John Wayne
John Wayne in Rio Bravo (1959)
Born	Marion Robert Morrison (1907-05-26)May 26, 1907 Winterset, Iowa, U.S.
Died	June 11, 1979(1979-06-11) (aged 72) Los Angeles, California, U.S.
Cause of death	Stomach cancer
Other names	Marion Mitchell Morrison; "The Duke"; Duke Morrison; Marion Michael Morrison
Education	Glendale High School
Alma mater	University of Southern California
Occupation	Actor, director, producer
Years active	1926–1976
Home town	Glendale, California
Political party	Republican
Spouse	Josephine Alicia Saenz 1933–1945 (divorce) Esperanza Baur 1946–1954 (divorce) Pilar Pallete 1954–1979 (his death)
Website
http://www.johnwayne.com

Marion Mitchell Morrison (born Marion Robert Morrison; May 26, 1907 – June 11, 1979), better known by his stage name John Wayne, was an American film actor, director and producer.^[1] An Academy Award-winner, Wayne was among the top box office draws for three decades,^[2][3] and was named the all-time top money-making star.^[4] An enduring American icon, he epitomized rugged masculinity and is famous for his demeanor, including his distinctive calm voice, walk, and height.

Wayne was born in Winterset, Iowa but his family relocated to the greater Los Angeles area when he was four years old. He found work at local film studios when he lost his football scholarship to USC as a result of a bodysurfing accident.^[5] Initially working for the Fox Film Corporation, he mostly appeared in small bit parts. His acting breakthrough came in 1939 with John Ford's Stagecoach, making him an instant star. Wayne would go on to star in 142 pictures, primarily typecast in Western films.

Among his best known films are The Quiet Man (1952), which follows him as an Irish-American boxer and his love affair with a fiery spinster played by Maureen O'Hara; The Searchers (1956), in which he plays a Civil War veteran who seeks out his abducted niece; Rio Bravo (1959), playing a Sheriff with Dean Martin; True Grit (1969), playing a humorous U.S. Marshal who sets out to avenge a man's death in the role that won Wayne an Academy Award; and The Shootist (1976), his final screen performance in which he plays an aging gunslinger battling cancer.

Wayne moved to Orange County, California in the 1960s, and was a prominent Republican in Hollywood, supporting anti-communist positions.^[6] He died of stomach cancer in 1979. In June 1999, the American Film Institute named Wayne 13th among the Greatest Male Screen Legends of All Time.

Early life[link]

Wayne was born Marion Robert Morrison at 216 South Second Street in Winterset, Iowa.^[7] His middle name was soon changed from Robert to Mitchell when his parents decided to name their next son Robert.^{[6][8][9][10][11]}

The house in Winterset, Iowa in which Wayne was born in 1907

Wayne's father, Clyde Leonard Morrison (1884–1937), was the son of American Civil War veteran Marion Mitchell Morrison (1845–1915). Wayne's mother, the former Mary "Molly" Alberta Brown (1885–1970), was from Lancaster County, Nebraska. Wayne was of Scots-Irish and Scottish descent on both sides of his family, and he was brought up as a Presbyterian.^[12][13]

Wayne's family moved to Palmdale, California, and then in 1911 to Glendale, California, where his father worked as a pharmacist. A local fireman at the station on his route to school in Glendale started calling him "Little Duke" because he never went anywhere without his huge Airedale Terrier, Duke.^[14][15] He preferred "Duke" to "Marion", and the name stuck for the rest of his life.

As a teen, Wayne worked in an ice cream shop for a man who shod horses for Hollywood studios. He was also active as a member of the Order of DeMolay, a youth organization associated with the Freemasons. He attended Wilson Middle School in Glendale. He played football for the 1924 champion Glendale High School team.^[16]

Wayne applied to the U.S. Naval Academy, but was not accepted. He instead attended the University of Southern California (USC), majoring in pre-law. He was a member of the Trojan Knights and Sigma Chi fraternities.^[17] Wayne also played on the USC football team under coach Howard Jones. An injury curtailed his athletic career; Wayne later noted he was too terrified of Jones's reaction to reveal the actual cause of his injury, which was bodysurfing at the "Wedge" at the tip of the Balboa Peninsula in Newport Beach.^[18] He lost his athletic scholarship and, without funds, had to leave the university.^[19][20]

Wayne began working at the local film studios. Prolific silent western film star Tom Mix had found him a summer job in the prop department in exchange for football tickets. Wayne soon moved on to bit parts, establishing a longtime friendship with the director who provided most of those roles, John Ford. Early in this period, Wayne appeared with his USC teammates playing football in Brown of Harvard (1926), The Dropkick (1927), and Salute (1929) and Columbia's Maker of Men (filmed in 1930, released in 1931).^[21]

Film career[link]

Early career and breakthrough[link]

Born to the West (1937)

While working for Fox Film Corporation in bit roles, he was given on-screen credit as "Duke Morrison" only once, in Words and Music (1929). In 1930, director Raoul Walsh saw him moving studio furniture while working as a prop boy and cast him in his first starring role in The Big Trail (1930). For his screen name, Walsh suggested "Anthony Wayne", after Revolutionary War general "Mad Anthony" Wayne. Fox Studios chief Winfield Sheehan rejected it as sounding "too Italian". Walsh then suggested "John Wayne". Sheehan agreed, and the name was set. Wayne himself was not even present for the discussion.^[22] His pay was raised to $105 a week.

The Big Trail was to be the first big-budget outdoor spectacle of the sound era, made at a staggering cost of over $2 million, using hundreds of extras and wide vistas of the American southwest, still largely unpopulated at the time. To take advantage of the breathtaking scenery, it was filmed in two versions, a standard 35mm version and another in the new 70 mm Grandeur film process using innovative camera and lenses. Many in the audience who saw it in Grandeur stood and cheered. Unfortunately, only a handful of theaters were equipped to show the film in its widescreen process, and the effort was largely wasted. The film was considered a huge flop.^[23]

After the commercial failure of The Big Trail, Wayne was relegated to small roles in A-pictures, including Columbia's The Deceiver (1931), in which he played a corpse. He appeared in the serial The Three Musketeers (1933), an updated version of the Alexandre Dumas novel in which the protagonists were soldiers in the French Foreign Legion in then-contemporary North Africa. He appeared in many low-budget "Poverty Row" westerns, mostly at Monogram Pictures and serials for Mascot Pictures Corporation. By Wayne's own estimation, he appeared in about eighty of these horse operas from 1930 to 1939.^[24] In Riders of Destiny (1933) he became one of the first singing cowboys of film, albeit via dubbing.^[25] Wayne also appeared in some of the Three Mesquiteers westerns, whose title was a play on the Dumas classic. He was mentored by stuntmen in riding and other western skills.^[21] He and famed stuntman Yakima Canutt developed and perfected stunts still used today.^[26]

Wayne's breakthrough role came with director John Ford's classic Stagecoach (1939). Because of Wayne's non-star status and track record in low-budget westerns throughout the 1930s, Ford had difficulty getting financing for what was to be an A-budget film. After rejection by all the top studios, Ford struck a deal with independent producer Walter Wanger in which Claire Trevor — a much bigger star at the time — received top billing. Stagecoach was a huge critical and financial success, and Wayne became a star.

America's entry into World War II resulted in a deluge of support for the war effort from all sectors of society, and Hollywood was no exception. Wayne was exempted from service due to his age (34 at the time of Pearl Harbor) and family status, classified as 3-A (family deferment). He repeatedly wrote to John Ford, asking to be placed in Ford's military unit, but consistently postponed it until "after he finished one more film",^[27] Wayne did not attempt to prevent his reclassification as 1-A (draft eligible), but Republic Studios was emphatically resistant to losing him; Herbert J. Yates, President of Republic, threatened Wayne with a lawsuit if he walked away from his contract^[28] and Republic Pictures intervened in the Selective Service process, requesting Wayne's further deferment.^[29]

Wayne toured U.S. bases and hospitals in the South Pacific for three months in 1943 and 1944.^[30] By many accounts, Wayne's failure to serve in the military was the most painful experience of his life.^[31] His widow later suggested that his patriotism in later decades sprang from guilt, writing: "He would become a 'superpatriot' for the rest of his life trying to atone for staying home."^[32]

Commercial success[link]

Wake of the Red Witch (1948)

Wayne's first color film was Shepherd of the Hills (1941), in which he co-starred with his longtime friend Harry Carey. The following year, he appeared in his only film directed by Cecil B. DeMille, the Technicolor epic Reap the Wild Wind (1942), in which he co-starred with Ray Milland and Paulette Goddard; it was one of the rare times he played a character with questionable values. He would appear in more than twenty of John Ford's films throughout the next two decades, including She Wore a Yellow Ribbon (1949), The Quiet Man (1952), The Searchers (1956), The Wings of Eagles (1957), and The Man Who Shot Liberty Valance (1962).

In 1949, director Robert Rossen offered the starring role of All the King's Men to Wayne. Wayne refused, believing the script to be un-American in many ways.^[33] Broderick Crawford, who eventually got the role, won the 1949 Oscar for best male actor, ironically beating out Wayne, who had been nominated for Sands of Iwo Jima.

He lost the leading role in The Gunfighter (1950) to Gregory Peck due to his refusal to work for Columbia Pictures because its chief, Harry Cohn, had mistreated him years before when he was a young contract player. Cohn had bought the project for Wayne, but Wayne's grudge was too deep, and Cohn sold the script to Twentieth Century Fox, which cast Peck in the role Wayne badly wanted but for which he refused to bend.^[33]

One of Wayne's most popular roles was in The High and the Mighty (1954), directed by William Wellman, and based on a novel by Ernest K. Gann. His portrayal of a heroic copilot won widespread acclaim. Wayne also portrayed aviators in Flying Tigers (1942), Flying Leathernecks (1951), Island in the Sky (1953), The Wings of Eagles (1957), and Jet Pilot (1957).

The Searchers (1956) continues to be widely regarded as perhaps Wayne's finest and most complex performance. In 2006, Premiere Magazine ran an industry poll in which Wayne's portrayal of Ethan Edwards was rated the 87th greatest performance in film history. He named his youngest son Ethan after the character.

Later career[link]

John Wayne won a Best Actor Oscar for True Grit (1969). Wayne was also nominated as the producer of Best Picture for The Alamo (1960), one of two films he directed. The other was The Green Berets (1968), the only major film made during the Vietnam War to support the war.^[19] During the filming of Green Berets, the Degar or Montagnard people of Vietnam's Central Highlands, fierce fighters against communism, bestowed on Wayne a brass bracelet that he wore in the film and all subsequent films.^[33]

An interview Wayne gave in 1971 to Playboy magazine became a hot topic, as Wayne made headlines for controversial remarks about social issues and race relations in the United States.^[34] His comments about the perceived lack of leadership experience among black people and inequities of the past made headlines.^[34] In the same interview he expressed his support for the Vietnam War.

His last film was The Shootist (1976), whose main character, J. B. Books, was dying of cancer — the illness to which Wayne himself succumbed three years later. According to the Internet Movie Database, Wayne played the lead in 142 of his film appearances.

Wayne in The Challenge of Ideas (1961)

Batjac, the production company co-founded by Wayne, was named after the fictional shipping company Batjak in Wake of the Red Witch (1948), a film based on the novel by Garland Roark. (A spelling error by Wayne's secretary was allowed to stand, accounting for the variation.)^[33] Batjac (and its predecessor, Wayne-Fellows Productions) was the arm through which Wayne produced many films for himself and other stars. Its best-known non-Wayne production was the highly acclaimed Seven Men From Now (1956), which started the classic collaboration between director Budd Boetticher and star Randolph Scott.

In the Motion Picture Herald Top Ten Money-Making Western Stars poll, Wayne was listed in 1936 and 1939.^[35] He appeared in the similar Box Office poll in 1939 and 1940.^[36] While these two polls are really an indication only of the popularity of series stars, Wayne also appeared in the Top Ten Money Makers Poll of all films from 1949 to 1957 and 1958 to 1974, taking first place in 1950, 1951, 1954 and 1971. With a total of 25 years on the list, Wayne has more appearances than any other star, beating Clint Eastwood (21) into second place.^[37]

In later years, Wayne was recognized as a sort of American natural resource, and his various critics, of his performances and his politics, viewed him with more respect. Abbie Hoffman, the radical of the 1960s, paid tribute to Wayne's singularity, saying, "I like Wayne's wholeness, his style. As for his politics, well — I suppose even cavemen felt a little admiration for the dinosaurs that were trying to gobble them up."^[38] Reviewing The Cowboys (1972), Vincent Canby of the New York Times, who did not particularly care for the film, wrote: "Wayne is, of course, marvelously indestructible, and he has become an almost perfect father figure."

Personal life[link]

Wayne was married three times and divorced twice. His wives were Josephine Alicia Saenz, Esperanza Baur, and Pilar Pallete. He had four children with Josephine: Michael Wayne (November 23, 1934 – April 2, 2003), Mary Antonia "Toni" Wayne LaCava (February 25, 1936  — December 6, 2000), Patrick Wayne (born July 15, 1939), and Melinda Wayne Munoz (born December 3, 1940). He had three more children with Pilar: Aissa Wayne (born March 31, 1956), John Ethan Wayne (born February 22, 1962), and Marisa Wayne (born February 22, 1966).

Wayne with third wife Pilar Pallete at Knott's Berry Farm in 1971

Several of Wayne's children entered the film and television industry; Wayne's son Ethan was billed as John Ethan Wayne in a few films, and played one of the leads in the 1990s update of the Adam-12 television series.

His stormiest divorce was from Esperanza Baur, a former Mexican actress. She convinced herself that Wayne and co-star Gail Russell were having an affair. The night the film Angel and the Badman (1947) wrapped, there was the usual party for cast and crew, and Wayne came home very late. Esperanza was in a drunken rage by the time he arrived, and she attempted to shoot him as he walked through the front door.^[33]

Wayne had several high-profile affairs, including one with Marlene Dietrich that lasted for three years.^[39] In the years prior to his death, Wayne was romantically involved with his former secretary Pat Stacy (1941–1995).^[19] She published a biography of her life with him entitled Duke: A Love Story in 1983.^[40]

Wayne's hair began thinning in the 1940s, and he started wearing a hairpiece by the end of that decade. He was occasionally seen in public without the hairpiece (notably, according to Life magazine, at Gary Cooper's funeral).^[41] During a widely noted appearance at Harvard University, Wayne was asked by a student, "Where did you get that phony hair?" He responded, "It's not phony. It's real hair. Of course, it's not mine, but it's real."^[42]

A close friend of Wayne's, California Congressman Alphonzo Bell, wrote of him, "Duke's personality and sense of humor were very close to what the general public saw on the big screen. It is perhaps best shown in these words he had engraved on a plaque: 'Each of us is a mixture of some good and some not so good qualities. In considering one's fellow man it's important to remember the good things ... We should refrain from making judgments just because a fella happens to be a dirty, rotten SOB.'"^[43]

Wayne biographer Michael Munn chronicled Wayne's drinking habits.^[15] According to Sam O'Steen's memoir, Cut to the Chase, studio directors knew to shoot Wayne's scenes before noon, because by afternoon he "was a mean drunk".^[44] He had been a chain-smoker of cigarettes since young adulthood and was diagnosed with lung cancer in 1964. He underwent successful surgery to remove his entire left lung^[45] and four ribs. Despite efforts by his business associates to prevent him from going public with his illness for fear that it would cost him work, Wayne announced he had cancer and called on the public to get preventive examinations. Five years later, Wayne was declared cancer-free. Despite the fact that his diminished lung capacity left him incapable of prolonged exertion and frequently in need of supplemental oxygen, within a few years of his operation he chewed tobacco and began smoking cigars until the day he died.^{[citation needed]}

Wayne's height has been perennially described as at least 6'4" (193 cm).^[46] He was a Freemason, a Master Mason in Marion McDaniel Lodge #56 F&AM, in Tucson, Arizona. He became a 32nd Degree Scottish Rite Mason and later joined the Al Malaikah Shrine Temple in Los Angeles. He became a member of the York Rite.^[47] During the early 1960s, John Wayne traveled extensively to Panama, during which he purchased the island of Taborcillo off the main coast. It was sold by his estate at his death and changed hands many times before being opened as a tourist attraction.^{[citation needed]}

Wayne's yacht, the Wild Goose, was one of his favorite possessions. He kept it docked in Newport Harbor and it was listed on the U.S. National Register of Historic Places in 2011.^[48]

Politics[link]

Throughout most of his life, Wayne was a vocally prominent conservative Republican. Initially a self-described socialist during his college years, he voted for Democratic President Franklin D. Roosevelt in the 1936 presidential election and expressed admiration for Roosevelt's successor, fellow Democratic President Harry S Truman.^[49] He took part in creating the Motion Picture Alliance for the Preservation of American Ideals in February 1944 and was elected president of that organization in 1947. An ardent anti-communist and vocal supporter of the House Un-American Activities Committee, in 1952 he made Big Jim McLain to show his support for the anti-communist cause. Recently declassified Soviet documents reveal that despite being a fan of Wayne's movies, Soviet premier Joseph Stalin ordered Wayne's assassination as a result of his frequently-espoused anti-communist politics.^[50][51]

Wayne meets with President Richard Nixon and Henry Kissinger in San Clemente, California, July 1972

Wayne supported Vice President Richard Nixon in the presidential election of 1960, but expressed his vision of patriotism when John F. Kennedy won the election: "I didn't vote for him but he's my president, and I hope he does a good job."^[52] He used his iconic star power to support conservative causes, including rallying support for the Vietnam War by producing, co-directing, and starring in the critically panned The Green Berets in 1968. In a 1971 interview with Playboy magazine Wayne responded to questions about whether entitlement programs including Medicare and Social Security were good for the country:

I know all about that. In the late Twenties, when I was a sophomore at USC, I was a socialist myself — but not when I left. The average college kid idealistically wishes everybody could have ice cream and cake for every meal. But as he gets older and gives more thought to his and his fellow man's responsibilities, he finds that it can't work out that way — that some people just won't carry their load ... I believe in welfare — a welfare work program. I don't think a fella should be able to sit on his backside and receive welfare. I'd like to know why well-educated idiots keep apologizing for lazy and complaining people who think the world owes them a living. I'd like to know why they make excuses for cowards who spit in the faces of the police and then run behind the judicial sob sisters. I can't understand these people who carry placards to save the life of some criminal, yet have no thought for the innocent victim.^[34]

Due to his enormous popularity and his status as the most famous Republican star in Hollywood, wealthy Texas Republican Party backers asked Wayne to run for national office in 1968, as had his friend and fellow actor Senator George Murphy. He declined, joking that he did not believe the public would seriously consider an actor in the White House. Instead he supported his friend Ronald Reagan's runs for Governor of California in 1966 and 1970. He was asked to be the running mate for Democratic Alabama Governor George Wallace in 1968, rejecting the offer^[6] and actively campaigned for Richard Nixon;^[53] Wayne addressed the Republican National Convention on its opening day in August 1968. He was also a member of the conservative, anti-communist John Birch Society.^[54]

Wayne openly differed with the Republican Party over the issue of the Panama Canal, as he supported the Panama Canal Treaty in the mid-1970s;^[55] conservatives had wanted the U.S. to retain full control of the canal, but Wayne believed that the Panamanians had the right to the canal and sided with President Jimmy Carter and the Democrats. Mr. Wayne was a close friend of the late Panamanian leader Omar Torrijos Herrera and Wayne's first wife, Josephine, was a native of Panama.^[56]

Death[link]

Although he enrolled in a cancer vaccine study in an attempt to ward off the disease,^[45] John Wayne died of stomach cancer on June 11, 1979, at the UCLA Medical Center, and was interred in the Pacific View Memorial Park cemetery in Corona del Mar. According to his son Patrick and his grandson Matthew Muñoz, a priest in the California Diocese of Orange, he converted to Roman Catholicism shortly before his death.^[57][58] He requested his tombstone read "Feo, Fuerte y Formal", a Spanish epitaph Wayne described as meaning "ugly, strong and dignified".^[59] However, the grave, unmarked for twenty years, is now marked with a quotation from his controversial 1971 Playboy interview: "Tomorrow is the most important thing in life. Comes into us at midnight very clean. It's perfect when it arrives and it puts itself in our hands. It hopes we've learned something from yesterday."^[60][61][62]

Among the 220 or so cast and crew who filmed the 1956 film, The Conqueror, on location near St. George, Utah, 91 at various times developed some form of cancer (41%), including stars Wayne, Susan Hayward, and Agnes Moorehead, and director Dick Powell. The film was shot in southwestern Utah, east of and generally downwind from the site of recent U.S. Government nuclear weapons tests in southeastern Nevada. Although the 41% incidence of cancer in the cast and crew is very close to that of the general population,^[63] many contend radioactive fallout from these tests contaminated the film location and poisoned the film crew working there.^[64][65] Despite the suggestion that Wayne's 1964 lung cancer and his 1979 stomach cancer resulted from nuclear contamination, he himself believed his lung cancer to have been a result of his six-pack-a-day cigarette habit.^[66]

Legacy[link]

Awards, celebrations, and landmarks[link]

John Wayne's enduring status as an iconic American was formally recognized by the U.S. government by awarding him the two highest civilian decorations. He was recognized by the United States Congress on May 26, 1979, when he was awarded the Congressional Gold Medal. Hollywood figures and American leaders from across the political spectrum, including Maureen O'Hara, Elizabeth Taylor, Frank Sinatra, Mike Frankovich, Katharine Hepburn, General and Mrs. Omar Bradley, Gregory Peck, Robert Stack, James Arness, and Kirk Douglas, testified to Congress of the merit and deservedness of this award. Most notable was the testimony of Robert Aldrich, then president of the Directors Guild of America, who said:

"It is important for you to know that I am a registered Democrat and, to my knowledge, share none of the political views espoused by Duke. However, whether he is ill disposed or healthy, John Wayne is far beyond the normal political sharp shooting in this community. Because of his courage, his dignity, his integrity, and because of his talents as an actor, his strength as a leader, his warmth as a human being throughout his illustrious career, he is entitled to a unique spot in our hearts and minds. In this industry, we often judge people, sometimes unfairly, by asking whether they have paid their dues. John Wayne has paid his dues over and over, and I'm proud to consider him a friend and am very much in favor of my Government recognizing in some important fashion the contribution that Mr. Wayne has made."^{[citation needed]}

A nine-foot tall bronze statue of Wayne greets travelers at the John Wayne Airport in Orange County, California

On June 9, 1980, Wayne was posthumously awarded the Presidential Medal of Freedom by President Jimmy Carter, at whose inaugural ball Wayne had appeared "as a member of the loyal opposition," as Wayne described it in his speech to the gathering.

Various public locations are named in honor of Wayne, including the John Wayne Airport in Orange County, California, where a nine-foot bronze statue of him stands at the entrance; the John Wayne Marina^[67] that Wayne bequeathed the land for, near Sequim, Washington; John Wayne Elementary School (P.S. 380) in Brooklyn, New York, which boasts a 38-foot mosaic mural commission by New York artist Knox Martin^[68] entitled "John Wayne and the American Frontier";^[69] and a 100-plus-mile trail named the "John Wayne Pioneer Trail" in Washington state's Iron Horse State Park. A larger than life-size bronze statue of Wayne atop a horse was erected at the corner of La Cienega Boulevard and Wilshire Boulevard in Beverly Hills, California at the former offices of the Great Western Savings & Loan Corporation, for whom Wayne had made a number of commercials. In the city of Maricopa, Arizona, part of Arizona State Route 347 is named John Wayne Parkway, which runs through the center of town.

In 2006, friends of Wayne's and his former Arizona business partner, Louis Johnson, inaugurated the "Louie and the Duke Classics" events benefiting the John Wayne Cancer Foundation^[70] and the American Cancer Society.^[71][72] The weekend long event each fall in Casa Grande, Arizona includes a golf tournament, an auction of John Wayne memorabilia and a team roping competition.^[71]

Several celebrations took place on May 26, 2007, the centennial of Wayne's birth. A celebration at the John Wayne birthplace in Winterset, Iowa, included chuck-wagon suppers, concerts by Michael Martin Murphey and Riders in the Sky, a Wild West Revue in the style of Buffalo Bill's Wild West show, and a Cowboy Symposium with Wayne's co-stars, producers, and costumer. Wayne's films ran repetitiously at the local theater. Ground was broken for the New John Wayne Birthplace Museum and Learning Center at a ceremony consisting of over 30 of Wayne's family members, including Melinda Wayne Munoz, Aissa, Ethan and Marisa Wayne. Later that year California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Wayne into the California Hall of Fame, located at The California Museum for History, Women and the Arts.^[73]

Cultural image as an American icon[link]

As a special guest star, with Lucille Ball (left) in I Love Lucy, 1955

Wayne rose beyond the typical recognition for a famous actor to that of an enduring icon who symbolized and communicated American values and ideals. By the middle of his career, Wayne had developed a larger-than-life image, and as his career progressed, he selected roles that would not compromise his off-screen image. By the time of his last film The Shootist (1976), Wayne refused to allow his character to shoot a man in the back as was originally scripted,^[74] saying "I've made over 250 pictures and have never shot a guy in the back. Change it."

Wayne's rise to being the quintessential movie war hero began to take shape four years after World War II, when Sands of Iwo Jima (1949) was released. His footprints at Grauman's Chinese theater in Hollywood were laid in concrete that contained sand from Iwo Jima.^[75] His status grew so large and legendary that when Japanese Emperor Hirohito visited the United States in 1975, he asked to meet John Wayne, the symbolic representation of his country's former enemy.^[76]

Wayne was a popular visitor to the war zones in World War II, Korea, and Vietnam. By the 1950s, perhaps in large part due to the military aspect of films such as the Sands of Iwo Jima, Flying Tigers, They Were Expendable, and the Ford cavalry trilogy, Wayne had become an icon to all the branches of the United States Armed Forces, even in light of his actual lack of military service. Many veterans have said their reason for serving was in some part related to watching Wayne's movies. His name is attached to various pieces of gear, such as the P-38 "John Wayne" can opener, so named because "it can do anything", paper towels known as "John Wayne toilet paper" because "it's rough and it's tough and don't take shit off no one," and C-ration crackers are called "John Wayne crackers" because presumably only someone as tough as Wayne could eat them. A rough and rocky mountain pass used by military tanks and jeeps at Fort Irwin in San Bernardino County, California, is aptly named "John Wayne Pass".

Wayne is the only actor to appear in every edition of the annual Harris Poll of Most Popular Film Actors, and the only deceased actor to appear on the list after his death. Wayne has been in the top ten in this poll for 19 consecutive years, starting 15 years after his death in 1979.^[77]

Missed roles[link]

• John Wayne desperately wanted the role of "Jimmy Ringo" in the 1950 film The Gunfighter, directed by Henry King, but the role went to Gregory Peck instead. John Wayne's final film, The Shootist (1976), directed by Don Siegel was very similar to The Gunfighter.^[33]
• An urban legend has it that John Wayne was offered the leading role of Matt Dillon in the longtime favorite television show Gunsmoke, but he turned it down, recommending instead James Arness for the role. The only part of this story that is true is that Wayne did indeed recommend Arness for the part. Wayne introduced Arness in a prologue to the first episode of Gunsmoke.^[78]
• Wayne was approached by Mel Brooks to play the part of the Waco Kid in the film Blazing Saddles. After reading the script he said, "I can't be in this picture, it's too dirty ... but I'll be the first in line to see it."^[79]
• He reportedly had initially strongly considered taking the role of Major Reisman in The Dirty Dozen, even asking MGM to make changes to the script to accommodate him. But ultimately, he turned it down to make The Green Berets. The role went to Lee Marvin.
• Wayne had lobbied to play the lead in Dirty Harry, but Warner Bros. felt that at age 63, he was too old for the role. The role eventually went to Clint Eastwood.

Awards and nominations[link]

Academy Award[link]

Wayne was nominated for three Academy Awards, which are presented annually by the American Academy of Motion Picture Arts and Sciences (AMPAS) to recognize excellence in the film industry, winning one of them.

Best Actor[link]

Producer[link]

Golden Globe[link]

The Golden Globe Awards are presented annually by the Hollywood Foreign Press Association (HFPA) to recognize outstanding achievements in the entertainment industry, both domestic and foreign, and to focus wide public attention upon the best in motion pictures and television. Wayne won a Golden Globe Award for his performance in "True Grit".

The Cecil B. DeMille Award for lifetime achievement in motion pictures is an annual award given by the Hollywood Foreign Press Association at the Golden Globe Award ceremonies in Hollywood, California. It was named in honor of Cecil B. DeMille (1881–1959), one of the industry's most successful filmmakers; John Wayne won this particular award in 1966.

Filmography[link]

See also[link]

Biography portal

References[link]

Further reading[link]

External links[link]

Wikimedia Commons has media related to: John Wayne

Wikiquote has a collection of quotations related to: John Wayne

• Official website
• John Wayne Cancer Foundation
• John Wayne Cancer Institute
• FBI file on John Wayne
• Birthplace of John Wayne official website
• John Wayne at the Internet Movie Database
• John Wayne at the TCM Movie Database
• John Wayne at AllRovi
• "On the Set of The Alamo": Behind-the-scenes footage from the production of the film, from the Texas Archive of the Moving Image.
• The short film STAFF FILM REPORT 66-28A (1966) is available for free download at the Internet Archive [more]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2008)

Dean Martin
Photo 1960
Background information
Birth name	Dino Paul Crocetti
Also known as	Dean Martin The King of Cool Dino Dino Martini
Born	(1917-06-07)June 7, 1917 Steubenville, Ohio, U.S.
Died	December 25, 1995(1995-12-25) (aged 78) Beverly Hills, California, U.S.
Genres	Big band, easy listening, pop standard, country
Occupations	Musician, singer, actor, comedian, film producer
Years active	1939–1995
Labels	Capitol, Reprise

Dean Martin (born Dino Paul Crocetti; June 7, 1917 – December 25, 1995) was an American singer, film actor, television star and comedian. Martin's hit singles included "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "You're Nobody till Somebody Loves You", "Sway", "Volare" and "Ain't That a Kick in the Head?". Nicknamed the "King of Cool",^[1][2] he was one of the members of the "Rat Pack" and a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television.

Early life[link]

Martin was born in Steubenville, Ohio, to Italian parents, Gaetano and Angela Crocetti (née Barra). His father was from Montesilvano, Pescara, Abruzzo, Italy, and his mother was an Italian of part Neapolitan and part Sicilian ancestry. Martin was the younger of two sons. His brother was named Bill. Martin spoke only Italian until he started school. He attended Grant Elementary School in Steubenville, and took up the drums as a hobby as a teenager. He was the target of much ridicule for his broken English and ultimately dropped out of Steubenville High School in the 10th grade because he thought that he was smarter than his teachers.^[3] He delivered bootleg liquor, served as a speakeasy croupier, was a blackjack dealer, worked in a steel mill and boxed as welterweight. He grew up a neighbor to Jimmy the Greek.

At the age of 15, he was a boxer who billed himself as "Kid Crochet". His prizefighting years earned him a broken nose (later straightened), a scarred lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). Of his twelve bouts, he would later say "I won all but eleven."^[4] For a time, he roomed with Sonny King, who, like Martin, was just starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch. Martin knocked out King in the first round of an amateur boxing match.^[5]

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands, calling himself "Dino Martini" (after the famous Metropolitan Opera tenor, Nino Martini). He got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested that he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba, a high class nightclub in New York,^[6] when he followed Frank Sinatra in 1943, but it was the setting for their meeting.

Martin was drafted into the United States Army in 1944 during World War II, serving a year stationed in Akron, Ohio. He was then reclassified as 4-F and was discharged (possibly because of a double hernia; Jerry Lewis referred to the surgery that Martin needed for this in his autobiography).

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs where he played, but he inspired none of the fanatical popularity enjoyed by Sinatra.

Alleged Mafia connections[link]

A biography of Martin titled Dean Martin: King of the Road, by Michael Freedland, alleged that he had links to the Mafia early in his career. According to this book, Martin received help with his singing career from members of the Chicago Outfit, who owned saloons in the city, and later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony Accardo and Sam Giancana. Freedland suggests that Martin felt little sympathy for the Mafia and did small favors for them only if it was not inconvenient for him. Another book, The Animal in Hollywood by John L. Smith, depicted Martin's longtime friendship with Mafia mobsters Johnny Roselli and Anthony Fiato. Smith suggested that Fiato did many favors for Martin, such as recovering money from two swindlers who had cheated his ex-wife Betty out of thousands of dollars of her alimony.^[7]

Career[link]

Teaming with Jerry Lewis[link]

Dean Martin and Jerry Lewis

Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team.

Martin and Lewis's official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Martin sang and Lewis came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.

The team made its TV debut on the very first broadcast of CBS-TV network's Toast of the Town (later called The Ed Sullivan Show) with Ed Sullivan and Rodgers & Hammerstein appearing on this same inaugural telecast of June 20, 1948. A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal B. Wallis as comedy relief for the movie My Friend Irma.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

In Dean & Me, Lewis calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin and Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction.^[8] He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Martin's first solo film, Ten Thousand Bedrooms (1957), was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning.

Solo career[link]

Dean Martin in the film Ada (1961)

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, The Young Lions (1957), he was ecstatic to receive the part because it would be a dramatic showcase with the two most intriguing young actors of the period and he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, Some Came Running (1958). By the mid '60s, Martin was a top movie, recording, television, and nightclub star, while Lewis' film career declined. Martin was acclaimed for his performance as Dude in Rio Bravo (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in The Sons of Katie Elder (1965), somewhat unconvincingly cast as brothers.

In 1960, Martin was cast in the motion picture version of the Judy Holliday hit stage play Bells Are Ringing. Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's comedy Kiss Me, Stupid (1964) with Kim Novak, and he was not above poking fun at his image in films such as the Matt Helm spy spoofs of the 1960s, in which he was a co-producer. Indeed, in the second Matt Helm film Murderers' Row (1966), Helm, about to be executed, receives a last cigarette, and tells the provider, "I'll remember you from the great beyond," continuing sotto voce, "somewhere around Steubenville, I hope."

With John Wayne in Rio Bravo

As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as Dean "Tex" Martin, The Hit Sound Of Dean Martin, Welcome To My World and Gentle On My Mind were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head", a song Martin performed in Ocean's 11 that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture.

For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of raucous comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on his TV show, co-hosting his summer replacement series on NBC. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."

The Rat Pack[link]