Holi Festival of Colours
Lord Krishna playing Holi with Radha and other Gopis
Observed by	Hindus mainly in India, Nepal
Begins	Phalgun Purnima or Pooranmashi (Full Moon)
Date	Feb – March
2011 date	March 20
2012 date	March 8
2013 date	March 27
Celebrations	3 – 16 days

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Holi (Hindi: होली) is a religious spring festival celebrated by Hindus. It is primarily observed in India, Bangladesh, Pakistan, Nepal, ^[1] and countries with large Indic diaspora populations following Hinduism, such as Suriname, Malaysia, Guyana, South Africa, Trinidad, United Kingdom, United States, Mauritius, and Fiji. It is also known as Phagwah and Festival of Colours, or as Doḷajāta (Oriya: ଦୋଳଯାତ) in Orissa and Dol Jatra (Bengali: দোলযাত্রা) or Basantotsav ("spring festival") (Bengali: বসন্তোৎসব) in West Bengal. The most celebrated Holi is in the Braj region, in locations connected to the Lord Krishna: Mathura, Vrindavan, Nandagaon, and Barsana, which become tourist destinations during the season of Holi.^[2] Large parts of South India, however, do not celebrate Holi with the same fervour.

Significance[link]

In Vaishnavism, Hiranyakashipu is the great king of demons, and he had been granted a boon by Brahma, which made it almost impossible for him to be killed. The boon was due to his long penance, after which he had demanded that he not be killed "during day or night; inside the home or outside, not on earth or in the sky; neither by a man nor an animal; neither by astra nor by shastra". Consequently, he grew arrogant and attacked the Heavens and the Earth. He demanded that people stop worshipping Gods and start praising respectfully to him.

Hiranyakashipu, on the lap, being killed by Narasimha, an incarnation of Vishnu

According to this belief, Hiranyakashipu's own son, Prahlada, was a devotee of Lord Vishnu. In spite of several threats from Hiranyakashipu, Prahlada continued offering prayers to Lord Vishnu. He was poisoned by Hiranyakashipu, but the poison turned to nectar in his mouth. He was ordered to be trampled by elephants yet remained unharmed. He was put in a room with hungry, poisonous snakes and survived. All of Hiranyakashipu's attempts to kill his son failed. Finally, he ordered young Prahlada to sit on a pyre in the lap of Holika, Hiranyakashipu's demoness sister, who also could not die because she had a boon preventing her from being burned by fire. Prahlada readily accepted his father's orders, and prayed to Lord Vishnu to keep him safe. When the fire started, everyone watched in amazement as Holika burnt to death, while Prahlada survived unharmed. The salvation of Prahlada and burning of Holika is celebrated as Holi.

In Mathura, where Lord Krishna grew up, the festival is celebrated for 16 days (until Rangpanchmi) in commemoration of the divine love of Radha for Krishna. The festivities officially usher in spring, the celebrated season of love.

There is alternative story detailing the origin of Holi. This story is about Kamadeva, a God of love. Kama's body was destroyed when he shot his weapon at Shiva in order to disrupt his meditation and help Parvati to marry Shiva. Shiva then opened his third eye, the gaze of which was so powerful that Kama's body was reduced to ashes. For the sake of Kama's wife Rati (passion), Shiva restored him, but only as a mental image, representing the true emotional and spiritual state of love rather than physical lust. The Holi bonfire is believed to be celebrated in commemoration of this event.

Description[link]

Radha and the Gopis celebrating Holi, with accompaniment of music instruments

Every year, thousands of Hindus participate in the festival Holi. The festival has many purposes. First and foremost, it celebrates the beginning of the new season, spring. Originally, it was a festival that commemorated good harvests and the fertile land. Hindus believe it is a time of enjoying spring's abundant colors and saying farewell to winter. It also has a religious purpose, commemorating events present in Hindu mythology. Although it is the least religious holiday, it is probably one of the most exhilarating ones in existence. During this event, participants hold a bonfire, throw colored powder at each other, and celebrate wildly.

Rangapanchami occurs a few days later on a Panchami (fifth day of the full moon), marking the end of festivities involving colours.

The main day, Holi, also known as Dhuli in Sanskrit, or Dhulheti, Dhulandi or Dhulendi, is celebrated by people throwing scented powder and perfume at each other. Bonfires are lit on the eve of the festival, also known as Holika Dahan (burning of Holika) or Chhoti Holi (little Holi), after which holika dahan prayers are said and praise is offered. The bonfires are lit in memory of the miraculous escape that young Prahlad accomplished when Demoness Holika, sister of Hiranyakashipu, carried him into the fire. Holika was burnt but Prahlad, a staunch devotee of god Vishnu, escaped without any injuries due to his devotion. Holika Dahan is referred to as Kama Dahanam in South India.

Holi is celebrated at the end of the winter season on the last full moon day of the lunar month Phalguna (February/March), (Phalgun Purnima), which usually falls in the later part of February or March. In 2009, Holi (Dhulandi) was on March 11 and Holika Dahan was on March 10. In 2010, Holi was on March 1 and Holika Dahan was on February 28. In 2011, Holi was on March 20 and Holika Dahan was on March 19.

In most areas, Holi lasts about two days. Holi lowers (but does not remove completely) the strictness of social norms, which includes gaps between age, gender, status, and caste. Together, the rich and poor, women and men, enjoy each other’s presence on this joyous day. No one expects polite behavior; as a result, the atmosphere is filled with excitement, fun and joy.

Though there have been references in Sanskrit texts to similar festivales, like ratnavali where people sprayed coloured waters using bamboo syringes, the origin of the modern Holi festival has been traced to ancient Bengal. It was a Gaudiya Vaishnav festival, in accordance to Vaishnaviya Tantra. People went to Krishna temples, applied red colour to the icon and then distributed the red coloured powder or Abir along with malpua prasad to family and friends. Red signified the colour of passion and Lord Krishna is the king of desires. The ritual signified that all our desires should be diverted for the attainment of Krishna and for the well being of society.

In some cultures though, the ritual of burning wood and leaves on the full moon night already existed. This ritual was to signify the end of winter and full advent of spring. Old wood and leaves that had fallen were burnt to signify that it is time for new leaves and flowers.People later smeared their bodies with ash. Later, however, the story of Holika Dahan has been associated with this ritual.

The legend on King Hiranyakashipu is one of the explanations Hindus look back to. The King condemned his son, Prahlad, from worshipping the god Vishnu. However, he continued to pray to him. Filled with anger, the King made a challenge to his son. He was to sit on a pyre along with his aunt Holika, believed to be unharmed by fire. The son accepted the challenge, praying to Vishnu to protect him. As the fire began, Holika was burnt to a crisp but Prahlad lived and was unharmed. This burning of Holika is the reason why Holi exists.

Rituals[link]

Holi fire in front of Jagdish Temple in Udaipur, Rajasthan- 2010

The earliest textual reference to the celebration of Holi is found in the 7th century Sanskrit drama, Ratnavali.^[3] Certainly there are perennial rituals attached to Holi: the first is smearing of coloured powder on each other, and throwing coloured and scented water at each time. On the first day of this festival, Hindus participate in a public bonfire. Prior to the event, men prepare for this by collecting extra wood. The fire itself is lit near midnight, as the moon rises. The main custom of Holi is the use of the colored powders and water on others. This is why Holi is given the name “Festival of Colors.”

Regional rituals and celebrations[link]

India[link]

Gujarat

The Holi celebration has its celebrative origins in Gujarat, particularly with dance, food, music, and colored powder to offer a spring parallel of Navratri, Gujarat's Hindu festival celebrated in the fall. Falling on the full moon day in the month of Phalguna, Holi is a major Hindu festival and marks the agricultural season of the Rabi crop.

A bonfire is lit in the main squares of the villages and colonies. People gather around the bonfire and celebrate the event with singing and dancing, which is symbolic of the victory of good over evil. Tribals of Gujarat celebrate Holi with great enthusiasm and also dance around the fire.

In Western India, Ahmedabad in Gujarat, a pot of buttermilk is hung high on the streets and young boys try to reach it and break it by making human pyramids. The girls try to stop them by throwing coloured water on them to commemorate the pranks of Krishna and cowherd boys to steal butter and 'gopis' while trying to stop the girls. The boy who finally manages to break the pot is crowned the Holi King. Afterwards, the men, who are now very colourful men, go out in a large procession to "alert" people of the Krishna's possible appearance to steal butter from their homes.

In some places, there is a custom in the undivided Hindu families that the women of the families beat their brother-in-law with her sari rolled up into a rope in a mock rage as they try to drench them with colours, and in turn, the brothers-in-law bring sweetmeats to her in the evening.^[4]

Uttar Pradesh

"Celebration of Spring by Krishna and Radha," 18th Century miniature; in the Guimet Museum, Paris

Barsana is the place to be at the time of Holi. Here the famous Lath mar Holi is played in the sprawling compound of the Radha Rani temple. Thousands gather to witness the Lath Mar holi when women beat up men with sticks as those on the sidelines become hysterical, sing Holi Songs and shout Sri Radhey or Sri Krishna. The Holi songs of Braj mandal are sung in pure Braj Bhasha.

Holi played at Barsana is unique in the sense that here women chase men away with sticks. Males also sing provocative songs in a bid to invite the attention of women. Women then go on the offensive and use long staves called lathis to beat men folk who protect themselves with shields.

In Mathura, the birth place of Lord Krishna, and in Vrindavan this day is celebrated with special puja and the traditional custom of worshipping Lord Krishna, here the festival lasts for sixteen days.^[2] All over the Braj region and its nearby places like Hathras, Aligarh, Agra the Holi is celebrated in more or less same way as in Mathura, Vrindavan and Barsana.

In Kanpur Holi lasts 7 days with color and a grand fair called Ganga Mela or the Holi Mela that was started by freedom fighters who freed Kanpur from British rule after the First Indian War of Independence in 1857 under the leadership of Nana Saheb. Since then people started this Ganga Mela where they play Holi at various Ghats along the banks of River Ganga in Kanpur. This Ganga Mela which has been played since more than 150 years depicts the Ganga-Jamuni Tehzeeb or the Hindu-Muslim Unity in the city. In 1857, the Hindus and the Muslims had combined to resist the British forces in the city. People of all castes, creeds, religion and societies together participate in this huge social congregation. On the eve of Ganga Mela, all Government offices,shops,Courts generally remain closed. Major Business groups, politicians, MLA's and MP's all gather on the Ghats to enjoy the Ganga Mela. The Ganga Mela which takes place mostly on the seventh day after Holi marks the official end of "The Festival of Colours" or Holi in Kanpur.

In Gorakhpur, the northeast district of Uttar Pradesh, this day is celebrated with special puja in the morning of Holi day. This day is considered to be the happiest and most colourful day of the year promoting the brotherhood among the people. This is known as "Holi Milan" in which people visit every house and sing holi song and express their gratitude by applying coloured powder (Abeer). Holi is also considered as the end of the year as it occurs on the last day of last Hindu calendar month Phalgun. People also kickoff for the next year planning with new year Hindu calendar (Panchang) at the evening of Holi.

Kumaon, (Uttarakhand)

The uniqueness of the Kumaoni Holi of the Kumaon region in Uttarakhand lies in its being a musical affair, whichever may be its form, be it the Baithki Holi, the Khari Holi and the Mahila Holi which starts from Basant Panchmi. The Baithki Holi and Khari Holi are unique in that the songs on which they are based have a touch of melody, fun and spiritualism. These songs are essentially based on classical ragas. No wonder then the Baithki Holi is also known as Nirvan Ki Holi.

The Baithki Holi (बैठकी होली) begins from the premises of temples, where Holiyars (होल्यार), (the singers of Holi songs) as also the people gather to sing songs to the accompaniment of classical music.

Kumaonis are very particular about the time when the songs based on ragas should be sung. For instance, at noon the songs based on Peelu, Bhimpalasi and Sarang ragas are sung while evening is reserved for the songs based on the ragas like Kalyan, Shyamkalyan and Yaman etc.

The Khari Holi (खड़ी होली), is mostly celebrated in the rural areas of Kumaon. The songs of the Khari Holi are sung by the people, who sporting traditional white churidar payajama and kurta, dance in groups to the tune of ethnic musical instruments like the Dhol and Hurka.

The Holika made is known as Cheer (चीर) which is ceremonically made in a ceremony known as Cheer Bandhan (चीर बंधन) fifteen days before Dulhendi. The Cheer is a bonfire with a green Paiya tree branch in the middle. The Cheer of every village and mohalla is rigorously guarded as rival mohallas try to steal the others cheer.

Dulhendi known as Charadi (छरड़ी), in Kumaoni (from Chharad (छरड़), or natural colours made from flower extracts, ash and water) is celebrated with great gusto much in the same way as all across North India.^[5]

Bihar

Holi is celebrated with the same fervour and charm in Bihar as in rest of north India. It is known as Phagwa in the local Bhojpuri dialect. Here too, the legend of Holika is prevalent. On the eve of Phalgun Poornima, people light bonfires. They put dung cakes, wood of Araad or Redi tree and Holika tree, grains from the fresh harvest and unwanted wood leaves in the bonfire. Following the tradition people also clean their houses for the day.

At the time of Holika people assemble near the fire. The eldest member or a purohit initiates the lighting. He then smears others with colour as a mark of greeting. Next day the festival is celebrated with colours and lot of frolic.

Children and youths take extreme delight in the festival. Though the festival is usually played with colours at some places people also enjoy playing holi with mud. Folk songs are sung at high pitch and people dance to the tune of dholak and the spirit of Holi.

Intoxicating bhang is consumed with a variety of mouth watering delicacies such as pakoras and thandai to enhance the mood of the festival. Vast quantities of liquor are consumed alongside ganja and bhang, which is sometimes added to foodstuffs.

Holi being played in the courtyard, circa 1795 painting- Patna style.

Bengal

On the Dol Purnima day in the early morning, the students dress up in saffron-coloured or pure white clothes and wear garlands of fragrant flowers. They sing and dance to the accompaniment of musical instruments like ektara, dubri, veena, etc. Holi is known by the name of 'Dol Jatra', 'Dol Purnima' or the 'Swing Festival'. The festival is celebrated in a dignified manner by placing the icons of Krishna and Radha on a picturesquely decorated palanquin which is then taken round the main streets of the city or the village. The devotees take turns to swing them while women dance around the swing and sing devotional songs. During these activities, the men keep spraying coloured water and coloured powder, abir, at them.

The head of the family, observes fast and prays to Lord Krishna and Agnidev. After all the traditional rituals are over, he smears Krishna's icon with gulal and offers "bhog" to both Krishna and Agnidev.

In Shantiniketan, Holi has a special musical flavor.

Traditional dishes include malpoa, kheer sandesh, basanti sandesh (saffron), saffron milk, payash, and related foods.

Orissa

The people of Orissa celebrate Holi in a similar manner but here the icons of Jagannath, the deity of the Jagannath Temple of Puri, replace the icons of Krishna and Radha.

Goa

Holi is a part of Goan or Konkani spring festival known as Śigmo or शिगमो in Koṅkaṇī. One of the most prominent festivals of the Konkani community in Goa, and the Konkani diaspora in the state of Karnataka, Maharashtra and Kerala. Śigmo is also known as Śiśirotsava and lasts for about a month. The colour festival or Holi is a part of entire spring festival celebrations.^[6]

Holi festivities(but not Śigmo festivities), include:Holika Puja and Dahan,Dhulvad or Dhuli vandan,Haldune or offering yellow and saffron colour or Gulal to the deity.

Holi celebrations, Pushkar, Rajasthan.

Narayani Shastri, an actress celebrating Holi with her friend at Mumbai, 2011.

Maharashtra

In Maharashtra, Holi is mainly associated with the burning of Holika. Holi Paurnima is also celebrated as Shimga. A week before the festival, youngsters go around the community, collecting firewood and money. On the day of Holi, the firewood is arranged in a huge pile at a clearing in the locality. In the evening, the fire is lit. Every household makes an offering of a meal and dessert to the fire god. Puran Poli is the main delicacy and children shout "Holi re Holi puranachi poli". Shimga is associated with the elimination of all evil. The colour celebrations here traditionally take place on the day of Rangapanchami, 5 days after Holi, unlike in North India where it is done on the second day itself. During this festival, people are supposed to forget about any rivalries and start new healthy relations with all.

Manipur

Manipuris celebrate Holi for six days. Here, this holiday merges with the centuries-old festival of Yaosang. Traditionally, the festival commences with the burning of a thatched hut of hay and twigs. Young children go from house to house to collect money, locally known as nakadeng (or nakatheng), as gifts on the first two days. The youths at night perform a group folk dance called Thabal chongba on the full moon night of Lamta (Phalgun) along with folk songs and rhythmic beats of the indigenous drum. However, this moonlight party now has modern bands and fluorescent lamps. In Krishna temples, devotees sing devotional songs, perform dances and play with aber (gulal) wearing traditional white and yellow turbans. On the last day of the festival, large processions are taken out to the main Krishna temple near Imphal where several cultural activities are held. Since the past few decades Yaoshang, a type of Indian sport, has become common in many places of the valley, where people of all ages come out to participate in a number of sports that are somewhat altered for the holiday.

Kerala

Holi celebrations at College of Engineering, Adoor Kerala

In the Mattancherry area of Kochi, there are 22 different communities living together in harmony. The Gaud Sarawat Brahmins (GSB) who speak Konkani also celebrate Holi in Cherlai area of West Kochi instead of in theior own community. It is locally called Ukkuli in Konkani or Manjal Kuli in Malayalam. It is celebrated around the Konkani temple called Gosripuram Thirumala temple. Holi is also celebrated at some colleges in south.

Karnataka, Andhra Pradesh

Colours Holi at a market in Mysore

Holi is celebrated with much fervor here^{[citation needed]}. Unlike in the other Indian communities, it is also here a school holiday. There is also a tradition followed in rural Karnataka where children collect money and wood for weeks prior to Holi, and on Kamadhana night all the wood is put together and lit. The festival is celebrated for two days. People in north Karnataka prepare special food on this day. In Andhra Pradesh Holi is celebrated along with Basnata Panchami. In the Telangana region,especially the capital city of Hyderabad, Holi is a major festival, and the festivities and colour starts appearing at least a day before the actual holiday.

Jammu & Kashmir

In Kashmir, Muslims and Hindus alike celebrate Holi. Holi celebrations here pretty much fit the general definition of Holi celebrations: a high-spirited festival to mark the beginning of the harvesting of the summer crop, is marked by the throwing of coloured water and powder and singing and dancing. Holi is also celebrated in great fervor in Jammu.

Holi celebrations by the India Student Association at University of New Mexico

Western Madhya Pradesh

In western Madhya Pradesh, Bhil tribesmen who have held on to many of the pre-Hindu customs celebrate it in a special way.

Rural Maharashtra State

Known as Rangapanchami in rural Maharashtra State, it is celebrated with singing and dancing.

Jaisalmer, Rajasthan

In Jaisalmer, a town in Rajasthan, music is played as clouds of different coloured powders fill the air.

Haryana & Western Uttar Pradesh

This region has its own variety of Holi. The festival is celebrated with great zest and enthusiasm. Dhampur is a city and a municipal board in the Bijnor district in the state of Uttar Pradesh of India. The Holi celebration in Dhampur is famous throughout the whole of Western UP.

Dhampur

In Dhampur holi—holi hawan jaloos have been organized for the last 60 years. The festival involves almost 10,000 people, including lots of bands and Jhakhi, which represent the cultural values of Holi and India.

Indian diaspora[link]

Over the years, Holi has become an important festival in many regions wherever Indian diaspora had found its roots, be it in Africa, North America, Europe or closer to home in South Asia.^[7]

Nepal[link]

Holika Dahan, Kathamandu, Nepal.

In Nepal, Holi is celebrated in the month of Falgun and is also called as the "Fagu" and is celebrated on the Full moon day in the month of February. The word "Fagu" (Devanagari:फागु) represents the month of Falgun and the day is called the "Fagu Poornima" (Devanagari:फागु पुर्णीमा) which means (full moon day in the Falgun).

In Nepal Holi is regarded as one of the greatest festivals as important as Dashain (also known as Dussehra in India) and Tihar or Dipawali (also known as Diwali in India). Since more than 80% of people in Nepal are Hindus,^[8] Holi, along with many other Hindu festivals, is celebrated in Nepal as a national festival and almost everyone celebrates it regardless of their religion, e.g., even Muslims celebrate it. Christians may also join in, although since Holi falls during Lent, many would not join in the festivities. The day of Holi is also a national holiday in Nepal.

People walk down their neighbourhoods to celebrate Holi by exchanging colours and spraying coloured water on one another. A popular activity is the throwing of water balloons at one another, sometimes called lola (meaning water balloon).^[9] Also a lot of people mix bhang in their drinks and food, as also done during Shivaratri. It is believed that the combination of different colours played at this festival take all the sorrow away and make life itself more colourful.

Guyana[link]

Phagwah is a national holiday in Guyana, and peoples of all races and religions participate in the celebrations.^[10] The main celebration in Georgetown is held at the Mandir in Prashad Nagar.^[11]

Traditional Holi[link]

Flowers of Dhak or Palash are used to make traditional colours

The spring season, during which the weather changes, is believed to cause viral fever and cold. The playful throwing of natural coloured powders has a medicinal significance: the colours are traditionally made of Neem, Kumkum, Haldi, Bilva, and other medicinal herbs prescribed by Āyurvedic doctors.

Modern issues[link]

Synthetic colors[link]

A young man celebrating Holi

As the spring-blossoming trees that once supplied the colors used to celebrate Holi have become more rare, chemically produced industrial dyes have been used to take their place in almost all of urban India. In 2001, a fact sheet was published by the groups Toxics link and Vatavaran based in Delhi on the chemical dyes used in the festival.^[12] They found safety issues with all three forms in which the Holi colors are produced: pastes, dry colors and water colors.

Their investigation found some toxic chemicals with some potentially severe health impacts. The black powders were found to contain lead oxide which can result in renal failure. The prussian blue used in the blue powder has been associated with contact dermatitis, while the copper sulphate in the green has been documented to cause eye allergies, puffiness of the eyes, or temporary blindness.^[13]

The colorant used in the dry colors, also called gulals, was found to be toxic, with heavy metals causing asthma, skin diseases and temporary blindness. Both of the commonly used bases—asbestos or silica—are associated with health issues.^[13]

They reported that the wet colors might lead to skin discolouration and dermatitis due to their use of color concentrate gentian violet.

Lack of control over the quality and content of these colours is a problem, as they are frequently sold by vendors who do not know their origin.

The report galvanized a number of groups into promoting more natural celebrations of Holi. Development Alternatives, Delhi and Kalpavriksh,^[14] Pune, The CLEAN India campaign^[15] and Society for Child Development, through its Avacayam Cooperative Campaign [1] have both launched campaigns to help children learn to make their own colours for Holi from safer, natural ingredients. Meanwhile, some commercial companies such as the National Botanical Research Institute have begun to market "herbal" dyes, though these are substantially more expensive than the dangerous alternatives. However, it may be noted that many parts of rural India have always resorted to natural colours (and other parts of festivities more than colours) due to availability reasons.

Environmental impact[link]

An alleged environmental issue related to the celebration of Holi is the traditional Holika Dahan bonfire, which is believed to contribute to deforestation. A local tabloid had a view published that 30,000 bonfires each burning approximately 100 kg of wood are lit in one season.^[16] Several methods of preventing this consumption of wood have been proposed, including the replacement of wood with waste material or lighting of a single fire per community, rather than multiple smaller fires. However, the idea of lighting waste material antagonizes large sections of a certain community who take it as a Western attack to their cultures and traditions citing several examples of similar festivities elsewhere. There is also concern about the large scale wastage of water and water-pollution due to synthetic colors during Holi celebration.

Influence on popular culture[link]

In the music video for their song "The Catalyst", American rock band Linkin Park incorporated scenes of band members throwing powdered color at one another. The videos director, band turntablist Joe Hahn, identifies Holi as a direct influence on the visual style of the video.^[17] Hahn states that "The irony of making the video was that the inspiration for the colors came from the Color Festival in India called Holi." Mr Hahn further elaborates on the religious significance of the colors, "People collect these pigments throughout the year to release them in this festival as a celebration of life and tribute to Vishnu."^[17]

The holi festival was featured as a RoadBlock challenge in the popular CBS reality television show The Amazing Race 13, episode 7.

The Ke$ha music video for the song "Take It Off" features powdered colored dyes similar to those used to celebrate Holi.^[18]

The music video for Regina Spektor's song "Fidelity" depicts a couple in an achromatic set throwing and playing in powdered pigments.^[19]

On May 31, 2007, the independent film, Outsourced, premiered at the Seattle International Film Festival. The plot of the film details the story of Todd Anderson, an American call center novelty products salesman (Josh Hamilton) as he heads to India to train his replacement after his entire department is outsourced to a new, much cheaper call center in Gharapuri, India. Todd soon discovers that in order to successfully train his new charges, he must first learn about the culture of the workers. A Holi celebration is the catalyst for this change in his attitude.^[20]

The March 17th, 2011 episode of the NBC series based on the film of the same name, Outsourced, entitled "Todd's Holi War", takes a more sitcom-oriented approach to the holiday, marking Holi's first appearance on American network television.

The music video "Behind the Cow", which appears to be set in India, by the band Scooter features a final scene with everyone throwing colored powder at one another.

In the British TV show, An Idiot Abroad, Episode #2 has host Karl Pilkington take a trip through Dehli, India where he experiences Holi as locals cover him with colored powder and paint^[21].

Episode 4.6 of the TV show Psych, "Bollywood Homicide", climaxes at a color festival, where Shawn is distracted by someone throwing red powder at him.

Keith Olbermann shows clips from Holi festivals every year on the "Time Marches On" portion of his nightly Countdown news show.

Sri Sri Radha Krishna Temple in Spanish Fork, Utah celebrates Holi and is known as Festival of Color where thousands of people gather from all over the country.

See also[link]

See more Wikipedia articles related to Holi.

• Kumauni Holi
• Songkran (Thai festival)

References[link]

External links[link]

Look up holi in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Holi

• Holi at the Open Directory Project
• The Spiritual Significance of Holi
• Holi in pictures from B.B.C.
• 27 Big and Colorful Photos of Holi
• [2]
• [3]
• Best Holi Quotes
• Dublin Parent Amita Roy Shah Battles Stereotypes by Writing "It's Time for Holi!"
• Festival of Colors

Wikipedia topics related to Holi v t e Festivals in the Hindu calendar Major festivals Pongal Makar Sankranti Holi Rama Navami Krishna Janmashtami Maha Shivaratri Onam Ganesh Chaturthi Navratri (Mysore Dasara – Durga Puja – Vijayadashami) Diwali (Bhau-Beej) Chhath Vat Purnima Thaipusam Regional New Year Gudi Padwa (Marathi, Konkani) Ugadi (Telugu, Kannada) Cheti Chand (Sindhi) Bihu (Assamese) Bisu (Tuluva) Vaisakhi (Punjabi) Vishuva Sankranti (Oriya) Pohela Boishakh (Bengali) Puthandu (Tamil) Vishu (Malayalee) Holy days Ekadashi Gowri Habba Karwa Chauth Mahalakshmi Vrata Raksha Bandhan Sankranti Savitri Brata Thaipusam Holy periods Chaturmas Dhanurmas

Steve McCurry
Steve McCurry on "Celebrating Multiculturalism Through Photography", Central Market Annex gallery, Kuala Lumpur, Malaysia
Born	Steve McCurry (1950-04-23) April 23, 1950 (age 62) Darby, Pennsylvania
Occupation	Photojournalist
Agent	Magnum Photos
Notable credit(s)	Leica Hall of Fame Award Robert Capa Gold Medal for Best Photographic Reporting from Abroad
Website
http://www.stevemccurry.com

Steve McCurry (born April 23, 1950) is an American photojournalist best known for his photograph, "Afghan Girl" that originally appeared in National Geographic magazine.

Early life[link]

Steve McCurry was born on April 23, 1950 in Philadelphia,^[1] attended Marple Newtown High School, and Penn State University. He originally planned to study cinematography and filmmaking, but ended up getting a degree in theater arts and graduating cum laude in 1974. He became interested in photography when he started taking pictures for the Penn State newspaper The Daily Collegian.^[2]

After working at Today's Post in King of Prussia for two years, he left for India to freelance. It was here that McCurry learned to watch and wait on life. “If you wait,” he realized, “people will forget your camera and the soul will drift up into view.”

Career[link]

His career was launched when, disguised in native garb, he crossed the Pakistan border into rebel-controlled Afghanistan just before the Russian invasion. When he emerged, he had rolls of film sewn into his clothes. Those images, which were published around the world, were among the first to show the conflict. His coverage won the Robert Capa Gold Medal for Best Photographic Reporting from Abroad, an award dedicated to photographers exhibiting exceptional courage and enterprise.

McCurry continued to cover international conflicts, including the Iran-Iraq war, Beirut, Cambodia, the Philippines, the Gulf War, and Afghanistan. McCurry's work has been featured worldwide in magazines and he is a frequent contributor to National Geographic. He has been a member of Magnum Photos since 1986.

He is the recipient of numerous awards, including Magazine Photographer of the Year, awarded by the National Press Photographers’ Association. The same year, he won an unprecedented four first-place prizes in the World Press Photo Contest. He has won the Olivier Rebbot Memorial Award twice.

McCurry focuses on the human consequences of war, not only showing what war impresses on the landscape, but rather, on the human face. “Most of my images are grounded in people. I look for the unguarded moment, the essential soul peeking out, experience etched on a person’s face. I try to convey what it is like to be that person, a person caught in a broader landscape, that you could call the human condition.”

Steve McCurry is portrayed in a TV documentary titled "The Face of the Human Condition" (2003) by French award-winning filmmaker Denis Delestrac.

Afghan Girl[link]

McCurry took his most recognized portrait, "Afghan Girl", in a refugee camp near Peshawar, Pakistan. The image itself was named as "the most recognized photograph" in the history of the National Geographic magazine and her face became famous as the cover photograph on the June 1985 issue. The photo has also been widely used on Amnesty International brochures, posters, and calendars. The identity of the "Afghan Girl" remained unknown for over 17 years until McCurry and a National Geographic team located the woman, Sharbat Gula, in 2002. McCurry said, “Her skin is weathered; there are wrinkles now, but she is as striking as she was all those years ago.”

Kodachrome[link]

Although McCurry shoots both in digital and film, his admitted preference is for transparency film. Eastman Kodak let McCurry shoot the last ever produced roll of Kodachrome transparency film, which was processed in July 2010 by Dwayne's Photo in Parsons, Kansas and will be housed at the George Eastman House.^[3] Most of the photos, excluding a few near-duplicates, have been published on the Internet by Vanity Fair magazine.

"I shot it for 30 years and I have several hundred thousand pictures on Kodachrome in my archive. I'm trying to shoot 36 pictures that act as some kind of wrap up - to mark the passing of Kodachrome. It was a wonderful film."

September 11, 2001[link]

September, 11th 2001 photos

McCurry returned from an extended assignment in China on September 10, 2001.

"I live by Washington Square Park, and my office has a view of Lower Manhattan. I was there, going through mail with my assistant, when we got a phone call saying that the World Trade Center was on fire. I looked out my window and saw both towers were on fire.

I got my camera bag and went up on the roof of my building and started photographing the towers. We didn’t even know it was a plane, because we were up on the roof without the radio or TV. We all thought it was a fire that would eventually be put out—a terrible disaster, I mean both towers were on fire. I figured I’d shoot it from my roof for about 20 minutes and then go down to the base.

And then they just fell.

I was in a state of disbelief. They were just gone. It didn’t seem possible. Like you’re seeing something but you don’t really believe what you’re seeing. Even though I had seen them implode and there was all this smoke, it was not in the realm of possibility for the towers to be gone. It felt like we were living inside a dream, or rather a nightmare.

After they fell, my assistant and I ran down to Ground Zero to photograph the situation there. It was surreal. There was this very fine white powder everywhere and all this office paper, but there was no recognizable office equipment—no filing cabinets, telephones, computers. It seemed like the whole thing had been pulverized. It was just dust, steel and paper.

We were there until 9 at night. Then I walked home, but I couldn’t sleep. So I got up at 3:30 in the morning and walked back down there. As you can imagine, there was serious security: police, firemen, soldiers. But it was very clear to me this needed to be documented. I knew I had to do whatever I had to do to get back down there. I found a way to sneak in by cutting through a fence, and it allowed me to spend the morning of September 12 there. I eventually got removed by the police. They were really angry—the police, the firemen, everyone down there; emotions were running very high. One fireman threatened to beat my brains in with a shovel. I understood their position completely. From their point of view, we were there as tourists or spectators, when really we were there to record history, to create a record of this evil deed. The records of photography and magazines and radio and television are how we’re informed and how we know what’s going on in the world. This was something that absolutely had to be documented, and that’s what I do."

Awards[link]

Publications[link]

References[link]

External links[link]

• Steve McCurry's Official web site (with image galleries)
• Steve McCurry's gallery at photographic agency "Sudest57" web site
• Capturing the Face of Asia - Interview with Steve McCurry in June 2007 by European Culture and Arts online Magazine "Culturekiosque"
• I Visualize Photo Possibilities Wherever I Am - Interview with Steve McCurry in August 2009 by Indian photography web site "Fotoflock.com"
• One on One with Riz Khan - Al Jezeera interview by Riz Khan on his work

Mangal Pandey (19 July 1827 – 8 April 1857) was a sepoy in the 34th Bengal Native Infantry (BNI) regiment of the English East India Company. He is known for his involvement in the initial stages of the Indian Rebellion of 1857. While contemporary British reports considered him a traitor and mutineer, he is widely regarded as a freedom fighter in modern India. As such, in 1984 the Indian government issued a postage stamp to commemorate him. His life and actions have also been portrayed in several cinematic productions.

Early years[link]

Mangal Pandey was born on 19 July 1827 in the village Nagwa, of Ballia district in Uttar Pradesh of India to Bhumihar Brahmin family.^[1]

He joined the East India Company's forces in 1849 at the age of 22. Pandey was part of the 6th Company of the 34th Bengal Native Infantry and is primarily known for his involvement in an attack on several of the regiment's officers. This incident marked an opening stage in what came to be known as the Indian Mutiny of 1857 or, recently, as the First War of Indian Independence. In line with the modern Indian perspective of his historical role, it is now claimed^{[by whom?]} that Pandey was a devout Hindu who practiced his religion diligently.

The 1857 incident[link]

Photo of the Enfield Rifle, the pending adoption of which caused unrest in the Bengal Army in early 1857

At Barrackpore on the afternoon of March 29, 1857, Lieutenant Baugh, Adjutant of the 34th Bengal Native Infantry (BNI), was informed that several men of his regiment were in an excited state. Further, it was reported to him that one of them, Mangal Pandey, was pacing in front of the regiment's guard room by the parade ground, armed with a loaded musket, calling upon the men to rebel and threatening to shoot the first European he set his eyes on. Baugh immediately buckled on his sword, placed loaded pistols in his holsters, mounted his horse, and galloped to the lines. Pandey took position behind the station gun, which was in front of the quarter-guard of the 34th, took aim at Baugh and fired. He missed Baugh, but the bullet struck his horse in the flank, and horse and rider were brought down.^[2] Baugh quickly disentangled himself and, seizing one of his pistols, advanced towards Pandey and fired. He missed. Before Baugh could draw his sword, Pandey attacked him with a talwar (a heavy Indian sword) and closing with the adjutant, slashed him on the shoulder and neck and brought him to the ground. It was then that another sepoy, Shaikh Paltu, intervened and tried to restrain Pandey even as he tried to reload his musket.^[2]

English Sergeant-Major Hewson, had arrived on the ground, summoned by a native officer, before Baugh. He had ordered Jemadar Ishwari Prasad, the Indian officer in command of the quarter-guard, to arrest Mangal Pandey. To this, the jemadar expostulated that his NCOs had gone for help and that he could not take Pandey by himself.^[3] At this, Hewson ordered Ishwari Prasad to fall in his guard with loaded weapons. In the meantime, Baugh had arrived on the field shouting 'Where is he? Where is he?' Hewson called out to Baugh, 'Ride to the right, Sir, for your life. The sepoy will fire at you!'^[4] At that point Pandey fired.

Hewson had charged towards Pandey as he was fighting with Lieutenant Baugh. He then locked in combat with Pandey and was knocked to the ground from behind by a blow from Pandey's musket. The sound of the firing had brought other sepoys from the barracks; they remained mute spectators. At this juncture, Shaikh Paltu, while trying to defend the two Englishmen called upon the other sepoys to assist him.^[2] Assailed by other sepoys, who threw stones and shoes at his back, he called on the guard to help him hold Pandey, but they threatened to shoot him if he did not let go of Pandey.^[4]

Some of the sepoys of the quarter-guard then advanced and struck at the two prostrate officers. They then threatened Shaikh Paltu and ordered him to release Pandey, whom he had been vainly trying to hold back. However, Paltu continued to hold Pandey until Baugh and the sergeant-major had had time to get up.^[2] Himself wounded by now, Paltu was obliged to loosen his grip. He backed away in one direction and Baugh and Hewson in another, while being struck with the butt ends of the guards' muskets.

In the meantime, report of the incident had been carried to the commanding officer General Hearsey, who then galloped to the ground with his two sons. Taking in the scene, he rode up to the guard, drew his pistol and ordered them to do their duty by seizing Mangal Pandey. The General threatened to shoot the first man who disobeyed. The men of the guard fell in and followed Hearsey towards Pandey. Pandey then put the muzzle of the musket to his breast and discharged it by pressing the trigger with his foot. He collapsed bleeding and with his regimental jacket on fire but not mortally wounded.^[2][4]

Pandey recovered and was brought to trial less than a week later. When asked whether he had been under the influence of any substances, he admitted to having used bhang (cannabis) and opium of late.^[4] He pleaded to not knowing what he was doing when intoxicated. He stated steadfastly that he had mutinied on his own accord and that none had played any role in egging him on. When asked to defend himself, he said, "I did not know what I was doing. I did not know who I wounded and who I did not. What more shall I say? I have nothing more to say. I have no evidence".^[5] He was sentenced to death by hanging along with the jemadar after three Sikh members of the quarter-guard testified that the latter had ordered them not to arrest Pandey".^[6]

Mangal Pandey's execution was scheduled for April 18, but was carried out ten days before that date. Jemadar Ishwari Prasad was executed by hanging on April 21.^[2]

Aftermath[link]

A portrate showing 1857 Sepoy Mutiny

The 34th B.N.I. Regiment was disbanded "with disgrace" on May 6 as a collective punishment, after an investigation by the government, for failing to perform their duty in restraining a mutinous soldier and protecting their officer. This came after a period of six weeks while petitions for leniency were examined in Calcutta. Shaikh Paltu was promoted on the spot to the post of Havaldar (native sergeant) by General Hearsey, for his conduct during the incident.^[2]

The Indian historian Surendra Nath Sen notes that the 34th B.N.I. had a good recent record and that the Court of Enquiry had not found any evidence of a connection with unrest at Berhampur involving the 19th B.N.I. four weeks before (see below). However, Mangal Pandey's actions and the failure of the armed and on-duty sepoys of the quarter-guard to take action convinced the British military authorities that the whole regiment was unreliable. It appeared that Pandey had acted without first taking other sepoys into his confidence but that antipathy towards their British officers within the regiment had led most of those present to act as spectators rather than obey orders.^[7] Many Indian soldiers were inspired by Mangal Pandey. They overthrew their superiors and crowned Bahadur Shah Zafar king.

Motivation[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2011)

The primary motivation behind Mangal Pandey's behaviour is attributed to a new type of bullet cartridge used in the Enfield P-53 rifle which was to be introduced in the Bengal Army that year.

The cartridge was greased with animal fat, primarily from pigs and cows, which could not be consumed by Muslims and Hindus respectively (the former being abhorrent to Muslims and the latter a holy animal of the Hindus).^[8] The cartridges had to be bitten at one end before use.^[9] The Indian troops were of the opinion that this was an intentional act of the British, with the aim of defiling their religions.

Commandant Wheeler of the 34th BNI was known as a zealous Christian preacher, and this may also have impacted the Company's behaviour. The wife of Captain William Halliday of 56th BNI had the Bible printed in Urdu and Devanagari and distributed among the sepoys, thus raising suspicions amongst them that the British were intent on converting them to Christianity.^[10]

Also, the 19th and 34th Bengal Native Infantry were stationed at Lucknow during the time of annexation of Oudh because of alleged misgovernment by the Nawab, on February 7, 1856. The annexation had another implication for sepoys in the Bengal Army (a significant portion of whom came from that princely state). Before the annexation, these sepoys had the right to petition the British Resident at Lucknow for justice — a significant privilege in the context of native courts. As a result of the annexation, they lost that right, since that state no longer existed. Moreover, this action was seen by the residents of the state as an affront to their honour, the annexation being done in violation of an existing treaty.

The sepoys were accordingly affected by the general discontent which had been stirred up by the annexation. In February 1857, both these regiments were situated in Barrackpore.

The 19th Bengal Native Infantry Regiment is important because it was the regiment charged with testing the new cartridges on February 26, 1857. However, right up to the mutiny the new rifles had not been issued to them, and the cartridges in the magazine of the regiment were as free of grease as they had been through the preceding half century. The paper used in wrapping the cartridges was of a different colour, arousing suspicions. The non-commissioned officers of the regiment refused to accept the cartridges on the 26 February. This information was conveyed to the commanding officer, Colonel Mitchell; he took it upon himself to try to convince the sepoys that the cartridges were no different from those they had been accustomed to and that they need not bite it. He concluded his exhortation with an appeal to the native officers to uphold the honour of the regiment and a threat to court-martial such sepoys as refused to accept the cartridge. However, the next morning the sepoys of the regiment seized their bell of arms (weapons store). The subsequent conciliatory behaviour of Mitchell convinced the sepoys to return to their barracks.^[11] A Court of Enquiry was ordered which, after an investigation lasting nearly a month, recommended the disbanding of the regiment. The same was carried out on the 31 March. The 19th BNI were allowed to retain their uniforms and provided by the Government with an allowance to return home.

The Enfield rifle and cartridge[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2011)

The P-53 was officially known as the Pattern 1853 Enfield Rifle Musket. Introduced in the British Army by the War Department during 1854 in the Crimean War, they proved very effective at a range of 50 to 300 yards (270 m). It was introduced in the Bengal Army by the East India Company in early 1857. At the time of Mangal Pandey's outbreak rearming of the sepoy regiments with the new weapon was only in its early stages.

The rifle used a Metford-Pritchitt cartridge that required the use of a heavy paper tube containing 2½ drams (68 grains) of musket powder and a 530-grain (34 g), pure lead bullet. As the bullet incorporated no annular grease rings like the French and American minié ball bullets introduced in 1847, it was wrapped with a strip of greased paper to facilitate loading. The cartridge itself was covered with a thin mixture of beeswax and linseed oil for waterproofing (although rumours abounded that it was beef or pork fat).

To load his rifle, the sepoy had to first bite off the rear of the cartridge to pour the powder down the barrel. He then inverted the tube (the projectile was placed in the cartridge base up), pushed the end-portion into the muzzle to the approximate depth of the bullet and tore off the remaining paper. The bullet could then be easily rammed on top of the charge.

Cultural considerations and rumours[link]

Since cows are sacred to Hindus and pigs are strictly forbidden to Muslims, the Indian sepoys could be expected to have reservations about the cartridges. Thus when the rumour that animal fat was being used began to circulate, it had a very damaging effect. Other unsettling accounts started spreading. For instance, it was thought that the British planned to make their sepoys outcaste in the society to force them to convert to Christianity. Another rumour said the British had adulterated the wheat flour distributed to the sepoys with ground bone-dust of bullocks.

The matter could have been worsened by the fact that an overwhelming number of sepoys in the Bengal Native Infantry were Brahmins from Awadh, Purvanchal and Western Bihar. As Brahmins are generally devout Hindus and therefore vegetarians, they are not supposed to eat or touch meat, the resistance was even stronger.

The Commander-in-Chief, General George Anson reacted by saying, "I'll never give in to their beastly prejudices" and, despite the pleas of his junior officers, he did not compromise.^{[citation needed]}

Later, the British contemplated reducing the discontent by allowing the sepoys to use their own grease made of ghee (clarified butter). Lord Canning sanctioned a proposal of Major-General Hearsey to this effect. However, the proposal was shot down by the Meerut-based Adjutant-General of the Army Colonel C. Chester, who felt it would be tantamount to an admission of guilt and could therefore worsen the matter.^[12] He falsely claimed that the sepoys had been using cartridges greased with mutton fat for years and that there was therefore no reason to give in now. This claim was not correct as native sepoys had till then only used Brown Bess muskets for which unsmeared paper cartridges were employed. The government let itself be convinced and rescinded the order allowing the usage of ghee.

Consequences[link]

The attack by, and punishment of, Pandey is widely seen as the opening scene of what came to be known as the Indian Rebellion of 1857. He is referred as Shaheed (Martyr) Mangal Pandey in India.

Film and stage adaptations[link]

[edit] The Rising (2005)

A film based on the sequence of events that led up to the mutiny entitled Mangal Pandey: The Rising starring Indian actor, Aamir Khan along with Rani Mukerji, Toby Stephens and Amisha Patel, directed by Ketan Mehta was released in August 2005.

[edit] The Roti Rebellion (2005)

The life of Mangal Pandey was the subject of a stage play titled The Roti Rebellion, which was written and directed by Supriya Karunakaran. The play was organized by Sparsh, a theatre group, and presented in June 2005 at The Moving Theatre at Andhra Saraswat Parishad, Hyderabad, Andhra Pradesh.

[edit] White Teeth (2000)

Samad Iqbal, a fictional descendant of Mangal Pandey, is a central character in Zadie Smith's debut novel White Teeth. Pandey is an important influence on Samad's life and is repeatedly referenced and investigated by the novel's characters.

English language[link]

In the English language, Pandey is best remembered for the word his surname and his actions helped coin: pandy — a traitor, particularly a rebellious sepoy of the Mutiny of 1857. Once a colloquial term on the lips of every English-speaking Indian and Englishman resident in India, the word is no longer in regular use.^[13][14]

Commemoration[link]

The Mangal Pandey cenotaph on Surendranath Banerjee road at Barrackpore Cantonment, West Bengal.

Postage stamp[link]

The Government of India commemorated Mangal Pandey by issuing a postage stamp bearing his image on October 5, 1984. The stamp and the accompanying first-day cover were designed by Delhi-based artist C. R. Pakrashi.

Mangal Pande Park[link]

A park is named 'Sahid Mangal Pandey Uddan' in the memory of Mangal Pande where he attacked British officers and was hanged, at Barrackpore road in Barrackpore sub-divisional town in North 24 Parganas district.^[15][16]

See also[link]

• Pandey
• Bahadur Shah II
• Barrackpur
• British East India Company
• Indian Rebellion of 1857
• Mangal Pandey: The Rising (2005)
• Mughal Empire
• Shaikh

References[link]

Further reading[link]

• Amin, Agha H., The Sepoy Rebellion of 1857-59: Reinterpreted, 1998, Strategicus and Tacticus
• Hibbert, Christopher, The Great Mutiny, 1978, Penguin Books
• Malleson, G.B., The Indian Mutiny of 1857, Delhi, Rupa & Co. publishers, 2005 (first published: 1890)
• Misra, Amaresh, Mangal Pandey: True Story of an Indian Revolutionary, 2005, Rupa & Co. publisher, Delhi
• Mukherjee, Rudrangshu, Mangal Pandey: Brave Martyr or Accidental Hero?, 2005, Penguin Books (India), ISBN 0-14-303256-9

External links[link]

• Mangal Pandy A Real Hero - View his profile
• Indian Postal Service's commemorative stamp on Mangal Pandey
• Man who led the mutiny
• In the Footsteps of Mangal Pandey
• The Great Mutiny: India's War for Freedom
• Review of The Roti Rebellion in The Hindu (June 8, 2005)
• Mangal Pandey: The Rising at the Internet Movie Database

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Aishwarya Rai
Aishwarya Rai in Cannes film festival 2012
Born	Aishwarya Rai (1973-11-01) 1 November 1973 (age 38)[1] Mangalore, Karnataka, India
Residence	Mumbai, Maharashtra, India[2]
Other names	Aishwarya Rai Bachchan
Occupation	actor, model
Years active	1991–present
Spouse	Abhishek Bachchan (2007–present)
Children	Aaradhya Bachchan
Signature	150px

Aishwarya Rai, known also as Aishwarya Rai Bachchan after her marriage^[3] (Tulu pronunciation [əjɕʋərjaː rəj]; born 1 November 1973) is an Indian film actress. She worked as a model before starting her acting career, and ultimately won the Miss World pageant in 1994. Rai has featured in films in various languages including Hindi, English, Tamil, Telugu, and Bengali.

Often cited by the media as the "most beautiful woman in the world",^[4][5][6] Rai made her acting debut with Mani Ratnam's Tamil film Iruvar (1997), and had her first commercial success in Jeans (1998). She found success in Bollywood with Sanjay Leela Bhansali's Hum Dil De Chuke Sanam (1999) and Devdas (2002) and eventually won two Filmfare Awards in the Best Actress category.

After a series of unsuccessful films during 2003–2005, she appeared in the blockbuster action thriller Dhoom 2 (2006) and subsequently featured in such films as Guru (2007), Jodhaa Akbar (2008), and Enthiran (2010). She gained critical acclaim for her performances in offbeat, independent films such as Chokher Bali (2003), Raincoat (2004), and Provoked (2007).^[7][8] Rai has thus established herself as one of the leading contemporary actresses of Indian cinema.^[9][10]

Rai's off-screen roles include duties as brand ambassador for various charity organisations and campaigns. She is married to fellow actor Abhishek Bachchan, son of actors Amitabh Bachchan and Jaya Bachchan. In 2009 she was honoured with the Padma Shri, the fourth-highest civilian award given by the Government of India.

Early life and background[link]

Rai was born into an ethnic Bunt^[11] family in Mangalore, Karnataka.^[12] Her father, Krishnaraj, was a marine biologist, while her mother, Brindya, is a housewife.^[1] She has one elder brother, Aditya Rai, who is an engineer in the merchant navy. He co-produced one of her movies, Dil Ka Rishta (2003).^[13]

The family moved to Mumbai, where Rai attended the Arya Vidya Mandir High School.^[1] Rai did her intermediate schooling at Jai Hind College for a year,^[14] and then joined DG Ruparel College^[15] in Matunga, securing 90 percent in the HSC exams.^[1][16] She trained in classical dance and music for five years during her teens.^[16] Her favourite subject was zoology, so she initially considered a career in medicine.^[16] With plans to become an architect, she enrolled at Raheja College, but later gave up her education to pursue a career in modelling.^[14]

Modelling career[link]

One of her earliest modelling assignment was, when she was in the ninth grade, for Camlin Pencils.^[16] One of her professors at Jai Hind College took pictures of her which were published in a fashion magazine.^[17] In 1991 Rai took part in the Ford Supermodel Contest and also appeared in Vogue Magazine.^[15] She has been on the cover of Vogue three times.^[18]

Rai became popular after appearing in a Pepsi commercial with actor Aamir Khan.^[16] She modelled for Longines watches, Coca-Cola,^[19] Lakmé Cosmetics, Casio pager, Philips, Palmolive,^[17] Lux, and Fuji films.^[20] She continued to model while pursuing her studies in architecture.^[1][17] She was named the official brand ambassador for De Beers diamonds in India.^[20]

In the 1994 Miss India contest, she won second place, behind Sushmita Sen, and was crowned Miss India World.^[21] She went on to win the Miss World^[22] title the same year, where she also won the Miss Photogenic award.^[23] After winning the pageant, she gave up her studies and spent one year reigning as Miss World in London.^[21] Rai continued to pursue a career as a model until she became an actress.^[24]

Acting career[link]

Early work (1997–98)[link]

Rai made her acting debut in Mani Ratnam's Tamil biopic film Iruvar (1997), where she worked alongside Mohanlal.^[25] The film was a critical success and won many awards, including Best Film award at the Belgrade International Film Festival,^[26] and two National Film Awards.^[26] Rai appeared in dual roles, one of which was a depiction of political leader and former actress J. Jayalalithaa.^[27] Rai made her Bollywood debut in the film in Aur Pyaar Ho Gaya, opposite Bobby Deol, which released the same year; the film was unsuccessful at the box office.^[28] Her third project, Jeans (1998), a high-budget Tamil film directed by S. Shankar, was a commercial success. The film included the song "Poovukkul", written by Vairamuthu, in which Rai's character is compared to the seven wonders of the world and described as the eighth.^[29][30] The film was India's official entry to the Academy Awards in that year.^[31]

Success (1999–2002)[link]

In 1999 Rai starred in Sanjay Leela Bhansali's Hum Dil De Chuke Sanam, opposite Salman Khan and Ajay Devgan.^[32] The film had Rai playing Nandini, who is forced to marry Devgan despite being in love with another man (Khan). Her husband tries to help her locate her previous love, and his caring attention eventually wins her over. Rai's portrayal won her critical acclaim, with a review on Rediff.com stating, "Aishwarya looks beautiful as usual ... This film will most likely draw her accolades from all over, may be even get her recognised as an actress the way Manisha Koirala did in Khamoshi. In many scenes, there is no trace of makeup and she looks very fresh".^[33] The film was her first box office success in Bollywood, and earned her a Filmfare Best Actress Award.^[34]

In the same year she appeared in Subhash Ghai's Taal,^[35] in which she played Mansi, a young village woman who becomes a big pop star after being hurt by her lover, played by Akshay Khanna. The film was an average grosser in India but was a big success outside India, especially in the United States, where it became the first Indian film in the top 20 on Variety's box office list.^[36] Her performance was praised, with a reviewer from Rediff.com writing, "After being praised for her looks and acting talent in Hum Dil De Chuke Sanam, Aishwarya has excelled in Taal. She looks ethereal and unlike the former film, has a very sober and soft role. Though she looks pained and tragic in most of the film, she does a good job of a woman who is very protective of her father and one who doesn't think twice before rejecting a lover who has insulted her father."^[37] She received another Best Actress nomination from the Filmfare Awards for her work in the film.^[38]

In 2000 she appeared in Mansoor Khan's Josh alongside Shahrukh Khan and Chandrachur Singh, in which she plays a Catholic named Shirley who falls in love with the sibling of her brother's enemy.^[39] The film was a commercial success.^[40] Later that year she appeared in Satish Kaushik's Hamara Dil Aapke Paas Hai, opposite Anil Kapoor. It was a moderate success, and her performance earned her a Filmfare Best Actress Award nomination.^[41] Later that year she played a supporting role in Aditya Chopra's Mohabbatein, alongside Amitabh Bachchan and Shahrukh Khan. The second-highest grosser of the year, the film was a major commercial success, and earned her a Filmfare Best Supporting Actress Award nomination.^[41][42] Later that year, she starred in the Tamil film Kandukondain Kandukondain, alongside Mammooty, Ajith Kumar, and Tabu. Rai plays Tabu's younger sibling, a dreamer at heart, whose hopes come crashing down when she discovers she's been cheated by her lover.^[43] Directed by Rajiv Menon, the movie was a successful venture commercially.^[7][44]

In 2002 Rai appeared alongside Shahrukh Khan and Madhuri Dixit in Sanjay Leela Bhansali's Devdas, an adaptation of Sharat Chandra Chattopadhyay's novel of the same name.^[45] She played the role of Paro (Parvati), the love interest of the protagonist, played by Khan. The film received a special screening at the 2002 Cannes Film Festival.^[46] It became the highest-grossing film of the year in India and overseas, earning a revenue of Rs 390 million domestically.^[47][48] Devdas won numerous awards, including 10 Filmfare Awards, and Rai received her second Filmfare Best Actress Award for her performance.^[49]

Professional setback (2003–05)[link]

In 2003 she acted in Rituparno Ghosh's Bengali film Chokher Bali, an adaptation of Rabindranath Tagore's novel of the same name.^[50] She portrays the character of a young woman called Binodini,^[51] who is left on her own when her sickly husband dies soon after they are married.^[52] Rai's performance in the film was well-received by critics, with "Derek Elley" from Variety writing, "Rai dominates the film with her delicately sensual presence and physical grace".^[53] The film was critically acclaimed and did well at the box office,^[54][55] That year she appeared in the Bollywood film Dil Ka Rishta, with Arjun Rampal, and Rohan Sippy's Kuch Na Kaho, alongside Abhishek Bachchan,^[56] neither of which fared well at the box office.^[56][57]

In 2004 she appeared alongside Martin Henderson in Bride and Prejudice, Gurinder Chadha's Bollywood-style English adaptation of Jane Austen's Pride and Prejudice. She played Lalita Bakshi, the film's version of Austen's character Elizabeth Bennet. Based on 131 reviews, the film has a rating of 64 percent at the review website Rotten Tomatoes.^[58] She played a negative role for the first time in Rajkumar Santoshi's Khakee, which also featured Amitabh Bachchan, Akshay Kumar, Ajay Devgan, and Jayapradha. The film was a box office success.^[59] In the same year she worked with director Rituparno Ghosh for the second time, in Raincoat, where she starred alongside Ajay Devgan. The film was highly acclaimed by critics, with Rai receiving rave reviews for her performance.^[60] The Hindu commented "Raincoat can easily be Aishwarya Rai's best performance, and as Neerja, the former beauty queen appears to have shed her inhibitions about looking unglamorous. What is more, she seems to have made an earnest effort to emote, using less of her body and limbs and more of her face, and eyes in particular".^[61]

In 2005 she appeared in Shabd, a film based on a love triangle, alongside Sanjay Dutt and Zayed Khan. The film was unsuccessful at the box office; it received average reviews from critics.^[62] Her next release was Paul Mayeda Berges's The Mistress of Spices, based on the novel of the same name by Chitra Banerjee Divakaruni,^[63] in which she starred alongside Dylan McDermott.^[64] The film received negative reviews from critics,^[65] and was a commercial failure.^[66] The same year she made a special appearance in a hugely popular seven-minute dance sequence for the song "Kajra Re", with Amitabh Bachchan and Abhishek Bachchan, in Shaad Ali's Bunty Aur Babli.^[67]

Recent work (2006–present)[link]

In 2006 Rai portrayed the title role in J P Dutta's Umrao Jaan, the story of a courtesan and poetess from 19th-century Lucknow. The movie is the second adaptation of the Urdu novel Umrao Jaan Ada (1905), by Mirza Hadi Ruswa. Rai's work received mixed reviews, and the film was a critical and commercial failure. Critics particularly felt the new version is poor when compared to the acclaimed 1981 version by Muzaffar Ali, which starred Rekha in the title role. BBC critic Poonam Joshi wrote, "While only Aishwarya could emulate the grace and poise of Rekha, she doesn't quite capture the intensity of Umrao's abiding melancholy", commenting that "her incandescent beauty and artistry... does indeed keep the audience watching, though not necessarily emotionally engaged."^[68] Later that year she appeared as a master thief, Sunheri, in the Yash Raj Films production of Dhoom 2, directed by Sanjay Gadhvi. The ensemble cast included Hrithik Roshan, Abhishek Bachchan, Bipasha Basu, and Uday Chopra. The movie was a blockbuster, and became the highest grossing film of the year in India, earning revenues of over Rs 770 million domestically.^[69] A controversy arose regarding a scene containing a kiss between her and Hrithik Roshan.^[70] Rai's performance received mostly negative reviews, with a reviewer on Rediff.com writing, "Ash's character too is all gloss and no depth. You seldom feel any tension in her behaviour and expressions as she accompanies the master thief on potentially dangerous missions. Sunehri enters the film nearly 50 minutes after its opening in a disguise. In no time, she is wearing the flimsiest of clothes. Once she opens her mouth—and she does it two minutes after appearing in the film—she spoils the image. There is no sensuality any more, and half an hour later, one wonders what made the master thief fall for her."^[71] Nonetheless, her performance earned her a sixth nomination for Filmfare Best Actress Award.

In 2007 she appeared in Mani Ratnam's Guru as Sujata. Speculated to be based on the life of Indian businessman Dhirubhai Ambani, it is a rag to riches story about an ambitious small-town man who ends up as the owner of the biggest corporation in India. The film premièred at the Elgin Theatre in Toronto, Canada, the first Indian film to have a mainstream international premiere in that country.^[72][73] The film was critically acclaimed, and performed well at the box office.^[74] Critical reception for Rai was mixed. While Nikhat Kazmi from The Times of India wrote that she is "just okay, and fails to register the growth in her character", Rediff.com's Raja Sen described it as "arguably her finest performance, visible especially when she takes over the film's climax."^[75][76] Rai received her seventh Filmfare nomination for Best Actress for her performance. In the same year she starred alongside Naveen Andrews and Miranda Richardson in Jag Mundhra's British film Provoked, as Kiranjit Ahluwalia, an Non-resident Indian woman who kills her abusive husband after facing severe domestic violence. Rai received mostly positive reviews for her portrayal. It was screened in the Marché du Film Cannes Film Market during the 2006 Cannes Film Festival. Ahluwalia sat next to Rai during the screening, reportedly holding her hand and sobbing during the most violent scenes.^[77] In the same year Rai appeared as a warrior from Kerala named Mira in Doug Lefler's epic film The Last Legion, alongside Sir Ben Kingsley, Colin Firth, and Thomas Sangster. The film was a critical failure.^[78]

In 2008 Rai starred alongside Hrithik Roshan in Ashutosh Gowariker's historical drama Jodhaa Akbar. The story is a partly fictionalised account of the life of Muslim Mughal emperor Jalaluddin Muhammad Akbar, played by Roshan, and his Hindu wife Jodha Bai, played by Rai. The film was a critical and commercial success, earning revenues of over Rs 590 million domestically. Rai's performance in the film was praised by critics, with Rajeev Masand writing, "Aishwarya Rai is wonderfully restrained and uses her eyes expertly to communicate so much, making this one of her finest outings on screen".^[79] She earned her eighth nomination for Best Actress at the Filmfare Awards for her performance. Later that year she co-starred with husband Abhishek Bachchan and father-in-law Amitabh Bachchan in Ram Gopal Verma's Sarkar Raj, a sequel to his previous film, Sarkar.^[80] She plays the CEO of a major power company that is proposing a new power plant in rural Maharashtra. The film was a critical and commercial success.^[81][82]

In 2009 she appeared in Harald Zwart's spy comedy film The Pink Panther 2, playing the role of criminology expert Sonia Solandres. Like its predecessor, the sequel received negative reviews from critics,^[83] and did a moderate business of $34,590,360 at the U.S box office.^[84] In 2010 she collaborated with Mani Ratnam for a bilingual project, two films featuring Rai portraying a character based on the goddess Sita. The films were shot simultaneously, with Rai's role being one of the only roles which were played by the same performer in both versions. Upon release, the project received mixed reviews. Though both her portrayals of Ragini were praised, the Hindi version—Raavan, alongside Abhishek Bachchan—failed commercially, whilst the Tamil version—Raavanan—was successful. The Hindi version of the film got decent reviews in various US media, including the New York Times and Los Angeles Times, with the former saying, "Raavan has Bollywood glamour aplenty, with the lovely if occasionally dramatically challenged Aishwarya Rai Bachchan", and the latter describing Rai as a scene-stealer.^[85]

Rai paired with Rajinikanth in the science fiction Tamil film Enthiran (2010), directed by S. Shankar.^[86] The film—the most expensive ever made in India—was released worldwide in 2010, and is the highest-grossing Indian film when all its versions are totalled.^[87][88][89] She appeared in Vipul Shah's Action Replayy opposite Akshay Kumar, which received mixed reviews from critics. Rai's final release in 2010 was Guzaarish, her third collaboration with director Sanjay Leela Bhansali and actor Hrithik Roshan. The film tells the story of Ethan Mascarenhas (Roshan), a former magician who has been quadriplegic for twelve years; after years of struggle he files an appeal to the court for euthanasia. Rai played Ethan's strict, devoted, and supportive nurse Sophie D'Souza. The film opened to positive reviews, and Rai's portrayal was praised. According to Nikhat Kazmi, "Aishwarya is a stunning picture of fire and grace, walking away with certain scenes by her sheer vitality."^[90][91] In 2011 she received her ninth nomination for the Filmfare Award for Best Actress. As of May 2011, she is set to appear in Rajkumar Santoshi's next film, Ladies and Gentlemen, along with Abhishek Bachchan,^[92] and in Madhur Bhandarkar's next directorial venture, Heroine.^[93] The shooting of both films was postponed, due to Rai's pregnancy.^[94][95] She will not appear in Heroine, which is going forward with Kareena Kapoor.^[96]

Social work[link]

In 1999 Rai participated in a world tour called the Magnificent Five, along with Aamir Khan, Rani Mukerji, Akshaye Khanna, and Twinkle Khanna.^[97] In the same year, she was appointed as Longines Ambassador of Elegance.^[98] In 2003 she became the first Indian actress to be a jury member at the Cannes Film Festival.^[99] In 2003 she became a global brand ambassador of L'Oréal, alongside Andie MacDowell, Eva Longoria, and Penélope Cruz.^[100][101] Rai is the brand ambassador for The Eye Bank Association of India's nationwide campaign to promote eye donation in India.^[102] In 2005 she became a brand ambassador for Pulse Polio, a campaign established by the Government of India in 1994 to eradicate polio in India.^[103] In the same year, Rai was appointed spokesperson for the International Year of Microcredit, raising awareness of the main goals and priorities of the United Nations' poverty alleviation efforts.^[104][105]

In February 2005 Rai performed alongside other Bollywood stars at the HELP! Telethon Concert, an event to raise money for the victims of the 2004 tsunami earthquake.^[106] Along with other members of the Bachchan family, she laid the foundation of a special school for underprivileged girls in Daulatpur village in Uttar Pradesh in 2008. Construction is being funded by the Bachchan family, and the school will be named after Rai.^[107] She appeared along with various other Bollywood actors at the closing ceremony of the 2006 Commonwealth Games in Melbourne. The performance showcased Indian culture as a lead-up to India hosting the 2010 Commonwealth Games.^[108]

In 2009 Rai was appointed as the first Goodwill Ambassador of Smile Train, an international charity that provides free Cleft lip and palate surgery to children in need. Her work with Smile Train will focus not only on India, but on 76 different developing countries around the world.^[109][110]

Personal life[link]

In 1999 Aishwarya began dating Bollywood actor Salman Khan; their relationship was often reported in the media until the couple separated in 2001. Rai cited "abuse (verbal, physical and emotional), infidelity and indignity" on the part of Khan as reasons for ending the relationship.^[111] In a 2009 Times of India article, Khan denied ever beating her: "It's not true that I hit a woman."^[112]

Rai is married to actor Abhishek Bachchan, they met in 1997.^[18] Their engagement was announced on 14 January 2007 and later confirmed by his father, Amitabh Bachchan.^[113] The couple married on 20 April 2007 according to traditional Hindu rites of the Bunt community, to which she belongs.^[114] Token North Indian and Bengali ceremonies were also performed. The wedding took place in a private ceremony at the Bachchan residence, "Prateeksha", in Juhu, Mumbai.^[114] They have been described as a supercouple in the Indian media.^[115][116] Rai is very close to her family and lived with them in Bandra, Mumbai, until her marriage.^[117][118] Rai is Hindu and deeply religious.^[4]

Rai gave birth to a baby girl on 16 November 2011.^[119] Her daughter became quite popular by the name of "Beti B" which was christened by the fans and the media, since the couple took over four months to name their daughter. The baby girl was finally named as Aaradhya Bachchan in March 2012.^[120]

Awards and honours[link]

Aishwarya Rai is a two-time winner of the Filmfare Best Actress Award, and has been nominated for Filmfare Awards eleven times.^[41][121] She has won numerous times at the International Indian Film Academy Awards, Star Screen Awards, Zee Cine Awards, and others. In 2009 Rai was awarded the Padma Shri, the fourth-highest Indian civilian award, for her contributions to Indian cinema.^[122] In 2001 Forbes named Rai among the top five Indian movie stars.^[123] In a reader poll conducted by UK's Hello! magazine, she was voted "the most attractive woman of 2003".^[124] In the same year, Rai appeared in Rolling Stone magazine's annual "Hot List".^[125] In 2004 she was chosen by TIME magazine as one of the world's most influential people, and appeared on the cover of its 2003 Asia edition.^{[126][127][128]} In October 2004 a wax figure of Rai was put on display in London's Madame Tussaud's wax museum.^[129] She was the sixth Indian and the second Bollywood personality—after her father-in-law, Amitabh Bachchan—to get this honour. In 2007 the same figure was displayed at Madame Tussaud's Museum in Times Square in New York.^[130]

Aishwarya Rai with her husband, Abhishek Bachchan, at the IIFA Awards (2007)

In 2005 she was the subject of a 60 Minutes profile on 2 January, which said that "at least according to thousands of Web sites, Internet polls and even Julia Roberts", she was "the world's most beautiful woman".^[4] The same year, a tulip in the Netherlands was named "Aishwarya Rai" after her.^[131] Also in 2005, Mattel released a limited edition of Barbie dolls of Aishwarya Rai in the United Kingdom.^[132] The British magazine Maxim ranked Rai first on their list of "Hottest Women of India".^[133]

Rai appeared on such shows as Late Show with David Letterman, and was the first Bollywood personality to appear on Oprah's "Women Across the Globe" segment. In 2005 Harpers and Queen's list of "Most Beautiful Women in The World" ranked her ninth.^[134] In May 2006 Aishwarya was featured in People Magazine as one of the "World's Most Beautiful People".^[135] The UK magazine Eastern Eye ranked her third in the list of "Asia's Sexiest Women" in 2006,^[136] and she was ranked eighth in 2009.^[137] In 2008 American television channel E!: Entertainment listed Aishwarya's eyes as the sexiest on their Sexiest Body Parts list.^[138] In 2009 she made appearances on Martha Stewart's show Martha and on the The Tyra Banks Show.^[139][140] In the same year Forbes listed Rai at 387th out of 1,411 actors on their list of the most bankable stars in Hollywood. She is the highest-ranked Indian actor on the list.^[141][142]

In 2009, Rai refused to accept the second-highest Order Of France, Ordre des Arts et des Lettres, as her father was suffering from a serious illness, and she wanted her whole family to attend the award ceremony.^[143] She is the fourth Indian actor—after Sivaji Ganesan, Nandita Das, and Shahrukh Khan—to be chosen for the award. Amitabh Bachchan was chosen for another Order Of France, the Legion of Honour.^[144] In June 2009 she was declared the Female Star of The Decade at the tenth International Indian Film Academy Awards, held in Macau.^[145] In December 2010 she was declared the "Actress of the Decade" at the BIG Star Entertainment Awards.^[146] In March 2011 Rai was honoured by Karnataka Chief Minister B. S. Yeddyurappa at World Kannada Meet (Vishwa Kannada Sammelana) for her contributions to the arts.^[147] Later that month she was presented with the "Decade of Global Achievement Honour" by FICCI.^[148] She attended the 83rd Academy Awards, along with her husband, Abhishek.^[149]

Filmography[link]