Steven Van Zandt
Background information
Birth name	Steven Lento
Also known as	Little Steven and Miami Steve
Born	(1950-11-22) November 22, 1950 (age 61)
Origin	Boston, Massachusetts, United States
Genres	Rock, heartland rock
Occupations	Singer-songwriter, musician, producer, actor, disc jockey
Instruments	Vocals, guitar, harmonica, piano, mandolin
Years active	1975–present
Labels	Columbia, Epic, BMG
Associated acts	Bruce Springsteen, E Street Band, Steel Mill, Southside Johnny & The Asbury Jukes, The Miami Horns, Bon Jovi, Artists United Against Apartheid
Website	www.undergroundgarage.com
Notable instruments
Fender Stratocaster Vox Mark III Rickenbacker 660/12 Guild X-79

Steven Van Zandt (born November 22, 1950) is an American musician, songwriter, arranger, record producer, actor, and radio disc jockey, who frequently goes by the stage names Little Steven or Miami Steve. He is best known as a member of Bruce Springsteen's E Street Band, in which he plays guitar and mandolin, and as an actor in the television drama The Sopranos (1999–2007), in which he played the character Silvio Dante. Van Zandt also had his own solo band called "Little Steven and The Disciples of Soul" in the 1980s.

Early years[link]

Van Zandt^[1] was born as Steven Lento in Winthrop, Massachusetts, of Italian descent. His mother, Mary Lento, remarried when he was young and Steven took the last name of his stepfather, William Van Zandt. The family moved from Massachusetts to Middletown Township, New Jersey when he was seven.^[2]

Actor/playwright/producer Billy Van Zandt is Steven's half brother.^[3]

Career[link]

Band member[link]

Van Zandt grew up in the Jersey Shore music scene, and was an early friend and pre-E Street bandmate of Springsteen. In the early seventies, he was a journeyman guitarist (working as a sideman for The Dovells) as well as a founding member of Southside Johnny and the Asbury Jukes and several of Bruce Springsteen's early bands.

In 1975, during the recording sessions for Born to Run, Springsteen - at a loss (according to author Dave Marsh in the Springsteen biography Born To Run) for ideas on how to arrange the horn part for "Tenth Avenue Freeze-Out" - called on Van Zandt and his encyclopedic knowledge of soul music for help with the arrangement. In the Wings for Wheels Documentary, Springsteen revealed that Van Zandt was partially responsible for the signature guitar line in Born to Run; "Arguably Steve's greatest contribution to my music." Van Zandt then joined the E Street Band in the midst of their Born to Run tours.

In those early years, Van Zandt supplied a great deal of the lead guitar work for the band in concert, as can be seen on the 1975 concert DVD within Born to Run 30th Anniversary Edition (later released as the CD Hammersmith Odeon London '75).

Van Zandt cites the Dave Clark Five as an early influence. Along with Paul Shaffer of the David Letterman Show he organized a benefit for Mike Smith (the Dave Clark Five's lead singer), who had suffered a paralyzing fall at his home in Spain.

Songwriter, arranger, producer[link]

Van Zandt subsequently became a songwriter and producer for fellow Jersey shore act Southside Johnny and the Asbury Jukes in the mid- to late-1970s, penning their signature song "I Don't Wanna Go Home", co-writing other songs for them with Springsteen, and producing their most-acclaimed record, Hearts of Stone. As such, Van Zandt became a key contributor to the Jersey Shore sound. Van Zandt then went on to share production credits on the classic Springsteen albums Darkness on the Edge of Town, The River, and Born in the U.S.A.. In 1989, Jackson Browne covered the 1983 Van Zandt composition "I Am A Patriot" for Browne's World in Motion album. The song has also been covered by other artists including Eddie Vedder of Pearl Jam.

Van Zandt has produced a number of other records, including an uncredited effort on the Iron City Houserockers' Have A Good Time (But Get Out Alive). Less successful was his work on Lone Justice's second album Shelter, which was a career-ending flop for the Los Angeles cowpunk band.

In 1993, Van Zandt wrote and produced "All Alone on Christmas" for the soundtrack of the Chris Columbus film Home Alone, which yielded singer Darlene Love her first hit since "A Fine, Fine Boy" from 1963, thirty-one years earlier.

In 1994, Van Zandt produced the eponymous debut album of the punk rock band Demolition 23 which featured ex-Hanoi Rocks members Michael Monroe and Sami Yaffa. Van Zandt also co-wrote six songs for the album with Monroe and Jude Wilder.

In 1995, Van Zandt aided Meat Loaf with the song "Amnesty Is Granted" off of his "Welcome to the Neighborhood" album.

In 2004, he contributed the song "Baby Please Don't Go" to Nancy Sinatra's self-titled album.

Solo artist[link]

Van Zandt officially left the E Street Band in 1984 (Springsteen's song "Bobby Jean" is said to be inspired by the split, and Bruce asked him to perform his mandolin solo in the "Glory Days" video anyway) and has been involved in numerous solo musical projects and collaborations since then, ranging from soul music to hard rock to world music. In particular, he released four albums in the 1980s and one in 1999, sometimes fronting an on-and-off group known as Little Steven and the Disciples of Soul. Van Zandt has written that these albums are each elements in a five-part concept cycle. The first of them, 1982's Men Without Women, earned the most critical praise (Jay Cocks of TIME magazine dubbed it one of the ten best albums of the year), while its follow-up, 1984's Voice of America, did the best on the U.S. albums chart, although none of them were much of a commercial success. With Voice of America, his music became explicitly political, with the central theme being opposition to Ronald Reagan-era American foreign policy.

Continuing his involvement in issues of the day, in 1985 he created the music-industry activist group Artists United Against Apartheid as an action against the Sun City resort in South Africa. Forty-nine top recording artists, including Springsteen, U2, Bob Dylan, Pete Townshend, and Run DMC, collaborated on a song called "Sun City" in which they pledged they would never perform at the resort. The effort was modestly successful. In 1987, he released the album Freedom - No Compromise, which continued the political messaging in an even more strident fashion. Some U.S. appearances in that year as opening act for U2's arena-and-stadium Joshua Tree Tour continued in the same vein – Oliver North was labeled a "criminal motherfucker" – but were not well-received by audiences, who found the sound overbearing and the performances lacking musicality. Both the record and his concerts were more popular in Europe, however. Little Steven's fourth album, 1989's Revolution, attracted little attention. His next album, entitled Born Again Savage was released in 1999. Since then, Van Zandt has recorded another album, Nobody Loves and Leaves Alive with his garage band the Lost Boys. Although the album remains unreleased, three tracks from it were contributed to the Sopranos television show including; 'Nobody Love and Leaves Alive', 'Affection', and 'Come for Me'.

Band member again[link]

Springsteen and Van Zandt, onstage during the Working on a Dream Tour, August 1, 2009 in Valladolid, Spain Photo: Manuel Martinez Perez

Van Zandt returned to the E Street Band when it was reformed (briefly in 1995, and on an ongoing basis since 1999) and remains with it. By now, his guitar playing had mostly been reduced to a background rhythm role, due to Nils Lofgren's position in the band and his capability as a lead guitarist. In addition, Springsteen had begun taking many more of the solos during Van Zandt's absence. Notwithstanding this, among E Street Band members he often had the second-most amount of "face time" in concert after Clarence Clemons, frequently mugging and posing for the audience and sometimes delivering his unpolished, nasal backing vocals while sharing a microphone with Springsteen. His playing or singing is most prominently featured on the songs "Glory Days", "Two Hearts", "Long Walk Home" (when featured a Van Zandt outro vocal solo) "Land of Hope and Dreams", "Badlands", "Ramrod", and "Murder Incorporated", among others like the live versions of "Rosalita". He often trades vocals with Springsteen in live versions of "Prove it All Night". He features prominently in the video for "Glory Days", sharing the spotlight with Springsteen during the choruses, while swapping lines with him during the (non)fade, and in live versions he does the same. During the E Street Band's performance at the Super Bowl in 2009, Van Zandt was the most prominently featured member of the band, playing a guitar solo on the final number of the set, "Glory Days" (although the solo could not be heard in the mix), as well as sharing lead vocals and exchanging humorous banter with Springsteen.

Actor[link]

In 1999, Van Zandt took one of the core roles in The Sopranos, playing level-headed but deadly mob consigliere and strip club owner Silvio Dante. Van Zandt had no acting experience, and the unusual casting choice was made by series creator David Chase. As a guest on the Opie and Anthony Show, Van Zandt related the story of his casting on The Sopranos. Van Zandt was picked to induct The Rascals into the Rock and Roll Hall of Fame in 1997. The original members of The Rascals had been feuding for a number of years and Van Zandt was concerned that the induction and subsequent band performance would result in a very public fiasco on live television. Wanting to defuse any confrontation, Van Zandt donned a Little Lord Fauntleroy-type costume for the event and delivered a humorous induction instead of the more traditional speech delivered for other inductees. The Rascals had worn this type of outfit when they debuted on the national scene in 1965. Chase saw this performance on VH1's broadcast of the event and thought that Van Zandt was very funny and contacted him a few days later. Then Chase discovered that Van Zandt had no acting experience. Van Zandt was reluctant to audition for Chase but eventually relented.

Van Zandt gained acclaim for his performance as Silvio, but has contended that he has no interest in acting beyond The Sopranos. However, in 2011, he starred in, co-wrote and acted as executive producer on an English and Norwegian language series entitled "Lilyhammer," a Netflix Internet movie site original program. On the show, Van Zandt portrays a Soprano-like role of an ex-mafioso who flees to Norway to escape a colleague he testified against.

He also found time to record the narration to a Hives biography on their concert DVD Tussles in Brussels.

His role on The Sopranos resumed in importance in later seasons, with sixth season plot developments especially giving him prime focus. His real-life wife Maureen Van Zandt is an actress who made occasional appearances on The Sopranos playing Silvio's wife Gabriella Dante.

Van Zandt maintains a certain look, always wearing gypsy clothes and a bandana on stage, while donning a noticeable pompadour toupee on The Sopranos. Both are to cover permanent loss of hair from a car accident in which he hit a windshield with his head.^[4][5]

In 2010, Van Zandt appeared as himself in the Norwegian soap opera Hotel Cæsar, broadcast on Norway's biggest commercial channel TV2 Norway.^[6] He also appeared on Scandinavia's largest talkshow Skavlan.

Radio host and entrepreneur[link]

Since 2002, Van Zandt has hosted Little Steven's Underground Garage, a weekly syndicated radio show that celebrates garage rock and similar rock sub-genres from the 1950s to the present day. As of December 2006, the show is heard on over 200 US radio stations and in some international markets. For example, in Finland, Radio Helsinki started beaming Underground Garage in August 2008 and in Spain is beamed through Rock & Gol since 2007 and later on Rock Rock Radio.

On October 20, 2011, the program recorded its 500th show in front of a sold out crowd at the Hard Rock Cafe in New York's Times Square. The guests included the band Green Day, Steve Buscemi, star of The Sopranos and Boardwalk Empire, Vincent Pastore, aka "Big Pussy" from the The Sopranos, actor and director Tim Robbins, and singer Debbie Harry of the group "Blondie."

Steven is also the program director for two radio channels for the Sirius Satellite Radio network. The channels are heard continuously on satellite radio in the USA and worldwide on Sirius Internet Radio. One channel is named Underground Garage, which has the same philosophy and musical mandate as his own radio show. On-air hosts on the channel include original Rolling Stones manager/producer Andrew Loog Oldham, singer/guitarist Joan Jett, former record executive Kid Leo, punk rock singer Handsome Dick Manitoba, and rock entrepreneur Kim Fowley. The second of Van Zandt's radio channels presented on Sirius is named the Outlaw Country channel. It presents the edgier side of country music – both roots and contemporary. On-air hosts for this channel include pop-culture satirist Mojo Nixon.

Van Zandt is not to be confused with similarly named radio personality Steve Van Zandt,^[7] who was co-host of the "Steve and Jackie in the Morning" show formerly airing on WROW in Albany, New York.^[8]

In December 2006, Little Steven launched his own record label, Wicked Cool Records.^[9] The first set of records released by Wicked Cool were new albums from Underground Garage favorites the Charms, the Chesterfield Kings and the Cocktail Slippers; and ‘Fuzz For The Holidays,’ by Davie Allan and the Arrows and ‘CBGB Forever,’ a tribute to the famous, now-defunct venue. The label continues to release new albums from the next generation of garage rockers including the Cocktail Slippers as well as volumes of ‘Little Steven's Underground Garage presents The Coolest Songs in the World,’ a compilation of selected songs from the Underground Garage radio show's popular feature, the Coolest Song in the World This Week. In 2007 the label signed The Launderettes.^[10] 2008 marked the release of the labels first Halloween and Christmas themed compilations.

Lost Cathedral is a subsidiary label of Wicked Cool Records and home to the band Crown of Thorns.^[11]

In 2007, Van Zandt launched his Rock And Roll Forever Foundation. The first incentive of the foundation is Rock And Roll High School, a chronological anthology tracing the history of Rock and Roll from its roots to present day, highlighting the cultural impact and significance of each era of the genre as it relates to the events and changes that took place in the history of the country and of the world. The program, endorsed by MENC: The National Association For Music Education and Scholastic, is being written and hopes to launch in the fall of 2010.^[12]

Musical director[link]

In September 2006, Van Zandt assembled and directed an all-star band to back Hank Williams Jr. on a new version of "All My Rowdy Friends Are Coming Over Tonight" for the season premiere (and formal ESPN debut) of Monday Night Football. The all-star lineup included Little Richard, Rick Nielsen (Cheap Trick), Joe Perry (Aerosmith), Questlove (The Roots), Charlie Daniels, Bootsy Collins, Chris Burney (Bowling for Soup), and Bernie Worrell. Steve is now the director of a music selection committee for the video game Rock Band; he is in charge of selecting new music for the game.

Personal life[link]

Van Zandt is married to actress Maureen Van Zandt (formerly Maureen Santoro) who portrayed his wife Gabriella Dante in the TV series The Sopranos. They married in New York City on December 31, 1982.^[13] Bruce Springsteen was the best man at the ceremony, which was presided over by Reverend Richard Penniman (Little Richard). Singer Percy Sledge sang his classic "When a Man Loves a Woman" at the reception.^[14]

Discography[link]

• Little Steven
  • Men Without Women (1982)   US #118
  • Voice of America (1984)   US # 55
  • Freedom - No Compromise (1987)   US #80
  • Revolution (1989)
  • Born Again Savage (1999)
  • Greatest Hits (1999)

• Bruce Springsteen
  • Greetings From Asbury Park, N.J. (1973) - sound effects
  • Born to Run (1975)
  • Darkness on the Edge of Town (1978)
  • The River (1980)
  • Born in the U.S.A. (1984)
  • Live/1975-85 (1986)
  • Greatest Hits (1995)
  • Blood Brothers (1996)
  • Tracks (1998)
  • 18 Tracks (1999)
  • Live in New York City (2001)
  • The Rising (2002)
  • The Essential Bruce Springsteen (2003)
  • Hammersmith Odeon London '75 (2006)
  • Magic (2007)
  • Magic Tour Highlights (2008)
  • Working on a Dream (2009)
  • Wrecking Ball (2012)

• Southside Johnny & The Asbury Jukes
  • I Don't Want To Go Home (1976)
  • Live At The Bottom Line (1976)
  • This Time It's for Real (1977)
  • Hearts of Stone (1978)
  • Havin' a Party (1979)
  • Better Days (1991)
  • Jukebox (2007)

• Ronnie Spector & The E Street Band
  • "Say Goodbye To Hollywood" / "Baby Please Don't Go" (1977)

• Gary U.S. Bonds
  • Dedication (1981)
  • On the Line (1982)
  • Standing In the Line of Fire (1984)

• Artists United Against Apartheid
  • Sun City (1985)

• Iron City Houserockers
  • Have a Good Time but Get out Alive! (1980)

• Meat Loaf
  • Welcome to the Neighborhood (1995)

• Davie Allan & The Arrows
  • Fuzz For The Holidays (2004)

References[link]

External links[link]

Wikimedia Commons has media related to: Steve Van Zandt

• Official website

Tavis Smiley
Tavis Smiley, 2011
Born	(1964-09-13) September 13, 1964 (age 47) Gulfport, Mississippi United States
Education	Indiana University (B.A., public affairs, 2003)
Occupation	Talk show host Author Entrepreneur Advocate Philanthropist
Notable credit(s)	Tavis Smiley host (2004–present) The Tavis Smiley Show from PRI (radio) host (2005–present) "Smiley & West" co-host (2010–present) BET Tonight with Tavis Smiley host (1996–2001)
Religion	Christian
Website
http://www.tavistalks.com/

Tavis Smiley (pronounced /ˈtævɨs/; born September 13, 1964) is a talk show host, author, liberal political commentator, entrepreneur, advocate and philanthropist.^[1][2] Smiley was born in Gulfport, Mississippi, and grew up in Kokomo, Indiana. After attending Indiana University, he worked during the late 1980s as an aide to Tom Bradley, the mayor of Los Angeles. Smiley became a radio commentator in 1991, and starting in 1996, he hosted the talk show BET Talk (later renamed BET Tonight) on BET. Controversially, after Smiley sold an exclusive interview of Sara Jane Olson to ABC News in 2001, BET declined to renew Smiley's contract that year. Smiley then began hosting The Tavis Smiley Show on NPR from 2002 to 2004 and currently hosts Tavis Smiley on PBS on the weekdays and "The Tavis Smiley Show" from PRI. In 2010 Smiley and Dr. Cornel West have joined forces for their own radio talk show, Smiley & West. They were featured together interviewing musician Bill Withers in the 2009 documentary film Still Bill.^[3]

Early years[link]

Tavis Smiley was born in Gulfport, Mississippi, the son of Joyce Marie Roberts, a single mother who first became pregnant at age 18.^[4] On September 13, 1966, just shy of his second birthday, his mother married Emory Garnell Smiley, a non-commisioned officer in the U.S. Air Force.^[5] It would not be until a few years later that Tavis would learn the identity of his biological father, whom he identifies in his autobiography, What I Know For Sure: My Story of Growing Up in America only as "T."^[6]

His family soon moved to Indiana because his stepfather had been transferred to Grissom Air Force Base near Peru, Indiana. Upon arriving in Indiana, the Smiley family took up residence in a crowded mobile home in the small town of Bunker Hill, Indiana.^[7] Smiley's immediate family size was increased following the homicide of his aunt, whose death left five children with no stable home. Smiley's parents agreed to take in and raise their five orphaned nieces and nephews. Joyce and her husband also had eight children of their own over the years, resulting at one point in 13 children and Mr. and Mrs. Smiley all living in the trailer-home. Smiley's mother was a very religious person, and the family attended the local New Bethel Tabernacle Church, part of the Pentecostal Assemblies of the World.^[8] The Smiley children were forbidden from listening to secular music at home and going to the movie theater and could watch television shows that their parents felt were family-friendly.^[9] When Tavis Smiley was in seventh grade, New Bethel pastor Elder Rufus Mills accused Tavis and his siblings of "running wild, disobeying their teacher, disrespecting their teacher, disrespecting the sanctity of this building, and mocking the holy message being taught" during Sunday School.^[10] According to Smiley's account of the incident, Smiley's Sunday School teacher became more confused as she was asking questions about the Book of John, and while other students "responded by giggling and acting a little unruly", he and his sister Phyllis "remained quiet".^[11] Garnell whipped Tavis and Phyllis with an extension cord, wounding the two children.^[12] The next day at school, administrators found out about the children's injuries.^[13] The local newspaper in Kokomo reported on the beating and the legal proceedings against Garnell, and Tavis and Phyllis were sent to foster care temporarily,^[14] Garnell told his children that the judge decided that he had "overreacted" and found he and Joyce as "concerned parents who were completely involved in our children's lives and well-being".^[15]

Smiley became interested in politics at age 13 after attending a fundraiser for U.S. Senator Birch Bayh.^[8] At Maconaquah High School in Bunker Hill, Indiana, a school that Smiley described as "98 percent white",^[16] Smiley was active in student council and the debate team, even though his parents were "skeptical of all non-church extracurricular activities".^[17]

College and political career[link]

In 1982, Smiley enrolled in Indiana University Bloomington (IU). Because Smiley's parents refused to complete financial aid papers, Smiley entered Indiana University with only $50 and a small suitcase.^[18] Administrators let Smiley complete the paperwork to become a full-time student.^[19] The summer after his freshman year, Smiley worked, attended summer classes, and lived off campus with Indiana Hoosiers men's basketball players, then being coached by Bob Knight.^[20] Smiley was accepted into the Kappa Alpha Psi fraternity during his sophomore year and became business manager of his dormitory, a member of the student senate, and director of minority affairs.^[21] After his friend Denver Smith was killed by Indiana police officers who claimed to have acted in self-defense, Smiley helped lead protests to defend Smith, whom he believed had been wrongfully killed.^[22] Those protests led Smiley to a work-study internship at the office of Bloomington mayor Tomilea Allison. Being paid $5 an hour, Smiley wrote letters to local residents, researched for Mayor Allison, and helped write positions on local issues. Mayor Allison rebuked Smiley for padding his time sheets and had Smiley work off the extra hours without pay.^[23] During his first semester of junior year, Smiley was under academic probation and blamed his extracurricular activities for interfering with his studies.^[24] When Smiley visited Los Angeles to attend a national student leaders' convention, the cousin of his roommate introduced Smiley to football star Jim Brown. Brown introduced Smiley to fellow football player George Hughley, who worked for Los Angeles mayor Tom Bradley and connected Smiley to Mayor Bradley's staff.^[25] Every week since meeting Bradley's staff, Smiley wrote a letter to the mayor's office asking for an internship and once personally flew to Los Angeles to appeal. However, by summertime he received a letter from the city stating that all internship positions were filled.^[26] Smiley then handwrote a letter to the mayor that he said represented his feeling "from the heart", and Bradley called Smiley to say that he had a position available for Smiley.^[27] As the internship was unpaid but counted for college credit, the Bloomington Community Progress Council funded Smiley with $5,000 for living expenses in Los Angeles, and Brown allowed Smiley to live as a houseguest during September 1985. Starting the next month, Smiley lived in the Kappa Alpha Psi fraternity house in the University of Southern California. At City Hall, Smiley worked at the Office of Youth Development on the 22nd floor.^[28]

Twice, Smiley considered quitting college, first during junior year,^[29] and then after finishing his internship with Mayor Bradley. Bradley successfully convinced Smiley to return to college, and Smiley did.^[30] Smiley took the LSAT twice, as he was considering attending Harvard Law School.^[31] However, in his senior year, he failed a test in a computer class after being accused of copying another student's, so he failed that class and several others and lacked nine hours of credits and thus did not graduate from IU.^[32] Following a hiring freeze by the government of Los Angeles, Smiley served as an aide to Mayor Bradley until 1990.^[33] A 1988 article in the Los Angeles Times identified Smiley as "a Bradley administrative assistant who works in South Los Angeles".^[34] In 2003, Smiley officially received his degree from Indiana University in public affairs.^[35]

Radio and television career[link]

Campaigning for a seat on the Los Angeles City Council in 1991 against incumbent Ruth Galanter, Smiley finished fourth among 15 candidates. Smiley became a radio commentator, broadcasting one-minute daily radio segments called The Smiley Report on KGFJ radio.^[8] With Ruben Navarrette, Jr., Smiley co-hosted a local talk show in Los Angeles where his strongly held views on race and politics, combined with his arguments regarding the impact of institutional racism and substandard educational and economic opportunities for inner-city black youth, earned him attention on the Los Angeles Times. His commentaries focused on local and national current-affairs issues affecting the African-American community.^[36] For six months, Smiley worked on a community news program on a local cable network and spent six more months working on television in Montreal.^[37]

In 1996, Smiley became a frequent commentator on the Tom Joyner Morning Show, a nationally syndicated radio show broadcast on black and urban stations in the United States.^[38] He developed a friendship with host Joyner; together they began hosting annual town hall meetings beginning in 2000 called "The State of the Black Union", which were aired live on the C-SPAN cable television network. Each of these town hall meetings focused on a specific topic affecting the African-American community, featuring a panel of African-American leaders, educators, and professionals assembled before an audience to discuss problems related to the forum's topic, as well as potential solutions.^[39] Smiley also used his commentator status on Joyner's radio show to launch several advocacy campaigns to highlight discriminatory practices in the media and government and to rally support for causes such as the awarding of a Congressional Gold Medal to civil rights icon Rosa Parks. Smiley also began building a national reputation as a political commentator with numerous appearances on political discussion shows on MSNBC, ABC, and CNN.

Also in 1996, Smiley began hosting and executive producing BET Tonight (originally BET Talk when it first premiered), a public affairs discussion show on the Black Entertainment Television (BET) network. Smiley interviewed major political figures and celebrities and discussed topics ranging from racial profiling and police brutality to R&B music and Hollywood gossip. Smiley hosted BET Tonight until 2001, when in a controversial move, the network announced that Smiley's contract would not be renewed. This sparked an angry response from Joyner, who sought to rally his radio audience to protest BET's decision. Robert L. Johnson, founder of BET, defended the decision, stating that Smiley had been fired because he had sold an exclusive interview to ABC News without first offering the story to BET, even though Smiley's contract with BET did not require him to do so. Smiley countered with the assertion that he had offered the story — an interview with Sara Jane Olson, an alleged former member of the Symbionese Liberation Army — to CBS, which, along with BET, was owned by Viacom. Smiley ultimately sold the interview to rival network ABC, he said, only after CBS passed on the interview, and suggested that his firing was payback for the publicity he gained as a result of providing an exclusive interview to ABC.^[40] Ultimately BET and Viacom did not reverse their decision to terminate Smiley's contract.

Smiley was then offered a chance to host a radio talk show on National Public Radio. He served as host of The Tavis Smiley Show on NPR until December 2004 when he announced that he would be leaving his NPR show, citing the network's inability to reach a more diverse audience.^[41] Smiley launched a weekly version of his radio program The Tavis Smiley Show on April 29, 2005, distributed by NPR rival Public Radio International. On October 1, 2010, Tavis Smiley turned the second hour of his PRI program into Smiley & West co-hosted by his longtime collaborator Dr. Cornel West. Smiley also hosts Tavis Smiley, a late night talk show televised on the Public Broadcasting Service (PBS) network and produced in association with WNET in New York.^[42]

Smiley moderated two live presidential candidate forums in 2007: a Democratic forum on June 28 at Howard University in Washington, D.C.,^[43] and a Republican forum on September 27 at Morgan State University in Baltimore.^[44]

Smiley appears on the Democracy Now! show.^[45]

Controversy over Presidential Candidate Barack Obama[link]

On April 11, 2008, Tavis Smiley announced that he would resign in June 2008 as a commentator on the Tom Joyner Morning Show. He cited fatigue and a busy schedule in a personal call to Joyner. However, Joyner, referring to several commentaries in which Smiley was critical of Democratic presidential candidate Barack Obama, indicated otherwise on his program, stating: "The real reason is that he can't take the hate he's been getting regarding the Barack issue—hate from the black people that he loves so much."^[46] Prior to the public controversy and being elected President, Obama had been on Smiley's PBS show six times.

In 2012, Smiley participated in a "Poverty Tour" with Princeton University professor Cornel West in promoting their book The Rich and the Rest of Us: A Poverty Manifesto. The stated aim of the tour was to highlight the plight of the impoverished population of the United States prior to the 2012 Presidential Election, whose candidates Smiley and West stated had ignored the plight of the poor.^{[47][48][49][50]}

[edit] The Covenant with Black America

In March 2006, The Smiley Group and Third World Press published The Covenant with Black America, a collection of essays by black scholars and professionals edited by Smiley. The book covered topics ranging from education to healthcare. The book was a New York Times Bestseller.^[51]

Awards and contributions[link]

Smiley was honored with the NAACP Image Award for best news, talk, or information series for three consecutive years (1997–99) for his work on BET Tonight with Tavis Smiley.

Smiley's advocacy efforts have earned him numerous awards and recognitions including the recipient of the Mickey Leland Humanitarian Award from the National Association of Minorities in Communications.

In 1999, he founded the Tavis Smiley Foundation, which funds programs that develop young leaders in the black community. Since its inception, more than 6,000 young people have participated in the foundation's Youth to Leaders Training workshops and conferences.

His communications company, The Smiley Group, Inc., serves as the holding company for various enterprises encompassing broadcast and print media, lecturers, symposiums, and the Internet.

In 1994, Time named Smiley one of America's 50 Most Promising Young Leaders.^[52] Time would later honor him in 2009 as one of the "100 Most Influential People in the World". In May 2007, Smiley gave a commencement speech at his alma mater, Indiana University at Bloomington, Indiana (the university recently honored Smiley by naming the atrium of its School of Public and Environmental Affairs (SPEA) building, The Tavis Smiley Atrium).

In May 2008, he gave the commencement address at Connecticut College, where he was awarded an honorary doctorate. In May 2009, Smiley was awarded an honorary doctorate at Langston University after giving the commencement address there.

On December 12, 2008, Smiley received the Du Bois Medal from Harvard University's W.E.B. Du Bois Institute for African and African American Research.

He would also be awarded the 2009 Interdependence Day Prize from Demos in Istanbul, Turkey.

Smiley would be named No. 2 change agent in the field of media behind Oprah Winfrey in EBONY Magazine's POWER 150 list.

Bibliography[link]

• Just a Thought: The Smiley Report (ISBN 0-963-69523-1)
• Doing What's Right: How to Fight for What You Believe—And Make a Difference (ISBN 0-385-49931-0)
• Hard Left (ISBN 0-385-48404-6)
• Keeping the Faith: Stories of Love, Courage, Healing, and Hope from Black America (ISBN 0-385-72169-2)
• How to Make Black America Better: Leading African Americans Speak Out (ISBN 0-385-72087-4)
• On Air:The Best of Tavis Smiley on the Tom Joyner Morning Show (ISBN 1-890194-33-6)
• The Covenant with Black America (ISBN 0-88378-277-4)
• What I Know for Sure: My Story of Growing Up in America (ISBN 978-0-385-50516-1; ISBN 0-388-50516-7)
• Accountable: Making America As Good As Its Promise
• Fail Up (ISBN 1-401-93390-4)
• The Rich and the Rest of Us: A Poverty Manifesto (with Cornel West) (ISBN 1-401940-63-3)

References[link]

Further reading[link]

• LaRue, William. "Tavis Smiley: NPR Host Brings Latenight Talk to PBS". The Post-Standard (Syracuse, New York), 1 February 2004, STARS section, pp. 4–6.
• Slade, Scott. "Author Issues Wakeup Call". Kokomo Tribune (Indiana), 20 June 1996, p. 7.
• Smiley, Tavis (2006), What I Know For Sure: My Story of Growing Up in America, New York City, New York, United States: Doubleday, ISBN 0-385-50516-7, http://books.google.com/books?id=lBHwtgmBJ1IC </ref>

External links[link]

• Official website
• Tavis Smiley on Twitter
• Tavis Smiley on WNET/PBS
• Appearances on C-SPAN
  • Booknotes interview with Smiley on Doing What's Right, April 9, 2000.
  • C-SPAN Q&A interview with Smiley, October 29, 2006
• Tavis Smiley on Charlie Rose
• Tavis Smiley at NPR
• Works by or about Tavis Smiley in libraries (WorldCat catalog)
• Tavis Smiley: The State of the Black Union Interview
• Tavis Smiley on Rev. Martin Luther King and His Opposition to the Vietnam War - video by Democracy Now!

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2011)

Clarence Clemons
Clemons playing his saxophone part on "Night" early in a show. Estadio José Zorrilla, Valladolid, Spain, August 1, 2009.
Background information
Birth name	Clarence Anicholas Clemons, Jr.
Also known as	The Big Man
Born	(1942-01-11)January 11, 1942 Norfolk County, Virginia (later Chesapeake)[1]
Died	June 18, 2011(2011-06-18) (aged 69) West Palm Beach, Florida
Genres	Rock, R&B
Occupations	Musician, actor, athlete
Instruments	Saxophone Percussion Vocalist
Years active	1961–2011
Labels	Columbia
Associated acts	E Street Band Bruce Springsteen Aretha Franklin Furthur Grateful Dead Jackson Browne Jerry Garcia Band Narada Michael Walden Ringo Starr & His All-Starr Band Aja Kim Lady Gaga
Website	ClarenceClemons.com
Notable instruments
Julius Keilwerth SX90R tenor saxophone, SX90R baritone saxophone and SX90II soprano saxophone[2]

Clarence Anicholas Clemons, Jr. (January 11, 1942 – June 18, 2011), also known as The Big Man, was an American musician and actor. From 1972 until his death, he was a prominent member of Bruce Springsteen's E Street Band, playing the tenor saxophone.^[3][4]

He released several solo albums and in 1985, had a hit single with "You're a Friend of Mine", a duet with Jackson Browne. As a guest musician he also featured on Aretha Franklin's classic "Freeway of Love" and on Twisted Sister's "Be Chrool to Your Scuel" as well as performing in concert with The Grateful Dead and Ringo Starr & His All-Starr Band. As an actor Clemons featured in several films, including New York, New York and Bill & Ted's Excellent Adventure.

He also made cameo appearances in several TV series, including Diff'rent Strokes, Nash Bridges, The Simpsons and The Wire. Together with his television writer friend Don Reo he published his semi-fictional autobiography told in third person, Big Man: Real Life & Tall Tales, in 2009.^[5] Clemons suffered a stroke on June 12, 2011, and died of complications from it on June 18.

Early life[link]

Born in Norfolk County (later the city of Chesapeake), Virginia, Clemons was the son of Clarence Clemons, Sr., a fish market owner,^[3] and his wife Thelma.^[6][7] He was the oldest of their three children. His grandfather was a Southern Baptist preacher and, as a result, the young Clemons grew up listening to gospel music.

When he was nine, his father gave him an alto saxophone as a Christmas present and paid for music lessons. He later switched to baritone saxophone and played in a high school jazz band. His uncle also influenced his early musical development when he bought him his first King Curtis album. Curtis, and his work with The Coasters in particular, would become a major influence on Clemons and led to him switching to tenor saxophone.

As a youth Clemons also showed potential as a football player, and graduated from Crestwood High School (now Crestwood Middle) before attending Maryland State College^[3] on both music and football scholarships. He played as a lineman on the same team as Emerson Boozer and attracted the attention of the Cleveland Browns, who offered him a trial. Clemons also tried out for the Dallas Cowboys.^[8] However, the day before, he was involved in a serious car accident which effectively ended any plans of a career in the National Football League.^{[9][10][11][12]} He would eventually be posthumously inducted into the university's Athletics Hall of Fame on February 24, 2012.^[13]

At age 18, Clemons had one of his earliest studio experiences, recording sessions with Tyrone Ashley's Funky Music Machine, a band from Plainfield, New Jersey that included Ray Davis, Eddie Hazel and Billy Bass Nelson, all of whom later played with Parliament-Funkadelic. He also performed with Daniel Petraitis, a New Jersey and Nashville legend. These sessions were eventually released in 2007, by Truth and Soul Records as Let Me Be Your Man.^[14][15] While at Maryland State College Clemons also joined his first band, The Vibratones, which played James Brown covers and stayed together for about four years between 1961 and 1965. While still playing with this band he moved to Newark, New Jersey where he worked as a counselor for emotionally disturbed children at the Jamesburg Training School for Boys between 1962 and 1970.

Music career[link]

Bruce Springsteen[link]

Clemons playing his "Born to Run" saxophone solo with house lights up. Hartford Civic Center, April 24, 2009.

The story of how Clemons first met Bruce Springsteen has entered into E Street Band mythology. "The E Street Shuffle" with a monologue about how they met and the event was also immortalized in "Tenth Avenue Freeze-Out". They allegedly met for the first time in September 1971. At the time Clemons was playing with Norman Seldin & The Joyful Noyze at The Wonder Bar in Asbury Park, New Jersey. Seldin was a Jersey Shore musician/entrepreneur who, as well as playing piano and leading various bands, had his own record label, Selsom Records. In 1969, Clemons had recorded an eponymous album with this band. In 2008, tracks from this album were reissued on an anthology, Asbury Park — Then And Now, put together by Seldin. It was Karen Cassidy, lead vocalist with The Joyful Noyze, who encouraged Clemons to check out Springsteen who was playing with The Bruce Springsteen Band at the nearby Student Prince.^[16][17][18] Clemons recalled their meeting in various interviews:^[19]

One night we were playing in Asbury Park. I'd heard The Bruce Springsteen Band was nearby at a club called The Student Prince and on a break between sets I walked over there. On-stage, Bruce used to tell different versions of this story but I'm a Baptist, remember, so this is the truth. A rainy, windy night it was, and when I opened the door the whole thing flew off its hinges and blew away down the street. The band were on-stage, but staring at me framed in the doorway. And maybe that did make Bruce a little nervous because I just said, "I want to play with your band," and he said, "Sure, you do anything you want." The first song we did was an early version of "Spirit in the Night". Bruce and I looked at each other and didn't say anything, we just knew. We knew we were the missing links in each other's lives. He was what I'd been searching for. In one way he was just a scrawny little kid. But he was a visionary. He wanted to follow his dream. So from then on I was part of history.

Well before this meeting, however, Clemons and Springsteen had moved within the same circle of musical acquaintances. Norman Seldin had managed and promoted several local bands, including The Motifs^[20] who featured Vinnie Roslin, later to play with Springsteen in Steel Mill. On April 22, 1966, Seldin had also organised a battle of the bands competition at the Matawan-Keyport Roller Drome in Matawan, New Jersey. Springsteen was among the entrants playing with his then band, The Castiles.^[21] Billy Ryan, who played lead guitar with The Joyful Noyze,^[22] also played in The Jaywalkers with Garry Tallent and Steve Van Zandt and Clemons himself had played with Tallent in Little Melvin & The Invaders.^[23]

In July 1972, Springsteen began recording his debut album Greetings from Asbury Park, N.J. and during breaks from recording, he jammed with Clemons and The Joyful Noyze on at least two occasions at The Shipbottom Lounge in Point Pleasant, New Jersey. When Springsteen then decided to use a tenor saxophone on the songs "Blinded by the Light" and "Spirit in the Night," it was Clemons he called. By October Springsteen was ready to tour and promote Greetings… and he put together a band featuring Clemons, Tallent, Danny Federici and Vini Lopez. Clemons played his last gig with Norman Seldin & The Joyful Noyze at the Club Plaza in Bayville, New Jersey on October 21, 1972. Four days later Clemons made his debut with the formative E Street Band at an unadvertised, impromptu performance at The Shipbottom Lounge.^[24][25] Throughout the 1970s and 1980s Clemons featured prominently on Springsteen albums.^[4] On Born to Run he provided memorable saxophone solos on the title track, "Thunder Road" and "Jungleland" while Darkness on the Edge of Town featured another notable solo on "Badlands". The River saw Clemons feature on songs such as "The Ties That Bind", "Sherry Darling", "I Wanna Marry You", "Drive All Night" and "Independence Day" while Born in the U.S.A. saw solos on "Bobby Jean" and "I'm Goin' Down".^[26][27]

At the end of shows, while recognizing members of the E Street Band, Springsteen referred to Clemons as "The Biggest Man You Ever Seen". He sometimes changed this depending on where the E Street Band performs — at their 2009 concert in Glasgow he introduced Clemons as "the biggest Scotsman you've ever seen".

Clemons' final recordings with Springsteen and the E Street Band were featured on Springsteen's 2012 album, Wrecking Ball.

Solo career[link]

Outside of his work with the E Street Band, Clemons recorded with many other artists and had a number of musical projects on his own. The best known of these are his 1985 vocal duet with Jackson Browne on the Top-20 hit single "You're a Friend of Mine", and his saxophone work on Aretha Franklin's 1985 Top-10 hit single "Freeway of Love". He was managed briefly in the 1980s by former Crawdaddy editor Peter Knobler, whose wedding Clemons played with his band, Clarence Clemons & the Red Bank Rockers. During the 1980s Clemons also owned a Red Bank, New Jersey nightclub called Big Man's West. He toured in the first incarnation of Ringo Starr & The All-Starr Band in 1989, singing "You're a Friend of Mine" (dueting with Billy Preston) and an updated rap arrangement of "Quarter to Three." In the mid-1990s, he recorded a Japan-only CD release called Aja and the Big Man "Get It On" with Los Angeles singer/songwriter Aja Kim. In the 2000s, Clemons along with producer Narada Michael Walden, put together a group called The Temple of Soul, releasing a single called 'Anna'. He also recorded with philanthropic teen band Creation. Clemons collaborated with Lady Gaga on the songs "Hair" and "The Edge of Glory" from her album Born This Way, providing a saxophone track and solo.^[28] Clarence Clemons occasionally sat in with the Grateful Dead and as recently as April 2011, sat in on several tunes with the Grateful Dead "spinoff" band Furthur during a concert in Boca Raton Florida. Just days before he suffered a major stroke, he shot a music video with Lady Gaga for "The Edge of Glory".

Acting career[link]

Clarence Clemons

Clemons appeared in several movies and on television, making his screen debut in Martin Scorsese's 1977 musical, New York, New York in which he played a trumpet player. He played one of the 'Three Most Important People In The World' in the 1989 comedy film Bill and Ted's Excellent Adventure. In 1985, Clemons was a special guest star in Diff'rent Strokes episode "So You Want to Be a Rock Star", in which he played the role of Mr. Kingsley, a young saxophonist helping Arnold Jackson to learn to play his sax. He has also been a guest voice in an episode of The Simpsons. In 1990, he co-starred in the pilot episode of Human Target, a Rick Springfield action series intended for ABC.^[29] He also played the role of Jack in Swing starring opposite Lisa Stansfield and Hugo Speer, directed by Nick Mead. He appeared alongside Michael McKean and David Bowe as a miner in one episode of musician "Weird Al" Yankovic's children's television show The Weird Al Show. He made a cameo appearance in 1999's sequel to Blues Brothers, Blues Brothers 2000 as part of the meatl section of super blues band The Louisiana Gator Boys. He appeared in an episode of Damon Wayans' television show, My Wife And Kids as a musician and performed an original composition, co written with bassist, Lynn Woolever, called "One Shadow In The Sun". Clemons twice appeared as a Baltimore youth-program organizer in HBO's crime drama The Wire.^[30][31] He appeared in an episode of Brothers and in the "Eddie's Book" episode of 'Til Death as himself.

Personal life[link]

Marriages and family[link]

Clemons was married five times.

Philanthropy[link]

Clemons was a strong advocate and supporter of Home Safe, a non-profit organization helping victims of child abuse and domestic violence. Each year, Home Safe serves more than fifteen thousand infants, children and families in south Florida.

From 2005 until his death, Clemons hosted an annual charity event for Home Safe called The Classic Rock & Roll Party. Through these events, Clemons helped raise over $2.5 million for Home Safe. In addition to raising funds for Home Safe programs, Clemons would also personally visit abused children at Home Safe's campuses to give them words of encouragement and practical advice about life.

Clemons monumental efforts on behalf of Home Safe earned him the President's Volunteer Service Award in 2010.^{[citation needed]}

On October 22, 2009, Little Kids Rock, a nonprofit dedicated to restoring and revitalizing music education in public schools, presented Clemons with the inaugural "Big Man of the Year Award" at the Right to Rock charity benefit. He helped raise money to put musical instruments and curriculum into underfunded public schools across the country. He also performed "Jailhouse Rock" with a student band from the Bronx, in addition to a number with legendary producer, John Colby.^{[citation needed]}

Death[link]

Memorial display for Clarence Clemons at The Stone Pony in Asbury Park, NJ, a music venue often associated with Bruce Springsteen and the E Street Band, June 2011

Clemons suffered a stroke on June 12, 2011.^[3] He underwent two surgeries after which he was declared in serious but stable condition.^[32] According to Rolling Stone magazine, he had been showing signs of recovery.^[33] However, Clemons died from complications caused by the stroke on June 18, 2011.^[34][35][36]

Bruce Springsteen said of Clarence Clemons: "Clarence lived a wonderful life. He carried within him a love of people that made them love him. He created a wondrous and extended family. He loved the saxophone, loved our fans and gave everything he had every night he stepped on stage. His loss is immeasurable and we are honored and thankful to have known him and had the opportunity to stand beside him for nearly forty years. He was my great friend, my partner, and with Clarence at my side, my band and I were able to tell a story far deeper than those simply contained in our music. His life, his memory, and his love will live on in that story and in our band."^[37]

Various artists reacted on stage to the death of Clarence.

At their concert in Portsmouth, Virginia on Sunday, June 19, 2011, Phish covered Thunder Road as a tribute to Clemons.^[38]

At an Eddie Vedder concert in Hartford, Connecticut on Saturday, June 18, 2011, Vedder played tribute to Clarence during Pearl Jam song Better Man. Eddie wished Clemons well, and shortly thereafter was notified by a sound tech that he had died. During a subsequent performance on The Late Show with David Letterman, Vedder played a ukulele with "Clarence" written across the front of it.

Before singing Moment of Surrender at the U2 concert in Anaheim on Saturday, June 18, 2011, Bono paid tribute to Clarence Clemons, who had died earlier that day. Bono read lyrics from Springsteen's Jungleland near the end of the song, and he repeated them at the song's conclusion.^[39] Bono repeated this dedication and tribute during Moment of Surrender at the U2 concert in Baltimore on Wednesday, June 22, 2011.^[40]

New Jersey rock band Bon Jovi performed Tenth Avenue Freeze-Out as the first encore during their concert in Horsens, Denmark on June 19, 2011. While playing that song photos of Clarence were shown on the giant video screen behind the band.^[41][42]

Jimmy Buffett added verses that included Clarence in "The Stories We Can Tell" during his final encore during his concert in June 21, 2011. The rest of the band left the stage and it was Buffett playing and singing alone.

During their set at the 2011 Glastonbury Festival, Brian Fallon, lead singer of the New Jersey rock band, The Gaslight Anthem dedicated their song, The '59 Sound to Clemons' memory.^[43]

During Southside Johnny's annual July 4 weekend concert at the Stone Pony in Asbury Park, NJ he and Miami Steve spoke of Clemons. Afterwards, Eddie Manion played Clemons' famous Jungleland solo while a projector screened showed images of the Big Man.

On July 17, 2011, a tribute concert was held at the Wonder Bar in Asbury Park, NJ. Bruce Springsteen performed a 45 minute set playing some of Clarence's songs. Clarence's son (Clarence III), who goes by Nick, opened the show with his band, The Nick Clemons Band.

On October 1, 2011, a major, first-class tribute to Clemons took place at the Seminole Hard Rock Hotel & Casino in Hollywood, Fla. Traditionally an annual charity event hosted by Clemons, called The Classic Rock & Roll Party, the event paid tribute to Clemons' life and all he did for Home Safe, a non-profit organization helping victims of child abuse and domestic violence.

In January 2012, Clemons' hometown of Norfolk, Virginia paid tribute with memorial concerts, featuring members of the E Street Band. The concert took place at The NorVa concert hall.^[44]

Discography[link]

• Clarence Clemons & the Red Bank Rockers
  • Rescue (1983)

• Clarence Clemons
  • Hero (1985)
  • A Night With Mr. C (1989)
  • Peacemaker (1995)

• Aja and the Big Man
  • Get It On (1995)

• Clarence Clemons & Temple of Soul
  • Live in Asbury Park (2002)
  • Live in Asbury Park, Vol. 2 (2004)
  • Brothers in Arms (2008)

• Bruce Springsteen
  • Greetings from Asbury Park, N.J. (1973)
  • The Wild, the Innocent & the E Street Shuffle (1973)
  • Born to Run (1975)
  • Darkness on the Edge of Town (1978)
  • The River (1980)
  • Born in the U.S.A. (1984)
  • Live/1975–85 (1986)
  • Tunnel of Love (1987)
  • Chimes of Freedom (1988)
  • Greatest Hits (1995)
  • Blood Brothers (1996)
  • Tracks (1998)
  • 18 Tracks (1999)
  • Live in New York City (2001)
  • The Rising (2002)
  • The Essential Bruce Springsteen (2003)
  • Hammersmith Odeon London '75 (2006)
  • Magic (2007)
  • Magic Tour Highlights (2008)
  • Working on a Dream (2009)
  • The Promise (2010)
  • Wrecking Ball (2012)

• Gary U.S. Bonds
  • Dedication (1981)
  • On the Line (1982)

• Lady Gaga
  • Born This Way (2011)

• Ringo Starr & His All-Starr Band
  • Ringo Starr and His All-Starr Band (1990)

• Zucchero
  • Blues (1987)
  • Oro incenso e birra (1989)
  • Zucchero (1991)
  • Diamante (1994)
  • Spirito Divino (1995)

• Selected Others
  • Dan Hartman: Images (1976)
  • Southside Johnny & The Asbury Jukes: I Don't Wanna Go Home (1976)
  • Pezband: Pezband (1977)
  • Ronnie Spector & The E Street Band: "Say Goodbye To Hollywood" / "Baby, Please Don't Go" (1977)
  • Scarlet Rivera: Scarlet Rivera (1977)
  • Intergalactic Touring Band: Intergalactic Touring Band (1977)
  • Carlene Carter: Two Sides to Every Woman (1979)
  • Janis Ian: Night Rains (1979)
  • Musicians United for Safe Energy: No Nukes (1979)
  • Michael Stanley Band: Heartland (1980)
  • Joan Armatrading: Me Myself I (1980)
  • Various artists: In Harmony 2 (1981)
  • Greg Lake: Greg Lake (1981)
  • Schwartz: Schwartz (1981)
  • Blue Steel: Nothing But Time (1981)
  • Little Steven & The Disciples Of Soul: Men Without Women (1982)
  • Ian Hunter: All of the Good Ones Are Taken (1983)
  • Steel Breeze: Heart on the Line (1983)
  • Silver Condor: Trouble At Home (1983)
  • Michael Stanley: Poor Side of Town (1984)
  • Aretha Franklin: Who's Zoomin' Who? (1985)
  • Twisted Sister: Come Out and Play (1985)
  • Soundtrack: Porky's Revenge (1985)
  • Artists United Against Apartheid: Sun City (1986)
  • Jersey Artists For Mankind: "We've Got The Love" / "Save Love, Save Life" (1986)
  • Gloria Estefan: Let It Loose (1987)
  • Various artists: A Very Special Christmas (1987)
  • Narada Michael Walden: Divine Emotions (1988)
  • The Four Tops: Indestructible (1988)
  • Todd Rundgren: Nearly Human (1989)
  • Soundtrack: Home Alone 2: Lost in New York (soundtrack) (1992)
  • Lisa Stansfield et al.: Swing – Original Motion Picture Soundtrack (1999)
  • Joe Cocker: Unchain My Heart (1990)
  • Nils Lofgren: Silver Lining (1991)
  • Alvin Lee: Zoom (1992)
  • Roy Orbison: King of Hearts (1992)
  • Jim Carroll: A World Without Gravity: Best of The Jim Carroll Band (1993)
  • Dave Koz: Lucky Man (1993)
  • Great White: Sail Away (1994)
  • Luther Vandross: This is Christmas (1995)
  • Craig and Co.: My Newish Jewish Discovery (1997)
  • Various artists: Humanary Stew – A Tribute to Alice Cooper (1999)
  • Nick Clemons Band: In the Sunlight (2001)
  • Creation: World Without Windows (2005)
  • Bruce Benson: A Healing Prayer (2007)
  • Tyrone Ashley's Funky Music Machine: Let Me Be Your Man (2007)
  • Stormin' Norman & Friends: Asbury Park — Then And Now (2008)
  • Lady Gaga: Edge of Glory (2011)

Filmography[link]

^[45][46]

Film[link]

• New York, New York (1977)
  • Cecil Powell
• Bill & Ted's Excellent Adventure (1989)
  • One of the Three Most Important People in the World
• Fatal Instinct (1993)
  • Clarence
• Blues Brothers 2000 (1998)
  • The Louisiana Gator Boys
• Swing (1999)
  • Jack

Television[link]

• Diff'rent Strokes
  • Mr. Kingsley: "So You Want to Be a Rock Star" (1985)
• Jake and the Fatman
  • Blue Danny Boyd: "Why Can't You Behave?" (1989)
• The Flash
  • Darrell Hennings: "Honor Among Thieves" (1990)
• Nash Bridges
  • Big Barry in three episodes : "25 Hours of Christmas", "Aloha Nash" and "Javelin Catcher" (1996)
• The Sentinel
  • Workman: "Dead Drop" (1997)
• The Weird Al Show
  • Miner: "Mining Accident" (1997)
• Viper
  • Leo Duquesne: "The Getaway" (1998)
• Penn & Teller's Sin City Spectacular
  • one episode (1998)
• The Simpsons
  • Narrator: "Grift of the Magi" (1999)
• My Wife and Kids
  • Johnny Watson: "Micheal's Band" (2003)
• The Wire
  • Roman: "Moral Midgetry" and "Hamsterdam" (2004)
• 'Til Death
  • Himself : "Eddie's Book" (2009)

Music videos[link]

• "The Edge of Glory" by Lady Gaga (2011)
• "You're a Friend of Mine" With Jackson Browne (1985)

See also[link]

• List of saxophonists

References[link]

External links[link]

• Official site
• The Best of Clarence Clemons – public radio special
• VH1 site
• Clarence Clemons at the Internet Movie Database
• Interview with Chorus and Verse (Jan. 2004)
• Interview Clarence Clemons on Meeting Bruce Springsteen
• Remembering Clarence Clemons — slideshow.Life
• Clarence Clemons; findagrave.com database
• "Remembering Springsteen's Saxman, Clarence Clemons" On Point
• "Bruce Springsteen's Eulogy for Clarence Clemons". Rolling Stone. June 29, 2011. http://www.rollingstone.com/music/news/bruce-springsteens-eulogy-for-clarence-clemons-20110629. 

Bruce Springsteen
Springsteen in 2009; Working on a Dream Tour in Valladolid, Spain
Background information
Also known as	The Boss, Bad Scooter
Born	(1949-09-23) September 23, 1949 (age 62) Long Branch, New Jersey, United States
Genres	Rock, folk rock, heartland rock, hard rock, roots rock
Occupations	Musician, Songwriter
Instruments	Vocals, guitar, harmonica, bass guitar, piano, percussion, banjo, drums, keyboards
Years active	1969–present
Labels	Columbia
Associated acts	The E Street Band, Steel Mill, Miami Horns, The Sessions Band
Website	www.brucespringsteen.net
Notable instruments
Fender Telecaster Takamine Guitars Gibson J-45 Hohner Marine Band Harmonica Gibson J-200 Gibson ES-335 Gibson Hummingbird

Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed "The Boss," is an American singer-songwriter-performer who records and tours with the E Street Band. Springsteen is widely known for his brand of heartland rock, poetic lyrics, and Americana sentiments centered on his native New Jersey.^[1]

Springsteen's recordings have included both commercially accessible rock albums and more somber folk-oriented works. His most successful studio albums, Born in the U.S.A. and Born to Run, showcase a talent for finding grandeur in the struggles of daily American life; he has sold more than 65 million albums in the United States and more than 120 million worldwide^[2] and he has earned numerous awards for his work, including 21 Grammy Awards, two Golden Globes and an Academy Award. He is widely regarded by many as one of the most influential songwriters of the 20th century, and in 2004, Rolling Stone ranked him as the 23rd Greatest Artist of all time.

Early life[link]

Springsteen was born in Long Branch, New Jersey, and spent his childhood and high school years in Freehold Borough. He lived on South Street in Freehold Borough and attended Freehold Borough High School. His father, Douglas Frederick Springsteen, was of Dutch and Irish ancestry and worked, among other vocations, as a bus driver, although he was frequently unemployed; his surname is Dutch for jump stone.^[3] His mother, Adele Ann (née Zerilli), was a legal secretary and was of Italian ancestry.^[4] His maternal grandfather was born in Vico Equense, a city near Naples. He has two younger sisters, Virginia and Pamela. Pamela had a brief film career, but left acting to pursue still photography full time; she took photos for the Human Touch and Lucky Town albums.

Raised a Roman Catholic,^[5] Springsteen attended the St. Rose of Lima Catholic school in Freehold Borough, where he was at odds with the nuns and rejected the strictures imposed upon him, even though some of his later music reflects a Catholic ethos and included a few rock-influenced, traditional Irish-Catholic hymns.^[6] Recently in Paris (2012) before the launch of his latest album, Wrecking Ball, he explained that it was his Catholic upbringing rather than political ideology that most influenced his music. He noted in the interview that his faith had given him a "very active spiritual life," although he joked that this "made it very difficult sexually." He added: "Once a Catholic, always a Catholic."^[7]

In ninth grade, he transferred to the public Freehold Regional High School, but did not fit in there, either. Old teachers have said he was a "loner, who wanted nothing more than to play his guitar." He completed high school, but felt so uncomfortable that he skipped his own graduation ceremony.^[8] He briefly attended Ocean County College, but dropped out.^[6]

Career history[link]

1962–1972: Early years[link]

Springsteen had been inspired to take up music at the age of seven after seeing Elvis Presley on The Ed Sullivan Show. At 13, his mother bought him his first guitar for $18; later, she took out a loan to buy the 16-year-old Springsteen a $60 Kent guitar, as he later memorialized in his song "The Wish".

In 1965, he went to the house of Tex and Marion Vinyard, who sponsored young bands in town. They helped him become the lead guitarist and subsequently the lead singer of The Castiles. The Castiles recorded two original songs at a public recording studio in Brick Township and played a variety of venues, including Cafe Wha? in Greenwich Village. Marion Vinyard said that she believed the young Springsteen when he promised he would make it big.^[9]

Called for induction when he was 18, Springsteen failed his physical examination and did not serve in Vietnam. In an interview in Rolling Stone magazine in 1984, he said, "When I got on the bus to go take my physical, I thought one thing: I ain't goin'." He had suffered a concussion in a motorcycle accident when he was 17, and this together with his "crazy" behaviour at induction and not taking the tests, was enough to get him a 4F.^[10]

New Jersey beach towns such as Asbury Park inspired the themes of ordinary life in Bruce Springsteen's music.

In the late 1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey. Springsteen acquired the nickname "The Boss" during this period as when he played club gigs with a band he took on the task of collecting the band's nightly pay and distributing it amongst his bandmates.^[11] Springsteen is not fond of this nickname, due to his dislike of bosses,^[12] but seems to have since given it a tacit acceptance. Previously he had the nickname "Doctor".^[13] From 1969 through early 1971, Springsteen performed with Steel Mill, which also featured Danny Federici, Vini Lopez, Vinnie Roslin and later Steve Van Zandt and Robbin Thompson. They went on to play the mid-Atlantic college circuit, and also briefly in California. In January 1970 well-known San Francisco Examiner music critic Philip Elwood gave Springsteen credibility in his glowing assessment of Steel Mill: "I have never been so overwhelmed by totally unknown talent." Elwood went on to praise their "cohesive musicality" and, in particular, singled out Springsteen as "a most impressive composer." During this time Springsteen also performed regularly at small clubs in Canton, Massachusetts, Richmond, Virginia, Asbury Park and along the Jersey Shore, quickly gathering a cult following. Other acts followed over the next two years, as Springsteen sought to shape a unique and genuine musical and lyrical style: Dr. Zoom & the Sonic Boom (early–mid 1971), Sundance Blues Band (mid 1971), and The Bruce Springsteen Band (mid 1971–mid 1972). With the addition of pianist David Sancious, the core of what would later become the E Street Band was formed, with occasional temporary additions such as horn sections, "The Zoomettes" (a group of female backing vocalists for "Dr. Zoom") and Southside Johnny Lyon on harmonica. Musical genres explored included blues, R&B, jazz, church music, early rock 'n' roll, and soul. His prolific songwriting ability, with "More words in some individual songs than other artists had in whole albums", as his future record label would describe it in early publicity campaigns, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, and legendary Columbia Records talent scout John Hammond, who, under Appel's pressure, auditioned Springsteen in May 1972.

Even after Springsteen gained international acclaim, his New Jersey roots showed through in his music, and he often praised "the great state of New Jersey" in his live shows. Drawing on his extensive local appeal, he routinely sold out consecutive nights in major New Jersey, Philadelphia and New York venues. He also made many surprise appearances at The Stone Pony and other shore nightclubs over the years, becoming the foremost exponent of the Jersey Shore sound.

1972–1974: Initial struggle for success[link]

Springsteen signed a record deal with Columbia Records in 1972, with the help of John Hammond, who had signed Bob Dylan to the same label a decade earlier. Springsteen brought many of his New Jersey–based colleagues into the studio with him, thus forming the E Street Band (although it would not be formally named as such for several more years). His debut album, Greetings from Asbury Park, N.J., released in January 1973, established him as a critical favorite,^[14] though sales were slow. Because of Springsteen's lyrical poeticism and folk rock–rooted music exemplified on tracks like "Blinded by the Light", (which would later be a hit for Manfred Mann and go to No. 1, making it the only time Springsteen had a No. 1 single as a songwriter), and "For You", as well as the Columbia and Hammond connections, critics initially compared Springsteen to Bob Dylan. "He sings with a freshness and urgency I haven't heard since I was rocked by 'Like a Rolling Stone,'" wrote Crawdaddy magazine editor Peter Knobler in Springsteen's first interview/profile, in March 1973. Crawdaddy discovered Springsteen in the rock press and was his earliest champion.^[15] (Springsteen and the E Street Band acknowledged by giving a private performance at the Crawdaddy 10th Anniversary Party in New York City in June 1976.)^[16] Music critic Lester Bangs wrote in Creem in 1975 that when Springsteen's first album was released "... many of us dismissed it: he wrote like Bob Dylan and Van Morrison, sang like Van Morrison and Robbie Robertson, and led a band that sounded like Van Morrison's."^[17] The track "Spirit in the Night" especially showed Morrison's influence, while "Lost in the Flood" was the first of many portraits of Vietnam veterans and "Growin' Up", his first take on the recurring theme of adolescence.

In September 1973 his second album, The Wild, the Innocent & the E Street Shuffle, was released, again to critical acclaim but no commercial success. Springsteen's songs became grander in form and scope, with the E Street Band providing a less folky, more R&B vibe and the lyrics often romanticized teenage street life. "4th of July, Asbury Park (Sandy)" and "Incident on 57th Street" would become fan favorites, and the long, rousing "Rosalita (Come Out Tonight)" continues to rank among Springsteen's most beloved concert numbers.

In the May 22, 1974, issue of Boston's The Real Paper, music critic Jon Landau wrote after seeing a performance at the Harvard Square Theater, "I saw rock and roll's future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time."^[18] Landau subsequently became Springsteen's manager and producer, helping to finish the epic new album, Born to Run. Given an enormous budget in a last-ditch effort at a commercially viable record, Springsteen became bogged down in the recording process while striving for a wall of sound production. But, fed by the release of an early mix of "Born to Run" to progressive rock radio, anticipation built toward the album's release. All in all the album took more than 14 months to record, with six months alone spent on the song "Born To Run". During this time Springsteen battled with anger and frustration over the album, saying he heard "sounds in [his] head" that he could not explain to the others in the studio. It was during these recording sessions that "Miami" Steve Van Zandt would stumble into the studio just in time to help Springsteen organize the horn section on "Tenth Avenue Freeze-Out" (it is his only written contribution to the album), and eventually led to his joining the E Street Band.^{[citation needed]} Van Zandt had been a long-time friend of Springsteen, as well as a collaborator on earlier musical projects, and understood where he was coming from, which helped him to translate some of the sounds Springsteen was hearing. Still, by the end of the grueling recording sessions, Springsteen was not satisfied, and, upon first hearing the finished album, threw the record into the alley and told Jon Landau he would rather just cut the album live at The Bottom Line, a place he often played.^[19]

1975–1983: Breakthrough[link]

On August 13, 1975, Springsteen and the E Street Band began a five-night, 10-show stand at New York's Bottom Line club. The engagement attracted major media attention, was broadcast live on WNEW-FM, and convinced many skeptics that Springsteen was for real. (Decades later, Rolling Stone magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.^[20]) With the release of Born to Run on August 25, 1975, Springsteen finally found success. The album peaked at No. 3 on the Billboard 200, and while there were no hit singles, "Born to Run" (Billboard No. 23), "Thunder Road", "Tenth Avenue Freeze-Out" (Billboard No. 83), and "Jungleland" all received massive album-oriented rock airplay and remain perennial favorites on many classic rock stations. The songwriting and recording was more disciplined than before, while still maintaining an epic feel. With its panoramic imagery, thundering production and desperate optimism, Born to Run is considered by some fans to be among the best rock and roll albums of all time and Springsteen's finest work. It established him as a sincere and dynamic rock and roll personality who spoke for and in the voice of a large part of the rock audience. To cap off the triumph, Springsteen appeared on the covers of both Time and Newsweek in the same week, on October 27 of that year. So great did the wave of publicity become that Springsteen eventually rebelled against it during his first venture overseas, tearing down promotional posters before a concert appearance in London.

A legal battle with former manager Mike Appel kept Springsteen out of the studio for nearly a year, during which time he kept the E Street Band together through extensive touring across the U.S. Despite the optimistic fervor with which he often performed, his new songs had taken a more somber tone than much of his previous work. Reaching settlement with Appel in 1977, Springsteen returned to the studio, and the subsequent sessions produced Darkness on the Edge of Town (1978). Musically, this album was a turning point in Springsteen's career. Gone were the raw, rapid-fire lyrics, outsized characters and long, multi-part musical compositions of the first two albums; now the songs were leaner and more carefully drawn and began to reflect Springsteen's growing intellectual and political awareness. The cross-country 1978 tour to promote the album would become legendary for the intensity and length of its shows.^{[citation needed]}

Springsteen at Félix Houphouët-Boigny International Airport in Ivory Coast during Amnesty International's 1988 Human Rights Now! Tour.

By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann's Earth Band had achieved a U.S. No. 1 pop hit with a heavily rearranged version of Greetings' "Blinded by the Light" in early 1977. Patti Smith reached No. 13 with her take on Springsteen's unreleased "Because the Night" (with revised lyrics by Smith) in 1978, while The Pointer Sisters hit No. 2 in 1979 with Springsteen's also unreleased "Fire".

In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated set while premiering two songs from his upcoming album. The subsequent No Nukes live album, as well as the following summer's No Nukes documentary film, represented the first official recordings and footage of Springsteen's fabled live act, as well as Springsteen's first tentative dip into political involvement.

Springsteen continued to consolidate his thematic focus on working-class life with the 20-song double album The River in 1980, which included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads, and finally yielded his first hit Top Ten single as a performer, "Hungry Heart". This album marked a shift in Springsteen's music toward a pop-rock sound that was all but missing from any of his earlier work.^{[citation needed]}This is apparent in the stylistic adoption of certain eighties pop-rock hallmarks like the reverberating-tenor drums, very basic percussion/guitar and repetitive lyrics apparent in many of the tracks. The title song pointed to Springsteen's intellectual direction, while a couple of the lesser-known tracks presaged his musical direction. The album sold well, becoming his first topper on the Billboard Pop Albums chart, and a long tour in 1980 and 1981 followed, featuring Springsteen's first extended playing of Europe and ending with a series of multi-night arena stands in major cities in the U.S.

The River was followed in 1982 by the stark solo acoustic Nebraska. Recording sessions had been held to expand on a demo tape Springsteen had made at his home on a simple, low-tech four-track tape deck. However during the recording process Springsteen and producer Landau realized the songs worked better as solo acoustic numbers than full band renditions and the original demo tape was released as the album. Although the recordings of the E Street Band were shelved, other songs from these sessions would later be released, including "Born in the U.S.A." and "Glory Days". According to the Marsh biographies, Springsteen was in a depressed state when he wrote this material, and the result is a brutal depiction of American life. While Nebraska did not sell as well as Springsteen's two previous albums, it garnered widespread critical praise (including being named "Album of the Year" by Rolling Stone magazine's critics) and influenced later significant works by other major artists, including U2's album The Joshua Tree. It helped inspire the musical genre known as lo-fi music, becoming a cult favorite among indie-rockers. Springsteen did not tour in conjunction with Nebraska's release.

1984–1991: Commercial and popular phenomenon[link]

Springsteen probably is best known for his album Born in the U.S.A. (1984), which sold 15 million copies in the U.S. and became one of the best-selling albums of all time, with seven singles hitting the Top 10, and the massively successful world tour that followed it. The title track was a bitter commentary on the treatment of Vietnam veterans, some of whom were Springsteen's friends and bandmates. The lyrics in the verses were entirely unambiguous when listened to, but the anthemic music and the title of the song made it hard for many, from politicians to the common person, to get the lyrics—except those in the chorus, which could be read many ways.^[21] The song was widely misinterpreted as jingoistic, and in connection with the 1984 presidential campaign became the subject of considerable folklore. Springsteen also turned down several million dollars offered by the Chrysler Corporation to use the song in a car commercial. (In later years, to eliminate the bombast and make the song's original meaning more explicitly clear, Springsteen performed the song accompanied only by acoustic guitar. An acoustic version also appeared on Tracks, a later album.) "Dancing in the Dark" was the biggest of seven hit singles from Born in the U.S.A., peaking at No. 2 on the Billboard music charts. The music video for the song featured a young Courteney Cox dancing on stage with Springsteen, an appearance which helped kickstart the actress's career. The song "Cover Me" was written by Springsteen for Donna Summer, but his record company persuaded him to keep it for the new album. A big fan of Summer's work, Springsteen wrote another song for her, "Protection". Videos for the album were made by noted film directors Brian De Palma and John Sayles. Springsteen was featured on the "We Are the World" song and album in 1985. His live single "Trapped" from that album received moderate airplay on U.S. Top 40 stations as well as reaching No. 1 on the Billboard Top Rock Tracks chart.^[22]

During the Born in the U.S.A. Tour, Springsteen met actress Julianne Phillips, whom he would marry in 1985.

Springsteen performing on the Tunnel of Love Express at the Radrennbahn Weißensee in East Berlin on July 19, 1988.

The Born in the U.S.A. period represented the height of Springsteen's visibility in popular culture and the broadest audience demographic he would ever reach (aided by the release of Arthur Baker's dance mixes of three of the singles). Live/1975–85, a five-record box set (also on three cassettes or three CDs), was released near the end of 1986 and became the first box set to debut at No. 1 on the U.S. album charts. It is one of the most commercially successful live albums of all time, ultimately selling 13 million units in the U.S. Live/1975–85 summed up Springsteen's career to that point and displayed some of the elements that made his shows so powerful to his fans: the switching from mournful dirges to party rockers and back; the communal sense of purpose between artist and audience; the long, intense spoken passages before songs, including those describing Springsteen's difficult relationship with his father; and the instrumental prowess of the E Street Band, such as in the long coda to "Racing in the Street". Despite its popularity, some fans and critics felt the album's song selection could have been better. Springsteen concerts are the subjects of frequent bootleg recording and trading among fans.

During the 1980s, several Springsteen fanzines were launched, including Backstreets magazine, which started in Seattle and continues today as a glossy publication, now in communication with Springsteen's management and official website.

After this commercial peak, Springsteen released the much more sedate and contemplative Tunnel of Love album (1987), a mature reflection on the many faces of love found, lost and squandered, which only selectively used the E Street Band. It presaged the breakup of his marriage to Julianne Phillips and described some of his unhappinesses in the relationship. Reflecting the challenges of love in "Brilliant Disguise", Springsteen sang:

The subsequent Tunnel of Love Express tour shook up fans with changes to the stage layout, favorites dropped from the set list, and horn-based arrangements. During the European leg in 1988, Springsteen's relationship with backup singer Patti Scialfa became public and Phillips and Springsteen filed for divorce in 1988.^[23] Later in 1988, Springsteen headlined the worldwide Human Rights Now! tour for Amnesty International. In late 1989 he dissolved the E Street Band, and he and Scialfa relocated to California, marrying in 1991.

1992–2001: Artistic and commercial ups and downs[link]

In 1992, after risking fan accusations of "going Hollywood" by moving to Los Angeles (a radical move for someone so linked to the blue-collar life of the Jersey Shore) and working with session musicians, Springsteen released two albums at once. Human Touch and Lucky Town were even more introspective than any of his previous work and displayed a newly revealed confidence. As opposed to his first two albums, which dreamed of happiness, and his next four, which showed him growing to fear it, at points during the Lucky Town album, Springsteen actually claims happiness for himself.

An electric band appearance on the acoustic MTV Unplugged television program (later released as In Concert/MTV Plugged) was poorly received and further cemented fan dissatisfaction. Springsteen seemed to realize this a few years hence when he spoke humorously of his late father during his Rock and Roll Hall of Fame acceptance speech:

A multiple Grammy Award winner, Springsteen also won an Academy Award in 1994 for his song "Streets of Philadelphia", which appeared the soundtrack to the film Philadelphia. The song, along with the film, was applauded by many for its sympathetic portrayal of a gay man dying of AIDS.^{[citation needed]} The music video for the song shows Springsteen's actual vocal performance, recorded using a hidden microphone, to a prerecorded instrumental track.^{[citation needed]} This technique was developed on the "Brilliant Disguise" video.

In 1995, after temporarily re-organizing the E Street Band for a few new songs recorded for his first Greatest Hits album (a recording session that was chronicled in the documentary Blood Brothers), he released his second (mostly) solo guitar album, The Ghost of Tom Joad, inspired by John Steinbeck's The Grapes of Wrath and by Journey to Nowhere: The Saga of the New Underclass, a book by Pulitzer Prize-winners author Dale Maharidge and photographer Michael Williamson. This was generally less well-received than the similar Nebraska, due to the minimal melody, twangy vocals, and political nature of most of the songs, although some praised it for giving voice to immigrants and others who rarely have one in American culture. The lengthy, worldwide, small-venue solo acoustic Ghost of Tom Joad Tour that followed successfully featured many of his older songs in drastically reshaped acoustic form, although Springsteen had to explicitly remind his audiences to be quiet and not to clap during the performances.

Following the tour, Springsteen moved back to New Jersey with his family.^[25] In 1998, Springsteen released the sprawling, four-disc box set of out-takes, Tracks. Subsequently, Springsteen would acknowledge that the 1990s were a "lost period" for him: "I didn't do a lot of work. Some people would say I didn't do my best work."^[26]

Springsteen was inducted into the Rock and Roll Hall of Fame in 1999 by Bono of U2, a favor he returned in 2005.

In 1999, Springsteen and the E Street Band officially came together again and went on the extensive Reunion Tour, lasting over a year. Highlights included a record sold-out, 15-show run at Continental Airlines Arena in East Rutherford, New Jersey and a ten-night, sold-out engagement at New York City's Madison Square Garden which ended the tour. The final two shows were recorded for an HBO Concert, with corresponding DVD and album releases as Bruce Springsteen & the E Street Band: Live in New York City. A new song, "American Skin (41 Shots)", about the police shooting of Amadou Diallo which was played at these shows proved controversial.

In November 2000, Springsteen filed legal action against Jeff Burgar which accused him of registering the domain brucespringsteen.com (along with several other celebrity domains) in bad faith to funnel web users to his Celebrity 1000 portal site. Once the legal complaint was filed, Burgar pointed the domain to a Springsteen biography and message board. In February 2001, Springsteen lost his dispute with Burgar. A WIPO panel ruled 2 to 1 in favor of Burgar.^[27][28]

On Labor Day 2001 Springsteen played at Donovan's Reef in Sea Bright, NJ, surprising a local cover band named Brian Kirk and the Jerks and performed "Rosalita" with them showing his support and love.

2002–2007: Return to success[link]

In 2002, Springsteen released his first studio effort with the full band in 18 years, The Rising, produced by Brendan O'Brien. The album, mostly a reflection on the September 11 attacks, was a critical and popular success. (Many of the songs were influenced by phone conversations Springsteen had with family members of victims of the attacks who in their obituaries had mentioned how his music touched their lives.) The title track gained airplay in several radio formats, and the record became Springsteen's best-selling album of new material in 15 years. Kicked off by an early-morning Asbury Park appearance on The Today Show, The Rising Tour commenced, barnstorming through a series of single-night arena stands in the U.S. and Europe to promote the album in 2002, then returning for large-scale, multiple-night stadium shows in 2003. While Springsteen had maintained a loyal hardcore fan base everywhere (and particularly in Europe), his general popularity had dipped over the years in some southern and midwestern regions of the U.S. But it was still strong in Europe and along the U.S. coasts, and he played an unprecedented 10 nights in Giants Stadium in New Jersey, a ticket-selling feat to which no other musical act has come close.^[29] During these shows Springsteen thanked those fans who were attending multiple shows and those who were coming from long distances or another country; the advent of robust Bruce-oriented online communities had made such practices more common. The Rising Tour came to a final conclusion with three nights in Shea Stadium, highlighted by renewed controversy over "American Skin" and a guest appearance by Bob Dylan.

During the early 2000s, Springsteen became a visible advocate for the revitalization of Asbury Park, and played an annual series of winter holiday concerts there to benefit various local businesses, organizations, and causes. These shows were explicitly intended for the devoted fans, featuring numbers such as the E Street Shuffle outtake "Thundercrack", a rollicking group-participation song that would mystify casual Springsteen fans. He also frequently rehearses for tours in Asbury Park; some of his most devoted followers even go so far as to stand outside the building to hear what fragments they can of the upcoming shows. The song "My City of Ruins" was originally written about Asbury Park, in honor of the attempts to revitalize the city. Looking for an appropriate song for a post-Sept. 11 benefit concert honoring New York City, he selected "My City of Ruins", which was immediately recognized as an emotional highlight of the concert, with its gospel themes and its heartfelt exhortations to "Rise up!" The song became associated with post-9/11 New York, and he chose it to close The Rising album and as an encore on the subsequent tour.

At the Grammy Awards of 2003, Springsteen performed The Clash's "London Calling" along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt and No Doubt's bassist, Tony Kanal, in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double The River and the triple Sandinista!. In 2004, Springsteen and the E Street Band participated in the "Vote for Change" tour, along with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, the Dave Matthews Band, Jackson Browne, and other musicians. All concerts were to be held in swing states, to benefit the liberalism political organization group America Coming Together and to encourage people to register and vote. A finale was held in Washington, D.C., bringing many of the artists together. Several days later, Springsteen held one more such concert in New Jersey, when polls showed that state surprisingly close. While in past years Springsteen had played benefits for causes in which he believed – against nuclear energy, for Vietnam veterans, Amnesty International, and the Christic Institute – he had always refrained from explicitly endorsing candidates for political office (indeed he had rejected the efforts of Walter Mondale to attract an endorsement during the 1984 Reagan "Born in the U.S.A." flap). This new stance led to criticism and praise from the expected partisan sources. Springsteen's "No Surrender" became the main campaign theme song for John Kerry's unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.