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It was first performed on 26 December 1772 at the Regio Ducal Teatro in Milan.
Other operas with the same title were also composed by Pasquale Anfossi (1774), and Johann Christian Bach (1776).
Category:Operas by Wolfgang Amadeus Mozart Category:Italian-language operas Category:1772 operas Category:Operas
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Gruberová was born in Bratislava in Slovakia, the daughter of a Hungarian mother and a father with German ancestors. Her native language is Slovak. She began her musical studies at Bratislava Conservatory where she was a student of Mária Medvecká. She then continued at Academy of Performing Arts in Bratislava (VŠMU). While studying, she was a singer of the famous Lúčnica folk ensemble and also appeared several times in the Slovak National Theatre.
In 1968, Gruberová made her operatic debut in Bratislava as Rosina in The Barber of Seville. After winning a singing competition in Toulouse, she was then engaged as a soloist of the opera ensemble of the J. G. Tajovský Theatre in Banská Bystrica, Slovakia, from 1968 to 1970. Since communist Czechoslovakia was going through a period called Normalization, during which the borders were closed with non-communist countries, Medvecká surreptitiously arranged for an audition for Gruberová in the summer of 1969 at Vienna State Opera, which immediately engaged her. The following year, she made her first major breakthrough when she sang the Queen of the Night. Gruberová then also made the decision to emigrate to the West. In subsequent years, she became a soloist in Vienna and was invited to sing at many of the most important opera houses in the world, especially in coloratura roles.
Gruberová made her debut at Glyndebourne in 1973 and at the Metropolitan Opera in 1977, both as the Queen of the Night. In 1977, she also first appeared at the Salzburg Festival, as Thibault in Don Carlo, under Herbert von Karajan. In 1981, she appeared opposite Luciano Pavarotti in Jean-Pierre Ponnelle's film of Rigoletto. Gruberová made her Royal Opera House, Covent Garden début as Giulietta in Bellini's I Capuleti e i Montecchi in 1984. Other important roles she has sung include Zerbinetta, Gilda, Violetta, Lucia, Konstanze, Manon and Oscar; she sang Donna Anna at La Scala in 1987, Marie in La fille du régiment in 1987, Semiramide in 1992 at Zürich, Queen Elizabeth I in Donizetti's Roberto Devereux in Vienna in 1990. In 2003 she added title role in Norma to her repertoire, currently (2008/2009) running it in Munich.
Gruberová has made many recordings, most notably in recent years full-length recordings and extended selections from Donizetti's Tudor Queens trilogy and other bel canto operas, lately exclusively on Nightingale label. More than a dozen of her filmed and televised opera appearances have been released on DVD, including Norma, Manon, Beatrice di Tenda, Lucrezia Borgia, and Linda di Chamounix.
Category:1946 births Category:Living people Category:Slovak female singers Category:Slovak opera singers Category:Operatic sopranos Category:People from Bratislava
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In her youth, Dessay had intended to be a ballet dancer, and then an actress. She discovered her talent for singing whilst taking acting classes, and shifted her artistic focus to music. Dessay was encouraged to study voice at the Conservatoire national de région de Bordeaux and gained experience as a chorister in Toulouse. At the competition Les Voix Nouvelles, run by France Télécom, she was awarded First Prize (Premier Prix de Concours) followed by a year's study at Paris Opera's Ecole d'Art Lyrique, where she sang "Elisa" in Mozart's Il re pastore. Also, she entered the International Mozart Competition at the Vienna State Opera, winning First Prize.
She was quickly approached by a number of theatres, and subsequently sang "Blondchen", "Madame Herz" (in Der Schauspieldirektor), "Zerbinetta" and "Zaïde" at the Opéra National de Lyon and the Opéra Bastille, as well as "Adele" in Die Fledermaus in Geneva.
She attended a performance where Barbara Bonney had sung Sophie in Richard Strauss' Der Rosenkavalier under Carlos Kleiber. Dessay was cast in the same role with another conductor. Her hope was to work with Maestro Kleiber, but he died before any project came to fruition. Blondchen in Die Entführung and Zerbinetta in Ariadne auf Naxos became her best-known and most often played roles.
In October 1994 Dessay made her Metropolitan Opera debut in New York in the role of Fiakermilli in Strauss's Arabella, and returned there in September 1997 as Zerbinetta and in February 1998 as Olympia.
The Staatsoper approached Dessay with two operas: Richard Strauss's Die schweigsame Frau and an unfinished opera by Alban Berg, Lulu. Dessay declined the latter, saying the score was too difficult for her. She admitted that Die schweigsame Frau was already painful to learn.
At the festival of Aix-en-Provence, Dessay first performed the role of the Queen of the Night in Mozart's The Magic Flute. Although she was hesitant to perform the role, saying that she didn't want to play any evil characters, director Robert Carsen convinced her that this Queen would be different, almost a sister to Pamina. Dessay agreed to do the role, claiming it would be a one-time series of performances. There followed a year-long series of final performances of the Queen of the Night.During the 2001–2002 season in Vienna, she began to experience vocal difficulties and had to be replaced in almost all of the performances of La sonnambula. Subsequently, she was forced to cancel several other performances, including a French version of Lucia di Lammermoor in Lyon and a Zerbinetta at the Royal Opera House in London. She withdrew from the stage and underwent surgery on one of her vocal cords in July 2002. In February 2003, she returned to live performances in a Paris concert. Later, she cancelled and had further surgery, but by mid-2005 she was back on stage.
In the summer of 2003, Dessay gave her first US recital in Santa Fe. She was so attracted to New Mexico in general, and to Santa Fe in particular, that Santa Fe Opera (SFO) quickly rearranged its schedule to feature her in SFO's 2004 production of La sonnambula. She returned in the 2006 SFO season as Pamina (The Magic Flute). She gave her first performances in the role of Violetta in La traviata
The 2006/2007 season schedule included Lucia di Lammermoor and La sonnambula in Paris, La fille du régiment directed by Laurent Pelly in London and Vienna, and a Manon in Barcelona. She opened the 2007–08 season at the Met as Lucia and also repeated her role in La fille du regiment. In January 2009 she sang the part of Melisande in a much acclaimed stagione production of Pelléas et Mélisande by Claude Debussy at "Theater an der Wien", the second opera house in Vienna, alongside Laurent Naouri. On 2 March 2009, Dessay sang the title role in La Sonnambula at the New York Metropolitan Opera. It was the first new production of the opera at the Met since Joan Sutherland sang the title role in the 1960s.
On 3 March 2010 the Metropolitan Opera announced that, on account of illness, she would not be performing Ophélie as scheduled in its new production of Ambroise Thomas' Hamlet.
In other media, Dessay provided the singing voice for the character of Anna Sörensen (played by Diane Kruger) in the movie Joyeux Noël (2005).
Dessay is married to the bass-baritone Laurent Naouri, and they have two children.
Category:1965 births Category:Living people Category:French opera singers Category:Operatic sopranos Category:French sopranos Category:Olivier Award winners Category:French Jews
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Mozart's Queen of the Night (Die Zauberflöte) has been Damrau's most frequently performed role to date, as she has been engaged to perform it in over 15 productions at houses including Covent Garden, the Salzburg Festival, the Vienna State Opera, Oper Frankfurt and the Bavarian State Opera, Munich. The soprano made Metropolitan Opera history in 2007-2008 season by appearing as both Pamina and Queen of the Night in the same run, but different performances. Other coloratura roles in her repertoire include Zerbinetta, Lucia, Rosina, Gilda, Adina, Marie and Aminta. She also performs roles in the lyric repertoire including Manon, Donna Anna and Pamina.
Following the birth of her first child, Alexander in October 2010, Damrau is expected to return to the stage in early 2011 to perform the role of Elvira in a new production of Vincenzo Bellini's bel canto masterpiece I Puritani at the Grand Théâtre de Genève, Geneva. This will be followed by a return to the Metropolitan Opera, New York for a new production of Rossini's comic opera Le comte Ory and a revival of Verdi's Rigoletto.
As well as opera, Damrau is a regular on the concert stage. She has performed Lieder repertoire at Vienna's Musikverein, Carnegie Hall, Wigmore Hall, La Scala, the Schubertiade, Schwarzenberg and both the Munich and Salzburg Festivals. The soprano's concert repertoire includes Carl Orff's Carmina Burana, Mozart's C minor mass, Requiem and Exsultate, Jubilate as well as Handel's Messiah. She has performed with such esteemed conductors as James Levine, Zubin Mehta, Lorin Maazel, Sir Colin Davis, Christoph von Dohnányi, Leonard Slatkin, Pierre Boulez, Nikolaus Harnoncourt and Jesús López-Cobos.
Previous recordings include Mahler's Des Knaben Wunderhorn, and Schumann's Myrten with the Telos label and live recordings of her Summer 2005 liederabend at the Salzburg Festival and her Summer 2006 liederabend at the Schubertiade are released on the Orfeo label. Damrau also appears on Deutsche Harmonia Mundi's release of Mozart's Zaide in the title role, and guests alongside Adrianne Pieczonka's on mezzo-soprano Elina Garanca's first solo release with Deutsche Grammophon. Together, they perform the trio finale from Richard Strauss' Der Rosenkavalier.
Category:Operatic sopranos Category:German opera singers Category:Living people Category:1971 births Category:German sopranos
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Name | Christian Bach |
---|---|
Caption | , Argentina |
Birthname | Adela Christian Bach |
Spouse | Humberto Zurita (1986-present) |
Christian Bach (born Adela Christian Bach on May 9, 1959 in Buenos Aires, Argentina) is an Argentine actress and producer of telenovelas. She is married to Mexican actor Humberto Zurita with whom she has two sons Sebastián and Emiliano.
In the 1980s she recorded an album as a solo singer, but the album lacked success and interest from the public.
She has been the image and spokesperson of the Mexican ceramic tile empire Interceramic for over 22 years. Her commercials are famous in Mexico and have made her likeness a household item.
Category:1959 births Category:Living people Category:Mexican film actors Category:Mexican telenovela actors Category:Mexican telenovela producers Category:Argentine actors Category:Argentine people of German descent Category:Mexican people of Argentine descent Category:Argentine emigrants to Mexico Category:People from Buenos Aires
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Bartoli's parents, Silvana Bazzoni and Pietro Angelo Bartoli, were both professional singers and gave her her first music lessons. Her first public performance was at age eight as the shepherd boy in Tosca.
In contrast to most opera singers, Bartoli came to prominence in her early twenties, unusual in a profession where vocal maturity is typically not achieved until the thirties. She made her professional opera début in 1987 at the Arena di Verona. The following year she undertook the role of Rosina in Rossini's The Barber of Seville at the Oper der Stadt Köln, the Schwetzingen Festival and the Zürich Opera earning rave reviews. In June 2010 she sang the title role of Bellini's Norma for the first time with conductor Thomas Hengelbrock in a concert in the Konzerthaus Dortmund.
She often performs with Ensemble Il Giardino Armonico. In 2010 Bartoli received the Léonie Sonning Music Prize.
Category:1966 births Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Living people Category:Italian female singers Category:Italian mezzo-sopranos Category:Italian opera singers Category:Operatic mezzo-sopranos Category:Grammy Award winners Category:Chevaliers of the Ordre des Arts et des Lettres Category:Performers of early music Category:Accademia Nazionale di Santa Cecilia alumni Category:Honorary Members of the Royal Academy of Music
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.