Kerrang! is a UK-based magazine devoted to rock music published by Bauer Media Group. It was first published on 6 June 1981 as a one-off supplement in the Sounds newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on an electric guitar, Kerrang! was initially devoted to the New Wave of British Heavy Metal and the rise of hard rock acts.^[2] In the early 2000s it became the best-selling British music newspaper.^[3]

History[link]

Kerrang! commenced publication on 6 June 1981 and was edited by Geoff Barton, initially as a one-time supplement in the Sounds newspaper, which focused on the New Wave of British Heavy Metal phenomenon and on the rise of other hard rock acts.^[4] Angus Young of AC/DC appeared on Kerrang!'s first cover. Launched as a monthly magazine, Kerrang! began to appear on a fortnightly basis later, and in 1987 it went weekly. The original owner was United Newspapers who then sold it to EMAP in 1991.

During the 1980s and early 1990s the magazine placed many thrash and glam metal acts on the cover (like Mötley Crüe, Slayer, Bon Jovi, Metallica, Poison, and Venom) but later discarded them when grunge acts such as Nirvana rose to fame. Readers often criticise the magazine for repeating this process every time a new musical trend becomes popular.

Kerrang!'s popularity rose again with the hiring of editor Paul Rees circa 2000 when the nu metal genre, featuring bands like Limp Bizkit and Slipknot were becoming more popular.^[5] Rees went on to edit Q magazine and Ashley Bird took over as editor from 2003 to 2005. However the magazine's sales went quickly into decline in 2003 and Paul Brannigan took over as editor in May 2005.^[6]

With the emergence of emo and metalcore, Kerrang! began to heavily feature this musical trend. However, the revamp was not welcomed by all readers and many complaints were received about Kerrang!'s sudden emphasis on emo and metalcore music. Brannigan took the magazine into its most commercially successful period with a record ever ABC for the title of 80,186 copies.^[7]

In 2008, EMAP sold its consumer magazine to current owner Bauer Media Group. Brannigan left Kerrang! in 2009 and Nichola Browne was appointed editor.^[8] She later stepped down in April 2011. Former NME features editor and GamesMaster deputy editor James McMahon was appointed as editor on 6 June 2011.^[9]

Website[link]

Kerrang!'s website is dedicated to finding out more information to do with the magazine and also the latest information on the current bands and upcoming events. The website hosts Kerrang!'s online shop, podcasts, message board, TV and radio segments ensuring even more opportunities to sell associated merchandise and products.^[10] In 2001, Kerrang! launched its own online forum with the "rants and raves" section taking up most of the traffic. Though initially extremely popular, the number of users began to peter out around 2005 with the number of people online dropping to as low as 10 when previously it had been closer to the 100 figure.

Kerrang! Awards[link]

Since 1993, the magazine have been holding an annual awards ceremony to mark the most successful bands in the interests of their readers. The awards became one of Britain's most recognised award events by the now defunct Guinness Book of British Hit Singles & Albums, often listing some of the winners in their annual round-up of the previous year. The event is always presented by major music celebrities, with many others outside the industry who attend the event.^[11]

Kerrang! Radio[link]

In 2000, EMAP launched Kerrang! as a digital radio station, across the United Kingdom. This was principally a 'jukebox' station, playing a back-to-back sequence of rock and alternative music. On 10 June 2004, Kerrang! 105.2 was launched as a regional radio station in Birmingham with an advertising campaign by London-based creative agency ODD.^[12] The radio has a number of specialist programmes dedicated to the many subgenres of rock music. The radio output includes interviews with those affecting popular culture and society as well as those involved with music.

Kerrang! TV[link]

In 2001 EMAP launched Kerrang! TV. As with the radio station, the television channel covers the more mainstream side of the rock music as well as classic rock bands like Aerosmith and AC/DC, and classic heavy metal bands such as Guns N' Roses and Metallica. Kerrang TV is now a joint venture between Bauer Media Group and Channel 4.^[13]

Kerrang! Tour[link]

Kerrang! held throughout January a tour of rock music concerts around the United Kingdom.^[14] The tour has featured bands such as Bullet for My Valentine, Good Charlotte, Sum 41, and Coheed and Cambria among others.

Although the 2012 Kerrang! Relentless Energy Tour had billed Sum 41, New Found Glory, letlive. and While She Sleeps to play, unfortunately Sum 41 had to pull out due to a back injury of their frontman. They were promptly replaced by The Blackout.^[15]

The Official Kerrang! Rock Chart[link]

In March 2012, Kerrang announced a new rock chart for the UK which is based upon airplay across Kerrang Radio, Kerrang TV and sales figures from the Official Charts Company. Charts are announced on Saturday mornings and feature twenty tracks.

Date	Song	Artist	Album	Nationality	Ref.
14 April 2012	No One Does It Better	You Me At Six	Sinners Never Sleep		[16]
21 April 2012	No One Does It Better	You Me At Six	Sinners Never Sleep		[17]
28 April 2012	Burn It Down	Linkin Park	Living Things		[18]
5 May 2012	Burn It Down	Linkin Park	Living Things		[19]

International editions[link]

Emap launched Kerrang! Australia in the late 1990s. Unlike its weekly counterpart in the UK, the Australian edition was published monthly due to stiff competition from free local music publications. Kerrang! is also published in Spanish and German.

References[link]

External links[link]

• Official website
• Kerrang! on Myspace

v t e Bauer Media Group Bauer Radio Bauer Place Portfolio Northern England CHR stations: CFM Radio · Hallam FM · Key 103 · Metro Radio · Radio City 96.7 · 96.3 Radio Aire · 97.4 Rock FM · TFM Radio · 96.9 Viking FM Scotland CHR stations: 102.5 Clyde 1 · 97.3 Forth One · Tay FM · 97.4 MFR · Moray Firth Radio 1107AM · Northsound 1 · Radio Borders · 96.7 West FM · West Sound FM Northern Ireland: Cool FM  · Downtown Radio Magic Network: Magic 105.4 · Magic AM · Magic 828 · Magic 999 · Magic 1152 · Piccadilly Magic 1152 · Magic 1161 · Magic 1170 · Magic 1548 Scottish AM stations: Clyde 2 · 1548 Forth 2 · Northsound 2 · Tay AM · West Sound (AM) Other Place radio assets: Wave 105 · City Talk 105.9 Bauer Passion Portfolio: Kiss Network: Kiss 100 · Kiss 101 · Kiss 105-108 Kerrang Radio (West Midlands FM and quasi-national digital) Digital stations: Heat · The Hits · Q · Smash Hits Publishing UK Consumer Titles: Angling Times · Bella · Bike · Bird Watching · Car · Classic Bike · Classic Cars · Closer · Country Walking · Digital Photo · Empire · FHM · First · Freesail · Garden Answers · Garden News · Golf World · Grazia · Improve Your Coarse Fishing · Heat · Instant Beauty · Kerrang! · Land Rover Owner International · Landscape · Match · Model Rail · Mojo · More! · Mother & Baby · Motor Cycle News (MCN) · New Woman · Parker's · Performance Bikes · Pop · Practical Classics · Practical Fishkeeping · Practical Photography · Pregnancy & Birth · Puzzle Magazines · Q · RAIL · RiDE · Sea Angler · Shopping for Baby · Skiing · Steam Railway · Spirit&Destiny · Take a Break · That's life! · Today's Golfer · Top Sante · Total TVguide · Trail · Trout & Salmon · Trout Fisherman · TV Choice · Waves · What Bike? · Your Horse · Yours · Zoo US Consumer Titles: ASTROgirl · First for Women · In Touch Weekly · J-14 · Life & Style Weekly · Life Story · M · QuizFest · Soaps in Depth · Twist · Woman's World German Consumer Titles: Bravo · Das Neue Blatt · Volksstimme Business Publications: AM · Fleet News · Pet Product Marketing · Sewells Information and Research Distribution: Seymour · Frontline Box Television (50%) The Box · 4Music (run by Channel 4) · Kiss · Magic · Kerrang! · Q · Smash Hits! Category

v t e Music industry Genres Avant-garde · Blues · Contemporary R&B · Country · Crossover · Dance · Drum and bass · Easy listening · Electronica · Experimental · Folk · Funk · Gospel · Hip hop · Instrumental · Jazz · Latin · Motown · New age · Operatic pop · Pop · Reggae · Rock · Soul · Soundtrack · World Sectors and roles Album cover design · Artists and repertoire (A&R) · Distribution · Entertainment law · Music education · Music executive · Music journalism · Music publisher · Music venue · Musical instruments · Promotion · Radio promotion · Record label · Record shop · Road crew · Talent manager · Tour promoter Production Arrangement · Record producer · Recording artist · Session musician · Songwriter · Sound engineer Record labels Major: EMI · Sony Music Entertainment · Universal Music Group · Warner Music Group · Independent: Independent UK record labels Release formats Album · Extended play (EP)/Mini album · Single Awards American Music Award · ARIA Music Awards · Billboard Music Awards · Brit Awards · Choice Music Prize · Classic Brit Awards · Diapason d'Or · Echo Award · Golden Disk Awards · Grammy Award · Grand Prix du Disque · Juno Award · Latin Grammy Awards · Meteor Music Awards · MTV Europe Music Awards · MTV Video Music Awards · MuchMusic Video Awards · Music of Black Origin Awards · New Zealand Music Awards · NRJ Music Award · TEC Awards · World Music Awards Charts ARIA Charts · Billboard Hot 100 · Canadian Hot 100 · RIANZ Singles Chart · Irish Singles Chart · UK Singles Chart Sales certifications ARIA (Gold · Platinum) · BPI (Silver · Gold · Platinum) · CRIA (Gold · Platinum · Multi-Platinum · Diamond) · PROMUSICAE (Gold · Platinum) · RIAA (Gold · Platinum · Multi-Platinum · Diamond) Publications Billboard · HitQuarters · Hot Press · Kerrang! · Mojo · NME · Q · Rolling Stone · Smash Hits · Top of the Pops Retailers Amazon.com · Fnac · HMV Group · Online music stores (iTunes Store) · Trans World Entertainment · Virgin Megastores Television Black Entertainment Television · Country Music Television · Fuse TV · Idol · Juice TV · MTV · MuchMusic · The Music Factory · Star Academy · Viva · The Voice · The X Factor Other A-side and B-side · Christian music industry  · Hidden track  · Grammy Museum  · White label Category

Demetri Martin
Demetri Martin at Northeastern University on April 11, 2007
Born	(1973-05-25) May 25, 1973 (age 39) New York City, New York, United States
Nationality	American
Years active	Since 2002
Genres	Observational comedy, surreal humor, musical comedy, wit/wordplay, sketch comedy
Subject(s)	Everyday Life, American Culture, Random Subjects
Influences	Steven Wright, Eddie Izzard, Emo Philips, Mitch Hedberg, Socrates
Notable works and roles	· Demetri Martin. Person.  · Correspondent on The Daily Show  · Himself/Various on Important Things with Demetri Martin  · Elliot Tiber in Taking Woodstock (2009)
Website	www.demetrimartin.com

Demetri Martin (born May 25, 1973) is an American comedian, actor, artist, musician, writer and humorist. Martin is best known for his work as a stand-up comedian, contributor on The Daily Show and for his Comedy Central show Important Things with Demetri Martin.

Early life[link]

Demetri Martin was born to a Greek American family^[1] in New York City, New York, and grew up in Toms River, New Jersey. He is the son of Lillian, a nutritionist, and Dean C. Martin, now deceased, a Greek Orthodox priest.^[2] Martin graduated from Yale University in 1995. Although he was accepted into Harvard Law School, he went to New York University School of Law after he received a full scholarship.^[3]

Career[link]

In 2001, Martin caught his first big break in stand-up comedy when he appeared on Comedy Central's stand-up showcase Premium Blend. At the 2003 Edinburgh Festival Fringe he won the Perrier award with his show If I....^[4] The show was turned into a British television special in 2004. From 2003 to 2004, Martin wrote for Late Night with Conan O'Brien.^[5] In 2004, Martin had his own Comedy Central Presents stand-up special. His special was divided into three parts. In the first, he performed in traditional stand-up comedy fashion. In the second segment, he used humorous drawings as visual aids, which would serve either as the punchline or a background. During the third segment, he played a guitar and put on a pseudo-play where he would strum his guitar while alternating between playing harmonica and talking; some of his comedian friends dressed as fairies and dragons acted according to the story he was telling, detailing the magical land where his jokes came from. Martin's mother and grandmother also appeared.

Since late 2005, he has been credited as a contributor on The Daily Show, on which he has appeared as the named "Senior Youth Correspondent" and on which he hosts a segment called "Trendspotting". He has used this segment to talk about so-called hip trends among youth such as hookahs, wine, guerilla marketing and Xbox 360. A piece about social networking featured his profile on MySpace.^[6] On March 22, 2007, Demetri made another appearance on The Daily Show, talking about the Viacom lawsuit against Google and YouTube.

He has recorded a comedy CD/DVD titled These Are Jokes, which was released on September 26, 2006. This album also features Saturday Night Live member Will Forte and stand-up comedian Leo Allen.

Martin returned to The Daily Show on March 22, 2006, as the new Youth Correspondent, calling his segment "Professional Important News with Demetri Martin". In 2007, he starred in a Fountains of Wayne music video for "Someone to Love" as Seth Shapiro, a character in the song. He also starred in the video for the Travis single "Selfish Jean", in which he wears multiple t-shirts with lyrics written on them.

On September 2, 2007, Martin appeared on the season finale of the HBO series Flight of the Conchords. He appeared as a keytar player named Demetri.^[7]

He also had a part in the movie The Rocker (2008) starring Rainn Wilson. Martin played the part of the videographer when the band in the movie was making their first music video.

In 2009, he hosted and starred in his own television show called Important Things With Demetri Martin on Comedy Central. Later in June, it was announced his show had been renewed for a second season.^[8] The second season premiered, again on Comedy Central, on February 4, 2010. Martin has stated that Important Things will not return for a third season.

Prior to completing work on his second season, Martin starred in the comedy-drama film Taking Woodstock (2009), directed by Ang Lee, which premiered at the 2009 Cannes Film Festival. In the film Martin plays Elliot Tiber, a closeted gay artist who has given up his ambitions in the city to move upstate and help his old-world Jewish family run their Catskill Mountains motel. The film is based on the book written by Tiber.

On April 25, 2011, Martin released his first book, titled This Is a Book by Demetri Martin.

Martin was slated to portray Paul DePodesta as Oakland Athletics assistant GM to Billy Beane in the 2011 movie Moneyball, however was dropped and Jonah Hill took his place in the movie.

Plans[link]

Martin sold his movie concept Will to DreamWorks; he is expected to play a key supporting role.^[9] He will play the lead in the film Moon People, a pitch that he sold to Columbia Pictures.

Martin also signed a blind script deal with CBS in October 2010 to produce, write, and star in his own television series.^[10]

After CBS was shown the pilot for the series, they decided not to air it.^[11]

On August 11, 2011, Fox ordered a presentation of a new animated show they might air.^{[citation needed]}

[edit] If I

If I is a Perrier Comedy Award-winning comedy one-man show written and performed by Demetri Martin at the 2003 Edinburgh Festival Fringe.^[12] It was also aired on British television as a special. The show is an autobiographical examination of Martin's life, as seen through various definitions of the word "if."

The title of the special comes from a lengthy palindromic poem that Martin wrote; the words "if I" are at the center of the poem.^[13]

Comedic style[link]

Martin is known for being an unconventional stand-up comic. He uses one-liners and drawings on a "large pad", as well as accompanying his jokes with music on either guitar, harmonica, piano, keyboard, glockenspiel, toy bells, ukulele, or tambourine, sometimes all at once.^[14] He has cited comedian Steven Wright as an important influence (both use deadpan one-liners in their acts) and he is also a fan of Bill Cosby.^[15]

Personal life[link]

According to a July 2011 interview on the WTF with Marc Maron podcast, Demetri had a short-lived marriage to a girl he knew from high school. They began dating after high school and got married when he was in NYU Law School and she was attending NYU Medical School. He was aged 25 and in the end of his marriage when his stand-up career began.^[3]

He is extremely allergic to nuts and peanuts.^[16]

Martin moved to Santa Monica, California in 2009.^[17]

Filmography[link]

• Invite Them Up (2005)
• These Are Jokes (2006)
• Demetri Martin. Person. (2007)
• Important Things with Demetri Martin (2009–2010)

Filmography and television work[link]

Written works[link]

• This Is a Book, April 2011, ISBN 978-0446539708.

Awards and nominations[link]

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (May 2012)

• Official website
• Demetri Martin on Myspace
• Demetri Martin at the Internet Movie Database
• Interview from November, 2006, in Onion AV Club
• Interview from October 2006, in The DePaulia
• Article, in The Scotsman
• Article, in Gelf Magazine
• Interview by Brian M. Palmer
• MP3 Audio Interview on The Sound of Young America public radio show and podcast
• Interview Believer Mag
• New Jersey Monthly Magazine
• Fresh Air, NPR.org

English
Pronunciation	/ˈɪŋɡlɪʃ/[1]
Spoken in	(see below)
Native speakers	ca. 380 million  (2001)[2] L2: ≈ 250 million (2001)[2] to ≈ 1.8 billion (2004)[3]
Language family	Indo-European Germanic West Germanic Anglo–Frisian Anglic English
Writing system	English alphabet (Latin script)
Official status
Official language in	54 countries 27 non-sovereign entities United Nations European Union Commonwealth of Nations CoE NATO NAFTA OAS OIC PIF UKUSA
Language codes
ISO 639-1	en
ISO 639-2	eng
ISO 639-3	eng
Linguasphere	52-ABA
Countries where English is an official or de facto official language, or national language, and is spoken fluently by the majority of the population   Countries where it is an official but not primary language
This page contains IPA phonetic symbols in Unicode. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Unicode characters.

English is a West Germanic language spoken originally in England, and is now the most widely used language in the world.^[4] It is spoken as a first language by a majority of the inhabitants of several nations, including the United Kingdom, the United States, Canada, Australia, Ireland and New Zealand. It is the third most common native language in the world, after Mandarin Chinese and Spanish,^[5] and the most commonly used as a second language; its total number of speakers – counting both native and non-native – exceeds those of any other language. English is an official language of the European Union, many Commonwealth countries and United Nations, as well as in many world organisations.

English arose in the Anglo-Saxon kingdoms of England and what is now south-east Scotland, but was then under the control of the kingdom of Northumbria. Following the extensive influence of Great Britain and the United Kingdom from the 18th century, via the British Empire, and of the United States since the mid-20th century,^[6][7][8][9] it has been widely dispersed around the world, becoming the leading language of international discourse and the lingua franca in many regions.^[10][11]

Historically, English originated from the fusion of closely related dialects, now collectively termed Old English, which were brought to the eastern coast of Great Britain by Germanic (Anglo-Saxon) settlers by the 5th century – with the word English being derived from the name of the Angles, and ultimately from their ancestral region of Angeln (in what is now Schleswig-Holstein).^[12] A significant number of English words are constructed based on roots from Latin, because Latin in some form was the lingua franca of the Christian Church and of European intellectual life.^[13] The language was further influenced by the Old Norse language due to Viking invasions in the 8th and 9th centuries.

The Norman conquest of England in the 11th century gave rise to heavy borrowings from Norman-French, and vocabulary and spelling conventions began to give the appearance of a close relationship with Romance languages^[14][15] to what had then become Middle English. The Great Vowel Shift that began in the south of England in the 15th century is one of the historical events that mark the emergence of Modern English from Middle English.

Owing to the assimilation of words from many other languages throughout history, modern English contains a very large vocabulary. Modern English has not only assimilated words from other European languages but also from all over the world, including words of Hindi and African origin. The Oxford English Dictionary lists over 250,000 distinct words, not including many technical, scientific, and slang terms.^[16][17]

Significance[link]

Modern English, sometimes described as the first global lingua franca,^[18][19] is the dominant language or in some instances even the required international language of communications, science, information technology, business, seafaring,^[20] aviation,^[21] entertainment, radio and diplomacy.^[22] Its spread beyond the British Isles began with the growth of the British Empire, and by the late 19th century its reach was truly global.^[3] Following British colonisation from the 16th to 19th centuries, it became the dominant language in the United States, Canada, Australia and New Zealand. The growing economic and cultural influence of the US and its status as a global superpower since World War II have significantly accelerated the language's spread across the planet.^[19] English replaced German as the dominant language of science Nobel Prize laureates during the second half of the 20th century.^[23] English equalled and may have surpassed French as the dominant language of diplomacy during the last half of the 19th century.

A working knowledge of English has become a requirement in a number of fields, occupations and professions such as medicine and computing; as a consequence over a billion people speak English to at least a basic level (see English language learning and teaching). It is one of six official languages of the United Nations.^[24]

One impact of the growth of English is the reduction of native linguistic diversity in many parts of the world. Its influence continues to play an important role in language attrition.^[25] Conversely, the natural internal variety of English along with creoles and pidgins have the potential to produce new distinct languages from English over time.^[26]

History[link]

English is a West Germanic language that originated from the Anglo-Frisian and Old Saxon dialects brought to Britain by Germanic settlers from various parts of what is now northwest Germany, Denmark and the Netherlands.^[27] Up to that point, in Roman Britain the native population is assumed to have spoken the Celtic language Brythonic alongside the acrolectal influence of Latin, from the 400-year Roman occupation.^[28]

One of these incoming Germanic tribes was the Angles,^[29] who Bede believed to have relocated entirely to Britain.^[30] The names 'England' (from Engla land^[31] "Land of the Angles") and English (Old English Englisc^[32]) are derived from the name of this tribe—but Saxons, Jutes and a range of Germanic peoples from the coasts of Frisia, Lower Saxony, Jutland and Southern Sweden also moved to Britain in this era.^[33][34][35]

Initially, Old English was a diverse group of dialects, reflecting the varied origins of the Anglo-Saxon kingdoms of Great Britain^[36] but one of these dialects, Late West Saxon, eventually came to dominate, and it is in this that the poem Beowulf is written.

Old English was later transformed by two waves of invasion. The first was by speakers of the North Germanic language branch when Halfdan Ragnarsson and Ivar the Boneless started the conquering and colonisation of northern parts of the British Isles in the 8th and 9th centuries (see Danelaw). The second was by speakers of the Romance language Old Norman in the 11th century with the Norman conquest of England. Norman developed into Anglo-Norman, and then Anglo-French – and introduced a layer of words especially via the courts and government. As well as extending the lexicon with Scandinavian and Norman words these two events also simplified the grammar and transformed English into a borrowing language—more than normally open to accept new words from other languages.

The linguistic shifts in English following the Norman invasion produced what is now referred to as Middle English; Geoffrey Chaucer's The Canterbury Tales is its best-known work.

Throughout all this period Latin in some form was the lingua franca of European intellectual life, first the Medieval Latin of the Christian Church, but later the humanist Renaissance Latin, and those that wrote or copied texts in Latin^[13] commonly coined new terms from Latin to refer to things or concepts for which there was no existing native English word.

Modern English, which includes the works of William Shakespeare^[37] and the King James Bible, is generally dated from about 1550, and when the United Kingdom became a colonial power, English served as the lingua franca of the colonies of the British Empire. In the post-colonial period, some of the newly created nations which had multiple indigenous languages opted to continue using English as the lingua franca to avoid the political difficulties inherent in promoting any one indigenous language above the others. As a result of the growth of the British Empire, English was adopted in North America, India, Africa, Australia and many other regions, a trend extended with the emergence of the United States as a superpower in the mid-20th century.

Classification and related languages[link]

The English language belongs to the Anglo-Frisian sub-group of the West Germanic branch of the Germanic family, a member of the Indo-European languages. Modern English is the direct descendant of Middle English, itself a direct descendant of Old English, a descendant of Proto-Germanic. Typical of most Germanic languages, English is characterised by the use of modal verbs, the division of verbs into strong and weak classes, and common sound shifts from Proto-Indo-European known as Grimm's Law. The closest living relatives of English are Scots (spoken primarily in Scotland and parts of Northern Ireland where Ulster Scots is spoken) and Frisian (spoken on the southern fringes of the North Sea in Denmark, the Netherlands, and Germany).

After Scots and Frisian come those Germanic languages that are more distantly related: the non-Anglo-Frisian West Germanic languages (Dutch, Afrikaans, Low German, High German), and the North Germanic languages (Swedish, Danish, Norwegian, Icelandic, and Faroese). With the (partial) exception of Scots, none of the other languages is mutually intelligible with English, owing in part to the divergences in lexis, syntax, semantics, and phonology, and to the isolation afforded to the English language by the British Isles, although some, such as Dutch, do show strong affinities with English, especially to earlier stages of the language. Isolation has allowed English and Scots (as well as Icelandic and Faroese) to develop independently of the Continental Germanic languages and their influences over time.^[38]

In addition to isolation, lexical differences between English and other Germanic languages exist due to heavy borrowing in English of words from Latin and French. For example, compare "exit" (Latin), vs. Dutch uitgang, literally "out-going" (though outgang survives dialectally in restricted usage) and "change" (French) vs. German Änderung (literally "alteration, othering"); "movement" (French) vs. German Bewegung ("be-way-ing", i.e. "proceeding along the way"); etc. Preference of one synonym over another also causes differentiation in lexis, even where both words are Germanic, as in English care vs. German Sorge. Both words descend from Proto-Germanic *karō and *surgō respectively, but *karō has become the dominant word in English for "care" while in German, Dutch, and Scandinavian languages, the *surgō root prevailed. *Surgō still survives in English, however, as sorrow.

Despite extensive lexical borrowing, the workings of the English language are resolutely Germanic, and English remains classified as a Germanic language due to its structure and grammar. Borrowed words get incorporated into a Germanic system of conjugation, declension, and syntax, and behave exactly as though they were native Germanic words from Old English (For example, the word reduce is borrowed from Latin redūcere; however, in English one says "I reduce - I reduced - I will reduce" rather than "redūcō - redūxī - redūcam"; likewise, we say: "John's life insurance company" (cf. Dutch "Johns levensverzekeringsmaatschappij" [= leven (life) + verzekering (insurance) + maatschappij (company)] rather than "the company of insurance life of John", cf. the French: la compagnie d'assurance-vie de John). Furthermore, in English, all basic grammatical particles added to nouns, verbs, adjectives, and adverbs are Germanic. For nouns, these include the normal plural marker -s/-es (apple - apples; cf. Frisian appel - appels; Dutch appel - appels; Afrikaans appel - appels), and the possessive markers -'s (Brad's hat; German Brads Hut; Danish Brads hat) and -s' . For verbs, these include the third person present ending -s/-es (e.g. he stands/he reaches ), the present participle ending -ing (cf. Dutch -ende; German -end(e)), the simple past tense and past participle ending -ed (Swedish -ade/-ad), and the formation of the English infinitive using to (e.g. "to drive"; cf. Old English tō drīfenne; Dutch te drijven; Low German to drieven; German zu treiben). Adverbs generally receive an -ly ending (cf. German -lich; Swedish -ligt), and adjectives and adverbs are inflected for the comparative and superlative using -er and -est (e.g. hard/harder/hardest; cf. Dutch hard/harder/hardst), or through a combination with more and most. These particles append freely to all English words regardless of origin (tsunamis; communicates; to buccaneer; during; calmer; bizarrely) and all derive from Old English. Even the lack or absence of affixes, known as zero or null (-Ø) affixes, derive from endings which previously existed in Old English (usually -e, -a, -u, -o, -an, etc.), that later weakened to -e, and have since ceased to be pronounced and spelt (e.g. Modern English "I sing" = I sing-Ø < I singe < Old English ic singe; "we thought" = we thought-Ø < we thoughte(n) < Old English wē þōhton).

Due to the Viking colonisation and influence of Old Norse upon Middle English, English syntax follows a pattern similar to that of North Germanic languages (Danish, Swedish, Icelandic, etc.) in contrast to other West Germanic languages, such as Dutch and German. This is especially evident in the order and placement of verbs. For example, English "I will never see you again" = Danish "Jeg vil aldrig se dig igen"; Icelandic "Ég mun aldrei sjá þig aftur", whereas in Dutch and German the main verb is placed at the end (e.g. Dutch "Ik zal je nooit weer zien"; German "Ich werde dich nie wieder sehen", literally, "I will you never again see"). This is also observable in perfect tense constructions, as in English "I have never seen anything in the square" = Danish "Jeg har aldrig set noget på torvet"; Icelandic "Ég hef aldrei séð neitt á torginu", where Dutch and German place the past participle at the end (e.g. Dutch "Ik heb nooit iets op het plein gezien"; German "Ich habe nie etwas auf dem Platz gesehen", literally, "I have never anything in the square seen"). As in most Germanic languages, English adjectives usually come before the noun they modify, even when the adjective is of Latinate origin (e.g. medical emergency, national treasure). Also, English continues to make extensive use of self-explaining compounds (e.g. streetcar, classroom), and nouns which serve as modifiers (e.g. lamp post, life insurance company), traits inherited from Old English (See also Kenning).

The kinship with other Germanic languages can also be seen in the tensing of English verbs (e.g. English fall/fell/fallen/will or shall fall, West Frisian fal/foel/fallen/sil falle, Dutch vallen/viel/gevallen/zullen vallen, German fallen/fiel/gefallen/werden fallen, Norwegian faller/falt/falt or falne/vil or skal falle), the comparatives of adjectives and adverbs (e.g. English good/better/best, West Frisian goed/better/best, Dutch goed/beter/best, German gut/besser/best), the treatment of nouns (English shoemaker, shoemaker's, shoemakers, shoemakers'; Dutch schoenmaker, schoenmakers, schoenmakers, schoenmakeren; Swedish skomakare, skomakares, skomakare, skomakares), and the large amount of cognates (e.g. English wet, Scots weet, West Frisian wiet, Swedish våt; English send, Dutch zenden, German senden; English meaning, Swedish mening, Icelandic meining, etc.). It also gives rise to false friends (e.g. English time vs Norwegian time, meaning "hour"; English gift vs German Gift, meaning "poison"), while differences in phonology can obscure words that really are related (tooth vs. German Zahn; compare also Danish tand). Sometimes both semantics and phonology are different (German Zeit ("time") is related to English "tide", but the English word, through a transitional phase of meaning "period"/"interval", has come primarily to mean gravitational effects on the ocean by the moon, though the original meaning is preserved in forms like tidings and betide, and phrases such as to tide over).^{[citation needed]}

Many North Germanic words entered English due to the settlement of Viking raiders and Danish invasions which began around the 9th century (see Danelaw). Many of these words are common words, often mistaken for being native, which shows how close-knit the relations between the English and the Scandinavian settlers were (See below: Old Norse origins). Dutch and Low German also had a considerable influence on English vocabulary, contributing common everyday terms and many nautical and trading terms (See below: Dutch and Low German origins).

Finally, English has been forming compound words and affixing existing words separately from the other Germanic languages for over 1500 years and has different habits in that regard. For instance, abstract nouns in English may be formed from native words by the suffixes "‑hood", "-ship", "-dom" and "-ness". All of these have cognate suffixes in most or all other Germanic languages, but their usage patterns have diverged, as German "Freiheit" vs. English "freedom" (the suffix "-heit" being cognate of English "-hood", while English "-dom" is cognate with German "-tum"; compare also North Frisian fridoem, Dutch vrijdom, Norwegian fridom, "freedom"). The Germanic languages Icelandic and Faroese also follow English in this respect, since, like English, they developed independent of German influences.

Many French words are also intelligible to an English speaker, especially when they are seen in writing (as pronunciations are often quite different), because English absorbed a large vocabulary from Norman and French, via Anglo-Norman after the Norman Conquest, and directly from French in subsequent centuries. As a result, a large portion of English vocabulary is derived from French, with some minor spelling differences (e.g. inflectional endings, use of old French spellings, lack of diacritics, etc.), as well as occasional divergences in meaning of so-called false friends: for example, compare "library" with the French librairie, which means bookstore; in French, the word for "library" is bibliothèque. The pronunciation of most French loanwords in English (with the exception of a handful of more recently borrowed words such as mirage, genre, café; or phrases like coup d’état, rendez-vous, etc.) has become largely anglicised and follows a typically English phonology and pattern of stress (compare English "nature" vs. French nature, "button" vs. bouton, "table" vs. table, "hour" vs. heure, "reside" vs. résider, etc.).

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