The Ghost of Christmas Yet to Come shows Scrooge his future in Dickens' A Christmas Carol.

The future is the indefinite time period after the present. Its arrival is considered inevitable due to the existence of time and the laws of physics. Due to the nature of the reality and the unavoidability of the future, everything that currently exists and will exist can be catagorized as either permanent meaning that they will exist for the whole of the future or temporary meaning that they won't and thus will come to an end. The future and the concept of eternity have been major subjects of philosophy, religion, and science and defining them non-controversially has consistently eluded the greatest of minds.^[1] It is the opposite of the past, and is the time after the present.^[2] In the Occidental view, which uses a linear conception of time, the future is the portion of the projected time line that is anticipated to occur.^[3] In special relativity the future is considered to be absolute future or the future light cone.^[4] In physics, time is considered to be the fourth dimension of the universe.^[5]

In the philosophy of time, presentism is the belief that only the present exists and the future and the past are unreal. Religions consider the future when they address issues such as karma, life after death, and eschatologies that study what the end of time and the end of the world will be. Religious figures have claimed to see into the future, such as prophets and diviners. Organized efforts to predict or forecast the future may have derived from observations by early man of heavenly objects.

Future studies, or futurology, is the science, art and practice of postulating possible futures. Modern practitioners stress the importance of alternative and plural futures, rather than one monolithic future, and the limitations of prediction and probability, versus the creation of possible and preferable futures.

In art and culture, the future was explored in several art movements and genres. The futurism art movement at the beginning of the 20th century explored every medium of art, including painting, sculpture, poetry, theatre, music, architecture and even gastronomy. Futurists had passionate loathing of ideas from the past, especially political and artistic traditions. Instead, they espoused a love of speed, technology, and violence.^[6][7] Futuristic music involved homage to, inclusion of, or imitation of machines. Futurism expanded to encompass other artistic domains and ultimately included industrial design, textiles, and architecture.

Forecasting[link]

Organized efforts to predict or forecast the future may have derived from observations by early humans of heavenly objects, which changed position in predictable patterns. The practice of astrology, today considered pseudoscience, evolved from the human desire to forecast the future. Much of physical science can be read as an attempt to make quantitative and objective predictions about events.

Forecasting is the process of estimation in unknown situations. Due to the element of the unknown, risk and uncertainty are central to forecasting and prediction. It can refer to estimation of time series, cross-sectional or longitudinal data.

Prediction is a similar, but more general term. Both can refer to estimation of time series, cross-sectional or longitudinal data. Econometric forecasting methods use the assumption that it is possible to identify the underlying factors that might influence the variable that is being forecast. If the causes are understood, projections of the influencing variables can be made and used in the forecast. Judgmental forecasting methods incorporate intuitive judgments, opinions and probability estimates, as in the case of the Delphi method, scenario building, and simulations. Forecasting is applied in many areas, including weather forecasting, earthquake prediction, transport planning, and labour market planning.

Despite the development of cognitive instruments for the comprehension of future, the stochastic nature of many natural and social processes has made precise forecasting of the future elusive. Modern efforts such as future studies attempt to predict social trends, while more ancient practices, such as weather forecasting, have benefited from scientific and causal modelling.

Future studies[link]

Future studies or futurology is the science, art and practice of postulating possible, probable, and preferable futures and the worldviews and myths that underlie them. Futures studies seeks to understand what is likely to continue, what is likely to change, and what is novel. Part of the discipline thus seeks a systematic and pattern-based understanding of past and present, and to determine the likelihood of future events and trends. A key part of this process is understanding the potential future impact of decisions made by individuals, organisations and governments. Leaders use results of such work to assist in decision-making.

According to Hubbert peak theory, peak oil is the date when the peak of the world's production of conventional petroleum (crude oil) is reached.

Futures is an interdisciplinary field, studying yesterday's and today's changes, and aggregating and analyzing both lay and professional strategies, and opinions with respect to tomorrow. It includes analyzing the sources, patterns, and causes of change and stability in the attempt to develop foresight and to map possible futures. Modern practitioners stress the importance of alternative and plural futures, rather than one monolithic future, and the limitations of prediction and probability, versus the creation of possible and preferable futures.

Three factors usually distinguish futures studies from the research conducted by other disciplines (although all disciplines overlap, to differing degrees). First, futures studies often examines not only possible but also probable, preferable, and "wild card" futures. Second, futures studies typically attempts to gain a holistic or systemic view based on insights from a range of different disciplines. Third, futures studies challenges and unpacks the assumptions behind dominant and contending views of the future. The future thus is not empty but fraught with hidden assumptions.

Futures studies does not generally include the work of economists who forecast movements of interest rates over the next business cycle, or of managers or investors with short-term time horizons. Most strategic planning, which develops operational plans for preferred futures with time horizons of one to three years, is also not considered futures. But plans and strategies with longer time horizons that specifically attempt to anticipate and be robust to possible future events, are part of a major subdiscipline of futures studies called strategic foresight.

The futures field also excludes those who make future predictions through professed supernatural means. At the same time, it does seek to understand the models such groups use and the interpretations they give to these models.

Physics[link]

This section requires expansion.

This section needs attention from an expert on the subject. The following WikiProjects or Portals may be able to help recruit one: • WikiProject Time • WikiProject Physics If another appropriate WikiProject or portal exists, please adjust this template accordingly. (April 2009)

A visualisation of the future light cone (at top), the present, and the past light cone in 2D space.

In classical physics the future is just a half of the timeline. In special relativity the future is considered as absolute future or the future light cone. In physics, time is considered to be a fourth dimension. Physicists argue that space-time can be understood as a sort of stretchy fabric that can bend due to forces such as gravity. While a person can move backwards or forwards in the three spatial dimensions, many physicists argue you are only able to move forward in time.^[8]

The physicist who advised the makers of the fictional time-travel film Déjà Vu claims that a person could hypothetically travel into the future if they had a spaceship that could travel at almost the speed of light. After a voyage on this ship, if a person returned to Earth, millions of years would have passed in Earth time.^[8] Some physicists claim that by using a wormhole to connect two regions of space-time a person could theoretically travel in time. Physicist Michio Kaku points out that to power this hypothetical time machine and "punch a hole into the fabric of space-time", it would require the energy of a star. Another theory is that a person could travel in time with cosmic strings.

Philosophy[link]

This section requires expansion.

In the philosophy of time, presentism is the belief that only the present exists and the future and the past are unreal. Past and future "entities" are to be construed as logical constructions or fictions. The opposite of presentism is 'eternalism', which is the belief that things in the past and things yet to come exist eternally. One other view (that has not been held by very many philosophers) is sometimes called the 'growing block' theory of time, which is a theory that takes the past and present to exist but the future to be nonexistent.^[10]

Presentism is compatible with Galilean relativity, in which time is independent of space but is probably incompatible with Lorentzian/Einsteinian relativity in conjunction with certain other philosophical theses which many find uncontroversial. Saint Augustine proposed that the present is a knife edge between the past and the future and could not contain any extended period of time.

Contrary to Saint Augustine, some philosophers propose that conscious experience is extended in time. For instance, William James said that time is "the short duration of which we are immediately and incessantly sensible".^{[citation needed]} Augustine proposed that God is outside of time and present for all times, in eternity. Other early philosophers who were presentists include the Buddhists (in the tradition of Indian Buddhism). A leading scholar from the modern era on Buddhist philosophy is Stcherbatsky, who has written extensively on Buddhist presentism:

Psychology[link]

This section requires expansion.

While ethologists consider animal behavior to be largely based on fixed action patterns or other learned traits in an animal's past, human behavior is known to encompass an anticipation of the future. Anticipatory behavior can be the result of a psychological outlook toward the future, for examples optimism, pessimism, and hope.

Optimism is an outlook on life such that one maintains a view of the world as a positive place. People would say that optimism is seeing the glass "half full" of water as opposed to half empty. It is the philosophical opposite of pessimism. Optimists generally believe that people and events are inherently good, so that most situations work out in the end for the best.Hope is a belief in a positive outcome related to events and circumstances in one's life. Hope implies a certain amount of despair, wanting, wishing, suffering or perseverance — i.e., believing that a better or positive outcome is possible even when there is some evidence to the contrary. "Hopefulness" is somewhat different from optimism in that hope is an emotional state, whereas optimism is a conclusion reached through a deliberate thought pattern that leads to a positive attitude.

Religion[link]

This unreferenced section requires citations to ensure verifiability.

Religions consider the future when they address issues such as karma, life after death, and eschatologies that study what the end of time and the end of the world will be. In religion, major prophets are said to have the power to change the future. Common religious figures have claimed to see into the future, such as minor prophets and diviners. The term "afterlife" refers to the continuation of existence of the soul, spirit or mind of a human (or animal) after physical death, typically in a spiritual or ghostlike afterworld. Deceased persons are usually believed to go to a specific region or plane of existence in this afterworld, often depending on the rightness of their actions during life.

Some believe the afterlife includes some form of preparation for the soul to be transferred to another body (reincarnation). The major views on the afterlife derive from religion, esotericism and metaphysics. There are those who are skeptical of the existence of the afterlife, or believe that it is absolutely impossible, such as the materialist-reductionists, who believe that the topic is supernatural, therefore does not really exist or is unknowable. In metaphysical models, theists generally believe some sort of afterlife awaits people when they die. Atheists generally do not believe in a life after death. Members of some generally non-theistic religions such as Buddhism, tend to believe in an afterlife like reincarnation but without reference to God.

Agnostics generally hold the position that like the existence of God, the existence of supernatural phenomena, such as souls or life after death, is unverifiable and therefore unknowable. Many religions, whether they believe in the soul’s existence in another world like Christianity, Islam and many pagan belief systems, or in reincarnation like many forms of Hinduism and Buddhism, believe that one’s status in the afterlife is a reward or punishment for their conduct during life, with the exception of Christianity, which believes one's status in the afterlife is a gift from God and cannot be earned during life. “For by grace are you saved through faith; and that not of yourselves: it is the gift of God; not of works, lest any man should boast.” (Ephesians 2: 8,9)

Eschatology is a part of theology and philosophy concerned with the final events in the history of the world, or the ultimate destiny of humanity, commonly referred to as the end of the world. While in mysticism the phrase refers metaphorically to the end of ordinary reality and reunion with the Divine, in many traditional religions it is taught as an actual future event prophesied in sacred texts or folklore. More broadly, eschatology may encompass related concepts such as the Messiah or Messianic Age, the end time, and the end of days.

In art and culture[link]

Futurism[link]

Futurism was an art movement that originated in Italy at the beginning of the 20th century. Futurism was a largely Italian and Russian movement, although it also had adherents in other countries, England and Portugal for example. The Futurists explored every medium of art, including painting, sculpture, poetry, theatre, music, architecture and even gastronomy. Futurists had a passionate loathing of ideas from the past, especially political and artistic traditions. They also espoused a love of speed, technology, and violence. Futurists dubbed the love of the past passéisme. The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of people over nature. The Futurist Manifesto had declared, "We will glorify war - the world's only hygiene - militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman." ^[7] Although it owed much of its character and some of its ideas to radical political movements, it was not much involved in politics until the autumn of 1913.^[12]

One of the many 20th century classical movements in music was one which involved homage to, inclusion of, or imitation of machines. Closely identified with the central Italian Futurist movement were brother composers Luigi Russolo and Antonio Russolo, who used instruments known as "intonarumori", which were essentially sound boxes used to create music out of noise. Luigi Russolo's futurist manifesto, The Art of Noises, is considered to be one of the most important and influential texts in 20th century musical aesthetics. Other examples of futurist music include Arthur Honegger's Pacific 231, which imitates the sound of a steam locomotive, Prokofiev's "The Steel Step", and the experiments of Edgard Varèse.

Literary futurism made its debut with F.T. Marinetti's Manifesto of Futurism (1909). Futurist poetry used unexpected combinations of images and hyper-conciseness (not to be confused with the actual length of the poem). Futurist theater works have scenes that are few sentences long, and which use nonsensical humor and which attempt to discredit the deep-rooted dramatic traditions with parody. The longer forms of literature, such as the novel, had no place in the Futurist aesthetic, which was obsessed with speed and compression.

Futurism expanded to encompass other artistic domains and ultimately included painting, sculpture, ceramics, graphic design, industrial design, interior design, theatre design, textiles, drama, literature, music and architecture. In architecture, it was characterized by a distinctive thrust towards rationalism and modernism through the use of advanced building materials. The ideals of futurism remain as significant components of modern Western culture; the emphasis on youth, speed, power and technology finding expression in much of modern commercial cinema and culture. Futurism has produced several reactions, including the 1980s-era literary genre of cyberpunk — in which technology was often treated with a critical eye.

Science fiction[link]

Print (c. 1902) by Albert Robida showing a futuristic view of air travel over Paris in the year 2000 as people leave the opera.

Science fiction writer Robert A. Heinlein defines science fiction as:

More generally, science fiction is a broad genre of fiction that often involves speculations based on current or future science or technology. Science fiction is found in books, art, television, films, games, theater, and other media. Science fiction differs from fantasy in that, within the context of the story, its imaginary elements are largely possible within scientifically established or scientifically postulated laws of nature (though some elements in a story might still be pure imaginative speculation). Settings may include the future, or alternative time lines, and stories may depict new or speculative scientific principles, such as time travel or psionics, or new technology, such as nanotechnology, faster-than-light travel or robots. Exploring the consequences of such differences is the traditional purpose of science fiction, making it a "literature of ideas".^[14]

Some science fiction authors construct a postulated history of the future called a "future history" which serves as a common background for their fiction. Sometimes the author publishes a timeline of events in their history, while other times the reader can reconstruct the order of the stories from information provided therein. Some works were published which constituted "future history" in a more literal sense - i.e., stories or whole books purporting to be excerpts of a history book from the future and which are written in the form of a history book - i.e., having no personal protagonists but rather describing the development of nations and societies over decades and centuries. Examples include H.G. Wells' The Shape of Things to Come (1933), which was written in the form of a history book published in the year 2106 and - in the manner of a real history book - containing numerous footnotes and references to the works of (mostly fictitious) prominent historians of the 20th and 21st centuries.

See also[link]

• Alternative future
• Cheiromancy
• Futurism
• Futurology
• Futurewise
• Paleofuture

Future events[link]

• Timeline of the near future
• Timeline of the future in forecasts
• Timeline of the far future
• Future of the Earth
• Future of the Solar System
• Future of an expanding universe

References[link]

v t e Time Major concepts Time Eternity Arguments for eternity Immortality History Past Present Future Futures studies Deep time Time Portal Measurement and standards Chronometry UTC UT TAI Second Minute Hour Sidereal time Solar time Time zone Metric time Decimal time Hexadecimal time Clock Astrarium History of timekeeping devices Horology Marine chronometer Sundial Water clock Calendar Day Week Month Year Tropical year Gregorian Islamic Julian Intercalation Leap second Leap year Chronology Astronomical chronology Calendar era Chronicle Dating methodologies Geochronology Geologic Time Geological history Periodization Regnal year Timeline Religion and mythology Dreamtime Kāla Kalachakra Prophecy Time and fate deities Wheel of time Philosophy A-series and B-series B-Theory of time Causality Endurantism Eternal return Eternalism Event Perdurantism Presentism Temporal finitism Temporal parts The Unreality of Time Physical sciences Time in physics Absolute time and space Arrow of time Chronon Coordinate time Planck epoch Planck time Proper time Spacetime Theory of relativity Time dilation Gravitational time dilation Time domain T-symmetry Biology Chronobiology Circadian rhythms Psychology Mental chronometry Sense of time Specious present Sociology and anthropology Long Now Foundation Time discipline Time use research Economics Time value of money Time-based currency Time Banking Related topics Carpe diem Duration Space System time Tempus fugit Time capsule Time signature Time travel

Young Jeezy
Young Jeezy in 2006
Background information
Birth name	Jay Wayne Jenkins
Also known as	Lil J
Born	(1977-10-12) October 12, 1977 (age 34) Columbia, South Carolina[1]
Origin	Atlanta, Georgia, United States
Genres	Hip hop
Occupations	Rapper, songwriter
Years active	2001–present
Labels	CTE World/Def Jam, Def Jam South
Associated acts	USDA, Akon
Website	http://youngjeezy.defjam.com

Jay Wayne Jenkins (born October 12, 1977),^[1] better known by his stage name Young Jeezy, is an American rapper. He is a member of the hip hop group United Streets Dopeboyz of America (USDA) and a former member of BMF (Black Mafia Family). He began his career in 2001 under an independent label and joined Boyz 'N Da Hood in 2005, the same year his solo major label debut Let's Get It: Thug Motivation 101 was released. Its single "Soul Survivor", which featured Akon, became a top-ten hit in the US.

The Inspiration followed in 2006, and The Recession followed in 2008; both albums yielded chart-topping singles. Jeezy has also appeared on numerous other rap and R&B singles such as "Say I" by Christina Milian, "I'm So Paid" by Akon, "Hard" by Rihanna, and "Love in This Club" by Usher, the latter being a number one single on the US Billboard Hot 100 in 2008.

Early life[link]

Jay Wayne Jenkins was born in Columbia, South Carolina^[1] and relocated to Atlanta, Georgia when he was a toddler.^[2][3] Because his parents were separated, custody of him transferred between family members frequently. In an interview with XXL magazine, he described his childhood as "empty". In 1994, he spent nine months in YCA (Youth Challenge Academy), a boot camp in Fort Stewart, Georgia, for narcotics possession.^[4]

Music career[link]

Independent debut[link]

Jeezy released his first independent album, Thuggin' Under the Influence (T.U.I.), in 2001 under the name Lil J.^[5] It featured artists such as Freddy J.,Kinky B, Fidank, and Lil Jon, who also produced some of the tracks. In 2003, Jeezy released (also independently) Come Shop wit Me, a two CD set featuring completely new tracks with some songs from T.U.I. Jeezy signed with Bad Boy Records in 2004 and joined the group Boyz n da Hood, whose self-titled album was released in June 2005 and peaked at #5 on the Billboard 200 albums charts.

[edit] Let's Get It: Thug Motivation 101 (2005)

In May 2004, Jazze Pha's manager Henry 'Noonie' Lee showed Young Jeezy's demo to his friend Shakir Stewart, Vice President Artist and Repertoire (VP A&R) at Def Jam.^[6] Stewart "fell in love with it [the demo] the first time [he] heard it" and took it to L.A. Reid.^[6] Reid recognised the talent and gave Stewart the green light to sign him.^[6] As the "hottest thing on the street" at the time, various labels - including Warner and Interscope – were after his signature. However, Jeezy decided he wanted to be in business with Stewart and Reid. As a result, signed with Def Jam Records.^[6]

Jeezy's major label debut, Let's Get It: Thug Motivation 101, was released on July 26, 2005. He debuted at #2, selling 172,000 copies in its first week.^[7] It spawned several hit singles such as "Soul Survivor" featuring Akon. It reached #4 on the Billboard Hot 100 and #1 on the Hot Rap Tracks charts. "And Then What" featuring Mannie Fresh, which reached #67 on the Hot 100 and #13 on the Hot Rap Tracks. "My Hood", #19 on the Rap chart. In an interview with HitQuarters, A&R Shakir Stewart said that Jeezy had recorded over 60 songs for the album.^[6]

Jeezy partially wrote and performed on Gucci Mane's song, "Icy". Supposedly, Jeezy was never paid properly for his services. Those in Gucci Mane's camp have suggested that gang members from the Mechanicsville area attacked Gucci Mane to defend Jeezy's honor.^[8] Jeezy put out a track called "Stay Strapped" dissing Gucci Mane to the beat of "T.I.'s" song "A.S.A.P." Jeezy responded to Gucci Mane's, while rapping "even his own momma know, Radric Davis a bitch". In a recent Cutmaster C mixtape, The Hood News Page 3: Jay-Z Boycotts Cristal, Gucci disses Jeezy along with Jay Z in his track, "745". Jeezy addresses Gucci back on the same mixtape. While on the track "Break It Down", featuring Cmillz. On "Streets On Lock", from The Inspiration, Jeezy addressed Gucci Mane again, saying "What type of real nigga name himself after a bag?/Nigga you's a hoe, a Louis Vuitton fag". Towards the end of 2009, DJ Drama brought Young Jeezy to the radio station and called Gucci Mane to settle the beef once and for all. The two stopped feuding but throughout early 2010, the crews of Jeezy & Gucci (CTE & Brick Squad) have been in and out altercations with each other despite the fact Jeezy & Gucci have nothing to do with that. In 2011, Jeezy plans to release a new single featuring DJ Spluge and the rest of the Gangster Brigade.

In interviews and on several records, Jeezy has affirmed his resistance to commercialism in his music.^[9] Maintaining his street credibility, according to Jeezy, is of the utmost concern to him as an artist.^[4] In 2005, Jeezy was featured in several popular hip hop songs including Gucci Mane's "Icy"^[10] and Boyz n da Hood's "Dem Boyz". Due to having a successful solo career, he left the group. From time to time he still keeps in contact with a few of the members, but in early 2010 Jeezy & Jody Breeze (who is still a member of Boyz N Da Hood) began to diss each other which started a new beef between the two.

[edit] The Inspiration, U.S.D.A. (2006–2007)

In 2006, he was featured in Christina Milian's single "Say I". Jeezy's second major label album was The Inspiration, released in 2006. The album's first single "I Luv It" peaked at #14 on the Billboard Hot 100. "Bury Me A G" and "Go Getta" featuring R. Kelly, and "Dreamin’" featuring Keyshia Cole followed.

He also portrayed himself in the hip-hop fighting themed game Def Jam: Icon. In 2007, Jeezy released Cold Summer, an album by rap group USDA which consists of Jeezy, Blood Raw, Slick Pulla, 2Eleven and Boo Rossini.^{[citation needed]}

Jeezy presented a week-long toy drive and charity event series with his CTE family with the first annual Toyz n da Hood toy drive. The series presented 1,000 toys for 1,000 kids at various locations in Macon and Atlanta, which began on December 17, 2007, with the CTE Christmas Kickoff from 10 pm to 5 am at Club Miami. The toy giveaway took place in the Unionville neighborhood of Macon and at the Old Fourth Ward Community in Atlanta.^[11]

[edit] The Recession (2008)

His third album, The Recession, was released in 2008. "Put On" featuring Kanye West was the lead single, which also led to a Grammy Nomination for Best Rap performance by a duo, but it came short. Put On was followed by "Vacation", "Crazy World", "My President" with Nas, and "Who Dat" to complete the Recession's singles. Jeezy appeared on the R&B singles "Love in This Club" by Usher and "I'm So Paid" by Akon (also with Lil Wayne). "Love in This Club" peaked at #1 on the Billboard Hot 100. Later, he performed on Ciara's single "Never Ever", from her album Fantasy Ride.^[12]

In the summer of 2008, Jeezy was at the center of a controversy over his choice for president. While he had previously endorsed Barack Obama, he spoke about meeting and supporting John McCain during an interview with Vibe magazine. The statement caused a stir, and Jeezy quickly clarified his choice, via a viral video. In the four-minute explanation, Jeezy made it clear, Obama was his main choice. "I represent the Democratic party. ... I've never been nor do I ever plan to be a John McCain supporter", the rapper said. "I support Barack Obama."^[13] Jeezy and Jay-Z performed in a concert to celebrate the inauguration of President Barack Obama on January 18, 2009.^[14] On The O'Reilly Factor, commentator Bill O'Reilly criticized their performance as a "rant that offended people",^[15] but Jeezy responded: "I got white friends. It's nothing like that. I'm a taxpayer, I got a right to voice my opinion at any point in time. I don't think he really understands my struggle."^[16]

[edit] Thug Motivation 103: Hustlerz Ambition (2011-present)

Jeezy is working on Thug Motivation 103, his latest LP, as of November 2009.^[17] In March 2010, it was reported that Young Jeezy dropped "Young" from his stage name.^[18] Later, Young Jeezy denied the name change and claimed it was just a rumor:^[19] however, on the cover for his single "Lose My Mind", his name is printed as "Jeezy". On May 17, 2011, Jeezy released the first single for Thug Motivation 103, "Ballin", which features Lil Wayne.

On March 4, 2010 Jeezy released the track "Illin", featuring the group Clipse; specifically Pusha T. On the track Pusha T raps, "No amount of record sales could derail this ...Stuffing dead prezzies in the wall like that Yale bitch..." The line was controversial and many felt the line was in bad taste and demeaned Yale student Annie Le, who was murdered in 2009, by making light of a crime that had grabbed a lot of media attention due to its extremely upsetting and tragic nature.^[20] On July 22, 2011, Young Jeezy released the second single off TM103, "Shake Life". On July 26, 2011, Young Jeezy announced a September 20, 2011 release date for TM103.^[21] However the album was pushed back yet again, this time to December 20, 2011.^[22] On September 29, 2011, Young Jeezy released the third single off TM103, named "F.A.M.E. (Fake Ass Mothafu*kas Envy)",^[23] featuring T.I. This is the first official song T.I. was featured on since his latest stint in prison.

Personal life[link]

He is a personal friend of fellow Atlanta rapper Yung Joc.^[24] After Hurricane Katrina, Jeezy opened his house to the victims in an effort to help them have a place to stay. In October 2005, the mother of his 9 year old son used this as the basis to petition for child support. Early in the year, she had claimed that she had little income, no assets and did not even have a house.^[25]

On March 11, 2005, Jeezy was arrested after an alleged shooting involving some of his friends in Miami Beach, Florida.^[26] He was charged with two counts of carrying a concealed firearm without a permit; however, prosecutors dropped his charges two months later over lack of evidence.^[27] In the early hours of September 29, 2007, Jeezy destroyed his Lamborghini when it was hit by a taxi crossing Peachtree Street, outside of Justin's, Sean Combs’s restaurant in Atlanta. The Atlanta Journal Constitution reported his claim that this gave him "a new appreciation for life".^[28] In Atlanta on June 18, 2008, police arrested him for DUI.^[29]

Discography[link]

Studio albums 2005: Let's Get It: Thug Motivation 101 2006: The Inspiration 2008: The Recession 2011: Thug Motivation 103: Hustlerz Ambition Filmography[link] 2009: Janky Promoters [30] Awards[link] BET Awards 2010, Viewer's Choice Award ("Hard") with Rihanna [Won] 2009, Best Male Hip-Hop Artist [Nominated] 2008, Best Collaboration ("I'm So Hood [Remix]") with DJ Khaled, Ludacris, Busta Rhymes, Big Boi, Lil Wayne, Fat Joe, Birdman, & Rick Ross [Nominated][31] BET Hip-Hop Awards 2008, Best Hip-Hop Video ("I'm So Hood [Remix]") with DJ Khaled, Ludacris, Busta Rhymes, Big Boi, Lil Wayne, Fat Joe, Birdman, & Rick Ross [Nominated][32] 2008, Best Hip-Hop Collabo ("I'm So Hood [Remix]") with DJ Khaled, Ludacris, Busta Rhymes, Big Boi, Lil Wayne, Fat Joe, Birdman, & Rick Ross [Won][33] 2008, People's Champ Award ("Put On") with Kanye West [Nominated][34] 2006, Hip-Hop CD of the Year ("Let's Get It: Thug Motivation 101") [Nominated][35] 2006, Hip-Hop MVP of the Year [Nominated][35] Grammy Awards 2009, Best Rap Performance By a Duo or Group ("Put On") with Kanye West [Nominated][36] 2010, Best Rap Performance By a Duo or Group ("Amazing") with Kanye West (Nominated) 2011, Best Rap Performance by a Duo or Group ("Lose My Mind") with Plies (Nominated) Ozone Awards[citation needed] 2008, Best Rap Artist [Nominated] 2008, Best Rap/R&B Collaboration ("Love in This Club") with Usher (Won) 2007, Best Rap Album The Inspiration (Won) 2007, Best Rap/R&B Collaboration ("Go Getta") with R. Kelly [Nominated] 2007, Best Video ("Grew Up a Screw Up") with Ludacris [Nominated] 2007, Best Group with Slick Pulla & Blood Raw as USDA [Nominated] References[link] ^ a b c Kellman, Andy (2008). "Young Jeezy: Biography". allmusic. http://www.allmusic.com/artist/p640485/biography. Retrieved 2009-01-16.  ^ Reid, Shaheem (June 1, 2005). "Young Jeezy". You Hear It First. MTV News. http://www.mtv.com/news/yhif/young_jeezy/. Retrieved April 1, 2010.  ^ Reid, Shaheem (August 1, 2005). "Young Jeezy: Putting His Mouth Where His Money Is". MTV News. http://www.mtv.com/bands/y/young_jeezy/young_jeezy_inw_050801/. Retrieved April 1, 2010.  ^ a b Thompson, Bonsu (October 2005). "I'm a King". XXL. http://www.xxlmag.com/magazine/2005/10/im-a-king/. Retrieved January 13, 2011.  ^ "Thuggin Under the Influence". Amazon.com. http://www.amazon.com/dp/B00005M96X/. Retrieved November 29, 2006.  ^ a b c d e "Interview With Shakir Stewart". HitQuarters. November 14, 2005. http://www.hitquarters.com/index.php3?page=intrview/opar/intrview_ShakirStewart.html. Retrieved Jun 22, 2010.  ^ Ethan Brown (May 4, 2006). "Black Mafia Family – Mo' Money, Mo' Problems". http://www.vibe.com/news/magazine_features/2006/05/bmf_mo_money_mo_problems/. Retrieved November 29, 2006.  ^ "Beef with Gucci Mane". http://atlanta.about.com/od/celebrityprofiles/p/guccimane.htm. Retrieved November 29, 2006.  ^ "My Hood lyrics". http://ezsonglyrics.com/lyrics/young-jeezy/my-hood.html. Retrieved November 29, 2006.  ^ "Popular single "Icy"". http://atlanta.about.com/od/celebrityprofiles/p/guccimane.htm. Retrieved November 29, 2006.  ^ "''HHWorlds.com'' – Young Jeezy Hosts 'Toyz n da Hood' (December 14, 2007)". Hhworlds.com. 2011-05-08. http://www.hhworlds.com/f11/12-14-07-young-jeezy-hosts-toyz-n-da-hood-10052.html. Retrieved 2011-08-05.  ^ Ciara's New Single Confirmed Rap-Up.com. Retrieved December 19, 2008. ^ Starbury, Allen (2008-07-02). "Young Jeezy Clarifies McCain Comments, Pledges Support For Obama". BallerStatus.com. http://www.ballerstatus.com/article/news/2008/07/5016/.  ^ St. Pierre, Jay (2009-02-19). "Get Sillay: Young Jeezy enforces country's racial segregation". The Daily Reveille. http://www.lsureveille.com/opinion/get_sillay_young_jeezy_enforces_country_s_racial_segregation-1.1485034.  ^ Reid, Shaheem (2009-01-22). "Young Jeezy Defends 'My President' Against Bill O'Reilly". MTV News. http://www.mtv.com/news/articles/1603361/20090122/jeezy_young.jhtml. Retrieved 2009-03-15.  ^ Reid, Shaheem (2009-02-13). "Kanye West Explains 'Jockin' Jay-Z' Sample, Drops Exclusive Freestyle, More In Mixtape Monday". Mixtape Monday (MTV News). http://www.mtv.com/news/articles/1605130/20090213/west_kanye.jhtml.  ^ Reid, Shaheem (2009-07-09). "Young Jeezy Is Working On Thug Motivation 103 'Right Now'". MTV News. http://www.mtv.com/news/articles/1615584/20090708/story.jhtml. Retrieved 2009-07-27.  ^ Young Jeezy Changes His Name. Island Def Jam. Retrieved March 19, 2010. ^ Jeezy denies name change says he still Young Jeezy | Young Jeezy. Rap Basement (2010-04-13). Retrieved on 2010-12-27. ^ Gendreau, Leanne. (2010-09-20) Rap Lyric Makes Light of Annie Le Murder. NBC New York. Retrieved on 2010-12-27. ^ "Young Jeezy Announces ‘TM103’ Release Date". Rap-Up.com. 2011-07-25. http://www.rap-up.com/2011/07/25/young-jeezy-announces-tm103-release-date/. Retrieved 2011-08-05.  ^ Iandoli, Kathy (2011-09-20). "Rap Release Dates: Young Jeezy, Mac Miller, Bow Wow, DJ Drama | Get The Latest Hip Hop News, Rap News & Hip Hop Album Sales". HipHop DX. http://www.hiphopdx.com/index/news/id.16909/title.rap-release-dates-young-jeezy-mac-miller-bow-wow-dj-drama. Retrieved 2011-10-31.  ^ "Young Jeezy – F.A.M.E. (Fake Ass Muthaf*ckas Envy) f. T.I". Fashionably-early.com. 2011-09-29. http://fashionably-early.com/2011/09/29/young-jeezy-%e2%80%93-f-a-m-e-fake-ass-muthafckas-envy-f-t-i/. Retrieved 2011-10-31.  ^ Krista Desens (July 11, 2006). "Yung Joc". http://netmusiccountdown.com/inc/news_article.php?id=10617. Retrieved November 29, 2006.  ^ "Jeezy helps hurricane victims". The San Francisco Chronicle. October 21, 2005. http://www.sfgate.com/cgi-bin/blogs/sfgate/detail?blogid=7&entry_id=1409. Retrieved November 29, 2006.  ^ "Young Jeezy arrested after Florida shootout". Associated Press. March 16, 2006. http://today.msnbc.msn.com/id/11808183. Retrieved June 27, 2010.  ^ "Young Jeezy weapons charges dropped". Associated Press. May 19, 2006. http://today.msnbc.msn.com/id/12818427. Retrieved June 27, 2010.  ^ 40/40 Club Stabbing. SOHH. Retrieved October 10, 2007. ^ Harris, Chris (2008-06-18). "Young Jeezy Arrested In Atlanta". MTV News. http://www.mtv.com/news/articles/1589553/20080618/jeezy_young.jhtml. Retrieved 2009-02-03.  ^ Kuperstein, Slava (2008-07-10). "Jeezy Talks Movie With Ice Cube, Remix With Jay-Z". Hiphopdx.com. http://www.hiphopdx.com/index/news/id.7285/title.jeezy-talks-movie-with-ice-cube-remix-with-jay-z. Retrieved 2011-08-05.  ^ Best Collaboration. BET Awards 2008. ^ Best Hip-Hop Video. BET Hip Hop Awards 2008. ^ Best Hip Hop Collabo. BET Hip Hop Awards 2008. ^ Alltel People's Champ Award. BET Hip Hop Awards 2008. ^ a b Adaso, Henry. "2006 BET Hip-Hop Awards". About.com. http://rap.about.com/od/awards/a/BETHipHopAwards.htm. Retrieved 2009-04-10.  ^ "The 51st Annual Grammy Awards Winners List". NARAS. 2009. http://www.grammy.com/GRAMMY_Awards/51st_show/list.aspx#07. Retrieved 2009-04-10.  External links[link] Wikimedia Commons has media related to: Young Jeezy Official website Young Jeezy at the Internet Movie Database Young Jeezy Interview at prefixmag Young Jeezy Circulate Music Video Young Jeezy Talks About Nas v t e Young Jeezy Studio albums Let's Get It: Thug Motivation 101 The Inspiration The Recession Thug Motivation 103: Hustlerz Ambition Independent albums Thuggin' Under the Influence (T.U.I.) Come Shop wit Me Collaboration albums Boyz n da Hood Cold Summer Singles "And Then What" "Soul Survivor" "Go Crazy" "My Hood" "I Luv It" "Go Getta" "Dreamin'" "Put On" "Vacation" "Crazy World" "My President" "Who Dat" "Lose My Mind" "Ballin'" "F.A.M.E." "I Do" "Leave You Alone" Featured singles "Icy" "Get Throwed" "Say I" "Grew Up a Screw Up" "Diamonds" "5000 Ones" "100 Million" "Love in This Club" "Louie" "I'm So Paid" "Never Ever" "Amazing" "Better Believe It" "Fed Up" "Hard" "Put Your Hands Up" "(Ha Ha) Slow Down" Collaborative singles "Dem Boyz" "White Girl" Other songs "I'm Goin' In" "Be the One" Related articles Discography Boyz n da Hood United Streets Dopeboyz of America v t e Def Jam Recordings Founders Russell Simmons Rick Rubin Current artists 2 Chainz Ameriie Asher Roth Big Boi Big Sean Brutha Chrisette Michele DJ Clue? The-Dream Electrik Red Fabolous Fast Life Yungstaz Ghostface Killah Jadakiss Jennifer Lopez Jeremih Juelz Santana Kanye West Karina LL Cool J Ludacris Method Man Method Man & Redman Nas Patti LaBelle Pusha T Redman Rick Ross Rihanna Ron Isley Sheek Louch Shyne The Roots Triple C's U.S.D.A YG Young Jeezy Former artists 3rd Bass Ace Hood Alyson Williams Ashanti Beanie Sigel Beastie Boys B.G. 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Leonard Cohen
Leonard Cohen in 2008.
Background information
Birth name	Leonard Norman Cohen
Born	(1934-09-21) 21 September 1934 (age 77) Montreal, Quebec, Canada
Genres	Folk, folk rock, rock, pop rock, spoken word, synthpop
Occupations	Musician, singer-songwriter, poet, novelist
Instruments	Vocals, guitar, piano, keyboards, synthesizer
Years active	1956-present
Labels	Columbia
Associated acts	Sharon Robinson, Jennifer Warnes, Phil Spector, John Lissauer

Leonard Norman Cohen, CC GOQ (born 21 September 1934) is a Canadian singer-songwriter, musician, poet, and novelist. His work often explores religion, isolation, sexuality, and interpersonal relationships.^[1] Cohen has been inducted into the American Rock and Roll Hall of Fame and both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame. He is also a Companion of the Order of Canada, the nation's highest civilian honour.

While giving the speech at Cohen's induction into the Rock and Roll Hall of Fame on 10 March 2008, Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters."^[2]

Early life[link]

Cohen was born on 21 September 1934 in Westmount, Montreal, Quebec, into a middle-class Jewish family. He attended Roslyn Elementary School. His mother, Marsha Klinitsky,^[3] of Lithuanian Jewish ancestry, emigrated from Lithuania while his great-grandfather emigrated from Poland.^[4][5] He grew up in Westmount on the Island of Montreal. His grandfather was Lyon Cohen, founding president of the Canadian Jewish Congress. His father, Nathan Cohen, who owned a substantial Montreal clothing store, died when Cohen was nine years old. On the topic of being a Kohen, Cohen has said that, "I had a very Messianic childhood." He told Richard Goldstein in 1967. "I was told I was a descendant of Aaron, the high priest."^[6] Cohen attended Westmount High School, beginning in 1948 where he was involved with the Student Council and studied music and poetry.^[7] He became especially interested in the poetry of Federico Garcia Lorca.^[7] As a teenager, he learned to play the guitar, and formed a country-folk group called the Buckskin Boys. Although he initially played a regular acoustic guitar as a teenager, he soon switched to playing a classical guitar after meeting a young Spanish flamenco guitar player who taught him "a few chords and some flamenco."^[7]

Poetry and novels[link]

In 1951, Cohen enrolled at McGill University, where he became president of the McGill Debating Union and won the Chester MacNaughton Prize for Creative Writing for a series of four poems titled "Thoughts of a Landsman." He graduated in 1955 with a B.A. degree.^[7] His literary influences during this time included William Butler Yeats, Irving Layton, Walt Whitman, Federico Garcia Lorca and Henry Miller.^[8] His first published book of poetry, Let Us Compare Mythologies (1956), was published by Louis Dudek (who taught poetry at McGill and was a mentor to Cohen) as the first book in the McGill Poetry Series while Cohen was still an undergraduate student. The book contained "poems written largely when Cohen was between the ages of fifteen and twenty," and Cohen dedicated the book to his late father.^[7] The famous and influential Canadian literary critic Northrop Frye wrote a review of the book in which he gave Cohen "restrained praise."^[7]

After completing an undergraduate degree, Cohen spent a term in McGill's law school and then a year (1956-7) at the School of General Studies at Columbia University. Cohen described his graduate school experience as "passion without flesh, love without climax".^[9] Consequently, Cohen left New York and returned to Montreal in 1957, working various odd jobs and focusing on the writing of fiction and poetry, including the poems for his next book, The Spice-Box of Earth (1961), which was the first book that Cohen published through the Canadian publishing company McClelland & Stewart. Fortunately, his father's will provided him with a modest trust income, sufficient to allow him to pursue his literary ambitions for the time, and The Spice-Box of Earth was successful in helping to expand the audience for Cohen's poetry, helping him reach out to the poetry scene in Canada, outside the confines of McGill University. The book also helped Cohen gain critical recognition as an important new voice in Canadian poetry. One of Cohen's biographers, Ira Nadel, stated that "reaction to the finished book was enthusiastic and admiring. . .[noting that] the critic Robert Weaver found it powerful and declared that Cohen was 'probably the best young poet in English Canada right now.'"^[7]

Cohen continued to write poetry and fiction throughout much of the 1960s and preferred to live in quasi-reclusive circumstances after he bought a house on Hydra, a Greek island in the Saronic Gulf. While living and writing on Hydra, Cohen published the poetry collection Flowers for Hitler (1964), and the novels The Favourite Game (1963) and Beautiful Losers (1966). His novel The Favourite Game was an autobiographical bildungsroman about a young man who discovers his identity through writing. Beautiful Losers received a good deal of attention from the Canadian press and stirred up controversy because of a number of sexually graphic passages.^[7] In 1966 Cohen also published Parasites of Heaven, a book of poems. Both Beautiful Losers and Parasites of Heaven received mixed reviews and sold few copies.^[7]

Subsequently, Cohen published less, with major gaps, concentrating more on recording songs. In 1978, he published his first book of poetry in many years, Death of a Lady's Man (not to be confused with the album he released the previous year with the similar title, Death of a Ladies' Man). It wasn't until 1984 that Cohen published his next book of poems, Book of Mercy, which won him the Canadian Author's Association Literary Award for Poetry. The book contains 50 prose-poems, influenced by the Bible, Torah, and Zen-Buddhist writings. Cohen himself referred to the pieces as "prayers".^{[citation needed]}

In 1993, Cohen published Stranger Music: Selected Poems and Songs, and in 2006, after 10 years of delays, additions and rewritings, Book of Longing. During the late 1990s and 2000s, many of his poems were first published on his fan website The Leonard Cohen Files ^[10][11]

Cohen's writing process, as he told an interviewer in 1998, is "...like a bear stumbling into a beehive or a honey cache: I'm stumbling right into it and getting stuck, and it's delicious and it's horrible and I'm in it and it's not very graceful and it's very awkward and it's very painful and yet there's something inevitable about it."^[12]

In 2011, Cohen was awarded the Prince of Asturias Award for literature.

Recording career[link]

1960s and 1970s[link]

In 1967, disappointed with his lack of financial success as a writer, Cohen moved to the United States to pursue a career as a folk music singer-songwriter. During the 1960s, he was a fringe figure in Andy Warhol's "Factory" crowd. Warhol speculated that Cohen had spent time listening to Nico in clubs and that this had influenced his musical style.^[13] His song "Suzanne" became a hit for Judy Collins and was for many years his most covered song. After performing at a few folk festivals, he came to the attention of Columbia Records representative John H. Hammond. At this time, Cohen recorded at least one demo acetate (possibly for some subsidiary of Polygram^[14]), supported by his close companion at the time, Joni Mitchell.

Cohen's first album was Songs of Leonard Cohen (1967). Although Hammond was originally supposed to produce the record, he became sick and was replaced by the producer John Simon.^[7] Unfortunately, Simon and Cohen clashed over instrumentation and mixing. Cohen wanted the album to have a spare sound, but Simon felt that the songs could benefit from arrangements that included strings and horns. According to biographer Ira Nadel, although Cohen was able to make changes to the mix, some of Simon's additions "couldn't be removed from the four-track master tape."^[7] Nevertheless, the album became a cult favorite in the US, as well as in the UK, where it spent over a year on the album charts.^[15] Several of the songs on that first album were covered by other popular folk artists, including James Taylor, and Judy Collins. Cohen followed up that first album with Songs from a Room (1969) (featuring the often-recorded "Bird on the Wire") and Songs of Love and Hate (1970). Both of these albums were produced in Nashville by famed producer Bob Johnston, who helped Cohen achieve the sparer sound that he'd been after on his first album; Johnston also joined Cohen on two subsequent live tours, playing organ and piano.^[16]

In 1970, Cohen toured for the first time, with dates in the United States, Canada and Europe, and appeared at the Isle of Wight Festival. He toured again in Europe and Israel in 1972 with some of the same band-mates, including Charlie Daniels and his producer Bob Johnston. Both tours were represented on the Live Songs LP, while Leonard Cohen Live at the Isle of Wight 1970 was released in 2009. The 1972 tour was also filmed by Tony Palmer; the film Bird on a Wire (with which Cohen was unhappy) was shown re-cut under Cohen's guidance in 1974, but released only in 2010, reconstructed according to Palmer's original version.

In 1971, Cohen's music was used in the soundtrack to Robert Altman's film McCabe & Mrs. Miller. When Cohen was on a stay in Nashville, Altman phoned to ask permission to use some tracks off Songs of Leonard Cohen. Coincidentally, earlier that same day, Cohen had seen Altman's then-current film Brewster McCloud in a local theater. He hadn't paid attention to the credits so when Altman asked permission to use Cohen's songs in his new film, Cohen had to ask him who he was. Altman mentioned his hit film MASH, but Cohen had never heard of it. When Altman mentioned his lesser-known Brewster McCloud, Cohen replied, "Listen, I just came out of the theater. I saw it twice. You can have anything of mine you want!"^[7]

Beginning around 1974, Cohen's collaboration with pianist and arranger John Lissauer created a live sound praised by the critics. They toured together in 1974 in Europe, and in US and Canada in late 1974 and early 1975, in support of Cohen's record New Skin for the Old Ceremony. In late 1975 Cohen performed a short series of shows in the US and Canada with a new band, in support of his Best Of release. However, none of the recordings from the three live tours with John Lissauer were ever officially released.

In 1976 Cohen, now without Lissauer, embarked on a new major European tour, with a new band and major changes in his sound and arrangements, again, in support of his The Best of Leonard Cohen release (in Europe retitled as Greatest Hits). One of the band members was Laura Branigan, and the set-list included unreleased songs "Everybody's Child" (a.k.a. "Blessed Is the Memory") and "Storeroom" (both released as bonus tracks to 2007 reissue of Songs of Leonard Cohen), and the new song "Do I Have to Dance All Night?" (which was released as a single with the song "The Butcher" in a single available in Europe only).^[17] From April to July, Cohen gave 55 shows, including his first appearance at the famous Montreux Jazz Festival.

After the European tour of 1976, Cohen again attempted a new change in his style and arrangements - his new 1977 record, Death of a Ladies' Man (one year later, in 1978, Cohen also released a volume of poetry with the coyly revised title, Death of a Lady's Man), was co-written and produced by Phil Spector, known as the inventor of the "wall of sound" technique, which backs up pop music with many layers of instrumentation, an approach very different from Cohen's usually minimalist instrumentation. The recording of the album was fraught with difficulty—Spector reportedly mixed the album in secret studio sessions, and Cohen said Spector once threatened him with a crossbow. Cohen thought the end result "grotesque,"^[18] but also "semi-virtuous."^[19] The record was released by Spector's label, Warner, and was returned to Columbia's Cohen catalogue in the late 1980s. Cohen did not take part in the album's promotion, but in his tours of 1979, 1980 and 1985, he performed two songs from the album, "Memories" and "Iodine". However, Cohen chose not to include any of the album's songs on his later compilations More Best of Leonard Cohen and The Essential Leonard Cohen.

In 1979, Cohen returned with the more traditional Recent Songs, which blended his acoustic style with jazz and Oriental and Mediterranean influences. Beginning with this record, praised in 2001 by Cohen as his favourite,^{[citation needed]} Cohen began to co-produce his albums. Produced by Cohen and Henry Lewy (Joni Mitchell's sound engineer), Recent Songs included performances by Passenger, an Austin-based jazz-fusion band that met Cohen through Mitchell. The band helped Cohen create a new sound by featuring instruments like the oud, the Gypsy violin and the mandolin. The album was supported by Cohen's major tour with the new band, and Jennifer Warnes and Sharon Robinson on the backing vocals, in Europe in late 1979, and again in Australia, Israel and Europe in 1980. The tour was filmed by Harry Rasky as The Song of Leonard Cohen, and the film was broadcast on television in 1980.^{[citation needed]} Cohen also gave a couple of major TV appearances in 1979, including German's ZDF television.^{[citation needed]} In 2000 Columbia released an album of live recordings of songs from the 1979 tour, entitled Field Commander Cohen: Tour of 1979; the album (with a different track list) was originally rejected by the label in 1980.

During 1970s, Cohen toured twice with Jennifer Warnes as a back-up singer (in 1972 and 1979). Warnes would become a fixture on Cohen's future albums, receiving full co-vocals credit on Cohen's 1985 album Various Positions (although the record was released under Cohen's name, the inside credits say "Vocals by Leonard Cohen and Jennifer Warnes"). In 1987, she recorded an album of Cohen songs, Famous Blue Raincoat.^[20]

1980s[link]

Leonard Cohen in 1988.

In early 1980s, Cohen co-wrote the rock musical film Night Magic with Lewis Furey, starring Carole Laure and Nick Mancuso (voice-over by Furey); the LP was released in 1985. At that time, Cohen also worked on an unfinished album of his poetry recitations with producer Henry Lewy, before turning back to John Lissauer. Lissauer produced Cohen's next record Various Positions, which was released in late 1984. The LP included "Dance Me to the End of Love", which was promoted by Cohen's first video clip, directed by French photographer Dominique Issermann, and the frequently covered "Hallelujah". Columbia declined to release the album in the United States. Cohen supported the release of the album with his biggest tour to date, in Europe and Australia, and with his first tour in Canada and United States since 1975. Anjani Thomas, who would become Cohen's partner, and a regular member of Cohen's recording team, joined his touring band. The band performed at the Montreux Jazz Festival, and the Roskilde Festival. They also gave a series of highly emotional and politically controversial concerts in Poland, which was under martial law and performed the song "The Partisan," regarded as the hymn of the Polish Solidarity movement.^[21] During the 80s, almost all Cohen's songs were performed in Polish language by Maciej Zembaty.^[22]