Emerging artist
Joni Mitchell moved to
New York City in 1967, and took up residence in the arty
Chelsea district. She met
Elliot Roberts in the fall and he began to manage her career, helping to open up the circuit for her in New York City.
While performing at a club in
Florida, Joni met ex-Byrds member
David Crosby, who was quite taken with her.
David was a great help in convincing the record company to agree to let Joni record a solo acoustic
album without all the folk-rock overdubs that were in vogue at the time.
His clout earned him a producer's credit in March
1968, when
Reprise records released her debut album. She continued her steady touring to promote the LP, and that stimulus, in addition to the performers who were covering her songs and exposing her to bigger and bigger audiences as a major "songwriter," was causing a major buzz. At
Elliot's suggestion, she moved to southern
California late in 1967, and moved in with David, who became an enthusiastic promoter of Joni's and had her play at the homes of his
Hollywood friends, where she got noticed by press and radio people, who in turn wrote and spoke of her talent.
She played the
Troubadour in
L.A., getting raves from the crowds and critics; she was also a big hit in
London at the
Royal Festival Hall in September, and at the
Miami Pop Festival on the last weekend of 1968. Accompaning her at the fest was
Hollies singer-songwriter
Graham Nash, whom Joni had met through their mutual friend, David Crosby.
Also in December of '68,
Judy Collins version of "
Both Sides Now" peaked in the national music charts top ten, and brought Joni "lots of those little royalty pennies." This songwriting success helped create an eager anticipation for Joni's second LP, "
Clouds", which was released in April '69. It contained Joni's own versions of songs already recorded and being performed by other artists; "
Chelsea Morning,""Both Sides Now", and "
Tin Angel."
Joni's concert at
Carnegie Hall in February, and a later show in
Berkeley, CA were recorded for a live album, but the project was shelved in favor of a third LP of original studio performances.
She made an appearance that summer on
The Johnny Cash Show. The series was a
U.S. summer replacement series that rated very highly on
ABC-TV. Joni appeared 2 more times on
Johnny's show, once more later in the first season, and once in
1971.
Joni toured as the opening act for her friends
Crosby, Stills, & Nash, and while at the
Atlantic City Pop Festival in August, she left the stage angrily due to the inattentiveness of the large crowd. She said she'd enjoyed the intimacy of the clubs and was now finding it difficult to concentrate and perform in front of huge crowds.
Reprise released Joni's third album, "
Ladies Of
The Canyon" soon after. It was an instant smash on
FM radio, and sold briskly thru the summer and fall, eventually becoming Joni's first gold album (
500,
000 copies).
Reviewers and listeners began to note the confessional qualities in Joni's songs, and conjecture "who's that about?."
Joni made a decision to stop touring for a year and just live and write and paint, but after a few months she was persuaded to perform at the last minute at the
Isle of Wight Festival.
Held in August, this festival became a financial and logistical disaster, and the audience there had strong anti-performer feelings. When a stoned-out guy that Joni knew from her months in
Crete jumped on stage and took over her mic ranting about how "
Desolation Row is this festival
...", he had to be dragged off stage. The crowd saw him as one of their own and booed his eviction until Joni chastised them tearfully about acting like tourists and not giving the performers the respect they deserved.
Joni struggled with a way to remain creative while dealing with the pressures of a career with a required touring schedule. The songs she wrote during the months she took off for travel & life experience would appear on her next album, "
BLUE."
SOURCE:
http://www.maplemusic.com/artists/jmi/bio
.asp
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Index
- published: 03 Sep 2014
- views: 7751