Thomas Hardy
Born	(1840-06-02)2 June 1840 Stinsford, Dorchester, Dorset, England
Died	11 January 1928(1928-01-11) (aged 87) Dorchester, Dorset, England
Resting place	Stinsford parish church (heart) Poets' Corner, Westminster Abbey (ashes)
Occupation	Novelist, Poet, and Short Story writer
Alma mater	King's College London
Literary movement	Naturalism, Victorian literature
Notable work(s)	Tess of the d'Urbervilles, Far from the Madding Crowd, Collected Poems
Spouse(s)	Emma Lavinia Gifford (1874–1912) Florence Dugdale (1914–28)
Influences Charles Dickens, Charlotte Brontë, George Meredith, Thomas Gray
Influenced Philip Larkin, D. H. Lawrence, Robert Frost, W.H. Auden, W.D. Snodgrass
Signature

Thomas Hardy, OM (2 June 1840 – 11 January 1928) was an English novelist and poet. While his works typically belong to the Naturalism movement, several poems display elements of the previous Romantic and Enlightenment periods of literature, such as his fascination with the supernatural. While he regarded himself primarily as a poet who composed novels mainly for financial gain, he became and continues to be widely regarded for his novels, such as Tess of the d'Urbervilles and Far from the Madding Crowd. The bulk of his fictional works, initially published as serials in magazines, were set in the semi-fictional county of Wessex (based on the Dorchester region where he grew up) and explored tragic characters struggling against their passions and social circumstances.

Hardy's poetry, first published in his fifties, has come to be as well regarded as his novels and has had a significant influence over modern English poetry, especially after The Movement poets of the 1950s and 1960s cited Hardy as a major figure.

Life[link]

Thomas Hardy was born in Upper Bockhampton, a hamlet in the parish of Stinsford to the east of Dorchester in Dorset, England in 1840. His father Thomas (d.1892) worked as a stonemason and local builder. His mother Jemima (d.1904) was well-read. She educated Thomas until he went to his first school at Bockhampton at age eight. For several years he attended Mr. Last's Academy for Young Gentlemen in Dorchester. Here he learned Latin and demonstrated academic potential.^[1] However, a family of Hardy's social position lacked the means for a university education, and his formal education ended at the age of sixteen when he became apprenticed to James Hicks, a local architect.^[2] Hardy trained as an architect in Dorchester before moving to London in 1862; there he enrolled as a student at King's College, London. He won prizes from the Royal Institute of British Architects and the Architectural Association. Hardy was in charge of the excavation of the graveyard of St Pancras Old Church prior to its destruction when the Midland Railway was extended a new terminus at St Pancras.^[3]

Hardy never felt at home in London. He was acutely conscious of class divisions and his social inferiority. However, he was interested in social reform and was familiar with the works of John Stuart Mill. He was also introduced to the works of Charles Fourier and Auguste Comte during this period by his Dorset friend, Horace Moule. Five years later, concerned about his health, he returned to Dorset and decided to dedicate himself to writing.

Florence Hardy at the seashore, 1915

In 1870, while on an architectural mission to restore the parish church of St Juliot in Cornwall,^[4] Hardy met and fell in love with Emma Lavinia Gifford, whom he married in 1874.^[5][6] Although they later became estranged, her death in 1912 had a traumatic effect on him. After her death, Hardy made a trip to Cornwall to revisit places linked with their courtship, and his Poems 1912–13 reflect upon her death. In 1914, Hardy married his secretary Florence Emily Dugdale, who was 39 years his junior. However, he remained preoccupied with his first wife's death and tried to overcome his remorse by writing poetry.^[7]

Hardy became ill with pleurisy in December 1927 and died at Max Gate just after 9 pm on 11 January 1928, having dictated his final poem to his wife on his deathbed; the cause of death was cited, on his death certificate, as "cardiac syncope", with "old age" given as a contributory factor. His funeral was on 16 January at Westminster Abbey, and it proved a controversial occasion because Hardy and his family and friends had wished for his body to be interred at Stinsford in the same grave as his first wife, Emma. However, his executor, Sir Sydney Carlyle Cockerell, insisted that he be placed in the abbey's famous Poets' Corner. A compromise was reached whereby his heart was buried at Stinsford with Emma, and his ashes in Poets' Corner.

Shortly after Hardy's death, the executors of his estate burnt his letters and notebooks. Twelve records survived, one of them containing notes and extracts of newspaper stories from the 1820s. Research into these provided insight into how Hardy kept track of them and how he used them in his later work.^[8] In the year of his death Mrs Hardy published The Early Life of Thomas Hardy, 1841–1891: compiled largely from contemporary notes, letters, diaries, and biographical memoranda, as well as from oral information in conversations extending over many years.

Hardy's work was admired by many writers of a younger generation including D. H. Lawrence and Virginia Woolf. In his autobiography Goodbye to All That, Robert Graves recalls meeting Hardy in Dorset in the early 1920s. Hardy received him and his new wife warmly, and was encouraging about his work.

In 1910, Hardy was awarded the Order of Merit.

Hardy's cottage at Bockhampton and Max Gate in Dorchester are owned by the National Trust.

Novels[link]

Hardy's first novel, The Poor Man and the Lady, finished by 1867, failed to find a publisher and Hardy destroyed the manuscript so only parts of the novel remain. He was encouraged to try again by his mentor and friend, Victorian poet and novelist George Meredith. Desperate Remedies (1871) and Under the Greenwood Tree (1872) were published anonymously. In 1873 A Pair of Blue Eyes, a novel drawing on Hardy's courtship of his first wife, was not published under his own name. The term "cliffhanger" is considered to have originated with the serialised version of this story (which was published in Tinsley's Magazine between September 1872 and July 1873) in which Henry Knight, one of the protagonists, is left literally hanging off a cliff.

Hardy said that he first introduced Wessex in Far from the Madding Crowd (1874), his next novel. It was successful enough for Hardy to give up architectural work and pursue a literary career. Over the next twenty-five years Hardy produced ten more novels.

The Hardys moved from London to Yeovil and then to Sturminster Newton, where he wrote The Return of the Native (1878). In 1885, they moved for the last time, to Max Gate, a house outside Dorchester designed by Hardy and built by his brother. There he wrote The Mayor of Casterbridge (1886), The Woodlanders (1887), and Tess of the d'Urbervilles (1891), the last of which attracted criticism for its sympathetic portrayal of a "fallen woman" and was initially refused publication. Its subtitle, A Pure Woman: Faithfully Presented, was intended to raise the eyebrows of the Victorian middle-classes.

Jude the Obscure, published in 1895, met with even stronger negative outcries from the Victorian public for its frank treatment of sex, and was often referred to as "Jude the Obscene". Heavily criticised for its apparent attack on the institution of marriage through the presentation of such concepts as erotolepsy, the book caused further strain on Hardy's already difficult marriage because Emma Hardy was concerned that Jude the Obscure would be read as autobiographical. Some booksellers sold the novel in brown paper bags, and the Bishop of Wakefield is reputed to have burnt his copy.^[8] In his postscript of 1912, Hardy humorously referred to this incident as part of the career of the book: "After these [hostile] verdicts from the press its next misfortune was to be burnt by a bishop – probably in his despair at not being able to burn me".^[9]

Hardy painted by William Strang, 1893

Despite this criticism, Hardy had become a celebrity in English literature by the 1900s, with several highly successful novels behind him. Even so, he felt disgust at the public reception of two of his greatest works and gave up writing fiction altogether. Other novels written by Hardy include Two on a Tower, a romance story set in the world of astronomy. With some notable exceptions - for example the 1979 Roman Polanski film Tess, an adaptation of Tess of the D'Urbervilles - and unlike the novels of Charles Dickens and George Eliot, Hardy's novels do not beg to be filmed or to be adapted for the stage. Some scholars have suggested that this is due to the absence of a flair in Hardy for the overtly dramatic.^{[citation needed]}

Literary themes[link]

Hardy criticises certain social constraints that hindered the lives of those living in the 19th century. Considered a Victorian Realist writer, Hardy examines the social constraints that are part of the Victorian status quo, suggesting these rules hinder the lives of all involved and ultimately lead to unhappiness. In Two on a Tower, Hardy seeks to take a stand against these rules and sets up a story against the backdrop of social structure by creating a story of love that crosses the boundaries of class. The reader is forced to consider disposing of the conventions set up for love. Nineteenth-century society enforces these conventions, and societal pressure ensures conformity. Swithin St Cleeve's idealism pits him against contemporary social constraints. He is a self-willed individual set up against the coercive strictures of social rules and mores.

Hardy’s characters often encounter crossroads, which are symbolic of a point of opportunity and transition. But the hand of fate is an important part of many of Hardy's plots. Far From the Madding Crowd tells a tale of lives that are constructed by chance. “Had Bathsheba not sent the valentine, had Fanny not missed her wedding, for example, the story would have taken an entirely different path.”^[10] Hardy's main characters often seem to be in the overwhelming and overpowering grip of fate.

Poetry[link]

Thomas Hardy by Walter William Ouless, 1922

For the full text of several poems, see the External links section

In 1898 Hardy published his first volume of poetry, Wessex Poems, a collection of poems written over 30 years. Hardy claimed poetry as his first love, and after a great amount of negative criticism erupted from the publication of his novel Jude The Obscure, Hardy decided to give up writing novels permanently and to focus his literary efforts on writing poetry. After giving up the novel form, Hardy continued to publish poetry collections until his death in 1928. Although he did publish one last novel in 1897, that novel, The Well-Beloved, had actually been written prior to Jude the Obscure.

Although his poems were not initially as well received by his contemporaries as his novels were, Hardy is now recognised as one of the greatest poets of the twentieth century. His verse had a profound influence on later writers, notably Philip Larkin, who included many of Hardy's poems in the edition of the Oxford Book of Twentieth Century English Verse that Larkin edited in 1973.

In a recent biography on Hardy, Claire Tomalin argues that Hardy became a truly great English poet after the death of his first wife, Emma, beginning with the elegies he wrote in her memory, calling these poems, "one of the finest and strangest celebrations of the dead in English poetry."^[11]

Most of Hardy's poems, such as "Neutral Tones'" and "A Broken Appointment", deal with themes of disappointment in love and life (which were also prominent themes in his novels), and mankind's long struggle against indifference to human suffering. Using stylistic patterns similar to those that he used in his novels, Hardy sometimes wrote ironic poems, like "Ah, Are You Digging On My Grave," in which he employed twist endings in the last few lines or in the last stanza to convey that irony. Some, like "The Darkling Thrush" and "An August Midnight", appear as poems about writing poetry, because the nature mentioned in them gives Hardy the inspiration to write. His compositions range in style from the three-volume epic closet drama The Dynasts to shorter poems such as "A Broken Appointment." A particularly strong theme in the Wessex Poems is the long shadow that the Napoleonic Wars cast over the nineteenth century, for example, in "The Sergeant's Song" and "Leipzig".

A few of Hardy's poems, such as "The Blinded Bird" (a melancholy polemic against the sport of vinkenzetting), display his love of the natural world and his firm stance against animal cruelty, exhibited in his antivivisectionist views and his membership in the RSPCA.^[12]

A number of notable composers, including Gerald Finzi, Benjamin Britten, and Gustav Holst, have set poems by Hardy to music.

Religious beliefs[link]

Hardy's family was Anglican, but not especially devout. He was baptised at the age of five weeks and attended church, where his father and uncle contributed to music. However, he did not attend the local Church of England school, instead being sent to Mr Last's school, three miles away. As a young adult, he befriended Henry R. Bastow (a Plymouth Brethren man), who also worked as a pupil architect, and who was preparing for adult baptism in the Baptist Church. Hardy flirted with conversion, but decided against it.^[13] Bastow went to Australia and maintained a long correspondence with Hardy, but eventually Hardy tired of these exchanges and the correspondence ceased. This concluded Hardy's links with the Baptists.

Although Hardy’s faith remained intact, the irony and struggles of life led him to question the traditional Christian view of God:

Hardy's religious life seems to have mixed agnosticism, deism, and spiritism. Once, when asked in correspondence by a clergyman about the question of reconciling the horrors of pain with the goodness of a loving God, Hardy replied,

Nevertheless, Hardy frequently conceived of and wrote about supernatural forces that control the universe, more through indifference or caprice than any firm will. Also, Hardy showed in his writing some degree of fascination with ghosts and spirits.^[15] Despite these sentiments, Hardy retained a strong emotional attachment to the Christian liturgy and church rituals, particularly as manifested in rural communities, that had been such a formative influence in his early years, and Biblical references can be found woven throughout many of Hardy's novels.

Hardy's friends during his apprenticeship to John Hicks included Horace Moule (one of the eight sons of Henry Moule), and the poet William Barnes, both ministers of religion. Moule remained a close friend of Hardy's for the rest of his life, and introduced him to new scientific findings that cast doubt on literal interpretations of the Bible,^[16] such as those of Gideon Mantell. Moule gave Hardy a copy of Mantell's book The Wonders of Geology (1848) in 1858, and Adelene Buckland has suggested that there are "compelling similarities" between the "cliffhanger" section from A Pair of Blue Eyes and Mantell's geological descriptions. It has also been suggested that the character of Henry Knight in A Pair of Blue Eyes was based on Horace Moule.^[17]

Locations in novels[link]

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Berkshire is North Wessex, Devon is Lower Wessex, Dorset is South Wessex, Somerset is Outer or Nether Wessex, Wiltshire is Mid-Wessex,

Bere Regis is King's-Bere of Tess, Bincombe Down cross roads is the scene of the military execution in A Melancholy Hussar. It is a true story, the deserters from the German Legion were shot in 1801 and are recorded in the parish register. Bindon Abbey is where Clare carried her. Bournemouth is Sandbourne of Hand of Ethelberta and Tess of the d'Urbervilles, Bridport is Port Bredy, Charborough House and its folly tower is the model for Welland House in the novel Two on a Tower. Corfe Castle is the Corvsgate-Castle of Hand of Ethelberta. Cranborne Chase is The Chase scene of Tess's seduction. (Note – Bowerchalke on Cranborne Chase was the film location for the great fire in John Schlesinger's 1967 film Far from the Madding Crowd.) Milborne St Andrew is "Millpond St Judes" in Far From the Madding Crowd. Charborough House is located between Sturminster Marshall and Bere Regis. Charborough House and its folly tower is the model for Welland House in the novel Two on a Tower by Thomas Hardy.^[18] Little England Cottage, Milborne St Andrew being the location of Swithin St Cleeves home and remains as described to this day. Dorchester, Dorset is Casterbridge, the scene of Mayor of Casterbridge. Dunster Castle in Somerset is Castle De Stancy of A Laodicean. Fordington moor is Durnover moor and fields. Greenhill Fair near Bere Regis is Woodbury Hill Fair, Lulworth Cove is Lulstead Cove, Marnhull is Marlott of Tess of the D'Urbervilles, Melbury House near Evershot is Great Hintock Court in A Group of Noble Dames. Minterne is Little Hintock, Owermoigne is Nether Moynton in Wessex Tales.

Piddlehinton and Piddle Trenthide are the Longpuddle of A Few Crusted Characters. Puddletown Heath, Moreton Heath, Tincleton Heath and Bere Heath are Egdon Heath. Poole is Havenpool in Life's Little Ironies. Portland is the scene of The Pursuit of the Well-Beloved. Puddletown is Weatherbury in Far from the Madding Crowd, River Frome valley is the scene of Talbothays dairy in Tess. Salisbury is Melchester in On the Western Circuit, Life's Little Ironies and Jude the Obscure etc. Shaftesbury is Shaston in Tess of the d'Urbervilles and Jude the Obscure. Sherborne is Sherton-Abbas, Sherborne Castle is home of Lady Baxby in A Group of Noble Dames. Stonehenge is the scene of Tess's apprehension. Sutton Poyntz is Overcombe. Swanage is the Knollsea of Hand of Ethelberta. Taunton is known as Toneborough in both Hardy's novels and poems. Wantage is Alfredston, of Jude the Obscure. Fawley, Berkshire is Marygreen of Jude the Obscure. Weyhill is Weydon Priors, Weymouth is Budmouth Regis, the scene of Trumpet Major & portions of other novels; Winchester is Wintoncester where Tess was executed. Wimborne is Warborne of Two on a Tower. Wolfeton House, near Dorchester is the scene of The Lady Penelope in a Group of Noble Dames. Woolbridge Manor House, close to Wool station, is the scene of Tess's confession and honeymoon.

Influence[link]

Hardy provides the springboard for D. H. Lawrence's Study of Thomas Hardy (1936). Though this work became a platform for Lawrence's own developing philosophy rather than a more standard literary study, the influence of Hardy's treatment of character and Lawrence's own response to the central metaphysic behind many of Hardy's novels helped significantly in the development of The Rainbow (1915, suppressed) and Women in Love (1920, private publication). Hardy was clearly the starting point for the character of the novelist Edward Driffield in W Somerset Maugham's novel Cakes and Ale. Thomas Hardy's works feature prominently in the narrative in Christopher Durang's The Marriage of Bette and Boo, in which a graduate thesis analysing Tess of the d'Urbervilles is interspersed with analysis of Matt's family's neuroses.

Works[link]

Prose[link]

Hardy divided his novels and collected short stories into three classes:

Novels of Character and Environment

• The Poor Man and the Lady (1867, unpublished and lost)
• Under the Greenwood Tree (1872)
• Far from the Madding Crowd (1874)
• The Return of the Native (1878)
• The Mayor of Casterbridge (1886)
• The Woodlanders (1887)
• Wessex Tales (1888, a collection of short stories)
• Tess of the d'Urbervilles (1891)
• Life's Little Ironies (1894, a collection of short stories)
• Jude the Obscure (1895)

Romances and Fantasies

• A Pair of Blue Eyes (1873)
• The Trumpet-Major (1880)
• Two on a Tower (1882)
• A Group of Noble Dames (1891, a collection of short stories)
• The Well-Beloved (1897) (first published as a serial from 1892)

Novels of Ingenuity

• Desperate Remedies (1871)
• The Hand of Ethelberta (1876)
• A Laodicean (1881)

Hardy also produced a number of minor tales and a collaborative novel, The Spectre of the Real (1894). An additional short-story collection, beyond the ones mentioned above, is A Changed Man and Other Tales (1913). His works have been collected as the 24-volume Wessex Edition (1912–13) and the 37-volume Mellstock Edition (1919–20). His largely self-written biography appears under his second wife's name in two volumes from 1928–30, as The Early Life of Thomas Hardy, 1840–91 and The Later Years of Thomas Hardy, 1892–1928, now published in a critical one-volume edition as The Life and Work of Thomas Hardy, edited by Michael Millgate (1984).

Short stories (with date of first publication)

Poetry collections[link]

• The Photograph (1890)
• Wessex Poems and Other Verses (1898)
• Poems of the Past and the Present (1901)
• The Man He Killed (1902)
• Time's Laughingstocks and Other Verses (1909)
• The Voice (1912)
• Satires of Circumstance (1914)
• Moments of Vision (1917)
• Collected Poems (1919)
• Late Lyrics and Earlier with Many Other Verses (1923)
• Human Shows, Far Phantasies, Songs and Trifles (1925)
• Winter Words in Various Moods and Metres (1928)
• The Complete Poems (Macmillan, 1976)
• Selected Poems (Edited by Harry Thomas, Penguin, 1993)
• Hardy: Poems (Everyman's Library Pocket Poets, 1995)
• Thomas Hardy: Selected Poetry and Nonfictional Prose (St. Martin's Press, 1996)
• Selected Poems (Edited by Robert Mezey, Penguin, 1998)
• Thomas Hardy: The Complete Poems (Edited by James Gibson, Palgrave, 2001)

Drama[link]

• The Dynasts (verse drama)
  • The Dynasts, Part 1 (1904)
  • The Dynasts, Part 2 (1906)
  • The Dynasts, Part 3 (1908)
• The Famous Tragedy of the Queen of Cornwall at Tintagel in Lyonnesse (1923) (one-act play)

Notes[link]

References[link]

• Armstrong, Tim. "Player Piano: Poetry and Sonic Modernity" in Modernism/Modernity 14.1 (January 2007), 1–19.
• Blunden, Edmund. Thomas Hardy. New York: St. Martin's, 1942.
• Brennecke, Jr., Ernest. The Life of Thomas Hardy. New York: Greenberg, 1925.
• D'Agnillo, Renzo, "Music and Metaphor in Under the Greenwood Tree, in The Thomas Hardy Journal, 9, 2 (May 1993), pp.39–50.
• D'Agnillo, Renzo, “Between Belief and Non-Belief: Thomas Hardy’s ‘The Shadow on the Stone’”, in Thomas Hardy, Francesco Marroni and Norman Page (eds), Pescara, Edizioni Tracce, 1995, pp.197–222.
• Deacon, Lois and Terry Coleman. Providence and Mr. Hardy. London: Hutchinson, 1966.
• Draper, Jo. Thomas Hardy: A Life in Pictures. Wimborne, Dorset: The Dovecote Press.
• Ellman, Richard & O'Clair, Robert (eds.) 1988. "Thomas Hardy" in The Norton Anthology of Modern Poetry, Norton, New York.
• Gatrell, Simon. Hardy the Creator: A Textual Biography. Oxford: Clarendon, 1988.
• Gibson, James. Thomas Hardy: A Literary Life. London: Macmillan, 1996.
• Gittings, Robert. Thomas Hardy's Later Years. Boston : Little, Brown, 1978.
• Gittings, Robert. Young Thomas Hardy. Boston : Little, Brown, 1975.
• Gittings, Robert and Jo Manton. The Second Mrs Hardy. London: Heinemann, 1979.
• Gossin, P. Thomas Hardy's Novel Universe: Astronomy, Cosmology, and Gender in the Post-Darwinian World. Aldershot, Ashgate, 2007 (The Nineteenth Century Series).
• Halliday, F. E. Thomas Hardy: His Life and Work. Bath: Adams & Dart, 1972.
• Hands, Timothy. Thomas Hardy : Distracted Preacher? : Hardy's religious biography and its influence on his novels. New York: St. Martin's Press, 1989.
• Hardy, Evelyn. Thomas Hardy: A Critical Biography. London: Hogarth Press, 1954.
• Hardy, Florence Emily. The Early Life of Thomas Hardy, 1840–1891. London: Macmillan, 1928.
• Hardy, Florence Emily. The Later Years of Thomas Hardy, 1892–1928 London: Macmillan, 1930.
• Harvey, Geoffrey. Thomas Hardy: The Complete Critical Guide to Thomas Hardy. New York: Routledge (Taylor & Francis Group), 2003.
• Hedgcock, F. A., Thomas Hardy: penseur et artiste. Paris: Librairie Hachette, 1911.
• Holland, Clive. Thomas Hardy O.M.: The Man, His Works and the Land of Wessex. London: Herbert Jenkins, 1933.
• Jedrzejewski, Jan. Thomas Hardy and the Church. London: Macmillan, 1996.
• Johnson, Lionel Pigot. The art of Thomas Hardy (London: E. Mathews, 1894).
• Kay-Robinson, Denys. The First Mrs Thomas Hardy. London: Macmillan, 1979.
• Langbaum, Robert. "Thomas Hardy in Our Time." New York: St. Martin's Press, 1995, London: Macmillan, 1997.
• Marroni, Francesco, "The Negation of Eros in 'Barbara of the House of Grebe’ ", in "Thomas Hardy Journal", 10, 1 (February 1994) pp. 33–41
• Marroni, Francesco and Norman Page (eds.), Thomas Hardy. Pescara: Edizioni Tracce, 1995.
• Marroni, Francesco, La poesia di Thomas Hardy. Bari: Adriatica Editrice, 1997.
• Marroni, Francesco, "The Poetry of Ornithology in Keats, Leopardi, and Hardy: A Dialogic Analysis", in "Thomas Hardy Journal", 14, 2 (May 1998) pp. 35–44
• Millgate, Michael (ed.). The Life and Work of Thomas Hardy by Thomas Hardy. London: Macmillan, 1984.
• Millgate, Michael. Thomas Hardy: A Biography. New York: Random House, 1982.
• Millgate, Michael. Thomas Hardy: A Biography Revisited. Oxford: Oxford University Press, 2004.
• Morgan, Rosemarie, (ed) The Ashgate Research Companion to Thomas Hardy, (Ashgate publishing), 2010.
• Morgan, Rosemarie, (ed) The Hardy Review,(Maney Publishing), 1999–.
• Morgan, Rosemarie, Student Companion to Thomas Hardy (Greenwood Press),2006.
• Morgan, Rosemarie, Cancelled Words: Rediscovering Thomas Hardy (Routledge, Chapman & Hall),1992
• Morgan, Rosemarie, Women and Sexuality in the Novels of Thomas Hardy (Routledge & Kegan Paul), 1988;paperback: 1990.
• David Musselwhite,Social Transformations in Hardy's Tragic Novels: Megamachines and Phantasms,Palgrave Macmillan, 2003.
• O'Sullivan, Timothy. Thomas Hardy: An Illustrated Biography. London: Macmillan, 1975.
• Orel, Harold. The Final Years of Thomas Hardy, 1912–1928. Lawrence: University Press of Kansas, 1976.
• Orel, Harold. The Unknown Thomas Hardy. New York: St. Martin's, 1987.
• Phelps, Kenneth. The Wormwood Cup: Thomas Hardy in Cornwall. Padstow: Lodenek Press, 1975.
• Pinion, F. B. Thomas Hardy: His Life and Friends. London: Palgrave, 1992.
• Pite, Ralph. Thomas Hardy: The Guarded Life. London: Picador, 2006.
• Saxelby, F. Outwin. A Thomas Hardy dictionary : the characters and scenes of the novels and poems alphabetically arranged and described (London: G. Routledge, 1911).
• Seymour-Smith, Martin. Hardy. London: Bloomsbury, 1994.
• Stevens-Cox, J. Thomas Hardy: Materials for a Study of his Life, Times, and Works. St. Peter Port, Guernsey: Toucan Press, 1968.
• Stevens-Cox, J. Thomas Hardy: More Materials for a Study of his Life, Times, and Works. St. Peter Port, Guernsey: Toucan Press, 1971.
• Stewart, J. I. M. Thomas Hardy: A Critical Biography. New York: Dodd, Mead & Co., 1971.
• Turner, Paul. The Life of Thomas Hardy: A Critical Biography. Oxford: Blackwell, 1998.
• Weber, Carl J. Hardy of Wessex, his Life and Literary Career. New York: Columbia University Press, 1940.
• Wilson, Keith. Thomas Hardy on Stage. London: Macmillan, 1995.
• Wilson, Keith, ed. Thomas Hardy Reappraised: Essays in Honour of Michael Millgate. Toronto: University of Toronto Press, 2006.
• Wilson, Keith, ed. A Companion to Thomas Hardy. Wiley-Blackwell, 2009.
• Wotton, George. Thomas Hardy: Towards A Materialist Criticism. Lanham: Rowan & Littlefield, 1985.
• Letter from Hardy to Bertram Windle, transcribed by Birgit Plietzsch, from CL, vol 2, pp.131–133 The letter is contained in the maps section of the TTHA website.

External links[link]

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Wikiquote has a collection of quotations related to: Thomas Hardy

Wikisource has original works written by or about: Thomas Hardy

Wikimedia Commons has media related to: Thomas Hardy

• The Thomas Hardy Association (TTHA)
• Works by or about Thomas Hardy in libraries (WorldCat catalog)
• Works by Thomas Hardy at Project Gutenberg
• Works by Thomas Hardy at Internet Archive
• Works by Thomas Hardy in audio format from LibriVox
• Poems by Thomas Hardy at Poetry Foundation
• Poems by Thomas Hardy at PoemHunter.com
• A Hyper-Concordance to the Works of Thomas Hardy at the Victorian Literary Studies Archive, Nagoya University, Japan
• "The Dead Man Walking" (1909) and other Hardy poems at poetry-archive.com
• Thomas Hardy's Wessex Research site, including maps, by Dr Birgit Plietzsch
• Works by Thomas Hardy in e-book version
• Thomas Hardy's ashes at Westminster Abbey
• Pictures of Thomas Hardy visiting Marie Stopes at her lighthouse home on Portland, Dorset
• The Thomas Hardy Society
• The Life and Death of Thomas Hardy @ Ward's Book of Days
• Hardy Collection at the Harry Ransom Center at the University of Texas at Austin

v t e Works by Thomas Hardy Novels The Poor Man and the Lady (1867) Desperate Remedies (1871) Under the Greenwood Tree (1872) A Pair of Blue Eyes (1873) Far from the Madding Crowd (1874) The Hand of Ethelberta (1876) The Return of the Native (1878) The Trumpet-Major (1880) A Laodicean (1881) Two on a Tower (1882) The Mayor of Casterbridge (1886) The Woodlanders (1887) Tess of the d'Urbervilles (1891) Jude the Obscure (1895) The Well-Beloved (1897) Short story collections Wessex Tales (1888) A Group of Noble Dames (1891) Life's Little Ironies (1894) A Changed Man and Other Tales (1913) Individual stories "The Three Strangers" (1883) "A Mere Interlude" (1885) "Alicia's Diary" (1887) "Barbara of the House of Grebe" (1891) "A Tragedy of Two Ambitions" (1894) Poetry collections Wessex Poems and Other Verses (1898) Poems of the Past and the Present (1901) Time's Laughingstocks (1909) Poems 1912–13 Satires of Circumstance (1914) Moments of Vision (1917) Late Lyrics and Earlier with Many Other Verses (1922) Human Shows, Far Phantasies, Songs and Trifles (1925) Winter Words in Various Moods and Metres (1928) Individual poems "The Photograph" (1890) "Neutral Tones" (1898) "The Darkling Thrush" (1901) "The Ruined Maid" (1901) "The Respectable Burgher" (1901) "The Man He Killed" (1902) "A Trampwoman's Tragedy" (1903) "The Convergence of the Twain" (1915) "The Blinded Bird" (1916) Plays The Dynasts (1904–1908)

Kate Winslet
Kate Winslet at the 68th Venice Film Festival, September 2011
Born	Kate Elizabeth Winslet (1975-10-05) 5 October 1975 (age 36) Reading, Berkshire, England
Occupation	Actress, singer
Years active	1991–present
Spouse	Jim Threapleton (m. 1998–2001) «start: (1998)–end+1: (2002)»"Marriage: Jim Threapleton to Kate Winslet" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Kate_Winslet) Sam Mendes (m. 2003–2010) «start: (2003)–end+1: (2011)»"Marriage: Sam Mendes to Kate Winslet" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Kate_Winslet)
Children	2
Relatives	Anna Winslet, Beth Winslet (sisters)

Kate Elizabeth Winslet (born 5 October 1975) is an English actress. She was the youngest person to accrue six Academy Award nominations, and won the Academy Award for Best Actress for The Reader (2008). She has won awards from the Screen Actors Guild, British Academy of Film and Television Arts, and the Hollywood Foreign Press Association among others, and has been nominated twice for an Emmy Award for television acting, winning once for her role as Mildred Pierce in the 2011 mini-series of the same name.

Brought up in Berkshire, Winslet studied drama from childhood, and began her career in British television in 1991. She made her film debut in Heavenly Creatures (1994), for which she received her first notable critical praise. She achieved recognition for her subsequent work in a supporting role in Sense and Sensibility (1995) and for her leading role in Titanic (1997), the highest grossing film at the time, and the highest grossing film of Winslet's career.^[1]

Since 2000, Winslet's performances have continued to draw positive comments from film critics, and she has been nominated for various awards for her work in such films as Quills (2000), Iris (2001), Eternal Sunshine of the Spotless Mind (2004), Finding Neverland (2004), Little Children (2006), The Reader (2008) and Revolutionary Road (2008). Her performance in the last of these prompted New York magazine critic David Edelstein to describe her as "the best English-speaking film actress of her generation".^[2] The romantic comedy The Holiday and the animated film Flushed Away (both 2006) are among the biggest commercial successes of her career.

Winslet was awarded a Grammy Award for Best Spoken Word Album for Children in 2000. She has been included as a vocalist on some soundtracks of works she has performed in, and the single "What If" from the soundtrack for Christmas Carol: The Movie (2001), was a hit single in several European countries. Winslet has two children.

Early life[link]

Born in Reading, Berkshire, Winslet is the second of four children born to Sally Anne (née Bridges), a barmaid, and Roger John Winslet, a swimming pool contractor.^[3][4] Her parents were "jobbing actors", which led Winslet to comment that she "didn't have a privileged upbringing" and that their daily life was "very hand to mouth".^[5] Her maternal grandparents, Linda (née Plumb) and Archibald Oliver Bridges, founded and operated the Reading Repertory Theatre,^[5] and her uncle, Robert Bridges, appeared in the original West End production of Oliver!. Her older sister, Anna, and younger sister, Beth, are also actresses.^[5] Her younger brother, Joss, is the only sibling who did not pursue an acting career.^[4]

Winslet began studying drama at the age of 11 at the Redroofs Theatre School,^[6] a co-educational independent school in Maidenhead, Berkshire, where she was head girl.^[7] At the age of 12, Winslet appeared in a television advertisement directed by filmmaker Tim Pope for Sugar Puffs cereal. Pope said her naturalism was "there from the start".^[8]

Career[link]

1991–1997[link]

Winslet's career began on television, with a co-starring role in the BBC children's science fiction serial Dark Season.^[9] This role was followed by appearances in the made-for-TV film Anglo-Saxon Attitudes in 1992, the sitcom Get Back, and an episode of the medical drama Casualty in 1993.^[9]

Winslet at the 2006 Toronto International Film Festival

In 1992, Winslet attended a casting call for Peter Jackson's Heavenly Creatures in London. Winslet auditioned for the part of Juliet Hulme, a teenager who assists in the murder of the mother of her best friend, Pauline Parker (played by Melanie Lynskey). She won the role over 175 other girls.^[10] The film included Winslet's singing debut, and her a cappella version of "Sono Andati", an aria from La Bohème,^[11] was featured on the film's soundtrack.^[12] The film was released to favourable reviews in 1994 and won Jackson and partner Fran Walsh a nomination for an Academy Award for Best Original Screenplay.^[13] Winslet was awarded an Empire Award and a London Film Critics' Circle Award for British Actress of the Year for her performance.^[14] The Washington Post writer Desson Thomson commented: "As Juliet, Winslet is a bright-eyed ball of fire, lighting up every scene she’s in. She's offset perfectly by Lynskey, whose quietly smoldering Pauline completes the delicate, dangerous partnership."^[15] Speaking about her experience on a film set as an absolute beginner, Winslet noted: "With Heavenly Creatures, all I knew I had to do was completely become that person. In a way it was quite nice doing [the film] and not knowing a bloody thing."^[16]

The following year, Winslet auditioned for the small but pivotal role of Lucy Steele in the adaptation of Jane Austen's Sense and Sensibility, featuring Emma Thompson, Hugh Grant and Alan Rickman.^[17] She was instead cast in the second leading role of Marianne Dashwood.^[17] Director Ang Lee admitted he was initially worried about the way Winslet had attacked her role in Heavenly Creatures and thus required her to exercise t'ai chi, read Austen-era Gothic novels and poetry, and work with a piano teacher to fit the grace of the role.^[17] Budgeted at US$16.5 million ($25.2 million in current year dollars) the film became a financial and critical success, resulting in a worldwide box office total of US$135 million ($205.9 million) and various awards for Winslet, winning her both a BAFTA and a Screen Actors' Guild Award, and nominations for both an Academy Award and a Golden Globe.^[14][18]

In 1996, Winslet starred in both Jude and Hamlet. In Michael Winterbottom's Jude, based on the Victorian novel Jude the Obscure by Thomas Hardy, she played Sue Bridehead, a young woman with suffragette leanings who falls in love with her cousin, played by Christopher Eccleston. Acclaimed among critics, it was not a success at the box office, barely grossing US$2 million ($3 million) worldwide.^[19][20] Richard Corliss of Time magazine said "Winslet is worthy of [...] the camera's scrupulous adoration. She's perfect, a modernist ahead of her time [...] and Jude is a handsome showcase for her gifts."^[21] Winslet played Ophelia, Hamlet's drowned lover, in Kenneth Branagh's all star-cast film version of William Shakespeare's Hamlet. The film garnered largely positive reviews and earned Winslet her second Empire Award.^[14][22]

[edit] Titanic

In mid-1996, Winslet began filming James Cameron's Titanic (1997), alongside Leonardo DiCaprio.^[23] Gwyneth Paltrow, Claire Danes, and Gabrielle Anwar had been considered for the role;^[24][25][26] when they turned it down, Winslet campaigned heavily for it. She sent Cameron daily notes from England, which led Cameron to invite her to Hollywood for auditions. Cameron described the character as "an Audrey Hepburn type" and was initially uncertain about casting Winslet even after her screen test impressed him.^[24] After she screen tested with DiCaprio, Winslet was so thoroughly impressed with him, that she whispered to Cameron, "He's great. Even if you don't pick me, pick him." Winslet sent Cameron a single rose with a card signed "From Your Rose" and lobbied him by phone. "You don't understand!" she pleaded one day when she reached him by mobile phone in his Humvee. "I am Rose! I don't know why you're even seeing anyone else!" Her persistence, as well as her talent, eventually convinced him to cast her in the role.^[24]

Cast as the sensitive seventeen-year-old Rose DeWitt Bukater, a fictional first-class socialite who survives the 1912 sinking of the RMS Titanic, Winslet's experience was emotionally demanding.^[27] "Titanic was totally different and nothing could have prepared me for it. ... We were really scared about the whole adventure. ... Jim [Cameron] is a perfectionist, a real genius at making movies. But there was all this bad press before it came out, and that was really upsetting."^[27] Against expectations, the film went on to become the highest-grossing film of all time, grossing more than US$1.843 billion ($2.7 billion) in box-office receipts worldwide,^[28] and transformed Winslet into a commercial movie star.^[29] Subsequently, she was nominated for most of the high-profile awards, winning a European Film Award.^[14][30]

1998–2003[link]

Shot prior to the release of Titanic, Hideous Kinky, a low-budget hippie romance, was Winslet's sole film of 1998.^[31] Winslet had rejected offers to play the leading roles in Shakespeare in Love (1998) and Anna and the King (1999) in favour of the role of a young English mother named Julia who moves with her daughters from London to Morocco hoping to start a new life.^[31][32] The film garnered generally mixed reviews and received only limited distribution,^[33] resulting in a worldwide gross of US$5 million ($7 million).^[34] Despite the success of Titanic, the next film Winslet opted to star in was Holy Smoke! (1999), featuring Harvey Keitel, another low-budget project—much to the chagrin of her agents, who felt "miserable" about her preference of arthouse films.^[16][27] Feeling pressured, Winslet has said she "never saw Titanic as a springboard for bigger films or bigger pay cheques", knowing that "it could have been that, but would have destroyed [her]."^[35] The same year, she voiced Brigid in the computer animated film Faeries.^[36]

In 2000, Winslet appeared in the period piece Quills with Geoffrey Rush and Joaquin Phoenix, a film inspired by the life and work of the Marquis de Sade. The actress served as somewhat of a "patron saint" of the film for being the first big name to back it, accepting the role of a chambermaid in the asylum and the courier of the Marquis' manuscripts to the underground publishers.^[37] Well-received by critics, the film garnered numerous accolades for Winslet, including nominations for SAG and Satellite Awards.^[14] The film was a modest arthouse success, averaging US$27,709 ($37,395) per screen its debut weekend, and eventually grossing US$18 million ($24.3 million) internationally.^[38]

In 2001's Enigma, Winslet played a young woman who finds herself falling for a brilliant young World War II code breaker, played by Dougray Scott.^[39] It was her first war film, and Winslet regarded "making Enigma a brilliant experience" as she was five months pregnant at the time of the shoot, forcing some tricky camera work from the director Michael Apted.^[39] Generally well-received,^[40] Winslet was awarded a British Independent Film Award for her performance,^[14] and A. O. Scott of The New York Times described Winslet as "more crush-worthy than ever."^[41] In the same year she appeared in Richard Eyre's critically acclaimed film Iris, portraying novelist Iris Murdoch. Winslet shared her role with Judi Dench, with both actresses portraying Murdoch at different phases of her life.^[42] Subsequently, each of them was nominated for an Academy Award the following year, earning Winslet her third nomination.^[14] Also in 2001, she voiced the character Belle in the animated motion picture Christmas Carol: The Movie, based on the Charles Dickens classic novel. For the film, Winslet recorded the song "What If", which was released in November 2001 as a single^[43] with proceeds donated to two of Winslet's favourite charities, the N.S.P.C.C. and the Sargeant Cancer Foundation for Children.^[43][44] A Europe-wide top ten hit, it reached number one in Austria, Belgium and Ireland,^[45] number six on the UK Singles Chart,^[46] and won the 2002 OGAE Song Contest.^[47]

Her next film role was in the 2003 drama The Life of David Gale, in which she played an ambitious journalist who interviews a death-sentenced professor, played by Kevin Spacey, in his final weeks before execution. The film underperformed at international box offices, garnering only half of its US$ 50,000,000 budget,^[48] and generating mostly critical reviews,^[49] with Roger Ebert of the Chicago Sun-Times calling it a "silly movie."^[50]

2004–2006[link]

Following The Life of David Gale, Winslet appeared with Jim Carrey in Eternal Sunshine of the Spotless Mind (2004), a neosurrealistic indie-drama by French director Michel Gondry. In the film, she played the role of Clementine Kruczynski, a chatty, spontaneous and somewhat neurotic woman, who decides to have all memories of her ex-boyfriend erased from her mind.^[51] The role was a departure from her previous roles, with Winslet revealing in an interview with Variety that she was initially upended about her casting in the film: "This was not the type of thing I was being offered [...] I was just thrilled that there was something he had seen in me, in spite of the corsets, that he thought was going to work for Clementine.”^[52] The film was a critical and financial success.^[53] Winslet received rave reviews for her Academy Award-nominated performance, which Peter Travers of Rolling Stone described as "electrifying and bruisingly vulnerable."^[54]

Winslet at the 61st British Academy Film Awards.

Her final film in 2004 was Finding Neverland. The story of the production focused on Scottish writer J.M. Barrie (Johnny Depp) and his platonic relationship with Sylvia Llewelyn Davies (Winslet), whose sons inspired him to pen the classic play Peter Pan, or The Boy Who Wouldn't Grow Up. During promotion of the film, Winslet noted of her portrayal "It was very important for me in playing Sylvia that I was already a mother myself, because I don’t think I could have played that part if I didn’t know what it felt like to be a parent and have those responsibilities and that amount of love that you give to a child [...] and I've always got a baby somewhere, or both of them, all over my face."^[55] The film received favourable reviews and proved to be an international success, becoming Winslet's highest-grossing film since Titanic with a total of $118 million worldwide.^[56][57]

In 2005, Winslet appeared in an episode of BBC's comedy series Extras as a satirical version of herself. While dressed as a nun, she was portrayed giving phone sex tips to the romantically challenged character of Maggie.^[58] Her performance in the episode led to her first nomination for an Emmy Award.^[14] In Romance & Cigarettes (2005), a musical romantic comedy written and directed by John Turturro, she played the character Tula, described by Winslet as "a slut, someone who’s essentially foulmouthed and has bad manners and really doesn’t know how to dress."^[59] Hand-picked by Turturro, who was impressed with her display of dancing ability in Holy Smoke!, Winslet was praised for her performance,^[59] which included her interpretation of Connie Francis's "Scapricciatiello (Do You Love Me Like You Kiss Me)".^[60] Derek Elley of Variety wrote: "Onscreen less, but blessed with the showiest role, filthiest one-liners, [and] a perfect Lancashire accent that's comical enough in the Gotham setting Winslet throws herself into the role with an infectious gusto."^[61]

After declining an invitation to appear in Woody Allen's film Match Point (2005), Winslet stated that she wanted to be able to spend more time with her children.^[62] She began 2006 with All the King's Men, featuring Sean Penn and Jude Law. Winslet played the role of Anne Stanton, the childhood sweetheart of Jack Burden (Law). The film was critically and financially unsuccessful.^[63][64] Todd McCarthy of Variety summed it up as "overstuffed and fatally miscast [...] Absent any point of engagement to become involved in the characters, the film feels stillborn and is unlikely to stir public excitement, even in an election year."^[65]

Winslet fared far better when she joined the cast of Todd Field's Little Children, playing Sarah Pierce, a bored housewife who has a torrid affair with a married neighbour, played by Patrick Wilson. Both her performance and the film received rave reviews; A.O. Scott of The New York Times wrote: "In too many recent movies intelligence is woefully undervalued, and it is this quality—even more than its considerable beauty—that distinguishes Little Children from its peers. The result is a film that is challenging, accessible and hard to stop thinking about. Ms. Winslet, as fine an actress as any working in movies today, registers every flicker of Sarah’s pride, self-doubt and desire, inspiring a mixture of recognition, pity and concern that amounts, by the end of the movie, to something like love. That Ms. Winslet is so lovable makes the deficit of love in Sarah’s life all the more painful."^[66] For her work in the film, she was honoured with a Britannia Award for British Artist of the Year from BAFTA/LA, a Los Angeles-based offshoot of the BAFTA Awards.^[67] and nominated for an Academy Award for Best Actress, and at 31, became the youngest actress to ever garner five Oscar nominations.^[68]

She followed Little Children with a role in Nancy Meyers' romantic comedy The Holiday, also starring Cameron Diaz, Jude Law and Jack Black. In it she played Iris, a British woman who temporarily exchanges homes with an American woman (Diaz). Released to a mixed reception by critics,^[69] the film became Winslet's biggest commercial success in nine years, grossing more than US$205 million worldwide.^[70] Also in 2006, Winslet provided her voice for several smaller projects. In the CG-animated Flushed Away, she voiced Rita, a scavenging sewer rat who helps Roddy (Hugh Jackman) escape from the city of Ratropolis and return to his luxurious Kensington origins. A critical and commercial success, the film collected US$177,665,672 at international box offices.^[71]

2007–present[link]

Winslet at the 2007 Palm Springs International Film Festival

In 2007, Winslet reunited with Leonardo DiCaprio to film Revolutionary Road (2008), directed by her husband at the time, Sam Mendes. Winslet had suggested that both should work with her on a film adaptation of the 1961 novel of the same name by Richard Yates after reading the script by Justin Haythe.^[72] Resulting in both "a blessing and an added pressure" on-set, the reunion was her first experience working with Mendes.^[73] Portraying a couple in a failing marriage in the 1950s, DiCaprio and Winslet watched period videos promoting life in the suburbs to prepare themselves for the film,^[73] which earned them favorable reviews.^[74] In his review of the film, David Edelstein of New York magazine stated that "[t]here isn’t a banal moment in Winslet’s performance—not a gesture, not a word. Is Winslet now the best English-speaking film actress of her generation? I think so."^[2] Winslet was awarded a Golden Globe Award for Best Actress for her performance, her seventh nomination from the Golden Globes.^[14]

Winslet at the 2007 BAFTAs

Also released in late 2008, the film competed against Winslet's other project, a film adaptation of Bernhard Schlink's 1995 novel The Reader, directed by Stephen Daldry and featuring Ralph Fiennes and David Kross in supporting roles. Originally the first choice for her role, she was initially not able to take on the role due to a scheduling conflict with Revolutionary Road, and Nicole Kidman replaced her.^[75] A month after filming began, however, Kidman left the film due to her pregnancy before filming of her had begun, enabling Winslet to rejoin the film.^[75] Employing a German accent, Winslet portrayed a former Nazi concentration camp guard who has an affair with a teenager (Kross) who, as an adult, witnesses her war crimes trial.^[76] She later said the role was difficult for her, as she was naturally unable "to sympathise with an SS guard."^[77] Because the film required full frontal nudity, a merkin was made for her. In an interview for Allure she related how she refused to use it: "Guys, I am going to have to draw the line at a pubic wig,..."^[78][79] While the film garnered mixed reviews in general,^[80] Winslet received favorable reviews for her performance.^[80] The following year, she earned her sixth Academy Award nomination and went on to win the Best Actress award, the BAFTA Award for Best Actress, a Screen Actors' Guild Award for Outstanding Supporting Actress, and a Golden Globe for Best Supporting Actress.^[14]

In 2011, Winslet headlined in the HBO miniseries Mildred Pierce, a small screen adaptation of James M. Cain's 1941 novel of the same name, directed by Todd Haynes.^[81] Co-starring Guy Pearce and Evan Rachel Wood, she portrayed a self-sacrificing mother during the Great Depression who finds herself separated from her husband and falling in love with a new man, all the while trying to earn her narcissistic daughter's love and respect. Broadcast to moderate ratings,^[82] the five-part series earned generally favourable reviews,^[83] with Salon.com calling it a "quiet, heartbreaking masterpiece".^[84] Winslet won an Emmy Award,^[85] a Golden Globe Award for Best Actress – Miniseries or Television Film,^[86] and a Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie for her performance.^[87]

Also in 2011, Winslet appeared in Steven Soderbergh's disaster film Contagion, featuring an ensemble cast consisting of Marion Cotillard, Matt Damon, Gwyneth Paltrow and Jude Law. The thriller follows the rapid progress of a lethal indirect contact transmission virus that kills within days. Winslet portrayed an Epidemic Intelligence Service officer who becomes infected with the disease over the course of her investigation.^[88] Winslet's other 2011 project, Roman Polanski's Carnage, premiered at the 68th Venice Film Festival. An adaptation of the play God of Carnage by French playwright Yasmina Reza, the black comedy follows two sets of parents who meet up to talk after their children have been in a fight that day at school. Jodie Foster, John C. Reilly and Christoph Waltz co-star.^[89] For her performance Winslet received a second nomination by the Hollywood Foreign Press that year.

In June 2011, it was announced that Winslet has been cast alongside Josh Brolin in Jason Reitman's adaptation of Joyce Maynard's 2009 novel Labor Day.^[90]

In 2012, Winslet's audiobook performance of Émile Zola's Thérèse Raquin was released at Audible.com.^[91] Audiofile Magazine's review said, "Kate Winslet reads as though she is relishing every morsel of the drama…She clearly loves the book, and her pleasure in the text is infectious…she grabs listeners and doesn’t let go."^[92]

Personal life[link]

Winslet in Paris at the César Awards 2012.

While on the set of Dark Season, Winslet met actor and writer Stephen Tredre, with whom she had a four-and-a-half-year relationship.^[93] Winslet and Tredre remained close after their separation in 1995.^[94] He died of bone cancer during the opening week of Titanic, causing her to miss the film's Los Angeles premiere to attend his funeral in London.^[95] She and Titanic co-star Leonardo DiCaprio have remained close friends since the filming.^[96]

On 22 November 1998, Winslet married director Jim Threapleton, whom she met while on the set of Hideous Kinky in 1997.^[97][98] They have a daughter, Mia Honey Threapleton,^[98] who was born on 12 October 2000 in London.^[97] Winslet and Threapleton divorced on 13 December 2001.^[99]

Following her separation from Threapleton, Winslet began a relationship with director Sam Mendes,^[99] and she married him on 24 May 2003 on the island of Anguilla.^[97] Their son, Joe Alfie Winslet Mendes, was born on 22 December 2003 in New York City.^[97] Winslet and Mendes announced their separation in March 2010^[100] and are divorced.^{[101][102][103][104]}

Mendes was scheduled to fly on American Airlines Flight 77, which was hijacked on 11 September 2001 and subsequently crashed into the Pentagon.^[105] In October 2001, Winslet was on a flight with her daughter, Mia, when a passenger who claimed to be a terrorist stood up and shouted, "We are all going to die".^[105] As a result of these incidents, Winslet and Mendes never flew together on the same aircraft, as they feared leaving their children parentless.^[105]

Winslet's weight fluctuations over the years have been well documented by the media.^[93][97] She has been outspoken about her refusal to allow Hollywood to dictate her weight.^[96][106] In February 2003, the British edition of GQ magazine published photographs of Winslet that had been digitally altered to make her look dramatically thinner.^[97] Winslet issued a statement that the alterations were made without her consent, saying, "I just didn't want people to think I was a hypocrite and that I'd suddenly lost 30 lbs or whatever".^[107] GQ subsequently issued an apology.^[106] She won a libel suit in 2009 against the British tabloid The Daily Mail after it printed that she had lied about her exercise regime.^[108] Winslet stated that she had requested an apology to demonstrate her commitment to the views that she has always expressed regarding women's body issues, namely that women should accept their appearance with pride.^[108]

Winslet narrated the documentary A Mother's Courage: Talking Back to Autism, which was generally released on 24 September 2010, after airing on HBO in April of the same year. Her involvement in the documentary led to her founding the non-profit organisation, the Golden Hat Foundation, whose mission is to eliminate barriers for people with autism.^[109][110] In 2011, Winslet received the Yo Dona award for Best Humanitarian Work for her work with the Golden Hat.^[111]

Also in 2010, Winslet narrated a video for PETA, encouraging chefs to remove foie gras from their menus and asking consumers to boycott restaurants that serve it.^[112]

Awards and nominations[link]

Winslet won an Academy Award for Best Actress for her performance in The Reader (2008). She won two Golden Globe Awards in the same year: Best Actress (Drama) for Revolutionary Road and Best Supporting Actress for The Reader. She has won two BAFTA Awards: Best Actress for The Reader, and Best Supporting Actress for Sense and Sensibility (1995). She has earned a total of six Academy Award nominations, nine Golden Globe nominations, and seven BAFTA nominations.^{[106][113][114]}

She has received numerous awards from other organisations, including the Los Angeles Film Critics Association Award for Best Supporting Actress for Iris (2001) and the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role for Sense and Sensibility and The Reader. Premiere magazine named her portrayal of Clementine Kruczynski in Eternal Sunshine of the Spotless Mind (2004) as the 81st greatest film performance of all time.^[115]

Winslet has been selected for a star on the Hollywood Walk of Fame in 2012.^[116]

Academy Award nomination milestones[link]

Winslet at the 81st Academy Awards in February 2009

Winslet was 26 when she received her third Academy Award nomination, for Iris, just missing the mark of Natalie Wood, who received her third nomination at age 25.^[117] She set the mark as the youngest actor to receive five nominations, at age 31, for Little Children (2006). She surpassed Bette Davis, who was 33 when she received her fifth nomination for her performance in The Little Foxes (1941).^[118] With her Best Actress nomination for The Reader, Winslet became the youngest actor to receive six Oscar nominations. At age 33, Winslet passed the mark Davis, one year older, set with Now, Voyager (1942).^[119]

Winslet received Academy Award nominations as the younger versions of the characters played by fellow nominees Gloria Stuart, as Rose, in Titanic (1997)^[120] and Judi Dench, as Iris Murdoch, in Iris.^[121] These are the only instances of the younger and older versions of a character in the same film both yielding Academy Award nominations, thus making Winslet the only actor to twice share an Oscar nomination with another for portraying the same character.^[120]

When she was not nominated for her work in Revolutionary Road, Winslet became only the second actress to win a Golden Globe for Best Actress (Drama) without getting an Oscar nomination for the same performance (Shirley MacLaine was the first for Madame Sousatzka (1988), and she won the Golden Globe in a three-way tie). Academy rules allow an actor to receive no more than one nomination in a given category; as the Academy nominating process determined that Winslet's work in The Reader would be considered a lead performance—unlike the Golden Globes, which considered it a supporting performance—she could not also receive a Best Actress nomination for Revolutionary Road.^[122]

Awards for other work[link]

In 2000, Winslet won a Grammy Award for Best Spoken Word Album for Children for Listen To the Storyteller.^[123][124] She was nominated for an Emmy Award for Outstanding Guest Actress in a Comedy Series for playing herself in a 2005 episode of Extras.^[125] At the 2011 Primetime Emmy Awards, Winslet won the Best Actress in Miniseries or TV Movie award for her role as the titular character in Mildred Pierce.

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Kate Winslet

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• Kate Winslet at the Internet Movie Database
• Kate Winslet at the TCM Movie Database
• Kate Winslet at the British Film Institute's Screenonline
• Kate Winslet at AllRovi
• Kate Winslet at Emmys.com