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| Name | Jadakiss |
|---|---|
| Background | solo_singer |
| Birth name | Jason Phillips |
| Born | May 27, 1975 Yonkers, New York, U.S. |
| Genre | Hip hop |
| Occupation | Rapper |
| Years active | 1994–present |
| Label | D-Block, Ruff Ryders, Def Jam |
| Associated acts | Fat Joe, Rick Ross, Ruff Ryders, Swizz Beatz, Raekwon, Pharrell, Jay-Z, Nate Dogg, Game, Jaheim, El-Gwoppo, DJ Khaled }} |
Jason Phillips (born May 27, 1975), better known as Jadakiss, is an American rapper. He is a member of the group The LOX. Jadakiss is one of the three owners of the imprint known as D-Block. In early 2007, Jadakiss signed to Roc-a-Fella Records / Def Jam Records.
The group, especially Jadakiss, developed a close relationship with The Notorious B.I.G., during which time Jadakiss was taken under Biggie's wing. The LOX's first hit was the tribute to The Notorious B.I.G. called "We'll Always Love Big Poppa" (the B-side to Puff Daddy's "I'll Be Missing You") in 1997. In 1998, the LOX released ''Money, Power & Respect''. Following this album, they left Bad Boy Records.
In late 2007, Jadakiss signed to Jay-Z's Roc-A-Fella Records, a move Jay had been trying to arrange for a long period of time. The move comes on the heels of increased D-Block/Roc-a-Fella collaborations; in 2006, Kiss and former rival Beanie Sigel collaborated on DJ Khaled's album ''Listen...'', and in 2007, on Freeway's album ''Free At Last''. Styles P has appeared on a radio freestyle with Freeway and Sigel. He has also appeared briefly in Jay-Z's latest video for his ''American Gangster'' second single, "Roc Boys," in which he appears throwing up the famous Roc-a-Fella sign, "the Diamond."
On October 7, 2006, Jadakiss was arrested in his hometown of Yonkers, New York, on gun and drug-possession charges. A Yonkers Police Department spokesperson said Jadakiss was one of four men sitting in a 2006 Toyota Camry that was parked near the intersection of Nepperhan Avenue and Elm Street in Yonkers at around 5 a.m. Saturday. Officers said the vehicle's driver was behaving oddly and said they noticed a strong odor of marijuana while approaching the car. Inside the vehicle, police found a .38 caliber revolver that had been reported stolen. According to The Associated Press, the weapon was loaded. All occupants were charged with possession of a stolen firearm; Jadakiss, was also charged with possession of marijuana (a small amount was found on his person). The driver, Darnell Frazier, was charged with driving under the influence. The other two men in the vehicle are listed as Benjamin Lockhart and Kristian Smith. All were remanded to Westchester County Jail and were held until at least Tuesday of that year, when they were due in court.
Both men were reportedly in police custody and had been slapped with criminal charges.
Category:African American rappers Category:Ruff Ryders artists Category:D-Block Records members Category:Members of the Nation of Gods and Earths Category:Living people Category:Musicians from New York Category:People from Yonkers, New York Category:Rappers from New York City Category:1975 births
cs:Jadakiss de:Jadakiss es:Jadakiss fr:Jadakiss ko:제이다키스 it:Jadakiss sw:Jadakiss nl:Jadakiss ja:ジェイダキス pl:Jadakiss pt:Jadakiss fi:Jadakiss sv:Jadakiss tr:Jadakiss zh:賈達基斯This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | French Montana |
|---|---|
| Background | solo_singer |
| Birth place | November 09, 1984Rabat, Morocco |
| Origin | Mott Haven, Bronx, New York City, United States |
| Genre | Gangsta rap, Hip hop, Mafioso rap |
| Occupation | Rapper |
| Years active | 2002 – Present |
| Label | Mizay Entertainment (2010-Present), Cocaine City Records }} |
French Montana (born November 9, 1984) is an American rapper and singer of Moroccan and Somali descent. He is the founder of Cocaine City Records.
His artist name is a conflation of French (from the French protectorate of Morocco) and Montana (from the fictitious Tony Montana in the 1983 movie Scarface).
The international success of the DVD series helped to propel French's rap career to an entirely new level. By creating and producing ''Cocaine City'', French Montana evolved from an aspiring rapper in the streets of the Bronx, to the newest musician to sign with platinum-selling recording artist Akon’s record label, Konvict Music. By early 2009, French had flooded the streets with various mixtapes, including "Live from Africa", "Laundry Man" with Evil Empire, and "In Demand" with DJ Lazy K. His frequent collaborations with Harlem-bred rapper Max B have also helped keep a steady buzz, and helped fuel the success of the duo’s latest project, the mixtape/DVD combo "Coke Wave."
Montana is currently signed to Debra Antney's Mizay Entertainment Management.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| name | Mariah Carey |
|---|---|
| background | solo_singer |
| birth date | March 27, 1970 |
| birth place | |
| genre | R&B;, pop, hip hop, soul, dance |
| years active | 1988–present |
| occupation | Singer-songwriter, record producer, actress |
| spouse | |
| label | Columbia (1990—2000)Virgin (2001)Island (2002—present) |
| website | }} |
Carey left Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records. In 2001, Carey ventured into film with ''Glitter'' (2001). Before the film's release she suffered a physical and emotional breakdown and was hospitalized for severe exhaustion. Following the film's poor reception, she was bought out of her recording contract for $50 million, which led to a decline in her career. She signed a multi-million dollar contract deal with Island Records in 2002, and after an unsuccessful period, returned to the top of music charts with ''The Emancipation of Mimi'' (2005). Its second single "We Belong Together", which became her most successful single of the 2000's, and was later named "Song of the Decade" by ''Billboard''. Carey once again ventured into film, and starred in ''Precious'' (2009). Her role in the film was well-received, and she was awarded the "Breakthrough Performance Award" at the Palm Springs International Film Festival, and a NAACP Image Award nomination.
In a career spanning over two decades, Carey has sold more than 200 million records worldwide, making her one of the best-selling music artists of all time. In 1998, she was honored as the world's best-selling recording artist of the 1990s at the World Music Awards. Carey was also named the best-selling female artist of the millennium in 2000. According to the Recording Industry Association of America (RIAA), she is the third best-selling female artist in the United States, with 63 million certified albums. With the release of "Touch My Body" (2008), Carey gained her eighteenth number one single in the United States, more than any other solo artist. Aside from her commercial accomplishments, Carey has won five Grammy Awards, and is famed for her five-octave vocal range, power, melismatic style and signature use of the whistle register.
}} After their separation, Allison moved in with her father, while the other two children remained with Patricia. As the years passed, Carey would grow apart from her father, and would later stop seeing him altogether. By the age of four, Carey recalled that she had begun to sneak the radio under her covers at night, and just sing from her heart, and try and find peace within the music. During elementary school, she would excel in subjects that she enjoyed, such as literature, art and music, while not finding interest in others. After several years of financial struggling, Patricia earned enough money to move her family into a stable and more affluent sector in New York. Carey had begun writing poems and adding melodies to them, thus starting as a singer-songwriter while attending Harborfields High School in Greenlawn, New York. Even from a young age, Carey excelled in her music, and demonstrated usage of the whistle register, though only beginning to master and control it through her training with her mother. Though opening her daughter to the world of classical opera, Patricia never pressured Carey to pursue a career in that type of genre, as she never seemed interested in that world of music. Carey recalled that she kept her singer-songwriter works a secret and noted that Patricia had "never been a pushy mom. She never said, 'Give it more of an operatic feel'. I respect opera like crazy, but it didn't influence me."
Towards the end of her high school Carey developed a relationship with Gavin Christopher, with whom she shared musical aspirations. The song-writing duo, however, needed an assistant who could play the keyboard; "We called someone and he couldn't come, so by accident we stumbled upon Ben [Margulies]. Ben came to the studio, and he really couldn't play the keyboards very well - her was really more of a drummer - but after that day, we kept in touch, and we sort of clicked as writers." The two began writing and composing songs in his father's store basement, during Carey's senior year. After composing their first song together, "Here We Go Round Again", which Carey described as having a Motown-vibe, they continued writing material for a full length demo. After Carey's graduation her mother wed once more, which ultimately prompted her to move out from Patricia's apartment, and into a one bedroom studio in Manhattan, which she shared with four other female students. During this period, Carey worked several jobs as a waitress, usually getting fired after two week intervals. While requiring work to pay for her rent, Carey's mind and effort still remained with her musical ambitions, as she continued working late into the night with Margulies, in hopes of completing a demo take that could be passed on to record executives. After completing her four song demo tape, Carey tried to pass it to music labels, but was met with failure each time. It was then she was introduced to rising pop singer of Puerto Rican descent, Brenda K. Starr.
As Carey's friendship with Starr grew, so did her interest in helping Carey succeed in the industry. On a Friday night in November 1987, Carey accompanied Starr to a record executives gala, where she handed her demo tape to Tommy Mottola, head of Columbia Records, who listened to it on his way back home. After the first two songs, he became so enamored at the sound and quality of Carey's voice that he turned around returned to the event, only to find that she had left. In what has been widely described by critics as a modern day Cinderella-like tale, after searching Carey for two weeks, and eventually contacting her through Starr's management, he immediately signed her and began mapping out her debut into mainstream music. While she maintained that she wanted to continue working with Margulies, Mottola enlisted top producers of the time, including Ric Wake, Narada Michael Walden and Rhett Lawrence. Mottola and the staff at Columbia had planned to market Carey as the main female pop artist on their roster, competing with the likes of Whitney Houston and Madonna, who were signed to Arista and Sire Records respectively. After the completion of the album, titled ''Mariah Carey'', Columbia spent an upward of $1 million to promote it. Though opening with weak sales, the album eventually reached the top of the ''Billboard'' 200, after Carey's exposure at the 33rd annual Grammy Awards. ''Mariah Carey'' stayed atop the charts for eleven consecutive weeks, and she won the Best New Artist, and Best Female Pop Vocal Performance trophies for her single "Vision of Love". The album yielded an additional three number one singles on the ''Billboard'' Hot 100, following the four week number-one run of "Vision of Love". Carey became the first artist since The Jackson 5 to have their first four singles reach number one. ''Mariah Carey'' finished as the best-selling album in the United States of 1991, while totaling sales of over 15 million copies.
Only months after the ''Mariah Carey'' began its descent on the charts, Carey already began working on her second studio effort, eventually titled ''Emotions'' (1991). The album, as Carey described it, paid homage to Motown soul music, as she felt the need to pay tribute to the type of music and genre that truly influenced her as a struggling child. For the project, Carey worked with Walter Afanasieff, who only had a small role on her debut, as well as Clivillés and Cole, from the dance group C+C Music Factory. However, Carey's relationship with Margulies deteriorated over a contract Carey had signed prior to her signing with Columbia, agreeing to split not only the songwriting royalties from the songs, but half of her earnings as well. However, when the time came to write music for ''Emotions,'' Sony officials made it clear he would only be paid the fair amount given to co-writers on an album. Subsequently, Margulies filed a lawsuit against Sony which ultimately led to their parting of ways. On September 17, 1991, ''Emotions'' was released around the world, and was accepted by critics as a more mature album than its predecessor. While praised for Carey's improved songwriting, production and new sound, the album was criticized for its material, which many felt was noticeably weaker than her debut. Though the album managed sales of over eight million copies globally, ''Emotions'' failed to reach the commercial and critical heights of its predecessor.
As they had done after the release of her debut, critics once again questioned whether Carey would embark on a world tour, in promotion for her material. Although Carey explained that due to her stage fright, and the general strenuous nature of her songs, a tour sounded very daunting, speculation grew that Carey was a "studio worm", and that she wasn't capable of producing the perfect pitch and 5-octave vocal range for which she was known. In hopes of putting any claims of her being a manufactured artist to rest, Carey and Walter Afanasieff decided to book an appearance on MTV Unplugged, a television program aired by MTV. The show's purpose was to present name artists, and feature them "unplugged" or stripped of studio equipment. While Carey felt strongly of her more soulful and powerful songs, it was decided that her most popular content to that point would be included. Days prior to the show's taping, Carey and Afanasieff thought of adding a cover version of an older song, in order to provide something different and unexpected. They chose "I'll Be There", a song made popular by The Jackson 5 in 1970, rehearsing it few times before the night of the show. On March 16, 1992, Carey recorded a seven-piece set-list at Kaufman Astoria Studios in Queens, New York. The revue was met with critical acclaim, leading to it being aired over three times as often as an average episode would. The revue's success tempted Sony officials to use it as some form of an album. Sony decided to release it as an EP, selling for a reduced price due to its shorter length. The EP proved to be a success, shunning critics and speculations that Carey was just a studio artist, and was given a triple-Platinum certification by the Recording Industry Association of America (RIAA), and managed Gold and Platinum certifications in several European markets.
Following ''Music Box'', Carey took a relatively large period of time away from the public eye, and began working on an unknown project throughout 1994. The project was kept very secretive until ''Billboard'' announced on their October issue, that Carey would release a holiday album later that year. In late 1994, Carey recorded a duet with Luther Vandross; a cover of Lionel Richie and Diana Ross's "Endless Love". By that point, Columbia felt Carey had already established herself as a pop singer, and vocalist, but wanted to try and feature her as more of an entertainer. Through the release of ''Merry Christmas'', Columbia hoped that audiences would buy Carey's material solely for her name and reputation, and squash fears of her being a typical pop singer. The album was released on November 1, 1994, on the same day that the album's first single, "All I Want for Christmas Is You", was released. The album eventually became the best-selling Christmas album of all time, with global sales reaching over 15 million copies. Additionally, "All I Want for Christmas Is You" was critically lauded, and is considered "one of the few worthy modern additions to the holiday canon." ''Rolling Stone'' described it as a "holiday standard", and ranked it fourth on its Greatest Rock and Roll Christmas Songs list. Commercially, it became the best-selling holiday ringtone of all time, and the best-selling single by a non-Asian artist in Japan, selling over 2.1 million units (both ringtone and digital download). By the end of the holiday season of 1994, Carey and Afanasieff had already begun writing material for her next studio album, which would be released in the fall of the following year.
Released on October 3, 1995, ''Daydream'' combined the pop sensibilities of ''Music Box'' with downbeat R&B; and hip hop influences. The album's second single, "One Sweet Day" was inspired by the death of Cole, as well as her sister Allison, who had contracted AIDS. The song remained atop the Hot 100 for a record-breaking sixteen weeks, and became the longest running number one song in history. ''Daydream'' became her biggest-selling album in the United States, and became her second album to be certified Diamond by the RIAA, following ''Music Box''. The album again was the best-seller by an international artist in Japan, shifting over 2.2 million copies, and eventually reaching global sales of over 25 million units. Critically, the album was heralded as Carey's best to date; ''The New York Times'' named it as one of 1995's best albums, and wrote, "best cuts bring R&B; candy-making to a new peak of textural refinement [...] Carey's songwriting has taken a leap forward and become more relaxed, sexier and less reliant on thudding clichés." Carey once again opted to embark on a short world tour titled Daydream World Tour. It had seven dates, three in Japan and four throughout Europe. When tickets went on sale, Carey set records when all 150,000 tickets for her three shows at Japan's largest stadium, Tokyo Dome sold out in under three hours, breaking the previous record help by The Rolling Stones. Due to the album's success, Carey won two awards at the American Music Awards for her solo efforts: Favorite Pop/Rock Female Artist and Favorite Soul/R&B; Female Artist. ''Daydream'' and its singles were respectively nominated in six categories at the 38th Grammy Awards. Carey, along with Boyz II Men, opened the event with a performance of "One Sweet Day". However, Carey did not receive any award, prompting her to comment "What can you do? I will never be disappointed again. After I sat through the whole show and didn't win once, I can handle anything." In 1995, due to ''Daydream''s enormous Japanese sales, ''Billboard'' declared Carey the "Overseas Artist of the Year" in Japan.
Toward the turn of the millennium, Carey began developing other projects, many of which she wasn't able to during her marriage. On April 14, 1998, Carey partook in the VH1 Divas benefit concert, where she sang alongside Aretha Franklin, Celine Dion, Shania Twain, Gloria Estefan and Carole King. Carey had begun developing a film project ''All That Glitters'', later re-titled to simply ''Glitter'', and intended her songwriting to other projects, such as ''Men in Black'' (1997) and ''How the Grinch Stole Christmas'' (2000). After ''Glitter'' fell into developmental hell, Carey postponed the project, and began writing material for a new album. The executives at Sony Music, the parent company of Carey's label Columbia, wanted her to prepare a greatest hits collection in time for the commercially favorable holiday season. However, they disagreed as to what content and singles should constitute the album. Sony wanted to release an album that featured her number one singles in the United States, and her international chart toppers on the European versions, void of any new material, while Carey felt that a compilation album should reflect on her most personal songs, not just her most commercial. She felt that not including any new material would result in cheating her fans, therefore including four new songs that she had recorded. While compromised, Carey often expressed distaste towards the album's song selection, expressing her disappointment in the omission of her "favorite songs". The album titled, ''#1's'' (1998), featured a duet with Whitney Houston, "When You Believe", and was included on the soundtrack for ''The Prince of Egypt'' (1998). During the development of ''All That Glitters'', Carey had been introduced to DreamWorks producer Jeffrey Katzenberg, who asked her if she would record the song "When You Believe" for the soundtrack to the animated film ''The Prince of Egypt''. In an interview with ''Ebony'', Houston described working with Carey, as well as their growing friendship: "Mariah and I got along very great. We had never talked and never sang together before. We just had a chance for camaraderie, singer-to-singer, artist-to-artist, that kind of thing. We just laughed and talked and laughed and talked and sang in between that ... It's good to know that two ladies of soul and music can still be friends." ''#1's'' became a phenomenon in Japan, selling over one million copies in its opening week, and placing as the only international artist to accomplish this feat. When describing Carey's popularity in Japan throughout the 1990s, author Chris Nickson compared it to Beatlemania in the 1960s. The album sold over 3.25 million copies in Japan after only the first three months, and holds the record as the best-selling album by a non-Asian artist, while amassing global sales of over 17 million copies.
During the spring of 1999, Carey began working on the final album of her record contract with Sony, her ex-husband's label. During this time, Carey's strained relationship with Sony affected her work with writing partner Afanasieff, who had worked extensively with Carey throughout the first half of her career. She felt Mottola was trying to separate her from Afanasieff, in hopes of keeping their relationship permanently strained. Due to the pressure and the awkward relationship Carey had now developed with Sony, she completed the album in a period of three months in the summer of 1999, quicker than any of her other albums. The album, titled ''Rainbow'' (1999), found Carey once again working with a new array of music producers and songwriters, such as Jay-Z and DJ Clue. Carey also wrote two ballads with David Foster and Diane Warren, whom she seemingly used to replace Afanasieff. ''Rainbow'' was released on November 2, 1999, to the highest first week sales of her career at the time, however debuting at number two on the ''Billboard'' 200. Throughout early-2000, Carey's troubled relationship with Columbia grew, as they halted promotion after the album's first two singles. They felt ''Rainbow'' didn't have any strong single to be released, whereas Carey wanted a ballad regarding personal and inner strength released. The difference in opinion led to a very public feud, as Carey began posting messages on her webpage in early and mid-2000, telling fans inside information on the dispute, as well as instructing them to request "Can't Take That Away (Mariah's Theme)" on radio stations. One of the messages Carey left on her page read: "Basically, a lot of you know the political situation in my professional career is not positive. It's been really, really hard. I don't even know if this message is going to get to you because I don't know if they want you to hear this. I'm getting a lot of negative feedback from certain corporate people. But I am not willing to give up." Fearing to lose their label's highest seller, Sony chose to release the song. Carey, initially content with the agreement, soon found out that the song had only been given a very limited and low-promotion release, which made charting extremely difficult and unlikely. Critical reception of ''Rainbow'' was generally enthusiastic, with the ''Sunday Herald'' saying that the album "sees her impressively tottering between soul ballads and collaborations with R&B; heavyweights like Snoop Doggy Dogg and Usher [...] It's a polished collection of pop-soul." ''Vibe'' magazine expressed similar sentiments, writing, "She pulls out all stops [...] ''Rainbow'' will garner even more adoration". Though a commercial success, ''Rainbow'' became Carey's lowest selling album to that point in her career.
After she received ''Billboard'''s Artist of the Decade Award and the World Music Award for Best-Selling Female Artist of the Millennium, Carey parted from Columbia and signed a record-breaking $100 million five-album recording contract with Virgin Records (EMI Records), Carey was given full conceptual and creative control over the project. She opted to record an album partly mixed with 1980s influenced disco and other similar genres, in order to go hand-in-hand with the film's setting. She often stated that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Just a few months later, in July 2001, it was widely reported that Carey had suffered a physical and emotional breakdown. She had left messages on her website that complained of being overworked, and her relationship with the Latin icon Luis Miguel ended. In an interview the following year, she said, "I was with people who didn't really know me and I had no personal assistant. I'd do interviews all day long and get two hours of sleep a night, if that." Due to the pressure from the media, her heavy work schedule and the split from Miguel, Carey began posting a series of disturbing messages on her official website, and displayed erratic behavior on several live promotional outings. On July 19, 2001, Carey made a surprise appearance on the MTV program ''Total Request Live'' (TRL). As the show's host Carson Daly began taping following a commercial break, Carey came out pushing an ice cream cart while wearing a large men's shirt, and began a striptease, in which she shed her shirt to reveal a tight yellow and green ensemble. While she later revealed that Daly was aware of her presence in the building prior to her appearance, Carey's appearance on TRL garnered strong media attention. Only days later, Carey began posting irregular voice notes and messages on her official website: "I'm trying to understand things in life right now and so I really don't feel that I should be doing music right now. What I'd like to do is just a take a little break or at least get one night of sleep without someone popping up about a video. All I really want is [to] just be me and that's what I should have done in the first place ... I don't say this much but guess what, I don't take care of myself." Following the quick removal of the messages, Berger commented that Carey had been "obviously exhausted and not thinking clearly" when she posted the letters.
On July 26, she was suddenly hospitalized, citing "extreme exhaustion" and a "physical and emotional breakdown". Carey was inducted at an un-disclosed hospital in Connecticut, and remained hospitalized and under doctor's care for two weeks, followed by an extended absence from the public. Following the heavy media coverage surrounding Carey's publicized breakdown and hospitalization, Virgin Records and 20th Century Fox delayed the release of both ''Glitter'', as well as its soundtrack of the same name. Consequently, critics suggested that in delaying ''Glitter'', hype for the project would have largely subsided, and would possibly hurt both ticket and album sales. When discussing the project's weak commercial reaction, Carey blamed both her frame of mind during the time of its release, its postponement, as well as the soundtrack having been released on September 11. Critics panned ''Glitter'', as well as its accompanying soundtrack; both were unsuccessful commercially. The accompanying soundtrack album, ''Glitter'', became Carey's lowest-selling album to that point. The ''St. Louis Post-Dispatch'' dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful." Following the negative cloud that was ensuing Carey's personal life at the time, as well as the project's poor reception, her unprecedented $100 million five-album record deal with Virgin Records (EMI Records) was bought out for $50 million. Soon after, Carey flew to Capri, Italy for a period of five months, in which she began writing material for her new album, stemming from all the personal experiences she had endured throughout the past year. Carey later said that her time at Virgin was "a complete and total stress-fest [...] I made a total snap decision which was based on money and I never make decisions based on money. I learned a big lesson from that." Later that year, she signed a contract with Island Records, valued at more than $24 million, and launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had little contact since childhood, died of cancer that year.
In 2002, Carey was cast in the independent film, ''WiseGirls'', alongside Mira Sorvino and Melora Walters, who co-starred as waitresses at a mobster-operated restaurant. It premiered at the Sundance Film Festival, and received generally negative critical response, though Carey's portrayal of the character was praised; Roger Friedman of Fox News referred to her as "a Thelma Ritter for the new millennium", and wrote, "Her line delivery is sharp and she manages to get the right laughs". Later that year, Carey performed the American national anthem to rave reviews at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana. Towards the end of 2002, Carey released her next studio album ''Charmbracelet'', which she said marked "a new lease on life" for her. Though released in the wake of ''Glitter'' and Carey's return to the music scene, sales of ''Charmbracelet'' were moderate and the quality of Carey's vocals came under criticism. Joan Anderson from ''The Boston Globe'' declared the album "the worst of her career, and revealed a voice [that is] no longer capable of either gravity-defying gymnastics or soft coos", while Allmusic editor Stephen Thomas Erlewine expressed similar sentiments and wrote, "What is a greater problem is that Mariah's voice is shot, sounding in tatters throughout the record. She can no longer coo or softly croon nor can she perform her trademark gravity-defying vocal runs." In an attempt to "relaunch" her career following the poor reception to ''Glitter'', as well as her breakdown, Carey announced a world tour in April 2003. Lasting over eight months, the Charmbracelet World Tour: An Intimate Evening with Mariah Carey, became her most extensive tour to date, spanning sixty-nine shows around the world. Throughout the United States, the shows were done in smaller theaters, and something more Broadway-influenced, "It's much more intimate so you'll feel like you had an experience. You experience a night with me." However, while smaller productions were booked throughout the tour's stateside leg, Carey performed at stadiums in Asia and Europe, performing for a crowd of over 35,000 in Manila, 50,000 in Malaysia, and to over 70,000 people in China. In the United Kingdom, it became Carey's first tour to feature shows outside of London, booking arena stops in Glasgow, Birmingham and Manchester. Charmbracelet World Tour: An Intimate Evening with Mariah Carey garnered generally positive reviews from music critics and concert goers, with many complimenting the quality of Carey's live vocals, as well as the production as a whole.
During the week of September 25, 2005, Carey set another record, becoming the first female to occupy the first two spots atop the Hot 100, as "We Belong Together" remained at number one, and her next single, "Shake It Off" moved into the number two spot. (Ashanti had topped the chart in 2002 while being a "featured" signer on the #2 single.) On the Billboard Hot 100 Year-end Chart of 2005, the song was declared the number one song, a career first for Carey. ''Billboard'' listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and was declared the most popular song of the 2000s decade by ''Billboard''. The album earned ten Grammy Award nominations in 2006–07: eight in 2006 for the original release (the most received by Carey in a single year), and two in 2007 for the ''Ultra Platinum Edition''. In 2006 Carey won Best Contemporary R&B; Album for ''The Emancipation of Mimi'', as well as Best Female R&B; Vocal Performance and Best R&B; Song for "We Belong Together". ''The Emancipation of Mimi'' was the best-selling album in the United States in 2005, with nearly five million units sold. It was the first album by a solo female artist to become the year's best-selling album since Alanis Morissette's ''Jagged Little Pill'' in 1996. At the end of 2005, the IFPI reported that ''The Emancipation of Mimi'' had sold more than 7.7 million copies globally, and was the second best-selling album of the year after Coldplay's ''X&Y;''. It was the best-selling album worldwide by a solo and female artist. To date, ''The Emancipation of Mimi'' has sold over 12 million copies worldwide. At the 48th Grammy Awards, Carey performed a medley of "We Belong Together" and "Fly Like a Bird". The performance earned the night's only standing ovation, prompting Teri Hatcher, who was presenting the next award, to exclaim, "It's like we've all just been saved!"
In support of the album, Carey embarked on her first headlining tour in three years, named The Adventures of Mimi: The Voice, The Hits, The Tour after a "Carey-centric fan's" music diary. The tour spanned forty stops, with thirty-two in the United States and Canada, two in Africa, and six in Japan. Tickets for the tour went on sale on June 2, 2006, with prices ranging from $95 to $150 USD, and featured Carey's long-time friend Randy Jackson as the tour's musical director. Carey's performances consisted of old songs from her catalog as well as her newest singles. The tour received warm critical reaction from music critics and concert goers, many of which celebrated the quality of Carey's live vocals, as well as the show as a whole. However, critics felt the show's excesses, such as Carey's often costume changes and pre-filmed clips, were unnecessary distractions. The tour proved successful, with Carey playing to over 60,000 fans in the two stop in Tunis alone. Midway through the tour, Carey booked a two-night concert engagement in Hong Kong, which was scheduled to take place following her Japanese shows. The shows were cancelled, however, after tickets went on sale. According to Carey's then-manager Benny Medina, the cancellation was due to the concert promoter's refusal to pay Carey her agreed-upon compensation. The promoter instead blamed poor ticket sales (allegedly, only 4,000 tickets had sold) and "Carey's outrageous demands". Carey ultimately sued the promoter, claiming $1 million in damages due to the concert's abrupt cancellation.
By spring 2007, Carey had begun to work on her eleventh studio album, ''E=MC²'', in a private villa in Anguilla. When asked regarding the album title's meaning, Carey said "Einstein's theory? Physics? ''Me?'' Hello! ...Of course I'm poking fun." She characterized it as "''Emancipation of Mimi'' to the second power", and said that she was "freer" on this album than any other. Although ''E=MC²'' was well received by most critics, some of them criticized it for being very similar to the formula used on ''The Emancipation of Mimi''. Two weeks before the album's release, "Touch My Body", the record's lead single reached the top position on the ''Billboard'' Hot 100, becoming Carey's eighteenth number one and making her the solo artist with the most number one singles in United States history, pushing her past Elvis Presley into second place according to the magazine's revised methodology. Carey is now second only to The Beatles, who have twenty number-one singles. Additionally, it gave Carey her 79th week atop the Hot 100, tying her with Presley as the artist with the most weeks at number one in the ''Billboard'' chart history." Carey has also had notable success on international charts, though not to the same degree as in the United States. Thus far, she has had two #1 singles in Britain, two in Australia, and six in Canada. Her highest-charting single in Japan peaked at number two.
''E=MC²'' debuted at number one on the ''Billboard'' 200 with 463,000 copies sold, the biggest opening week sales of her career. With six number one albums, Carey is now tied with Britney Spears and Janet Jackson in the United States for the third most number one albums for a female artist, behind Madonna with seven and Barbra Streisand's nine chart toppers. In 2008, ''Billboard'' magazine ranked her at number six on the "Billboard Hot 100 All-Time Top Artists", making Carey the second most successful female artist in the history of the ''Billboard'' Hot 100 chart. Carey and actor/comedian Nick Cannon met while they shot her music video for her second single, "Bye Bye", on an island off the coast of Antigua. On April 30, 2008, Carey married Cannon at her private estate on Windermere Island in The Bahamas. Carey had a cameo appearance in Adam Sandler's 2008 film ''You Don't Mess with the Zohan'', playing herself. On January 20, 2009, Carey performed "Hero" at the Neighborhood Inaugural Ball after Barack Obama was sworn as America's first African-American president. On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of The Jackson 5 song "I'll Be There" at the memorial service for Michael Jackson. At the sight of Jackson's casket, Carey's voice, overwhelmed with emotion, cracked in the opening line of the song. She later apologized on ''The Today Show'', explaining how she did her best effort despite the circumstances.
In 2009, she appeared as a social worker in ''Precious'', the movie adaptation of the 1996 novel ''Push'' by Sapphire. The film garnered mostly positive reviews from critics, as has Carey's performance. ''Variety'' described her acting as "pitch-perfect". ''Precious'' won awards at both the Sundance Film Festival and the Toronto Film Festival, receiving top honors there. In January 2010, Carey won the Breakthrough Actress Performance Award for her role in ''Precious'' at the Palm Springs International Film Festival. September 25, 2009, Carey's twelfth studio album, ''Memoirs of an Imperfect Angel'', was released. Reception for the album was generally positive, but mixed in certain aspects; Stephen Thomas Erlewine of Allmusic called it "her most interesting album in a decade", while Jon Caramanica from ''The New York Times'' criticized Carey's vocal performances, decrying her overuse of her softer vocal registers at the expense of her more powerful lower and upper registers. Commercially, the album debuted at number three on the ''Billboard'' 200, and became the lowest-selling studio album of her career. The album's lead single, "Obsessed", became her 40th entry on the ''Billboard'' Hot 100 and her highest debut on the chart since "My All" in 1998. The song debuted at number eleven and peaked at number seven on the chart, and became Carey's 27th US top-ten hit, tying her with Elton John and Janet Jackson as the fifth most top-ten hits. Within hours after the song's release, various outlets speculated that its target was rapper Eminem, in response to his song "Bagpipes from Baghdad", in which he taunted Carey's husband, Nick Cannon. According to MTV, Carey alludes to drug problems in "Obsessed", which Eminem opened up about on his sixth studio album, ''Relapse''. The album's follow-up single, a cover of Foreigner's "I Want to Know What Love Is", failed to achieve any significant chart success in the United States, or much throughout Europe, but managed to break airplay records in Brazil. The song spent 27 weeks atop the Brasil Hot 100 Airplay, making it the longest running song in the chart's history. On December 31, 2009, Carey embarked her seventh concert tour, Angels Advocate Tour, which visited the United States and Canada. Though stateside, the tour spanned few international dates, such as in Brazil and Singapore, where Carey played to over 100,000 spectators. On January 30, 2010, it was announced that Carey would release a remix album of ''Memoirs of an Imperfect Angel''; titled ''Angels Advocate'' (an R&B; remix album featuring a collection of newly remixed duets with some of Carey's favorite artists). The album was slated for a March 30, 2010 release, but was eventually cancelled.
Following the cancellation of the ''Angels Advocate'', it was announced that Carey would return to the studio to start work on her thirteenth studio album. It was later revealed that it would be her second Christmas album, the follow-up to ''Merry Christmas'' (1994), which became the best-selling Holiday album of all time. Long time collaborators for the project include Jermaine Dupri, Johntá Austin, Bryan-Michael Cox and Randy Jackson, as well as new collaborators such as Marc Shaiman. Dupri stated that a single would be released alongside the album before the year's end. During a press conference in Seoul, South Korea, in August 2010, Island Def Jam executive Matt Voss announced that the album would be out on November 2, 2010. and would include six new songs and a remix of her classic hit "All I Want for Christmas Is You". The album, titled ''Merry Christmas II You'', was released alongside an accompanying DVD, and was sent to retailers on November 2, 2010. ''Merry Christmas II You'' debuted at number four on the ''Billboard'' 200 with sales of 56,000 copies, surpassing the opening week sales of Carey's previous holiday album of 45,000 copies 16 years prior. It also became Carey's 16th top ten album in the United States. The album debuted at number one on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart.
In May 2010, Carey dropped out of her planned appearance in ''For Colored Girls'', the film adaptation of the play ''For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf'', citing medical reasons. After much media speculation, Carey confirmed on October 28, 2010, that she and Cannon were expecting their first child. Carey also revealed that she had been pregnant shortly after her wedding with Cannon, but she miscarried. On April 30, 2011, the couple's third wedding anniversary, Carey gave birth to fraternal twins via C-section. The twins were named Monroe, after Marilyn Monroe, and Moroccan Scott, after Cannon proposed to Carey in her Moroccan-style room; Scott is Cannon's middle name and his grandmother's maiden name. On February 11, 2011, Carey announced on HSN, that she recorded a duet with Tony Bennett for his upcoming "Duets" album, titled "When Do The Bells Ring For Me". Following the birth of their children, Cannon revealed during an interview with ''Billboard'' that Carey had already begun working on a new record. Cannon said "She's been working away, and we have a studio in the crib, and [the pregnancy] has totally inspired her on so many different levels. You're definitely gonna see some new phenomenal music from Mariah" and assured Carey would plan on releasing it by the end of the year. In October 2011, Carey announced that she re-recorded her song "All I Want for Christmas Is You" with Justin Bieber as a duet for his Christmas album, ''Under the Mistletoe''. On November 5, 2011, Carey and Bieber filmed a music video for the duet at the Macy's in New York City. On October 21, 2011, a pre-taped interview with Barbara Walters aired on ABC's 20/20, during the interview Carey and Cannon allowed the cameras to photograph/film twins Moroccan and Monroe for the first time ever. In November 2011, Carey was included in the remix to the mixtape single "Warning" by Uncle Murda, the remix also features 50 Cent and Young Jeezy. That same month, Carey announced that she and John Legend collaborated on a duet, "When Christmas Comes", which was originally part of Carey's 2010 holiday album ''Merry Christmas II You''. On March 1, 2012, Carey took the stage at New York City's Gotham Hall for a show, where only 50 tickets were made available to the public, as part of the Plot Your Escape concert series. The 40-minute set included many of Carey's hits such as "Always Be My Baby", "Hero", "Obsessed", "We Belong Together", and a cover of Michael Jackson's "I'll Be There".
Love is the subject of the majority of Carey's lyrics, although she has written about themes such as racism, social alienation, death, world hunger, and spirituality. She has said that much of her work is partly autobiographical, but ''Time'' magazine wrote: "If only Mariah Carey's music had the drama of her life. Her songs are often sugary and artificial—NutraSweet soul. But her life has passion and conflict," applying it to the first stages of her career. He commented that as her album's progressed, so too her songwriting and music blossomed into more mature and meaningful material. Jim Faber of the ''New York Daily News'', made similar comments, "For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening." While reviewing ''Music Box'', Stephen Holden from ''Rolling Stone'' commented that Carey sang with "sustained passion", while ''Entertainment Weekly''s Arion Berger wrote that during some vocal moments, Carey becomes "too overwhelmed to put her passion into words." In 2001, ''The Village Voice'' wrote in regards to what they considered Carey's "centerless ballads", writing, "Carey's Strawberry Shortcake soul still provides the template with which teen-pop cuties draw curlicues around those centerless [Diane] Warren ballads [...] it's largely because of [Blige] that the new R&B; demands a greater range of emotional expression, smarter poetry, more from-the-gut testifying, and less unnecessary notes than the squeaky-clean and just plain squeaky Mariah era. Nowadays it's the Christina Aguileras and Jessica Simpsons who awkwardly oversing, while the women with roof-raising lung power keep it in check when tune or lyric demands."
Carey's output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano-driven melodies, as she was given piano lessons when she was six years old. Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique. While Carey learned to play the piano at a young age, and incorporates several ranges of production and instrumentation into her music, she has maintained that her voice has always been her most important asset: "My voice is my instrument; it always has been." Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey on several occasions, starting with "Dreamlover" (1993), which popularized the tradition of remixing R&B; songs into house records, and which ''Slant'' magazine named one of the greatest dance songs of all time. From "Fantasy" (1995) onward, Carey enlisted both hip-hop and house producers to re-structure her album compositions. ''Entertainment Weekly'' included two remixes of "Fantasy" on a list of Carey's greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol' Dirty Bastard. The latter has been credited with popularizing the R&B;/hip-hop collaboration trend that has continued into the 2000s, through artists such as Ashanti and Beyoncé. Combs said that Carey "knows the importance of mixes, so you feel like you're with an artist who appreciates your work—an artist who wants to come up with something with you".
Regarding her voice type, Carey said that she is alto, while French-American baritone and singing teacher in the Conservatoire de Paris Malcolm Walker states that she is light lyric soprano, "because the upper register is much more healthy than the lower register." However, within contemporary forms of music, singers are classified by the style of music they sing. There is currently no authoritative voice classification system within non-classical music. Attempts have been made to adopt classical voice type terms to other forms of singing, but they are controversial, because the development of classic voice categorizations were made with the understanding that the singer would amplify his or her voice with their natural resonators, without a microphone.
Baritone Malcolm Walker as well as music critic Stephen Holden of ''The New York Times'' and vocal pedagogue Jeannette Lo Vetri describes Carey's voice as "pure, full, rounded and warm", adding that belting and head voices has a great brightness. Malcolm Walker praise her belting voice, saying it "works very well" and states that Carey "passes easily in head voice. It's her true voice." The middle register is "ample and full" and the voice resonates with strong vibrato. Jon Pareles, of ''The New York Times'', describes Carey's lower register as "rich" and "husky", on the other hand, Walker, Holden, and Lo Vetri state it's "tired", "distended" in its lowest parts. Carey also possesses a "whisper register". In an interview with the singer, Ron Givens of ''Entertainment Weekly'' described it this way, "In one brief swoop, she seems to squeal and roar at the same time: whisper register." Additionally, towards the late 1990s, Carey began incorporating breathy vocals into her material, usually beginning the song and then building up to a "full throated" climax. Tim Levell from the BBC News described her vocals as "sultry close-to-the-mic breathiness", while ''USA Today''s Elysa Gardner wrote "it's impossible to deny the impact her vocal style, a florid blend of breathy riffing and resonant belting, has had on today's young pop and R&B; stars." Tenor Juan Diego Flórez has described her whistle register in detail, saying "Her whistle register is beautiful, fluid, very free and resonant—she has a "ring" in it. She shows an exceptional texture manipulation in this register : It can be bright, silky, crystalline, airy, piercing, metallic. She can imitate an electric guitar, a bird chirping, a piccolo... She can also phrase in that register. And the greatest thing about her whistle is that she use it for express different moods and feelings. She is the only pop singer who do that".
Voice experts praise Carey's vocal technique, stating that she can deliver very fast staccatos, marcato, portato and arpeggios with great control, "always keeps a neutral larynx position—except sometimes in her lower register" and "glides effortlessly from bottom to top and vice versa." Diego Flórez said "either in chest, head voices and whistle, she has a gorgeous mastery of dynamics" and describes her legato as "silky." Carey's musicianship is of high-level. Soprano Montserrat Caballé and Diego Flòrez said she has a "refined", "subtle" phrasing, a "perfect" sense of rhythm, and a high architectural sense of line-proportion, climax and resolve, ideas and themes. Jon Pareles adds "she can linger over sensual turns, ... syncopate like a scat singer." Her sense of pitch is admired, Flórez specify that "no matter how fast she executes her melismas, she always stays in tune."
During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song". Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection". Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR". Some have noted that unlike Houston and Dion, Carey co-writes her own songs, and the ''Guinness Rockopedia'' (1998) classified her as the "songbird supreme".
}} Carey's influence is notable in numerous hip hop, pop and R&B; artists, including Beyoncé, Christina Aguilera, Jessica Simpson, Rihanna, Kelly Clarkson, Nelly Furtado, Leona Lewis, Brandy Norwood, Pink, Mary J. Blige, and Missy Elliott, among others. Knowles credits Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal "runs" as a child, as well as helping her pursue a career as a musician. Rihanna has stated that Carey is one of her major influences and idol. Christina Aguilera has cited in her early stages of her career that Carey is a big influence in her singing career and being one of her idols. According to Pier Dominguez, author of ''Christina Aguilera: a star is made : the unauthorized biography'', Aguilera has stated how she loved listening to Whitney Houston, but it was Carey who had the biggest influence on her vocal styling. Carey's carefully choreographed image of a grown woman struck a chord on Aguilera. Her influence on Aguilera also grew from the fact that both were of mixed heritage. Philip Brasor, editor of ''The Japan Times'', expressed how Carey's vocal and melismatic style even influenced Asian singers. He wrote regarding Japanese superstar Utada Hikaru, "Utada sang what she heard, from the diaphragm and with her own take on the kind of melisma that became de rigueur in American pop after the ascendance of Mariah Carey." In an article called "Out With Mariah's Melisma, In With Kesha's Kick", writer David Browne of ''The New York Times'' discusses how the ubiquitous melisma pop style has suddenly fallen down from pop culture in favor of young stars who uses the now ubiquitous autotune in which the first mentioned was heavily popularized into mainstream pop culture with the likes of Mariah Carey and Whitney Houston. Browne had commented "But beginning two decades ago, melisma overtook pop in a way it hadn't before. Mariah Carey's debut hit from 1990, "Vision of Love," followed two years later by Whitney Houston's version of "I Will Always Love You," set the bar insanely high for notes stretched louder, longer and knottier than most pop fans had ever heard." Browne further added "A subsequent generation of singers, including Ms. Aguilera, Jennifer Hudson and Beyoncé, built their careers around melisma. (Men like Brian McKnight and Tyrese also indulged in it, but women tended to dominate the form.)"
Carey is also credited for introducing R&B; and hip hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs. Sasha Frere-Jones, editor of ''The New Yorker'' commented, "It became standard for R&B;/hip-hop stars like Missy Elliott and Beyoncé, to combine melodies with rapped verses. And young white pop stars—including Britney Spears, Jessica Simpson, Christina Aguilera, and 'N Sync—have spent much of the past ten years making pop music that is unmistakably R&B.;" Moreover Jones concludes that "[Carey's] idea of pairing a female songbird with the leading male MCs of hip-hop changed R&B; and, eventually, all of pop. Although now anyone is free to use this idea, the success of "The Emancipation of Mimi" suggests that it still belongs to Carey." Judnick Mayard, writer of ''The Fader'', wrote that in regarding of R&B; and hip hop collaboration, "The champion of this movement is Mariah Carey." Mayard also expressed that "To this day ODB and Mariah may still be the best and most random hip hop collaboration of all time", citing that due to the record "Fantasy", "R&B; and Hip Hop were the best of step siblings." Kelfa Sanneh of ''The New York Times'' wrote, "In the mid-1990s Ms. Carey pioneered a subgenre that some people call the thug-love duet. Nowadays clean-cut pop stars are expected to collaborate with roughneck rappers, but when Ms. Carey teamed up with Ol' Dirty Bastard, of the Wu-Tang Clan, for the 1995 hit "Fantasy (Remix)", it was a surprise, and a smash." Aside from her pop culture and musical influence, Carey is credited for releasing a classic Christmas song called "All I Want For Christmas Is You". In a retrospective look at Carey's career, Sasha Frere-Jones of ''The New Yorker'' said, the "charming" song was one of Carey's biggest accomplishments, calling it "one of the few worthy modern additions to the holiday canon". ''Rolling Stone'' ranked "All I Want for Christmas Is You" fourth on its Greatest Rock and Roll Christmas Songs list, calling it a "holiday standard." Following the release of her ''Greatest Hits'' album, Devon Powers of Popmatters has said in his review that "She has influenced countless female vocalists after her. At 32, she is already a living legend—even if she never sings another note." Carey's business ventures include the launch of her perfumes, her clothing line, and books. She has portrayed the true nature of being a superstar, according to sociologist Naomi Hirahara, and is a classic example of the word "diva". Carey is never seen without her large entourage, whether it be award shows, performances or as guests on late night specials. Hirahara says, "her demands are sporadic, her looks are glamorous, she is hardly of her age, but she is still ruling. Nowadays people emulate the idea of being a diva, but Carey was the original one in true sense of the term."
Throughout Carey's career, she has collected many honors and awards, including the World Music Awards' Best Selling Female Artist of the Millennium, the Grammy's Best New Artist in 1991, ''Billboard'''s Special Achievement Award for the Artist of the Decade during the 1990s. In a career spanning over 20 years, Carey has sold over 200 million albums, singles, and videos worldwide, making her one of the biggest-selling artists in music history. Carey is ranked as the best-selling female artist of the Nielsen SoundScan era, with over 52 million copies sold. Possessing a five-octave vocal range, Carey was ranked first in MTV and ''Blender'' magazine's 2003 countdown of the 22 Greatest Voices in Music, and was placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists". Aside from her voice, she has become known for her songwriting. Yahoo Music editor Jason Ankeny wrote, "She earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material." According to ''Billboard'' magazine, she was the most successful artist of the 1990s in the United States. At the 2000 World Music Awards, Carey was given a Legend Award for being the "best-selling female pop artist of the millennium", as well as the "Best-selling artist of the 90s" in the United States, after releasing a series of albums of multi-platinum status in Asia and Europe, such as ''Music Box'' and ''Number 1's''. She is also a recipient of the Chopard Diamond Award in 2003, recognizing sales of over 100 million albums worldwide. Additionally, the Recording Industry Association of America (RIAA) lists Carey as the third-best-selling female artist, with shipments of over 63 million units in the US. In Japan, Carey has the top four highest-selling albums of all time by a non-Asian artist.
Carey has spent a record 79 weeks at the number-one position on ''Billboard'' Hot 100, becoming the artist with the most weeks at number-one in US chart history. On that same chart, she has accumulated 18 number-one singles, which ties her with Elvis Presley for the second most number-one singles in the chart's history (after only The Beatles). In 1994, Carey released her holiday album ''Merry Christmas'' has sold over 15 million copies worldwide, and is the best-selling Christmas album of all time. It also produced the successful single "All I Want for Christmas Is You", which became the only holiday song and ringtone to reach multi-platinum status in the US. In Japan, ''Number 1's'' has sold over 3,250,000 copies and is the best-selling album of all time in Japan by a non-Asian artist. Her hit single "One Sweet Day", which featured Boyz II Men, spent sixteen consecutive weeks at the top of ''Billboard''s Hot 100 chart in 1996, setting the record for the most weeks atop the Hot 100 chart in history. After Carey's success in Asia with ''Merry Christmas'', ''Billboard'' estimated Carey as the all-time best-selling international artist in Japan. In 2008, ''Billboard'' listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and second on Top Billboard Hot 100 R&B;/Hip-Hop Songs. The song was also declared the most popular song of the 2000s decade by ''Billboard''. In 2009, Carey's cover of Foreigner's song "I Want to Know What Love Is" became the longest-running number-one song in Brazilian singles chart history, spending 27 consecutive weeks at number-one. Additionally, Carey has had three songs debut at number-one on the ''Billboard'' Hot 100: "Fantasy", "One Sweet Day" and "Honey", making her the artist with the most number-one debuts in the chart's 52-year history. Also, she is the first female artist to debut at number 1 in the U.S. with "Fantasy". In 2010, Carey's 13th album and second Christmas album, ''Merry Christmas II You'', debuted at No.1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top that chart. On November 19, 2010, ''Billboard'' magazine named Carey in their "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" chart at number four.
One of Carey's most high-profile benefit concert appearances was on VH1's 1998 ''Divas Live'' special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success, and Carey participated in the Divas 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception. She appeared at the ''America: A Tribute to Heroes'' nationally televised fundraiser in the aftermath of the September 11 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special ''At Home for the Holidays'', which documented real-life stories of adopted children and foster families, from the Wayback Machine on October 22, 2001. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon "Shelter from the Storm". In August 2008, Carey and other singers recorded the charity single, "Just Stand Up" produced by Babyface and L. A. Reid, to support "Stand Up to Cancer".
Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire's and Icing stores. During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including "Time of Your Life". She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she released her own fragrance, "M". In 2007, ''Forbes'' named her as the fifth richest woman in entertainment, with an estimated net worth of US $270 million. In November 2011, it was reported that Carey's net worth was valued at more than $500 million. On November 29, 2010, she debuted a collection on HSN, the collection range included jewelry, shoes and fragrances. In November 2011, Carey was announced as the new global ambassador for Jenny Craig, following her weight loss with the program after giving birth to fraternal twins in April. Carey claims she lost on the program.
| Year | Title | Role | Notes | ||||||||
| 1999 | !scope="row" | Ilana | |||||||||
| 2001 | !scope="row" | Billie Frank | |||||||||
| 2002 | ''WiseGirls'' | Raychel | |||||||||
| 2003 | ''Death of a Dynasty'' | Herself | Cameo appearance | ||||||||
| 2005 | ''State Property 2'' | Dame's Wifey | |||||||||
| 2008 | ''You Don't Mess with the Zohan'' | Herself | Cameo appearance | ||||||||
| 2009 | !scope="row" | Krystal | |||||||||
| 2009 | !scope="row" | Mrs. Weiss | Palm Springs International Film Festival>Palm Springs International Film Festival Breakthrough Performance Award | Capri Hollywood International Film Festival Award for Supporting Actress of the Year | Black Reel Awards of 2010>Black Reel Award for Best Ensemble | Boston Society of Film Critics>Boston Society of Film Critics Award for Best Ensemble Cast | Black Reel Awards of 2010>Black Reel Award for Best Supporting Actress | Nominated – NAACP Image Award for Outstanding Supporting Actress in a Motion Picture | Nominated – Screen Actors Guild Award for Outstanding Cast in a Motion Picture | Broadcast Film Critics Association Awards 2009>Critics' Choice Awards for Best Acting Ensemble |
| ! Year | ! Title | ! Role | Notes |
| 2002 | ''Ally McBeal '' | Candy Cushnip | |
| 2003 | ''The Proud Family'' | Herself | Voice role |
}}
Category:1970 births Category:Actors from New York City Category:African American female singer-songwriters Category:African American film actors Category:African American record producers Category:American dance musicians Category:American music video directors Category:American musicians of Irish descent Category:American people of Venezuelan descent Category:American philanthropists Category:American pop singer-songwriters Category:American rhythm and blues singer-songwriters Category:American sopranos Category:Columbia Records artists Category:Grammy Award winners Category:Hip hop singers Category:Island Records artists Category:Living people Category:Musicians from New York City Category:People from Long Island Category:People from Suffolk County, New York Category:Singers with a five octave vocal range Category:Spanish-language singers of the United States Category:Virgin Records artists Category:World Music Awards winners Category:Article Feedback 5
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| name | Jim Jones |
|---|---|
| birth name | James W. Jones |
| birth date | May 13, 1931 |
| birth place | Lynn, Indiana, U.S. |
| death date | November 18, 1978 |
| death place | Jonestown, Guyana |
| occupation | Leader, Peoples Temple }} |
James Warren "Jim" Jones (May 13, 1931 – November 18, 1978) was the founder and leader of the Peoples Temple, which is best known for the November 18, 1978 mass suicide of more than 900 Temple members in Jonestown, Guyana along with the killings of five other people at a nearby airstrip.
Jones was born in Indiana and started the Temple in that state in the 1950s. Jones and the Temple later moved to California, and both gained notoriety with the move of the Temple's headquarters to San Francisco in the mid-1970s.
The incident in Guyana ranks among the largest mass murders/mass suicides in history, and was the single greatest loss of American civilian life in a non-natural disaster until the events of September 11, 2001. Among the dead was Leo Ryan, who remains the only Congressman assassinated in the line of duty as a Congressman in the history of the United States.
In interviews for the 2006 documentary ''Jonestown: The Life and Death of Peoples Temple'', childhood acquaintances recalled Jones as being a "really weird kid" who was "obsessed with religion ... obsessed with death". They alleged that as a child, Jones frequently held funerals for small animals and had reportedly stabbed a cat to death.
Jones was a voracious reader as a child and studied Joseph Stalin, Karl Marx, Mahatma Gandhi and Adolf Hitler carefully, noting each of their strengths and weaknesses. After Jones' parents separated, he moved with his mother to Richmond, Indiana. He graduated from Richmond High School early and with honors in December 1948.
Jones married nurse Marceline Baldwin in 1949, and moved to Bloomington, Indiana. He attended Indiana University at Bloomington, where a speech by Eleanor Roosevelt about the plight of African Americans impressed him. Jones' sympathetic statements about communism offended Marceline's grandmother. In 1951, Jones moved to Indianapolis, where he attended night school at Butler University, earning a degree in secondary education in 1961.
Jones' interest in religion began during his childhood, primarily because he found making friends difficult, though initially he vacillated on his church of choice. Jones was surprised when a Methodist superintendent helped him to get a start in the church even though he knew Jones to be a communist and Jones did not meet him through the Communist Party. In 1952, Jones became a student pastor in Sommerset Southside Methodist Church, but claims he left that church because its leaders barred him from integrating blacks into his congregation. Around this time, Jones witnessed a faith-healing service at the Seventh Day Baptist Church. He observed that it attracted people and their money and concluded that, with financial resources from such healings, he could help accomplish his social goals.
Jones then began his own church, which changed names until it became the Peoples Temple Christian Church Full Gospel. Jones sold pet monkeys door-to-door to raise funds for his church.
Jones moved away from the Communist Party and Maoists when CPUSA members and Mao Tse-tung became critical of some of the policies of former Soviet leader Joseph Stalin.
During this time, Jones also helped to integrate churches, restaurants, the telephone company, the police department, a theater, an amusement park, and the Methodist Hospital. After swastikas were painted on the homes of two African American families, Jones personally walked the neighborhood comforting African Americans and counseling white families not to move, in order to prevent white flight. He also set up stings to catch restaurants refusing to serve African American customers and wrote to American Nazi leaders then leaked their responses to the media. When Jones was accidentally placed in the black ward of a hospital after a collapse in 1961, he refused to be moved and began to make the beds, and empty the bed pans of black patients. Political pressures resulting from Jones' actions caused hospital officials to desegregate the wards.
Jones received considerable criticism in Indiana for his integrationist views. White-owned businesses and locals were critical of him. A swastika was placed on the Temple, a stick of dynamite was left in a Temple coal pile, and a dead cat was thrown at Jones' house after a threatening phone call. Other incidents occurred, though some suspect that Jones himself may have been involved in at least some of them.
The couple adopted three children of Korean-American ancestry: Lew, Suzanne and Stephanie. Jones had been encouraging Temple members to adopt orphans from war ravaged Korea. Jones had long been critical of the United States' opposition to communist leader Kim Il-Sung's 1950 invasion of South Korea, calling it the "war of liberation" and stating that "the south is a living example of all that socialism in the north has overcome." In 1954, he and his wife also adopted Agnes Jones, who was partly of Native American descent. Agnes was 11 at the time of her adoption. Suzanne Jones was adopted at the age of six in 1959. In June 1959, the couple had their only biological child, Stephan Gandhi Jones.
Two years later, in 1961, the Joneses became the first white couple in Indiana to adopt a black child, James Warren Jones, Jr. Marceline was once spat upon while she carried Jim Jr.
The couple also adopted another son, who was white, named Tim. Tim Jones, whose birth mother was a member of the Peoples Temple, was originally named Timothy Glen Tupper.
On his way to Brazil, Jones made his first trip into Guyana. After arriving in Belo Horizonte, the Joneses rented a modest three bedroom home. Jones studied the local economy and receptiveness of racial minorities to his message, though language remained a barrier. Jones was careful not to portray himself as a communist in a foreign territory, and spoke of an apostolic communal lifestyle rather than of Castro or Marx.
After becoming frustrated with the lack of resources in the locale, in mid-1963, the Joneses moved to Rio de Janeiro. There, they worked with the poor in Rio's slums. Jones also explored local Brazilian religion.
Jones was plagued by guilt for leaving behind the Indiana civil rights struggle and possibly losing what he had struggled to build there. When Jones' associate preachers in Indiana told him that the Temple was about to collapse without him, Jones returned.
While Jones always spoke of the social gospel's virtues, before the late 1960s Jones chose to conceal that his gospel was actually communism. By the late 1960s, Jones began at least partially openly revealing in Temple sermons his "Apostolic Socialism" concept. Specifically, "those who remained drugged with the opiate of religion had to be brought to enlightenment — socialism." Jones often mixed those concepts, such as preaching that "If you're born in capitalist America, racist America, fascist America, then you're born in sin. But if you're born in socialism, you're not born in sin."
By the early 1970s, Jones began deriding traditional Christianity as "fly away religion," rejecting the Bible as being white men’s justification to subordinate women and subjugate people of color and stating that it spoke of a "Sky God" who was no God at all. Jones authored a booklet titled "The Letter Killeth," criticizing the King James Bible. Jones also began preaching that he was the reincarnation of Jesus of Nazareth, Mahatma Gandhi, Buddha, Vladimir Lenin, and Father Divine. In the documentary ''Jonestown: The Life and Death of Peoples Temple'', former Temple member Hue Fortson, Jr. quoted Jones as saying, "What you need to believe in is what you can see ... If you see me as your friend, I'll be your friend. As you see me as your father, I'll be your father, for those of you that don't have a father ... If you see me as your savior, I'll be your savior. If you see me as your God, I'll be your God."
By the spring of 1976, Jones began openly admitting even to outsiders that he was an atheist. Despite the Temple's fear that the IRS was investigating its religious tax exemption, by 1977 Marceline Jones admitted to the ''New York Times'' that, as early as age 18 when he watched his then idol Mao Zedong overthrow the Chinese government, Jim Jones realized that the way to achieve social change through Marxism in the United States was to mobilize people through religion. She stated that "Jim used religion to try to get some people out of the opiate of religion," and had slammed the Bible on the table yelling "I've got to destroy this paper idol!" In one sermon, Jones said that, "You're gonna help yourself, or you'll get no help! There's only one hope of glory; that's within you! Nobody's gonna come out of the sky! There's no heaven up there! We'll have to make heaven down here!"
The move of Peoples Temple headquarters to San Francisco in 1975 invigorated Jones' political career. After the Temple served an important role in the mayoral election victory of George Moscone in 1975, Moscone appointed Jones as the Chairman of the San Francisco Housing Authority Commission.
Unlike most other figures deemed as cult leaders, Jones was able to gain public support and contact with prominent local and national United States politicians. For example, Jones and Moscone met privately with vice presidential candidate Walter Mondale on his campaign plane days before the 1976 election and Mondale publicly praised the Temple. First Lady Rosalynn Carter also personally met with Jones on multiple occasions, corresponded with him about Cuba, and spoke with him at the grand opening of the San Francisco Democratic Party Headquarters where Jones garnered louder applause than Mrs. Carter.
In September 1976, Willie Brown served as master of ceremonies at a large testimonial dinner for Jones attended by Governor Jerry Brown and Lieutenant Governor Mervyn Dymally and other political figures. At that dinner, while introducing Jones, Willie Brown stated "Let me present to you what you should see every day when you look in the mirror in the early morning hours ... Let me present to you a combination of Martin King, Angela Davis, Albert Einstein ... Chairman Mao." Harvey Milk, who spoke at political rallies at the Temple, and wrote to Jones after a visit to the Temple: "Rev Jim, It may take me many a day to come back down from the high that I reach today. I found something dear today. I found a sense of being that makes up for all the hours and energy placed in a fight. I found what you wanted me to find. I shall be back. For I can never leave."
In his San Francisco Temple apartment, Jones regularly hosted San Francisco radical political figures such as Angela Davis for discussions. He spoke with friend and ''San Francisco Sun-Reporter'' publisher Dr. Carlton Goodlett about Jones' remorse regarding not being able to travel to socialist countries such as China and the Soviet Union, speculating that he could be Chief Dairyman of the Soviet Union. After his criticisms caused increased tensions with the Nation of Islam, Jones spoke at a huge rally healing the rift between the two groups in the Los Angeles Convention center attended by many of Jones' closest political acquaintances. Jones also enjoyed a favorable relationship with Warith Deen Mohammed, son of Nation of Islam leader Elijah Muhammad.
While Jones forged media alliances with key columnists and others at the ''San Francisco Chronicle'' and other media outlets, the move to San Francisco also brought increasing media scrutiny. After Chronicle reporter Marshall Kilduff encountered resistance to publishing an exposé, he brought his story to New West Magazine. In the summer of 1977, Jones and several hundred Temple members moved to the Temple's "Agricultural Project" in Guyana after they learned of the contents of Kilduff's article to be published in which former Temple members claimed they were physically, emotionally, and sexually abused. Jones named the settlement Jonestown after himself.
Religious scholar Mary McCormick Maaga argues that Jones' authority decreased after he moved to the isolated commune, because he was not needed for recruitment and he could not hide his drug addiction from rank and file members. In spite of the allegations prior to Jones' departure to Jonestown, the leader was still respected by some for setting up a racially mixed church which helped the disadvantaged; 68 percent of Jonestown's residents were black.
After purported father Tim Stoen defected from the Temple in June 1977, the Temple kept John Stoen in Jonestown. The custody dispute over John Stoen would become a linchpin of several battles between the Temple and the Concerned Relatives.
Jim Jones also fathered a son, Jim Jon (Kimo), with Carolyn Louise Moore Layton, a Temple member.
Amidst growing pressure in the United States to investigate the Temple, on February 19, 1978, Harvey Milk wrote a letter of support for the Peoples Temple to President Jimmy Carter. Therein, Milk wrote that Jones was known "as a man of the highest character." Regarding the leader of those attempting to extricate relatives from Jonestown, Milk wrote he was "attempting to damage Rev. Jones reputation" with "apparent bold-faced lies."
On April 11, 1978, the Concerned Relatives distributed a packet of documents, including letters and affidavits, that they titled an "Accusation of Human Rights Violations by Rev. James Warren Jones" to the Peoples Temple, members of the press and members of Congress. In June 1978, escaped Temple member Deborah Layton provided the group with a further affidavit detailing alleged crimes by the Peoples Temple and substandard living conditions in Jonestown.
Facing increasing scrutiny, in the summer of 1978, Jones also hired noted JFK assassination conspiracy theorists Mark Lane and Donald Freed to help make the case of a "grand conspiracy" by intelligence agencies against the Peoples Temple. Jones told Lane he wanted to "pull an Eldridge Cleaver", referring to a fugitive Black Panther who was able to return to the United States after repairing his reputation.
On that tape, Jones tells Temple members that the Soviet Union, with whom the Temple had been negotiating a potential exodus for months, would not take them after the Temple had murdered Ryan and four others at a nearby airstrip. The reason given by Jones to commit suicide was consistent with his previously stated conspiracy theories of intelligence organizations allegedly conspiring against the Temple, that men would "parachute in here on us," "shoot some of our innocent babies" and "they'll torture our children, they'll torture some of our people here, they'll torture our seniors." Parroting Jones' prior statements that hostile forces would convert captured children to fascism, one temple member states "the ones that they take captured, they're gonna just let them grow up and be dummies." Given that reasoning, Jones and several members argued that the group should commit "revolutionary suicide" by drinking cyanide-laced grape flavored Flavor-Aid along with a sedative. One member, Christine Miller, dissents toward the beginning of the tape. When members apparently cried, Jones counseled "Stop this hysterics. This is not the way for people who are Socialists or Communists to die. No way for us to die. We must die with some dignity." Jones can be heard saying, "Don't be afraid to die," that death is "just stepping over into another plane" and that "[death is] a friend." At the end of the tape, Jones concludes: "We didn't commit suicide, we committed an act of revolutionary suicide protesting the conditions of an inhumane world." According to escaping Temple members, children were given the drink first and families were told to lie down together. Mass suicide had been previously discussed in simulated events called "White Nights" on a regular basis. During at least one such prior White Night, members drank liquid that Jones falsely told them was poison.
Jones was found dead in a deck chair with a gunshot wound to his head that Guyanese coroner Cyrill Mootoo stated was consistent with a self-inflicted gun wound. However, Jones' son Stephan believes his father may have directed someone else to shoot him. An autopsy of Jones' body also showed levels of the barbiturate Pentobarbital which may have been lethal to humans who had not developed physiological tolerance. Jones' drug usage (including LSD and marijuana) was confirmed by his son, Stephan, and Jones' doctor in San Francisco.
While Jones banned sex among Temple members outside of marriage, he himself voraciously engaged in sexual relations with both male and female Temple members. Jones, however, claimed that he detested engaging in homosexual activity and did so only for the male temple adherents' own good, purportedly to connect them symbolically with him (Jones).
One of Jones' sources of inspiration was the controversial International Peace Mission movement leader Father Divine. Jones had borrowed the term "revolutionary suicide" from Black Panther leader and Peoples Temple supporter Huey Newton who had argued "the slow suicide of life in the ghetto" ought to be replaced by revolutionary struggle that would end only in victory (socialism and self determination) or revolutionary suicide (death).
Found near Marceline Jones' body was a signed and witnessed will leaving all bank accounts "in my name" to the Communist Party of the Soviet Union and writing that Suzanne Jones Cartmell should receive no assets.
During the events at Jonestown, Stephan, Tim, and Jim Jones Jr. drove to the American Embassy in Guyana in an attempt to receive help. The Guyanese soldiers guarding the embassy refused to let them in after hearing about the shootings at the Port Kaituma airstrip. Later, the three returned to the Temple's headquarters in Georgetown to find the bodies of Sharon Amos and her three children. Guyanese soldiers kept the Jones brothers under house arrest for five days, interrogating them about the deaths in Georgetown. Stephan Jones was accused of being involved in the Georgetown deaths, and was placed in a Guyanese prison for three months. Tim Jones and Johnny Cobb, another member of the Peoples Temple basketball team, were asked to go to Jonestown and help identify the bodies of people who had died. After returning to the United States, Jim Jones Jr. was placed under police surveillance for several months while he lived with his older sister, Suzanne, who had previously turned against the Temple.
When Jonestown was first being established, Stephan Jones had originally avoided two attempts by his father to relocate to the settlement. He eventually moved to Jonestown after a third and final attempt. He has since said that he gave into his father's wishes to move to Jonestown because of his mother. Stephan Jones is now a businessman, and married with three daughters. He appeared in the documentary ''Jonestown: Paradise Lost'' which aired on the History Channel and Discovery Channel. He stated he will not watch the documentary and has never grieved for his father. Jim Jones Jr., who lost his wife and unborn child at Jonestown, returned to San Francisco. He remarried and has three sons from this marriage, including Rob Jones, a high-school basketball star who went on to play for the University of San Diego before transferring to Saint Mary's College of California.
Both Jim Jon (Kimo) and his mother, Carolyn Layton, died during the events at Jonestown.
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| Background | solo_singer |
|---|---|
| Birth name | Teyana Taylor |
| Born | December 10, 1990 |
| Origin | Harlem, New York, U.S. |
| Genre | Hip hop, contemporary R&B; |
| Occupation | Singer-Songwriter, rapper, dancer, actress |
| Years active | 2006–present |
| Label | Star Trak/Interscope G.O.O.D. Music |
| Associated acts | Kanye West, Chris Brown, Teairra Mari, Ester Dean |
| Website | teyanatayloronline.com }} |
Teyana Taylor (born December 10, 1990) is an American, Singer-songwriter, rapper, dancer, and actress. Her debut single "Google Me" was released in 2008. Peaking at No. 90 on the ''Billboard'' Hot R&B;/Hip-Hop Songs chart. She is of African American and Afro-Trinidadian descent.
She was a member of a band called U.G.L.Y. along with band mates Mijo, Braxton and Ethan. A snippet of U.G.L.Y.'s single "Wasted" was released early 2010. No further releases from the band have since been mentioned.
Taylor ventured into acting, appearing in the sequel of ''Stomp the Yard'', titled ''Stomp the Yard 2: Homecoming'', which was released August 2010 . She made an appearance on the debut episode of ''House of Glam'' on Oxygen. She also appeared in a new movie by Tyler Perry, ''Madea's Big Happy Family'', released on April 22, 2011.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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