8:42
Alexander Scriabin Piano Concerto f-sharp minor opus 20 - II. Andante
II. Andante piano: Anatol Ugorski Chicago Symphony Orchestra conducted by: Pierre Boulez S...
published: 26 May 2009
Author: Starwalker6978
Alexander Scriabin Piano Concerto f-sharp minor opus 20 - II. Andante
II. Andante piano: Anatol Ugorski Chicago Symphony Orchestra conducted by: Pierre Boulez Scriabin finished his piano concerto when 24 years old. The concerto is full with elegance and brilliance. We enter the magical world of Scriabin's psyche! It is said that Scriabin's earlier works remind of Chopin, yet there's no question Scriabin's "style" is a very personal one with his own message, his own flavors and colours; - just like Mozart writing in a style that reminds of Haydn and even Pergolesi, he had his own "style" and every note was "new"!
9:33
Mysterium - Alexander Scriabin
My homage to the awesomely megalomaniac and genius composer Alexander Scriabin who started...
published: 30 Jan 2010
Author: wolfofthesevern
Mysterium - Alexander Scriabin
My homage to the awesomely megalomaniac and genius composer Alexander Scriabin who started out as a romantic and ended as a unique trailblazing impressionistic maverick intending to destroy the unverse with his music and create a new one... and whose magnificently OTT plan was scuppered by his epically unspectacular death from septicaemia. He is supposed to have sat up in bed during his last hours, and shouted, "What a catastrophe!" - not because of his own death, but because he believed he had the secret to change the universe... well, a man can dream!!
52:10
Alexander Scriabin - Symphony No. 3 in C Major Op. 43 "The Divine Poem" (1902)
Probably the most intense and over the top recording I have heard and in my opinion the be...
published: 20 Sep 2011
Author: GoldieG89
Alexander Scriabin - Symphony No. 3 in C Major Op. 43 "The Divine Poem" (1902)
Probably the most intense and over the top recording I have heard and in my opinion the best recording out there. Symphony No. 3 by Alexander Scriabin. Conducted by Igor Golovschin with the Moscow State Symphony Orchestra. I. Lento - 00:00 II. Luttes (Struggles) - 1:38 III. Voluptes (Delights) - 27:14 IV. Jeu Divin (Divine Play) - 41:00 "The only true romantic musician produced by Russia," in the words of his friend Boris de Schloezer in 1919, Scriabin, a contemporary of Rasputin, was a loner, emotionally, temperamentally and stylistically removed from the last Tsarists to whose number he belonged historically. In the Mahlerian sense, his philosophy, spiritual and physical, was an embracement of the world. He spent his hours in mystic contemplation, in psychic transcendence. He spent his days looking for ecstasy, the "highest rising of activity ...the summit". He spent his years loving womankind. He spent a whole life worshipping the private mysterium of an astral neosphere only he knew anything about.. "I will ignite your imagination with the delight of my promise. I will bedeck you in the excellence of my dreams. I will veil the sky of your wishes with the sparkling stars of my creation. I bring not truth, but freedom". One of the legendary cosmic soul journeys of the twentieth century - massively imagined, massively realised, massively risky - the cyclic Third Symphony in C minor, the Divine Poem (1902-04), dates from a time of significant change in Scriabin's life <b>...</b>
9:46
Poem of Ecstasy (Scriabin) 1 of 2
Alexander Scriabin's Op. 54, Poem of Ecstasy...
published: 27 Nov 2008
Author: adamjames86
Poem of Ecstasy (Scriabin) 1 of 2
Alexander Scriabin's Op. 54, Poem of Ecstasy
1:52
Scriabin plays Scriabin
Alexander Scriabin plays Etude Op.8 No.12 Welte-Mignon recording Faure plays Faure www.you...
published: 22 Apr 2007
Author: louiu
Scriabin plays Scriabin
Alexander Scriabin plays Etude Op.8 No.12 Welte-Mignon recording Faure plays Faure www.youtube.com
9:07
Alexander Scriabin Symphony no 2 c minor Op 29 I. Andante - II(a). Allegro
Alexander Scriabin Symphony no 2 c minor Op 29 I. Andante - II(a). Allegro The Philadelphi...
published: 28 Mar 2009
Author: Starwalker6978
Alexander Scriabin Symphony no 2 c minor Op 29 I. Andante - II(a). Allegro
Alexander Scriabin Symphony no 2 c minor Op 29 I. Andante - II(a). Allegro The Philadelphia Orchestra Riccardo Muti Scriabin wrote his second symphony in 1901; the première was in St. Petersburg (1902). Just like his first symphony, his great sense and originality in orchestration are obvious!
7:48
Scriabin: Piano Sonata No. 3 (Alexander Melnikov) - Part I
Piano Sonata No. 3 in F sharp minor, op. 23 I. Drammatico II. Allegretto Performer: Alexan...
published: 07 Aug 2009
Author: Pogouldiwitz
Scriabin: Piano Sonata No. 3 (Alexander Melnikov) - Part I
Piano Sonata No. 3 in F sharp minor, op. 23 I. Drammatico II. Allegretto Performer: Alexander Melnikov
12:20
Alexander Scriabin - Piano Sonata No. 2, Op. 19 "Fantaisie"
Alexander Scriabin (6 January 1872 — 27 April 1915) Piano Sonate No. 2, Op. 19 "...;
published: 01 Aug 2012
Author: bartje11
Alexander Scriabin - Piano Sonata No. 2, Op. 19 "Fantaisie"
Alexander Scriabin (6 January 1872 — 27 April 1915) Piano Sonate No. 2, Op. 19 "Fantaisie" (1896) 1. Andante 2. Presto (8:27) Vladimir Ashkenazy Scriabin's Piano Sonata No. 2 in G-sharp minor, (Op. 19, also titled Sonata-Fantasy) took five years for him to write. It was finally published in 1897, at the urging of his publisher. The piece is in two movements, with a style combining Chopin-like Romanticism with an impressionistic touch. This piece is widely appreciated and although obscure, it is one of Scriabin's more popular pieces. The first movement Andante begins with echoing effects, followed by two lyrically themed sections. After a short climax, the piece modulates to E major (also C-sharp minor) and lyrical sections are restated with a slightly more complicated accompaniment. The second movement Presto, in sharp contrast to the first movement, is very fast and intense. In fact, at the given tempo indication, the second movement averages nearly 15 notes per second, making it comparable to an étude. Alternating crescendos and decrescendos may give the listener the impression of waves. The precedent of Beethoven's 'Moonlight' Sonata allowed Scriabin the luxury of an opening slow movement to his Second Sonata, whose programme reads thus: "The first section represents the quiet of a southern night on the seashore; the development is the dark agitation of the deep, deep sea. The E major middle section shows caressing moonlight coming up after the first darkness of night <b>...</b>
9:17
Alexander Scriabin - Le Poème de l'extase opus 54 (1/3)
Alexander Scriabin (1872-1915) -Le Poème de l'extase opus 54 Chicago symphony o...
published: 27 Jun 2009
Author: Starwalker6978
Alexander Scriabin - Le Poème de l'extase opus 54 (1/3)
Alexander Scriabin (1872-1915) -Le Poème de l'extase opus 54 Chicago symphony orchestra conductor: Pierre Boulez Scriabin wrote his "Poème de l'extase" between 1905 and 1908. The work is about the unrestrained ecstasy of action; the pleasure of creative action. Although the actual program was not added in the final score, Scriabin had the following program in mind: I. One's soul in the orgy of love II. The realization of a fantastic dream III. The glory of one's own art The goal of the music must be not a program, but an elevation towards soaring heights of intoxicating beauty!
20:51
Alexander Scriabin - Piano Sonata No. 1, Op. 6 {Vladimir Ashkenazy}
Alexander Scriabin Piano Sonata No. 1, Op. 6 (1893) 1. Allegro con fuoco 2. MM = 40 (6:36)...
published: 01 Aug 2012
Author: bartje11
Alexander Scriabin - Piano Sonata No. 1, Op. 6 {Vladimir Ashkenazy}
Alexander Scriabin Piano Sonata No. 1, Op. 6 (1893) 1. Allegro con fuoco 2. MM = 40 (6:36) 3. Presto (11:25) 4. Funebre (14:47) Vladimir Ashkenazy Alexander was reportedly overpracticing Liszt's "Don Juan Fantasy" and Balakirev's Islamey when he damaged his right hand. He was informed by physicians that he would never play again. The first piano sonata was Scriabin's personal cry against God: the tragedy of the loss of a virtuoso pianist to whimsical fate, God's design.[1] During this period of disability, he wrote the Prelude and Nocturne, op. 9 for left hand alone; however, in due course his right hand recovered. Editor: Lev Oborin (1907--1974) Yakov Milstein (1911--1981) Publisher Info.: Polnoe sobranie sochinenii dlia fortepiano, vol.3 Moscow: Muzgiz, 1953 Copyright: Public Domain
9:28
Alexander Scriabin - Prométhée: Le Poème du Feu opus 60 (1/3)
Alexander Scriabin (1872-1915) -Prométhée: Le Poème du Feu opus 60 Ch...
published: 15 Jun 2009
Author: Starwalker6978
Alexander Scriabin - Prométhée: Le Poème du Feu opus 60 (1/3)
Alexander Scriabin (1872-1915) -Prométhée: Le Poème du Feu opus 60 Chicago Symphony Orchestra Conductor: Pierre Boulez Piano: Anatol Ugorski Scriabin finished his last symphony "Prométhée: Le Poème du Feu" in 1910 in Brussels. The work was written for grand orchestra with piano solo and choir (towards the end). The work is just like his "Le Poème d'Extase" written in one movement. Scriabin invented as an idea a light keyboard; different chords played on the piano are producing different colors as light effects (see the nice choreography with light effects here on YT www.youtube.com )
4:31
Scriabin, A. - Mysterium Prefatory - Universe - Mvmt 5. Ondoyant - le reve prend forme
This Alexander Scriabin's Prefatory to the Mysterium realized with the help of Alexand...
published: 28 Aug 2009
Author: ScriabinFanatic
Scriabin, A. - Mysterium Prefatory - Universe - Mvmt 5. Ondoyant - le reve prend forme
This Alexander Scriabin's Prefatory to the Mysterium realized with the help of Alexander Nemtin from notes drafted by Scriabin himself. Ondoyant 1 : Wavy; having the surface marked by waves or slightly depressed furrows; Le Reve Prend Forme 1 : The Dream Takes Shape
9:17
Alexander Scriabin - "Fantasy in B Minor", Op.28
Performed on October 25th, 2007 at Seully Hall (The Boston Conservatory), Tania Stavreva, ...
published: 03 May 2008
Author: taniastavreva
Alexander Scriabin - "Fantasy in B Minor", Op.28
Performed on October 25th, 2007 at Seully Hall (The Boston Conservatory), Tania Stavreva, pianist www.sonicbids.com/taniastavreva www.myspace.com/taniastavreva www.youtube.com/taniastavreva
3:04
Alexander Scriabin: Étude in C-sharp minor, op.2 no.1 (by Vadim Chaimovich)
Alexander Scriabin (1871 - 1915) Étude Op. 2 No. 1 in C-sharp minor / cis-moll Pian...
published: 18 Jan 2012
Author: KlassikFan2007
Alexander Scriabin: Étude in C-sharp minor, op.2 no.1 (by Vadim Chaimovich)
Alexander Scriabin (1871 - 1915) Étude Op. 2 No. 1 in C-sharp minor / cis-moll Piano: Vadim Chaimovich
Youtube results:
0:52
Alexander Scriabin plays Scriabin Mazurka op 40 no 2
Alexander Scriabin (1872-1915) plays Scriabin Mazurka op 40 no 2 enr. 1910...
published: 27 Mar 2009
Author: Starwalker6978
Alexander Scriabin plays Scriabin Mazurka op 40 no 2
Alexander Scriabin (1872-1915) plays Scriabin Mazurka op 40 no 2 enr. 1910
1:37
Alexander Scriabin plays Scriabin - Poeme Op.32 No.2
In 1908 Alexander Scriabin sat before the recording piano at the Leipzig studios of Ludwig...
published: 12 Dec 2009
Author: RollaArtis
Alexander Scriabin plays Scriabin - Poeme Op.32 No.2
In 1908 Alexander Scriabin sat before the recording piano at the Leipzig studios of Ludwig Hupfeld AG and played several of his works including the two Poemes Op.32. Although you may well have heard the first Poeme which Scriabin recorded for Welte, here is something very few have ever heard until now - the recording of his demonic second Poeme Op 32. This must be the first broadcast of this unique performance by Scriabin - I have tried hard to capture the original interpretation. Needless to say Scriabin had a distinctive style of playing, above all there is a flowing intensity which is lacking with many other interpretations of his piano music. Also interesting here is Scriabin's use of the pedal and this, allied to contrasting degrees of rubato give a vertiginous quality to this performance which is similar to those found in the Welte recordings. The original recording was intended for the Hupfeld Phonola system as well as their DEA reproducing piano. However these had to compete with the rival Welte Mignon piano which was already well established, not many were made and DEA rolls of any kind are rare in the extreme. Fortunately the basic recordings were produced by the company as standard 88 note 'hand played' rolls of which this is one. In any event these rolls can sound more realistic than the so called reproducing rolls.
5:34
Alexander Scriabin - Reverie, for orchestra in E Major, Op. 24
This is Alexander Scriabin's Reverie for orchestra. It is performed by the Moscow Symp...
published: 19 Jan 2010
Author: ScriabinFanatic
Alexander Scriabin - Reverie, for orchestra in E Major, Op. 24
This is Alexander Scriabin's Reverie for orchestra. It is performed by the Moscow Symphony Orchestra with Igor Golovschin. Paintings are by Vladimir Kush
0:48
Alexander Scriabin (1872-1915) plays Scriabin Prelude op 11 no 1
Alexander Scriabin (1872-1915) plays Scriabin Prelude op 11 no 1 enr. 1910...
published: 27 Mar 2009
Author: Starwalker6978
Alexander Scriabin (1872-1915) plays Scriabin Prelude op 11 no 1
Alexander Scriabin (1872-1915) plays Scriabin Prelude op 11 no 1 enr. 1910
