A day is a unit of time, commonly defined as an interval equal to 24 hours. It also can mean that portion of the full day during which a location is illuminated by the light of the sun, also known as daytime. The period of time measured from local noon to the following local noon is called a ''solar day''.

Several definitions of this universal human concept are used according to context, need and convenience. In 1967, the second was redefined in terms of the wavelength of light, and it became the SI base unit of time. The unit of measurement for time called "day", redefined in 1967 as 86,400 SI seconds and symbolized d, is not an SI unit, but it is accepted for use with SI. A civil day is usually also 86,400 seconds, plus or minus a possible leap second in Coordinated Universal Time UTC, and, in some locations, occasionally plus or minus an hour when changing from or to daylight saving time. The word ''day'' may also refer to a day of the week or to a calendar date, as in answer to the question "On which day?" ''Day'' also refers to the part of the day that is not night — also known as 'daytime'. The life patterns of humans and many other species are related to Earth's solar day and the cycle of day and night (see circadian rhythms).

The average length of a solar day on Earth is about 86,400 seconds (24 hours) and there are about 365.2422 solar days in one mean tropical year. Because celestial orbits are not perfectly circular, and thus objects travel at different speeds at various positions in their orbit, a solar day is not the same length of time throughout the orbital year. A ''day'', understood as the span of time it takes for the Earth to make one entire rotation with respect to the celestial background or a distant star (assumed to be fixed), is called ''stellar day''. This period of rotation is about 4 minutes less than 24 hours and there are about 366.2422 in one mean tropical year (one more stellar day than the number of solar days). Mainly due to tidal effects, the Earth's rotational period is not constant, resulting in further minor variations for both solar days and stellar 'days'. Other planets and moons also have stellar and solar days.

Introduction

Besides the day of 24 hours (86,400 seconds), the word ''day'' is used for several different spans of time based on the rotation of the Earth around its axis. An important one is the solar day, defined as the time it takes for the sun to return to the zenith (its highest point in the sky). Because the Earth orbits the Sun elliptically as the Earth spins on an inclined axis, this period can be up to 7.9 seconds more than (or less than) 24 hours. On average over the year this day is equivalent to 24 hours (86,400 seconds).

A day, in the sense of daytime that is distinguished from night-time, is commonly defined as the period during which sunlight directly reaches the ground, assuming that there are no local obstacles. The length of daytime averages slightly more than half of the 24-hour day. Two effects make daytime on average longer than nights. The Sun is not a point, but has an apparent size of about 32 minutes of arc. Additionally, the atmosphere refracts sunlight in such a way that some of it reaches the ground even when the Sun is below the horizon by about 34 minutes of arc. So the first light reaches the ground when the centre of the Sun is still below the horizon by about 50 minutes of arc. The difference in time depends on the angle at which the Sun rises and sets (itself a function of latitude), but can amount to around seven minutes.

Ancient custom has a new day start at either the rising or setting of the Sun on the local horizon (Italian reckoning, for example) The exact moment of, and the interval between, two sunrises or two sunsets depends on the geographical position (longitude as well as latitude), and the time of year. This is the time as indicated by ancient hemispherical sundials.

A more constant day can be defined by the Sun passing through the local meridian, which happens at local noon (upper culmination) or midnight (lower culmination). The exact moment is dependent on the geographical longitude, and to a lesser extent on the time of the year. The length of such a day is nearly constant (24 hours ± 30 seconds). This is the time as indicated by modern sundials.

A further improvement defines a fictitious mean Sun that moves with constant speed along the celestial equator; the speed is the same as the average speed of the real Sun, but this removes the variation over a year as the Earth moves along its orbit around the Sun (due to both its velocity and its axial tilt).

The Earth's day has increased in length over time. This phenomenon is due to tides raised by the Moon which slow Earth's rotation. Because of the way the second is defined, the mean length of a day is now about 86,400.002 seconds, and is increasing by about 1.7 milliseconds per day every century ( an average over the last 2,700 years. See tidal acceleration for details. The length of one day has been estimated as 21.9 hours 620 million years ago from rhythmites (alternating layers in sandstone). The length of day for the Earth or Proto-Earth before the event which created our moon by an impact is yet unknown.

Etymology

The term comes from the Old English ''dæg'', with its cognates such as ''Tag'' in German, and ''dag'' in Norwegian, Danish, Swedish and Dutch. "Day" is the 98th most common word in English according to AskOxford.com.

International System of Units (SI)

A day, symbol ''d'', is defined as 86,400 seconds. The second is the unit of time in SI units.

A day on the UTC time scale can include a negative or positive leap second, and can therefore have a length of 86,399 or 86,401 seconds.

The International Bureau of Weights and Measures (BIPM) currently defines a second as

… the duration of 9 192 631 770 periods of the radiation corresponding to the transition between two hyperfine levels of the ground state of the caesium 133 atom.

This makes the SI-based day last exactly 794,243,384,928,000 of those periods.

Decimal and metric time

In the 19th century it had also been suggested to make a decimal fraction ( or ) of an astronomic day the base unit of time. This was an afterglow of decimal time and calendar, which had been given up already for its difficulty to comply with familiar units. The still most successful candidate is the ''centiday'' = 14.4 minutes, as a shorter quarter of an hour and also close to the SI target kilosecond and old Chinese ke.

Astronomy

A day of exactly 86,400 SI seconds is the astronomical unit of time (the second is not preferred in astronomy).

For a given planet, there are three types of day defined in astronomy:

stellar day - an entire rotation of a planet with respect to the distant stars

sidereal day - a single rotation of a planet with respect to the vernal equinox

mean solar day - average time of a single rotation of a planet with respect to the sun as the central star

For Earth, the stellar day and the sidereal day are nearly of the same length and about 3 minutes 56 seconds shorter than the solar day. Relative to the fixed stars, the Earth spins just over 366 times upon its axis during one complete orbit. The Earth's orbit around the Sun reduces (by one) the number of transits the Sun makes across the Earth's sky in a sidereal year.

Colloquial

The word refers to various relatedly defined ideas, including the following:

24 hours (exactly)

the period of light when the Sun is above the local horizon (that is, the time period from sunrise to sunset);

the full day covering a dark and a light period, beginning from the beginning of the dark period or from a point near the middle of the dark period;

a full dark and light period, sometimes called a ''nychthemeron'' in English, from the Greek for ''night-day'';

the time period from 6:00 AM to 6:00 PM or 9:00 PM or some other fixed clock period overlapping or set off from other time periods such as "morning", "evening", or "night".

Civil day

For civil purposes a common clock time has been defined for an entire region based on the mean local solar time at some central meridian. Such time zones began to be adopted about the middle of the 19th century when railroads with regular schedules came into use, with most major countries having adopted them by 1929. For the whole world, 40 such time zones are now in use. The main one is "world time" or Coordinated Universal Time (UTC).

The present common convention has the civil day starting at midnight, which is near the time of the lower culmination of the mean Sun on the central meridian of the time zone. A day is commonly divided into 24 hours of 60 minutes of 60 seconds each.

Leap seconds

To keep the civil day aligned with the apparent movement of the Sun, positive or negative leap seconds may be inserted.

A civil clock day is typically 86,400 SI seconds long, but will be 86,401 s or 86,399 s long in the event of a leap second.

Leap seconds are announced in advance by the International Earth Rotation and Reference Systems Service which measures the Earth's rotation and determines whether a leap second is necessary. Leap seconds occur only at the end of a UTC month, and have only ever been inserted at the end of June 30 or December 31.

Boundaries of the day

For most diurnal animals, the day naturally begins at dawn and ends at sunset. Humans, with our cultural norms and scientific knowledge, have supplanted Nature with several different conceptions of the day's boundaries. The Jewish day begins at either sunset or at nightfall (when three second-magnitude stars appear). Medieval Europe followed this tradition, known as Florentine reckoning: in this system, a reference like "two hours into the day" meant ''two hours after sunset'' and thus times during the evening need to be shifted back one calendar day in modern reckoning. Days such as Christmas Eve, Halloween, and the Eve of Saint Agnes are the remnants of the older pattern when holidays began the evening before. Present common convention is for the civil day to begin at midnight, that is 00:00 (inclusive), and last a full 24 hours until 24:00 (exclusive).

In ancient Egypt, the day was reckoned from sunrise to sunrise. Muslims fast from daybreak to sunset each day of the month of Ramadan. The "Damascus Document", copies of which were also found among the Dead Sea scrolls, states regarding Sabbath observance that "No one is to do any work on Friday ''from the moment that the sun's disk stands distant from the horizon by the length of its own diameter''," presumably indicating that the monastic community responsible for producing this work counted the day as ending shortly before the sun had begun to set.

In the United States, nights are named after the previous day, ''e.g.'' "Friday night" usually means the entire night between Friday and Saturday. This is the opposite of the Jewish pattern. This difference from the civil day often leads to confusion. Events starting at midnight are often announced as occurring the day before. TV-guides tend to list nightly programs at the previous day, although programming a VCR requires the strict logic of starting the new day at 00:00 (to further confuse the issue, VCRs set to the 12-hour clock notation will label this "12:00 AM"). Expressions like "today", "yesterday" and "tomorrow" become ambiguous during the night.

Validity of tickets, passes, etc., for a day or a number of days may end at midnight, or closing time, when that is earlier. However, if a service (e.g. public transport) operates from for example, 6:00 to 1:00 the next day (which may be noted as 25:00), the last hour may well count as being part of the previous day (also for the arrangement of the timetable). For services depending on the day ("closed on Sundays", "does not run on Fridays", and so on) there is a risk of ambiguity. As an example, for the Nederlandse Spoorwegen (Dutch Railways), a day ticket is valid 28 hours, from 0:00 to 28:00 (that is, 4:00 the next day). To give another example, the validity of a pass on London Regional Transport services is until the end of the "transport day" -- that is to say, until 4:30 am on the day after the "expiry" date stamped on the pass.

24 hours vs daytime

To distinguish between a full day and daytime, the word ''nychthemeron'' (from Greek for a night and a day) may be used in English for the former, or more colloquially the term . In other languages, the latter is also often used. Other languages also have a separate word for a full day, such as ''vuorokausi'' in Finnish, ''ööpäev'' in Estonian, ''dygn'' in Swedish, ''døgn'' in Danish, ''døgn'' in Norwegian, ''sólarhringur'' in Icelandic, ''etmaal'' in Dutch, ''doba'' in Polish, ''сутки'' (''sutki'') in Russian, ''суткі'' (''sutki'') in Belarusian, ''доба́'' (''doba'') in Ukrainian, ''денонощие'' in Bulgarian and יממה in Hebrew. In Italian, ''giorno'' is used to indicate a full day, while ''dì'' means daytime. In Spanish, ''singladura'' is used, but only as a marine unit of length, being the distance covered in 24 hours.

See also

10 s, times from 10 kiloseconds to 100 kiloseconds

Calculating the day of the week

Daylight

Daylight saving time

Meteorological day

Season, for a discussion of daylight and darkness at various latitudes

Synodic day

Notes and references

External links

Definitions of day, night, twilight (USA navy site)

Formulas to calculate the length of day and night

Sunrise and sunset, all year long, anywhere

Show where it is daytime at the moment

Category:Orders of magnitude (time)

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{{infobox musical artist | name

Kirsty MacColl | image Kirsty_MacColl_at_Double_Door_Chicago.png | caption Kirsty MacColl at the Double Door in Chicago | background solo_singer | birth_name Kirsty Anna MacColl | birth_date October 10, 1959 Croydon, England, United Kingdom | death_date December 18, 2000 Cozumel, Mexico | genre New Wave, Pop, Rock, Country, Folk, World Music | occupation Singer, songwriter | years_active 1979–2000 | label Stiff, Polydor, IRS, ZTT, V2 | website KirstyMacColl.com }}

Kirsty Anna MacColl (10 October 1959 – 18 December 2000) was an English singer-songwriter.

MacColl scored several pop hits from the early 1980s to the early 1990s. During this era, she often sang on recordings produced by her husband Steve Lillywhite, notably those of The Smiths and the song "Fairytale of New York" by The Pogues.

MacColl was killed in a controversial boating incident in Mexico.

Life and career

Early career

Kirsty MacColl was the daughter of folk singer Ewan MacColl and dancer Jean Newlove. She and her brother, Hamish MacColl, grew up with their mother in Croydon, where she attended Park Hill Primary School and Monks Hill High School, making appearances in school plays. At the time of MacColl's birth, her father had been in a relationship with folksinger, multi-instrumentalist and songwriter Peggy Seeger since 1956 (a relationship that would continue until his death in 1989), and already had a son with her.

She came to notice when Chiswick Records released an EP by local punk rock band the Drug Addix with MacColl on backing vocals under the pseudonym Mandy Doubt (1978). Stiff Records executives were not impressed with the band, but liked her and subsequently signed her to a solo deal.

Debut single

Her debut solo single "They Don't Know", released in 1979, peaked at number 2 in terms of airplay on the Music Week airplay chart. However, a distributors' strike prevented copies of the single getting into record stores, and the single consequently failed to appear on the UK Singles Chart.

MacColl recorded a follow-up single, "You Caught Me Out", but felt she lacked Stiff's full backing, and left the label shortly before the song was to be released. The single was pulled, and only a few "white label" promo copies of the single are known to exist.

MacColl moved to Polydor Records in 1981. She had a UK number 14 hit with "There's a Guy Works Down the Chip Shop Swears He's Elvis", taken from her critically acclaimed debut album ''Desperate Character''. In 1983, Polydor dropped her just as she had completed recording the songs for a planned second album (to be called ''Real'') which used more synthesizers and had New Wave-styled tracks. She returned to Stiff, where pop singles such as "Terry" and "He's On the Beach" were unsuccessful but a cover of Billy Bragg's "A New England" in 1985 got to Number 7 in the UK charts. This included two extra verses specially written for her by Bragg. Also around this time, MacColl wrote and performed the theme song "London Girls" for Channel 4's short-lived sitcom ''Dream Stuffing'' (1984).

In the United States, MacColl was probably most recognisable as the writer of "They Don't Know". Tracey Ullman's version, helped by a video guest-starring Paul McCartney, reached Number 2 in the UK in 1983 and the Top Ten in North America. It was also played over the closing credits of Ullman's HBO show ''Tracey Takes On'' in 1996. Ullman also recorded three more of MacColl's songs, "You Broke My Heart In 17 Places" and "You Caught Me Out", as the title tracks of her first and second albums respectively, and "Terry" which was released as a single in 1985.

Chart re-emergence

When Stiff went bankrupt in 1986, MacColl was left unable to record in her own right, as no record company bought her contract from the Official Receiver. However, she had regular session work as a backing vocalist, and she frequently sang on records produced or engineered by her husband, Steve Lillywhite, including tracks for Robert Plant, The Smiths, Talking Heads, Big Country, Crossfire Choir, Anni-Frid Lyngstad (of ABBA), and The Wonder Stuff among others. She appeared in the videos "Welcome to the Cheap Seats" for The Wonder Stuff and "(Nothing But) Flowers" for Talking Heads (along with ex-The Smiths guitarist Johnny Marr).

MacColl re-emerged in the British charts in December 1987, reaching Number 2 with The Pogues on "Fairytale of New York", a duet with Shane MacGowan. This led to her accompanying The Pogues on their British and European tour in 1988, an experience which she said helped her temporarily overcome her stage fright. In March 1989, MacColl sang backing vocals on the Happy Mondays' ''Hallelujah'' EP.

After the contract issue was resolved, MacColl returned to recording as a solo artist and received critical acclaim upon the release of ''Kite'' (LP) in 1989. The album was widely praised by critics, and featured collaborations with David Gilmour and Johnny Marr. MacColl's lyrics addressed life in Margaret Thatcher's Britain on "Free World", ridiculed the vapidity of fame in "Fifteen Minutes", and addressed the vagaries of love in "Don't Come The Cowboy With Me Sonny Jim!" Although ''Kite'' contained many original compositions, MacColl's biggest chart success from the album would be the cover of The Kinks' song "Days", which gave her a UK Top 20 hit in July 1989. A bonus track on the CD version of ''Kite'' was a cover of the Smiths song "You Just Haven't Earned It Yet, Baby".

During this time, MacColl was also featured on the British sketch comedy ''French and Saunders'', appearing as herself, singing songs including "15 Minutes" and "Don't Come The Cowboy With Me Sunny Jim!" (from ''Kite''), "Still Life" (the B-side of the "Days" single), "Girls On Bikes" (a reworking of B-side "Am I Right?") and, with comedy duo Raw Sex, the Frank and Nancy Sinatra hit "Something Stupid". She continued to write and record, releasing the album ''Electric Landlady'' (coined by Johnny Marr, a play on the Jimi Hendrix album title ''Electric Ladyland''), including her most successful chart hit in North America, "Walking Down Madison" (co-written with Marr and a Top 30 hit in the UK), in 1991. Despite the song's U.S. chart success, ''Landlady'' was not a hit for Virgin Records, and in 1992, when Virgin was sold to EMI, MacColl was dropped from the label.

Later work

She released ''Titanic Days'', informed by her failing marriage with Lillywhite, in 1993, but ZTT Records had agreed only to release the album as a "one-off" and declined to sign her to a contract. In 1995, she released two new singles on Virgin, "Caroline" and a cover of Lou Reed's "Perfect Day" (a duet with Evan Dando), together with the "best of" compilation ''Galore''.

''Galore'' became MacColl's only album to reach the top 10 in the UK Albums Chart, but neither of the new singles, nor a re-released "Days", made the Top 40. MacColl would not record again for several years; her frustration with the music business was exacerbated by a lengthy case of writer's block. MacColl herself admitted that she was ready to give up her music career and become an English teacher in South America.

In 1998, the album ''What Do Pretty Girls Do?'' was released, containing BBC Radio 1 live sessions (featuring Billy Bragg on two songs) that were broadcast between 1989 and 1995.

After several trips to Cuba and Brazil, MacColl recorded the world music-inspired (particularly Cuban and other Latin American forms) ''Tropical Brainstorm'', which was released in 2000 to critical acclaim. It included the song "In These Shoes", which garnered airplay in the U.S., was covered by Bette Midler and featured in the HBO show ''Sex and the City''. It would later (after MacColl's death) be adopted by Catherine Tate as the theme tune for her BBC TV show and feature on the soundtrack to British film ''Kinky Boots''.

TV work

MacColl featured regularly in the third series of the ''French and Saunders Show'', a comedy show on the BBC. Unlike other guests on the show, she was not part of any of the sketches but would sing her songs whilst performing as in a music video. She also made regular appearances on Jools Holland's TV shows, also on the BBC, notably singing during the 1995 ''Hootenanny'', an unusual rendition of "Miss Otis Regrets" with the Pipes and Drums of the Irish Guards.

Death and its aftermath

Death

In 2000, following her participation in the presentation of a radio programme she had done for the BBC on Cuba, MacColl took a holiday in Cozumel, Mexico, with her sons and her partner, musician James Knight. On 18 December 2000, she and her sons went diving in Cozumel, in a specific diving area that watercraft were restricted from entering. With the group was a local veteran divemaster, Iván Díaz. As the group was surfacing from a dive, a speeding powerboat entered the restricted area. MacColl saw the boat coming before her sons did; Louis was not in the boat's path, but Jamie was. She was able to push him out of the way (he sustained minor head and rib injuries) but in doing so, she was hit by the boat and killed instantly. MacColl's remains were repatriated to the United Kingdom and the subsequent funeral took place at Mortlake Crematorium in London.

The boat involved in the accident was owned by Mexican supermarket millionaire Guillermo González Nova, who was on board with several members of his family. An employee of González Nova's, boathand José Cen Yam, claimed to have been driving the boat at the time that the accident occurred. Several published reports have included accounts from eyewitnesses that have stated Cen Yam was not at the controls; eyewitnesses also indicate that the boat was travelling much faster than the speed of one knot that Nova had claimed. Cen Yam was found guilty of culpable homicide and was sentenced to 2 years 10 months in prison. He was allowed under Mexican law to pay a punitive fine of 1,034 pesos (about €63, £61, or US$90) in lieu of the prison sentence. He was also ordered to pay approximately US$2,150 in restitution to MacColl's family, an amount based on his wages. Published reports have included statements from people who spoke to Cen Yam after the accident, claiming Cen Yam had received money for taking the blame for the incident.

Aftermath

Justice For Kirsty campaign

MacColl's family launched the Justice For Kirsty campaign in response to the events surrounding her death. Among the group's efforts:

Lawyers for MacColl's family and the group campaigned for a judicial review into the events surrounding her death. They were in repeated contact with the Mexican government, and made an application to the Inter-American Commission on Human Rights.

MacColl's friends and family were critical of what they perceived as a lack of cooperation from the Mexican authorities. In May 2006, Emilio Cortez Ramírez, a federal prosecutor in Cozumel, was found liable for breach of authority in conjunction with his handling of the MacColl case. The BBC has featured a documentary by Olivia Lichtenstein, entitled ''Who Killed Kirsty MacColl?'' U2 frontman Bono, who was a friend of MacColl's, spoke about the incident during a concert in Monterrey, Mexico, in February 2006. The Mexican government released a statement after the concert indicating they would take action. In December 2009, it was announced that the Justice For Kirsty campaign was being ended since "the committee was successful in achieving most of its aims" and "it is unlikely that any more could be achieved." The campaign's remaining funds were to be divided between two charities, Casa Alianza Mexico and Cuba Music Solidarity, of which "Kirsty would have approved."

Legacy

Since MacColl's death, Billy Bragg has always included "her" extra verses when performing "A New England". She was honoured in 2002 with a memorial concert in London at the Royal Festival Hall, featuring a number of musicians that had worked with her or been influenced by her. A similar memorial concert was scheduled for her birthday (10 October 2010) at the O2 Shepherds Bush Empire, to support her favourite charity The Music Fund for Cuba.

In 2001, a bench was placed by the southern entrance to London's Soho Square as a memorial to her, after a lyric from one of her most poignant songs: "One day I'll be waiting there / No empty bench in Soho Square". Every year on the Sunday nearest to MacColl's birthday, 10 October, fans from all over the world hold a gathering at the bench to pay tribute to her and sing her songs.

MacColl continues to receive media exposure; in 2004, ''Kirsty MacColl:The One and Only,'' a biography of MacColl written by Karen O'Brien, was published. A retrospective three-CD set spanning her full career, ''From Croydon To Cuba,'' was released in 2005. ''Titanic Days'' was re-released in 2005 as a deluxe 2CD set, and ''Kite'' and ''Electric Landlady'' were also remastered and rereleased with additional tracks. Her first album, ''Desperate Character,'' remained out of print as of late June 2010, but some selections from that work were included in the box set. On 7 August 2005, ''The Best of Kirsty MacColl,'' a single-disc compilation that included a "new" single, "Sun on the Water," made its debut on the UK album charts at number 17, climbing to #12 a week later.

MacColl's collaboration with the Pogues, "Fairytale of New York," remains a perennial Christmas favourite. In 2004, 2005 and 2006, it was voted favourite Christmas song in a poll by music video channel VH1. The song was re-released in the UK in December 2005, with proceeds being split between the Justice for Kirsty Campaign and charities for the homeless. The re-release reached number 3 on the UK charts, and spent five weeks in the top 75 over the Christmas and New Year period. It reached the top 10 for the third time in its history in 2006, peaking at number 6, and charted yet again in December 2007, when there was brief controversy over the use of the word 'faggot' in the lyrics, which BBC Radio 1 dubbed out "to avoid offence," 20 years after it had first passed over the airwaves without comment (or apparent offence, although the rhyme had been changed to "haggard" for a St Patrick's Day concert in 1998); following criticism from listeners and MacColl's mother, Radio 1 reversed their decision later in the day. The song has also made the Top 20 in the two subsequent years, and has now charted in eight separate years. With the exception of the 2005 re-release, the seasonal re-charting in the 21st century is due to download sales, and not due to further releases (download sales counting toward the singles chart since 2005).

Discography

Albums

Release Date	Album	UK Albums Chart
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Compilation albums

Release Date	Album	UK Albums Chart	Noted
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Singles

Year	Song	UK Singles Chart	!align="center" valign="top" width="40"	Album
June 1979	align="left" valign="top"	align="center" valign="top"
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rowspan="2"
February 1981		align="center" valign="top"
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May 1981
September 1981		align="center" valign="top"
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November 1981		align="center" valign="top"
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rowspan="6"
1983	align="left" valign="top"	align="center" valign="top"
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August 1983		align="center" valign="top"
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October 1983	align="left" valign="top"		align="center" valign="top"
December 1984
June 1985		align="center" valign="top"
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November 1987
March 1989			align="center" valign="top"
June 1989	align="left" valign="top"
September 1989			align="center" valign="top"
April 1990			align="center" valign="top"
November 1990	align="left" valign="top"		align="center" valign="top"
May 1991
July 1991			align="center" valign="top"
September 1991		align="center" valign="top"
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November 1991
November 1993		align="center" valign="top"
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February 1995			align="center" valign="top"
June 1995	align="left" valign="top"		align="center" valign="top"
July 1995			align="center" valign="top"
November 1999			align="center" valign="top"
February 2000			align="center" valign="top"
July 2005		align="center" valign="top"
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December 2005

Bibliography

References

External links

Kirsty MacColl — official site

Kirsty MacColl discography at Discogs

BBC announcement of her death

Justice for Kirsty – in-depth information regarding MacColl's death

Official Justice For Kirsty on Myspace

Category:English female singers Category:English pop singers Category:English singer-songwriters Category:English songwriters Category:English people of Scottish descent Category:ZTT Records artists Category:People from Croydon Category:1959 births Category:2000 deaths Category:Underwater diving deaths Category:Accidental deaths in Mexico

de:Kirsty MacColl es:Kirsty MacColl fr:Kirsty McColl ga:Kirsty MacColl it:Kirsty MacColl nl:Kirsty MacColl no:Kirsty MacColl sv:Kirsty MacColl

background	solo_singer
alias	The Boss, Bad Scooter
birth date	September 23, 1949
birth place	Long Branch, New Jersey, United States
instrument	Vocals, guitar, harmonica, bass guitar, piano, percussion, banjo, drums, keyboards
genre	Rock, folk rock, heartland rock, hard rock, roots rock
occupation	Musician, Songwriter
years active	1969–present
label	Columbia
associated acts	The E Street Band, Steel Mill, Miami Horns, The Sessions Band
website
notable instruments	Fender TelecasterTakamine GuitarsGibson J-45Hohner Marine Band HarmonicaGibson J-200Gibson ES-335Gibson Hummingbird }}

Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed "The Boss," is an American singer-songwriter-performer who records and tours with the E Street Band. Springsteen is widely known for his brand of heartland rock, poetic lyrics, and Americana sentiments centered on his native New Jersey.

Springsteen's recordings have included both commercially accessible rock albums and more somber folk-oriented works. His most successful studio albums, ''Born in the U.S.A.'' and ''Born to Run'', showcase a talent for finding grandeur in the struggles of daily American life; he has sold more than 65 million albums in the United States and more than 120 million worldwide and he has earned numerous awards for his work, including 21 Grammy Awards, two Golden Globes and an Academy Award. He is widely regarded by many as one of the most influential songwriters of the 20th century, and in 2004, ''Rolling Stone'' ranked him as the 23rd Greatest Artist of all time.

Early life

Springsteen was born in Long Branch, New Jersey, and spent his childhood and high school years in Freehold Borough. He lived on South Street in Freehold Borough and attended Freehold Borough High School. His father, Douglas Frederick Springsteen, was of Dutch and Irish ancestry and worked, among other vocations, as a bus driver, although he was frequently unemployed; his surname is Dutch for ''jump stone''. His mother, Adele Ann (née Zerilli), was a legal secretary and was of Italian ancestry. His maternal grandfather was born in Vico Equense, a city near Naples. He has two younger sisters, Virginia and Pamela. Pamela had a brief film career, but left acting to pursue still photography full time; she took photos for the ''Human Touch'' and ''Lucky Town'' albums.

Raised a Roman Catholic, Springsteen attended the St. Rose of Lima Catholic school in Freehold Borough, where he was at odds with the nuns and rejected the strictures imposed upon him, even though some of his later music reflects a Catholic ethos and included a few rock-influenced, traditional Irish-Catholic hymns. Recently in Paris (2012) before the launch of his latest album, ''Wrecking Ball'', he explained that it was his Catholic upbringing rather than political ideology that most influenced his music. He noted in the interview that his faith had given him a "very active spiritual life," although he joked that this "made it very difficult sexually." He added: "Once a Catholic, always a Catholic."

In ninth grade, he transferred to the public Freehold Regional High School, but did not fit in there, either. Old teachers have said he was a "loner, who wanted nothing more than to play his guitar." He completed high school, but felt so uncomfortable that he skipped his own graduation ceremony. He briefly attended Ocean County College, but dropped out.

Career history

1962–1972: Early years

Springsteen had been inspired to take up music at the age of seven after seeing Elvis Presley on ''The Ed Sullivan Show''. At 13, his mother bought him his first guitar for $18; later, she took out a loan to buy the 16-year-old Springsteen a $60 Kent guitar, as he later memorialized in his song "The Wish".

In 1965, he went to the house of Tex and Marion Vinyard, who sponsored young bands in town. They helped him become the lead guitarist and subsequently the lead singer of The Castiles. The Castiles recorded two original songs at a public recording studio in Brick Township and played a variety of venues, including Cafe Wha? in Greenwich Village. Marion Vinyard said that she believed the young Springsteen when he promised he would make it big.

Called for induction when he was 18, Springsteen failed his physical examination and did not serve in Vietnam. In an interview in ''Rolling Stone'' magazine in 1984, he said, "When I got on the bus to go take my physical, I thought one thing: I ain't goin'." He had suffered a concussion in a motorcycle accident when he was 17, and this together with his "crazy" behaviour at induction and not taking the tests, was enough to get him a 4F.

In the late 1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey. Springsteen acquired the nickname "The Boss" during this period as when he played club gigs with a band he took on the task of collecting the band's nightly pay and distributing it amongst his bandmates. Springsteen is not fond of this nickname, due to his dislike of bosses, but seems to have since given it a tacit acceptance. Previously he had the nickname "Doctor". From 1969 through early 1971, Springsteen performed with Steel Mill, which also featured Danny Federici, Vini Lopez, Vinnie Roslin and later Steve Van Zandt and Robbin Thompson. They went on to play the mid-Atlantic college circuit, and also briefly in California. In January 1970 well-known ''San Francisco Examiner'' music critic Philip Elwood gave Springsteen credibility in his glowing assessment of Steel Mill: "I have never been so overwhelmed by totally unknown talent." Elwood went on to praise their "cohesive musicality" and, in particular, singled out Springsteen as "a most impressive composer." During this time Springsteen also performed regularly at small clubs in Canton, Massachusetts, Richmond, Virginia, Asbury Park and along the Jersey Shore, quickly gathering a cult following. Other acts followed over the next two years, as Springsteen sought to shape a unique and genuine musical and lyrical style: Dr. Zoom & the Sonic Boom (early–mid 1971), Sundance Blues Band (mid 1971), and The Bruce Springsteen Band (mid 1971–mid 1972). With the addition of pianist David Sancious, the core of what would later become the E Street Band was formed, with occasional temporary additions such as horn sections, "The Zoomettes" (a group of female backing vocalists for "Dr. Zoom") and Southside Johnny Lyon on harmonica. Musical genres explored included blues, R&B;, jazz, church music, early rock 'n' roll, and soul. His prolific songwriting ability, with "More words in some individual songs than other artists had in whole albums", as his future record label would describe it in early publicity campaigns, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, and legendary Columbia Records talent scout John Hammond, who, under Appel's pressure, auditioned Springsteen in May 1972.

Even after Springsteen gained international acclaim, his New Jersey roots showed through in his music, and he often praised "the great state of New Jersey" in his live shows. Drawing on his extensive local appeal, he routinely sold out consecutive nights in major New Jersey, Philadelphia and New York venues. He also made many surprise appearances at The Stone Pony and other shore nightclubs over the years, becoming the foremost exponent of the Jersey Shore sound.

1972–1974: Initial struggle for success

Springsteen signed a record deal with Columbia Records in 1972, with the help of John Hammond, who had signed Bob Dylan to the same label a decade earlier. Springsteen brought many of his New Jersey–based colleagues into the studio with him, thus forming the E Street Band (although it would not be formally named as such for several more years). His debut album, ''Greetings from Asbury Park, N.J.'', released in January 1973, established him as a critical favorite, though sales were slow. Because of Springsteen's lyrical poeticism and folk rock–rooted music exemplified on tracks like "Blinded by the Light", (which would later be a hit for Manfred Mann and go to No. 1, making it the only time Springsteen had a No. 1 single as a songwriter), and "For You", as well as the Columbia and Hammond connections, critics initially compared Springsteen to Bob Dylan. "He sings with a freshness and urgency I haven't heard since I was rocked by 'Like a Rolling Stone,'" wrote ''Crawdaddy'' magazine editor Peter Knobler in Springsteen's first interview/profile, in March 1973. ''Crawdaddy'' discovered Springsteen in the rock press and was his earliest champion. (Springsteen and the E Street Band acknowledged by giving a private performance at the ''Crawdaddy'' 10th Anniversary Party in New York City in June 1976.) Music critic Lester Bangs wrote in ''Creem'' in 1975 that when Springsteen's first album was released "... many of us dismissed it: he wrote like Bob Dylan and Van Morrison, sang like Van Morrison and Robbie Robertson, and led a band that sounded like Van Morrison's." The track "Spirit in the Night" especially showed Morrison's influence, while "Lost in the Flood" was the first of many portraits of Vietnam veterans and "Growin' Up", his first take on the recurring theme of adolescence.

In September 1973 his second album, ''The Wild, the Innocent & the E Street Shuffle,'' was released, again to critical acclaim but no commercial success. Springsteen's songs became grander in form and scope, with the E Street Band providing a less folky, more R&B; vibe and the lyrics often romanticized teenage street life. "4th of July, Asbury Park (Sandy)" and "Incident on 57th Street" would become fan favorites, and the long, rousing "Rosalita (Come Out Tonight)" continues to rank among Springsteen's most beloved concert numbers.

In the May 22, 1974, issue of Boston's ''The Real Paper'', music critic Jon Landau wrote after seeing a performance at the Harvard Square Theater, "I saw rock and roll's future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time." Landau subsequently became Springsteen's manager and producer, helping to finish the epic new album, ''Born to Run''. Given an enormous budget in a last-ditch effort at a commercially viable record, Springsteen became bogged down in the recording process while striving for a wall of sound production. But, fed by the release of an early mix of "Born to Run" to progressive rock radio, anticipation built toward the album's release. All in all the album took more than 14 months to record, with six months alone spent on the song "Born To Run". During this time Springsteen battled with anger and frustration over the album, saying he heard "sounds in [his] head" that he could not explain to the others in the studio. It was during these recording sessions that "Miami" Steve Van Zandt would stumble into the studio just in time to help Springsteen organize the horn section on "Tenth Avenue Freeze-Out" (it is his only written contribution to the album), and eventually led to his joining the E Street Band. Van Zandt had been a long-time friend of Springsteen, as well as a collaborator on earlier musical projects, and understood where he was coming from, which helped him to translate some of the sounds Springsteen was hearing. Still, by the end of the grueling recording sessions, Springsteen was not satisfied, and, upon first hearing the finished album, threw the record into the alley and told Jon Landau he would rather just cut the album live at The Bottom Line, a place he often played.

1975–1983: Breakthrough

On August 13, 1975, Springsteen and the E Street Band began a five-night, 10-show stand at New York's Bottom Line club. The engagement attracted major media attention, was broadcast live on WNEW-FM, and convinced many skeptics that Springsteen was for real. (Decades later, ''Rolling Stone'' magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.) With the release of ''Born to Run'' on August 25, 1975, Springsteen finally found success. The album peaked at No. 3 on the Billboard 200, and while there were no hit singles, "Born to Run" (Billboard No. 23), "Thunder Road", "Tenth Avenue Freeze-Out" (Billboard No. 83), and "Jungleland" all received massive album-oriented rock airplay and remain perennial favorites on many classic rock stations. The songwriting and recording was more disciplined than before, while still maintaining an epic feel. With its panoramic imagery, thundering production and desperate optimism, ''Born to Run'' is considered by some fans to be among the best rock and roll albums of all time and Springsteen's finest work. It established him as a sincere and dynamic rock and roll personality who spoke for and in the voice of a large part of the rock audience. To cap off the triumph, Springsteen appeared on the covers of both ''Time'' and ''Newsweek'' in the same week, on October 27 of that year. So great did the wave of publicity become that Springsteen eventually rebelled against it during his first venture overseas, tearing down promotional posters before a concert appearance in London.

A legal battle with former manager Mike Appel kept Springsteen out of the studio for nearly a year, during which time he kept the E Street Band together through extensive touring across the U.S. Despite the optimistic fervor with which he often performed, his new songs had taken a more somber tone than much of his previous work. Reaching settlement with Appel in 1977, Springsteen returned to the studio, and the subsequent sessions produced ''Darkness on the Edge of Town'' (1978). Musically, this album was a turning point in Springsteen's career. Gone were the raw, rapid-fire lyrics, outsized characters and long, multi-part musical compositions of the first two albums; now the songs were leaner and more carefully drawn and began to reflect Springsteen's growing intellectual and political awareness. The cross-country 1978 tour to promote the album would become legendary for the intensity and length of its shows. By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann's Earth Band had achieved a U.S. No. 1 pop hit with a heavily rearranged version of ''Greetings''' "Blinded by the Light" in early 1977. Patti Smith reached No. 13 with her take on Springsteen's unreleased "Because the Night" (with revised lyrics by Smith) in 1978, while The Pointer Sisters hit No. 2 in 1979 with Springsteen's also unreleased "Fire".

In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated set while premiering two songs from his upcoming album. The subsequent ''No Nukes'' live album, as well as the following summer's ''No Nukes'' documentary film, represented the first official recordings and footage of Springsteen's fabled live act, as well as Springsteen's first tentative dip into political involvement.

Springsteen continued to consolidate his thematic focus on working-class life with the 20-song double album ''The River'' in 1980, which included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads, and finally yielded his first hit Top Ten single as a performer, "Hungry Heart". This album marked a shift in Springsteen's music toward a pop-rock sound that was all but missing from any of his earlier work. This is apparent in the stylistic adoption of certain eighties pop-rock hallmarks like the reverberating-tenor drums, very basic percussion/guitar and repetitive lyrics apparent in many of the tracks. The title song pointed to Springsteen's intellectual direction, while a couple of the lesser-known tracks presaged his musical direction. The album sold well, becoming his first topper on the Billboard Pop Albums chart, and a long tour in 1980 and 1981 followed, featuring Springsteen's first extended playing of Europe and ending with a series of multi-night arena stands in major cities in the U.S.

''The River'' was followed in 1982 by the stark solo acoustic ''Nebraska''. Recording sessions had been held to expand on a demo tape Springsteen had made at his home on a simple, low-tech four-track tape deck. However during the recording process Springsteen and producer Landau realized the songs worked better as solo acoustic numbers than full band renditions and the original demo tape was released as the album. Although the recordings of the E Street Band were shelved, other songs from these sessions would later be released, including "Born in the U.S.A." and "Glory Days". According to the Marsh biographies, Springsteen was in a depressed state when he wrote this material, and the result is a brutal depiction of American life. While ''Nebraska'' did not sell as well as Springsteen's two previous albums, it garnered widespread critical praise (including being named "Album of the Year" by ''Rolling Stone'' magazine's critics) and influenced later significant works by other major artists, including U2's album ''The Joshua Tree''. It helped inspire the musical genre known as lo-fi music, becoming a cult favorite among indie-rockers. Springsteen did not tour in conjunction with ''Nebraska'''s release.

1984–1991: Commercial and popular phenomenon

Springsteen probably is best known for his album ''Born in the U.S.A.'' (1984), which sold 15 million copies in the U.S. and became one of the best-selling albums of all time, with seven singles hitting the Top 10, and the massively successful world tour that followed it. The title track was a bitter commentary on the treatment of Vietnam veterans, some of whom were Springsteen's friends and bandmates. The lyrics in the verses were entirely unambiguous when listened to, but the anthemic music and the title of the song made it hard for many, from politicians to the common person, to get the lyrics—except those in the chorus, which could be read many ways. The song was widely misinterpreted as jingoistic, and in connection with the 1984 presidential campaign became the subject of considerable folklore. Springsteen also turned down several million dollars offered by the Chrysler Corporation to use the song in a car commercial. (In later years, to eliminate the bombast and make the song's original meaning more explicitly clear, Springsteen performed the song accompanied only by acoustic guitar. An acoustic version also appeared on ''Tracks'', a later album.) "Dancing in the Dark" was the biggest of seven hit singles from ''Born in the U.S.A.'', peaking at No. 2 on the Billboard music charts. The music video for the song featured a young Courteney Cox dancing on stage with Springsteen, an appearance which helped kickstart the actress's career. The song "Cover Me" was written by Springsteen for Donna Summer, but his record company persuaded him to keep it for the new album. A big fan of Summer's work, Springsteen wrote another song for her, "Protection". Videos for the album were made by noted film directors Brian De Palma and John Sayles. Springsteen was featured on the "We Are the World" song and album in 1985. His live single "Trapped" from that album received moderate airplay on U.S. Top 40 stations as well as reaching No. 1 on the ''Billboard'' Top Rock Tracks chart.

During the Born in the U.S.A. Tour, Springsteen met actress Julianne Phillips, whom he would marry in 1985.

The ''Born in the U.S.A.'' period represented the height of Springsteen's visibility in popular culture and the broadest audience demographic he would ever reach (aided by the release of Arthur Baker's dance mixes of three of the singles). ''Live/1975–85'', a five-record box set (also on three cassettes or three CDs), was released near the end of 1986 and became the first box set to debut at No. 1 on the U.S. album charts. It is one of the most commercially successful live albums of all time, ultimately selling 13 million units in the U.S. ''Live/1975–85'' summed up Springsteen's career to that point and displayed some of the elements that made his shows so powerful to his fans: the switching from mournful dirges to party rockers and back; the communal sense of purpose between artist and audience; the long, intense spoken passages before songs, including those describing Springsteen's difficult relationship with his father; and the instrumental prowess of the E Street Band, such as in the long coda to "Racing in the Street". Despite its popularity, some fans and critics felt the album's song selection could have been better. Springsteen concerts are the subjects of frequent bootleg recording and trading among fans.

During the 1980s, several Springsteen fanzines were launched, including ''Backstreets'' magazine, which started in Seattle and continues today as a glossy publication, now in communication with Springsteen's management and official website.

After this commercial peak, Springsteen released the much more sedate and contemplative ''Tunnel of Love'' album (1987), a mature reflection on the many faces of love found, lost and squandered, which only selectively used the E Street Band. It presaged the breakup of his marriage to Julianne Phillips and described some of his unhappinesses in the relationship. Reflecting the challenges of love in "Brilliant Disguise", Springsteen sang:

The subsequent Tunnel of Love Express tour shook up fans with changes to the stage layout, favorites dropped from the set list, and horn-based arrangements. During the European leg in 1988, Springsteen's relationship with backup singer Patti Scialfa became public and Phillips and Springsteen filed for divorce in 1988. Later in 1988, Springsteen headlined the worldwide Human Rights Now! tour for Amnesty International. In late 1989 he dissolved the E Street Band, and he and Scialfa relocated to California, marrying in 1991.

1992–2001: Artistic and commercial ups and downs

In 1992, after risking charges of "going Hollywood" by moving to Los Angeles (a radical move for someone so linked to the blue-collar life of the Jersey Shore) and working with session musicians, Springsteen released two albums at once. ''Human Touch'' and ''Lucky Town'' were even more introspective than any of his previous work and displayed a newly revealed confidence. As opposed to his first two albums, which dreamed of happiness, and his next four, which showed him growing to fear it, at points during the ''Lucky Town'' album, Springsteen actually claims happiness for himself.

An electric band appearance on the acoustic ''MTV Unplugged'' television program (later released as ''In Concert/MTV Plugged'') was poorly received and further cemented fan dissatisfaction. Springsteen seemed to realize this a few years hence when he spoke humorously of his late father during his Rock and Roll Hall of Fame acceptance speech: }}

A multiple Grammy Award winner, Springsteen also won an Academy Award in 1994 for his song "Streets of Philadelphia", which appeared the soundtrack to the film ''Philadelphia''. The song, along with the film, was applauded by many for its sympathetic portrayal of a gay man dying of AIDS. The music video for the song shows Springsteen's actual vocal performance, recorded using a hidden microphone, to a prerecorded instrumental track. This technique was developed on the "Brilliant Disguise" video.

In 1995, after temporarily re-organizing the E Street Band for a few new songs recorded for his first ''Greatest Hits'' album (a recording session that was chronicled in the documentary ''Blood Brothers''), he released his second (mostly) solo guitar album, ''The Ghost of Tom Joad'', inspired by John Steinbeck's ''The Grapes of Wrath'' and by ''Journey to Nowhere: The Saga of the New Underclass'', a book by Pulitzer Prize-winners author Dale Maharidge and photographer Michael Williamson. This was generally less well-received than the similar ''Nebraska'', due to the minimal melody, twangy vocals, and political nature of most of the songs, although some praised it for giving voice to immigrants and others who rarely have one in American culture. The lengthy, worldwide, small-venue solo acoustic Ghost of Tom Joad Tour that followed successfully featured many of his older songs in drastically reshaped acoustic form, although Springsteen had to explicitly remind his audiences to be quiet and not to clap during the performances.

Following the tour, Springsteen moved back to New Jersey with his family. In 1998, Springsteen released the sprawling, four-disc box set of out-takes, ''Tracks''. Subsequently, Springsteen would acknowledge that the 1990s were a "lost period" for him: "I didn't do a lot of work. Some people would say I didn't do my best work."

Springsteen was inducted into the Rock and Roll Hall of Fame in 1999 by Bono of U2, a favor he returned in 2005.

In 1999, Springsteen and the E Street Band officially came together again and went on the extensive Reunion Tour, lasting over a year. Highlights included a record sold-out, 15-show run at Continental Airlines Arena in East Rutherford, New Jersey and a ten-night, sold-out engagement at New York City's Madison Square Garden which ended the tour. The final two shows were recorded for an HBO Concert, with corresponding DVD and album releases as ''Bruce Springsteen & the E Street Band: Live in New York City''. A new song, "American Skin (41 Shots)", about the police shooting of Amadou Diallo which was played at these shows proved controversial.

In November 2000, Springsteen filed legal action against Jeff Burgar which accused him of registering the domain brucespringsteen.com (along with several other celebrity domains) in bad faith to funnel web users to his Celebrity 1000 portal site. Once the legal complaint was filed, Burgar pointed the domain to a Springsteen biography and message board. In February 2001, Springsteen lost his dispute with Burgar. A WIPO panel ruled 2 to 1 in favor of Burgar.

On Labor Day 2001 Springsteen played at Donovan's Reef in Sea Bright, NJ, surprising a local cover band named Brian Kirk and the Jerks and performed "Rosalita" with them showing his support and love.

2002–2007: Return to success

In 2002, Springsteen released his first studio effort with the full band in 18 years, ''The Rising'', produced by Brendan O'Brien. The album, mostly a reflection on the September 11 attacks, was a critical and popular success. (Many of the songs were influenced by phone conversations Springsteen had with family members of victims of the attacks who in their obituaries had mentioned how his music touched their lives.) The title track gained airplay in several radio formats, and the record became Springsteen's best-selling album of new material in 15 years. Kicked off by an early-morning Asbury Park appearance on ''The Today Show'', The Rising Tour commenced, barnstorming through a series of single-night arena stands in the U.S. and Europe to promote the album in 2002, then returning for large-scale, multiple-night stadium shows in 2003. While Springsteen had maintained a loyal hardcore fan base everywhere (and particularly in Europe), his general popularity had dipped over the years in some southern and midwestern regions of the U.S. But it was still strong in Europe and along the U.S. coasts, and he played an unprecedented 10 nights in Giants Stadium in New Jersey, a ticket-selling feat to which no other musical act has come close. During these shows Springsteen thanked those fans who were attending multiple shows and those who were coming from long distances or another country; the advent of robust Bruce-oriented online communities had made such practices more common. The Rising Tour came to a final conclusion with three nights in Shea Stadium, highlighted by renewed controversy over "American Skin" and a guest appearance by Bob Dylan.

During the early 2000s, Springsteen became a visible advocate for the revitalization of Asbury Park, and played an annual series of winter holiday concerts there to benefit various local businesses, organizations, and causes. These shows were explicitly intended for the devoted fans, featuring numbers such as the ''E Street Shuffle'' outtake "Thundercrack", a rollicking group-participation song that would mystify casual Springsteen fans. He also frequently rehearses for tours in Asbury Park; some of his most devoted followers even go so far as to stand outside the building to hear what fragments they can of the upcoming shows. The song "My City of Ruins" was originally written about Asbury Park, in honor of the attempts to revitalize the city. Looking for an appropriate song for a post-Sept. 11 benefit concert honoring New York City, he selected "My City of Ruins", which was immediately recognized as an emotional highlight of the concert, with its gospel themes and its heartfelt exhortations to "Rise up!" The song became associated with post-9/11 New York, and he chose it to close ''The Rising'' album and as an encore on the subsequent tour.

At the Grammy Awards of 2003, Springsteen performed The Clash's "London Calling" along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt and No Doubt's bassist, Tony Kanal, in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double ''The River'' and the triple ''Sandinista!''. In 2004, Springsteen and the E Street Band participated in the "Vote for Change" tour, along with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, the Dave Matthews Band, Jackson Browne, and other musicians. All concerts were to be held in swing states, to benefit the liberalism political organization group America Coming Together and to encourage people to register and vote. A finale was held in Washington, D.C., bringing many of the artists together. Several days later, Springsteen held one more such concert in New Jersey, when polls showed that state surprisingly close. While in past years Springsteen had played benefits for causes in which he believed – against nuclear energy, for Vietnam veterans, Amnesty International, and the Christic Institute – he had always refrained from explicitly endorsing candidates for political office (indeed he had rejected the efforts of Walter Mondale to attract an endorsement during the 1984 Reagan "Born in the U.S.A." flap). This new stance led to criticism and praise from the expected partisan sources. Springsteen's "No Surrender" became the main campaign theme song for John Kerry's unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.

''Devils & Dust'' was released on April 26, 2005, and was recorded without the E Street Band. It is a low-key, mostly acoustic album, in the same vein as ''Nebraska'' and ''The Ghost of Tom Joad'' although with a little more instrumentation. Some of the material was written almost 10 years earlier during, or shortly after, the Ghost of Tom Joad Tour, a couple of them being performed then but never released. The title track concerns an ordinary soldier's feelings and fears during the Iraq War. Starbucks rejected a co-branding deal for the album, due in part to some sexually explicit content but also because of Springsteen's anti-corporate politics. The album entered the album charts at No. 1 in 10 countries (United States, Austria, Switzerland, Sweden, Denmark, Italy, Germany, the Netherlands, the United Kingdom, and Ireland). Springsteen began the solo Devils & Dust Tour at the same time as the album's release, playing both small and large venues. Attendance was disappointing in a few regions, and everywhere (other than in Europe) tickets were easier to get than in the past. Unlike his mid-1990s solo tour, he performed on piano, electric piano, pump organ, autoharp, ukulele, banjo, electric guitar, and stomping board, as well as acoustic guitar and harmonica, adding variety to the solo sound. (Offstage synthesizer, guitar, and percussion were also used for some songs.) Unearthly renditions of "Reason to Believe", "The Promised Land", and Suicide's "Dream Baby Dream" jolted audiences to attention, while rarities, frequent set list changes, and a willingness to keep trying even through audible piano mistakes kept most of his loyal audiences happy.

In November 2005, Sirius Satellite Radio started a 24-hour, seven-day-a-week radio station on Channel 10 called E Street Radio. This channel featured commercial-free Bruce Springsteen music, including rare tracks, interviews, and daily concerts of Bruce Springsteen & the E Street Band recorded throughout their career.

In April 2006, Springsteen released ''We Shall Overcome: The Seeger Sessions'', an American roots music project focused around a big folk sound treatment of 15 songs popularized by the radical musical activism of Pete Seeger. It was recorded with a large ensemble of musicians including only Patti Scialfa, Soozie Tyrell, and The Miami Horns from past efforts. In contrast to previous albums, this was recorded in only three one-day sessions, and frequently one can hear Springsteen calling out key changes live as the band explores its way through the tracks. The Bruce Springsteen with The Seeger Sessions Band Tour began the same month, featuring the 18-strong ensemble of musicians dubbed The Seeger Sessions Band (and later shortened to The Sessions Band). ''Seeger Sessions'' material was heavily featured, as well as a handful of (usually drastically rearranged) Springsteen numbers. The tour proved very popular in Europe, selling out everywhere and receiving some excellent reviews, but newspapers reported that a number of U.S. shows suffered from sparse attendance. By the end of 2006, the Seeger Sessions tour toured Europe twice and toured America for only a short span. ''Bruce Springsteen with The Sessions Band: Live in Dublin'', containing selections from three nights of November 2006 shows at The Point Theatre in Dublin, Ireland, was released the following June.

Springsteen's next album, titled ''Magic'', was released on October 2, 2007. Recorded with the E Street Band, it featured 10 new Springsteen songs plus "Long Walk Home", performed once with the Sessions band, and a hidden track (the first included on a Springsteen studio release), "Terry's Song", a tribute to Springsteen's long-time assistant Terry Magovern, who died on July 30, 2007. The first single, "Radio Nowhere", was made available for a free download on August 28. On October 7, ''Magic'' debuted at No. 1 in Ireland and the UK. ''Greatest Hits'' reentered the Irish charts at No. 57, and ''Live in Dublin'' almost cracked the top 20 in Norway again. Sirius Satellite Radio also restarted E Street Radio on Channel 10 on September 27, 2007, in anticipation of ''Magic''. Radio conglomerate Clear Channel Communications was alleged to have sent an edict to its classic rock stations to not play any songs from the new album, while continuing to play older Springsteen material. However, Clear Channel Adult Alternative (or "AAA") station KBCO did play tracks from the album, undermining the allegations of a corporate blackout. The Springsteen and E Street Band Magic Tour began at the Hartford Civic Center with the album's release and continued through North America and Europe. Springsteen and the band performed live on NBC's ''Today Show'' in advance of the opener. Longtime E Street Band organist Danny Federici left the tour in November 2007 to pursue treatment for melanoma from which he would die in 2008.

2008–present: Recent activities

Springsteen supported Barack Obama's 2008 presidential campaign, announcing his endorsement in April 2008 and going on to appear at several Obama rallies as well as performing several solo acoustic performances in support of Obama's campaign throughout 2008, culminating with a November 2 rally where he debuted "Working On A Dream" in a duet with Scialfa. At an Ohio rally, Springsteen discussed the importance of "truth, transparency and integrity in government, the right of every American to have a job, a living wage, to be educated in a decent school, and a life filled with the dignity of work, the promise and the sanctity of home...But today those freedoms have been damaged and curtailed by eight years of a thoughtless, reckless and morally-adrift administration."

Following Obama's electoral victory on November 4, Springsteen's song "The Rising" was the first song played over the loudspeakers after Obama's victory speech in Chicago's Grant Park. Springsteen was the musical opener for the Obama Inaugural Celebration on January 18, 2009 which was attended by over 400,000. He performed "The Rising" with an all-female choir. Later he performed Woody Guthrie's "This Land Is Your Land" with Pete Seeger.

On June 18, 2008, Springsteen appeared live from Europe at the Tim Russert tribute at the Kennedy Center in Washington, D.C., to play one of Russert's favorite songs, "Thunder Road". Springsteen dedicated the song to Russert, who was "one of Springsteen's biggest fans."

On January 11, 2009, Springsteen won the Golden Globe Award for Best Song for "The Wrestler", from the Mickey Rourke film by the same name. After receiving a heartfelt letter from Mickey Rourke, Springsteen supplied the song for the film for free.

Springsteen performed at the halftime show at Super Bowl XLIII on February 1, 2009, agreeing to do it after many previous offers A few days before the game, Springsteen gave a rare press conference, where he promised a "twelve-minute party." His 12:45 set, with the E Street Band and the Miami Horns, included abbreviated renditions of "Tenth Avenue Freeze-Out"", "Born to Run", "Working on a Dream, and "Glory Days", the latter complete with football references. The set of appearances and promotional activities led Springsteen to say, "This has probably been the busiest month of my life."

Springsteen's ''Working on a Dream'' album was released in late January 2009 and the supporting Working on a Dream Tour ran from April 2009 until November 2009. The tour featured few songs from the new album, with instead set lists dominated by classics and selections reflecting the ongoing late-2000s recession. The tour also featured Springsteen playing songs requested by audience members holding up signs as on the final stages of the Magic Tour. Drummer Max Weinberg was replaced for some shows by his 18-year-old son Jay Weinberg, so that the former could serve his role as bandleader on ''The Tonight Show with Conan O'Brien''. During this tour, Springsteen and the band made their first real foray in the world of music festivals, headlining nights at the Pinkpop Festival in the Netherlands, Festival des Vieilles Charrues in France, the Bonnaroo Music Festival in the United States and the Glastonbury Festival in the UK and Hard Rock Calling in the UK. Several shows on the tour featured full album presentations of ''Born to Run'', ''Darkness on the Edge of Town'', or ''Born in the U.S.A.'' The band performed a stretch of five final shows at his homestate Giants Stadium, opening with a new song highlighting the historic stadium, and his Jersey roots, named "Wrecking Ball". The tour ended as scheduled in Buffalo, NY in November 2009 amid speculation that it was the last performance ever by the E Street Band, but during the show Springsteen said it was goodbye “for a little while.” A DVD from the Working of a Dream Tour entitled ''London Calling: Live in Hyde Park'' was released in 2010.

In addition to his own touring, Springsteen made a number of appearances at tribute and benefit concerts during 2009, including The Clearwater Concert, a celebration of Pete Seeger's 90th birthday, the Rock and Roll Hall of Fame's 25th anniversary benefit concert, a benefit for the charity Autism Speaks at Carnegie Hall. On January 22, 2010, he joined many well-known artists to perform on ''Hope for Haiti Now: A Global Benefit for Earthquake Relief'', organized by George Clooney to raise money to help the victims of the 2010 Haiti earthquake.

In 2009, Springsteen performed in ''The People Speak'', a documentary feature film that uses dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's ''A People's History of the United States''.

Springsteen was among the recipients of the Kennedy Center Honors, an annual award to figures from the world of arts for their contribution to American culture, in December 2009. President Obama gave a speech in which he talked about how Springsteen has incorporated the life of regular Americans in his expansive pallette of songs and how his concerts are beyond the typical rock-and-roll concerts, how, apart from being high-energy concerts, they are "communions". He ended the remark "while I am the president, he is The Boss". Tributes were paid by several well-known celebrities including Jon Stewart (who described Springsteen's "unprecedented combination of lyrical eloquence, musical mastery and sheer unbridled, unadulterated joy"). A musical tribute featured John Mellencamp, Ben Harper, and Jennifer Nettles, Melissa Etheridge, Eddie Vedder, and Sting.

The 2000s ended with Springsteen being named one of eight Artists of the Decade by ''Rolling Stone'' magazine and with Springsteen's tours ranking him fourth among artists in total concert grosses for the decade.

In September 2010, a documentary about the making of his 1978 album ''Darkness on The Edge of Town'' was premiered at the Toronto International Film Festival. The film, ''The Promise: The Making of Darkness on the Edge of Town'', was included in a box set reissue of the album, entitled ''The Promise: The Darkness on the Edge of Town Story'', released in November 2010. Also airing on HBO, the documentary explored Springsteen's making of the acclaimed album, and his role in the production and development of the tracks.

Springsteen has finished his next studio album with Ron Aniello, who also co-produced the 2007 album ''Play It As It Lays'', by Springsteen's wife, Patti Scialfa. Ron Aniello also produced "Children's Song" early in 2011, a duet with Springsteen and Scialfa, which was done for a charity project.

Clarence Clemons, the E Street Band's saxophonist since 1972, died on June 18, 2011, of complications from a stroke. “Clarence lived a wonderful life,” Springsteen said in a statement. “He carried within him a love of people that made them love him. He created a wondrous and extended family. He loved the saxophone, loved our fans and gave everything he had every night he stepped on stage.”

Springsteen's 17th studio album, ''Wrecking Ball,'' was released on March 6, 2012. On January 13, 2012, ''Hollywood Reporter'' released an article describing the sound of the new album. According to the article, the album is Springsteen at his angriest yet and addresses economic justice quite a bit. The article describes the album musically as being very rock-and-roll with unexpected textures, loops, electronic percussion and a variety of influences. The album consists of eleven tracks plus two bonus tracks. Three songs previously only available as live versions, "Wrecking Ball", "Land of Hope and Dreams," and "American Land," appear on the album. The album's first single, "We Take Care of Our Own", was released on January 19, 2012.

On January 24, 2012, Springsteen's official web site announced that the E Street Band will commence a world tour called the Wrecking Ball Tour on March 18, 2012, in Atlanta. The tour will run through at least July 31, 2012, and will consist of at least two legs featuring 51 dates, although the headline "First US Leg of 2012 World Tour" may imply that the tour will continue into autumn 2012 or beyond. As tickets for the first U.S. dates went on sale, many fans were unable to obtain tickets, much like for the 2009 Working on a Dream Tour, allegedly due to a heavy volume of ticket scalpers. Shows sold out within minutes and many tickets appeared, at much higher prices, on resale websites such as StubHub less than an hour after the onsale time. Ticketmaster said web traffic was 2.5 times the highest level of the past year during the online sales and suggested that scalpers played a big role. U.S. Representative Bill Pascrell has called for stronger government oversight of online box offices. Pascrell introduced the BOSS ACT in 2009 to increase transparency in the ticket industry. Pascrell said he would reintroduce the bill to Congress.

"Rocky Ground" has been announced as the second single from ''Wrecking Ball'' and will be released exclusively as part of Record Store Day on April 21, 2012.

''Wrecking Ball'' became Springsteen's tenth No. 1 album in the United States tying him with Elvis Presley for third most No. 1 albums of all-time. Only The Beatles (19) and Jay-Z (12) have more No. 1 albums. ''Wrecking Ball'' knocked out Adele's Grammy winning album, ''21'' after 23 nonconsecutive weeks at #1.

On March 15, 2012, Springsteen was the keynote speaker at the annual SXSW Conference in Austin, Texas.

Musical style

Bruce Springsteen draws on many musical influences from the reservoir of traditional American popular music, folk, blues and country. From the beginning, rock and roll has been the dominant influence. On his debut album, ''Greetings from Asbury Park, New Jersey'', the folk-influence is clear. An example of the influence of this music genre to Springsteen's music is his song "This Hard Land" which demonstrates a clear influence of the style of Woody Guthrie.

He expanded the range of his musical compositions on his second album, ''The Wild, the Innocent & the E Street Shuffle''. Elements of Latin American music, jazz, soul, and funk influences can be heard; the song "New York City Serenade" is even reminiscent of the music of George Gershwin. These two records prominently featured pianist David Sancious, who left the band shortly into the recording of Springsteen's third album, ''Born To Run''. This album, however, also emphasized the piano, the responsibility now of Roy Bittan.

Earlier in his career, Springsteen has focused more on the rock elements of his music. He initially compressed the sound and developed ''Darkness On The Edge Of Town'' just as straightforward as concise musical idiom, for the simple riffs,hard rock guitar solos and clearly recognizable song structures are dominant.He also drew upon a few influences from Punk Rock on the album,as can be heard on the heavy rhythm following the bridge solo on 'Candy's room'. His music has been categorized as heartland rock, a style typified by Springsteen, John Fogerty, Tom Petty, Bob Seger, and John Mellencamp. This music has a lyrical reference to the U.S. everyday and the music is kept rather simple and straightforward. This development culminated with Springsteen's hit album ''Born in the U.S.A.'', the title song of which has a constantly repeating, fanfare-like keyboard riff and a pounding drum beat. These sounds fit with Springsteen's voice: it cries to the listener the unsentimental story of a disenchanted angry figure. Even songs that can be argued to be album tracks proved to be singles that enjoyed some chart success, such as "My Hometown" and "I'm on Fire", in which the drum line is formed from subtle hi-hat and rim-clicks-shock (shock at the edge of the snare drum) accompanied by synthesizer and Springsteen's soft guitar line. The album, along with some previous records such as "Cadillac Ranch" showed clear rockabilly influences as is evident from his guitar solos, in-fills and vocal styles on these. Another clear influence of early rock n roll on Springsteen's music is evident on the song "Light of Day".

In recent years, Springsteen has changed his music further. There are more folk elements up to the gospel to be heard. His last solo album, ''Devils and Dust'', drew rave reviews not only for Springsteen's complex songwriting, but also for his expressive and sensitive singing.

On the album ''We Shall Overcome: The Seeger Sessions'' Springsteen performs folk classics with a folk band, rather than his usual E Street Band. On his ensuing tour he also interpreted some of his own rock songs in a folk style.

The 2007 album ''Magic'' was a reflection on the old stadium rock attitude and with its lush arrangements was almost designed to be performed at large stadiums, which also succeeded on the corresponding tour.

Lyrical themes

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Often described as cinematographic in their scope, Springsteen's lyrics frequently explore highly personal themes such as individual commitment, dissatisfaction and dismay with life in a context of every day situations.

It has been recognized that there was a shift in his lyrical approach starting with the album ''Darkness on the Edge of Town'', in which he focused on the emotional struggles of working class life.

Politics and activism

Springsteen's music has often contained political themes reflecting his responses to the events occurring around him. A number of these songs contributed to Springsteen’s stardom; many songs cannot be explained without including Springsteen’s political views. The following are a chronological order of the political and activist causes Springsteen has publicly campaigned for:

September 19–23, 1979: Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden.

August 20, 1981: A Night For The Vietnam Veterans for the Vietnam Veterans’ Association as an appeal to help “heal the physical and psychological wounds inflicted on the soldiers who fought the nation’s most unpopular war”.

1984: Turned down several million dollars offered by the Chrysler Corporation to use the song "Born in the U.S.A." in a car commercial.

1985: Featured on the "We Are the World" song and album

1988: Headlined the worldwide Human Rights Now! tour for Amnesty International.

2004: "No Surrender" became the main campaign theme song for John Kerry's unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.

April 2008: Springsteen announced his endorsement supporting Barack Obama's 2008 presidential campaign. Throughout the year, he showed his support by attending several rallies and performing in support of Obama’s campaign.

2009: Springsteen contributed to the soundtrack of ''The People Speak'' by playing guitar and harmonica.

January 2009: Springsteen was the musical opener for the Obama Inaugural Celebration.

May 3, 2009: Springsteen made an appearance at The Clearwater Concert.

October 29 & 30, 2009: Springsteen made an appearance at the Rock and Roll Hall of Fame's 25th anniversary benefit concert.

January 22, 2010: Springsteen made an appearance at Hope for Haiti Now: A Global Benefit for Earthquake Relief.

Springsteen has additionally been associated with various local food banks, particularly with the New Jersey Food bank for many years. During concerts, he usually breaks the routine to announce his support and later matches the total collection during the concert with his own money. During his Charlotte, North Carolina concert on November 3, 2009, he started with a $10,000 donation for the local food bank to start the collections process – which he again matched later.

He has made substantial financial contributions to various workers' unions both in America and in Europe.

Springsteen is a strong supporter of gay rights, particularly marriage equality. In 2009, he urged lawmakers to legalize gay marriage, later posting on his website "I've long believed in and have always spoken out for the rights of same-sex couples".

Personal life

Springsteen and Julianne Phillips (born May 6, 1960) were married from May 13, 1985 to May 1988, when they separated. The two were opposites in background and his traveling took its toll on their relationship. The final blow came when Springsteen began an affair with Patti Scialfa (born July 29, 1953), whom he had dated briefly in 1984 shortly after she joined the band. Phillips and Springsteen separated in the spring of 1988 without making an announcement to the press, and on August 30, 1988, Julianne filed for divorce. The Springsteen/Phillips divorce was finalized on March 1, 1989.

After the separation in 1988, Springsteen began living with Scialfa. Springsteen received press criticism for the hastiness in which he and Scialfa took up their relationship. In a 1995 interview with ''The Advocate'', Springsteen spoke about the negative publicity the couple subsequently received. "It's a strange society that assumes it has the right to tell people whom they should love and whom they shouldn't. But the truth is, I basically ignored the entire thing as much as I could. I said, 'Well, all I know is, this feels real, and maybe I have got a mess going here in some fashion, but that's life.'" He also noted that, "I went through a divorce, and it was really difficult and painful and I was very frightened about getting married again. So part of me said, 'Hey, what does it matter?' But it does matter. It's very different than just living together. First of all, stepping up publicly- which is what you do: You get your license, you do all the social rituals- is a part of your place in society and in some way part of society's acceptance of you...Patti and I both found that it did mean something."

On July 25, 1990 Scialfa gave birth to the couple's first child, Evan James Springsteen. On June 8, 1991 Springsteen and Scialfa married at their Beverly Hills home. Their second child, Jessica Rae Springsteen, was born on December 30, 1991; and their third child, Samuel Ryan Springsteen, was born on January 5, 1994. The family owns and lives on a horse farm in Colts Neck, New Jersey. They also own homes in Wellington, Florida, a wealthy horse community near West Palm Beach, Los Angeles and Rumson, New Jersey. Their eldest son, Evan, attends Boston College. Their daughter Jessica is a nationally ranked champion equestrian, and attends Duke University.

Since 1991, Springsteen has led a relatively quiet life for a well-known popular performer and artist. He moved from Los Angeles to New Jersey in the early 1990s specifically to raise a family in a non-paparazzi environment. It has been reported that the press conference regarding the 2009 Super Bowl XLIII half-time show was his first press conference for more than 25 years. However, he has appeared in a few radio interviews, most notably on NPR and BBC. ''60 Minutes'' aired his last extensive interview on TV before his tour to support his album, ''Magic''.

Bands

Bruce Springsteen has been a member of, or has been backed by, several bands during his career, most notably The E Street Band.

His earliest known band is The Castiles.

Prior to signing his first record deal in 1972, Springsteen was a member of several bands including Steel Mill. In October 1972 he formed a new band for the recording of his debut album ''Greetings from Asbury Park, N.J.'', which became known as The E Street Band, although the name was not officially introduced until September 1974. The E Street Band performed on all of Springsteen's recorded works from his debut until 1982's ''Nebraska'', a solo album on which Springsteen himself played all the instruments. The full band returned for the next album ''Born in the USA'', but there then followed a period from 1988 to 1999 in which albums were recorded with session musicians. The E Street band were briefly reunited in 1995 for new contributions to the ''Greatest Hits'' compilation, and on a more permanent basis from 1999, since which time they have recorded 3 albums together (''The Rising'', ''Magic'' and ''Working on a Dream'') and performed a number of high profile tours.

The 2005 album ''Devils & Dust'' was largely a solo recording, with some contribution from session musicians and the 2006 folk rock ''We Shall Overcome: The Seeger Sessions'' album was recorded and toured with another band, known as The Sessions Band. In the summer of 2012, Raymond Bernero will join Bruce on the stage at Wrigely Field in Chicago.

Earlier Bands: The Castiles, Earth, Child, Steel Mill, Sundance Blues Band, Dr Zoom and the Sonic Boom, Bruce Springsteen Band.

E Street Band

Current members:

Bruce Springsteen – lead vocals, lead and rhythm guitar, harmonica, piano

Patti Scialfa – backing and duet vocals, acoustic guitar, percussion

Garry Tallent – bass guitar, tuba

Roy Bittan – piano, keyboards

Max Weinberg – drums, percussion

Steven Van Zandt – lead and rhythm guitar, backing vocals, mandolin

Nils Lofgren – lead and rhythm guitar, pedal steel guitar, backing vocals

With: Soozie Tyrell – violin, acoustic guitar, percussion, backing vocals Charles Giordano – organ, accordion, glockenspiel

Former members:

1973–2011 Clarence Clemons (deceased) – tenor, baritone and soprano saxophones, backing vocals, percussion

1973–2008 Danny Federici (deceased) – organ, accordion, backing vocals

Film

Music used in films

Springsteen's music has been used in many films and he has also written and performed several works specifically for films, examples include ''Philadelphia'', ''Dead Man Walking'', ''Jerry Maguire'', and ''The Wrestler''.

1983 1983 1986 1987 1989 1992 1992 1993 1995 1995 1996 1997 1997 1998 1998 1999 1999 2000 2000 2002 2003 2004 2007 2007 2007 2007 2008 2009 2011

Film !! Year of film release !! Song(s) !! Notes
''Dead End Street''	1982	"Point Blank", "Hungry Heart" and "Jungleland"
''Risky Business''	|	Hungry Heart
''Baby, It's You (film)	Baby, It's You''	|	"It's Hard To Be A Saint In The City", "The E Street Shuffle", "She's The One" and "Adam Raised A Cain"	Film directed by John Sayles who later directed music videos for songs from ''Born in the U.S.A.'' and ''Tunnel of Love''.
''Ruthless People''	|	Stand on It" (''Tracks (Bruce Springsteen album)>Tracks'' version)
''Light of Day''	|	"(Just Around the Corner to the) Light of Day"	Song written for the film.
''In Country''	|	"I'm On Fire"	Film also contained many Springsteen references.
''Thunderheart''	|	"Badlands" (instrumental version)
''Honeymoon in Vegas''	|	Viva Las Vegas (song)>Viva Las Vegas"	A 1964 song originally recorded by Elvis Presley.
''Philadelphia (film)	Philadelphia''	|	"Streets of Philadelphia"	Song written for film. Won an Oscar.
''Dead Man Walking (film)	Dead Man Walking''	|	"Dead Man Walkin'"	Song written for film. Nominated for an Oscar.
''The Crossing Guard''	|	"Missing"	Song was later released in 2003 on ''The Essential Bruce Springsteen''.
''Jerry Maguire''	|	Secret Garden (Bruce Springsteen song)>Secret Garden"
''Cop Land''	|	Stolen Car (Bruce Springsteen song)>Stolen Car"	Sylvester Stallone's character plays the songs on his turntable.
''Fierce Creatures''	|	"Hungry Heart"
''The Wedding Singer''	|	"Hungry Heart"
''A Night at the Roxbury''	|	Secret Garden (Bruce Springsteen song)>Secret Garden"
''Big Daddy (1999 film)	Big Daddy''	|	"Growin' Up"	Played over a montage near the end of the film.
''Limbo (film)	Limbo''	|	"Lift Me Up"	Another John Sayles film.
''High Fidelity (film)	High Fidelity''	|	"The River" and Blues Guitar Riff	Blues riff played by Springsteen, on-screen during his cameo appearance. "Nebraska" played from vinyl on turntable.
''The Perfect Storm (film)	The Perfect Storm''	|	"Hungry Heart"
''25th Hour''	|	"The Fuse"
''Grand Theft Parsons''	|	"Blood Brothers"
''Jersey Girl (2004 film)	Jersey Girl''	|	Jersey Girl (song)>Jersey Girl"	Cover of the Tom Waits version
''Reign Over Me''	|	"Drive All Night" and "Out In The Street"	The album ''The River'' was also well mentioned in the movie.
''In the Land of Women''	|	"Iceman"
''The Heartbreak Kid (2007 film)	The Heartbreak Kid''	|	"Rosalita (Come Out Tonight)"
''Lucky You (film)	Lucky You''	|	"Lucky Town"
''The Wrestler (2008 film)	The Wrestler''	|	The Wrestler (song)>The Wrestler"	Written for the film. The song was awarded a Golden Globe Award for Best Original Song and nominated for the MTV Movie Award as "Best Song From a Movie".
''Food, Inc.''	|	"This Land Is Your Land"	Live version, Bruce Springsteen's performance of the Woody Guthrie song.
''The Hunter (2011 Australian film)	The Hunter	|	"I'm On Fire"	Willem Dafoe's character sets up a stereo in a tree and uses the song to wake someone sleeping inside the house.

Films inspired by music

In turn, films have been inspired by his music, including ''The Indian Runner'', written and directed by Sean Penn, which Penn has specifically noted as being inspired by Springsteen's song "Highway Patrolman".

In September 2010, a documentary about the making of his 1978 album ''Darkness on The Edge of Town'' was premiered at the Toronto International Film Festival.

Kevin Smith is an admitted "big fan" of fellow New Jersey native Springsteen and named his film ''Jersey Girl'' after the Tom Waits song which Springsteen made famous. The song was also used on the soundtrack.

Ricky Gervais and Stephen Merchant have cited Springsteen's "Thunder Road" as having been a heavy influence on their 2010 film ''Cemetery Junction'', employing the song's themes of escape and optimism into their story of 1970s England.

In 2011, Springsteen appears in an independent film made by a local musician Chris Vaughn from New Jersey entitled ''Jerseyboy Hero'' where the songwriter/filmmaker documents his journey to get his music out to the world by attempting to reach one of his two local New Jersey legends, Bruce Springsteen or Jon Bon Jovi.

Acting

Springsteen made his first on-screen appearance in a brief cameo as himself in ''High Fidelity'' in 2000 and it was voted "Best Cameo in a Movie" at the MTV Movie Awards.

Discography

Major studio albums (along with their chart positions in the U.S. Billboard 200 at the time of release):

1973: ''Greetings from Asbury Park, N.J.'' (No. 60)

1973: ''The Wild, the Innocent & the E Street Shuffle'' (No. 59)

1975: ''Born to Run'' (No. 3)

1978: ''Darkness on the Edge of Town'' (No. 5)

1980: ''The River'' (No. 1)

1982: ''Nebraska'' (No. 3)

1984: ''Born in the U.S.A.'' (No. 1)

1987: ''Tunnel of Love'' (No. 1)

1992: ''Human Touch'' (No. 2)

1992: ''Lucky Town'' (No. 3)

1995: ''The Ghost of Tom Joad'' (No. 11)

2002: ''The Rising'' (No. 1)

2005: ''Devils & Dust'' (No. 1)

2006: ''We Shall Overcome: The Seeger Sessions'' (No. 3)

2007: ''Magic'' (No. 1)

2009: ''Working on a Dream'' (No. 1)

2012: ''Wrecking Ball'' (No. 1)

Awards and recognition

Grammy Awards

:Springsteen has won 21 Grammy Awards, as follows (years shown are the year the award was given ''for'', not the year in which the ceremony was held):

Best Rock Vocal Performance, Male, 1984, "Dancing in the Dark"

Best Rock Vocal Performance, Male, 1987, "Tunnel of Love"

Song of the Year, 1994, "Streets of Philadelphia"

Best Rock Song, 1994, "Streets of Philadelphia"

Best Rock Vocal Performance, Solo, 1994, "Streets of Philadelphia"

Best Song Written Specifically for a Motion Picture or Television, 1994, "Streets of Philadelphia"

Best Contemporary Folk Album, 1996, ''The Ghost of Tom Joad''

Best Rock Album, 2002, ''The Rising''

Best Rock Song, 2002, "The Rising"

Best Male Rock Vocal Performance, 2002, "The Rising"

Best Rock Performance by a Duo or Group with Vocal, 2003, "Disorder in the House" (with Warren Zevon)

Best Solo Rock Vocal Performance, 2004, "Code of Silence"

Best Solo Rock Vocal Performance, 2005, "Devils & Dust"

Best Traditional Folk Album, 2006, ''The Seeger Sessions: We Shall Overcome''

Best Long Form Music Video, 2006, ''Wings For Wheels: The Making Of Born to Run''

Best Solo Rock Vocal Performance, 2007, "Radio Nowhere"

Best Rock Song, 2007, "Radio Nowhere"

Best Rock Instrumental Performance, 2007, "Once Upon a Time in the West"

Best Rock Song, 2008, "Girls in Their Summer Clothes"

Best Solo Rock Vocal Performance, 2009, "Working on a Dream"

Best Boxed or Special Limited Edition Package, 2011, ''The Promise: The Darkness on the Edge of Town Story''

Golden Globe Awards

Golden Globe Award for Best Original Song for "Streets of Philadelphia" in 1994. Golden Globe Award for Best Original Song for "The Wrestler" in 2009.

Academy Awards

Academy Award for Best Original Song, 1993, "Streets of Philadelphia" from ''Philadelphia''.

Emmy Awards

The ''Bruce Springsteen & the E Street Band: Live In New York City'' HBO special won two technical Emmy Awards in 2001.

Other recognition

October 27, 1975: Bruce Springsteen appears simultaneously on the covers of ''Newsweek'' and ''Time''

Polar Music Prize in 1997. Inducted into the Rock and Roll Hall of Fame, 1999. Inducted into the Songwriters Hall of Fame, 1999. Inducted into the New Jersey Hall of Fame, 2007. "Born to Run" named "The unofficial youth anthem of New Jersey" by the New Jersey state legislature; something Springsteen always found to be ironic, considering that the song "is about leaving New Jersey". The minor planet 23990, discovered September 4, 1999, by I. P. Griffin at Auckland, New Zealand, was officially named in his honor. Ranked No. 23 on ''Rolling Stone'' magazines 2004 list of the 100 Greatest Artists of All Time. Ranked No. 36 on ''Rolling Stone'' magazines 2004 list of the 100 Greatest Singers Of All Time. Made ''Time'' magazine's 100 Most Influential People Of The Year 2008 list. Won Critic's Choice Award for Best Song with "The Wrestler" in 2009.

Performed at the Super Bowl XLIII half time show.

Kennedy Center Honors, 2009.

''Rolling Stone'' magazine also ranked 8 out of 16 Springsteen's studio albums in their 500 Greatest Albums Of All Time list.

''Rolling Stone'' magazine ranked "Born to Run" and "Thunder Road" in its 500 Greatest Songs Of All Time list, in 21st and 86th, respectively.

''Forbes'' ranked him 6th in The Celebrity 100 in 2009

John Steinbeck Award

See also

List of artists who reached number one on the U.S. Mainstream Rock chart

List of best selling music artists

Notes

References

Sources

Alterman, Eric. ''It Ain't No Sin To Be Glad You're Alive : The Promise of Bruce Springsteen''. Little Brown, 1999. ISBN 0-316-03885-7.

Coles, Robert. ''Bruce Springsteen's America: The People Listening, a Poet Singing''. Random House, 2005. ISBN 0-375-50559-8.

Cross, Charles R. ''Backstreets: Springsteen – the man and his music'' Harmony Books, New York 1989/1992. ISBN 0-517-58929-X. Contains 15+ interviews and a complete list of all Springsteen songs including unreleased compositions. Complete lising of all concerts 1965–1990 – most of them with tracklists. Hundreds of previously unreleased high quality color pictures.

Cullen, Jim. ''Born in the U.S.A.: Bruce Springsteen and the American Tradition''. 1997; Middletown, CT: Wesleyan University Press, 2005. New edition of 1997 study book places Springsteen's work in the broader context of American history and culture. ISBN 0-8195-6761-2

Eliot, Marc with Appel, Mike. ''Down Thunder Road''. Simon & Schuster, 1992. ISBN 0-671-86898-5.

Graff, Gary. ''The Ties That Bind: Bruce Springsteen A to E to Z''. Visible Ink, 2005. ISBN 1-57859-151-1.

Guterman, Jimmy. ''Runaway American Dream: Listening to Bruce Springsteen''. Da Capo, 2005. ISBN 0-306-81397-1.

Hilburn, Robert. ''Springsteen''. Rolling Stone Press, 1985. ISBN 0-684-18456-7.

Knobler, Peter with special assistance from Greg Mitchell. "Who Is Bruce Springsteen and Why Are We Saying All These Wonderful Things About Him?", ''Crawdaddy'', March 1973.

Marsh, Dave. ''Bruce Springsteen: Two Hearts : The Definitive Biography, 1972–2003''. Routledge, 2003. ISBN 0-415-96928-X. (Consolidation of two previous Marsh biographies, ''Born to Run'' (1981) and ''Glory Days'' (1987).)

Wolff, Daniel. ''July 4, Asbury Park: A History of the Promised Land''. Bloomsbury, 2005. ISBN 1-58234-509-0.

Further reading

''Greetings from E Street: The Story of Bruce Springsteen and the E Street Band''. Chronicle Books, 2006. ISBN 0-8118-5348-9.

''Days of Hope and Dreams: An Intimate Portrait of Bruce Springsteen''. Billboard Books, 2003. ISBN 0-8230-8387-X.

''Racing in the Street: The Bruce Springsteen Reader''. Penguin, 2004. ISBN 0-14-200354-9.

''Runaway American Dream: Listening to Bruce Springsteen''. Da Capo Press, 2005. ISBN 0-306-81397-1.

''The Ties That Bind: Bruce Springsteen A to E to Z''. Visible Ink Press, 2005. ISBN 1-57859-157-0.

''Bruce Springsteen: "Talking"''. Omnibus Press, 2004. ISBN 1-84449-403-9.

''For You: Original Stories and Photographs by Bruce Springsteen's Legendary Fans''. LKC Press, 2007. ISBN 978-0-9784156-0-0.

''Bruce Springsteen on Tour: 1968–2005''. by Dave Marsh Bloomsbury USA, 2006. ISBN 978-1-59691-282-3.

''The Gospel according to Bruce Springsteen: Rock and Redemption from Asbury Park to Magic''. by Jeffrey B. Symynkywicz. Westminster John Knox Press, 2008. ISBN 978-0-664-23169-9.

''Magic in the Night: The Words and Music of Bruce Springsteen'' by Rob Kirkpatrick. St. Martin's Griffin, 2009. ISBN 0-312-53380-2.

''Land of Hope and Dreams: Celebrating 25 Years of Bruce Springsteen In Ireland'' by Greg Lewis and Moira Sharkey. Magic Rat Books. ISBN 978-0-9562722-0-1

''The Light in Darkness.'' A history of the Darkness on The Edge of Town album and tour. Lawrence Kirsch Communications. 2009 ISBN 978-0-9784156-1-7

External links

E Street Radio

Bruce Springsteen at ''Idiomag'' 21 12 10

in 2005

Highlights of Springsteen at Glastonbury 2009.

Bruce Springsteen at NPR Music

"Library of Hope and Dreams":bibliography of published Springsteen scholarship in English.

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Name	Van Morrison
Background	solo_singer
Birth name	George Ivan Morrison
Alias	Van the ManThe Belfast Cowboy
Birth date	August 31, 1945
Origin	Belfast, Northern Ireland
Genre	Rock, blues, rhythm and blues, folk, blue-eyed soul, celtic, rock and roll, jazz fusion, country, soft rock
Instrument	Vocals, guitar, harmonica, saxophones, keyboards, drums, tambourine, ukulele
Occupation	Singer-songwriter, musician
Years active	1958–present
Label	DeccaBangWarner Bros.LondonMercuryExile/PolydorVervePoint BlackVirginUniversalBlue NoteLost HighwayListen to the Lion/EMIManhattan
Associated acts	Them
Website	www.vanmorrison.com }}

Van Morrison, OBE (born George Ivan Morrison; 31 August 1945) is a Northern Irish singer-songwriter and musician. His live performances at their best are regarded as transcendental and inspired; while some of his recordings, such as the studio albums ''Astral Weeks'' and ''Moondance'', and the live album ''It's Too Late to Stop Now'', are widely viewed as among the greatest ever made.

Known as "Van the Man" to his fans, Morrison started his professional career when, as a teenager in the late 1950s, he played a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands covering the popular hits of the day. He rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B; band Them, with whom he recorded the garage band classic "Gloria". His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967. After Berns' death, Warner Bros. Records bought out his contract and allowed him three sessions to record ''Astral Weeks'' in 1968. Even though this album would gradually garner high praise, it was initially poorly received; however, the next one, ''Moondance'', established Morrison as a major artist, and throughout the 1970s he built on his reputation with a series of critically acclaimed albums and live performances. Morrison continues to record and tour, producing albums and live performances that sell well and are generally warmly received, sometimes collaborating with other artists, such as Georgie Fame and The Chieftains. In 2008 he performed ''Astral Weeks'' live for the first time since 1968.

Much of Morrison's music is structured around the conventions of soul music and R&B;, such as the popular singles "Brown Eyed Girl", "Jackie Wilson Said (I'm in Heaven When You Smile)", "Domino" and "Wild Night". An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz, and stream-of-consciousness narrative, such as ''Astral Weeks'' and lesser-known works such as ''Veedon Fleece'' and ''Common One''. The two strains together are sometimes referred to as "Celtic Soul".

Morrison has received considerable acclaim, including six Grammy Awards, being inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, and appearing on several "Greatest Artists" lists.

Life and career

Early life and musical roots: 1945–64

George Ivan (Van) Morrison was born on 31 August 1945, at 125 Hynford Street, Bloomfield, East Belfast, Northern Ireland as the only child of George Morrison, a shipyard electrician, and Violet Stitt Morrison, a singer and tap dancer in her youth. Van Morrison's family roots descend from the Ulster Scots population that settled in Belfast. From 1950 to 1956, Morrison, who began to be known as "Van" during this time, attended Elmgrove Primary School. Morrison's father had what was at the time one of the largest record collections in Ulster (acquired during his sojourn in Detroit, Michigan in the early 1950s), and the young Morrison grew up listening to artists such as Jelly Roll Morton, Ray Charles, Lead Belly, and Solomon Burke; of whom Morrison later said, "If it weren't for guys like Ray and Solomon, I wouldn't be where I am today. Those guys were the inspiration that got me going. If it wasn't for that kind of music, I couldn't do what I'm doing now." His father's record collection exposed him to various musical genres, such as the blues of Muddy Waters; the gospel of Mahalia Jackson; the jazz of Charlie Parker; the folk music of Woody Guthrie; and country music from Hank Williams and Jimmie Rodgers, while the first record he ever bought was by blues musician Sonny Terry. When Lonnie Donegan had a hit with "Rock Island Line", written by Huddie Ledbetter (Lead Belly), Morrison felt he was familiar with and able to connect with skiffle music as he had been hearing Lead Belly before that.

Morrison's father bought him his first acoustic guitar when he was eleven, and he learned to play rudimentary chords from the song book, ''The Carter Family Style'', edited by Alan Lomax. A year later, when he was twelve years old, Morrison formed his first band, a skiffle group, "The Sputniks", named after the recently launched Soviet satellite, Sputnik 1. In 1958, the band played at some of the local cinemas, and Morrison took the lead, contributing most of the singing and arranging. Other short-lived groups followed – at fourteen, he formed Midnight Special, another modified skiffle band and played at a school concert. Then, when he heard Jimmy Giuffre playing saxophone on "The Train and The River", he talked his father into buying him a saxophone, and took lessons in tenor sax and music reading. Now playing the saxophone, Morrison joined with various local bands, including one called Deanie Sands and the Javelins, with whom he played guitar and shared singing. The line-up of the band was lead vocalist Deanie Sands, guitarist George Jones and drummer, vocalist Roy Kane. Later the four main musicians of the Javelins, with the addition of Wesley Black as pianist, became known as the Monarchs.

Morrison attended Orangefield High School, leaving in July 1960 with no qualifications. As a member of a working-class community, it was expected that he would get a regular full-time job, so after several short apprenticeship positions, he settled into a job as a window cleaner— later alluded to in his songs, "Cleaning Windows" and "Saint Dominic's Preview". However, he had been developing his musical interests from an early age and continued playing with the Monarchs part-time. Young Morrison also played with the Harry Mack Showband, the Great Eight, with his older workplace friend, Geordie (G. D.) Sproule, whom he later named as one of his biggest influences.

At age 17, he toured Europe for the first time with the Monarchs, now calling themselves the International Monarchs. This Irish showband, with Morrison playing saxophone, guitar and harp, in addition to back-up duty on bass and drums, toured steamy clubs and US Army bases in Scotland, England, and Germany, often playing five sets a night. While in Germany, the band recorded a single, "Boozoo Hully Gully"/"Twingy Baby", under the name Georgie and The Monarchs. This was Morrison's first recording, taking place in November 1963 at Ariola Studios in Cologne with Morrison on saxophone; it made the lower reaches of the German charts.

Upon returning to Belfast in November 1963, the group disbanded, so Morrison connected with Geordie Sproule again and played with him in the Manhattan Showband along with guitarist Herbie Armstrong. When Armstrong auditioned to play with Brian Rossi and the Golden Eagles, Morrison went along and was hired as a blues singer.

Them: 1964–66

The roots of Them, the band that first broke Morrison on the international scene, came in April 1964 when Morrison responded to an advert for musicians to play at a new R&B; club at the Maritime Hotel – an old dance hall frequented by sailors. The new R&B; club needed a band for its opening night; however, Morrison had left the Golden Eagles (the group with which he had been performing at the time), so he created a new band out of The Gamblers, an East Belfast group formed by Ronnie Millings, Billy Harrison, and Alan Henderson in 1962. Eric Wrixon, still a schoolboy, was the piano player and keyboardist. Morrison played saxophone and harmonica and shared vocals with Billy Harrison. They followed Eric Wrixon's suggestion for a new name, and The Gamblers morphed into Them, their name taken from the Fifties horror movie ''Them!''.

The band's strong R&B; performances at the Maritime attracted attention. Them performed without a routine and Morrison ad libbed, creating his songs live as he performed. While the band did covers, they also played some of Morrison's early songs, such as "Could You Would You", which he had written in Camden Town while touring with The Manhattan Showband. The debut of Morrison's "Gloria" took place on stage here. Sometimes, depending on his mood, the song could last up to twenty minutes. Morrison has stated that "Them lived and died on the stage at the Maritime Hotel," believing that the band did not manage to capture the spontaneity and energy of their live performances on their records. The statement also reflected the instability of the Them lineup, with numerous members passing through the ranks after the definitive Maritime period. Morrison and Henderson would remain the only constants, and a highly unsuccessful version of Them even soldiered on after Morrison's departure.

Dick Rowe of Decca Records became aware of the band's performances, and signed Them to a standard two-year contract. In that period, they released two albums and ten singles, with two more singles released after Morrison departed the band. They had three chart hits, "Baby, Please Don't Go" (1964), "Here Comes the Night" (1965), and "Mystic Eyes" (1965), though it was the b-side of "Baby, Please Don't Go", the garage band classic, "Gloria", that went on to become a rock standard covered by Patti Smith, The Doors, Shadows of Knight, Jimi Hendrix and many others.

Building on the success of their singles in the United States, and riding on the back of the British Invasion, Them undertook a two month tour of America in May and June 1966 that included a residency from 30 May to 18 June at the Whisky a Go Go in Los Angeles. The Doors were the supporting act on the last week, and Morrison's influence on The Doors singer, Jim Morrison, was noted by John Densmore in his book ''Riders On The Storm''. Brian Hinton relates how "Jim Morrison learned quickly from his near namesake's stagecraft, his apparent recklessness, his air of subdued menace, the way he would improvise poetry to a rock beat, even his habit of crouching down by the bass drum during instrumental breaks." On the final night, the two Morrisons and the two bands jammed together on "Gloria".

Toward the end of the tour the band members became involved in a dispute with their manager, Decca Records' Phil Solomon, over the revenues paid to the band; that, coupled with the expiry of their work visas, meant the band returned from America dejected. After two more concerts in Ireland, Them split up. Morrison concentrated on writing some of the songs that would appear on ''Astral Weeks'', while the remnants of the band reformed in 1967 and relocated in America.

Start of solo career with Bang Records and "Brown Eyed Girl" – 1967

Bert Berns, Them’s producer and composer of their 1965 hit, "Here Comes the Night", persuaded Morrison to return to New York to record solo for his new label, Bang Records. Morrison flew over and signed a contract he had not fully studied. Then, during a two-day recording session at A & R Studios starting 28 March 1967, eight songs were recorded, originally intended to be used as four singles. Instead, these songs were released as the album ''Blowin' Your Mind!'' without Morrison being consulted. He said he only became aware of the album's release when a friend mentioned on a phone call that he had just bought a copy of it. He later commented to Donal Corvin in a 1973 interview: "I wasn't really happy with it. He picked the bands and tunes. I had a different concept of it."

However, from these early sessions emerged "Brown Eyed Girl". Captured on the 22nd take on the first day, this song was released as a single in mid-June 1967, reaching number ten in the US charts in 1967. "Brown Eyed Girl" became Morrison's most played song and over the years it has remained a classic; forty years later in 2007, it was the fourth most requested song of DJs in the US.

Following the death of Berns in 1967, Morrison became involved in a contract dispute with Berns' widow that prevented him from performing on stage or recording in the New York area. The song "Big Time Operators", released in 1993, is thought to allude to his dealings with the New York music business during this time period. He then moved to Boston, Massachusetts, and was soon confronted with personal and financial problems; he had "slipped into a malaise" and had trouble finding concert bookings. However, through the few gigs he could find, he regained his professional footing and started recording with the Warner Bros. Records label. The record company managed to buy out his contract with Bang Records. Morrison fulfilled a clause that bound him to submit thirty-six original songs within a year to Web IV Music, Berns' music publishing company, by recording thirty-one songs in one session; however, Ilene Berns thought the songs "nonsense music ... about ringworms" and didn't use them. The throwaway compositions would come to be known as the "revenge" songs.

''Astral Weeks'' – 1968

"Astral Weeks is about the power of the human voice – ecstatic agony, agonising ecstacy. Here is an Irish tenor reborn as a White Negro – a Caucasian Soul Man – pleading and beseeching over a bed of dreamy folk-jazz instrumentation: acoustic bass, brushed drums, vibes and acoustic guitar, the odd string quartet – and of course flute."

Barney Hoskyns – ''Mojo''

''Into the Music'': "The album's last four songs, "Angelou", "And the Healing Has Begun", and "It's All in the Game/You Know What They're Writing About" are a veritable tour-de-force with Morrison summoning every vocal trick at his disposal from "Angelou's climactic shouts to the sexually-charged, half-mumbled monologue in "And the Healing Has Begun" to the barely audible whisper that is the album's final sound." (Scott Thomas Review')

The following year, Morrison released ''Wavelength''; it became at that time the fastest-selling album of his career and soon went gold. The title track became a modest hit, peaking at number forty-two. Making use of 1970s synthesizers, it mimics the sounds of the shortwave radio stations that he listened to in his youth. The opening track, "Kingdom Hall" evoked Morrison's own childhood experiences attending church with his mother and foretold a religious theme that would be more evident in his next album, ''Into the Music''.

Considered by Allmusic as "the definitive post-classic-era Morrison", ''Into the Music'', was released in the last year of the 1970s. Songs on this album for the first time alluded to the healing power of music, which would become an abiding interest of Morrison's. "Bright Side of the Road" was a joyful, uplifting song that would appear on the soundtrack of the movie, ''Michael''.

''Common One'' to ''Avalon Sunset'': 1980–89

With his next album, the new decade found Morrison following his muse into uncharted territory and merciless reviews. In February 1980, Morrison and a group of musicians traveled to Super Bear, a studio in the French Alps, to record (on the site of a former abbey) what is considered to be the most controversial album in his discography; later "Morrison admitted that his original concept was even more esoteric than the final product." The album, ''Common One'', consisted of six songs, each of varying length. The longest, "Summertime in England", lasted fifteen and one-half minutes and ended with the words,''"Can you feel the silence?"''. ''NME'' magazine's Paul Du Noyer called the album "colossally smug and cosmically dull; an interminable, vacuous and drearily egotistical stab at spirituality: Into the muzak." Even Greil Marcus, whose previous writings had been favourably inclined towards Morrison, said: "It's Van acting the part of the 'mystic poet' he thinks he's supposed to be." Morrison insisted that the album was never "meant to be a commercial album." Biographer Clinton Heylin concludes: "He would not attempt anything so ambitious again. Henceforth every radical idea would be tempered by some notion of commerciality." Later the critics would reassess the album more favourably with the success of "Summertime in England". Lester Bangs wrote in 1982, "Van was making holy music even though he thought he was, and us [sic] rock critics had made our usual mistake of paying too much attention to the lyrics."

Morrison's next album, ''Beautiful Vision'', released in 1982, had him returning once again to the music of his Northern Irish roots. Well received by the critics and public, it produced a minor UK hit single, "Cleaning Windows", that referenced one of Morrison's first jobs after leaving school. Several other songs on the album, "Vanlose Stairway", "She Gives Me Religion", and the instrumental, "Scandinavia" show the presence of a new personal muse in his life: a Danish public relations agent, who would share Morrison's spiritual interests and serve as a steadying influence on him throughout most of the 1980s. "Scandinavia", with Morrison on piano, was nominated in the ''Best Rock Instrumental Performance'' category for the 25th Annual Grammy Awards.

Much of the music Morrison released throughout the 1980s continued to focus on the themes of spirituality and faith. His 1983 album, ''Inarticulate Speech of the Heart'' was "a move towards creating music for meditation" with synthesisers, uilleann pipes and flute sounds and four of the tracks were instrumentals. The titling of the album and the presence of the instrumentals were noted to be indicative of Morrison's long-held belief that "it's not the words one uses but the force of conviction behind those words that matters." During this period of time, Morrison had studied Scientology and gave "Special Thanks" to L. Ron Hubbard on the album's credits.

''A Sense of Wonder'', Morrison's 1985 album, pulled together the spiritual themes contained in his last four albums, which were defined in a ''Rolling Stone'' review as: "rebirth (''Into the Music''), deep contemplation and meditation, (''Common One''); ecstasy and humility (''Beautiful Vision''); and blissful, mantra like languor (''Inarticulate Speech of the Heart'')." The single, "Tore Down a la Rimbaud" was a reference to Rimbaud and an earlier bout of writer's block that Morrison had encountered in 1974. In 1985, Morrison also wrote the musical score for the movie, ''Lamb'' starring Liam Neeson.

Morrison's 1986 release, ''No Guru, No Method, No Teacher'', was said to contain a "genuine holiness...and musical freshness that needs to be set in context to understand." Critical response was favourable with a ''Sounds'' reviewer calling the album "his most intriguingly involved since ''Astral Weeks''" and "Morrison at his most mystical, magical best." It contains the song, "In the Garden" that, according to Morrison, had a "definite meditation process which is a 'form' of transcendental meditation as its basis. It's not TM". He entitled the album as a rebuttal to media attempts to place him in various creeds. In an interview in the Observer he told Anthony Denselow:

After releasing the "No Guru" album, Morrison's music appeared less gritty and more adult contemporary with the well-received 1987 album, ''Poetic Champions Compose'', considered to be one of his recording highlights of the 1980s. The romantic ballad from this album, "Someone Like You", has been featured subsequently in the soundtracks of several movies, including 1995's ''French Kiss'', and in 2001, both ''Someone Like You'' and ''Bridget Jones's Diary''.

In 1988, he released ''Irish Heartbeat'', a collection of traditional Irish folk songs recorded with the Irish group, The Chieftains, which reached number 18 in the UK album charts. The title song, "Irish Heartbeat", was originally recorded on his 1983 album ''Inarticulate Speech of the Heart''.

The 1989 album, ''Avalon Sunset'', which featured the hit duet with Cliff Richard "Whenever God Shines His Light" and the ballad "Have I Told You Lately" (on which "earthly love transmutes into that for God."(Hinton), reached 13 on the UK album chart. Although considered to be a deeply spiritual album, it also contained "Daring Night" which "deals with full, blazing sex, whatever it's churchy organ and gentle lilt suggest."(Hinton) Morrison's familiar themes of "God, woman, his childhood in Belfast and those enchanted moments when time stands still" were prominent in the songs. He can be heard calling out the change of tempo at the end of this song, repeating the numbers "1 – 4" to cue the chord changes (the first and fourth chord in the key of the music). He often completed albums in two days, frequently releasing first takes.

''The Best of Van Morrison'' to ''Back on Top'': 1990–99

The early to middle 1990s were commercially successful for Morrison with three albums reaching the top five of the UK charts, sold-out concerts, and a more visible public profile; but this period also marked a decline in the critical reception to his work. The decade began with the release of ''The Best of Van Morrison''; compiled by Morrison himself, the album was focused on his hit singles, and became a multi-platinum success remaining a year and a half on the UK charts. Allmusic determined it to be "far and away the best selling album of his career." After ''Enlightenment'' which included the hit singles "Real Real Gone" and the title cut in 1990, an ambitious double album "Hymns to the Silence" was released the following year, his only double studio album. Another compilation album, ''The Best of Van Morrison Volume Two'' was released in January 1993, followed by ''Too Long in Exile'' in June, another top five chart success. The 1994 live double album ''A Night in San Francisco'' received favourable reviews as well as commercial success by reaching number eight on the UK charts. 1995's ''Days Like This'' also had large sales – though the critical reviews were not always favourable. This period also saw a number of side projects, including the live jazz performances of 1996's ''How Long Has This Been Going On'', from the same year ''Tell Me Something: The Songs of Mose Allison'', and 2000's ''The Skiffle Sessions - Live In Belfast 1998'', all of which found Morrison paying tribute to his early musical influences.

In 1997, Morrison released ''The Healing Game''. The album received mixed reviews, with the lyrics being described as "tired" and "dull", though critic Greil Marcus praised the musical complexity of the album by saying: "It carries the listener into a musical home so perfect and complete he or she might have forgotten that music could call up such a place, and then populate it with people, acts, wishes, fears." The following year, Morrison finally released some of his previously unissued studio recordings in a two-disc set, ''The Philosopher's Stone''. His next release, 1999's ''Back on Top'', achieved a modest success, being his highest charting album in the US since 1978's ''Wavelength''.

Recent years: 2000 - present

Van Morrison continued to record and tour in the 2000s, often performing two or three times a week. He formed his own independent label, Exile Productions Ltd, which enables him to maintain full production control of each album he records, which he then delivers as a finished product to the recording label that he chooses, for marketing and distribution.

The album, ''Down the Road'' released in May 2002, received a good critical reception and proved to be his highest charting album in the US since 1972's ''Saint Dominic's Preview''. one of the tracks was written as a tribute to his late father George, who had played a pivotal role in nurturing his early musical tastes.

Morrison's 2005 album, ''Magic Time'', debuted at number twenty-five on the US Billboard 200 charts upon its May release, some forty years after Morrison first entered the public's eye as the frontman of Them. ''Rolling Stone'' listed it as number seventeen on ''The Top 50 Records of 2005''. Also in July 2005, Morrison was named by Amazon as one of their top twenty-five all-time best-selling artists and inducted into the Amazon.com Hall of Fame. Later in the year, Morrison also donated a previously unreleased studio track to a charity album, ''Hurricane Relief: Come Together Now'', which raised money for relief efforts intended for Gulf Coast victims devastated by hurricanes, Katrina and Rita. Morrison composed the song, "Blue and Green", featuring Foggy Lyttle on guitar. This song was released in 2007 on the album, ''The Best of Van Morrison Volume 3'' and also as a single in the UK. Van Morrison was a headline act at the international celtic music festival, The Hebridean Celtic Festival in Stornoway Outer Hebrides in the summer of 2005.

He released an album with a country music theme, entitled ''Pay the Devil'', on 7 March 2006 and appeared at the Ryman Auditorium where the tickets sold out immediately after they went on sale. ''Pay the Devil'' debuted at number twenty-six on The Billboard 200 and peaked at number seven on Top Country Albums. Amazon Best of 2006 Editor's Picks in Country listed the country album at number ten in December 2006. Still promoting the country album, Morrison's performance as the headline act on the first night of the Austin City Limits Music Festival on 15 September 2006 was reviewed by ''Rolling Stone'' magazine as one of the top ten shows of the 2006 festival. In November 2006, a limited edition album, ''Live at Austin City Limits Festival'' was issued by Exile Productions, Ltd. A later deluxe CD/DVD release of ''Pay the Devil'', in the summer of 2006 contained tracks from the Ryman performance. In October 2006, Morrison had released his first commercial DVD, ''Live at Montreux 1980/1974'' with concerts taken from two separate appearances at the Montreux Jazz Festival.

A new double CD compilation album ''The Best of Van Morrison Volume 3'' was released in June 2007 containing thirty-one tracks, some of which were previously unreleased. Morrison selected the tracks, which ranged from the 1993 album ''Too Long in Exile'' to the song "Stranded" from the 2005 album ''Magic Time''. On 3 September 2007, Morrison's complete catalogue of albums from 1971 through 2002 were made available exclusively at the ITunes Store in Europe and Australia and during the first week of October 2007, the albums became available at the US ITunes Store.

''Still on Top - The Greatest Hits'', a thirty-seven track double CD compilation album was released on 22 October 2007 in the UK on the Polydor label. On 29 October 2007, the album charted at number two on the Official UK Top 75 Albums—his highest UK charting. The November release in the US and Canada contains twenty-one selected tracks. The hits that were released on albums with the copyrights owned by Morrison as Exile Productions Ltd.—1971 and later—had been remastered in 2007.

''Keep It Simple'', Morrison's 33rd studio album of completely new material was released by Exile/Polydor Records on 17 March 2008 in the UK and released by Exile/Lost Highway Records in the US and Canada on 1 April 2008. It comprised eleven self-penned tracks. Morrison promoted the album with a short US tour including an appearance at the SXSW music conference, and a UK concert broadcast on BBC Radio 2. In the first week of release ''Keep It Simple'' debuted on the Billboard 200 chart at number ten, Morrison's first Top Ten charting in the US.

Live performances

By 1972, after being a performer for nearly ten years, Morrison began experiencing stage fright when performing for audiences of thousands, as opposed to the hundreds as he had experienced in his early career. He became anxious on stage and would have difficulty establishing eye contact with the audience. He once said in an interview about performing on stage, "I dig singing the songs but there are times when it's pretty agonizing for me to be out there." After a brief break from music, he started appearing in clubs, regaining his ability to perform live, albeit with smaller audiences.

The 1974 live double album, ''It's Too Late to Stop Now'', has been on lists of greatest live albums of all time. Biographer Johnny Rogan states that "Morrison was in the midst of what was arguably his greatest phase as a performer." Performances on the album were from tapes made during a three month tour of the US and Europe in 1973 with the backing group The Caledonia Soul Orchestra. Soon after recording the album, Morrison restructured the Caledonia Soul Orchestra into a smaller unit, the Caledonia Soul Express.

On Thanksgiving Day 1976, Morrison performed at the farewell concert for The Band. Morrison's first live performance in several years, he considered skipping his appearance until the last minute, even refusing to go on stage when they announced his name. His manager, Harvey Goldsmith, said he "literally kicked him out there." Morrison was on good terms with The Band as near-neighbours in Woodstock, and they had the shared experience of stage-fright. At the concert, he performed two songs. His first was a rendition of the classic Irish song Too Ra Loo Ra Loo Ral. His second song was "Caravan", from his 1970 album ''Moondance''. Greil Marcus, in attendance at the concert, wrote: "Van Morrison turned the show around...singing to the rafters and ...burning holes in the floor. It was a triumph, and as the song ended Van began to kick his leg into the air out of sheer exuberance and he kicked his way right offstage like a Rockette. The crowd had given him a fine welcome and they cheered wildly when he left." The filmed concert served as the basis for Martin Scorsese's 1978 film, ''The Last Waltz''.

During his association with The Band, Morrison acquired the nicknames: "Belfast Cowboy" and "Van the Man". When Morrison sang the duet "4% Pantomime" (that he co-wrote with Robbie Robertson), Richard Manuel calls him, "Oh, Belfast Cowboy". It would be included in The Band's album ''Cahoots''. When he left the stage, after performing "Caravan" on ''The Last Waltz'', Robertson calls out "''Van the Man!"''

On 21 July 1990, Morrison joined many other guests for Roger Waters' massive performance of ''The Wall - Live in Berlin'' with an estimated crowd of between three hundred thousand to half a million people and broadcast live on television. He sang "Comfortably Numb" with Roger Waters, and several members from The Band: Levon Helm, Garth Hudson and Rick Danko. At concert's end, he and the other performers sang "The Tide Is Turning".

Morrison performed before an estimated audience of sixty to eighty thousand people when US President Bill Clinton visited Belfast, Northern Ireland on 30 November 1995. His song "Days Like This" had become the official anthem for the Northern Irish peace movement.

Van Morrison continued performing concerts in the 2000s throughout the year rather than touring. Playing few of his best-known songs in concert, he has firmly resisted relegation to a nostalgia act. During a 2006 interview, he told Paul Sexton:

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ca:Van Morrison cs:Van Morrison cy:Van Morrison da:Van Morrison de:Van Morrison es:Van Morrison eu:Van Morrison Fa:وان موریسون fr:Van Morrison ga:Van Morrison gl:Van Morrison is:Van Morrison it:Van Morrison he:ואן מוריסון hu:Van Morrison nl:Van Morrison ja:ヴァン・モリソン no:Van Morrison pl:Van Morrison pt:Van Morrison ru:Моррисон, Ван sk:Van Morrison fi:Van Morrison sv:Van Morrison th:แวน มอร์ริสัน tr:Van Morrison

name	Amy Winehouse
alt	Amy Winehouse at the Eurockéennes festival in France (2007)
background	solo_singer
birth name	Amy Jade Winehouse
birth date	September 14, 1983
birth place	Southgate, London, UK
death date	July 23, 2011
death place	Camden, London, UK
genre	Soul, R&B;, jazz, blues
instrument	Vocals, guitar, drums
occupation	Singer, songwriter, composer, arranger
years active	1993–2011
label	Island, Lioness, Universal Republic (U.S.)
associated acts	Dionne Bromfield, Mark Ronson, Tony Bennett, Nas, Zalon, Heshima, Paul Weller, The Rolling Stones, Lily Allen
website	}}

Amy Jade Winehouse (14 September 1983 – 23 July 2011) was an English singer and songwriter known for her powerful deep contralto vocals and her eclectic mix of musical genres including R&B;, soul and jazz. Winehouse's 2003 debut album, ''Frank'', was critically successful in the UK and was nominated for the Mercury Prize. Her 2006 follow-up album, ''Back to Black'', led to six Grammy Award nominations and five wins, tying the then record for the most wins by a female artist in a single night, and made Winehouse the first British female to win five Grammys, including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year.

In 2007 she won a Brit Award for Best British Female Artist; she had also been nominated for Best British Album. She won the Ivor Novello Award three times: once in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", once in 2007 for Best Contemporary Song for "Rehab", and once in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game".

Winehouse died of alcohol poisoning on 23 July 2011. Her album ''Back to Black'' subsequently became the UK's best selling album of the 21st century thus far. In 2012, Winehouse was listed at number 26 on VH1′s 100 Greatest Women In Music.

Early life

Amy Winehouse was born in the Southgate area of North London to a Jewish family, with some Russian ancestry on her mother's side who also influenced her interest in jazz. Her father, Mitchell "Mitch" Winehouse, was a taxi driver, her mother, Janis Winehouse (née Seaton), a pharmacist. Her grandmother, Cynthia, was a singer and she had an older brother, Alex (born 1979). Mitch often sang Frank Sinatra songs to young Amy, who also took to a constant habit of singing to the point that teachers found it difficult keeping her quiet in class. Winehouse's parents separated when she was nine.

When Winehouse was nine years old, her grandmother Cynthia suggested she attend the Susi Earnshaw Theatre School for furthering her vocal education. She attended the Earnshaw school for four years and founded a short-lived rap group called Sweet 'n' Sour with Juliette Ashby, her childhood friend before seeking full-time training at Sylvia Young Theatre School; however, Winehouse was allegedly expelled at 14 for "not applying herself" and also for piercing her nose. (Sylvia Young herself has denied this – "She changed schools at 15 – I've heard it said she was expelled; she wasn't. I'd never have expelled Amy.") She also appeared in an episode of ''The Fast Show'', 1997, with other children from the Sylvia Young School and later attended The Mount School, Mill Hill, the BRIT School in Selhurst, Croydon, Southgate School and then Ashmole School.

Music career

Early career

After toying around with her brother Alex's guitar, Winehouse received her first guitar when she was 13 and began writing music a year later. Soon after, she began working for a living, including, at one time, as an entertainment journalist for the World Entertainment News Network, in addition to singing with local group the Bolsha Band. In July 2000 she became the featured female vocalist with the National Youth Jazz Orchestra; her influences were to include Sarah Vaughan and Dinah Washington. Her boyfriend at the time, soul singer Tyler James, sent her demo tape to an A&R; person. Her future A&R; representative at Island/Universal, Darcus Beese, heard of her by accident when the manager of The Lewinson Brothers showed him some productions of his clients, which featured Winehouse as key vocalist. When he asked who the singer was, the manager told him he was not allowed to say. Having decided that he wanted to sign her, it took several months of asking around for Beese to eventually discover who the singer was. However, Winehouse had already recorded a number of songs and signed a publishing deal with EMI by this time. Incidentally, she formed a working relationship with producer Salaam Remi through these record publishers.

Beese introduced Winehouse to his boss, Nick Gatfield, and the Island head shared his enthusiasm in signing the young artist. Winehouse was signed to Island/Universal, as rival interest in Winehouse had started to build to include representatives of EMI and Virgin starting to make moves. Beese told ''HitQuarters'' that he felt the reason behind the excitement, over an artist who was an atypical pop star for the time, was due to a backlash against reality TV music shows, which included audiences starved for fresh, genuine young talent.

Winehouse's greatest love was 1960s girl groups. Her stylist, Alex Foden, borrowed her "instantly recognisable" beehive hairdo (a weave) and she borrowed her Cleopatra makeup from The Ronettes. Her imitation was so successful, as the ''Village Voice'' reports: "Ronnie Spector—who, it could be argued, all but invented Winehouse's style in the first place when she took the stage at the Brooklyn Fox Theater with her fellow Ronettes more than 40 years ago—was so taken aback at a picture of Winehouse in the ''New York Post'' that she exclaimed, "I don't know her, I never met her, and when I saw that pic, I thought, 'That's me!' But then I found out, no, it's Amy! I didn't have on my glasses."

New York Times reporter, Guy Trebay, discussed the multiplicity of influences on Winehouse's style. Trebay noted: "her stylish husband, Blake Fielder-Civil, may have influenced her look." Additionally, Trebay observes: :She was a 5-foot-3 almanac of visual reference, most famously to Ronnie Spector of the Ronettes, but also to the white British soul singer Mari Wilson, less famous for her sound than her beehive; to the punk god Johnny Thunders...; to the fierce council-house chicks... (see: Dior and Chanel runways, 2007 and 2008); to the rat-combed biker molls photographed by the Swiss photographer Karlheinz Weinberger in the 1960s; to a lineage of bad girls, extending from Cleopatra to Louise Brooks’s Lulu and including Salt-n-Pepa, to irresistible man traps that always seemed to come to the same unfortunate end.

Major label success and ''Frank''

Winehouse's debut album, ''Frank'', was released on 20 October 2003. Produced mainly by Salaam Remi, many songs were influenced by jazz and, apart from two covers, every song was co-written by Winehouse. The album received positive reviews with compliments over the "cool, critical gaze" in its lyrics and brought comparisons of her voice to Sarah Vaughan, Macy Gray and others.

The album entered the upper levels of the UK album chart in 2004 when it was nominated for BRIT Awards in the categories of "British Female Solo Artist" and "British Urban Act". It went on to achieve platinum sales. Later in 2004 she won the Ivor Novello (songwriting) Award for Best Contemporary Song, alongside Salaam Remi, with her contribution to the first single, "Stronger Than Me". The album also made the short list for the 2004 Mercury Music Prize. In the same year she performed at the Glastonbury Festival, the V Festival, the Montreal International Jazz Festival (7 July 2004, at the Club Soda), and on the Jazzworld stage. After the release of the album, Winehouse commented that she was "only 80 percent behind [the] album" because of the inclusion by her record label of certain songs and mixes she disliked. Additional singles from the album were "Take the Box", "In My Bed"/"You Sent Me Flying" and "Pumps"/"Help Yourself".

International success and ''Back to Black''

In contrast to her jazz-influenced former album, Winehouse's focus shifted to the girl groups of the 1950s and 1960s. Winehouse hired New York singer Sharon Jones's longtime band, the Dap-Kings to back her up in the studio and on tour. In May 2006 Winehouse's demonstration tracks such as "You Know I'm No Good" and "Rehab" appeared on Mark Ronson's New York radio show on East Village Radio. These were some of the first new songs played on the radio after the release of "Pumps" and both were slated to appear on her second album. The 11-track album was produced entirely by Salaam Remi and Ronson, with the production credits being split between them. Ronson said in a 2010 interview that he liked working with Winehouse because she was blunt when she did not like his work. Promotion of ''Back to Black'' soon began and, in early October 2006 Winehouse's official website was relaunched with a new layout and clips of previously unreleased songs. ''Back to Black'' was released in the UK on 30 October 2006. It went to number one on the UK Albums Chart numerous times, and entered at number seven on the ''Billboard'' 200 in the US. It was the best-selling album in the UK of 2007, selling 1.85 million copies over the course of the year.

The album spawned a number of singles. The first single released from the album was the Ronson-produced "Rehab". The song reached the top ten in the UK and the US. ''Time'' magazine named "Rehab" the Best Song of 2007. Writer Josh Tyrangiel praised Winehouse for her confidence, saying, "What she is is mouthy, funny, sultry, and quite possibly crazy" and "It's impossible not to be seduced by her originality. Combine it with production by Mark Ronson that references four decades worth of soul music without once ripping it off, and you've got the best song of 2007." The album's second single and lead single in the US, "You Know I'm No Good", was released in January 2007 with a remix featuring rap vocals by Ghostface Killah. It ultimately reached number 18 on the UK singles chart. The title track, "Back to Black", was released in the UK in April 2007 and peaked at number 25, but was more successful across mainland Europe. "Tears Dry on Their Own", "Love Is a Losing Game" and "Just Friends" were also released as singles, but failed to achieve the same level of success.

A deluxe edition of ''Back to Black'' was also released on 5 November 2007 in the UK. The bonus disc features B-sides, rare, and live tracks, as well as "Valerie". Winehouse's debut DVD ''I Told You I Was Trouble: Live in London'' was released the same day in the UK and 13 November in the US. It includes a live set recorded at London's Shepherds Bush Empire and a 50-minute documentary charting the singer's career over the previous four years. ''Frank'' was released in the United States on 20 November 2007 to positive reviews. The album debuted at number 61 on the Billboard 200 chart.

In addition to her own album she collaborated with other artists on singles. Winehouse was a vocalist on the song "Valerie" on Ronson's solo album ''Version''. The song peaked at number two in the UK, upon its October single release. The song was nominated for a 2008 Brit Award for "Best British Single". Her work with ex-Sugababe Mutya Buena, "B Boy Baby", was released on 17 December 2007. It served as the fourth single from Buena's solo debut album, ''Real Girl''.

Continued success and acclaim

By year's end Winehouse had garnered numerous accolades and awards. The singer won 2008 Grammy Awards in the categories of Record of the Year, Song of the Year, and Best Female Pop Vocal Performance for the single "Rehab", while her album ''Back to Black'' was nominated for Album of the Year and won the Best Pop Vocal Album award. Producer Mark Ronson's work with her won the award in the Grammy Award for Producer of the Year, Non-Classical category. The singer also earned a Grammy in the Best New Artist category. This earned Winehouse an entry in the 2009 edition of the Guinness Book of World Records for Most Grammy Awards won by a British Female Act. She performed "You Know I’m No Good" and "Rehab" at the awards ceremony via satellite, as her visa approval came through too late for her to travel to the US. She said "This is for London because Camden town ain't burning down", in reference to the Camden Market fire. After the Grammy Awards, the album's sales increased catapulting ''Back to Black'' to number two on the U.S. ''Billboard'' 200 after initially peaking at number seven. On 13 January 2008, ''Back to Black'' held the number one position on the ''Billboard'' Pan European charts for the third straight week. In January 2008 Universal Music International said it believed that there was a correlation between number of albums sold and the extensive media coverage the singer had received.

thumb|left|Performing at Eurockéennes in Belfort, Territoire de Belfort, France on 29 June 2007 A special deluxe edition of ''Back to Black'' topped the UK album charts on 2 March 2008. The original edition of the album resided at the number 30 position, in its 68th week on the charts, while "Frank" charted at number 35. By 12 March the album had sold a total of 2,467,575 copies, 318,350 of those in the previous 10 weeks, putting the album on the UK's top 10 best-selling albums of the 21st century for the first time. On 7 April, ''Back to Black'' was residing at the top position on the pan-European charts for the sixth consecutive and thirteenth aggregate week. ''Back to Black'' was the world's seventh biggest selling album for 2008. These sales helped keep Universal Music's recorded music division from dropping to levels experienced by the overall music market.

At the 2008 Ivor Novello Awards, Winehouse became the first artist to receive two nominations for the top award, best song, musically and lyrically. She won the award for "Love Is a Losing Game" and was nominated for "You Know I'm No Good". "Rehab", a Novello winner for best contemporary song in 2006, also received a 2008 nomination for best-selling British song. Winehouse was nominated for a MTV Europe Award in the ''Act of The Year'' category. ''Amy Winehouse – The Girl Done Good: A Documentary Review'', a 78-minute DVD, was released on 14 April 2008. The documentary features interviews with those who knew her at a young age, helped her gain success, jazz music experts, as well as music and pop culture specialists. A clip of Winehouse's music was included in the "Roots and Influences" area that looked at connections between different artists at the Rock and Roll Hall of Fame Annex NYC, which opened in December 2008. One thread started with Billie Holiday continued with Aretha Franklin, Mary J. Blige and finished with Winehouse. In a poll of United States residents conducted for VisitBritain by Harris Interactive that was released in March 2009, one fifth of those polled indicated they had listened to Winehouse's music during the previous year. Winehouse performed with Rhythms del Mundo on their cover of the Sam Cooke song "Cupid" for an ''Artists Project Earth'' benefit album that was released on 13 July 2009.

On the week of July 26, after Winehouse's death, ''Frank'', ''Back To Black'', and the ''Back To Black'' EP re-entered the ''Billboard'' 200 at number 57, number 9, and number 152 respectively with the album climbing to number 4 the following week. ''Back To Black'' also topped the ''Billboard'' Digital Albums chart on the same week and was the second best seller at iTunes. "Rehab" re-entered and topped the ''Billboard'' Digital Songs chart as well, selling up to 38,000 more digital downloads. As of August 2011 "Back to Black" was the best selling album in the United Kingdom in the 21st Century.

Final projects

Winehouse and Mark Ronson contributed a cover of Lesley Gore's "It's My Party" to the Quincy Jones tribute album ''Q Soul Bossa Nostra'' released 9 November 2010. Winehouse and drummer ?uestlove of the Roots had agreed to form a group. Winehouse's problems obtaining a visa delayed the still unnamed group from working together. Producer Salaam Remi had already created some material with Winehouse as part of the project. According to a newspaper report, Universal Music pressed her regarding new material in 2008. According to that same report Winehouse as of 2 September had not been near a recording studio. It was noted that she had touring obligations during the summer and also that if an album was quickly recorded, it would be at least a year before an album could be released. In late October Winehouse's spokesman was quoted as saying that Winehouse had not been given a deadline to complete her third album, for which she was learning to play drums.

During her 2009 stay in Saint Lucia, Winehouse worked on new music with producer Salaam Remi. Island claimed that a new album would be due in 2010; Island co-president Darcus Beese said, "I've heard a couple of song demos that have absolutely floored me". In July 2010 Winehouse was quoted as saying her next album would be released no later than January 2011, saying "It’s going to be very much the same as my second album, where there's a lot of jukebox stuff and songs that are... just jukebox, really." Mark Ronson said in July 2010 that he had not started to record the album.

Winehouse's last recording was a duet with American singer Tony Bennett for his latest album, ''Duets II'', which was released on September 20, 2011. Their single from the album, "Body and Soul," was released on 14 September 2011 on MTV and VH1 to commemorate what would have been her 28th birthday. Her father, Mitch Winehouse, launched The Amy Winehouse Foundation with the goal of raising awareness and support for organizations that help vulnerable, young adults with problems such as addiction. Proceeds from "Body and Soul" will benefit The Amy Winehouse Foundation. The song received the Grammy for Best Pop Duo/Group Performance at the 54th Grammy Awards on February 12th, 2012. Winehouse's father, Mitch Winehouse, picked up the award at the awards ceremony with his wife Janis, saying, "We shouldn't be here. Our darling daughter should be here. These are the cards that we're dealt."

When interviewed by Jon Stewart on ''The Daily Show'' on 29 September 2011, Bennett stated that in hindsight, he believed Amy: ::was in trouble at that time because she had a couple of engagements that she didn't keep up. But what people didn't realize at that time, that she really knew, and in fact I didn't even know it when we were making the record, and now looking at the whole thing; she knew that she was in a lot of trouble; that she wasn't going to live. And it wasn't drugs. It was alcohol toward the end. . . . It was such a sad thing because . . . she was the only singer that really sang what I call the 'right way' because she was a great jazz-pop singer. . . . She was really a great jazz singer. A true jazz singer. And I regret that because that's the 'right way' to sing.

An album of previously unreleased material, entitled ''Lioness: Hidden Treasures'', was released on December 6, 2011.

Artistry

Influence

British singer Adele has credited Winehouse's success in the United States for making her and fellow British singer Duffy's journey to the United States "a bit smoother". American singer Lady Gaga credited Winehouse with paving the way for her rise to the top of the charts. She appeared to be using a metaphorical analogy to explain that Winehouse made it easier for unconventional women to have mainstream pop success. Raphael Saadiq, Anthony Hamilton, and John Legend said "Amy Winehouse was produced by people who wanted to create a marketing coup. The positive side is that it reacquainted an audience with this music and played an introductory role for others. This reinvigorated the genre by overcoming the vintage aspect".

After the release of Back to Black, record companies sought out female artists with a similar sound and fearless and experimental female musicians in general. Adele and Duffy were the second wave of artists with a sound similar to Winehouse's. A third wave of female musicians that has emerged since the album was released are led by VV Brown, Florence and the Machine, La Roux and Little Boots. In February 2010 rapper Jay-Z credited Winehouse with revitalising British music, saying, "There's a strong push coming out of London right now, which is great. It's been coming ever since I guess Amy (Winehouse). I mean always, but I think Amy, this resurgence was ushered in by Amy." In March 2011 the ''New York Daily News'' ran an article attributing the continuing wave of British female artists that have been successful in the United States to Winehouse and her absence. ''Spin'' magazine music editor Charles Aaron was quoted as saying "Amy Winehouse was the Nirvana moment for all these women," "They can all be traced back to her in terms of attitude, musical styles or fashion". According to Keith Caulfield, chart manager for ''Billboard'', "Because of Amy, or the lack thereof, the marketplace was able to get singers like Adele and Duffy," "Now those ladies have brought on the new ones, like Eliza Doolittle, Rumer and Ellie."

Live performances

Winehouse toured in conjunction with the ''Back to Black'' album's release. She performed headlining gigs in September and November 2006, including one of the ''Little Noise Sessions'' charity concerts at the Union Chapel, Islington. On 31 December 2006, Winehouse appeared on Jools Holland's Annual Hootenanny and performed a cover of Marvin Gaye's "I Heard It Through the Grapevine" along with Paul Weller and Holland's Rhythm and Blues Orchestra. She also performed Toots & the Maytals' "Monkey Man". She began a run of another 14 gigs beginning in February 2007. At his request, Bruce Willis introduced Winehouse before her performance of "Rehab" at the 2007 MTV Movie Awards. Winehouse made awards organizers nervous when she went on a Las Vegas jaunt in the hours before the show. During the summer of 2007, Winehouse performed at various festivals, including UK's Glastonbury Festival, Chicago's Lollapalooza festival, Rock Werchter and Baltimore's Virgin Music Festival.

Winehouse's tour, however, did not go as well. In November 2007 the opening night of a 17-date tour was marred by booing and walkouts at the National Indoor Arena in Birmingham. A music critic for the ''Birmingham Mail'' said it was "one of the saddest nights of my life...I saw a supremely talented artist reduced to tears, stumbling around the stage and, unforgivably, swearing at the audience." Other concerts ended similarly, with, for example, fans at her Hammersmith Apollo performance saying that she "looked highly intoxicated throughout", until she announced on 27 November 2007, that her performances and public appearances were cancelled for the remainder of 2007, citing doctor advice to take a complete rest. A statement issued by concert promoter Live Nation blamed "the rigours involved in touring and the intense emotional strain that Amy has been under in recent weeks" for the decision.

On 20 February 2008, Winehouse performed at the 2008 BRIT Awards, performing "Valerie" with Mark Ronson, followed by "Love Is a Losing Game". She urged the crowd to "make some noise for my Blake." In Paris she performed what was described as a "well-executed 40 minute" set at the opening of a Fendi boutique. Although her father, manager and various members of her touring team reportedly tried to dissuade her, Winehouse performed at the Rock in Rio Lisboa festival in Portugal in May 2008. Although the set was plagued by a late arrival and problems with her voice, the crowd warmed to her. In addition to her own material she performed two Specials covers. Winehouse performed at Nelson Mandela's 90th Birthday Party concert at London's Hyde Park on the 27 June, and the next day at the Glastonbury Festival. On 12 July at the Oxegen Festival she performed a well-received 50 minute set which was followed the next day by a 14 song set at T in the Park. On 16 August she played at the Staffordshire leg of the V Festival, and the following day played the Chelmsford leg of the festival. Organizers said that Winehouse attracted the biggest crowds of the festival. Audience reaction was reported as mixed. On 6 September she was the headliner at Bestival. She performed what was described as a polished set which ended with her storming off the stage. Her hour late arrival caused her set to be cut off at the halfway point due to a curfew.

In May 2009 Winehouse returned to performing at a jazz festival in Saint Lucia amid torrential downpours and technical difficulties. During her hour long set it was reported she was unsteady on her feet and had trouble remembering lyrics. She apologised to the crowd for being "bored" and ended her set by walking off the stage in the middle of a song. To a cheering crowd on 23 August at the V festival, Winehouse sang with The Specials on their songs "You're Wondering Now" and "Ghost Town".

In July 2010 she performed "Valerie" with Mark Ronson at a movie premiere. She sang lead but forgot some of the song's lyrics. In October Winehouse performed a four song set to promote her fashion line. In December 2010 Winehouse played a 40 minute concert at a Russian oligarch's party in Moscow. Guests included other Russian tycoons and Russian show business stars. The tycoon hand picked the songs she played.

During January 2011, she played five dates in Brazil, with opening acts of Janelle Monáe and Mayer Hawthorne. On 11 February 2011, Winehouse cut short a performance in Dubai following booing from the audience. Winehouse was reported to be tired, distracted and "tipsy" during the performance.

On 18 June 2011, Winehouse started her 12-leg 2011 European tour in Belgrade. Local media described her performance as a scandal and disaster, and she was booed off the stage due to her apparently being too drunk to perform. It was reported that she was unable to remember the city she was in, the lyrics of her songs or – when trying to introduce them – the names of the members of her band. The local press also claimed that Winehouse was forced to perform by her bodyguards, who didn't allow her to leave the stage when she tried to do so. She then pulled out of performances in Istanbul and Athens which had been scheduled for the following week. On 21 June it was announced that she had cancelled all shows of her European tour and would be given "as long as it takes" to sort herself out.

Winehouse's last public appearance took place at Camden's Roundhouse, London on 20 July 2011, when she made a surprise guest appearance on stage to support her goddaughter, Dionne Bromfield, who was singing "Mama Said" with The Wanted.

Club nights

On 10 July 2008, Winehouse launched her own club night, ''Snakehips at the Monarch'', in the Camden Monarch venue in London. Although billed as a DJ battle between her and another DJ, she stayed behind the decks swaying as another person actually played 1960s music. She appeared at another ''Snakehips'' event at the Monarch on the night of 11 September. After reportedly arriving two hours late, she spun music and played a short acoustic set.

Other ventures

Winehouse joined a campaign to stop a block of flats being built beside the George Tavern, a famous London East End music venue. Campaign supporters feared the residential development would end the spot's lucrative sideline as a film and photo location, on which it relies to survive. As part of a breast cancer awareness campaign, Winehouse appeared in a revealing photograph for the April 2008 issue of ''Easy Living'' magazine. Winehouse had an estimated £10m fortune, tying her for tenth place in the 2008 ''Sunday Times'' listing of the wealth of musicians under age 30. The following year her fortune had dropped to an estimated £5m. Her finances are run by Mitch and Janis Winehouse. It was reported she earned about £1m singing at two private parties during Paris Fashion Week. as well as another £1m to perform at a Moscow Art Gallery for Russian oligarch Roman Abramovich. Winehouse loaned a vintage dress used in her video for "Tears Dry on Their Own" as well as a DVD to the British Music Experience, a new museum dedicated to the history of British pop music. The museum, located in The O2, opened on 9 March 2009.

In January 2009, Winehouse announced that she was launching her own record label. The first act on her Lioness Records is Winehouse's 13-year-old goddaughter, Dionne Bromfield. Her first album, featuring covers of classic soul records, was released on 12 October 2009. Winehouse is the backing singer on several tracks on the album and she performed backing vocals for Bromfield on the television programme ''Strictly Come Dancing'' on 10 October.

Winehouse and her family are the subject of a 2009 documentary shot by Daphne Barak titled ''Saving Amy''. Winehouse entered into a joint venture in 2009 with EMI to launch a range of wrapping paper and gift cards containing song lyrics from her album ''Back to Black''. On 8 January 2010, a television documentary, ''My Daughter Amy'', aired on Channel 4. ''Saving Amy'' was released as a paperback book in January 2010.

Winehouse collaborated on a 17 piece fashion collection with the Fred Perry label. It was released for sale in October 2010. According to Fred Perry's marketing director "We had three major design meetings where she was closely involved in product style selection and the application of fabric, colour and styling details,” and gave "crucial input on proportion, colour and fit”. The collection consists of "vintage-inspired looks including Capri pants, a bowling dress, a trench coat, pencil skirts, a longline argyle sweater and a pink-and-black checkerboard-printed collared shirt". At the behest her family three forthcoming collections up to and including autumn/winter 2012 that she had designed prior to her death will be released.

Personal life

With the paparazzi taking photographs of her wherever they could, Winehouse obtained an injunction against a leading paparazzi agency (Big Pictures) under the Protection from Harassment Act 1997, the resultant court order banning them from following her. Photographers were also banned from following her within 100 metres of her home and photographing Winehouse in her home or the home of her friends and family. According to a newspaper report, sources close to the singer said legal action was taken out of concern for the safety of Winehouse and those close to her.

Relationships

Winehouse dated chef-musician Alex Clare (sometimes referred to as Alex Claire) in 2006, while on the outs with her on-off boyfriend and future husband, Blake Fielder-Civil. Clare famously sold his story to the ''News of the World'', which published it under the headline “Bondage Crazed Amy Just Can’t Beehive in Bed”.

She married Fielder-Civil (born August 1978), a former video production assistant, on 18 May 2007, in Miami Beach, Florida. Fielder-Civil was a "dropout" of Bourne Grammar School, who moved to London at aged 16 from his native Lincolnshire. In a June 2007 interview, Winehouse admitted she could sometimes be violent toward him after she had been drinking, saying "if he says one thing I don't like then I'll chin him". In August 2007, they were photographed, bloodied and bruised, in the streets of London after an alleged fight, although she contended her injuries were self-inflicted. American men's campaigner Glenn Sacks condemned Winehouse for what he called her "bragging" about abusing her husband, saying that "a male abuser would have been locked up, stigmatised, and vilified".

Winehouse's parents and in-laws publicly reported their numerous concerns, citing fears that the two might commit suicide, with Fielder-Civil's father encouraging fans to boycott her music. Fielder-Civil was quoted in a British tabloid as saying he introduced her to crack cocaine and heroin. During a visit with Mitch Winehouse at the prison in July 2008, Fielder-Civil reportedly said that they would cut themselves to ease the pain of withdrawal.

From 21 July 2008 to 25 February 2009, Fielder-Civil was imprisoned following his guilty plea on charges of trying to pervert the course of justice as well as a charge of grievous bodily harm with intent. The incident, in July 2007, involved an assault on a pub landlord that resulted in a broken cheek. According to the prosecution the landlord accepted £200,000 as part of a deal to "effectively throw the [court] case and not turn up". The prosecution testified that the money used to pay off the landlord belonged to Winehouse, but that Winehouse pulled out of a meeting with the men involved in the plot, because she had to attend an awards ceremony.

Winehouse was spotted with aspiring actor Josh Bowman on holiday in Saint Lucia in early January 2009, saying she was "in love again, and I don't need drugs." She commented that the "whole marriage was based on doing drugs" and that "for the time being I've just forgotten I'm even married." On 12 January, Winehouse's spokesman confirmed that "papers have been received" for what Fielder-Civil's solicitor has said are divorce proceedings based on a claim of adultery. On 25 February, Blake Fielder-Civil was quoted as saying that he planned to continue divorce proceedings to give himself a drug-free fresh start. In March, Winehouse was quoted in a magazine as saying, "I still love Blake and I want him to move into my new house with me – that was my plan all along ... I won't let him divorce me. He's the male version of me and we're perfect for each other." Uncontested, the divorce was granted on 16 July 2009 and became final on 28 August 2009. Upon his request Fielder-Civil received no money in the settlement. She dated director Reg Traviss for approximately two years before her death.

Substance abuse and mental health issues

Winehouse's battles with substance abuse were the subject of much media attention. In 2005, she went through a period of drinking, heavy drug use, violent mood swings and weight loss.; people who saw her during the end of that year and early 2006 reported a rebound that coincided with the writing of ''Back to Black''. Her family believes that the mid-2006 death of her grandmother, who was a stabilising influence, set her off into addiction. In August 2007, Winehouse cancelled a number of shows in the UK and Europe, citing exhaustion and ill health. She was hospitalised during this period for what was reported as an overdose of heroin, ecstasy, cocaine, ketamine and alcohol. In various interviews, she admitted to having such problems with self-harm, depression and eating disorders.

Winehouse told a magazine that the drugs were to blame for her hospitalisation and that "I really thought that it was over for me then." Soon after, Winehouse's father commented that when he had made public statements regarding her problems, he was using the media because it seemed the only way to get through to her. In an interview with ''The Album Chart Show'' on British television, Winehouse said she was manic depressive and not alcoholic, adding that that sounded like "an alcoholic in denial". A U.S. reporter writes that Winehouse was a "victim of mental illness in a society that doesn't understand or respond to mental illness with great effectiveness".

On 2 December 2007, images of the singer outside her home in the early morning hours, barefoot and wearing only a bra and jeans, appeared on the internet and in tabloid newspapers. In a statement, her spokesman blamed paparazzi harassment for the incident. The spokesman reported that the singer was in a physician-supervised programme and was channelling her difficulties by writing a lot of music. The British tabloid ''The Sun'' posted a video of a woman, alleged to be Winehouse, apparently smoking crack cocaine and speaking of having taken ecstasy and valium. Winehouse's father moved in with her, and Island Records, her record label, announced the abandonment of plans for an American promotion campaign on her behalf. In late January 2008, Winehouse reportedly entered a rehabilitation facility for a two-week treatment program.

On 23 January 2008, the video was passed on to the Metropolitan Police, who questioned her on 5 February. No charges were brought. On 26 March 2008, Winehouse's spokesman said she was "doing well" and denied a published report in a British tabloid that consideration was being given to having her return to rehab. Her record company reportedly believed that her recovery remained fragile. By late April 2008, her erratic behaviour, including an allegation of assault, caused fear that her drug rehabilitation efforts have been unsuccessful, leading to efforts by Winehouse's father and manager to seek assistance in having her sectioned. Her dishevelled appearance during and after a scheduled club night in September sparked new rumours of a relapse. Photographers were quoted as saying she appeared to have cuts on her legs and arms.

According to Winehouse's physician Winehouse quit illegal substances in 2008. In an October 2010 interview, Winehouse speaking of her decision to quit drugs said "I literally woke up one day and was like, 'I don’t want to do this any more”. Drinking alcohol emerged as a problem with Winehouse abstaining for a few weeks then lapsing. The physician said that Winehouse was treated with Librium for alcohol withdrawal and anxiety, and underwent psychologist and a psychiatrist reviews in 2010, but refused psychological therapy.

Violence and legal difficulties

In 2006, Winehouse admitted punching a fan in the face for criticising her having taken Blake Fielder-Civil as a husband. She then attacked her spouse as he attempted to calm her down, kneeing him in the crotch.

In October 2007, Winehouse and her then-husband were arrested in Bergen, Norway for possession of seven grams of marijuana. The couple were later released and fined 3850 kroner (around £350). Winehouse first appealed the fines, claiming she was "duped" into confessing, but later dropped the appeal.

On 26 April 2008, Winehouse was cautioned after she admitted to police she slapped a 38 year-old man in the face, a "common assault" offence. She voluntarily turned herself in and was held overnight. Police said, at her arrival she was "in no fit state" to be interviewed. Winehouse was arrested on 7 May 2008 on suspicion of possessing drugs after a video of her apparently smoking crack cocaine was passed to the police in January, but was released on bail a few hours later because they could not confirm, from the video, what she was smoking. The Crown Prosecution Service considered charging her with possessing a controlled drug and allowing her premises to be used for the supply by others of a controlled drug, but she was cleared when the service could not establish that the substance in the video was a controlled drug. In reaction to the decision, former police commander John O’Connor said it is an "absolute scandal that nothing could be done" about Winehouse "cocking a snook at the law". Some members of Parliament also reacted negatively. Two London residents were subsequently charged with conspiracy to supply cocaine and ecstasy to Winehouse. One of the pair was sentenced to two years in prison on 13 December 2008, while the other received a two-year community order.

On 5 March 2009, Winehouse was arrested and charged with common assault following a claim by a woman that Winehouse hit her in the eye at a September 2008 Prince's Trust charity ball. At the same time, she was reported to have spat at the English socialite Pippa Middleton and to have headbutted a photographer. Winehouse's spokesperson announced the singer cancelled a scheduled United States Coachella Festival appearance in "light of current legal issues". Swearing in under her legal name of Amy Jade Civil, Winehouse appeared in court on 17 March to enter her plea of not guilty. On 23 July her assault trial began with prosecutor Lyall Thompson charging that Winehouse acted with "deliberate and unjustifiable violence" while appearing to be under the influence of alcohol or another substance. The woman, Sharene Flash, testified that Winehouse "punched me forcefully in my right eye. She used a fist, her right one.” Winehouse testified that she did not punch Flash, but tried to push Flash away from her because she was scared of Flash. Winehouse cited her worry that Flash would sell her story to a tabloid, Flash's height advantage, and Flash's "rude" behaviour as reasons for her fear of Flash. On the 24 July, District Judge Timothy Workman ruled that Winehouse was not guilty of the charge. Workman cited the facts that all but two of the witnesses were intoxicated at the time of the incident and that medical evidence did not show "the sort of injury that often occurs when there is a forceful punch to the eye".

On 19 December 2009, Winehouse was arrested again on charges of common assault, plus another charge of public order offence. Winehouse assaulted the front-of-house manager of the Milton Keynes Theatre after he asked her to move from her seat. On 20 January 2010, she admitted common assault and disorderly behaviour. She was given a two-year conditional discharge and ordered to pay £85 court costs and £100 compensation to the man she attacked.

Respiratory problems

On 23 June 2008, Winehouse's publicist corrected earlier misstatements by Mitch Winehouse that his daughter had early stage emphysema, instead claiming she had signs of what could lead to early-stage emphysema. Mitch Winehouse had also stated that his daughter's lungs were operating at 70 percent capacity and that she had an irregular heartbeat. Mitch Winehouse said that these problems had been caused by her chain smoking crack cocaine. The singer’s father also reported that doctors had warned Winehouse that, if she continued smoking crack cocaine, she would have to wear an oxygen mask and would eventually die. In a radio interview, Mitch Winehouse said the singer was responding "fabulously" to treatment, which included being covered with nicotine patches. British Lung Foundation spokesman Keith Prowse noted this type of condition could be managed with treatment. Prowse also said the condition was not normal for a person her age but "heavy smoking and inhaling other substances like drugs can age the lungs prematurely". Norman H. Edelman of the American Lung Association explained that if she stopped smoking, her lung functions would decline at the rate of a normal person, but continued smoking would lead to a more rapid decline in lung function. Photographs of the singer with a cigarette in her mouth, taken 23 June 2008, were widely published.

Winehouse was released from The London Clinic 24 hours after returning from a temporary leave to perform at Nelson Mandela's 90th birthday and at a concert in Glastonbury, and continued receiving treatment as an outpatient. In July, 2008 Winehouse stated that she had been diagnosed with "some areas of emphysema" and said she is getting herself together by "eating loads of healthy food, sleeping loads, playing my guitar, making music and writing letters to my husband every day". She also kept a vertical tanning bed in her apartment. Winehouse began precautionary testing on her lungs and chest on 25 October 2008 at the London Clinic for what was reported as a chest infection. Winehouse was in and out of the facility and was granted permission to set her own schedule regarding home leave. She returned to the hospital on 23 November 2008 for a reported reaction to her medication.

Death

Winehouse's bodyguard said that he arrived at her residence three days before her death and felt she was somewhat intoxicated. He observed moderate drinking over the next few days. He observed her "laughing, listening to music and watching TV at 2am the day of her death". According to the bodyguard at 10AM he observed her lying on her bed and tried unsuccessfully to rouse her. This did not raise much suspicion because she usually slept late after a night out. According to the bodyguard shortly after 3pm he checked on her again and observed her lying in the same position as before leading to a further check in which he concluded she was not breathing and had no pulse. He claimed he subsequently called emergency services. At 3:54pm BST on 23 July 2011, two ambulances were called to Winehouse's home in Camden, London. Winehouse was pronounced dead at the scene. Shortly afterwards, the Metropolitan Police confirmed that she had died. After her death was announced, media and camera crews appeared, as crowds gathered near Winehouse’s residence to pay their respects. Forensic investigators entered the flat as police cordoned off the street outside. Police recovered one small and two large bottles of vodka from her room.

A coroner's inquest reached a verdict of misadventure. The report released on 26 October 2011 explained that Winehouse's blood alcohol content was 416 mg per decilitre at the time of her death, more than five times the legal drink-drive limit. According to the coroner, "The unintended consequences of such potentially fatal levels was her sudden death." Winehouse's record label, Universal Republic, released a statement that read in part: "We are deeply saddened at the sudden loss of such a gifted musician, artist and performer." Many musical artists have since paid tribute to Winehouse including U2, M.I.A., Lady Gaga, Mutya Buena, Bruno Mars, Nicki Minaj, Keisha Buchanan, Rihanna, George Michael, Adele, Kelly Clarkson, Courtney Love, and the American punk rock band Green Day, who wrote a song in her tribute titled "Amy." Family and friends attended Winehouse's funeral on 26 July 2011 at Edgwarebury Lane cemetery in north London. Her mother and father, Janis and Mitch Winehouse, close friend Kelly Osbourne, producer Mark Ronson and her boyfriend Reg Traviss were among those in attendance at the private service led by Rabbi Frank Hellner. Her father delivered the eulogy, saying "Goodnight, my angel, sleep tight. Mummy and Daddy love you ever so much." Carole King's "So Far Away" closed the service with mourners singing along. She was later cremated at Golders Green Crematorium. The family planned to sit a two-day shiva. Winehouse's parents set up a foundation in her name, to help those affected by drug addiction.

Controversy

Winehouse's dichotomous public image of critical and commercial success versus personal turmoil proved to be controversial. ''The New Statesman'' called Winehouse "a filthy-mouthed, down-to-earth diva," while ''Newsweek'' called her "a perfect storm of sex kitten, raw talent and poor impulse control." Karen Heller with ''The Philadelphia Inquirer'' summarised the maelstrom this way:

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By 2008, her continued drug problems threatened her career. Even as Nick Gatfield, the president of Island Records, toyed with the idea of releasing Winehouse "to deal with her problems", he remarked on her talent, saying, "It’s a reflection of her status [in the U.S.] that when you flick through the TV coverage [of the Grammys] it’s her image they use." Post-Grammys, some questioned whether Winehouse should have been honoured with the awards given her recent personal and drug problems, including Natalie Cole, who introduced Winehouse at the ceremony. Cole (who battled her own substance-abuse problems while winning a Grammy for Best New Artist in 1975) remarked, "I think the girl is talented, gifted, but it's not right for her to be able to have her cake and eat it too. She needs to get herself together." In an opinion newspaper commentary, Antonio Maria Costa, executive director of the United Nations Office on Drugs and Crime, said that the alleged drug habits of Winehouse and other celebrities send a bad message "to others who are vulnerable to addiction" and undermine the efforts of other celebrities trying to raise awareness of problems in Africa, now that more cocaine used in Europe passes through Africa. Winehouse's spokesperson called Costa a "ludicrous man" and noted that "Amy has never given a quote about drugs or flaunted it in any way. She's had some problems and is trying to get better. The U.N. should get its own house in order." Following Winehouse's death William Bennett a former director of the United States Office of National Drug Control Policy criticised the Grammy Awards nominating committee along similar lines. Graeme Pearson, the former head of Scotland's drug enforcement agency, criticised Winehouse and Kate Moss for making going to rehab a badge of honour, thus giving the false impression that quitting drugs is easy, because many cannot afford to go to clinics.

Winehouse became a staple in popularity polls due not to her musical contributions, but her lifestyle. The 2008 NME Awards nominated Winehouse in the categories of "Villain of the Year", "Best Solo Artist", and "Best Music DVD"; Winehouse won for "Worst Dressed Performer". In its third annual list, ''Glamour'' magazine named Winehouse the third worst dressed British Woman. Winehouse was ranked number two on Richard Blackwell's 48th annual "Ten Worst Dressed Women" list, behind Victoria Beckham. In an April 2008 poll conducted by Sky News, Winehouse was named the second greatest "ultimate heroine" by the UK population at large, topping the voting for that category of those polled under 25 years old. Psychologist Donna Dawson commented that the results demonstrate women like Winehouse who have "a certain sense of vulnerability or have had to fight against some adversity in their lives” receive recognition. Winehouse was voted the second most hated personality in the United Kingdom in a poll conducted one month later by ''Marketing'' magazine.

Speaking at a discussion entitled ''Winehouse or White House?: Do we go too big on showbiz news?'' Jeff Zycinski, head of BBC Radio Scotland, said the BBC and media in general were complicit in the destruction of celebrities like Winehouse. He said that public interest in the singer's lifestyle does not make her lifestyle newsworthy. Rod McKenzie editor of the BBC Radio One program ''Newsbeat'' replied that "If you play [Amy Winehouse's] music to a certain demographic, those same people want to know what's happening in her private life. If you don't cover it, you're insulting young license fee payers." The British artist M.I.A. was quoted in ''The Guardian'' in 2007 as saying she found Winehouse "really interesting", saying "I once saw her in the street and she was really out of it, so I guess she is really living it out. I think Amy's thing is feeling really weird about what she does and dealing with that." British singer and songwriter Lily Allen was quoted in a Scottish newspaper as saying

Artistic impressions

London's Mall Galleries opened an exhibition in May 2008 that included a sculpture of Winehouse, entitled ''Excess''. The piece, created by Guy Portelli, had a miniature of the singer lying on top of a cracked champagne bottle, with a pool of spilled liquid underneath. The body was covered with what appeared to be tiny pills, while one outstretched hand held a glass. Another piece, a print entitled "Celebrity 1" by artist Charlotte Suckling, was exhibited in the same exhibition. A wax sculpture of Winehouse went on display at the London Madame Tussauds on 23 July 2008. The singer did not attend the unveiling, although her parents did. A sculpture by Marco Perego, entitled "The Only Good Rock Star Is a Dead Rock Star", that depicts Winehouse lying in a pool of blood with an apple and a bullet hole in her head after being shot by American novelist and beat poet William S. Burroughs (in a recreation of the accidental killing of his wife Joan Vollmer), was scheduled to go on display in New York’s Half Gallery on 14 November 2008. The sale price for the sculpture is listed at US $100,000. Perego said of the sculpture "Rock stars are the sacrificial animals of society." Winehouse’s spokesperson said "It’s a funny kind of tribute. The artist seems in thrall to a tabloid persona that is not the real Amy. People often use her image to sell their work."

Discography

;Studio albums:

''Frank'' (2003)

''Back to Black'' (2006)

; Posthumous albums:

''Lioness: Hidden Treasures'' (2011)

Awards and nominations

Among the awards and recognitions for ''Frank'', Winehouse earned an Ivor Novello Award for Best Contemporary Song ("Stronger Than Me"), a BRIT Award nomination for Best Female Solo Artist, and an inclusion in Robert Dimery's 2006 book, ''1001 Albums You Must Hear Before You Die''. ''Back to Black'' produced numerous nominations, including two BRIT Awards (Best Female Solo Artist and Best British Album), six Grammy Awards (including five wins), four Ivor Novello Awards, four MTV Europe Music Awards, three MTV Video Music Awards, three World Music Awards, and was nominated for the Mercury Prize (Album of the Year) and a MOBO Awards (Best UK Female). During her career, Winehouse received 23 awards from 60 nominations. In February 2012, Winehouse was listed at number 26 on VH1′s 100 Greatest Women In Music.

See also

27 Club

References

Further reading

;General

Lewis, Pete. "A Blues & Soul Classic Interview With Amy Winehouse Before 'Rehab'" ''Blues & Soul''. April 2004 (reprinted February 2008).

Anderman, Joan. "Of course she should go to rehab." ''Boston Globe''. 15 December 2007.

Grimwood, Ben. CollegeNews.com. 29 November 2007.

Gundersen, Edna. "Amy Winehouse's sobering transformation could hurt her musical credibility." ''USA TODAY''. 28 January 2008.

Hill, Emily. "Amy Winehouse: her own woman." ''The Guardian''. 31 July 2008

Pareles, Jon. "In Real Time, Amy Winehouse’s Deeper Descent." ''New York Times'' 24 January 2008.

Rosen, Jody. "Dark Star." ''Slate''. 12 February 2008.

Smith, Joan. "There's nothing poetic about Amy's self-destruction" ''The Independent''. 26 June 2008.

The Smoking Gun. BACKSTAGE RIDER: Divas: Amy Winehouse 12 May 2006.

Tyrangiel, Josh. "Trouble Woman." ''TIME''. 24 January 2008.

Vernon, Polly Amy Winehouse: Unplugged ''Harper's Bazaar'' October 2010

July 2009 Mitch Winehouse interview with ''Daily Mirror'' covering a variety of her personal issues

;Books

Barak, Daphne. ''Saving Amy''. New Holland Publishers, 25 January 2010. ISBN 9781847736703

Johnstone, Nick. ''Amy Amy Amy: The Amy Winehouse Story''. Omnibus Press, 1 April 2008. ISBN 9780825636028.

Newkey-Burden, Chas. ''Amy Winehouse: The Biography''. John Blake Publishing, 7 April 2008. ISBN 1844545636.

External links

[ Amy Winehouse] at the All Music Guide

Amy Winehouse collected news and commentary at ''The New York Times''

New York Times fashion retrospective

Slide Show at ''Rolling Stone''

Videos at Island Records on YouTube

Official Video Of Amy Winehouse performing 'Back To Black' Live and Acoustic at SXSW

Category:Amy Winehouse Category:1983 births Category:2011 deaths Category:Alcohol-related deaths in England Category:Alumni of the Sylvia Young Theatre School Category:Blue-eyed soul singers Category:Brit Award winners Category:English people of Jewish descent Category:Deaths by alcohol poisoning Category:English contraltos Category:English female singers Category:English female guitarists Category:English-language singers Category:English jazz guitarists Category:English jazz singers Category:English Jews Category:English people convicted of assault Category:English people of Russian descent Category:English rhythm and blues singers Category:English soul singers Category:Grammy Award winners Category:Ivor Novello Award winners Category:Jazz-blues musicians Category:Jewish singers Category:Neo soul singers Category:People educated at the BRIT School Category:People from Camden (district) Category:People from Southgate, London Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers Category:People with bipolar disorder Category:Republic Records artists Category:Singers from London Category:Torch singers Category:Vocal jazz musicians Category:Female jazz musicians Category:World Music Awards winners

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