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Tonto
Publication information
First appearance	WXYZ radio; Detroit, Michigan, USA; February 25, 1933
Created by	George W. Trendle
In-story information
Partnerships	The Lone Ranger [1]
Abilities	Expert marksman trained in hand-to-hand combat

Tonto is a fictional character, the American Indian companion of The Lone Ranger, a popular American Western character created by George W. Trendle and Fran Striker. Tonto has appeared in radio and television series and other presentations of the characters' adventures righting wrongs in 19th century western America.^[2]

Tonto made his first appearance on the twelfth episode of the radio show (which aired on station WXYZ on February 25, 1933). Though he became well known as the Lone Ranger's friend, Tonto was originally created just so the Lone Ranger would have someone with whom to talk.^[3] Throughout the radio run (which spanned 21 years), with only a few exceptions, Tonto was played by English actor John Todd.^[4]

The character was portrayed on television (arguably the most well-remembered version today) by Jay Silverheels. This was by far the highest-rated television program on the ABC network in the early 1950s and its first true "hit".^[5]

Character[link]

Two conflicting origin stories have been given for the character Tonto, and how he came to work with the Lone Ranger.

As originally presented, in the December 7, 1938, radio broadcast, Reid had already been well-established as the Lone Ranger when he met Tonto. In that episode, Cactus Pete, a friend of the Lone Ranger, tells the story of how the masked man and Tonto first met. According to that tale, Tonto had been caught in the explosion when two men dynamited a gold mine they were working. One of the men wanted to kill the wounded Tonto, but the Lone Ranger arrived on the scene and made him administer first aid. The miner subsequently decided to keep Tonto around, intending to make him the fall guy when he would later murder his partner. The Lone Ranger foiled both the attempted murder and the attempted framing. No reason was given in the episode as to why Tonto chose to travel with the Lone Ranger, rather than continue about his business.

A different version was given in both later episodes of the radio drama and at the beginning of the Lone Ranger television series. Tonto rescues a man named Reid, the sole surviving Texas Ranger of a party who was tricked into an ambush by the outlaw Butch Cavendish (although later reference works referred to the future Lone Ranger as "John" Reid, no first name was ever given to the Lone Ranger in either the radio or TV series). Tonto recognizes the ranger as someone who had saved him when they were both boys. He refers to him by the title "ke-mo sah-bee", explaining that the phrase means "faithful scout" in the language of his tribe. Tonto helps Reid give a decent burial to the other rangers.^[1]

This Native American was portrayed as an intelligent character, almost an equal partner to the Ranger in his work. Together, they seem to be capable of righting almost any wrong.

The radio series identified Tonto as a chief's son in the Potawatomi nation. His name translates as "wild one" in his own language. For the most part, the Potawatomi did not live in the Southwestern states, and their regalia is different from that worn by Tonto.^{[clarification needed]} The choice to make Tonto a Potawatomi seems to come from station owner George Trendle's youth in Mullett Lake, Michigan. Located in the northern part of the Midwest, Michigan is the traditional territory of the Potawatomi, and many local institutions use Potawatomi names. Other sources ^[6] indicate that Camp Kee Mo Sah Bee belonged to the father-in-law of the show's director, James Jewell. According to author David Rothel, who interviewed Jewell a few months before his death^[6] Kee Mo Sah Bee and Tonto were the only two words that Jewell remembered from those days. Tonto's name, according to an NPR news story on the Lone Ranger, was inspired by the name of Tonto Basin, Arizona.,^[3] though this source is otherwise unconfirmed.

Tonto's horse[link]

Tonto first rode a Paint Horse named "White Feller" (White Fella/Fellah); later this horse was exchanged for a Pinto named "Scout".^[7]

Reception[link]

The portrayal of Tonto has been seen by some Native Americans and others as degrading, despite his heroism, notably by Native American author and poet Sherman Alexie.^[8] Tonto spoke in a pidgin, saying things like, "That right, Kemo Sabe," or "Him say man ride over ridge on horse."

In 1975, poet and science fiction writer Paul O. Williams coined the term "tontoism" to refer to the practice of writing haiku with missing articles ("the", "a", or "an"), which he claimed made such haiku sound like Tonto's stunted English.

Further, in Portuguese, Italian and Spanish, the word tonto means "fool" or "dumb", so the name was changed in the dubbed versions.^{[citation needed]} In the Spanish dubbing, Tonto is known as "Toro", meaning "Bull".

Later adaptations of the character such as The Legend of the Lone Ranger and the Filmation animated series depict him as being perfectly articulate in English and speaking it carefully.

Television actor Silverheels was not above making a little fun of the character himself, as in a classic Tonight Show sketch with Johnny Carson, with Carson playing a career counselor and Silverheels playing Tonto looking for a new job after working "thirty lousy years" as the Lone Ranger's faithful sidekick. When asked why he was looking for a new job, Tonto replies, "Him finally find out what Kemo Sabe means!"^{[episode needed]}

Other media[link]

Tonto has appeared in the various comic strips, comic books, and films based on The Lone Ranger. He even had his own comic book, published by Dell Comics during the 1950s, though in typical style of the day, it was titled The Lone Ranger's Companion Tonto. It ran for 31 issues.

Later depictions beginning in the 1980s have taken efforts to show Tonto as an articulate and proud warrior whom the Ranger treats as an equal partner. In the Topps Comics four-issue miniseries, The Lone Ranger and Tonto, Tonto is even shown to be a very witty, outspoken and sarcastic character willing to punch the Lone Ranger during a heated argument and commenting on his past pop-culture depictions with the words, "Of course, Kemosabe. Maybe when we talked I should use that 'me Tonto' stuff, way they write about me in the dime novels. You'd like that, wouldn't you?".^[9]

Tonto was portrayed by Jon Lovitz in several Saturday Night Live sketches along with Tarzan (Kevin Nealon) and Frankenstein's Monster (Phil Hartman), playing off of their collective lack of proper English skills.

Tonto appears in the movie Inspector Gadget during the Minions Anonymous meeting.

The animated television series Metalocalypse character Nathan Explosion—who is one-fourth Native American—has several times in the series been called Tonto due to his speaking in short, simple sentences.

Bill Cosby had an early stand-up comedy routine which discusses Tonto and his position as the Lone Ranger's companion, and how, according to Cosby, every time the Lone Ranger would send Tonto to town, "the bandits would beat the snot out of him".^[10]

Different covers of the song "Apache (The Shadows song)", also known as "Jump On It" (versions by Sugarhill Gang in 1981, Sir Mix-a-Lot in 1996, etc.) refer extensively to Tonto, including the refrain "Tonto, Jump on it, Jump on it, Jump on it. Kemosabe, jump on it [etc.]."

Singer-songwriter Lyle Lovett dedicated a verse to Tonto in his award-winning song "If I Had a Boat": "The mystery masked man was smart / He got himself a Tonto / 'Cause Tonto did the dirty work for free. / But Tonto he was smarter / And one day said Kemo-Sabe / Kiss my ass, I bought a boat, I'm going out to sea."

In the VeggieTales 2007 episode "Moe and the Big Exit", Aaron (Archibald Asparagus) dresses like Tonto.

He is mentioned in the lyrics of "Ex-Lion Tamer", a song from the band Wire on their 1977 debut album Pink Flag.

In Frank Zappa's You Can't Do That On Stage Anymore Vol. 3, the "Bobby Brown" lyric "none of the jocks even think I'm a homo" is changed to "none of the jocks even think I'm a tonto". After Bobby Brown is castrated, the background lyric "High-ho Silver away" is used repeatedly.

In the 21st episode of the television series Gilmore Girls, Tonto is mentioned as a pet name Lorelai calls her daughter Rory.

Tonto will be portrayed by Johnny Depp in the upcoming movie adaptation of The Lone Ranger.

References[link]

Further reading[link]

• Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio. pp. 404–409. New York: Oxford University Press. ISBN 0-19-507678-8
• Osgood, Dick (1981). Wyxie Wonderland: An Unauthorized Fifty-Year Diary of WXYZ, Detroit. Bowling Green, Ohio: Bowling Green University.

Stevie Wonder
Stevie Wonder at a conference in Salvador, Brazil, in July 2006
Background information
Birth name	Stevland Hardaway Judkins
Also known as	Stevland Hardaway Morris, Little Stevie Wonder, Eivets Rednow
Born	(1950-05-13) May 13, 1950 (age 62) Saginaw, Michigan, United States
Origin	Detroit, Michigan, United States
Genres	Soul, pop, R&B, funk, jazz
Occupations	Singer-songwriter, multi-instrumentalist, record producer, activist
Instruments	Vocals, synthesizer, piano, keyboards, harmonica, clavinet, drums, bass guitar, congas, bongos, melodica, keytar, accordion
Years active	1961–present
Labels	Tamla, Motown
Website	www.steviewonder.net

Stevland Hardaway Morris (born May 13, 1950 as Stevland Hardaway Judkins),^[1] known by his stage name Stevie Wonder, is an American singer, songwriter, and multi-instrumentalist, a child prodigy who developed into one of the most creative musical figures of the late 20th century.^[2] Blind since shortly after birth,^[3] Wonder signed with Motown's Tamla label at the age of eleven,^[2] and continues to perform and record for Motown to this day.

Among Wonder's best known works are singles such as "Superstition", "Sir Duke", "I Wish" and "I Just Called to Say I Love You". Well known albums also include Talking Book, Innervisions and Songs in the Key of Life.^[2] He has recorded more than thirty U.S. top ten hits and received twenty-two Grammy Awards, the most ever awarded to a male solo artist. Wonder is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King, Jr.'s birthday a holiday in the United States.^[4] In 2009, Wonder was named a United Nations Messenger of Peace.^[5] In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's fiftieth anniversary, with Wonder at number five.

Early life[link]

Stevie Wonder was born in Saginaw, Michigan, in 1950, the third of six children to Calvin Judkins and Lula Mae Hardaway. Owing to his being born six weeks premature, the blood vessels at the back of his eyes had not yet reached the front and their aborted growth caused the retinas to detach.^[3] The medical term for this condition is retinopathy of prematurity, or ROP, and it was exacerbated by the oxygen pumped into his incubator.^[6]

When Stevie Wonder was four, his mother left his father and moved herself and her children to Detroit. She changed her name back to Lula Hardaway and later changed her son's surname to Morris, partly because of relatives. Morris has remained Stevie Wonder's legal surname ever since. He began playing instruments at an early age, including piano, harmonica, drums and bass. During childhood he was active in his church choir.

Discovery and early Motown recordings[link]

Ronnie White of The Miracles gives credit to his brother Gerald White for persistently nagging him to come to his friend's house in 1961 to check out Stevie Wonder.^[7] Afterward, White brought Wonder and his mother to Motown. Impressed by the young musician, Motown CEO Berry Gordy signed Wonder to Motown's Tamla label with the name Little Stevie Wonder.^[1] Before signing, producer Clarence Paul gave Wonder his trademark name after stating "we can't keep calling him the eighth wonder of the world". He then recorded the regional Detroit single, "I Call It Pretty Music, But the Old People Call It the Blues", which was released on Tamla in late 1961. Wonder released his first two albums, The Jazz Soul of Little Stevie and Tribute to Uncle Ray, in 1962, to little success.

Music career[link]

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Early success: 1963–1971[link]

By age 13, Wonder had a major hit, "Fingertips (Pt. 2)", a 1963 single taken from a live recording of a Motor Town Revue performance, issued on the album Recorded Live: The 12 Year Old Genius. The song, featuring Wonder on vocals, bongos, and harmonica, and a young Marvin Gaye on drums, was a #1 hit on the Billboard Hot 100 and R&B charts, making him the youngest artist to top the former in its history and launching him into the public consciousness.

In 1964, Stevie Wonder made his film debut in Muscle Beach Party as himself, credited as "Little Stevie Wonder". He returned in the sequel released five months later, Bikini Beach. He performed on-screen in both films, singing "Happy Street," and "Happy Feelin' (Dance and Shout)," respectively.

Dropping the "Little" from his name, Wonder went on to have a number of other hits during the mid-1960s, including "Uptight (Everything's Alright)",^[8] "With a Child's Heart", and "Blowin' in the Wind", a Bob Dylan cover, co-sung by his mentor, producer Clarence Paul. He also began to work in the Motown songwriting department, composing songs both for himself and his label mates, including "Tears of a Clown", a number one hit performed by Smokey Robinson & the Miracles.

In 1968 he recorded an album of instrumental soul/jazz tracks, mostly harmonica solos, under the pseudonym (and title) Eivets Rednow, which is "Stevie Wonder" spelled backwards. The album failed to get much attention, and its only single, a cover of "Alfie", only reached number 66 on the U.S. Pop charts and number 11 on the U.S. Adult Contemporary charts. Nonetheless, he managed to score several hits between 1968 and 1970 such as "I Was Made to Love Her";^[8] "For Once in My Life" and "Signed, Sealed, Delivered I'm Yours". In September 1970, at the age of 20, Wonder married Syreeta Wright, a songwriter and former Motown secretary. Wright and Wonder co-wrote the songs on the next album, Where I'm Coming From, which did not succeed in the charts. Reaching his twenty-first birthday on May 13, 1971, he allowed his Motown contract to expire.^[9]

In 1970, Wonder co-wrote, and played numerous instruments on the hit "It's a Shame" for fellow Motown act The Spinners. His contribution was meant to be a showcase of his talent and thus a weapon in his ongoing negotiations with Gordy about creative autonomy.^[10]

Classic period: 1972–1976[link]

Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown.^{[citation needed]} Eventually the label agreed to his demands for full creative control and the rights to his own songs. The 120-page contract was a precedent at Motown and gave Wonder a much higher royalty rate.^[11] Wonder returned to Motown in March 1972 with Music of My Mind. Unlike most previous albums on Motown, which usually consisted of a collection of singles, B-sides and covers, Music of My Mind was a full-length artistic statement with songs flowing together thematically.^[11] Wonder's lyrics dealt with social, political, and mystical themes as well as standard romantic ones, while musically Wonder began exploring overdubbing and recording most of the instrumental parts himself.^[11] Music of My Mind marked the beginning of a long collaboration with Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil).^[12][13]

	"Superstition" (reduced quality) noicon from Talking Book by Stevie Wonder, Motown 1972-10-27. Sample from Stevie Wonder Song Review: A Greatest Hits Collection, Motown, 1996-12-10
Problems listening to this file? See media help.

Released in late 1972, Talking Book featured the No. 1 hit "Superstition",^[14] which is one of the most distinctive and famous examples of the sound of the Hohner clavinet keyboard.^[15] The song features a rocking groove that garnered Wonder an additional audience on rock radio stations.^{[citation needed]} Talking Book also featured "You Are the Sunshine of My Life", which also peaked at No. 1. During the same time as the album's release, Stevie Wonder began touring with the Rolling Stones to alleviate the negative effects from pigeon-holing as a result of being an R&B artist in America.^[7] Wonder's touring with The Rolling Stones was also a factor behind the success of both "Superstition" and "You Are the Sunshine of My Life".^[11][16] Between them, the two songs won three Grammy Awards.^[17] On an episode of the children's television show Sesame Street that aired in April 1973,^[18] Wonder and his band performed "Superstition", as well as an original song called "Sesame Street Song", which demonstrated his abilities with the "talk box".

Innervisions, released in 1973, featured "Higher Ground" (#4 on the pop charts) as well as the trenchant "Living for the City" (#8).^[14] Both songs reached No. 1 on the R&B charts. Popular ballads such as "Golden Lady" and "All in Love Is Fair" were also present, in a mixture of moods that nevertheless held together as a unified whole.^[19] Innervisions generated three more Grammy Awards, including Album of the Year.^[17] The album is ranked #23 on Rolling Stone Magazine's 500 Greatest Albums of All Time.^[20] Wonder had become the most influential and acclaimed black musician of the early 1970s.^[11]

On August 6, 1973, Wonder was in a serious automobile accident while on tour in North Carolina, when a car in which he was riding hit the back of a truck.^[11][21] This left him in a coma for four days and resulted in a partial loss of his sense of smell and a temporary loss of sense of taste.^[22] Despite the setback, Wonder re-appeared in concert at Madison Square Garden in March 1974 with a performance that highlighted both up-tempo material and long, building improvisations on mid-tempo songs such as "Living for the City".^[11] The album Fulfillingness' First Finale appeared in July 1974 and set two hits high on the pop charts: the #1 "You Haven't Done Nothin'" and the Top Ten "Boogie On Reggae Woman". The Album of the Year was again one of three Grammys won.^[17]

The same year Wonder took part in a Los Angeles jam session which would become known by the bootleg album A Toot and a Snore in '74.^[23][24] He also co-wrote and produced the Syreeta Wright album Stevie Wonder Presents: Syreeta.^[25][26]

On October 4, 1975, Wonder performed at the historical "Wonder Dream Concert" in Kingston, Jamaica, a benefit for the Jamaican Institute for the Blind.^[27]

By 1975, in his 25th year, Stevie Wonder had won two consecutive Grammy Awards: in 1974 for Innervisions and in 1975 for Fulfillingness' First Finale.^{[citation needed]} In 1975 he featured on the album It's My Pleasure by Billy Preston, playing harmonica on two tracks.^{[not relevant]}

The double album-with-extra-EP Songs in the Key of Life, was released in September 1976. Sprawling in style, unlimited in ambition, and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement and one of the most recognizable and accomplished albums in pop music history.^[11][14][28] The album became the first of an American artist to debut straight at #1 in the Billboard charts, where it remained for 14 non-consecutive weeks.^[29] Two tracks, became #1 Pop/R&B hits "I Wish" and "Sir Duke". The baby-celebratory "Isn't She Lovely?" was written about his newborn daughter Aisha, while songs such as "Love's in Need of Love Today" (which years later Wonder would perform at the post-September 11, 2001 America: A Tribute to Heroes telethon) and "Village Ghetto Land" reflected a far more pensive mood. Songs in the Key of Life won Album of the Year and two other Grammys.^[17] The album ranks 56th on Rolling Stone Magazine's 500 Greatest Albums of All Time.^[20]

After such a concentrated and sustained level of creativity, Wonder stopped recording for three years, releasing only the 3 LP Looking Back, an anthology of his first Motown period. The albums Wonder released during this period were very influential on the music world: the 1983 Rolling Stone Record Guide said they "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade";^[14] Rolling Stone magazine's 2003 list of the 500 Greatest Albums of All Time included four of the five albums, with three in the top 90.^[20]

Commercial period: 1979–1990[link]

It was in Wonder's next phase that he began to commercially reap the rewards of his legendary classic period. The 1980s saw Wonder scoring his biggest hits and reaching an unprecedented level of fame evidenced by increased album sales, charity participation, high-profile collaborations, political impact, and television appearances.

When Wonder did return, it was with the soundtrack album Journey through the Secret Life of Plants (1979), featured in the film The Secret Life of Plants. Mostly instrumental, the album was composed using the Computer Music Melodian, an early sampler. Wonder toured briefly in support of the album, and used a Fairlight CMI sampler on stage.^[30] In this year Wonder also wrote and produced the dance hit "Let's Get Serious", performed by Jermaine Jackson and (ranked by Billboard as the #1 R&B single of 1980).

Hotter than July (1980) became Wonder's first platinum-selling single album, and its single "Happy Birthday" was a successful vehicle for his campaign to establish Dr. Martin Luther King's birthday as a national holiday. The album also included "Master Blaster (Jammin')", "I Ain't Gonna Stand for It", and the sentimental ballad, "Lately".

In 1982, Wonder released a retrospective of his 1970s work with Stevie Wonder's Original Musiquarium, which included four new songs: the ten-minute funk classic "Do I Do" (which featured Dizzy Gillespie), "That Girl" (one of the year's biggest singles to chart on the R&B side), "Front Line", a narrative about a soldier in the Vietnam War that Stevie Wonder wrote and sang in the 1st person, and "Ribbon in the Sky", one of his many classic compositions. Wonder also gained a #1 hit that year in collaboration with Paul McCartney in their paean to racial harmony, "Ebony and Ivory".

In 1983, Wonder performed the song "Stay Gold", the theme to Francis Ford Coppola's film adaptation of S.E. Hinton's novel The Outsiders. Wonder wrote the lyrics.

In 1983, Wonder scheduled an album to be entitled "People Work, Human Play." The album never surfaced and instead 1984 saw the release of Wonder's soundtrack album for The Woman in Red. The lead single, "I Just Called to Say I Love You", was a #1 pop and R&B hit in both the United States and the United Kingdom, where it was placed 13th in the list of best-selling singles in the UK published in 2002. It went on to win an Academy Award for "Best Song" in 1985. The album also featured a guest appearance by Dionne Warwick, singing the duet "It's You" with Stevie and a few songs of her own. The following year's In Square Circle featured the #1 pop hit "Part-Time Lover". The album also has a Top 10 Hit with "Go Home." It also featured the ballad "Overjoyed" which was originally written for Journey Through the Secret Life of Plants, but didn't make the album. He performed "Overjoyed" on Saturday Night Live when he was the host. He was also featured in Chaka Khan's cover of Prince's "I Feel For You", alongside Melle Mel, playing his signature harmonica. In roughly the same period he was also featured on harmonica on Eurythmics' single, "There Must Be an Angel (Playing with My Heart)" and Elton John's "I Guess That's Why They Call It The Blues".

By 1985, Stevie Wonder was an American icon,^{[citation needed]} the subject of good-humored jokes about blindness and affectionately impersonated by Eddie Murphy on Saturday Night Live.^{[citation needed]} Wonder sometimes joined in the jokes himself such as in The Motown Revue with Smokey Robinson. He was in a featured duet with Bruce Springsteen on the all-star charity single for African Famine Relief, "We Are the World", and he was part of another charity single the following year (1986), the AIDS-inspired "That's What Friends Are For". He also played the harmonica on the album Dreamland Express by John Denver in the song "If Ever", a song Wonder co-wrote with Stephanie Andrews. He also wrote the track "I Do Love You" for The Beach Boys' 1985 self-titled album. Stevie Wonder also played the harmonica on a track called "Can't Help Lovin' That Man" from "Showboat" on "The Broadway Album" by Barbra Streisand.

In 1986, Stevie Wonder appeared on The Cosby Show, as himself, in the episode "A Touch of Wonder".

In 1987, Wonder appeared on Michael Jackson's Bad album on the duet "Just Good Friends". Michael Jackson also sang a duet with him titled "Get It" on Wonder's 1987 album Characters. This was a minor hit single, as were "Skeletons" and "You Will Know". In the fall of 1988, Wonder duetted with Julio Iglesias on the hit single "My Love", which appeared on Iglesias' album Non Stop.^{[citation needed]}

Later career: 1991–2001[link]

Stevie Wonder at the Grammy Awards of 1990

After 1987's Characters LP, Wonder continued to release new material, but at a slower pace. He recorded a soundtrack album for Spike Lee's film Jungle Fever in 1991. From this album, singles and videos were released for "Gotta Have You" and "These Three Words". The B-side to the "Gotta Have You" single was "Feeding Off The Love Of The Land", which was played during the end credits of the movie Jungle Fever but was not included on the soundtrack. A piano and vocal version of "Feeding Off The Love Of The Land" was also released on the Nobody's Child: Romanian Angel Appeal compilation. It is rumored that "Feeding Off The Love Of The Land" was originally intended for release on Fulfillingness' First Finale Volume Two, a project that has never been confirmed as completed.

Conversation Peace and the live album Natural Wonder were also released in the 1990s. The former received its European launch at a high-profile March 1995 press conference in Paris, where Stevie mentioned how the tearing down of The Wall between East and West Berlin and the desire for a united Europe had played a significant part in the inspiration behind the album.^[31]

In 1994, Wonder made a guest appearance on the KISS cover album KISS My Ass: Classic KISS Regrooved, playing harmonica and supplying background vocals for the song "Deuce", performed by Lenny Kravitz.

In 1996, Stevie Wonder's Songs in the Key of Life was selected as a documentary subject for the Classic Albums documentary series. This series dedicates 60 minutes to one groundbreaking record per feature. The same year, he performed John Lennon's song "Imagine" in the closing ceremony of the Atlanta Olympic Games.^[32] The same year, Wonder performed in a remix of "Seasons of Love" from the Jonathan Larson musical Rent.^[33]

In 1997, Wonder collaborated with Babyface for a song about abuse (domestic violence) called "How Come, How Long" which was nominated for an award.^{[citation needed]}

In December 1999, Wonder announced that he was interested in pursuing an intraocular retinal prosthesis to partially restore his sight.^[34] That same year, Wonder was featured on harmonica in the Sting song "Brand New Day".^[35]

In 2000, Stevie Wonder contributed two new songs to the soundtrack for Spike Lee's Bamboozled album ("Misrepresented People" and "Some Years Ago").^[36]

Current career: 2002–present[link]

This section may contain an excessive amount of intricate detail that may only interest a specific audience. Please help relocate any relevant information, and remove excessive detail that may be against Wikipedia inclusion policy. (June 2011)

In March 2002, Wonder performed at the opening ceremonies of the 2002 Winter Paralympics in Salt Lake City.^[37]

On July 2, 2005, Wonder performed in the Live 8 concert in Philadelphia.^[38]

Wonder's first new album in ten years, A Time to Love, was released on October 18, 2005, after having been pushed back from first a May, and then a June release. The album was released electronically on September 27, 2005, exclusively on Apple's iTunes Music Store. The first single, "So What the Fuss", was released in April. A second single, "From the Bottom of My Heart" was a hit on adult-contemporary R&B radio. The album also featured a duet with India.Arie on the title track "A Time to Love".

Wonder performed at the pre-game show for Super Bowl XL in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying Aretha Franklin during "The Star Spangled Banner".

Stevie Wonder at a conference in Salvador, Brazil, in July 2006

In March 2006, Wonder received new national exposure on the top-rated American Idol television program. Wonder performed "My Love Is on Fire" (from A Time To Love) live on the show itself. In June 2006, Stevie Wonder made a guest appearance on Busta Rhymes' new album, The Big Bang on the track "Been through the Storm". He sings the refrain and plays the piano on the Dr. Dre and Sha Money XL produced track. He appeared again on the last track of Snoop Dogg's new album Tha Blue Carpet Treatment, "Conversations". The song is a remake of "Have a Talk with God" from Songs in the Key of Life.

In 2006, Wonder staged a duet with Andrea Bocelli on the latter's album Amore, offering harmonica and additional vocals on "Canzoni Stonate". Stevie Wonder also performed at Washington, D.C.'s 2006 "A Capitol Fourth" celebration.

On August 2, 2007, Stevie Wonder announced the A Wonder Summer's Night 13 concert tour—his first U.S. tour in over ten years. This tour was inspired by the recent passing of his mother, as he stated at the conclusion of the tour on December 9 at the Jobing.com Arena in Glendale, Arizona.

Wonder performs during the final day of the 2008 Democratic National Convention in Denver, Colorado.

On August 28, 2008, Wonder performed at the Democratic National Convention at Invesco Field at Mile High in Denver, Colorado. Songs included a previously unreleased song, "Fear Can't Put Dreams to Sleep," and "Signed, Sealed, Delivered I'm Yours".^[39]

On September 8, 2008, Wonder started the European leg of his Wonder Summer's Night Tour, the first time he had toured Europe in over a decade. His opening show was at the National Indoor Arena in Birmingham. During the tour, Wonder played eight UK gigs; four at The O2 Arena in London, two in Birmingham and two at the M.E.N. Arena in Manchester. Stevie Wonder's other stops in the tour's European leg also found him performing in Holland (Rotterdam), Sweden (Stockholm), Germany (Cologne, Mannheim and Munich), Norway (Hamar), France (Paris), Italy (Milan) and Denmark (Aalborg). Wonder also toured Australia (Perth, Adelaide, Melbourne, Sydney and Brisbane) and New Zealand (Christchurch, Auckland and New Plymouth) in October and November.^[40]

By June 2008, Wonder was working on two projects simultaneously: a new album titled The Gospel Inspired By Lula which will deal with the various spiritual and cultural crises facing the world, and Through The Eyes Of Wonder, an album which Wonder has described as a performance piece that will reflect his experience as a blind man. Wonder was also keeping the door open for a collaboration with Tony Bennett and Quincy Jones concerning a rumored jazz album.^[41] If Wonder was to join forces with Bennett, it would not be for the first time; Their rendition of "For Once in My Life" earned them a Grammy for best pop collaboration with vocals in 2006.^[17] Wonder's harmonica playing can be heard on the 2009 Grammy-nominated "Never Give You Up" featuring CJ Hilton and Raphael Saadiq.^[42]

Wonder is presented the Gershwin Award for Lifetime Achievement by United States president Barack Obama.

Wonder performed on January 18, 2009 at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial. On Inauguration Day, January 20, 2009, Wonder performed the song "Brand New Day" with musician Sting. He performed his new song "All About the Love Again" and, with other musical artists, "Signed, Sealed & Delivered". On February 23, 2009, Wonder became the second recipient of the Library of Congress's Gershwin Prize for pop music, honored by President Barack Obama at the White House.^[43]

On July 7, 2009, Wonder performed "Never Dreamed You'd Leave In Summer" and "They Won't Go When I Go" at the Staples Center for Michael Jackson's memorial service.^[44] On October 29, 2009, Wonder performed at the 25th anniversary concert for the Rock and Roll Hall of Fame. Among songs with B.B. King, Wonder performed Michael Jackson's 'The Way You Make Me Feel', during which he became distraught and was unable to continue until he regained his composure.

Wonder at the October 16, 2011 Martin Luther King, Jr. Memorial dedication concert

On January 22, 2010, Wonder performed Bridge Over Troubled Water for the Hope for Haiti Now: A Global Benefit for Earthquake Relief event to help victims of the earthquake in Port-au-Prince on January 12, 2010.

On March 6, 2010, Wonder was awarded the Commander of the Arts and Letters by French Culture Minister Frédéric Mitterrand. Wonder had been due to receive this award in 1981, but scheduling problems prevented this from happening. A lifetime achievement award was also given to Wonder on the same day, at France's biggest music awards.^[45]

His 2010 tour included a two-hour set at the Bonnaroo Music Festival in Manchester, Tennessee,^[46] a stop at London's "Hard Rock Calling" in Hyde Park, and appearances at England's Glastonbury Festival, Rotterdam's North Sea Jazz Festival, and a concert in Bergen, Norway and a concert in Dublin, Ireland at the O2 Arena on June 24.

In February 2011, the Apollo Theater announced that Stevie Wonder will be the next in line for the Apollo Legends Hall of Fame. The theater said that the singer will be inducted into the New York City institution's Hall of Fame in five months.^[47]

On June 25, 2011, Wonder performed at the opening ceremony of the 2011 Special Olympics World Summer Games in Athens, Greece.^[48] On January 28, 2012, Wonder and Christina Aguilera gave a musical tribute at Etta James' funeral. Wonder played "Shelter in the Rain" and The Lord's Prayer while while Aguilera sang "At Last."^[49]

Wonder performed at the February 19, 2012 memorial service for Whitney Houston at the New Hope Baptist Church in Newark, New Jersey. He changed some of the lyrics of his song Ribbon in the Sky in dedication to Ms. Houston.^[50]

Legacy[link]

A prominent figure in popular music during the latter half of the 20th century, Wonder has recorded more than thirty U.S. top ten hits and won twenty-two Grammy Awards^[17] (the most ever won by a solo artist) as well as a Lifetime Achievement Award. He has also won an Academy Award for Best Song,^[51] and been inducted into both the Rock and Roll^[52] and Songwriters^[53] halls of fame. He has also been awarded the Polar Music Prize.^[54] American music magazine Rolling Stone named him the ninth greatest singer of all time.^[55][56] In June 2009 he became the fourth artist to receive the Montreal Jazz Festival Spirit Award.^[57] Stevie Wonder was voted into the Michigan Rock and Roll Legends online Hall of Fame in 2005.^[58] His hit recording of "Superstition" was selected as a Legendary Michigan Song in 2010.^[59]

He has ten U.S. number-one hits on the pop charts as well as 20 R&B number one hits, and album sales totaling more than 100 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bass guitar, bongos, organ, melodica, and clavinet. In his childhood, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocal ability. Wonder was the first Motown artist and second African American musician to win an Academy Award for Best Original Song for his 1984 hit single "I Just Called to Say I Love You" from the movie The Woman in Red.^{[citation needed]}

Classic period[link]

Wonder's "classic period" is generally agreed to consist of the concept albums^[60] he created in the early- to mid-1970s, peaking in 1976.^[61] Some observers see in 1971's Where I'm Coming From certain indications of the beginning of the classic period, such as its new funky keyboard style which Wonder used throughout the classic period.^[61] Some determine Wonder's first "classic" album to be 1972's Music of My Mind, on which he attained personal control of production, and on which he programmed a series of songs integrated with one another to make a concept album.^[61] Others skip over early 1972 and determine the beginning of the classic period to be Talking Book in late 1972,^[62] the album in which Wonder "hit his stride".^[61]

Impact[link]

Wonder's songs are renowned for being quite difficult to sing. He has a very developed sense of harmony and uses many extended chords utilizing extensions such as ninths, elevenths, thirteenths, diminished fifths, etc. in his compositions. Many of his melodies make abrupt, unpredictable changes. Many of his vocal melodies are also melismatic, meaning that a syllable is sung over several notes. Some of his best known and most frequently covered songs are played in keys which are more often found in jazz than in pop and rock. For example, "Superstition", "Higher Ground" and "I Wish" are in the key of E flat minor, and feature distinctive riffs in the E flat minor pentatonic scale (i.e. largely on the black notes of the keyboard).^{[citation needed]}

Wonder played a large role in bringing synthesizers to the forefront of popular music. He developed many new textures and sounds never heard before.^{[citation needed]} In 1981, Wonder became the first owner of an E-mu Emulator.^[63]

Songs sampled by other musicians[link]

This section may contain an excessive amount of intricate detail that may only interest a specific audience. Please help relocate any relevant information, and remove excessive detail that may be against Wikipedia inclusion policy. (June 2011)

Wonder has recorded with Jon Gibson, a Christian Soul musician, on a remake of his own song, "Have a Talk With God" (from the 1989 album Body & Soul), covered by Gibson in which Wonder plays harmonica.^[64] The two men met in the early 1980s through a shared music agent (Bill Wolfer).^[65]

Red Hot Chili Peppers covered "Higher Ground" in 1989 on their Mother's Milk album. Stevie Ray Vaughan & Double Trouble covered "Superstition" and Wonder made a cameo appearance in the official music video for the song.^{[citation needed]}

De La Soul sampled "Hey Love" in their song "Talkin' Bout Hey Love" on their 1991 album De La Soul Is Dead.

"Don't You Worry 'bout a Thing" was rendered by English band Incognito in 1992 and John Legend covered this song for the 2005 film, Hitch. George Michael and Mary J. Blige covered "As" in the late 1990s. In 1999, Salomé de Bahia made a Brazilian version of "Another Star". Tupac Shakur sampled "That Girl" for his hit song "So Many Tears".^{[citation needed]}

"Pastime Paradise" would become an interpolation for Coolio's "Gangsta's Paradise" while Will Smith would use "I Wish" as the basis for the theme song to his movie, Wild Wild West. The elements of "Love's In Need of Love Today" were used by 50 Cent in the song "Ryder Music", and Warren G sampled "Village Ghetto Land" for his song "Ghetto Village".^{[citation needed]}

Mary Mary did a cover of his song "You Will Know" on their 2002 album, Incredible. Australian soul artist Guy Sebastian recorded a cover of "I Wish" on his Beautiful Life album. In 2003, Raven-Symoné recorded a cover of "Superstition" for the soundtrack to Disney's The Haunted Mansion. In 2005, Canadian singer Dave Moffatt, from the group The Moffatts, sang the song "Overjoyed" from the In Square Circle album on Canadian Idol. Clay Aiken performed "Isn't She Lovely?" in the episode "My Life in Four Cameras" of Scrubs.^{[citation needed]}

Personal life[link]

Wonder has been married twice: to Motown singer Syreeta Wright from 1970 until their divorce in 1972; and since 2001, to fashion designer Kai Millard Morris.^[66] He has seven children from his two marriages and several relationships.^[66]

Stevie met Yolanda Simmons when she applied for a job as his secretary for his publishing company.^[67] Simmons bore Wonder a daughter on February 2, 1975: Aisha Morris.^[68][69]) According to Stevie, the name Aisha is "African for strength and intelligence".^[67] After she was born, Stevie said "she was the one thing that I needed in my life and in my music for a long time.^[67] It was this in mind, she was the inspiration for his hit single "Isn't She Lovely." Aisha Morris is a singer who has toured with her father and accompanied him on recordings, including his 2005 album, A Time 2 Love. Wonder has two sons with Kai Millard Morris; the older is named Kailand and he occasionally performs as a drummer on stage with his father. The younger son, Mandla Kadjay Carl Stevland Morris, was born May 13, 2005, his father's 55th birthday.^[66] In May 2006, Wonder's mother died in Los Angeles, at the age of 76. During his September 8, 2008 UK concert in Birmingham, he spoke of his decision to begin touring again following his loss. "I want to take all the pain that I feel and celebrate and turn it around."^[70]

Wonder's Taxi Productions owns Los Angeles radio station KJLH.

Charting discography[link]

Top 40 singles[link]

U.S. and UK albums[link]

Awards and recognition[link]

Grammy Awards[link]

Wonder has won 22 Grammy Awards:^[17] as well as a Grammy Lifetime Achievement Award which he was presented in 1996.^[74]

• From 1965 to 1980 a self-produced artist received one GRAMMY Award as an artist and an additional one as a producer in the Record of the Year and Album of the Year categories

Other awards and recognition[link]

• 1983: inducted to the Songwriters Hall of Fame.^[53]
• 1984: received an Academy Award for Best Song for "I Just Called to Say I Love You" from the movie The Woman in Red.^[51]
• 1989: inducted to the Rock and Roll Hall of Fame.^[52]
• 1999: received the Polar Music Prize^[54] and Kennedy Center Honors.^[76]
• 2002: received the George and Ira Gershwin Lifetime Achievement Award at UCLA's Spring Sing.^[77] The same year, Wonder received the Sammy Cahn Lifetime Achievement Award from the Songwriters Hall of Fame.^[78]
• 2004: received the Billboard Century Award.^[79] Also in 2004, Rolling Stone Magazine ranked him #15 on their list of the 100 Greatest Rock and Roll Artists of All Time.^[80]
• 2006: was inducted, as one of the first inductees, into the Michigan Walk of Fame.^[81] The same year, Wonder received a Lifetime Achievement Award from the National Civil Rights Museum in Memphis.^[82]
• 2008: Ranked at number five on "The Billboard Hot 100 Top All-Time Artists", making him as the third most successful male artist in the history of Billboard Hot 100 chart.^[83]
• 2009: Recipient of the second Gershwin Prize For Popular Song.^[84]
• 2009: Recipient of the Montreal Jazz Festival Spirit Award.^[57] This special award underlines a popular artist’s extraordinary contribution to the musical world. The Montreal Jazz Festival Spirit Award is in bronze.
• 2009: Named a Messenger of Peace by the United Nations.^[5]

See also[link]

	Book: Stevie Wonder
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Best selling music artists
• List of number-one hits (United States)
• List of Billboard Hot 100 chart achievements and milestones
• List of artists who reached number one on the Hot 100 (U.S.)

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Stevie Wonder

Wikimedia Commons has media related to: Stevie Wonder

• Official site
• Stevie Wonder at the Internet Movie Database
• Appearances on C-SPAN
• Stevie Wonder collected news and commentary at The New York Times
• Works by or about Stevie Wonder in libraries (WorldCat catalog)
• Never That Simple: Stevie Wonder—By Robert Christgau

Apophasis (Late Latin, from Greek ἀπόφασις from ἀποφάναι—apophanai, "to say no"^[1]) refers, in general, to "mention by not mentioning". Apophasis covers a wide variety of figures of speech.

Apophasis[link]

Apophasis was originally and more broadly a method of logical reasoning or argument by denial—a way of describing what something is by explaining what it is not, or a process-of-elimination way of talking about something by talking about what it is not.

A useful inductive technique when given a limited universe of possibilities, the exclusion of all but the one remaining is affirmation through negation. The familiar guessing-game of Twenty Questions is an example of apophatic inquiry.

This sense has generally fallen into disuse and is frequently overlooked, although it is still current in certain contexts, such as mysticism and negative theology.

In Christianity[link]

An apophatic theology sees God as ineffable and attempts to describe God in terms of what God is not. Apophatic statements refer to transcendence in this context, as opposed to cataphasis referring to immanence.

Paralipsis[link]

Paralipsis (παράλειψις), also spelled paraleipsis or paralepsis, and known also as praeteritio, preterition, cataphasis (κατάφασις), antiphrasis (ἀντίφρασις), or parasiopesis (παρασιώπησις), is a rhetorical device wherein the speaker or writer invokes a subject by denying that it should be invoked. As such, it can be seen as a rhetorical relative of irony. Paralipsis is usually employed to make a subversive ad hominem attack.

The device is typically used to distance the speaker from unfair claims, while still bringing them up. For instance, a politician might say, "I don't even want to talk about the allegations that my opponent is a drunk."

Proslepsis is an extreme kind of paralipsis that gives the full details of the acts one is claiming to pass over; for example, "I will not stoop to mentioning the occasion last winter when our esteemed opponent was found asleep in an alleyway with an empty bottle of vodka still pressed to his lips."^[2]

Paralipsis was often used by Cicero in his orations, such as "I will not even mention the fact that you betrayed us in the Roman people by aiding Catiline."^{[citation needed]}

Examples:

"It would be superfluous in me to point out to your lordship that this is war."

—Charles Francis Adams, U.S. Ambassador to Britain , dispatch to Earl Russell, 5 September 1863, concerning Britain's relations with the Confederacy.

"Ssh," said Grace Makutsi, putting a finger to her lips. "It's not polite to talk about it. SO I won't mention the Double Comfort Furniture Shop, which is one of the businesses my fiance owns, you know. I must not talk about that. But do you know the store, Mma? If you save up, you should come in some day and buy a chair."

—Alexander McCall Smith, Blue Shoes and Happiness, Chapter 4

A more positive usage of paralipsis/paralepsis embodies the narrative style of Adso of Melk in Umberto Eco's The Name of the Rose, where the character fills in details of early fourteenth-century history for the reader by stating it is unnecessary to speak of them.^[3]

Proslepsis[link]

In logic, proslepsis (πρόσληψις), as described briefly by Aristotle and in detail by Theophrastus, is a type of proposition in which the middle term of a syllogism is implied. Such a syllogism is then described as a prosleptic syllogism, of which Theophrastus defined three kinds or figures.

Occultatio[link]

Occultatio, although sometimes used as a synonym for paralipsis, is more often a literary figure most often seen in plays, where a character describes a scene or object by not describing it. For example, in Shakespeare's The Taming of the Shrew, act 4, scene 1, the character Grumio describes the eventful coming of his master and new wife to a young servant by saying,

"Hadst thou not crossed me, thou shouldst have heard how her horse fell and she under her horse; thou shouldst have heard in how miry a place, how she was bemoiled,[...]with many things of worthy memory, which now shall die in oblivion and thou return unexperienced to thy grave."

In this speech, Grumio, angry at the servant's interruptions, "refuses" to describe what happened, and in so doing, describes it fully.

H. P. Lovecraft frequently used occultatio to add an element of mystery to his stories, as his unfortunate protagonists met things too horrible or too alien to describe.

In "The Garden of Forking Paths" Jorge Luis Borges suggests that a mystery in a story may be solved if the central narrative is regarded as referring to something by its absence. The Chinese spy Tsun is seen to be referring to time, as the one thing never mentioned in the story.

See also[link]

• Problem of induction
• Elephant in the room

Notes[link]

References[link]

• Jones, Thomas (1920). Dictionary of Rhetorical Terms. Tokyo: Scholastic. p. 263. ISBN [[Special:BookSources/0-523-32795-3|0-523-32795-3]]. 

External links[link]

Look up paralipsis in Wiktionary, the free dictionary.

• Figures of rhetoric: Apophasis
• A Handbook of Rhetorical Devices: Apophasis
• Wordsmith: Paralipsis

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (September 2010)

Myriam Hernández
Background information
Birth name	Miriam Raquel Hernández Navarro
Also known as	Myriam
Born	(1965-05-02) May 2, 1965 (age 47)
Origin	Santiago, Chile
Genres	Latin pop
Occupations	Singer, composer, TV presenter
Website	http://www.myriamhernandez.cl/

Miriam Raquel Hernández Navarro (born May 2, 1965 in Ñuñoa, Santiago), popularly known as Myriam Hernández, is a Chilean singer-songwriter and television presenter. She is known throughout Latin America for her romantic ballads.

Biography[link]

Hernández began her career in the late 80's. Her first track was "Ay Amor." At age 11 she debuted on the program "Generación joven," followed soon after by "La Pandilla," both part of Televisión Nacional de Chile. Based on this she was offered a role in the soap opera "De cara al mañana," where she appeared in five episodes. The following year, as a solo artist, she entered into the "Ranking Juvenil" (Juvenile Ranking) of Canal 13's "Sábados Gigantes" program, hosted by Don Francisco.^[1] At 18 she was named Artista Revelación (Best New Artist) by the Chilean press before having even recorded a single album.

In Chile, in December 1988, Hernández released her first album under record label EMI entitled "Myriam Hernández". In Chile the record got her the Disco de Oro, and would later go quadruple platinum in - among other countries - the United States, Colombia, Peru, Ecuador, Bolivia, Puerto Rico, Costa Rica, and Panama. Thus began her international career. Two tracks on this album, "Ay Amor" (Oh My Love) and "El Hombre que Yo Amo" (The Man I Love), spent months at the top of music charts in Latin America and the U.S. In February 1989 she was a guest artist and jury member at the Festival de Viña del Mar.

In 1989, the Asociación de Periodistas de Espectáculos de Chile awarded Hernández the APES award for Best Female Performer and her album received the Mejor Producción Discorgráfica (Best Record) award. In July 1989, Billboard's Hot Latin scored her first success with "El Hombre que Yo Amo," and soon after in December her album was among the 10 best selling albums in the Latin world.

Hernández performing in Ecuador.

In Los Angeles in January 1990 Hernández began recording a second album, produced by Humberto Gatica, and on which collaborated David Foster, Jason Scheff (Chicago Group) and Lucho Gatica as executive producer. Noteworthy songs included "Te Pareces Tanto a Él" (You Look so much like Him), "Tonto" (Fool), "Mío" (Mine), "Peligroso Amor" (Dangerous Love), and "Herida" (Hurt, composed by Myriam Hernández). The album remained on the Billboard charts from May 1990 to July 1991, with "Peligroso Amor" occupying the No. 1 spot for several weeks, followed by "Te Pareces Tanto a Él" and "Herida." This album held the No. 1 spot for Top Latin Albums for a record 18 consecutive weeks. "Peligroso Amor," whose video, produced by Luis de Lllano (Televisa-Mexico), was nominated for Billboard magazine's Best Latin Video.

Once again in 1991 Hernández was invited to the Viña del Mar International Song Festival where she received both the Antorcha and Gaviota de Plata awards. In Los Angeles in 1992 she recorded her third album produced by Spaniard Juan Carlos Calderón and mixed by Humberto Gatica. All the songs were written by Juan Carlos Calderón, with the exception of "Mira" (Look), co-written by Myriam and Juan Carlos. The album's hits were "Un Hombre Secreto" (A Secret Man), "Se Me Fue" (He Left Me), and "Si no Fueras Tú" (If You Weren't You). The album went Gold and Platinum in the U.S., Mexico, Central America, Venezuela, Colombia, Ecuador, Peru, and Chile. She also released albums in Japan, Thailand, Taiwan, and the United Arab Emirates.

In May 1992, Hernández performed at the Acapulco Festival, accompanied on the piano by Juan Carlos Calderón. The video for the song "Se me Fue" was filmed in Los Angeles and was directed by U.S.-based Argentine director Gustavo Garzón.

Also in 1992, Hernández began a new project by founding the "School of Vocal Arts" along with her voice instructor, speech therapist Ricardo Álvarez. Among the professional artists to have gone through this School are Beto Cuevas, Lucybell, and Kudai. Her fourth album, released in 1994, was also produced in Los Angeles where she worked again with producer Humberto Gatica. From this album the song "Ese Hombre" (That Man), by Chilean songwriter María Angélica Ramírez, won ASCAP's "Best Pop Ballad" of the year, as well as first place on the Billboard charts. In 1996, artist Paul Anka invited her to collaborate on an album of all-time Spanish hits called "Amigos" (Friends), on which they performed together the song "Tu Cabeza en Mi Hombro" (a Spanglish cover of Put Your Head on My Shoulder). Figures such as Céline Dion, Ricky Martin, Julio Iglesias, and Juan Gabriel also collaborated on that album, which was released by Sony.

Myriam Hernández.

In 1998, Hernández released "Todo el Amor" (All the Love), her newest and fifth album. Produced by Humberto Gatica and achieving success in all Spanish-language markets, including once again the United States, where the first single, "Huele a Peligro" (It Smells Like Danger), by Armando Manzanero, quickly climbed to the first spot of Billboard magazine's Hot Latin Tracks. It also included hits such as "Deseo" (I Wish), by Mónica Naranjo, and "La Fuerza del Amor" (The Strength of Love), by Estéfano. The music video for the song "Huele a Peligro" was directed in Chile by director Germán Bobe.

In 1998 Hernández was a guest on the Chilean program "Gigante y Ud.," along with Don Francisco, for two months. In the June 1999 issue of People En Español she was elected one of 25 Latin beauties, together with Ricky Martin and Spanish actor Antonio Banderas. In 2000 she released "+ y Más" (+ and More) with a large selection of producers and authors such as Kike Santander, Rudy Perez, Estéfano, Humberto Gatica, and Lester Mendez. Notable songs included "Mañana" (Tomorrow), "Quién Cuidará de Mí" (Who Will Take Care of Me), "Si yo me Vuelvo a Enamorar" (If I Turn Around to Fall in Love), and "Leña y Fuego" (Wood and Fire). The record went Gold and Platinum in various Latin American countries. The video for the song "Quién Cuidará de Mí" was directed by Mexican director Carlos Markovic. In February 2001, at the Viña del Mar International Song Festival, she was awarded the Gaviota de Plata and Oro (Silver and Golden Seagull) by the public.

In October 2001 Hernández gave two concerts at Santiago de Chile's Municipal Theater, a recording of which, "El Amor en Concierto" The Love at Concert, was released in Chile where it went Gold and Platinum. Based in Miami since 2000, she decided to make a foray into designer modeling photography for Italian brand Santini Mavardi and also agreed for the first time to associate her name with a commercial brand and act in an ad campaign for Procter & Gamble's "Head & Shoulders."

In 2002, Hernández debuted as host of the Viña del Mar International Song Festival, a competition held every year in Chile and in which she participated until 2006 alongside entertainers Antonio Vodanovic, Ricardo Montaner, and Sergio Lagos.^[2] She became the only woman to host for 25 nights with 3 different entertainers. She also was an entertainer on Chilean television programs such as "La Movida del Festival," "Con Mucho Cariño," "Protagonistas de la Música," and "La Noche del Mundial."

In 2004, Hernández released Huellas (Traces), a collection of her greatest hits including three never before-released songs. Armando Manzanero composed a new hit for her, "No te He Robado Nada" (I Took Nothing From You), and Myriam Hernández and her son Jorge Ignacio, then only eight, composed the song "He Vuelto por Ti" (I Have Come Back for You). The album included a new version of the song "Mio" recorded with Argentine group Los Nocheros as well as the song "El Amor de mi Vida" (The Love of my Life) (written by Myriam and Chilean hip-hop band Los Tetas) recorded with that band. Huellas was released across Latin America and went Gold and Platinum. She also released her first DVD. At the end of 2005 she produced her first DVD-CD of a live performance entitled Contigo en Concierto (With You in Concert).

In 2007, Hernández released the covers' album Enamorándome (Falling In Love). In February 2010 Myriam sang "Rescátame" in Festival Antofagasta Junto al Mar. This song will be appear in her new album.^[3]

Discography[link]

Studio albums[link]

• 1989: Myriam Hernández I
• 1990: Dos
• 1992: Myriam Hernández III
• 1994: Myriam Hernández IV
• 1998: Todo el amor
• 2000: + y Más
• 2004: Huellas
• 2007: Enamorándome
• 2011: Seducción

Live albums[link]

• 2001: El Amor En Concierto
• 2005: Contigo En Concierto
• 2008: The Best of the Best (DVD only)

Compilation albums[link]

• 1992: Todo Lo Mío
• 1996: Éxitos y Recuerdos
• 1997: Todo Lo Mío
• 1998: Simplemente Humana

References[link]

External links[link]

• Billboard.com (history in Billboard magazine website).
• All Music.com

Johnny Depp
Depp in October 2011
Born	John Christopher Depp II (1963-06-09) June 9, 1963 (age 49) Owensboro, Kentucky, U.S.
Occupation	Actor, screenwriter, director, producer, musician
Years active	1984–present
Spouse	Lori Anne Allison (1983–1985)
Partner	Sherilyn Fenn (1985–1988) Winona Ryder (1989–1993) Kate Moss (1994–1998) Vanessa Paradis (1998–present)
Children	2[1]

John Christopher "Johnny" Depp II (born June 9, 1963) is an American actor, producer and musician. He has won the Golden Globe Award and Screen Actors Guild award for Best Actor. Depp rose to prominence on the 1980s television series 21 Jump Street, becoming a teen idol. Dissatisfied with that status, Depp turned to film for more challenging roles; he played the title character of Edward Scissorhands (1990) and later found box office success in films such as Sleepy Hollow (1999), Charlie and the Chocolate Factory (2005), Rango (2011) and the Pirates of the Caribbean film series (2003–present). He has collaborated with director and friend Tim Burton in eight films, most recently with Dark Shadows (2012).

Depp has gained acclaim for his portrayals of people such as Ed Wood, in Ed Wood, Joseph D. Pistone in Donnie Brasco, Hunter S. Thompson in Fear and Loathing in Las Vegas, George Jung in Blow, and the bank robber John Dillinger in Michael Mann's Public Enemies. Films featuring Depp have grossed over $3.1 billion at the United States box office and over $7.6 billion worldwide.^[2] He has been nominated for top awards many times, winning the Best Actor Awards from the Golden Globes for Sweeney Todd: The Demon Barber of Fleet Street and from the Screen Actors Guild for Pirates of the Caribbean: The Curse of the Black Pearl. He also has garnered a sex symbol status in American cinema, being twice named as the "Sexiest Man Alive" by People magazine^[3] in 2003 and 2009. He has been listed in the 2012 Guinness Book of World Records as the highest paid actor, with $75 million.^[4]

Early life[link]

1960s–1970s[link]

Depp was born in Owensboro, Kentucky, the son of John Christopher Depp, Sr., a civil engineer, and his wife, the former Betty Sue Wells, a waitress.^[5] He has one brother and two sisters. His brother Daniel is a novelist and his sister Christie works as his manager. Depp is descended from a French Huguenot immigrant, Pierre Deppe or Dieppe, who settled in Virginia around 1700,^[6] part of a refugee colony situated above the falls on the James River. Depp has surmised that he is part Native American, saying in 2011, "I guess I have some Native American [in me] somewhere down the line. My great-grandmother was quite a bit of Native American, she grew up Cherokee or maybe Creek Indian. Makes sense in terms of coming from Kentucky, which is rife with Cherokee and Creek."^[7][8]

The family moved frequently during Depp's childhood, and he and his siblings lived in more than 20 different locations, settling in Miramar,^[9] Florida, in 1970. In 1978, Depp's parents divorced.^[9] His mother married, as her second husband, Robert Palmer (died 2000), whom Depp called "an inspiration to me".^[10] Depp engaged in self-harm when he was young, due to the stress of dealing with family problems, which resulted in several self-inflicted scars. In a 1993 interview, he reflected on his self-injury by saying "My body is a journal in a way. It's like what sailors used to do, where every tattoo meant something, a specific time in your life when you make a mark on yourself, whether you do it yourself with a knife or with a professional tattoo artist".^[11]

1980s[link]

With the gift of a guitar from his mother when he was twelve, Depp began playing in various garage bands.^[9] A year after his parents' divorce, Depp dropped out of high school to become a rock musician.^[9] He attempted to go back to school two weeks later, but the principal told him to follow his dream of being a musician.^[9] He played with The Kids, a band that enjoyed modest local success. The Kids set out together for Los Angeles in pursuit of a record deal, changing their name to Six Gun Method, but the group split up before signing a record deal. Depp subsequently collaborated with the band Rock City Angels^[12] and co-wrote their song "Mary", which appeared on Rock City Angels' debut for Geffen Records titled Young Man's Blues.

On December 24, 1983, Depp married Lori Anne Allison, the sister of his band's bass player and singer. During Depp's marriage, his wife worked as a makeup artist, while he worked a variety of odd jobs, including a telemarketer for pens. His wife introduced him to actor Nicolas Cage, who advised Depp to pursue an acting career.^[9] Depp and his wife divorced in 1985. Depp later dated and was engaged to actress Sherilyn Fenn (whom he met on the set of the 1985 short film Dummies). Both Fenn and Depp auditioned for the 1986 film Thrashin' and they were both cast, with Depp being chosen by the film's director to star as the lead, which would have been Depp's second major role. Depp was later turned down by the film's producer, who rejected the director's decision.^[13][14]

Acting career[link]

Johnny Depp at the 1992 Cannes Film Festival

Television[link]

Depp starred in a lead role on the Fox television series, 21 Jump Street, which premiered in 1987.^[9] Depp accepted this role to work with actor Frederic Forrest, who inspired him. Depp's long time friend Sal Jenco joined the cast as a semi-co-star as the janitor named Blowfish. The series' success turned Depp into a popular teen idol during the late 1980s.^[9] Despite this success, Depp felt "forced into the role of product."^[15] Depp subsequently decided to appear only in films that he felt were right for him.^[15] Depp and his co-stars, Peter DeLuise and Holly Robinson, briefly reprised their roles in cameo appearances in the series' 2012 feature film adaptation, which featured a much more comedic tone than the series.

Film roles[link]

Depp's first major role was in the 1984 classic horror film A Nightmare on Elm Street, playing the boyfriend of the heroine, Nancy Thompson (played by Heather Langenkamp) and one of Freddy Krueger's victims.^[9] Depp was the first choice and was cast to star in the 1986 American skater drama film Thrashin', chosen and cast by the director but ultimately rejected by the film's producer.^[13][14] In 1986, he appeared in a secondary role as a Vietnamese-speaking private in Oliver Stone's Platoon. In 1990, he undertook the quirky title role of the Tim Burton film, Edward Scissorhands. The film's success began his long association with Burton.^[9]

Depp, a fan and long-time friend of writer Hunter S. Thompson, played a version of Thompson (named Raoul Duke) in 1998's Fear and Loathing in Las Vegas, based on the writer's pseudobiographical novel of the same name. Depp accompanied Thompson as his road manager on one of the author's last book tours.^[16] In 2006, Depp contributed a foreword to Gonzo: Photographs by Hunter S. Thompson, a posthumous biography published by ammobooks.com. In 2008, he narrated the documentary film Gonzo: The Life and Work of Dr. Hunter S. Thompson. Depp paid for most of Thompson's memorial event, complete with fireworks and the shooting of Thompson's ashes by a cannon, in Aspen, Colorado, where Thompson lived.^[17] He returned to Thompson's work with a film adaptation of the novel The Rum Diary, released in 2011.