- published: 07 Apr 2011
- views: 1031
- author: NatlPortraitGallery
4:28
Hide/Seek: Carl Van Vechten and the Harlem Renaissance
Discussion by Jonathan Katz, co-curator of "Hide/Seek" and Chair of the Visual Studies Doc...
published: 07 Apr 2011
author: NatlPortraitGallery
Hide/Seek: Carl Van Vechten and the Harlem Renaissance
Discussion by Jonathan Katz, co-curator of "Hide/Seek" and Chair of the Visual Studies Doctoral Program at SUNY-Buffalo. Carl Van Vechten 1880-1964 Critic, novelist, and photographer Carl Van Vechten was one of the most important promoters of American modernism and is best known for introducing white America to Harlem. Attracted by jazz, nightclubs, and a social world tolerant of gays, whites went north of 125th Street in search of a raw, pulsating, and "authentic" experience. Van Vechten's delight in "earthy" or "primitive" black folkways drew the fire of black intellectuals like WEB Du Bois. Romaine Brooks wickedly referenced this assessment of Van Vechten as an exploiter by posing him against a "chair," which on close inspection contains barely visible images of young black men, seemingly imprisoned behind bars and gratings. The jab was doubled for art-world followers because they knew that the respectably married Van Vechten went up to Harlem to cruise for young men and find subjects for his homoerotic photographs. "Hide/Seek: Difference and Desire in American Portraiture" was on view at the National Portrait Gallery, Smithsonian Institution, from October 30 through February 13, 2011. For more on the exhibit, visit the exhibit website at: npg.si.edu . Romaine Brooks (1874-1970) Oil on canvas, 1936 Carl Van Vechten Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, Connecticut
- published: 07 Apr 2011
- views: 1031
- author: NatlPortraitGallery
3:14
Hide/Seek: Carl Van Vechten by Romaine Brooks
Discussion by David C. Ward, co-curator of "Hide/Seek" and Historian at the National Portr...
published: 07 Apr 2011
author: NatlPortraitGallery
Hide/Seek: Carl Van Vechten by Romaine Brooks
Discussion by David C. Ward, co-curator of "Hide/Seek" and Historian at the National Portrait Gallery. Carl Van Vechten 1880-1964 Critic, novelist, and photographer Carl Van Vechten was one of the most important promoters of American modernism and is best known for introducing white America to Harlem. Attracted by jazz, nightclubs, and a social world tolerant of gays, whites went north of 125th Street in search of a raw, pulsating, and "authentic" experience. Van Vechten's delight in "earthy" or "primitive" black folkways drew the fire of black intellectuals like WEB Du Bois. Romaine Brooks wickedly referenced this assessment of Van Vechten as an exploiter by posing him against a "chair," which on close inspection contains barely visible images of young black men, seemingly imprisoned behind bars and gratings. The jab was doubled for art-world followers because they knew that the respectably married Van Vechten went up to Harlem to cruise for young men and find subjects for his homoerotic photographs. "Hide/Seek: Difference and Desire in American Portraiture" was on view at the National Portrait Gallery, Smithsonian Institution, from October 30 through February 13, 2011. For more on the exhibit, visit the exhibit website at: npg.si.edu . Romaine Brooks (1874-1970) Oil on canvas, 1936 Carl Van Vechten Papers, Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, Connecticut
- published: 07 Apr 2011
- views: 534
- author: NatlPortraitGallery
2:58
Carl Van Vechten (Augusto Mariante)
Carl Van Vechten was a white man with a black soul. Side by side with Wallace Thurman and ...
published: 15 Jun 2011
author: augustomariante
Carl Van Vechten (Augusto Mariante)
Carl Van Vechten was a white man with a black soul. Side by side with Wallace Thurman and Langston Hughes, he is one of the most important members of Harlem Renaissance. Without his care and his sense of responsability Gertrude Stein could has been forgotten perhaps. Your love by opera and modern dance made him the first critic of this subjects in America. Married twice and gay all the time - splendidly vice-versa: a case of study to Marjory Garber. Writer and photographer. Beautiful and damned black naked male bodies by his sophisticated camera. Celebrities of art was the other side of his lens. Fire and spark! Unfortunately, his is remembered just for his shots of celebrities nowadays. He has had some more fight and love to offer to us than that.
- published: 15 Jun 2011
- views: 488
- author: augustomariante
5:24
Yvette Guilbert By Carl Van Vechten(AngelANG64011)/Partie Carree~Les Vieux Messieurs
...
published: 25 Jul 2012
author: SuperVINVAN
Yvette Guilbert By Carl Van Vechten(AngelANG64011)/Partie Carree~Les Vieux Messieurs
- published: 25 Jul 2012
- views: 34
- author: SuperVINVAN
7:32
In the Upper Room by Mahalia Jackson - Song Lyrics
In the Upper Room by Mahalia Jackson. Hello, all. This is my first lyrics video and it was...
published: 23 Aug 2012
author: poetryme1
In the Upper Room by Mahalia Jackson - Song Lyrics
In the Upper Room by Mahalia Jackson. Hello, all. This is my first lyrics video and it was definitely a challenge. It took four hours to create it. Deciphering the lyrics took quite a while (about a week - done during my breaks) as she has a beautiful Southern accent. I never used the program before, some type of movie maker program, and found out how to use it from another youtuber (thanks!). So, you are viewing at least 10 hours of hard work. Enjoy! Hopefully, my next videos will includes some nice transitions and/or pictures. Credit for photos: Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection, LC-USZ62-102162 DLC Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection, LC-USZ62-116615 DLC Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection, LC-USZ62-109778 DLC By the way, I am aware that some of the slides contain the extra word "it" at the beginning of it. Did not discover it until it was too late.
- published: 23 Aug 2012
- views: 1136
- author: poetryme1
4:20
Atlanta Artist Corey Barksdale at Age 17 Interview WSMV TN
www.coreybarksdale.com 1989 television interview of Corey Barksdale at age 17 by WSMV Nash...
published: 01 Apr 2008
author: Corey Barksdale
Atlanta Artist Corey Barksdale at Age 17 Interview WSMV TN
www.coreybarksdale.com 1989 television interview of Corey Barksdale at age 17 by WSMV Nashville newscaster. The interview features Corey as a up and coming African-American artist carrying on the tradition of great African-American artist from the Harlem Renaissance era. The tradition of artist such as Aaron Douglas, Palmer Hayden, William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Archibald Motley Jr., etc. Nashville connection to Harlem Renaissance:Aaron Douglas, Fisk University, Carl Van Vechten Gallery. When he died in 1946, Alfred Stieglitz, the great photographer and tireless promoter of modern art, left his estate to his wife, the painter Georgia O'Keeffe. His work as a photographer she shrewdly distributed to the large American museums that could be counted on to secure his reputation. But a sizable part of his art collection O'Keeffe deposited in a less predictable place. At the urging of a friend, the Harlem Renaissance writer Carl Van Vechten, she gave 97 works to Fisk University, the historically black school in Nashville. And she threw in a few of her own. One of those was Radiator Building-- Night, New York, 1927, a painting we now recognize as a key moment in her career. Related Articles Years passed, during which Fisk's endowment dwindled while the art market went into warp drive. In 2005 the school's president, Hazel O'Leary, came up with an idea that could not only pay to renovate the frayed campus gallery where the Stieglitz Collection has ...
- published: 01 Apr 2008
- views: 2998
- author: Corey Barksdale
3:50
Carl Hancock Rux Better Left Unsaid
Song from Rux's Good Bread Alley Cd. Photography by Carl Van Vechten....
published: 01 Oct 2010
author: carl rux
Carl Hancock Rux Better Left Unsaid
Song from Rux's Good Bread Alley Cd. Photography by Carl Van Vechten.
- published: 01 Oct 2010
- views: 364
- author: carl rux
6:16
THE WAR OF THE WORLDS LETTERS: A New View of Orson Welles's Infamous 1938 Radio Broadcast
Short video about my senior history thesis at the University of Michigan, put together for...
published: 21 Sep 2012
author: TheRedReatta
THE WAR OF THE WORLDS LETTERS: A New View of Orson Welles's Infamous 1938 Radio Broadcast
Short video about my senior history thesis at the University of Michigan, put together for the 2012 MLibrary Undergraduate Research Award presentation. "THE WAR OF THE WORLDS LETTERS: Orson Welles, Fake News, and American Democracy in the Golden Age of Radio" by A. Brad Schwartz uses new evidence to reexamine the historical significance of the infamous "panic broadcast" of 1938. For more information, visit: www.lib.umich.edu waroftheworldsletters@gmail.com Public domain images and video courtesy Wikimedia Commons (commons.wikimedia.org), the Internet Archive (www.archive.org), the US National Archives and Records Administration, and the Library of Congress. "Stars Time Lapse" Video courtesy Jeffrey Beach, Beachfront Productions (www.beachfrontprod.blogspot.com), licensed under Creative Commons Attribution 3.0. Portrait of Orson Welles by Carl Van Vechten, courtesy Library of Congress, Prints and Photographs Division, Carl Van Vechten Collection, LC-USZ62-119765
- published: 21 Sep 2012
- views: 119
- author: TheRedReatta
1:27
Preview van Parties | ISBN 9789491117008 | Uitgeverij Parvenu
VERWACHT JULI 2011 Parties -- Een dronkemansrit door het New York van de 'Roaring Twenties...
published: 23 May 2011
author: UitgeverijParvenu
Preview van Parties | ISBN 9789491117008 | Uitgeverij Parvenu
VERWACHT JULI 2011 Parties -- Een dronkemansrit door het New York van de 'Roaring Twenties' Carl van Vechten Geïllustreerd door Maurice Vellekoop Vertaald door Menno Visser ISBN 9789491117008 272 pagina's [26 illustraties in kleur] 15.5 x 23 cm Gebonden 24,95 euro David Westlake heeft iemand vermoord en zijn vrouw heeft, naar eigen zeggen, zelfmoord gepleegd. In dit hilarische portret van het lege salonleven in New York lijkt overdreven aandachttrekkerij de natuurlijke houding. Onnoemelijk verveelde socialites bezoeken clandestiene kroegen (speakeasy's) en jazzclubs in Harlem, en gaan van de ene cocktailparty naar de andere om de leegheid enigszins op te vullen. De drank vloeit rijkelijk, maar eigenlijk is het feest allang afgelopen. De jarenlange excessen hebben hun tol geëist en het noodlot kan zelfs door de rijke New Yorkers niet naar de hand gezet worden. Carl van Vechten was een beroemde New Yorkse journalist en fotograaf, en een graag geziene gast in de salon van Gertrude Stein (en vice versa). Ook liet hij blanke New Yorkers kennismaken met de zwarte cultuur en het bruisende nachtleven van Harlem. In deze beroemde satirische roman -- in wie velen het echtpaar Zelda en Scott Fitzgerald herkenden -- toont hij de keerzijde van een periode die tot ieders verbeelding spreekt. Een prachtig en meedogenloos tijdsdocument van New York tijdens de Roaring Twenties.
- published: 23 May 2011
- views: 206
- author: UitgeverijParvenu
2:57
Frida Kahlo Images with Music
Frida Kahlo images from www.artknowlegenews.com Music: "The Journey", by Elliot Goldenthal...
published: 18 Apr 2011
author: ArtSmartVideos
Frida Kahlo Images with Music
Frida Kahlo images from www.artknowlegenews.com Music: "The Journey", by Elliot Goldenthal. Photograph by Nickolas Muray, "Frida's Blue Dress". Photograph by Guillermo Kahlo, "Portrait of Frida Kahlo". Photograph by Lola Alvarez Bravo, "Frida Kahlo", 1944 from the Collection of Manuel Alvarez B. Martinez. "Portrait of Diego Rivera and Frida Kahlo", 1932, From Carl Van Vechten photograph collection (Library of Congress). Photograph by Lucienne Bloch, "Frida in front of the Unfinished Unity Panel", 1933. Photograph by Tina Modoti, "Diego Rivera and Frida Kahlo march with artists on May Day", Mexico City, 1 May 1929. Emmy Lou Packard, "Frida Kahlo and Diego Rivera at home", Coyoacan, Mexico, 1941. Nickolas Muray, "Frida with Diego and Gas Mask #11", about 1930. Vicente Wolf Photography Collection, "Frida Kahlo in her studio at Casa Azul". "Self Portrait". "Still Life: Pitahayas", 1938. "Moses (Moises)", 1945. "Without Hope (Sin Esperanza)", 1945. "The Frame", 1937-38. "Self-Portrait with Thorn Necklace & Hummingbird / Autoretrato con collar de espinas y colibri", 1940. "Me and My Parrots", 1941. "The Broken Column, La Columna Rota", 1944. "Self-Portrait with Monkey", 1945. "My Nurse and I", 1937. "The Bus", 1929. "Henry Ford Hospital", 1932. Photograph by Nickolas Muray, "Frida Kahlo on White Bench" (carbo), 1939. Photograph by Nickolas Muray, "Frida with Olmeca Figurine", Coyoacan, 1939. "Self-Portrait with Medallion", 1948. "Mi Vestido Cuelga Ahi, (My Dress Hangs There ...
- published: 18 Apr 2011
- views: 5412
- author: ArtSmartVideos
5:22
Part III: Rare and unknown voices - MATTIWILDA DOBBS
Please open the bar to read more about this artist! Mattiwilda Dobbs, Soprano (born 1925) ...
published: 13 Nov 2010
author: 100Singers
Part III: Rare and unknown voices - MATTIWILDA DOBBS
Please open the bar to read more about this artist! Mattiwilda Dobbs, Soprano (born 1925) Jacques Offenbach LES CONTES D´HOFFMANN Les oiseaux dans la charmille Conducted by Jean Morel (Live recording 1959) My personal opinion: In December 1958, the African-American coloratura soprano Mattiwilda Dobbs sang the first of three performances as Olympia in LES CONTES D´HOFFMANN at the Met. Her partner was swedish tenor Nicolai Gedda. By a funny coincidence, both singers were born on July 11 in 1925. Dobbs came to the Met one year after Marian Anderson, the first black soloist. Dobbs´ first role was Gilda in RIGOLETTO (with Leonard Warren and Jan Peerce), the beginning of a long-term contract offered by Sir Rudolf Bing. After the performance, US-writer and photographer Carl van Vechten wrote, that she was "glorious: A warm and brilliant coloratura and the best Gilda in my experience, and I have heard Melba, Eames and Bessie Abott. And Hilde Gueden who always leaves me cold as a sardine in the icebox!" Dobbs sang Gilda twelve times at the Met. Dobbs´ soprano was small, but her vocal technique was refined and her interpretations very lively. She was predestinated to sing all this young lyrical opera girls. On records you can find her as Leila in Bizet´s PEARL FISHERS (enervating because of René Leibowitz´ unconventional conducting. He also was the conductor who gave us the most awful BALLO-recording ever. You must hear it to believe it!) and Cathérine in the rare opera LA JOLIE ...
- published: 13 Nov 2010
- views: 2876
- author: 100Singers
4:13
The Hypodermic Needle Theory | Media in Minutes | Episode 1
An introduction to the Hypodermic Needle Theory which was one of the earliest ways of thin...
published: 21 Aug 2012
author: Brett Lamb
The Hypodermic Needle Theory | Media in Minutes | Episode 1
An introduction to the Hypodermic Needle Theory which was one of the earliest ways of thinking about the relationship between media texts and audiences. Follow us on Facebook: facebook.com And Twitter: twitter.com A full transcript of this episode can be found at: lessonbucket.com Thanks to Adam 'Elroy' Mazzitelli for his help. Check out: www.remoteviewing.com.au http Photo Credits: Orson Welles by Carl Van Vechten.
- published: 21 Aug 2012
- views: 2616
- author: Brett Lamb
5:10
The Art of Alastair
Alastair (Baron Hans Henning Voigt) was an artist, composer, dancer, mime, poet, singer an...
published: 04 Mar 2011
author: shivabel
The Art of Alastair
Alastair (Baron Hans Henning Voigt) was an artist, composer, dancer, mime, poet, singer and translator. Mysterious, flamboyant, enigmatic and attractive to many people he was born of German nobility in 1887 in Karlsruhe. In his youth he joined the circus and learned mime. Shortly after leaving school he studied philosophy at Marburg University where he would meet the writer Boris Pasternak. Perhaps achieving more as an illustrator, Alastair's drawings, which are often decadent in spirit and have the look of Art Deco and influenced somewhat by the drawings of the English artist Aubrey Beardsley's 'serpentine line' often depict characters whose outlines are lightly drawn with the main areas filled in with 'broken dotted lines'. Alastair's fame spread in 1920 with the publication of The Sphinx which had contained ten full-page illustrations by him 'printed in black and turquoise'. Many of his drawings were inspired by the poems of Oscar Wilde and in 1924 Alastair would illustrate a book of Wilde's Salome. Other books containing Alastair's illustrations include The Blind Bow-Boy (1923) by Carl Van Vechten, Red Skeletons by Harry Crosby (1928) and a 1928 edition of "The Fall of the House of Usher" by Edgar Allan Poe, the last two published by the Black Sun Press. In The Blind Bow-Boy Alastair would depict the 'androgynous male'. During the 1930s, he would stop drawing only to resume in 1964. He died in Munich in 1969. Music by Stravinsky, 'Petrushka - Introduction (at the ...
- published: 04 Mar 2011
- views: 1544
- author: shivabel
8:18
Tiësto ~ Adagio For Strings (2012) M&P; Motion Video [HD]
Not the classic version but a calming, relaxing slow mix for 2012...Enjoy :-) MAIN CHANNEL...
published: 05 Sep 2012
author: TranceCIassic
Tiësto ~ Adagio For Strings (2012) M&P; Motion Video [HD]
Not the classic version but a calming, relaxing slow mix for 2012...Enjoy :-) MAIN CHANNEL: www.youtube.com Barber's Adagio for Strings began as the second movement of his String Quartet, Op. 11, composed in 1936 while he was spending a summer in Europe with his partner Gian Carlo Menotti, an Italian composer who was a fellow student at the Curtis Institute of Music. The inspiration came from Virgil's Georgics. Kimberly Keir of Cecil County Public Schools stated that "Barber envisioned a small stream that grows into a river." In the quartet the adagio follows a violently contrasting first movement (Molto allegro e appassionato) and is succeeded by music which opens with a brief reprise of the music from the first movement (marked Molto allegro (come prima) -- Presto). Samuel Barber, photographed by Carl Van Vechten, 1944. In January 1938 Barber sent an orchestrated version of the Adagio for Strings to Arturo Toscanini. The conductor returned the score without comment, which annoyed Barber. Toscanini then sent word through Menotti that he was planning to perform the piece and had returned it simply because he had already memorized it. It was reported that Toscanini did not look at the music again until the day before the premiere. On November 5, 1938, a selected audience was invited to Studio 8H in Rockefeller Center to view Toscanini conduct the first performance, a radio broadcast which was recorded for posterity. Initially, the critical reception was positive, as seen ...
- published: 05 Sep 2012
- views: 1920
- author: TranceCIassic
Youtube results:
3:01
FEBRUARY HOUSE at The Public Theater
FEBRUARY HOUSE creators Gabriel Kahane and Seth Bockley and director Davis McCallum discus...
published: 20 Apr 2012
author: ThePublicTheater
FEBRUARY HOUSE at The Public Theater
FEBRUARY HOUSE creators Gabriel Kahane and Seth Bockley and director Davis McCallum discuss their new musical's inspiration and themes. For information about the show, visit publictheater.org. Pictured in this video (in order of appearance): WH Auden and Carson McCullers, photos by Carl Van Vechten; Benjamin Britten, photo by Yousuf Karsh; Gypsy Rose Lee, photo by Fred Palumbo; Julian Fleisher as George Davis, Kacie Sheik as Gypsy Rose Lee, Kristen Sieh as Carson McCullers, Erik Lochtefeld as WH Auden, AJ Shively as Chester Kallman, and Ken Clark as Reeves McCullers, production photos by T. Charles Erickson.
- published: 20 Apr 2012
- views: 3639
- author: ThePublicTheater
2:43
Barnard College: The Early Years (1889-1929)
Historical montage of photographs and film footage taken during the first 40 years of Barn...
published: 14 Mar 2011
author: RRKennison
Barnard College: The Early Years (1889-1929)
Historical montage of photographs and film footage taken during the first 40 years of Barnard College. Cameos by Léonie Adams, Mary Antin, Marie Carmody, Mabel Choate, Thomas Scott Fiske, Virginia Gildersleeve, Laura Drake Gill, Isabel Greenbaum, Zora Neale Hurston, Eleanore Myers Jewett, Kang Tung Pih, Eleanor Pelham Kortheuer, Irene Langhorne (Mrs. Charles Dana Gibson), Mrs. NW Liggett, Margaret Mead, Alice Pollitzer, Juliet Stuart Poyntz, Mary Harriman Rumsey, Emily James Smith, Ella Weed, and others. Film footage of the Greek Games, ca. 1927. Photos by George Grantham Bain, A. Tennyson Beals, Brown Brothers, Byron Studios, Knowlton Studios, HH Sidman, Paul Thompson, Raphael Tuck & Sons, Carl Van Vechten, Clarence White, White Studios, and others. Images and video courtesy of Barnard College Archives, Library of Congress, and New York Public Library. Song: Whirl by Wiretree. Created at animoto.com.
- published: 14 Mar 2011
- views: 652
- author: RRKennison
3:13
NPT Arts Break: The Alfred Stieglitz Collection at Fisk University
As executor of her late husband's estate, Georgia O'Keeffe gifts a portion of Alfred Stieg...
published: 07 Oct 2010
author: NptArts
NPT Arts Break: The Alfred Stieglitz Collection at Fisk University
As executor of her late husband's estate, Georgia O'Keeffe gifts a portion of Alfred Stieglitz's collection to Fisk University without ever visiting the small historically black college. The 101 pieces of modern art include works by some of the giants of American and European modernism such as Picasso, Cezanne, Renoir, Diego Rivera, Toulouse-Lautrec, Georgia O'Keeffe, Charles Demuth, Marsden Hartley, John Marin, Arthur Dove & Stieglitz himself.
- published: 07 Oct 2010
- views: 407
- author: NptArts
3:03
Canyons of Steel: New York City (Jazz Version)
Photographs of New York City by Berenice Abbott, Margaret Bourke-White, Alvin Langdon Cobu...
published: 22 Jul 2010
author: RRKennison
Canyons of Steel: New York City (Jazz Version)
Photographs of New York City by Berenice Abbott, Margaret Bourke-White, Alvin Langdon Coburn, Andreas Feininger, Lewis Hine, WE James, Arthur Leipzig, Lisette Model, Jacob Riis, Cindy Sherman, Edward Steichen, Alfred Stieglitz, Paul Strand, Carl Van Vechten, and unknown photographers, interspersed with turn-of-the-century video clips by the American Mutoscope & Biograph Company and the Thomas Edison Company. Song: Brown's Little Jug by Les Brown, performed by Dave Pell. Created at animoto.com.
- published: 22 Jul 2010
- views: 872
- author: RRKennison