Look up ride in Wiktionary, the free dictionary.

Ride may refer to:

• Amusement ride
• Ride, a 2002 novel by David Walton
• Ride quality, how well a vehicle copes with uneven surfaces
• Reduce Impaired Driving Everywhere, a sobriety testing program used by Canadian police
• Road Improvement and Development Effort, a highway program in South Carolina
• Rural Institute for Development Education, an NGO based in Tamil Nadu, India
• Tony Hawk: Ride, a video game

Films[link]

• Ride (film), a 1998 comedy by Millicent Shelton
• Ride, a 2004 short film by Stephen Sinclair

Music[link]

• Ride cymbal, the standard cymbal in most drum kits
• Ride (band), a British indie rock band
• "Ride", a contemporary concert band piece composed by Samuel Hazo
• "Ride", an instrumental from Bond's 2002 album Shine
• WXRC, a Charlotte, North Carolina, USA radio sation known as 95.7 The Ride

Albums[link]

• Ride (EP), by Ride
• Ride (Godspeed album)
• Ride (Jamie Walters album)
• Ride (Boney James album)
• Ride (Shelly Fairchild album)
• Ride (Oysterband album)
• Ride (Billy Crawford album)
• Ride (Jo Hikk album)
• R.I.D.E., by Trick Pony

Songs[link]

• "Ride" (Ace Hood song)
• "Ride" (Ciara song)
• "Ride" (Martina McBride song)
• "Ride" (The Vines song)
• "Ride", by Presence
• "Ride", from the Beautiful Creatures album Beautiful Creatures
• "Ride", from the Cary Brothers album Who You Are
• "Ride", from the Deepsky album In Silico
• "Ride", from the Liz Phair album Whitechocolatespaceegg
• "Ride", from the Robyn Hitchcock album Perspex Island
• "Ride", from the The Dandy Warhols album Dandys Rule OK
• "Ride", from the Usher album Confessions
• "Ride", from Boney James feature Jahiem

People[link]

• Sally Ride (born 1951), American astronaut
• William Ride (born 1926), Australian zoologist

See also[link]

• Rider (disambiguation)
• Rides (disambiguation)
• Riding (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

The Weeknd
Background information
Birth name	Abel Tesfaye
Born	(1990-02-16) February 16, 1990 (age 22) Toronto, Ontario, Canada
Genres	Contemporary R&B, post-dubstep, downtempo
Years active	2010–present
Associated acts	Drake, Doc McKinney, Illangelo,
Website	www.the-weeknd.com

Abel Tesfaye (born February 16, 1990), better known by his stage name The Weeknd, is an R&B^[1] Canadian recording artist and record producer from Toronto. He began recording songs under The Weeknd and uploading them to YouTube in late 2010,^[2] though the identity of the individual behind the project was initially unknown.^[3][4] In March 2011, The Weeknd released a nine-song free album, House of Balloons which was critically acclaimed.^[5] The title track is based on a sample of Siouxsie and the Banshees' hit single "Happy House.^[6] The first album is a part of a trilogy which includes Thursday released in August of the same year and Echoes of Silence issued in December.^[7] In June, House of Balloons was named as one of ten shortlisted nominees of 2011 Polaris Music Prize but eventually lost to Arcade Fire's The Suburbs.^[8] On December 21, 2011 at 11:07 p.m. EST Tesfaye released his highly anticipated third mixtape Echoes of Silence. The Weeknd's site crashed shortly after due to the large number of downloads. The Weeknd quickly provided a Hulkshare link to keep the album available while the official site was down.

Since hitting the scene, The Weeknd has received praise from a number of musical publications, including those of Pitchfork,^[1] MTV,^[9] BET, Rolling Stone, XXL and The Source, who have all dubbed him the "Songbird of his Generation", as well as the "best musical talent since Michael Jackson" (John Norris, MTV).

[edit] House of Balloons

In late 2010, Abel Tesfaye uploaded three songs: "What You Need," "Loft Music," and "The Morning" to YouTube.^[10] A nine-track free album titled House of Balloons was digitally released on 21 March 2011 through the artist's official website.^[11] The title track is based on the sample of Siouxsie and the Banshees' 1980 hit single "Happy House" with Tesfaye covering the chorus.^[5] Tesfaye’s eclectic music also blends other samples ranging from Beach House to Aaliyah.^[12] Hip-hop artist Drake has been partly credited for generating public awareness for The Weeknd, after he quoted a line from the track "Wicked Games" via Twitter and linked to the singer's music on his website.^[11][13]

House of Balloons was met with universal critical acclaim. Pitchfork's Joe Colly wrote that "all the thematic and sonic pieces fit together - these weird, morning-after tales of lust, hurt, and over-indulgence ... are matched by this incredibly lush, downcast music. It's hard to think of a record since probably The xx's debut ... that so fully embodies such a specific nocturnal quality."^[1] Frontier Psychiatrist's L.V. Lopez claimed the album was "brilliant, disturbing, and not safe for work," calling the song "Loft Music" a song that is "so unsafe it should come with a child-proof cap, so dirty that you’ll feel guilty the next time you see your wife."^[14] Tom Ewing of The Guardian said that although the singing and songwriting on House of Balloons "aren't especially strong by R&B standards," the Weeknd is receiving "so much attention" as a result of its "command of mood."^[15] Sean Fennessey of The Village Voice called the album "impressive" and added, "It's patient, often gorgeous, and consistently louche ... with the sort of blown-out underbelly and echo-laden crooning that has already made Drake's less-than-a-year-old Thank Me Later such an influential guidepost."^[16] Maegan McGregor of Exclaim! also praised the album: "Packed full of sex, drugs and some downright killer production, this easily stands as one of the year's best debuts so far, hipster, Top 40 or otherwise."^[17] Sputnik Music's Tyler Fisher said that "despite being a free album, House of Balloons feels like a true album, a true labor of love."^[18]

In July, The Weeknd then went on tour and gave his first performance at the Mod Club on College Street in Toronto. The hour-and-a-half long performance created a lot of buzz about the young R&B singer.^[19] Tesfaye’s next performance took place at Toronto’s Molson Canadian Amphitheatre. He collaborated with rapper Drake and appeared as one of the special guests to Drake’s 2nd Annual OVO Fest on July 31, 2011 ^[20] That same month, the song "High for This" was featured in the promo for the final season of the HBO show Entourage.^[21]

During the summer, the press noted that Tesfaye refused to give interviews and choose to only communicate via Twitter.^[22]

When House of Balloons was named #1 album of 2011 by Complex magazine, it beat both Drake's Take Care and Watch the Throne by Jay-Z and Kanye West for the number 1 spot.^[12]

[edit] Thursday

Thursday (mixtape) is the second mixtape released by The Weeknd . The mixtape was released shortly after House of Balloons on August 18, 2011. Thursday was released on XO's label along with his other two mixtapes. Although the mixtape was released for free on his website as a digital download, the feedback it received was enormously positive.^[23] Thursday was produced in Toronto, Ontario with the help of Doc McKinney and Illangelo.^[24]

[edit] Echoes of Silence

The Weeknd's third mixtape, entitled Echoes of Silence, was released in December 21, 2011.^[23][25] Echoes of Silence has been described as his most lyrically powerful and emotional mixtape to date.^[24]

In April 2012, The Weeknd debuted his US tour by performing at the Coachella Festival.^[26] Tesfaye and his band visited the Union’s coasts, with a dozen of gigs in various major cities^[26] which culminated in New York where the two sold out shows were positively reviewed by Rolling Stone.^[27] Then, they will be also performing in European major festivals, including the Primavera Sound Festivals in Spain and Portugal,^[28] Wireless Festival in London,^[29] plus concerts in Paris and Brussels.

Discography[link]

Mixtapes[link]

Guest Appearances and Production[link]

Awards[link]

References[link]

External links[link]

• Official website
• Official blog

William Melvin "Bill" Hicks (December 16, 1961 – February 26, 1994) was an American stand-up comedian, social critic, satirist, and musician. His material largely consisted of general discussions about society, religion, politics, philosophy, and personal issues. Hicks' material was often controversial and steeped in dark comedy. In both his stand-up performances and during interviews, he often criticized consumerism, superficiality, mediocrity, and banality within the media and popular culture, describing them as oppressive tools of the ruling class, meant to "keep people stupid and apathetic".^[1]

Hicks was 16 years old when he started performing stand-up comedy at the Comedy Workshop in Houston, Texas, in 1978. During the 1980s he toured the United States extensively and performed a number of high profile television appearances. It was in the UK, however, where Hicks first amassed a significant fan base, packing large venues with his 1991 tour.^[2] Hicks died of pancreatic cancer in 1994 at the age of 32. In the years after his death, his work and legacy achieved acclaim in creative circles. In 2007 he was voted the fourth-greatest stand-up comic on the UK's 100 Greatest Stand-Ups on Channel 4, and appeared again in the updated 2010 list as the fourth-greatest comic.^[3]

Early life[link]

Born in Valdosta, Georgia, Bill Hicks was the son of Jim and Mary (Reese) Hicks and had two elder siblings: sister Lynn and brother Steve. The family lived in Florida, Alabama, and New Jersey, before settling in Houston, Texas when Hicks was seven. He was raised in the Southern Baptist faith, where he first began performing as a comedian for other children at Sunday School.^[4]

Hicks was drawn to comedy at an early age, emulating Woody Allen and Richard Pryor, and writing routines with his friend Dwight Slade. Worried about his behavior, his parents took him to a psychoanalyst at age 17 but, according to Hicks, after one session the psychoanalyst informed him that "...it's them, not you."^[4]

His mother described Hicks's early interest in comedy on The Late Show with David Letterman on January 30, 2009:

He always said up until the time he got interested in comedy that he was going to Texas A&M to be a vet. He loved animals and that's what he wanted to do. And then he got interested in watching Johnny Carson and he read books about Woody Allen, so he got interested in that. He said that he saw Johnny Carson on TV and he thought, "You mean you can make a living doing that?" So he decided that's what he would do.^[5]

Career[link]

Beginnings[link]

Hicks graduated from Stratford High School in Houston and began touring in the early 1980s. After a few years of performing the same material, he felt that his act wasn't progressing. He wanted to push the boundaries of creativity as his idols Jimi Hendrix and Richard Pryor had done. At 21 years old, Hicks had never consumed alcohol, smoked cigarettes, or tried drugs. He began to experiment to see if intoxication was indeed the key to crossing the line.^[6]

Once Hicks gained some underground success in night clubs and universities, he quit drinking, realizing that it wasn't alcohol that made a great comic, but his ability to express a truth, even if it was an unpopular one.^[6] However, Hicks continued to smoke cigarettes. His nicotine addiction, love of smoking, and occasional attempts to quit became a recurring theme in his act throughout his later years.

California and New York[link]

In January 1986, Hicks found himself broke, having spent all his money on a variety of substances.^[7] His career soon received another upturn, though, as he appeared on Rodney Dangerfield's Young Comedians Special, in 1987. The same year, he moved to New York City, and, for the next 5 years, performed about 300 times a year.^{[citation needed]} On the album Relentless, he jokes that he quit using drugs because "once you've been taken aboard a UFO, it's kind of hard to top that", although in his performances, he continued to extol the virtues of LSD, marijuana, and psychedelic mushrooms.^[8] He fell back to chain-smoking,^[9] a theme that would figure heavily in his performances from then on.

In 1988, Hicks signed on with his first professional business manager, Jack Mondrus.^{[citation needed]} Throughout 1989, Mondrus worked to convince many clubs to book Hicks, promising that the wild drug- and alcohol-induced behavior was behind him. Among the club managers hiring the newly sober Hicks was Colleen McGarr, who would become his girlfriend and fiancée in later years.^{[citation needed]}

Hicks quit drinking in 1988, as stated in his 1990 album Dangerous on the first track, entitled "Modern Bummer".

In 1989 he released his first video, Sane Man.^[10] It was reissued in 2006.

Early fame[link]

In 1990, Hicks released his first album, Dangerous, performed on the HBO special One Night Stand, and performed at Montreal's Just for Laughs festival.^[11] He was also part of a group of American stand-up comedians performing in London's West End in November. Hicks was a huge hit in the UK and Ireland and continued touring there throughout 1991. That year, he returned to Just for Laughs and filmed his second video, Relentless.

Hicks made a brief detour into musical recording with the Marble Head Johnson album in 1992. During the same year he toured the UK, where he recorded the Revelations video.^[12] for Channel 4 He closed the show with his soon-to become-famous philosophy regarding life, "It's Just a Ride". Also in that tour he recorded the stand-up performance released in its entirety on a double CD titled Salvation. Hicks was voted "Hot Standup Comic" by Rolling Stone magazine in 1993. He moved to Los Angeles in 1992.^{[citation needed]}

Hicks and Tool[link]

The progressive metal band Tool invited Hicks to open a number of concerts in its 1992 Lollapalooza appearances, where Hicks once famously asked the audience to look for a contact lens he had lost. Thousands of people complied.^[13]

Members of Tool felt that they and Hicks "were resonating similar concepts".^[14] Intending to raise awareness about Hicks's material and ideas, Tool dedicated their triple-platinum^[15] album Ænima (1996) to Hicks. Both the lenticular casing of the Ænima album packaging as well as the chorus of the title track "Ænema" make reference to a sketch from Hicks' Arizona Bay album, in which he contemplates the idea of Los Angeles falling into the Pacific Ocean. Ænima's final track, "Third Eye" contains samples from Hicks' Dangerous and Relentless albums.^[14][16]

An alternate version of the Ænima artwork shows a painting of Bill Hicks, calling him "Another Dead Hero," and mentions of Hicks are found both in the liner notes and on the record.

Controversy[link]

Censorship and aftermath[link]

Hicks constantly faced problems with censorship. In 1984, Hicks was invited to appear on Late Night with David Letterman for the first time. He had a joke that he used frequently in comedy clubs about how he caused a serious accident that left a classmate using a wheelchair. NBC had a policy that no handicapped jokes could be aired on the show, making his stand-up routine difficult to perform without mentioning words such as "wheelchair".^[17]

On October 1, 1993, Hicks was scheduled to appear on Late Show with David Letterman, his 12th appearance on a Letterman late-night show, but his entire performance was removed from the broadcast—then the only occasion where a comedian's entire routine was cut after taping.^[18] Hicks' stand-up routine was removed from the show allegedly because Letterman and his producer were nervous about a religious joke ("if Jesus came back he might not want to see so many crosses"). Hicks said he believed it was due to a pro-life commercial aired during a commercial break.^[19] Both the show's producers and CBS denied responsibility. Hicks expressed his feelings of betrayal in a letter to John Lahr of The New Yorker.^[11][18] Although Letterman later expressed regret at the way Hicks had been handled, Hicks did not appear on the show again.^[18]

Hicks' mother, Mary, appeared on the January 30, 2009 episode of Late Show. Letterman played the routine in its entirety. Letterman took full responsibility for the original censorship and apologized to Mrs. Hicks. Letterman also declared he did not know what he was thinking when he pulled the routine from the original show in 1993, saying, "It says more about me as a guy than it says about Bill because there was absolutely nothing wrong with that."^[20][21]

Denis Leary[link]

For many years, Hicks was friends with fellow comedian Denis Leary. But in 1993 Hicks was angered by Leary's album No Cure for Cancer, which featured lines and subject matter similar to Hicks' routine.^[22] According to American Scream: The Bill Hicks Story by Cynthia True, upon hearing the album "Bill was furious. All these years, aside from the occasional jibe, he had pretty much shrugged off Leary's lifting. Comedians borrowed, stole stuff, and even bought bits from one another. Milton Berle and Robin Williams were famous for it. This was different. Leary had practically line for line taken huge chunks of Bill's act and recorded it."^[23]

The friendship ended abruptly as a result.^[24]

At least three stand-up comedians have gone on the record stating they believe Leary stole Hicks's material as well as his persona and attitude.^[25][26][27] In an interview, when Hicks was asked why he had quit smoking, he answered, "I just wanted to see if Denis would, too."^[28]

In another interview, Hicks said, "I have a scoop for you. I stole his [Leary's] act. I camouflaged it with punchlines, and, to really throw people off, I did it before he did."^[29]

The controversy surrounding plagiarism is also mentioned in American Scream:

Leary was in Montreal hosting the "Nasty Show" at Club Soda, and Colleen [McGarr?] was coordinating the talent so she stood backstage and overheard Leary doing material incredibly similar to old Hicks riffs, including his perennial Jim Fixx joke: ("Keith Richards outlived Jim Fixx, the runner and health nut. The plot thickens."). When Leary came offstage, Colleen, more stunned than angry, said, "Hey, you know that's Bill Hicks' material! Do you know that's his material?" Leary stood there, stared at her without saying a word, and briskly left the dressing room.^[23]

During a 2003 Comedy Central roast of Denis Leary, comedian Lenny Clarke, a friend of Leary's, said there was a carton of cigarettes backstage from Bill Hicks with the message, "Wish I had gotten these to you sooner." This joke was cut from the final broadcast.^[30]

In a 2008 interview, Leary said, "It wouldn't have been an issue, I think, if Bill had lived. It's just that people look at a tragedy and they look at that circumstance and they go, oh, this must be how we can explain this."^[31]

Comic style[link]

Hicks' style was a play on his audience's emotions. He expressed anger, disgust, and apathy while addressing the audience in a casual and personal manner, which he likened to merely conversing with his friends. His material was less focused on the everyday banalities of life and placed greater emphasis on philosophical themes of existence. He would invite his audiences to challenge authority and the existential nature of "accepted truth." One such message, which he often used in his shows, was delivered in the style of a news report (in order to draw attention to the negative slant news organizations give to any story about drugs):

Today, a young man on acid realized that all matter is merely energy condensed to a slow vibration—that we are all one consciousness experiencing itself subjectively. There is no such thing as death, life is only a dream, and we're the imagination of ourselves. Here's Tom with the weather.^[32]

Another of Hicks' most famous quotes was delivered during a gig in Chicago in 1989 (later released as the bootleg I'm Sorry, Folks). After a heckler repeatedly shouted "Free Bird", Hicks screamed that "Hitler had the right idea, he was just an underachiever!" Hicks followed this remark with a misanthropic tirade calling for unbiased genocide against the whole of humanity.^[33]

Much of Hicks' routine involved direct attacks on mainstream society, religion, politics, and consumerism. Asked in a BBC interview why he cannot do a routine that appeals "to everyone", he said that such an act was impossible. He responded by repeating a comment that an audience member once made to him, "We don't come to comedy to think!", to which he replied, "Gee! Where do you go to think? I'll meet you there!" In the same interview, he also said: "My way is half-way between: this is a night-club, and these are adults."^[34]

Hicks often discussed conspiracy theories in his performances, most notably the assassination of President John F. Kennedy. He mocked the Warren Report and the official version of Lee Harvey Oswald as a "lone nut assassin." He also questioned the guilt of David Koresh and the Branch Davidian compound during the Waco Siege. Hicks would end some of his shows, especially those being recorded in front of larger audiences as albums, with a mock "assassination" of himself on stage, making gunshot sound effects into the microphone while falling to the ground.

Cancer diagnosis and death[link]

Hicks wrote, "On June 16, 1993 I was diagnosed with having 'liver cancer that had spread from the pancreas.'"^[35] He started receiving weekly chemotherapy, while still touring and also recording his album, Arizona Bay, with Kevin Booth. He was also working with comedian Fallon Woodland on a pilot episode of a new talk show, titled Counts of the Netherworld for Channel 4 at the time of his death. The budget and concept had been approved, and a pilot was filmed. The Counts of the Netherworld pilot was shown at the various Tenth Anniversary Tribute Night events around the world on February 26, 2004.

After being diagnosed with cancer, Hicks would often joke that any given performance would be his last. The public, however, was unaware of Hicks's condition. Only a few close friends and family members knew of his disease. Hicks performed the final show of his career at Caroline's in New York on January 6, 1994. He moved back to his parents' house in Little Rock, Arkansas, shortly thereafter. He called his friends to say goodbye, before he stopped speaking on February 14.^[36]

He spent time with his parents, playing them the music he loved and showing them documentaries about his interests. He died of side effects of his cancer treatment in the presence of his parents at 11:20pm on February 26, 1994. He was 32 years old.^{[37][not in citation given]}

Hicks was buried in the family plot in Leakesville, Mississippi.

On February 7, 1994, Hicks authored a verse on his perspective, wishes, and thanks of his life, to be released after his death as his "last word",^[35] ending with the words: "I left in love, in laughter, and in truth and wherever truth, love and laughter abide, I am there in spirit."

Legacy[link]

Arizona Bay and Rant in E-Minor were released posthumously in 1997 on the Voices imprint of the Rykodisc label. Dangerous and Relentless were also re-released by Rykodisc on the same date.

In a 2005 poll to find The Comedian's Comedian, fellow comedians and comedy insiders voted Hicks #13 on their list of "The Top 20 Greatest Comedy Acts Ever". Likewise, in "Comedy Central Presents: 100 Greatest Stand-ups of All Time" (2004), Hicks was ranked at #19. In March 2007, Channel 4 ran a poll, "The Top 100 Stand-Up Comedians of All Time", in which Hicks was voted #6. Channel 4 renewed this list in April 2010, which saw Hicks move up 2 places to #4.^[3]

Devotees of Hicks have incorporated his words, image, and attitude into their own creations. By means of audio sampling, fragments of Hicks' rants, diatribes, social criticisms, and philosophies have found their way into many musical works, such as the live version of Super Furry Animals' "Man Don't Give A Fuck". His influence on the band Tool is well-documented; he "appears" on the Fila Brazillia album Maim That Tune (1996) and on SPA's self titled album SPA (1997), which are both dedicated to Hicks; the British band Radiohead's second album The Bends (1995) is also dedicated to his memory.^{[citation needed]} Singer/songwriter Tom Waits listed Rant in E-Minor as one of his 20 most cherished albums of all time.^[38]

Contemporary comedians David Cross and Russell Brand have stated that they were inspired by Hicks.^[39][40]

The British actor Chas Early portrayed Hicks in the one-man stage show Bill Hicks: Slight Return, which premiered in 2004. The show was co-written by Chas Early and Richard Hurst, and imagined Hicks' view of the world 10 years after his death.

On February 25, 2004, British MP Stephen Pound tabled an early day motion titled "Anniversary of the Death of Bill Hicks" (EDM 678 of the 2003-04 session), the text of which reads:

That this House notes with sadness the 10th anniversary of the death of Bill Hicks, on 26th February 1994, at the age of 33 [sic]; recalls his assertion that his words would be a bullet in the heart of consumerism, capitalism and the American Dream; and mourns the passing of one of the few people who may be mentioned as being worth [sic] of inclusion with Lenny Bruce in any list of unflinching and painfully honest political philosophers.^[41]

Hicks appeared in a flashback scene in writer Garth Ennis' Vertigo comic-book series Preacher, in the story "Underworld" in issue #31 (Nov. 1997).^[42][43]

Film and documentary[link]

A documentary entitled American: The Bill Hicks Story, based on interviews with his family and friends, premiered on March 12, 2010, at the South by Southwest Film Festival in Austin, Texas.^[44]

Discography[link]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Bill Hicks

• Official website
• Sacred Cow Productions
• Bill Hicks Quotes
• Bill Hicks at the Internet Movie Database
• The subversive legacy of comic Bill Hicks, Salon.com
• Bill Hicks is Dead: Tribute and Biography, with related videos.

Further reading[link]

Martina McBride
Martina McBride performing in 2010
Background information
Birth name	Martina Mariea Schiff
Born	(1966-07-29) July 29, 1966 (age 45) Sharon, Kansas, United States
Origin	Nashville, Tennessee
Genres	Country, country pop
Occupations	Singer, songwriter, producer
Instruments	Vocals
Years active	1990–present
Labels	RCA Nashville, Republic Nashville
Associated acts	Jason Sellers, Blake Shelton, Patrick Monahan, Lionel Richie, Jim Brickman
Website	Official Website

Martina McBride (born July 29, 1966) is an American country music singer and songwriter. McBride has been called the "Céline Dion of Country Music" for her big-voiced ballads and soprano range.^[1]

McBride was signed to RCA Records in 1991, and made her debut the following year as a neo-traditionalist country singer with the single, "The Time Has Come."^[2] It was not until 1997, when she released her fourth album, Evolution, that she broke through into the country music industry with a new pop-styled crossover sound, similar to that of Faith Hill and Shania Twain. From that point on, McBride has had a string of major hit singles on the Billboard country chart and occasionally on the adult contemporary chart. Five of these singles went to No. 1 on the country chart between 1995 and 2001, and one peaked at No. 1 on the adult contemporary chart in 2003.

McBride has recorded a total of nine studio albums, one greatest hits compilation, one "live" album, a Christmas compilation, as well as two additional compilation albums. Seven of her studio albums and two of her compilations have received an RIAA Gold certification, or higher. In the U.S. she has sold over 14 million albums. In addition, McBride has won the Country Music Association's "Female Vocalist of the Year" award four times (tied with Reba McEntire for the most wins) and the Academy of Country Music's "Top Female Vocalist" award three times.

Early life[link]

McBride was born Martina Mariea Schiff in Sharon, Kansas, to Daryl and Jeanne (née Clark) Schiff. She has two brothers, Martin and Steve, who currently play in her concert band, and a sister, Gina.^[3]

McBride was raised in Sharon, Kansas, a small town with population of about 200. Her father, who was a farmer and cabinetry shop owner, exposed McBride to country music at a young age. Listening to country music helped her acquire a love for singing. After school, she would spend hours singing along to the records of such popular artists as Reba McEntire, Linda Ronstadt, Juice Newton, Jeanne Pruett, Connie Smith and Patsy Cline.^[4] Around the age of eight or nine, McBride began singing with a band her father fronted, "The Schiffters." As Schiff grew older her role in the band progressively increased, from simply singing, to also playing keyboard with them. She enjoyed performing in her early years.^[4]

McBride began performing with a local rock band, The Penetrators, in Wichita instead.^[4] Then, in 1987, Schiff gathered a group of musicians called Lotus and started looking for rehearsal space; she began renting space from a studio engineer named John McBride. In 1988, the two married.^[4][5]

After marrying, the couple moved to Nashville, Tennessee in 1989 with the hope of beginning a career in country music. John McBride joined Garth Brooks's sound crew and later became his concert production manager. Martina occasionally joined her husband on the road and helped sell Garth Brooks souvenirs.^[3] In 1990, impressed by Martina's enthusiastic spirit, Brooks offered her the position of his opening act provided she could obtain a recording contract.^[5] During this time, while her husband was working with country artists Charlie Daniels and Ricky Van Shelton, he also helped produce her demo tape, which helped her gain a recording contract with RCA Nashville Records in 1991.^[2]

Music career[link]

[edit] 1992–1995: The Time Has Come and The Way That I Am

McBride released her debut studio album through the RCA Records label in 1992, titled The Time Has Come. This album's title track made number 23 on the country music charts, but the next two singles both failed to make top 40.^[6] Unlike her later country pop-influenced albums, The Time Has Come featured honky tonk and country folk influences.^[2]

The Way That I Am was the title of McBride's second album. Its first two singles both brought her into the country top ten: "My Baby Loves Me" peaked at number two, and "Life #9" at number six. The third single, "Independence Day", did not reach the top 10 because many radio programmers objected to the song's subject of a mother fighting back against abuse by burning the family home to the ground.^[7] "Independence Day" won Video of the Year and Song of the Year at the Country Music Association Awards.^[6][8] It also earned the song's composer, Gretchen Peters, a nomination for the Grammy Award for Best Country Song. McBride performed the song at the 1995 Grammys ceremony. The fourth and fifth singles from The Way That I Am were less successful: "Heart Trouble" peaked at number 21, and "Where I Used to Have a Heart" fell short of top 40.^[6]

[edit] 1995–1999: Wild Angels and Evolution

Released in 1995, Wild Angels accounted for another top five hit in "Safe in the Arms of Love", and her first number-one hit in the album's title track.^[6] "Phones Are Ringin' All Over Town", "Swingin' Doors" and "Cry on the Shoulder of the Road" were less successful, reaching the lower regions of the top 40.

In early 1997, after "Cry on the Shoulder of the Road" peaked, McBride released two duets. "Still Holding On", a duet with Clint Black which was the lead-off single to his album Nothin' but the Taillights,^[6] and "Valentine" with Jim Brickman which appeared on his album Picture This.^[9] After these two songs were released, she had her second number one on the country charts with "A Broken Wing", the lead-off to her album Evolution. This album went on to produce four more top ten hits at country radio: a re-release of "Valentine", "Happy Girl", "Wrong Again" (which also went to number one) and "Whatever You Say".^[6] Towards the end of 1998, the album was certified double platinum in sales by the Recording Industry Association of America for selling two million units. In addition, she also won the Country Music Association Awards' "Female Vocalist of the Year" award in 1999 and also performed for President Bill Clinton during the same time.

Also in 1998, McBride released a Christmas album titled White Christmas. Included on it was a rendition of "O Holy Night", which first charted in 1997 and continued to re-enter the charts until 2001.^[6] She also sang a guest vocal on Jason Sellers' mid-1998 single "This Small Divide".

[edit] 1999–2003: Emotion and Greatest Hits

McBride's fifth studio album, Emotion, was released in 1999. Its lead single, "I Love You," reached number one on the Billboard country charts in 1999, and also crossed over to the Adult Contemporary chart. The song's follow-ups, "Love's the Only House" and "There You Are", both made top ten at country radio, and "It's My Time" peaked at number eleven.^[6]

In 2001, she released her first compilation, Greatest Hits. This album has been certified 3× Platinum in sales by the Recording Industry Association of America, and is her highest-selling album.^[10] It included most of her major hits to that point, and the album track "Strangers" from the album The Way That I Am, which she put on the album because she felt that it should have been a single.^[11] The album also included four new songs, all of which made top ten on the country music charts between 2001 and 2003: "When God-Fearin' Women Get the Blues", "Blessed (Martina McBride song)" (her fifth number one), "Where Would You Be" and "Concrete Angel". In between the latter two, she also sang a guest vocal on Andy Griggs' 2002 single "Practice Life".^[6]

[edit] 2003–2005: Martina

In 2003, McBride released her sixth studio album, Martina, which celebrated womanhood.^[2] The first single, "This One's for the Girls," went to number three on the country charts and became her only number-one hit on the Adult Contemporary charts. It also included backing vocals from Faith Hill, Carolyn Dawn Johnson and McBride's daughters, Delaney and Emma.^[6] Follow-up single "In My Daughter's Eyes" was also a top five hit at both country and adult contemporary. "How Far" and "God's Will" from the same album both made top 20 at country radio, as did her guest appearance on Jimmy Buffett's single "Trip Around the Sun".

In 2004, McBride won the CMA's Female Vocalist award for the fourth time, following the wins in 2003, 2002 & 1999, which tied her for the most wins in that category with Reba McEntire.

[edit] 2005–2008: Timeless and Waking Up Laughing

After finding success in country pop-styled music, McBride released her next studio album in 2005, Timeless, which was an album consisting of country covers.^[12] The album included cover versions of country music standards, such as Hank Williams' "You Win Again," Loretta Lynn's "You Ain't Woman Enough," and Kris Kristofferson's "Help Me Make It Through the Night." To make the album fit its older style, McBride and her husband hired older Nashville session players and outdated analog equipment. The album sold over 250,000 copies within its first week, the highest sales start for a Martina McBride album.^[7] The lead single, a cover of Lynn Anderson's "(I Never Promised You A) Rose Garden," went to number 18 on the country charts, but the other two singles both failed to make top 40.

In 2006, McBride served as a guest coach on Canadian Idol. The remaining five finalists traveled to Nashville, where McBride worked with the competitors on the songs they had chosen by country artists such as Gordon Lightfoot and Patsy Cline. Among the other guest judges that year were Nelly Furtado and Cyndi Lauper.^[13] McBride later joined Canadian Idol on a tour in the Spring.^[14] In 2007, McBride also served as a guest coach on Fox Networks television series, American Idol.^[15]

In 2007, McBride released her eighth studio album, Waking Up Laughing. It was the first album in which McBride co-wrote some of the tracks. She set up her Waking Up Laughing Tour in 2007, which included country artists Rodney Atkins, Little Big Town, and Jason Michael Carroll.^[12] The album's lead single, "Anyway," went to No. 5 on the Billboard Country Chart, becoming her first Top 10 hit since 2003. Its follow-up, "How I Feel," reached the Top 15. In Spring 2008, McBride released Martina McBride: Live In Concert, a CD/DVD set.^[12] It was taped in Moline, Illinois in September 2007.

In July 2007, The ABC Television Network announced a special program called Six Degrees of Martina McBride where individuals from around the country were challenged to find their way to Martina McBride on their own connections and research using a maximum of six methods. The "winner" of this challenge eventually located a direct connection to Martina through her husband John McBride who knew someone, who knew someone else.^[16] McBride recently recorded an electronically-produced duet with Elvis Presley, performing his song "Blue Christmas" as a duet with him on his latest compilation, The Elvis Presley Christmas Duets.^[17] A compilation collection entitled Playlist: The Very Best of Martina McBride was released on December 16, 2008 as part of Sony BMG Playlist series. The album features 11 previously released tracks and three unreleased tracks.

[edit] 2008–2010: Shine

Martina McBride wrapped up production of her tenth studio album in late 2008. The first single, "Ride", was released to radio in October 2008 and debuted at No. No. 43 on the Hot Country Songs chart. It barely missed the Top 10 on the chart, peaking at number eleven in March 2009. A music video produced by Kristin Barlowe was also released at the end of the year. The album, Shine, was released by RCA Records on March 24, 2009, and debuted at the top of the U.S. Country album chart and number 10 on the Billboard 200. McBride co-produced the album with Dann Huff, and it featured "Sunny Side Up", a song that she co-wrote. The second single, "I Just Call You Mine", was released in May 2009 and reached the Top 20. The third single from Shine was "Wrong Baby Wrong Baby Wrong", which the Warren Brothers co-wrote with Robert Ellis Orrall and Love and Theft member Stephen Barker Liles.

McBride also initiated the Shine All Night Tour, a co-headlining venture with fellow country star and friend Trace Adkins and opening act Sarah Buxton. The tour began in November 2009 and ended in May 2010.

On June 10, 2010, Billboard announced that McBride had collaborated on a song with Kid Rock.^[18][19] In late June 2010, Martina was nominated for a Teen Choice Award, "Favorite Country Female Artist", alongside country stars Carrie Underwood, Miranda Lambert, Taylor Swift & Gretchen Wilson.

In late 2010, Martina McBride was nominated for two American Country Awards (Best Female Single & Touring Artist of the year w/ Trace Adkins.) Along with the ACA nominations, she received her 14th Female Vocalist nomination for Country Music Association in October.

[edit] 2010–present: Eleven

McBride exited RCA in November 2010 and signed with Republic Nashville.^[20] She began working on a new studio album with producer Byron Gallimore. Her first single for Republic Nashville is "Teenage Daughters", which she also co-wrote with the Warren Brothers. McBride told Country Weekly that she co-wrote eight of the eleven songs on the album; she decided to write more frequently because she felt more confident in her songwriting ability after "Anyway" had become a hit.^[21] An album track, "One Night" was released as a promotion for NASCAR with a music video in June 2011.

"I'm Gonna Love You Through It" was released as the album's second single on July 25, 2011. The song became a critical and commercial hit, peaking at number 4 and becoming her first top five hit since 2006's "Anyway." The album, titled Eleven, was released on October 11, 2011.

"Marry Me", a cover of the Train song which is cleverly re-worked as a duet between McBride and Train frontman Pat Monahan, was released as the third single off of Eleven.

RCA Records released McBride's final album for the label, Hits and More, in January 2012.

On February 13, 2011, she paid tribute to Aretha Franklin during the 53rd Annual Grammy Awards. She was joined onstage by Christina Aguilera, Jennifer Hudson, Florence Welch and Yolanda Adams.

On July 4, 2011, she sang at the Boston Pops Fireworks Spectacular.

Charity work[link]

Martina McBride works with a variety of charities. She is currently the spokeswoman for the National Domestic Violence Hotline as well as for the National Network to End Domestic Violence and national spokeswoman for the Tulsa Domestic Violence and Intervention Services. Every year since 1995, she has hosted Middle Tennessee's YWCA, "Celebrity Auction", and it has raised nearly $400,000 so far. In 2004, she worked with "Kids Wish Network" to fulfill the wish of a young girl dying from Muscular Dystrophy.^[22] McBride was awarded the "Minnie Pearl Humanitarian Award" in 2003.