a Cell match also involving Punk, after Ricardo Rodriguez and Del Rio locked Cena outside of the Cell.^[162] Cena lost his rematch at Vengeance in a Last Man Standing match, due to interference by The Miz and R-Truth.^[163] After a few weeks of Miz and Truth attacking Cena and other employees, Cena was allowed to choose his partner to challenge Miz and Truth at Survivor Series. Cena would announce that he had chosen The Rock to be his partner. At the pay-per-view, after Cena and Rock defeated Miz and Truth, Rock gave Cena another Rock Bottom.^[164]