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Shirt with labels

A bundle of bananas with a label

Bumper stickers on a car.

Bottles of wine with labels

A label is a piece of paper, polymer, cloth, metal, or other material affixed to a container or article, on which is printed a legend, information concerning the product, addresses, etc. A label may also be printed directly on the container or article.

Labels have many uses: product identification, name tags, advertising, warnings, and other communication. Special types of labels called digital labels (printed through a digital printing) can also have special constructions such as RFID tags, security printing, and sandwich process labels.

Attachment[link]

Labels can be attached by:

• Heat activated adhesives: for example, "in-mold labeling" can be part of blow molding containers and employs heat activated adhesives. Hot melt adhesives are also used.
• Pressure sensitive adhesives (also called PSA or self-stick) are applied with light pressure without activation or heat. PSA labels often have release liners which protect the adhesive and assist label handling.
• Rivets used to attach information plates to industrial equipment
• Shrink wrap for printed shrinkable labels placed over packages and then heated to shrink them
• Sewing for clothing, tents, mattresses, industrial sacks, etc.
• Wet glue (starch, dextrin, PVA ^{[disambiguation needed ]}, etc.) or water moistenable gummed adhesive
• Yarn or twine, so as to tie on the label

PSA Adhesive types[link]

Pressure sensitive label adhesives are commonly made from water based acrylic adhesives, with a smaller volume made using solvent based adhesives and hotmelt adhesives. The most common adhesive types are:

• Permanent – Typically not designed to be removed without tearing the stock, damaging the surface, or using solvents. The adhesion strength and speed can also be varied. For example, full adhesion can be nearly instant, or the label can be almost removable for a short period with full adhesion developing in minutes or hours (known as respositionable adhesives).
• Peelable – Adhesion is fairly strong and will not fall off in normal circumstances, but the label can be removed relatively easily without tearing the base stock or leaving adhesive behind on the old surface. The adhesive is usually strong enough to be applied again elsewhere. This type is frequently known as 'removable'. There are many different types of removable adhesives, some are almost permanent, some are almost 'ultra peelable'.
• Ultra-peelable – Designed principally for use on book covers and glass, when removed these adhesives labels do not leave any residue whatsoever. Adhesion is weak and only suitable for light duty applications. Normally these labels have very little adhesion to anything once they've been removed.
• Freezer or Frost fix – Most permanent and peelable adhesives have a service temperature limit of -10 degrees Celsius, whereas freezer (otherwise known as frost fix) adhesives have a service temperature -40 degrees Celsius and are suitable for deep freeze use.
• High Tack – A type of permanent adhesive that exhibits a high initial grab to the application surfaces, and is commonly used at higher coat weights to enable labels to adhere strongly to difficult, rough or dirty surfaces.
• Static Cling – This is not actually an adhesive at all. The material (usually PVA) has a static charge to enable its adhesion to flat, smooth surfaces such as glass. It is not sticky as such and is commonly used for window advertising, window decorations, oil change labels, etc.

Stock types[link]

The "label stock" is the carrier which is commonly coated on one side with adhesive and usually printed on the other side. Label stocks can be a wide variety of papers, films, fabric, foils, etc.

• Litho – one of the most common base stocks
• Latex – a litho stock with some added latex allows the label to be much more flexible and form around certain curved objects more easily than standard litho.
• Various plastics such as acetate, vinyl, and PET film allow a variety of features, such as greater strength, flexibility ^{[disambiguation needed ]}, transparency, resistance to tearing, etc. They typically require special equipment and printing methods (ultra-violet curing is common) as they do not normally print well with conventional ink. A bumper sticker is usually a vinyl label with a very strong, durable adhesive and lightfast inks. Embossing tape is "printed" by pressing raised elements similar to printing type onto it, which produces raised glyphs that look white due to discoloration of the plastic. A type known as 'Destructible Vinyl' is commonly used for asset labels. It combines a very thin frangible face stock with a very strong high tack adhesive, thus making the label impossible to remove without damaging it. Engraved multi-layer Traffolyte labels are frequently used in industrial situations due to their durability.
• Foil – has the shiny properties of a metal foil.
• Thermal – direct thermal label stock will change color (usually black) when heated. A heating element in the shape of letters or images can be used to create an image on the label. Custom labels can be easily be made on location in this way. A disadvantage is durability, because another heat source can ruin or obscure the image, or it may fade completely over time.
• Thermal Transfer for applications that cannot use Thermal (Thermal Direct) label material because of heat source proximity or short label life, a more widely used material is Thermal Transfer Label printer. This material has the advantage of a much longer readable life and does not fade with time or heat. Most major manufacturers of Thermal Printers can be used for either Thermal Transfer (TT) or Thermal (DT) labels. A thermal transfer ribbon will be required to print the labels. The cost of the ribbons + TT labels is similar to that of the DT labels on their own.

Some labels designed on a notebook.

• None – labels can be printed directly on adhesive without using a substrate. Labels made in this manner are extremely fragile, however, and have been rendered virtually obsolete by other printing methods such as silk screen.
• Thermal Transfer Ribbon Types
  • Wax is the most popular with some smudge resistance, and is suitable for matte and semi-gloss paper labels.
  • Wax / Resin is smudge resistant, suitable for semi-gloss paper and some synthetic labels.
  • Resin is scratch and chemical resistant, suitable for coated synthetic labels.

The stock type will affect the types of ink that will print well on them.

Corona treating or flame treating some plastics makes them more receptive to inks and adhesives by reducing surface tension.

Application and use[link]

Labels can be supplied:

• separately
• on a roll
• on a sheet

Many labels are pre-printed by the manufacturer. Other have printing applied manually or automatically at the time of application.

Some labels have protective overcoats, laminates, or tape to cover them after the final print is applied. This is sometimes before application and sometimes after.

Labels are often difficult to peel and apply. Most companies use a Label dispenser to speed up this task.

Specialized high speed application equipment is available for certain uses.

A typical Label dispenser

Color[link]

Ink and base stock color choices commonly conform to the Pantone Matching System (PMS) colors. The Pantone system is very dominant in the label printing industry. Additionally specialty inks such as metallic, UV ink, magnetic ink, and more are available. Ink is usually transparent however it can be made opaque. It has been known for certain companies to patent "their own" color. [1]. Digital labels use process colors to replicate Pantone solid colors.

[edit] Specialized labels

• Piggyback labels are made from combining two layers of adhesive substrate [2]. The bottom layer forms the backing for the top. The label can be applied to any object as normal, the top layer can be a removable label that can be applied elsewhere, which may change the message or marking on the remaining label underneath. Often used on Express mail envelopes.Other applications include price change labels where when being scanned at the till the till assistant can peel back the price-reduction label and scan the original barcode enabling stock flow management. Also, as the retained label is adhesive free it prevents customers from re-applying the cheaper priced labels to premium products.
• Smart labels have RFID chips embedded under the label stock.
• Asset Labels / Tags are used for marking fixed and non-fixed assets. They are usually tamper-evident, permanent or frangible and usually contain a barcode for electronic identification using readers.
• Blockout labels are not see-through at all, concealing what lies underneath with a strong gray adhesive.
• Radioactive labels The use of radioactive isotopes of chemical elements, such as carbon-14, to allow the in vivo tracking of chemical compounds.
• Laser Labels are generally die cut on 8.5" x 11" sheets(US letter) and a4 size, and come in many different shapes, sizes [3][4], and materials. Laser label material is a nonporous stock made to withstand the intense heat of laser printers and copiers. A drawback of laser labels is that the entire sheet needs to be printed before any labels are used; once labels have been removed the sheet cannot be put through the printer again without damaging the printing mechanism.
• Inkjet Labels are generally die cut on 8.5" x 11" sheets (US letter) and a4 size, and come in many different shapes, sizes, and materials. Inkjet label material is a porous stock made to accept ink and dye from your inkjet printer. One of the more modern inkjet label material stocks is waterproof printable inkjet material commonly used for soap or shower gel containers.
• Security Labels are used for anti-counterfeiting, brand protection, tamper-evident seals, anti-pilferage seals, etc. These combine a number of overt and covert features to make reproduction difficult. The use of security printing, holography, embossing, barcodes, RFID chips, custom printing, weak (or weakened) backings, etc. is common. They are used for authentication, theft reduction, and protection against counterfeit and are commonly used on ID cards, credit cards, packaging, and products from CDs to electronics to clothing.
• AntiMicrobial Labels With the growth in hospital acquired infections such as MRSA and E-Coli the use of Antimicrobial labels in infection sensitive areas of hospitals are helping in combating these types of microbes.

Uses[link]

Stickers[link]

Product label[link]

Permanent product identification by a label is common. These labels need to be able to bond securely to the surface for its intended life and under in-use conditions. For example a label on an automobile engine needs to be resistant to the heat and oils encountered and to be secure for many years of use.

Removable product labels need to hold until they must be removed. For example, a label on a new refrigerator has installation and usage information: the label needs to be able to be removed cleanly and easily from the unit once installed.

An eco-label is used on consumer products (including foods) to identify products that may be less damaging to the environment and/or to humankind than other related products.

Asset labeling[link]

In industrial environments, asset labeling is used to clearly identify assets for maintenance and operational purposes. Such labels are frequently made of engraved Traffolyte or a similar material.

Textile labeling[link]

In certain clothing articles, a label or other affixed instructions that report how a product should be refurbished. This type of label is required by the FTC, Federal Trade Commission, for certain clothing items in the United States of America.^[1]

A label including a tax identification number and material content list may also be required for certain textile items.^[2]

The common textile labels used on garments can be classified into four main groups – Woven labels, Leather labels, PVC/Plastic Labels, and Embroidered Labels. It is one of the primary tools used to establish brand identity.^[3]

Package label[link]

Packaging often has labels attached to (or integral with) the package. These communicate pricing, barcodes, UPC identification, usage guidance, addresses, advertising, recipes,^[4] and so on. They also may be used to help resist or indicate tampering or pilferage. Often high speed label printer applicators are used to apply labels to packages.

Mailing label[link]

Letters and packages need labels to identify the addressee and the sender. Many software packages such as word processor and contact manager programs produce standardized mailing labels from a data set that comply with postal standards. These labels may also include routing barcodes and special handling requirements to expedite delivery.

Environmental considerations[link]

Labels can aid in recycling and reuse by communicating the material content of the item, instructions for disassembly, recycling directions, etc.

Based on the solid waste hierarchy, the quantity and size of labels should be minimized without reducing necessary functionality. Material content of a label should comply with applicable regulations. Life cycle assessments of the item being labeled and of the label itself are useful to identify and improve possible environmental effects. For example, reuse or recycling are sometimes aided by a label being removable from a surface. If a label remains on an item during recycling, a label should be chosen which does not hinder the recyclability of the item.^[5][6]

Notes[link]

See also[link]

• Nameplate
• Packaging and labelling
• Pressure sensitive tape

References[link]

• ASTM D5375 Standard Test Methods for Liner removal at High Speeds from Pressure-Sensitive Label Stock
• ASTM D6252 Standard Test Method fr Peel Adhesion of Pressure Sensitive Label Stocks at 90 deg Angle
• ASTM D7298-06 Standard Test Method for Measurement of Comparative Legibility by Means of Polarizing Filter Instrumentation
• Brody, A. L., and Marsh, K, S., "Encyclopedia of Packaging Technology", John Wiley & Sons, 1997, ISBN 0-471-06397-5

Wikimedia Commons has media related to: Label

Gabriel Teodros
Background information
Birth name	Gabriel Teodros
Born	1981
Origin	Beacon Hill, Seattle, Washington
Genres	Hip hop, Northwest hip hop
Occupations	Rapper
Years active	1999–present
Labels	MassLine, MADK/Pangea, independent
Associated acts	Abyssinian Creole
Website	http://www.gabrielteodros.com

Gabriel Teodros (born 1981), is a hip hop artist and a member of the group Abyssinian Creole. He is of Ethiopian, Scottish, Irish & Native American descent,^[1] and was raised on Beacon Hill, Seattle, Washington. Teodros' music is determined by a social consciousness that tackles issues such as sexism, racism and homophobia, with constant references to his engagement towards the Third World issues, a.o. due to his Ethiopian background.^[2] He was a catalyst in the surge of dynamic underground rap acts from the Pacific Northwest during the mid- to late 2000s.^[3]

Biography[link]

Born and raised in Seattle, Washington; Teodros spent his high school years in Las Vegas, Nevada where in the face of racism and police brutality, he began to take his music seriously.^[4]

In 1999, Teodros returned to Seattle and began working with a live band called 500 Years. That same year, he met an MC named Khalil Crisis (better known as Khingz), from the group Maroon Colony. In 2001, Teodros and Khingz formed the group Abyssinian Creole, and in 2005 the group released their first album, entitled Sexy Beast,^[5] an album that gave expression to the post-1990s cosmopolitanism thriving in South Seattle.^[4]

In the Spring of 2006, Teodros completed the entire Lovework album with producer Amos Miller, around the same time MassLine Media was being formed with Teodros, Blue Scholars & Common Market.^[5] Towards the end of the year, Teodros independently released a mix-tape/CD entitled Westlake: Class of 1999, which was a collection of his unreleased songs recorded in 4 different cities between the years 2002-2006.^[6]

The Lovework album was released February 27, 2007 on MassLine, to critical acclaim.^[7] The album topped the CMJ Hip Hop charts for 2 weeks and came in at #19 for the year 2007.^[8] This year Teodros was also named as one of URB Magazine's "Next 100".^[9]

His influences range from black feminist author bell hooks,^[10] to reggae artist Bob Marley, and hip hop groups like A Tribe Called Quest & Freestyle Fellowship.^[2]

Teodros also DJ's for Zulu Radio on KBCS 91.3 FM.^[11]

Discography[link]

Albums[link]

• Air 2 A Bird Crow Hill (independent, 2010)
• Gabriel Teodros Lovework (MassLine, 2007)
• Gabriel Teodros Westlake: Class of 1999 (independent, 2006)
• Abyssinian Creole Sexy Beast (MADK/Pangea, 2005)
• Gabriel Teodros Sun To A Recycled Soul (independent, 2001)

EPs[link]

• Gabriel Teodros No Label (MassLine, 2007)
• Abyssinian Creole Sexy Beast (MADK/Pangea, 2005)

Mixtapes[link]

• Gabriel Teodros GT's Ethiopium: A Jitter Generation Mixtape (independent, 2009)

Singles[link]

• The LivinYard Summer's Here / Society Of Summer (independent, 2009)
• Gabriel Teodros Me & You featuring Silver Shadow D (independent, 2009)
• DJ Ian Head Sippin Coffee / Nightsky with Abyssinian Creole, Opoetik & Evolve-One (Everyday Beats, 2008)

Guest appearances[link]

• Sabreena Da Witch A Woman Under The Influence "Beit / Home" featuring Gabriel Teodros (SabreenaNow.com, 2010)
• Various Artists 47N122W35N139E: Reunion On The I-5 "Pop Star Is Dead" - Gabriel Teodros (Vuestro Record/Shamrock, 2010)
• Canary Sing Boss Ladies: A Mixtape "Raindrops" featuring Gabriel Teodros, Slay, Chev, One.Two (independent, 2010)
• Suntonio Bandanaz Who Is Suntonio Bandanaz!?! "Meditate" featuring Gabriel Teodros & Khingz (Fresh Chopped Beats/MADK, 2009)
• Big World Breaks 4 Those Lost... "Emerald City Step" featuring Yirim Seck, Khingz, B-Flat, Gabriel Teodros, okanomodé (independent, 2009)
• Khingz From Slaveships To Spaceships "Boi Caimen At Adwa" featuring Gabriel Teodros (Fresh Chopped Beats/MADK, 2009)
• Dollabin Styles You Can't Afford "Dreamz" featuring Gabriel Teodros (Everyday Beats, 2009)
• The Kafa Beanz Andromeda: The Chronicles of Blackopia Volume 1 "Tizita" - Gabriel Teodros featuring B Sheba (Burntface Media, 2008)
• DJ Ian Head Pieces "Sippin Coffee" featuring Gabriel Teodros & Khingz (Root70 Lounge, 2008)
• Nam Exhale "Ghetto" featuring Gabriel Teodros & Toni Hill (independent, 2008)
• DJ T-Bone Steak The Other Side Of The Moon "Stay Fly" - Abyssinian Creole, SistaHailStorm, Seiji (DMR, 2006)
• Common Market Common Market "Every Last One (Cornerstone Remix)" featuring Geologic & Gabriel Teodros (MassLine, 2006)
• Macklemore The Language of My World "Claiming The City" featuring Abyssinian Creole (independent, 2005)
• ORB & So-Called Musicians Dirty Scientifix "Meet Me Halfway" featuring Abyssinian Creole, Castro, SistaHailStorm (CrateDiggers, 2005)
• Moka Only Flood "Liquid Sunshine" featuring Gabriel T. (Battleaxe Records, 2002)

References[link]

1. ^ "Gabriel Teodros: Living his dream" by Jason Rothman. Disheveled Magazine. April 2007.
2. ^ ^{a b} selected review by cpf. Platform8470 - HipHopZine. February 14, 2007.
3. ^ Biography by Cyril Cordor. Allmusic.
4. ^ ^{a b} "Let 'Lovework' Rule" by Charles Mudede. The Stranger. February 27, 2007.
5. ^ ^{a b} Gabriel Teodros (of Abyssinian Creole) - interview by Todd E. Jones. Insomniac Magazine. December 19, 2006.
6. ^ "I Don't Label, I Just Call It Like I Hear It" by Angelica LeMinh. Shotgun Reviews. 2007.
7. ^ "My Philosophy" by Larry Mizell Jr. The Stranger. February 14, 2007
8. ^ College Music Journal. New Music Report. 2007.
9. ^ "Next 100" Gabriel Teodros - Reviewed by Kevin Polowy. URB Magazine. 2007.
10. ^ "Work is Love made Visible: An Interview with Gabriel Teodros". Abesha.com. January 31, 2007.
11. ^ Zulu Radio by Rachel Shimp. Seattle Weekly. November 14, 2007

External links[link]

• Abesha.com - Work is Love Made Visible: An Interview With Gabriel Teodros
• Gabriel Teodros EPK
• Seattle Weekly "Categorize This"
• Seattle Post-Intelligencer "Listen Up"

Crazy Horse (Lakota: Tȟašúŋke Witkó (in Standard Lakota Orthography^[2]), literally "His-Horse-Is-Crazy" or "His-Horse-Is-Spirited";^[3] ca. 1840 – September 5, 1877) was a Native American war leader of the Oglala Lakota. He took up arms against the U.S. Federal government to fight against encroachments on the territories and way of life of the Lakota people, including leading a war party at the Battle of the Little Bighorn in June 1876.

After surrendering to U.S. troops under General Crook in 1877, Crazy Horse was fatally wounded by a military guard while allegedly resisting imprisonment at Camp Robinson in present-day Nebraska. He ranks among the most notable and iconic of Native American tribal members and has been honored by the U.S. Postal Service with a 13¢ Great Americans series postage stamp.

Early life[link]

Crazy Horse and his band of Oglala on their way from Camp Sheridan to surrender to General Crook at Red Cloud Agency, Sunday, May 6, 1877 / Berghavy ; from sketches by Mr. Hottes.

Sources differ on the precise year of Crazy Horse's birth, but they agree he was born between 1840 and 1845. According to a close friend, he and Crazy Horse "were both born in the same year at the same season of the year", which census records and other interviews place at about 1845.^[4] Encouraging Bear, an Oglala medicine man and spiritual adviser to the Oglala war leader, reported that Crazy Horse was born "in the year in which the band to which he belonged, the Oglala, stole One Hundred Horses, and in the fall of the year", a reference to the annual Lakota calendar or winter count.^[5] Among the Oglala winter counts, the stealing of 100 horses is noted by Cloud Shield, and possibly by American Horse and Red Horse owner, as equivalent to the year 1840-41.^[6] Oral history accounts from relatives on the Cheyenne River Reservation place his birth in the spring of 1840.^[7] On the evening of his son's death, the elder Crazy Horse told Lieutenant H. R. Lemly that his son "would soon have been thirty-seven, having been born on the South Cheyenne river in the fall of 1840".^[8]

Crazy Horse was named at birth Cha-O-Ha ("In the Wilderness" or "Among the Trees", meaning he was one with nature.) His mother's nickname for him was "Curly" or "Light Hair"; his light curly hair resembled that of his mother.^[7]

Family[link]

Crazy Horse was born to parents from two tribes of the Lakota division of the Sioux, his father was an Oglala and his mother was a Miniconjou. His father, born in 1810, was also named Crazy Horse. One account said that after the son had reached maturity and shown his strength, his father gave him his name and took a new one, Waglula (Worm). (Another version of how the son Crazy Horse acquired his name was that he took it after having a vision.) His mother was Rattling Blanket Woman (born 1814). Crazy Horse's cousin (son of Lone Horn) was Touch the Clouds. He saved his life at least once and was with Crazy Horse when he died.^[7]

Rattling Blanket Woman was the daughter of Black Buffalo and White Cow (also known as Iron Cane). Her older siblings were Lone Horn (born 1790–1795, died 1875) and Good Looking Woman (born 1810). Her younger sister was named Looks At It (born 1815), later given the name They Are Afraid of Her. The historian George Hyde wrote that Rattling Blanket Woman was Miniconjou and the sister of Spotted Tail, who became a Brulé head chief.^[9]

In the summer of 1844, "Waglula" (Worm) went on a buffalo hunt. He came across a Minneconjou Lakota village under attack by Crow warriors. He led his small party of warriors to the village and rescued it. Corn, the head man of the village, had lost his wife in the raid. In gratitude he gave Waglula his two eldest daughters as wives: Iron Between Horns (age 18) and Kills Enemy (age 17). Corn's youngest daughter, Red Leggins, who was 15 at the time, requested to go with her sisters; all became Waglula's wives.^[7]

Genealogy[link]

According to Frederick Hoxie's Encyclopedia of North American Indians(1996), Crazy Horse was the third in his male line to bear the name of Crazy Horse, which in Oglala is Tasunke Witko. Tasunke Witko III (1840–77) was the son of Rattling Blanket Woman and Tasunke Witko II. The love of his life was Black Buffalo Woman, whom he courted, but she married another man named No Water. At one point, Crazy Horse persuaded Black Buffalo Woman to run away with him. No Water borrowed a pistol and ran after his wife. When he found her with Crazy Horse, he fired at him, gravely injuring him in the face and leaving a noticeable scar. Crazy Horse was married two times: first to Black Shawl, and second to Nellie Larrabee (Laravie). Nellie Larrabee was assigned to spy on Crazy Horse for the military, so the "marriage" is suspect. Only Black Shawl bore him any children: a daughter named They Are Afraid of Her, who died at age three.

Visions[link]

Crazy Horse lived in the Lakota camp with his younger brother, High Horse (son of Iron Between Horns and Waglula^[7]) and a cousin Little Hawk. (Little Hawk was the nephew of his maternal step-grandfather, Corn.^[7]) The camp was entered by Lt. Grattan and 28 other US troopers, who intended to arrest a Minniconjou man for having stolen a cow. A conflict known as the Grattan massacre ensued and the Sioux killed the US Army forces.^[10]

After having witnessed the death of the Lakota leader Conquering Bear, Crazy Horse began to get trance visions. His father Waglula took him to what today is Sylvan Lake, South Dakota, where they both sat to do a hemblecha (vision quest).^[10] A red-tailed hawk led them to their respective spots in the hills; as the trees are tall in the Black Hills, they could not always see where they were going. Crazy Horse sat between two humps at the top of a hill north and to the east of the lake.^[10] Waglula sat south of Harney Peak but north of his son.

Crazy Horse's vision first took him to the South, where in Lakota spirituality one goes upon death. He was brought back and was taken to the West in the direction of the wakiyans (thunder beings). He was given a medicine bundle to protect him for life. One of his animal protectors would be the white owl which, according to Lakota spirituality, would give extended life. He was also shown his "face paint" for battle, to consist of a yellow lightning bolt down the left side of his face, and white powder. He would wet this and put marks over his vulnerable areas; when dried, the marks looked like hailstones. His face paint was similar to that of his father, who used a red lightning strike down the right side of his face and three red hailstones on his forehead. Crazy Horse put no makeup on his forehead and did not wear a war bonnet. He was given a sacred song that is still sung by the Oglala people today. Lastly, he was told he would be a protector of his people.^[10]

Black Elk, a contemporary and cousin of Crazy Horse, told about the vision in Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux, from talks with John G. Neihardt.

When I was a man, my father told me something about that vision. Of course he did not know all of it; but he said that Crazy Horse dreamed and went into the world where there is nothing but the spirits of all things. That is the real world that is behind this one, and everything we see here is something like a shadow from that world. He was on his horse in that world, and the horse and himself on it and the trees and the grass and the stones and everything were made of spirit, and nothing was hard, and everything seemed to float. His horse was standing still there, and yet it danced around like a horse made only of shadow, and that is how he got his name, which does not mean that his horse was crazy or wild, but that in his vision it danced around in that queer way.

It was this vision that gave him his great power, for when he went into a fight, he had only to think of that world to be in it again, so that he could go through anything and not be hurt. Until he was killed at the Soldiers' Town on White River, he was wounded only twice, once by accident and both times by some one of his own people when he was not expecting trouble and was not thinking; never by an enemy.

Crazy Horse received a black stone from a medicine man named Horn Chips to protect his horse, a black-and-white "paint horse" which he named Inyan (rock or stone). He placed the stone behind the horse's ear, so that the medicine from his vision quest and Horn Chips would combine; he and his horse would be one in battle.^[10]

Title of "Shirt Wearer"[link]

Through the late 1850s and early 1860s, Crazy Horse's reputation as a warrior grew, as did his fame among the Lakota. The Lakota told accounts of him in their oral histories. His first kill was a Shoshone raider who had killed a Lakota woman washing buffalo meat along the Powder River.^[10] Crazy Horse fought in numerous battles between the Lakota and their traditional enemies, the Crow, Shoshone, Pawnee, Blackfeet, and Arikara, among Plains tribes.

In 1864, after the Third Colorado Cavalry decimated Northern Cheyenne in the Sand Creek Massacre, Lakota Oglala and Minneconjou bands allied with them against the US military. Crazy Horse was present at the Battle of Red Buttes and the subsequent Platte River Bridge Station Battle in July 1865.^[10] Because of his fighting ability, in 1865 Crazy Horse was named a Ogle Tanka Un (Shirt Wearer, or war leader) by the tribe.

Battle of the Hundred in the Hand (Fetterman Massacre)[link]

On December 21, 1866, Crazy Horse and six other warriors, both Lakota and Cheyenne, decoyed Capt. William Fetterman's 53 infantrymen and 27 cavalry troopers under Lt. Grummond into an ambush. They had been sent out from Fort Phil Kearny to follow up on an earlier attack on a wood train. Crazy Horse lured Fetterman's infantry up a hill. Grummond's cavalry followed the other six decoys along Peno Head Ridge and down toward Peno Creek, where several Cheyenne women taunted the soldiers. Meanwhile, Cheyenne leader Little Wolf and his warriors, who had been hiding on the opposite side of Peno Head Ridge, blocked the return route to the fort. The Lakota warriors swept over the hill and attacked the infantry. Additional Cheyenne and Lakota hiding in the buckbrush along Peno Creek effectively surrounded the soldiers. Seeing that they were surrounded, Grummond headed his cavalry back to Fetterman.

The combined warrior forces of nearly 1,000 killed all the US soldiers, in what became known as the Fetterman Massacre.^[11][12][13] It was the Army's worst defeat on the Great Plains up to that time.^[10] The Lakota and Cheyenne call it the Battle of the Hundred in the Hand.^[14]

Wagon Box Fight[link]

On August 2, 1867, Crazy Horse participated in the Wagon Box Fight, also near Fort Phil Kearny. Lakota forces numbering between 1000 and 2000 attacked a wood-cutting crew near the fort. Most of the soldiers fled to a circle of wagon boxes without wheels, using them for cover as they fired at the Lakota. The Lakota took substantial losses, as the soldiers were firing new breech-loading rifles. These could fire ten times a minute compared to the old muzzle-loading rate of three times a minute. The Lakota charged after the soldiers fired, expecting the delay of their older muskets before being able to fire again. The soldiers suffered only five killed and two wounded, while the Lakota suffered between 50 and 120 casualties. Many Lakota were buried in the hills surrounding Fort Phil Kearny in Wyoming.^[10]

Controversy over Black Buffalo Woman[link]

In the fall of 1867, Crazy Horse invited Black Buffalo Woman to accompany him on a buffalo hunt in the Slim Buttes area of present-day northwestern South Dakota. She was the wife of No Water, who had a reputation for drinking too much.^[7] It was Lakota custom to allow a woman to divorce her husband at any time. She did so by moving in with relatives or with another man, or by placing the husband's belongings outside their lodge. Although some compensation might be required to smooth over hurt feelings, the rejected husband was expected to accept his wife's decision. No Water was away from camp when Crazy Horse and Black Buffalo Woman left for the buffalo hunt.

No Water tracked down Crazy Horse and Black Buffalo Woman in the Slim Buttes area. When he found them in a tipi, he called Crazy Horse's name from outside. When Crazy Horse answered, No Water stuck a pistol into the tipi and aimed for Crazy Horse. Touch the Clouds, Crazy Horse's first cousin and son of Lone Horn, was sitting in the tipi nearest the entry. He knocked the pistol upward as No Water fired, deflecting the bullet to Crazy Horse's upper jaw. No Water left, with Crazy Horse's relatives in hot pursuit. No Water ran his horse until it died and continued on foot until he reached the safety of his own village.^[10]

Several elders convinced Crazy Horse and No Water that no more blood should be shed. As compensation for the shooting, No Water gave Crazy Horse three horses. Because Crazy Horse was with a married man's wife, he was stripped of his title as Shirt Wearer (leader).^[7]

Black Shawl and Nellie Larrabee[link]

Crazy Horse married Black Shawl, a member of the Oglala Lakota and relative of Spotted Tail. The elders sent her to heal Crazy Horse after his altercation with No Water. Crazy Horse and Black Shawl Woman were married in 1871. Black Shawl gave birth to Crazy Horse's only child, a daughter named They Are Afraid Of Her, who died in 1873. Black Shawl outlived Crazy Horse. She died in 1927 during the influenza outbreaks of the 1920s.^[15]

"Red Cloud also arranged to send a young woman to live in Crazy Horse's lodge. Garnett described (Nellie Larrabee) as "a half-blood, not of the best frontier variety, an invidious and evil woman." ^[16] Nellie, also referred to as Chi-Chi and Brown Eyes Woman, was the daughter of a French trader and a Cheyenne woman. William Garnett's first-hand account of Crazy Horse's surrender alludes to Nellie as the "half blood woman" who caused Crazy Horse to fall into a "domestic trap which insensibly led him by gradual steps to his destruction". ^[17]

Great Sioux War of 1876–77[link]

On June 17, 1876, Crazy Horse led a combined group of approximately 1,500 Lakota and Cheyenne in a surprise attack against brevetted Brigadier General George Crook's force of 1,000 cavalry and infantry, and allied 300 Crow and Shoshone warriors in the Battle of the Rosebud. The battle, although not substantial in terms of human losses, delayed Crook's joining with the 7th Cavalry under George A. Custer. It contributed to Custer’s subsequent defeat at the Battle of the Little Bighorn.

A week later at 3:00 p.m. on June 25, 1876, Custer's 7th Cavalry attacked a large encampment of Cheyenne and Lakota bands along the Little Bighorn River, marking the beginning of his last battle. Crazy Horse's actions during the battle are unknown.

Hunkpapa warriors led by Chief Gall led the main body of the attack. Crazy Horse's tactical and leadership role in the battle remains ambiguous. While some historians think that Crazy Horse led a flanking assault, ensuring the death of Custer and his men, the only proven fact is that Crazy Horse was a major participant in the battle. His personal courage was attested to by several eye-witness Indian accounts. Water Man, one of only five Arapaho warriors who fought, said that Crazy Horse "was the bravest man I ever saw. He rode closest to the soldiers, yelling to his warriors. All the soldiers were shooting at him, but he was never hit."^[18] Sioux battle participant, Little Soldier, said, "The greatest fighter in the whole battle was Crazy Horse."^[19]

On September 10, 1876, Captain Anson Mills and two battalions of the Third Cavalry captured a Miniconjou village of 36 lodges in the Battle of Slim Buttes, South Dakota.^[20] Crazy Horse and his followers attempted to rescue the camp and its headman, (Old Man) American Horse. They were unsuccessful. The soldiers killed American Horse and much of his family after they holed up in a cave for several hours.

On January 8, 1877, Crazy Horse's warriors fought their last major battle at Wolf Mountain, against the US Cavalry in the Montana Territory. His people struggled through the winter, weakened by hunger and the long cold. Crazy Horse decided to surrender with his band to protect them, and went to Fort Robinson in Nebraska.

Surrender and death[link]

Crazy Horse and other northern Oglala leaders arrived at the Red Cloud Agency, located near Fort Robinson, Nebraska, on May 5, 1877. Together with He Dog, Little Big Man, Iron Crow and others, they met in a solemn ceremony with First Lieutenant William P. Clark as the first step in their formal surrender.

For the next four months, Crazy Horse resided in his village near the Red Cloud Agency. The attention that Crazy Horse received from the Army drew the jealousy of Red Cloud and Spotted Tail, two Lakota who had long before come to the agencies and adopted the white ways. Rumors of Crazy Horse's desire to slip away and return to the old ways of life started to spread at the Red Cloud and Spotted Tail agencies. In August 1877, officers at Camp Robinson received word that the Nez Perce of Chief Joseph had broken out of their reservation in Idaho and were fleeing north through Montana toward Canada. When asked by Lieutenant Clark to join the Army against the Nez Perce, Crazy Horse and the Miniconjou leader Touch the Clouds objected, saying that they had promised to remain at peace when they surrendered. According to one version of events, Crazy Horse finally agreed, saying that he would fight "till all the Nez Perce were killed". But his words were apparently misinterpreted by a half-Tahitian scout, Frank Grouard (not be confused with Fred Gerard, another U.S. Cavalry scout during the summer of 1876), who reported that Crazy Horse had said that he would "go north and fight until not a white man is left". When he was challenged over his interpretation, Grouard left the council.^[21] Another interpreter, William Garnett, was brought in but quickly noted the growing tension.

With the growing trouble at the Red Cloud Agency, General George Crook was ordered to stop at Fort Robinson. A council of the Oglala leadership was called, then canceled, when Crook was incorrectly informed that Crazy Horse had said the previous evening that he intended to kill the general during the proceedings. Crook ordered Crazy Horse's arrest and then departed, leaving the military action to the post commander at Fort Robinson, Lieutenant Colonel Luther P. Bradley. Additional troops were brought in from Fort Laramie. On the morning of September 4, 1877, two columns moved against Crazy Horse's village, only to find that it had scattered during the night. Crazy Horse fled to the nearby Spotted Tail Agency with his sick wife (who had become ill with tuberculosis). After meeting with military officials at the adjacent military post of Camp Sheridan, Crazy Horse agreed to return to Fort Robinson with Lieutenant Jesse M. Lee, the Indian agent at Spotted Tail.

On the morning of September 5, 1877, Crazy Horse and Lieutenant Lee, accompanied by Touch the Clouds as well as a number of Indian scouts, departed for Fort Robinson. Arriving that evening outside the adjutant's office, Lieutenant Lee was informed that he was to turn Crazy Horse over to the Officer of the Day. Lee protested and hurried to Bradley's quarters to debate the issue, but without success. Bradley had received orders that Crazy Horse was to be arrested and taken under the cover of darkness to Division Headquarters. Lee turned the Oglala war chief over to Captain James Kennington, in charge of the post guard, who accompanied Crazy Horse to the post guardhouse. Once inside, Crazy Horse struggled with the guard and Little Big Man and attempted to escape. Just outside the door, Crazy Horse was stabbed with a bayonet by one of the members of the guard. He was taken to the adjutant's office, where he was tended by the assistant post surgeon at the post, Dr. Valentine McGillycuddy, and died late that night.

The following morning, Crazy Horse's body was turned over to his elderly parents; they took it to Camp Sheridan and placed it on a burial scaffold. The following month, when the Spotted Tail Agency was moved to the Missouri River, Crazy Horse's parents moved the remains to an undisclosed location. There are at least four possible locations as noted on a state highway memorial near Wounded Knee, South Dakota.^[22] His final resting place remains unknown.

Controversy over his death[link]

A monument dedicated to Crazy Horse's memory.

Dr. McGillycuddy, who treated Crazy Horse after he was stabbed, wrote that Crazy Horse "died about midnight". According to military records, he died before midnight, making it September 5, 1877.

John Gregory Bourke's memoir of his service in the Indian wars, On the Border with Crook, describes a different account of Crazy Horse's death. He based his account on an interview with Crazy Horse's relative and rival, Little Big Man, who was present at Crazy Horse's arrest and wounding. The interview took place over a year after Crazy Horse's death. Little Big Man said that, as Crazy Horse was being escorted to the guardhouse, he suddenly pulled two knives from under his blanket and held one in each hand. One knife was reportedly fashioned from an army bayonet. Little Big Man, standing behind him, seized Crazy Horse by both elbows, pulling his arms up behind him. As Crazy Horse struggled, Little Big Man lost his grip on one elbow, and Crazy Horse drove his own knife deep into his own lower back. The guard stabbed Crazy Horse with his bayonet in the back. The chief fell and surrendered to the guards.

When Bourke asked about the popular account of the guard bayoneting Crazy Horse first, Little Big Man said that the guard had thrust with his bayonet, but that Crazy Horse's struggles resulted in the guard's thrust missing entirely and lodging his bayonet into the frame of the guardhouse door. Little Big Man said that in the hours immediately following Crazy Horse's wounding, the camp commander had suggested the story of the guard's being responsible to hide Little Big Man's role in the death of Crazy Horse and avoid any inter-clan reprisals.

Little Big Man's account is questionable; it is the only one of 17 eyewitness sources from Lakota, US Army, and "mixed-blood" individuals, that fails to attribute Crazy Horse's death to a soldier at the guardhouse. The author Thomas Powers cites various witnesses who said Crazy Horse was fatally wounded when his back was pierced by a guard's bayonet.^[23]

The identity of the soldier responsible for the bayoneting of Crazy Horse is also debatable. Only one eyewitness account actually identifies the soldier as Private William Gentles. Historian Walter M. Camp circulated copies of this account to individuals who had been present who questioned the identity of the soldier and provided two additional names. To this day, the identification remains questionable.^[24]

Photograph controversy[link]

Alleged photo of Crazy Horse in 1877

Most sources question whether Crazy Horse was ever photographed. Dr. McGillycuddy doubted any photograph of the war leader had been taken. In 1908, Walter Camp wrote to the agent for the Pine Ridge Reservation inquiring about a portrait. "I have never seen a photo of Crazy Horse," Agent Brennan replied, "nor am I able to find any one among our Sioux here who remembers having seen a picture of him. Crazy Horse had left the hostiles but a short time before he was killed and it's more than likely he never had a picture taken of himself."^[25]

In 1956, a small tintype portrait purportedly of Crazy Horse was published by J. W. Vaughn in his book With Crook at the Rosebud. The photograph had belonged to the family of the scout, Baptiste "Little Bat" Garnier. Two decades later, the portrait was published with further details about how the photograph was produced at Fort Robinson, though the editor of the book "remained unconvinced of the authenticity of the photograph".^[26]

Recently, the original tintype was on exhibit at the Custer Battlefield Museum in Garryowen, Montana. The museum says that it is the only authentic portrait of Crazy Horse. Historians continue to dispute the identification.^[27][28]

Experts argue that the tintype was taken a decade or two after 1877. The evidence includes the individual's attire (such as the length of the hair pipe breastplate and the ascot tie). In addition, no other photograph with the same painted backdrop has been found. Several photographers passed through Fort Robinson and the Red Cloud Agency in 1877—including James H. Hamilton, Charles Howard, David Rodocker and possibly Daniel S. Mitchell—but none used the backdrop that appears in the tintype. After the death of Crazy Horse, Private Charles Howard produced at least two images of the famed war leader's alleged scaffold grave, located near Camp Sheridan, Nebraska.^[29][30]

The image of Crazy Horse at the top of this page was made in 1934 by a forensic artist from a description given by Crazy Horse's sister. This drawing belongs to Crazy Horse's family, and has been publicly shown only once, on the PBS program History Detectives.

Crazy Horse Memorial and memorial highways[link]

Crazy Horse is commemorated by the incomplete Crazy Horse Memorial in the Black Hills of South Dakota near the town of Berne—a monument carved into a mountain, in the tradition of the Mount Rushmore National Memorial (on which Korczak Ziółkowski had worked with Gutzon Borglum). The sculpture was begun by Ziółkowski in 1948. When completed, it will be 641 feet (195 m) wide and 563 feet (172 m) high.

Crazy Horse has also been honored by having two highways named the Crazy Horse Memorial Highway. In South Dakota, the SDDOT designated US-16/US-385 between Custer and Hill City, which passes by the Crazy Horse Memorial. In November 2010, Nebraska Governor Dave Heineman approved designating US-20 from Hay Springs to Fort Robinson in honor of Crazy Horse, capping a year-long effort by citizens of Chadron. The designation may extend east another 100 miles through Cherry County to Valentine.^[31]

Notes[link]

Further reading[link]

• Ambrose, Stephen E. Crazy Horse and Custer: The epic clash of two great warriors at the Little Bighorn. 1975.
• Bray, Kingsley M. Crazy Horse: A Lakota Life. 2006. ISBN 0-8061-3785-1
• Clark, Robert. The Killing of Chief Crazy Horse: Three Eyewitness Views by the Indian, Chief He Dog the Indian White, William Garnett the White Doctor, Valentine McGillycuddy. 1988. ISBN 0-8032-6330-9
• Marshall, Joseph M. III. The Journey of Crazy Horse: A Lakota History. 2004.
• Guttmacher, Peter and David W. Baird. Ed. Crazy Horse: Sioux War Chief. New York Philadelphia: Chelsea House, 1994. 0-120. ISBN 0-7910-1712-5
• McMurtry, Larry. Crazy Horse (Penguin Lives). Puffin Books. 1999. ISBN 0-670-88234-8
• Pinn, Lionel Little Eagle. Greengrass Pipe Dancers. 2000. ISBN 0-87961-250-9
• Sandoz, Mari. Crazy Horse, the Strange Man of the Oglalas, a biography. 1942. ISBN 0-8032-9211-2
• "Debating Crazy Horse: Is this the Famous Oglala". Whispering Wind magazine, Vol 34 #3, 2004. A discussion on the improbability of the Garryowen photo being that of Crazy Horse (the same photo shown here). The clothing, the studio setting all date the photo 1890–1910.
• The Authorized Biography of Crazy Horse and His Family Part One: Creation, Spirituality, and the Family Tree. DVD. William Matson and Mark Frethem, producers. Documentary based on over 100 hours of footage shot of family oral history detailed interviews and all Crazy Horse sites. Family had final approval on end product. Reelcontact.com, 2006.
• The Authorized Biography of Crazy Horse and His Family Part Two: Defending the Homeland Prior to the 1868 Treaty'. DVD William Matson and Mark Frethem, Producers. Reel Contact Productions, 2007.

External links[link]

Biography portal

Wikimedia Commons has media related to: Crazy Horse

Wikiquote has a collection of quotations related to: Crazy Horse

• Final Days and Death of Crazy Horse
• PBS Biography of Crazy Horse
• Newly Discovered Alleged Photo of Crazy Horse
• A timeline of Crazy Horse's life
• Trimble: What did Crazy Horse look like?, Indian Country Today
• William Bordeaux's Crazy Horse sketch at Yale University's Beinecke Rare Books and Manuscript Library
• Complete Crazy Horse Surrender Ledger
•  "Crazy Horse". Appletons' Cyclopædia of American Biography. 1900. work=Oglala (Lakota) Sioux Indian Chief|author=Kuzriel Meir|date=April 16, 1999|accessdate=Aug 18, 2011}}

Nick Lowe
Lowe performing at the Kursaal in November 2008
Background information
Birth name	Nicholas Drain Lowe
Born	(1949-03-24) 24 March 1949 (age 63) Walton-on-Thames, Surrey, England
Genres	Rock, pub rock, New Wave,[1] Power Pop[1]
Occupations	Musician, singer-songwriter
Instruments	Vocals, guitar, piano/keyboards, bass
Years active	1966–present
Labels	Columbia Records, Demon Records, F-Beat Records, Radar Records, Reprise Records, Upstart Records, Yep Roc Records, Stiff Records, Proper Records (current).
Associated acts	Brinsley Schwarz, Rockpile, Elvis Costello, The Attractions, The Imposters, Huey Lewis and the News, Noise To Go, The Cowboy Outfit, Johnny Cash, Little Village, Bill Kirchen
Website	nicklowe.net

Nicholas Drain "Nick" Lowe (born 24 March 1949), is an English singer-songwriter, musician and producer.

A pivotal figure in UK pub rock, punk rock and new wave,^[1][2] Lowe has recorded a string of well-reviewed solo albums. Along with vocals, Lowe plays guitar, bass guitar, piano and harmonica. He is best known for his songs "Cruel to Be Kind" (a US Top 40 single), and "I Love the Sound of Breaking Glass" (a top 10 UK hit), as well as his production work with Elvis Costello, Graham Parker, and others. Lowe also wrote "(What's So Funny 'Bout) Peace, Love, and Understanding", a hit for Costello.^[3] He currently lives in Brentford, London, England.

Career history[link]

Songwriter[link]

Nick's best-known songs (mostly known for cover versions) include:

• "(What’s So Funny ’Bout) Peace, Love and Understanding"
• "The Beast in Me"
• "I Love The Sound of Breaking Glass"
• "All Men Are Liars"
• "Cruel to Be Kind"
• "So It Goes"
• "I Knew the Bride (When She Used to Rock 'n' Roll)"

Producer[link]

Lowe produced Elvis Costello's first five albums, including My Aim Is True, This Year's Model, and Armed Forces. He also produced The Damned's first single, "New Rose", considered the first English punk single, as well as the group's debut album, Damned Damned Damned.

His early 'rough and ready' production style earned him the nickname Basher (as in 'bash it out now, tart it up later'). Upon moving from Stiff to Jake Riviera's Radar and F-Beat labels, Lowe became selective in his choice of production tasks.

Bands[link]

Influence[link]

A 2011 article in The New York Times starts "The 40-year career of the English singer-songwriter Nick Lowe constitutes a paradox: the songs he has written are better known than he is."^[3]

Some musicians claim to have been influenced by Lowe. Alex Turner, of the Arctic Monkeys, said that he is 'blown away' and 'back to square one' by Lowe's songwriting^[4]

Biography[link]

Lowe attended the independent Woodbridge School in Suffolk^[5] and he began his musical career in 1967, when he joined the band Kippington Lodge, with his school friend Brinsley Schwarz. They released a few singles on the Parlophone record label as Kippington Lodge before they renamed the band Brinsley Schwarz in late 1969, and began performing country and blues-rock. Lowe wrote some of his best-known compositions while a member of Brinsley Schwarz, including "(What's So Funny 'Bout) Peace, Love, and Understanding", a hit for Elvis Costello in 1979, and "Cruel to Be Kind", a solo hit for Lowe in 1979.^[6]

After leaving Brinsley Schwarz in 1975, Lowe began playing in Rockpile with Dave Edmunds. In August 1976, Lowe released "So It Goes" b/w "Heart of the City", the first single on the Stiff Records label where he was an in-house producer.^[6] The single and thus the label was funded by a loan of £400 from Dr. Feelgood's Lee Brilleaux. The label's first EP was Lowe's 1977 four-track release Bowi, apparently named in response to David Bowie's contemporaneous LP Low. (The joke was repeated when Lowe produced The Rumour's album Max as an 'answer' to Fleetwood Mac's Rumours). Lowe continued producing albums on Stiff and other labels. In 1977 he produced Dr. Feelgood's album, Be Seeing You, which included his own song, "That's It, I Quit". The following year's Dr. Feelgood album, Private Practice, contained a song Lowe jointly penned with Gypie Mayo – "Milk and Alcohol". Along with "I Love The Sound of Breaking Glass", "Milk and Alcohol" is one of only two Lowe compositions to ever reach the Top 10 of the UK Singles Chart.^[7]

Because the two main singers in Rockpile had recording contracts with different record labels and managers, albums were always credited to either Lowe or Edmunds, so there is only one official Rockpile album, which was not released until the waning days of the collaboration: 1980's Seconds of Pleasure, featuring the Lowe songs "When I Write The Book" and "Heart". However, two of the pair's most significant solo albums from the period; Lowe's Labour of Lust and Edmunds' Repeat When Necessary, were effectively Rockpile albums (as was Carlene Carter's Lowe-produced Musical Shapes album).

Lowe was quoted as saying that he had "escaped from the tyranny of the snare drum" in No Depression, (September–October 2001) when explaining his move away from regular pop music that would get played on mainstream radio.^{[citation needed]}

Other well-known Lowe songs include "I Love The Sound of Breaking Glass", "All Men Are Liars", and Cruel to Be Kind, co-written with Ian Gomm and originally recorded with Brinsley Schwarz, a re-recording of which was his only US Top 40 hit, reaching #12 on the Billboard Hot 100 chart in 1979.^[6]

In 1979, Lowe married country singer Carlene Carter, daughter of fellow country singers Carl Smith and June Carter Cash and stepdaughter of Johnny Cash.^[8] He adopted her daughter, Tiffany Anastasia Lowe. The marriage ended in 1990, but they remained friends, and Lowe remained close to the Carter/Cash family. He played and recorded with Johnny Cash, and Cash recorded several of Lowe's songs.

After the demise of Rockpile, Lowe toured for a period with his band Noise To Go and later with The Cowboy Outfit, which also included the noted keyboard player Paul Carrack. Lowe was also a member of the short-lived mainly studio project Little Village with John Hiatt, Ry Cooder and Jim Keltner, who originally got together to record Hiatt's 1987 album Bring the Family.^[6]

In 1992, "(What's So Funny 'Bout) Peace, Love, and Understanding" was covered by Curtis Stigers on the soundtrack album to The Bodyguard, an album that sold about 44 million copies world-wide.^[3]

A New York Daily News article^[9] quoted Lowe as saying his greatest fear in recent years was "sticking with what you did when you were famous". "I didn't want to become one of those thinning-haired, jowly old geezers who still does the same shtick they did when they were young, slim and beautiful," he said. "That's revolting and rather tragic." Rock critic Jim Farber observed: "Lowe's recent albums, epitomised by the new At My Age, moved him out of the realms of ironic pop and animated rock and into the role of a worldly balladeer, specialising in grave vocals and graceful tunes. Lowe's four most recent solo albums mine the wealth of American roots music, drawing on vintage country, soul and R&B to create an elegant mix of his own."

In 2008, Yep Roc and Proper Records released a thirtieth anniversary edition of Lowe's first solo album Jesus of Cool (entitled Pure Pop for Now People in the US with a slightly different track listing). The re-issue includes tracks from the British and American releases in addition to several bonus tracks. In March 2009, he released a 49 track CD/DVD compilation of songs which spanned his entire career. Proper Records released it in the UK and Europe, entitled Quiet Please... The New Best of Nick Lowe.

In September 2010 Yep Roc issued The Impossible Bird, Dig My Mood and The Convincer on vinyl for the first time, and after a one-night reunion concert with Elvis Costello in October in San Francisco,^[10] Lowe embarked on his first non-solo United States tour "this millennium." His backing band comprised Geraint Watkins (keyboards), Robert Treherne (drums), Johnny Scott (guitar) and Matt Radford (bass). In March 2011, Yep Roc reissued Lowe's 1979 solo album Labour of Lust.^[11]

Lowe played Glastonbury 2011, performing a short solo set of Brinsley Schwarz tracks on The Spirit Of 71 stage, where they played back in 1971, before heading to the Acoustic Stage for a full band show.

Lowe performed as an opening act for Wilco in their North American tour, September 2011. He performed solo with acoustic guitar.

Lowe is married to Peta Waddington, a designer and DJ. The couple have a son, Roy Lowe, who was born in 2005.

Discography[link]

Lowe performing with Rockpile in 1980

Studio albums[link]

• Jesus of Cool (1978, UK) (released in the US as Pure Pop for Now People)
• Labour of Lust (1979)
• Nick the Knife (1982)
• The Abominable Showman (1983)
• Nick Lowe & His Cowboy Outfit (1984)
• The Rose of England (1985)
• Pinker and Prouder than Previous (1988)
• Party of One (1990)
• The Impossible Bird (1994)
• Dig My Mood (1998)
• The Convincer (2001)
• At My Age (2007)^[6]
• The Old Magic (2011) - UK: #66

Live albums[link]

• Untouched Takeaway (2004)

Singles[link]

^[6]

EPs[link]

• Bowi, 7" 45 rpm (Stiff 1977)
• Nick Lowe & Dave Edmunds Sing the Everly Brothers, 7" 33⅓ rpm (F-Beat/Columbia 1980)^[6]

Compilation albums[link]

• A Bunch of Stiff Records (One track, "I Love My Label")
• Live Stiffs Live (1978) (Nick Lowe's Last Chicken In The Shop got two tracks, "I Knew the Bride (When She Used to Rock 'n' Roll)" and "Let's Eat", on this live compilation of the first Stiff Records' tour.)
• 16 All Time Lowes (1984)
• Nick's Knack (1986)
• Basher: The Best of Nick Lowe (1989)
• The Wilderness Years (1991)
• The Doings (1999)
• Quiet Please... The New Best of Nick Lowe (2009)^[6]

Other appearances[link]

• "Baby It’s You," duet with Elvis Costello, on single "The Only Flame In Town" by Elvis Costello and the Attractions (1984)
• "In The Middle Of It All" on Adios Amigo: A Tribute to Arthur Alexander (1994)
• "I’m Coming Home" on Rig Rock Deluxe: A Musical Tribute to the American Truck Driver (1996)
• "From Now On" on Original Soundtrack: Mumford (1999)
• "Shake That Rat," bass on album Sing Along With Los Straitjackets by Los Straitjackets (2001)
• "Arrête Pas La Musique" on Evangeline Made: A Tribute to Cajun Music (2002)
• "Don’t Let The Cold," backing vocals on album Sentimental by Tanita Tikaram (2004)
• "It’s All In The Game" on Sweetheart: Love Songs (2004)
• "Only A Rose," duet with Geraint Watkins on album In A Bad Mood by Geraint Watkins (2008)
• "A Man In Love," guest vocals on album The Guest List by Martin Belmont (2009)
• "Shelly’s Winter Love," guest vocals, duet with Paul Carrack, on album Word To The Wise by Bill Kirchen (2010)
• "Changing All Those Changes" on Rave On Buddy Holly (2011)

Tributes[link]

• Labour of Love: The Music of Nick Lowe (Telarc, 2001) (features Dar Williams, Tom Petty, and Elvis Costello, among others).
• Lowe Profile: A Tribute To Nick Lowe (Brewery, 2005) (two-disc, 30 song collection featuring Dave Alvin, Foster & Lloyd, Ian Gomm, among others).
• 5 songs on "The Stiff Generation: If it Ain't Stiff it Ain't Worth a Tribute" (Groove Disques, 2002).
• 5 songs on "Happy Doing What We're Doing" (Freedom [City Hall], 2005) by Elizabeth McQueen and the Firebrands.

Uses in media[link]

• "Without Love" from the album "Labour of Lust" appeared on the soundtrack of the film "Americathon".
• "(I Love the Sound of) Breaking Glass" was used on the soundtrack album of the film "That Summer".
• His recording of "So It Goes" appeared on the soundtrack of the Roger Corman movie "Rock 'N' Roll High School", which featured the Ramones.
• "We Want Action" from the album "The Abominable Showman" appeared on the soundtrack of the film "Easy Money".
• An original song "Little Cat (You've Never had it So Good)" was written for the British rock opera film "Absolute Beginners", which starred David Bowie and Sade.
• The music video for "All Men Are Liars" was featured in The Brothers Grunt episode "The Ugly Gruntling".
• His recording of "The Beast in Me" was used in the pilot episode of The Sopranos.
• The song "All Men Are Liars" was featured in the Australian film All Men Are Liars written and directed by Gerard Lee and starring Toni Pearen, David Price and John Jarratt.

References[link]

External links[link]

Wikimedia Commons has media related to: Nick Lowe (musician)

• Official website
• The Old Magic UK page
• Batty for Music podcast
• Allmusic
• Nick Lowe at the Internet Movie Database
• Electronic press kit for "Quiet Please..."
• Return of the Man Who Used to Rock - NY Times 9-13-11

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (February 2008)

Zakk Wylde
Wylde in August 2010
Background information
Birth name	Jeffrey Phillip Wielandt
Also known as	Ghode, The Ghost of Rock Past, The Idol
Born	(1967-01-14) January 14, 1967 (age 45) Bayonne, New Jersey, U.S.
Genres	Heavy metal, southern metal, groove metal, southern rock
Occupations	Musician, songwriter, actor, producer
Instruments	Guitar, vocals, bass, banjo, piano, keyboards, mandolin, harmonica, organ, mellotron
Years active	1987–present
Labels	Geffen, Spitfire, InsideOut Music, Artemis, Roadrunner, Epic, Sony
Associated acts	Ozzy Osbourne, Black Label Society, Pride & Glory, Steel Dragon, Britny Fox
Website	zakkwylde.com
Notable instruments
Zakk Wylde Signature Les Paul, Zakk Wylde Signature Gibson Flying V

Zachary Phillip "Zakk" Wylde (born Jeffrey Phillip Wielandt, January 14, 1967), is an American musician, songwriter, and occasional actor who is best known as the former guitarist for Ozzy Osbourne and founder of the heavy metal band Black Label Society. He was the lead guitarist and vocalist in Pride & Glory, who released one self-titled album in 1994 before disbanding. As a solo artist he released Book of Shadows in 1996.

Biography[link]

Early life[link]

Wylde was born in Bayonne, New Jersey. Wylde started playing the guitar at the age of 14 and worked at Silverton Music in Silverton, New Jersey. He grew up in Jackson, New Jersey, and went to Jackson Memorial High School, where he graduated in 1985. Wylde has stated that he would practice playing the guitar as much as 12 hours per day and would often play the guitar almost non-stop between coming home from school and leaving for school the next morning, then sleeping through the school day.

Music career[link]

Wylde played locally with his first band Stone Henge, then later with local Jersey band Zyris. Later, he landed the role as lead guitarist and co-writer for Ozzy Osbourne. He sent Ozzy a demo tape in 1987 and was hired to replace Jake E. Lee, who had replaced the deceased Randy Rhoads. Rhoads remains Wylde's foremost guitar-playing and stagecraft influence.^[1]

Wylde gravitated toward a particular Les Paul guitar, which has become known as "The Grail"; his infamous bullseye-painted Gibson Les Paul custom. Wylde lost the guitar after it fell from the back of a truck transporting equipment as he was travelling between gigs in Texas. Rewards were offered to anyone that had information about the guitar. Wylde and The Grail were reunited years later when a fan bought it at a Dallas pawn shop and saw the initials "Z.W." carved into the humbucker pickups backs. He contacted Wylde's former webmaster Randy Canis to arrange its return to Wylde. He bartered for it, in exchange for two other Les Pauls.^{[citation needed]}

Osbourne has maintained a flexible attitude with regard to his backing band, leaving his band members free to leave as they wish, but Wylde has remained faithful to Osbourne. Wylde was replaced in Osbourne's band by Joe Holmes from 1995 until his return in 2001. On January 17, 2006, Zakk Wylde was recognized at the Hollywood Rock Walk of Fame, featuring his handprints and signature, in recognition of his successful career as a musician and his contribution to the music industry. The event was open to the public and many rock celebrities were present, including Ozzy Osbourne.^{[citation needed]}

After auditions in 2005/2006, Ozzy Osbourne announced Wylde as the official guitarist for his upcoming album, Black Rain, which was released in 2007. On stage with Osbourne, Wylde has been credited for lending a high level of energy and passion to performances. Black Label Society's album Shot To Hell, was released on September 11, 2006 in the UK, and September 12, 2006 in the U.S. through Roadrunner records, with production by Michael Beinhorn. Black Label Society headlined the second stage at the 2006 Ozzfest, with Wylde playing double duty with Ozzy on certain dates. Ozzy Osbourne's album Black Rain, was released in May 2007.^{[citation needed]}

Black Label Society released 'The Song Remains Not the Same' on May 10, 2011 on E1. Wylde also played a guitar solo on Black Veil Brides cover of Kiss' "Unholy," on the band's Rebels EP released in December 2011.^{[citation needed]}

Personal life[link]

Wylde lives with his wife, Barbaranne, and his three children: Hayley Rae, Hendrix, and Jesse—who is godson to Ozzy Osbourne. Wylde was a close friend of Darrell "Dimebag" Abbott before he was murdered in 2004. As of 2011, he is in partnership with Blair's Sauces and Snacks to produce "Berserker" Hot Sauce and several variations.^[2] Wylde is Irish Catholic and has spoken about his faith, calling himself as a "soldier of Christ".^{[citation needed]} Wylde's health has come under scrutiny for several years. Wylde was asked by Sharon Osbourne to attend rehab, but left early on.^[3] In August 2009, Wylde was hospitalized due to blood clots.^[4] He was forced to cancel his tour with Mudvayne and Static-X due to an embolism.^{[citation needed]}

Equipment[link]

He is known for his use of Gibson Les Paul Custom model guitars with a "bulls-eye" graphic on them, a design he used to differentiate himself visually from Randy Rhoads - who was also frequently identified by his white Les Paul Custom. The "bulls-eye" paint job was originally supposed to look like the spiral from the movie Vertigo, but when it came back incorrect from the luthier, he liked the result and stuck with it. He was sometimes criticized by viewers and media for taking the idea of the "bulls-eye" from Eddie Ojeda from Twisted Sister, however, both Eddie and Zakk deny it and suppose it to be coincidence. One of Wylde's favorite stage guitars is a replica of Rhoads' Flying V, with the colours inverted (i.e. White with black dots).

Wylde's signature Les Pauls include a red flame-maple bulls-eye model, a black and antique-white bulls-eye model, an orange "buzz-saw" model, the pattern on which was inspired by a design on a Zippo lighter,^[5] and a "camo" bulls-eye model with mother of pearl neck inlays and a green camouflage paint scheme. His original bulls-eye Les Paul was purchased from one of the owners of Metaltronics Amplification. Metaltronics was building a one-off live rig for Wylde that was designed around one of the owner's guitars, a creamy white Les Paul Custom with EMG pickups, which would later become known as "The Grail". Wylde has a custom Dean Splittail with a mud splatter bulls-eye graphic, as well as a signature Splittail shaped Gibson model called the "ZV". Another Dean in his collection is a Dime series Razorback with custom Bulls-eye graphics ordered for him specially by Dimebag Darrell shortly before his death; since receiving the guitar, he has only ever used it on stage to play "In This River," Zakk's personal tribute to Dimebag.

In practice, Wylde uses Marshall MG Series practice combos ranging in wattage levels from 10-30W during tour/private use especially in hotels and buses. Wylde has an extensive relationship with Marshall Amplification due to his love for their amplifiers, both solid state and valve powered. Live, Wylde exclusively uses Marshall JCM 800's with twin 4 X 12 Cabinets loaded with EVM12L 300W Black Label Speakers. His usual signal path consists of his guitar > (on stage pedal board) Dunlop Wylde Wah > Dunlop Rotovibe > MXR EVH Phase 90 (soon to be replaced by the new MXR Wylde Phase) > MXR Wylde Overdrive > MXR Carbon Copy Delay Delay > (to a back stage pedal board) > MXR EVH Flanger > MXR Black Label Chorus > split signals, one to each distorted amp into the High Gain input.

Media appearances[link]

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Music[link]

Wylde has made guest appearances on various albums by other artists:

• He appears as guest vocalist and guitarist on the tracks "Soul Bleed" and "Reborn" on Damageplan's debut album, New Found Power.
• He played guitar solos on Dope's single "Addiction" from their newest album, No Regrets.
• He plays a solo on Fozzy's 2005 release "All That Remains" on the song, Wanderlust.
• He has also worked on five of Derek Sherinian's solo albums: Inertia, Black Utopia, Mythology, Blood of the Snake and Molecular Heinosity alongside Yngwie Malmsteen and others.
• Wylde was also a judge for the 8th annual Independent Music Awards. His contributions helped assist independent artists' careers.^[6][7]
• In 2010 he played lead guitar on My Darkest Days first single "Porn Star Dancing", along with guest singers Chad Kroeger and Ludacris.^[8]
• In 1993 Ozzy Osbournes double album Live and Loud was released. Wylde is the guitarist.
• In 2011 he featured in Jamey Jasta of Hatebreed's new project, "Jasta" in the song "The Fearless must Endure".
• He plays the guitar solo on Black Veil Brides cover of the Kiss song "Unholy" on their EP, Rebels.

Live performances[link]

Black Label Society performing at Allen Event Center in Allen, Texas on October 16, 2011

• On August 1, 1993, at Great Woods Amphitheatre in Mansfield, MA, Wylde appeared on stage with the Allman Brothers on lead guitar since Dickey Betts was unable to make the show, and they needed a guitarist at the last minute. This show is documented on the bootleg "Zakk Goes Wylde".
• Wylde is a New York Yankees fan. He performed the National Anthem on the electric guitar during a New York Rangers game in October 2005. He has also played the anthem at Los Angeles Kings and Dodgers games. A video of a Kings performance is included as an extra feature, on the DVD Boozed, Broozed, and Broken-Boned.
• On February 1, 2007 Wylde and Nick Catanese began a tour of acoustic shows at the Hard Rock Cafe in various cities across North America. Although Catanese had to leave mid-tour due to unspecified personal reasons, Wylde continued to play shows alone. He performed several songs, on both the acoustic guitar and keyboard. The tour was eventually canceled due to unspecified reasons.
• On April 13, 2011 he was the guitarist for James Durbin on American Idol, during Durbin's performance of "Heavy Metal", by Sammy Hagar.
• On May 14, 2011 he performed the National Anthem at Rockfest in Kansas City, Missouri.
• Wylde appeared on stage December 8, 2011 in Indianapolis, IN, to play a cover of AC/DC's "Whole Lotta Rosie" with Guns N' Roses while Black Label Society opened for Guns N' Roses during a leg of the US Tour. Wylde also did this on subsequent shows before BLS finished their run on the tour.

Film and television[link]

• On June 5, 2011, he appeared on Late Night with Jimmy Fallon and performed with The Roots
• Wylde's film credits include Rock Star (As "Ghode", guitarist of the fictitious band Steel Dragon)
• Wylde also appeared on the TV show Angel in the season four episode "The Magic Bullet" where he plays acoustic on the song "Mandy" while Angel and Conner sing along.
• Wylde has also appeared as a guest star on the TV show Aqua Teen Hunger Force. In it, he plays guitar on a track produced by Master Shake that is supposed to become the next big birthday song, which is called "Spirit Journey Formation Anniversary." Wylde becomes irate when he finds out that Shake cannot pay him for his input on the project. Later in the show, Wylde is killed when caught between the crossfire of two robotic banjo-playing scorpions.
• On September 26, 2003, Wylde appeared on Jimmy Kimmel Live! and sat in with the house band. During the course of the night he repeatedly made fun of and threatened to beat up Fred Durst, the front man for Limp Bizkit.^[9]
• On January 30, 2007, Wylde, alongside Black Label Society, were the musical guests for MTV's Wrestling Society X debut episode. He worked the night as a guest commentator as well.
• On February 2, 2007, Wylde guest hosted on Seattle's 99.9 KISW on the afternoon program The Men's Room.
• On the May 18 edition of WWE Smackdown!, Wylde appeared with Ozzy Osbourne to perform the song "I Don't Wanna Stop", at the First Mariner Arena in Baltimore, Maryland.
• Wylde performed alongside Osbourne on the 2007 VH1 Rock Honors broadcast.
• On October 18, 2009, Zakk Wylde performed the National Anthem on Total Nonstop Action Wrestling's biggest PPV, Bound for Glory, before the matches officially started.
• He appears as a guest in Rush: Beyond the Lighted Stage.
• He appears in the Pantera episode of Behind the Music.
• He appears as a music store worker in a scene from the TV show Californication on Showtime, Season 4 Episode 2.t
• He was on tour with Black Label Society in 2010 on the Ozzfest Tour that also had Ozzy and Mötley Crüe, among many others.
• He performed "Heavy Metal" by Sammy Hagar with James Durbin during season 10 of American Idol.

Video games[link]

• Wylde recorded a guitar duel for the video game Guitar Hero: World Tour. He also appears as a playable character performing the songs Stillborn and, along with Ozzy Osbourne, Crazy Train and Mr. Crowley.
• Some of Wylde's signature guitars have been for sale to play with throughout the Guitar Hero series. These include "The Grail", "The Camo Grail", and "The Buzzsaw".
• Wylde was featured in the first Guitar Hero with the studio version recording of Fire it Up.
• He was the guitarist in the remix of "Bring The Noise" called "Bring The Noise 20XX" that appeared in Guitar Hero 5 as a playable track