Chauncey Hollis, better known as Hit-Boy is an American Grammy Award Nominated hip-hop, R&B and contemporary platinum-level music producer currently signed to GOOD Music, and the founder of Hits Since '87 ^[1] Born Chauncey Hollis, on May 21, 1987 in Fontana, California, he is the son of Chauncey Hollis Sr. and Tanisha Bedford. He is best known for his production on Lil Wayne “Drop the World” Feat. Eminem, Pusha T “My God”, Kanye West “Christmas in Harlem", and Jay-Z & Kanye West “Niggas in Paris.”

Career[link]

Hit-Boy got his start on Myspace when he received a message from Polow Da Don stating simply “Let’s get this paper.” He has produced for legendary artists such as Kanye West, Jay-Z, Lil Wayne, Eminem, 50 cent, Mary J Blige, Chris Brown, Jennifer Lopez, Snoop Dogg, and several others.

The California native is one of the founding members of the collective brand Surf Club (along with fellow beat makers Chase N.Cashe, BCarr, and Chili Chill). Surf Club has become a team to host a number of artists as well as songwriters and other producers. Surf Club originated in southern California. They got their start in the industry in 2007, after linking with Polow Da Don's Zone 4 (record label), an imprint of Interscope Records.

Hit-Boy began his work with Kanye West when he produced his GOOD Friday track, “Christmas in Harlem”^[2], Big Sean, Pusha T, Musiq Soulchild and Cyhi Da Prynce.

On May 2, 2011^[3] he signed to Kanye West’s GOOD Music Label, produced the single "Niggas in Paris", on the collaborative “Watch the Throne” album created by Kanye West and Jay-Z, and produced the single "Goldie" for A$AP Rocky.

Personal life[link]

Hit-Boy is the nephew of Rodney Benford, from the R&B group Troop (band).

Discography[link]

References[link]

External links[link]

• Hit-Boy Discography
• Complete Surf Club Discography

Look up hit in Wiktionary, the free dictionary.

Hit may mean to strike someone or something to cause physical harm.

Hit or HIT may also refer to:

In business[link]

• Hitachi, Ltd. (New York Stock Exchange ticker symbol)
• Hongkong International Terminals Ltd.
• Heavy Industries Taxila, a military complex in Pakistan
• Hit Fm, various radio stations
• A brand of biscuits by German food company Bahlsen
• Hit (drink), a Venezuelan carbonated soft drink

Computing and the internet[link]

• Hit (internet), a single request for a file from a web server
• HITS algorithm, a means to rank web pages in search results
• Human Intelligence Task, see Amazon Mechanical Turk

Education[link]

• Hanze Institute of Technology, The Netherlands
• Harbin Institute of Technology, China
• Haryana Institute of Technology, India
• Heritage Institute of Technology, Kolkata, India
• Hokkaido Institute of Technology, Japan
• Holon Institute of Technology, Israel
• Hunter Institute of TAFE, Australia

Science and medicine[link]

• Health information technology
• Heparin-induced thrombocytopenia, low platelet counts due to the administration of heparin
• Hibernation induction trigger, a substance found in the blood of hibernating animals
• Homogeneous Isotropic Turbulence, in fluid dynamics

Places[link]

• Hīt, Iraq, a town
• Hīt District, a district centered on the Iraqi town

Language[link]

• Hit (pronoun) in Old English, "it" in Modern English
• ISO 639 code for the Hittite language

Entertainment[link]

• HIT Entertainment, British television production company formerly called Henson International Television
• H.I.T. (TV series), a South Korean drama miniseries
• Hit!, a 1973 crime film
• The Hit (film), a 1984 crime film

Music[link]

• Hit record
• Hit single, a song that makes a country's sales charts or hit parade
• Hit Records, a defunct record company based in Nashville, Tennessee
• Hit Records (Croatia), a record label based in Zagreb
• Hit (album), by Peter Gabriel
• "Hit", a song by Guided by Voices from the 1995 album Alien Lanes
• "Hit", a single by The Wannadies from the 1997 album Bagsy Me
• "Hit", a single by The Sugarcubes from their 1992 album Stick Around for Joy

Slang[link]

• A contract killing
• A single dose in recreational drug use
• Having sexual intercourse

Sport[link]

• Hit (baseball), when a player reaches base by putting the ball into play without a fielder committing an error
• High intensity training, a form of strength training

See also[link]

• HITS
• Hits (disambiguation)
• Hit FM

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Boy in Indonesia

Boy in Spain

Elder boys in Ethiopia

Boys in Germany,
performing a puppet play

A boy is a young male human, usually child or adolescent. When he becomes an adult he's described as a man. The most apparent thing that differentiates a boy from a girl is that a boy typically has a penis while girls do not. However some intersex children with ambiguous genitals, and biologically female transgender children, may also be classified or self-identify as a "boy".

The term "boy" is primarily used to indicate biological sex distinctions, cultural gender role distinctions or both. The latter most commonly applies to adult men, either considered in some way immature or inferior, in a position associated with aspects of boyhood, or even without such boyish connotation as age-indiscriminate synonym. The term can be joined with a variety of other words to form these gender-related labels as compound words.

Etymology[link]

The word "boy" comes from Middle English boi, boye ("boy, servant"), related to other Germanic words for boy, namely East Frisian boi ("boy, young man") and West Frisian boai ("boy"). Though the exact etymology is obscure, the English and Frisian forms probably derive from an earlier Anglo-Frisian *bō-ja ("little brother"), a diminutive of the Germanic root *bō- ("brother, male relation"), from Proto-Indo-European *bhā-, *bhāt- ("father, brother"). The root is also found in Flemish boe ("brother"), Norwegian dialectal boa ("brother"), and, through a reduplicated variant *bō-bō-, in Old Norse bófi, Dutch boef "(criminal) knave, rogue", German Bube ("knave, rogue, boy"). Furthermore, the word may be related to Bōia, an Anglo-Saxon personal name.

Overview[link]

Ongoing debates about the influences of nature versus nurture in shaping the behavior of girls and boys raises questions about whether the roles played by boys are mainly the result of inborn differences or of socialization. Images of boys in art, literature and popular culture often demonstrate assumptions about gender roles.

An adult male human is a man, but when age is not a crucial factor, both terms can be interchangeable, e.g., 'boys and their toys' applies equally to adults and young boys, just as 'Are you mice or men?' can also apply to young boys.

Japanese boys wearing fundoshi at a festival.

The age boundary is not clear cut, rather dependent on the context or even on individual circumstances. A young man who has not assumed (or has been denied) the traditional roles of a man might also be called a boy. It may feel uncomfortable to a young male upon being referred to as a "man" before he believes he has assumed these roles, such as having a career, a partner, a household of his own, fatherhood, etc., though the addition of a jocular modifier such as "young man" or "little man" might lessen the dissonance. Conversely, it may feel uncomfortable to a male to be called a "boy" if he believes he has assumed the traditional roles of a "man". In mother's/mama's boy, the word emphatically implies a male (minor or adult in years) who is too immature to be independent.

In some traditions boyhood is held to be exchanged for adult manhood, or at least approach it significantly, by certain -in se independent- acts assuming a role deemed to be typical for a "normal" man (though there are limits) as marriage, fathering offspring or military service. Various cultural and/or religious rites of passage serve, partially or specifically, to mark the transition to manhood.

Boy siiting in the stair of School in Kasaragod, Kerala, India

There is often a number of traditional differences in attire between boys and adult men, which may even give rise to a metaphoric term such as broekvent in Dutch (i.e., a boy who has not yet "graduated" from shorts to trousers) and in what is socially accepted as appropriate behaviour, e.g., boys may be publicly seen naked in cultures where men are not.

In English, the words youth, teenager and adolescent may refer to either male or female. No gender-specific term exists for an intermediate stage between a boy and a man, except "young man", although the term puberty, for one who reached sexual reproductivity (or the legally assumed age, e.g. 14 for boys, often set lower for girls) without being a legal adult yet, stems from a Latin word for boys only, itself named after the accompanying male body hair, pubes, on face and genital region.

Many occasions occur when an adult male is commonly referred to as a boy. A person's boyfriend or loverboy may be of any age; this even applies to a 'working' call-boy, toyboy (though usually younger than the client as youth is generally considered attractive). Reflecting the general aesthetic preference for youth, one says pretty boy (e.g. in the nickname of Charles Arthur "Pretty Boy" Floyd, who committed his first bank robbery at age 30) or Adonis (name of a mythological youth) even when a male beauty is clearly of riper age. In terms (used pejoratively or neutrally) for homosexuals such as batty boy (alongside "batty man"; from "bottom") or "bum boy", age is not essential, but the connotation of immaturity can strengthen insulting use.

Boy Scouts at summer camp in the United States.

A man's group of male friends etc. engaged in Male bonding are often called "the boys". It is most common to refer to men, irrespective of age or even in an adult age group, as boys in the context of a team (especially all-male), such as old boys for networking of adult men who attended the same school(s) as boys, or as professional colleagues, e.g. "the boys at the office, - police station etc." (often all adults). The members of a student fraternity can be called frat(ernity) boys, technically preferable to the pleonasm frat-bro(ther), and remain so for life as adults, after graduation.

In sports 'the boys' commonly refers to the teammates; e.g., UK football managers quite often refer to their players as "The boy so-and-so" and this usage is by no means restricted to the youngest players, though it is rarely applied to the most senior.

In US urban, particularly African American and Latino slang the term boy is used with a possessive as meaning friend (my boy, his boys), presumably as a reduction of homeboy, originally a male from the same area.

In some cases, the word boy is used merely to designate the age of the (male) person, irrespective of the function, as in altar boy, a minor acting as liturgical acolyte, or in Boy Scouts, an organisation specifically for boys. Thus the compound -man can then be replaced by -boy, as in footboy; or boy is simply added, either as a prefix (e.g., in boy-racer) or as a suffix (e.g., in Teddy Boy).

An adult equivalent (with or without -man) is not to be expected when -boy designates an apprentice (for which some languages use a compound with the equivalent of boy, e.g. leerjongen 'learning boy' in Dutch) or lowest rank implying specific on the job training if promotion is to be obtained, as in kitchen-boy. Similarly schoolboy only applies to minors; the modern near-synonym pupil originally designated a minor in Roman law as being under a specific adult's authority, as in loco parentis.

Expressions such as "boys will be boys" (i.e., a male always retains a tendency for boyish games or mischief) allude to stereotypically ascribed characteristics of boys and men; in the term tomboy, a woman's (according to the counterpart-gender stereotype) uncharacteristically bold nature is even described solely by comparing her to a boy.

The use of boy (like kid) in (fantasy or descriptive) nicknames, also for adult men (e.g. Shark Boy for a wrestler with matching costume), may also connote to the informal or naughty image of boyhood.

In such terms as 'city boy' or 'home boy', the age notion is at most anachronistic, as they indicate any male who grew up (or by extension lived a long time) in a certain environment.

Specific uses and compounds[link]

The following subsections treat some specific contexts where the term boy is frequently used, as such or in compound terms, often 'emancipated' from the age notion as such.

• Master was replaced (not for a slave owner or his overseer etc.) by the late 19th century, as a form of address, especially employed by servants, by Mister (etymologically equal) for the master of the household and other adults, but retained for boys until age 13.

Military[link]

The term 'our boys' is commonly used for a nation's soldiers, often with sympathy. Given the physical demands of battle, recruits are preferably in their physical prime, but adult professionals remain included in the term as long as they remain in service. A case where the term is formally used for (adult) men is sideboy, a member of an even-numbered group of seamen posted in two rows at the Quarterdeck when a visiting dignitary boards or leaves a ship. In the Ottoman empire, the young, mainly Christian military recruits for life (often forcibly enlisted by 'devshirme') were officially called acemi oglanlar ("novice boys").

Thus "-boy" can enter the nickname for a particular nation's soldiers, e.g. the US (infantry) doughboy, or a specific force, e.g. Fly-boy is slang for an airman.

Furthermore, specific terms refer to minors used in the armed forces:

• Drummer boy
• Ship's boy is a minor in naval training; boy seaman refers to specific, low-paid apprentice ranks, notably in the Royal Navy; until the middle of the twentieth century, they were the only Navy staff subject (like their civilian age-peers, at home and in school) to physical punishment, usually spanking, traditionally administered on the bare bottom (as in English public schools; the adults were lashed on the backside above the waist), either formally (ordered in court martial, publicly executed on deck) or, more often but less severely, summary; the same was true of a midshipman, also a minor, but indicated with "-man" rather than "-boy", possibly reflecting their higher status as future naval officers. Sometimes in ex-servicemen's parades, an old man is described as "ship's boy" to say that he served so classed in the Navy as a boy.

However, when a minor in military employ is considered (historically often far less restrictive then nowadays) too young to be a 'normal' warrior (illegal under present UN rules, but without precise enforceable age limits), he's called boy soldier, regardless whether he's used as an armed fighter or only in logistic or similar functions such as bearer.

Domestic, residential and similar 'personal' attendants[link]

• Bellboy was originally a ship's bell-ringer, later a hotel page.
• Busboy is a rank in restaurants etc. below (head) waiter, fitting for trainees but may be held by ripe adults, even under younger (e.g. better qualified) superiors
• Cabana boy
• Cabin boy
• Hall boy
• Hamam oğlanı "bath boy" (also called Tellak) working in a Turkish bath.
• Houseboy, or often "boy" for short, became a common term for domestic staff, notably non-European natives in the Asian and African colonies, adopted as such in other languages, e.g. in Dutch and French (also in the Belgian colonies).
• Kitchen boy, belows the cook(s); in a large household there may be specific functions, such as spitboy
• Linkboy like linkman meant torch- or other light-bearer
• Page, from the Greek παις pais, again in many languages, already in Hellenistic times παίδες βασιλικοί paides basilikoi 'royal (i.e. court) boys'.

Cultural and religious life[link]

• Altar boy (see above)
• Choir boy designates a boy (always a minor) singer in a choir; here applies a specific physiological, artistically relevant criterion: they remain a musical category of their own (boy soprano, also known as a treble) until their voice 'breaks', during puberty, to join one of the adult male voice registers (countertenor (closest to treble), alto, tenor, baritone, or bass); only the castrato may (not guaranteed) remain a soprano as an adult man; historically the term was designed for all-male (mainly church) choirs, with men with already broken voices (often former choir boys), in modern times it also applies to mixed choirs.

Rural life and professions[link]

• Cowboy originally designated a herdsboy employed as cowherd, but lost the age notion, first retaining the connotation of inferior status, later applying to the whole ranch life culture; by contrast "shepherd's boy" (rather herding sheep or goats, representing less capital) remained restricted to minors.

Commercial and other services[link]

Often the term "boy" describes positions of the trainee type, such as stable boy (a junior stable hand).

• Best boy in a film crew denotes the chief assistant, usually of the gaffer or key grip, next in line to be promoted; an example of a use where the term is traditionally unaltered in crediting female incumbents
• Breaker boys were boys between 8 and 12 years old who worked as coal breakers in U.S. coal mines. The job resulted in a high number of fatal and debilitating injuries and the practice of employing children as coal breakers largely ended by 1920 due to the efforts of the National Child Labor Committee.
• Office boy and copy boy refer to a young(est) employee (i.e. lacking experience), in training and/or performing menial services such as carrying typewritten texts between offices of a newspaper.
• Even into the early 20th century, the British empire systematically employed boy clerks, including a specific rank of boy copyist, recruited by examination (despite the name, requiring schooling) and reserved for candidates aged 15–18, not retained in that rank after the age of 20.

Certain jobs need so little training or formal qualifications that they can easily be performed as student jobs, and thus tend to be filled mostly or exclusively by minors, as it would not pay to employ an adult at or above minimum wage. Thus an equivalent word with the compound man (or similar) may be the rarer one, or even inexistent. Examples include delivery boy, errand boy, messenger boy and various specific terms naming the product to deliver, such as paperboy (closest adult counterpart postman), pizza boy (alongside pizzaman), or to serve, such as a potboy (drinks waiter). In other cases the compound mentions a crucial attribute of his task, e.g. ball boy (more recently also girls) in tennis.

In some cases his small, light body makes a boy a better choice, e.g. as jockey where no weight handicap is in force.

• A nipper originally was a boy send out by an adult (often his own father) as pickpocket, later a boy assistant to various professions such as a carter, still later (recorded since 1859) a boys' age term roughly equal to toddler

Race[link]

Historically, in countries such as the U.S. and South Africa, "boy" was not only a 'neutral' term for domestics but also used as a disparaging racist insult towards men of colour (especially of African descent), recalling their subservient status even after the 20th century legal emancipation (from slavery, evolved to race segregation, viz. Apartheid) and alleged infantility, and many still consider it offensive in that context to this day since it denotes that men of colour (especially of African descent) are less than men.

The use of the term "boy" has not always been used as an insult. As an example, Thomas Branch, an early African-American Seventh-day Adventist missionary to Nyassaland (Malawi) referred to the native students as boys:

There is one way by which we judge many of our present boys to be quite different from some of those who were here long ago: those that are married have their wives here with them, and build their own houses, and all are busy making their gardens. I have told all the boys that if they wished to stay here and learn, those that had wives must bring them. This is having a good effect on them. They stay longer, and are more attentive to their work and their studies.^[1]

Non-function specific analogous terms[link]

Boys, in the strict or a wider sense, are often informally referred to by analogous or metaphorical terms. The literal connotations, which may be ironic or downright pejorative, have often been eroded by common use. Some terms are unisex, with or without (at least historical) preponderance of use for boys:

• Cub, pup(py) and whelp compare boys to the young of predatory animals, the slang tadpole even to that of an amphibian;
• Buck, another animal young, usually refers to a sexually adventurous male youngster
• Loon, originally an (idle) lout, has got -mainly in Scotland- unrelated specific meanings, including boy, simpleton and looney person
• Sprout compares to a plant's young shoots
• References to the boy's generally lighter physique than a man include stripling 'slender youth' and -rather insulting- slang like half-pint or small-fry
• More specifically, shaveling (or in slang shaver) refers to boys' lesser hair growth than men's before - and densification around puberty
• Various terms refer to children's, often especially boys', lack of adult manners (e.g. "snot(ty) nose(d) (kid)") or to often mischievous behavior, e.g. "rascal", also by analogy with animals, e.g. "monkey", "urchin" (as 'prickly' as a hedgehog); "(spoiled) brat" refers to such undiscipline for lack of firm upbringing.
• Furthermore, common boys' names have also been used metonymically to stand for boys and/or men in general, as in 'every Dick and Tom'.

Analogous uses and popular etymology[link]

By analogy "boy" can also refer as an anthropomorphic term to a young male (or any male) of another animal, either in general or species-specific; in the last case it may even have a specific term, notably derived from a boy's name, such as "billy goat" for a 'boy' goat, or tomcat (known since 1809, for any male cat; but just Tom, applied to male kittens, is recorded since c.1303)

Again by analogy "boy" can occasionally even refer to a 'male' object.

Some words contain 'boy' in English by mistake (folk etymology), actually referring to a (near) homophone such as French bois = "wood" (e.g. in "low boy", a type of furniture, and in "tallboy", both furniture and a high glass or goblet).

Similar originally youth-related terms[link]

Boys in art[link]

Many mythological boys have frequently been represented in various arts, e.g. Venus' often mischievous son Cupid, himself a young god of love which he 'inflicts' on humans by shooting his arrows; in some style periods even multiplied as naked little boys called putti.

In religious art, generally adults preponderate (except as extras), with certain marked, stereotypical exceptions such as the infant Jesus or angels which may even act as 'Christianized' putti.

In children's books of English folklore, elves are often portrayed as mischievous little boys who are very small with leaf-shaped ears and blond hair.

In portrait art, and generally in commissioned work (including funeral art), the subjects are usually determined by the wishes of the (adult) client, so minors are often in the minority, yet in wealthy families especially heirs are (re)presented as part of their social positioning in view of future marriage and succession, generally either as mini-adults or stereotypical youth, e.g. at play or in cozy home scenes.

Some artists displayed a clear predeliction for scenes with boys, in certain cases (especially if frequently depicting revealing poses) believed to have to do with a homo-erotic taste, as is believed of the highly respected Old Master Caravaggio, or Henry Scott Tuke who kept producing such works even though the market circa 1900 was rather unappreciative.

In music, boys' voices, before they 'break' being of a soprano register (specifically known as treble) unlike adult men (in a choir usually tenor and bass), have been most sought-after, especially where female voices were considered inappropriate as often in church and certain theatrical music - this even led to the practice of physically trying to prevent their 'angelical' voices ever to break by surgically cutting short the hormonal drive to manhood: for centuries, castrato singers, who coupled adult strength and experience with a treble register, starred in contratenor parts, mainly in operatic styles.

Gallery[link]

• 

  Roman-Egyptian funeral portrait of a young boy

• 

  Sir Walter Raleigh and his son, 1602

• 

  Die Söhne des Künstlers Christian Leberecht Vogel

• 

  Die Geschwister an der Ostsee, by Ernst Weise, 1915

See also[link]

Wikimedia Commons has media related to: Boys

• Boy band
• Boy bishop
• Boi (gender)
• Boy Scouts
• Pederasty

References[link]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (March 2009)

• Etymology Online - entry for "boy"
• H. H. Malincrodt, Latijn-Nederlands woordenboek (Latin-Dutch dictionary)
• Webster's Seventh New Collegiate Dictionary
• Buck, Carl Darling (1949). A Dictionary of Selected Synonyms in the Principal Indo-European Languages. Chicago: University of Chicago Press. ISBN 0-226-07937-6 (1988 reprint). 

External links[link]

Look up boy in Wiktionary, the free dictionary.

• Boyhood Studies, website and journal for the study of boys
• Boyhood Studies Forum, discusses news items, new research
• Historical Boys' Clothing

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

Kid Cudi
Kid Cudi performing in Denver, Colorado in 2011
Background information
Birth name	Scott Ramon Seguro Mescudi
Born	(1984-01-30) January 30, 1984 (age 28) Cleveland, Ohio, United States
Genres	Alternative hip hop, neo-psychedelia, pop rock
Occupations	Rapper, singer-songwriter, guitarist, actor
Instruments	Vocals, guitar, drums
Years active	2003–present
Labels	GOOD, Universal Republic,[1] Wicked Awesome
Associated acts	WZRD, Dot da Genius, Kanye West, Chip tha Ripper, Ratatat
Website	www.KidCudi.com

Scott Ramon Seguro Mescudi^[2] (born January 30, 1984),^[3] better known by his stage name Kid Cudi ( /ˈkɪd ˈkʌdi/ KID KUD-ee), sometimes stylized KiD CuDi, is an American alternative hip hop recording artist, singer-songwriter, guitarist and actor. He first gained major attention after the release of his debut mixtape A Kid Named Cudi. In 2009, his single "Day 'n' Nite" reached the top five of the Billboard Hot 100 and Hot R&B/Hip-Hop Songs charts. "Day 'n' Nite" was included on Cudi's debut album Man on the Moon: The End of Day, which was later certified Gold. In 2010 he released his second studio album Man on the Moon II: The Legend of Mr. Rager, preceded by the release of two singles "Erase Me" and "Mr. Rager". In October 2010, Cudi announced that he would be forming a rock band with Dot da Genius called 'Wizard', later renamed WZRD. Their self-titled debut album was released on February 28, 2012.^[4] Kid Cudi has sold over 4.6 million digital singles and has worked with Kanye West, Common, David Guetta and other artists signed to the GOOD Music label.^[5]

In 2009 Cudi, along with record producers Patrick "Plain Pat" Reynolds and Emile Haynie launched their record label, Dream On, in partnership with Kanye West's GOOD Music and Universal Motown. On February 26, 2011 Cudi took to his Twitter account to announce that the label had been dissolved due to differences. In April 2011, while performing at New York City’s Roseland Ballroom Kid Cudi announced he was launching his own label: "Wicked Awesome Records".

Biography[link]

1984-2008: Early life and career beginnings[link]

Kid Cudi was born in Cleveland, Ohio and grew up in Shaker Heights and Solon. He is the youngest of four children, with two brothers, Domingo and Dean, and a sister, Maisha.^[6] His father, a house painter, substitute teacher and World War II Air Force veteran was Mexican-Native American, while his mother, a middle-school choir teacher at Roxboro Middle School, in Cleveland Heights, Ohio, is African-American.^[7][8] When he was eleven years old, Mescudi's father died of cancer; his passing would have a significant effect on Mescudi's personality and subsequently his music.^[8] Mescudi attended Shaker Heights High School for two years, then transferred to Solon High School, and later earned his GED. Eventually, Mescudi studied film at the University of Toledo then dropped out after a year.^[6]

It was towards the end of high school that Mescudi first began rapping, inspired by alternative hip hop groups such as The Pharcyde and A Tribe Called Quest.^[8] He moved to Brooklyn in New York City to pursue a music career.^[2] In July 2008, Kid Cudi released his first mixtape, A Kid Named Cudi, in collaboration with New York street-wear brand 10.Deep as a free download.^[9] The mixtape quickly caught the attention of Kanye West, which in turn spawned his signing to GOOD Music later that year.

Kid Cudi was featured on Kanye West's 2008 album, 808s & Heartbreak, singing with West on the track "Welcome to Heartbreak", and helping with songwriting on "Heartless" and "Paranoid". "Welcome to Heartbreak" peaked at #87 on the Pop 100,^[10] and music videos for both songs have been released. Cudi was then tipped as an artist to watch for in media such as Rolling Stone, Vibe, The Source, XXL and BBC News's Sound of 2009 poll of up-and-coming acts.^[11] MTV News also reported on Cudi on a series of reports MCs To Watch In 2009.^[12]

Kid Cudi performing at Central Park Summerstage in New York City, in 2008.

His first television appearance was at the 2008 MTV Video Music Awards, alongside Travis Barker and DJ AM. On February 17, 2009, he appeared on Snoop Dogg's MTV talk show Dogg After Dark performing "Day 'n' Nite" at the end of the show. Two days later on February 19, 2009, Cudi appeared on BET's 106 & Park with Kanye West to debut the video of "Day 'n' Nite". On March 16, 2009 Kid Cudi performed on mtvU's Spring Break special, and the next day he performed three songs on NBC's Last Call with Carson Daly. He has also appeared as a musical guest on The Late Show with David Letterman and Jimmy Kimmel Live!.

Kid Cudi also made a cameo appearance next to Solange in the video for the song "T.O.N.Y." in February 2009, and later in The Black Eyed Peas' video for "I Gotta Feeling", with David Guetta. He has also been on two magazine covers, Complex (August/September 2009) and URB (August 2009). Bape awarded Cudi his own t-shirt in September 2009, in reward for his music and past employment there when living in New York City.

[edit] 2009–2010: Man on the Moon series

Kid Cudi performing on August 6, 2009.

Cudi's debut album Man on the Moon: The End of Day was released on Universal Motown Records on September 15, 2009^[13] and sold 104,419 copies in the first week and charted at #4.^[14] The album's lead single "Day 'n' Nite", Kid Cudi's greatest commercial success thus far, charted well both in the U.S. and in Europe. The second single was "Make Her Say" (originally titled "I Poke Her Face"), which features a sample from Lady Gaga's hit single "Poker Face" and performances by Kanye West and Common.^[15][16]

On February 25, 2009, Cudi self-leaked a "teaser trailer" ^[17] for the upcoming Transformers: Revenge of the Fallen film using his song "Sky Might Fall" in the background, later he posted that he made the trailer himself and was in talks to possibly make it official.^[18]

With Emile Haynie, Cudi produced an exclusive single called "Switchin Lanes" for the video game Midnight Club: Los Angeles, part of its "South Central Premium Upgrade" downloadable content (DLC) which came out March 19, 2009 for the PlayStation 3 and March 27, 2009 for the Xbox 360.^[19]

He revealed information about his future plans via his blog, saying that a possible collaboration with Chip tha Ripper could be followed with a collaboration project with electrorock duo Ratatat.^[20] During the summer of 2009, Cudi joined rapper Asher Roth for the Great Hangover concert tour.^[21] Kid Cudi was featured on the highly anticipated Jay-Z album The Blueprint 3 (2009), on the song "Already Home".^[22] In a late 2009 interview, Cudi announced that the follow-up to his debut album will be a collaboration album called Cudder and the Revolution of Evolution. He stated he has already recorded songs with Snoop Dogg, Travis Barker, Clipse, Cage and Pharrell and would also like to work with Drake, Green Day, Kings of Leon, Robin Thicke, The Killers and The Postal Service on the album. Also it was rumored that Man on the Moon: The End of Day will be followed up by a sequel titled Man on the Moon: The Ghost in the Machine and that the Man on the Moon will be a trilogy, but was not been confirmed.^[23] Kid Cudi was nominated for three 2010 Grammy Awards for his singles, "Day 'n' Nite" and "Make Her Say".^[24] Kid Cudi was featured on Snoop Dogg's re-release of Malice n Wonderland, More Malice (2010), on the song "That Tree",^[25] as well as teaming up with Johnny Polygon to remix Polygon's "The Riot Song" which appears on his mixtape, Rebel Without Applause(2010)^[26] On April 20, 2010, Kid Cudi announced that the name of his second album has been changed from Cudder and the Revolution of Evolution to Man on the Moon II: The Legend of Mr. Rager.^[27][28] On June 11, 2010, Kid Cudi was arrested in the Chelsea neighborhood of the Manhattan borough New York City and charged with felony criminal mischief and possession of a controlled substance.^[29] Despite his arrest, he was released and made it to Manchester, Tennessee in time to play at Bonnaroo.

The lead single for Cudi's second studio album titled "Erase Me" featuring Kanye West and produced by Jim Jonsin, debuted on a Cleveland radio station June 30, 2010 and was officially released to Rhythm/Crossover radio on August 17, 2010.^{[30][31][32][33]} The album debuted at number three on the US Billboard 200 chart, with first-week sales of 169,000 copies.^[34] In its second week it crossed the 200,000 sales mark.^[35] 2010 also featured Kid Cudi on a number of songs for Kanye West's weekly free music giveaway G.O.O.D. Fridays appearing on "Good Friday", "Christian Dior Denim Flow" and "The Joy", which later became a bonus track on Jay-Z and Kanye West collaborative effort Watch the Throne (2011).

2011-present: New direction and WZRD[link]

In October 2010, Cudi announced that he would be forming a rock band with Dot da Genius tentatively called 'Wizard'.^[36] However, in early 2011, he announced that he would be releasing a mixtape prior to the rock album.^[37] On February 26, 2011 Cudi took to his Twitter account to announce that Dream On, the record label he launched back in 2009 with partners Patrick “Plain Pat” Reynolds and producer Emile Haynie, has been dissolved.^[38] However in an interview with Complex Magazine he explained they were still on good terms: "I wanted to try something new, and I wanted to take control of things myself. Those are still my guys, Pat and Emile, and I'm still going to work with them in the future. When we start working on Man on the Moon III I’ll be calling them up to see if they want to be a part of it. I know Emile is definitely down. We had an issue, but we’re men and we were able to figure it out and move forward. There’s no hard feelings."^[39]

In March 2011, Cudi announced that a music video for "Marijuana" will be released in the spring,^[40] followed by a music video for "Mr. Rager" in the summer of 2011.^[40] As well as a short film inspired by his song "Maniac" with Cage, directed by Shia LaBeouf^[41] will be released in October 2011.^{[dated info][40]}

In April 2011, while performing at New York City’s Roseland Ballroom Kid Cudi announced name of the record label he is launching. The new label, which he will be releasing his third studio album on is called “Wicked Awesome Records”. He also renamed his band on the same occasion to '2 Be Continuum' renaming it from the original 'Wizard'. Kid Cudi explained his reasoning saying: "I needed something more original, something different, but it’s still wizardry at its finest."^[42] On August 12, 2011, Kid Cudi released the music video for "No One Believes Me", directed by Fright Night director Craig Gillespie. Although the song was recorded as a collaborative song with Dot da Genius, the single was released under Kid Cudi's name.^[43] On August 21, Cudi announced that he is no longer releasing the mixtape A Man Named Scott so that he can focus on his rock project and his third solo album Man on the Moon III.^[44] Kid Cudi released a video for Man on the Moon II: The Legend of Mr. Rager's title track "Mr. Rager" on September 8, 2011. The video has received all-positive reviews from critics and fans alike.^[45]

Despite saying he will not do many more features for other artists in Complex magazine's October/November 2011 cover story,^[46] he appeared on Bryan Greenberg's second studio album We Don't Have Forever (2011), Travis Barker's Give the Drummer Some (2011), The Knux's Eraser (2011), and Wale's Ambition (2011) respectively.

On October 30, Cudi released the Maniac, a short horror film co-starring Cage and directed by Shia LaBeouf, through his blog.^[47]

On November 13, 2011, a previously unreleased mixtape of material Cudi had recorded from 2002-2003 titled Rap Hard was released. On November 18, 2011 renamed his band, for the second time to 'WZRD'.^[48] He also announced that the upcoming rock project will be released on his 28th birthday, January 30, 2012.

In late 2011, Cudi was mentioned in a viral video by Ben Breedlove about his near death experiences.^[49] After Breedlove's death on December 26, 2011, Cudi commented on his thoughts about inspiring the young kid. "I am so sad about Ben Breedlove," Kid Cudi wrote on his Tumblr blog. "I watched the video he left for the world to see, and him seeing me in detail, in his vision really warmed my heart. I broke down, I am to tears because I hate how life is so unfair. This has really touched my heart in a way I cant describe, this is why I do what I do. Why I write my life, and why I love you all so much. Life is really f---- up sometimes, but I know Ben is at Peace, and I hope he gets a chance to sit and talk with my Dad. We love you Ben. Forever. Thank you for loving me. To Ben’s family, you raised a real hero, he’s definitely mine. You have my love."

In January 2012 Cudi appeared on two songs off Chip tha Ripper's mixtape Tell Ya Friends, "Ride 4 You" which also featured Far East Movement and "GloryUs" which credited the duo as they are collectively known, The Almighty GloryUs, which led to speculation that a project from the two was underway. On January 31, Cudi announced through his Twitter feed that he had completed Man on the Moon III and that his next album was the collaborative effort with Chip tha Ripper.^[50] In 2012 Cudi was featured on the soundtrack to the film The Hunger Games, crafting an original song for the film titled "The Ruler and the Killer". Cudi wrote on Twitter, "I could not have done it with out my producing partners on the project for the film, The legendary and Godly T Bone Burnett and Greg Wells!", referring to "The Ruler and the Killer"^[51]

While working on WZRD, Cudi claims he had writer's block for almost 5 months because of his new sobriety. Something that never has happened to him for such an extended period of time. According to Kid Cudi, bands that inspired the album include Electric Light Orchestra, Jimi Hendrix, Nirvana and Pink Floyd. The album includes a song titled "Where Did You Sleep Last Night?", a cover of the same titled song by Nirvana who in turn was inspired by blues guitar legend Lead Belly's rendition of the traditional folk song.^[52]

Acting career[link]

Kid Cudi starred in the new HBO comedy series How to Make It in America until its cancellation after 2 seasons. He is credited under his real name.^[53]

Personal life[link]

On March 26, 2010, his daughter, Vada Wamwene Mescudi, was born.^[54][55]

Discography[link]

Studio albums

• Man on the Moon: The End of Day (2009)
• Man on the Moon II: The Legend of Mr. Rager (2010)
• Man on the Moon III (2012)^[56]

Collaborative albums

• WZRD (2012) (with Dot da Genius as WZRD)^[37]
• Cruel Summer (2012) (with GOOD Music)^[57]
• The Almighty GloryUS (TBA) (with Chip tha Ripper)

Mixtapes

• A Kid Named Cudi (2008)

Awards and nominations[link]

Filmography[link]

References[link]

External links[link]

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Kelly Rowland
Rowland Hosts TW Steel Events At Ivy Penthouse in Sydney, Australia 2012.
Background information
Birth name	Kelendria Trene Rowland
Born	(1981-02-11) February 11, 1981 (age 31) Atlanta, Georgia, U.S.
Origin	Houston, Texas
Genres	R&B, pop, hip hop, dance
Occupations	Singer, songwriter, dancer, actress, television personality
Years active	1997–present
Labels	Columbia, Universal Motown, Universal Republic[1]
Associated acts	Destiny's Child, Nelly, David Guetta
Website	kellyrowland.com

Kelly Rowland (born Kelendria Trene Rowland on February 11, 1981) is an American recording artist, songwriter, dancer, actress and television personality. Born in Atlanta, Georgia and raised in Houston, Texas, Rowland rose to fame as one of the founding members of the American R&B girl group Destiny's Child, one of the world's best-selling girl groups of all time.

During the hiatus of Destiny's Child, Rowland released her debut solo album Simply Deep in 2002, which contained influences of alternative-R&B and rock music. It included her joint worldwide number-one single "Dilemma" with rapper Nelly, and the international top-ten hit "Stole". Following the group's disbandment in 2005, Rowland released her second solo effort Ms. Kelly in 2007 and despite being less successful than its predecessor, it included the international hit singles "Like This" and "Work". In 2009, Rowland scored her second worldwide number-one hit with French DJ David Guetta, on his single "When Love Takes Over". Her third solo album Here I Am was released in 2011 and included the UK top-ten hits "Commander" and "Down for Whatever", as well as the US R&B number-one "Motivation".

As a solo artist, Rowland has amassed estimated sales of four million albums and 18 million lead/featured singles worldwide.^[2] Her work has earned her several achievements, including a star on the Hollywood Walk of Fame with Destiny's Child, four Grammy Awards, two Billboard Music Awards, and a Soul Train Music Award. Rowland has been honored by the American Society of Composers, Authors and Publishers (ASCAP) and Essence magazine for her contributions to music.

Apart from her work in music, Rowland has also launched a career in film and television. In 2002, she made her acting debut with guest appearances on sitcom series The Hughleys and Taina, prior to appearing in various films, including Freddy vs. Jason (2003), The Seat Filler (2004) and Think Like a Man (2012). In 2007, Rowland appeared as a choirmaster on the reality show Clash of the Choirs, and in 2009 she served as the host on Bravo's reality competition series The Fashion Show alongside Isaac Mizrahi. In 2011, Rowland joined the judging panel on the eighth series of The X Factor (UK).

Biography[link]

1981–1996: Early life and career beginnings[link]

Kelendria Trene Rowland was born in Atlanta, Georgia. She is the daughter of Doris Rowland Garrison and Christopher Lovett.^[3] When she was seven, her mother took her and left her father, who was an abusive alcoholic.^[4] At the age of eight, she relocated to Houston.^[5] Rowland was placed into a rapping and dancing group, along with friends Beyoncé Knowles and LaTavia Roberson.^[6] Originally named Girl's Tyme,^[7] they were eventually cut down to six members.^[8] West coast R&B producer, Arne Frager, flew into Houston to see them and eventually brought them to his studio, The Plant Recording Studio, in Northern California.^[8] As part of efforts to sign Girl's Tyme to a major label record deal, Frager's strategy was to debut them in Star Search,^[9] the biggest talent show on national TV at that time.^[8] They participated, but lost the competition.^[10][11]

To manage the group, Mathew Knowles, Beyoncé's father, resigned in 1995 from his job as a medical-equipment salesman.^[12] He dedicated his time and established a "boot camp" for their training.^[9] At this time Rowland moved in with the Knowles.^[3] Not long after the inclusion of Rowland, Mathew cut the original lineup to four with LeToya Luckett joining in 1993.^[8][13] Rehearsing in Tina Knowles' hair styling salon and their backyards, the group continued performing as an opening act for other established R&B girl groups of the time.^[13] They auditioned before record labels and were finally signed to Elektra Records, only to be dropped months later, before they could release an album.^[14]

1997–02: Breakthrough with Destiny's Child[link]

Destiny's Child performing their 2000 hit "Say My Name" during their farewell concert tour, Destiny Fulfilled ... And Lovin' It

Taken from a passage in the Biblical Book of Isaiah, the group changed their name to Destiny's Child in 1993.^[13] Together, they performed in local events and, after four years on the road, the group was signed to Columbia Records in late 1997. That same year, Destiny's Child recorded their major label debut song "Killing Time", for the soundtrack to the 1997 film, Men in Black.^[11][13] The following year, the group released their self-titled debut album, spawning hits such as "No, No, No".^[10] The album established the group as a viable act in the music industry, amassing moderate sales and winning the group three Soul Train Lady of Soul Awards.^[13] The group rose to stardom after releasing their multi-platinum second album The Writing's on the Wall in 1999.^[15] The record featured some of the group's most widely known songs such as "Bills, Bills, Bills", "Jumpin' Jumpin'" and "Say My Name", which became their most-successful song at the time, and would remain as one of their signature songs. "Say My Name" won Best R&B Performance by a Duo or Group with Vocals and Best R&B Song at the 43rd Grammy Awards.^[13] The Writing's on the Wall sold more than 15 million copies worldwide,^[10] essentially becoming their breakthrough album.^[16][17]

Along with their commercial successes, the group became entangled in much-publicized turmoil involving the filing of a lawsuit by Luckett and Roberson for breach of contract. The issue was heightened after Michelle Williams and Farrah Franklin appeared in the video of "Say My Name", implying that Luckett and Roberson had already been replaced.^[13] Eventually, Luckett and Roberson left the group. Franklin would eventually fade from the group after five months,^[10] as evidenced by her absences during promotional appearances and concerts. She attributed her departure to negative vibes in the group resulting from the strife.^[13] After settling on their final lineup, the trio recorded "Independent Women Part I", which appeared on the soundtrack to the 2000 film, Charlie's Angels. It became their best-charting single, topping the Billboard Hot 100 for eleven consecutive weeks.^[13][16] The success cemented the new lineup and skyrocketed them to fame.^[7] Later that year, Luckett and Roberson withdrew their case against their now-former band mates, while maintaining the suit against Mathew, which ended in both sides agreeing to stop public disparaging.^[13]

Later that year, while Destiny's Child was completing their third album Survivor, Rowland appeared on the remix of Avant's single "Separated", which reached the top spot of the Billboard Hot R&B/Hip-Hop Singles & Tracks chart.^[18] Survivor, which channeled the turmoil the band underwent, spawned its lead single of the same name, which was a response to the experience.^[19] The song went on to win a Grammy Award for Best R&B Performance by a Duo or Group with Vocals.^[20] The themes of "Survivor", however, caused Luckett and Roberson to refile their lawsuit;^[13] the proceedings were eventually settled in June 2002.^[17] Meanwhile, the album was released in May 2001, debuting at number one on the US Billboard 200 with first-week sales of 663,000 copies sold.^[21] To date, Survivor has sold over twelve million copies worldwide, over forty percent of which were sold in the US alone.^[22] The album also spawned the number-one hit "Bootylicious". After releasing their remix album This Is the Remix in 2002, the group announced their temporary break-up to pursue solo projects.^[13]

[edit] 2002–06: Simply Deep, Destiny Fulfilled and group disbandment

Rowland in 2003

In 2002, Rowland teamed up with rapper Nelly to record the chorus and bridge vocals on the track "Dilemma" for his album Nellyville.^[23] Released as the album's second single, the song became one of the most successful singles of the year, topping the charts in Australia, Belgium, Ireland, Netherlands, United Kingdom and the United States.^{[24][25][26][27]} The single saw Rowland establishing herself as a solo artist, and won in the Best Rap/Sung Collaboration category of the 45th Grammy Awards.^[28]

Originally due in early 2003, the success of the collaboration caused the label to advance the release date of Rowland's debut solo album Simply Deep, which Rowland rushed within three weeks to get done.^[29][30] The album has a mixture of alternative-R&B and rock music.^[29][31] Featuring production contributions by Mark J. Feist, Big Bert, Rich Harrison, and singers Brandy and Solange Knowles providing background vocals, the album took Rowland's solo work further into an alternative music mixture, which Rowland described as a "weird fusion [of] a little bit of Sade and a little bit of rock."^[29][31] Released stateside in October 2002 and internationally in 2003, Simply Deep debuted at number 12 on the Billboard 200, with first-week sales of 77,000 copies sold.^[32] It was eventually certified gold by the Recording Industry Association of America (RIAA),^[33] and has since sold 602,000 copies in the US.^[32] Released to an even bigger success in international territories, the album topped the UK Albums Chart and became a gold-seller in Australia,^[34] Canada^[35] and New Zealand,^[36] resulting into worldwide sales total of 2.5 million copies.^[37] In her review for Simply Deep, Caroline Sullivan of The Guardian wrote, "Thanks to the ubiquitous 'Dilemma', a song that practically peeled off its clothes on the spot, Destiny's Child's Kelly Rowland is no longer a mere backing vocalist for Beyoncé Knowles."^[38]

The album yielded three singles. "Stole", a rock pop-influenced mid-tempo track about loss, was released as the album's lead single and became an international top-ten, peaking at number two in Australia and the United Kingdom.^[39][26] In the US, the song failed to capitalize on the success of "Dilemma", reaching the top-thirty only.^[40] The album's second single, an up-tempo track entitled "Can't Nobody", charted significantly lower in the US, but enjoyed top-twenty success in Australia and parts of Europe, where it became another top-five hit on the UK Singles Chart.^[41][26] The album's third and final single "Train on a Track" was featured on the soundtrack of the 2003 romantic comedy film Maid in Manhattan, but failed to chart or sell noticeably, except in the UK, where it became Rowland's fourth consecutive top-twenty entry.^[26]

After a three-year journey that involved concentration on individual solo projects, Rowland rejoined Beyoncé Knowles and Michelle Williams for Destiny's Child's fourth studio album Destiny Fulfilled, released in November 2004.^[13] The album hit number two on the Billboard 200, and spawned "Lose My Breath", "Soldier", "Girl", and "Cater 2 U" as notable mainstream records.^[42] In support of the album, Destiny's Child embarked on their 2005 Destiny Fulfilled ... And Lovin' It world tour, which started in April and ran through September. During the Barcelona, Spain visit of the tour, the group announced their disbandment after the end of their final North American leg.^[13][43] In October 2005, the group released a compilation album, entitled #1's, including all of Destiny's Child's number-one hits and most of their well-known songs. The greatest hits collection also included three new tracks, including their final single "Stand Up for Love". In September 2005, Rowland was featured on American rapper Trina's single "Here We Go", the second single from her album Glamorest Life. The song peaked at number 17 on the US Billboard Hot 100, and became another top-twenty entry in Finland, New Zealand and the United Kingdom.^[44][26] On March 28, 2006, Destiny's Child reunited to accept a star on the Hollywood Walk of Fame.^[45] According to Time magazine, they were recognized as the world's best-selling female group of all time.^[46]

[edit] 2007–08: Ms. Kelly

Rowland in 2008

Rowland's second solo album Ms. Kelly was released in June 2007. Not as successful as its predecessor,^[47] the album produced the hit singles "Like This" and "Work". Originally entitled My Story, the album's first version was actually scheduled for a June 2006 release, but the singer, her management and Columbia Records decided to shelve the album at the last minute to re-work a version with a different vibe as the singer considered the final tracklisting "too full of midtempos and ballads."^[48][49] Rowland eventually consulted additional producers to collaborate on the album, renamed Ms. Kelly, including Billy Mann, Scott Storch, and Atlanta-based Polow da Don who contributed to "Like This", a collaboration with rapper Eve.^[50] A moderate success around the globe, the song reached the top-ten in Ireland and the UK, and the top-twenty in Australia and New Zealand.^[51][26] Upon its release, Ms. Kelly debuted at number six on the Billboard 200, and number two on the Top R&B/Hip-Hop Albums chart, with moderately successful first week sales of 86,000 copies.^[52] Outside the US, the album widely failed to reprise the success of Simply Deep, barely reaching the top-forty on the majority of all charts it appeared on, except for the UK, where it opened at number 37.^[26]

Rowland had been working on the conception of the album on and off since 2004, with some of her early recordings — such as the Bryan Michael Cox-produced "Bad Habit" — even being used on the Destiny's Child's albums Destiny Fulfilled (2004) and Destiny's Child: Live in Atlanta (2006).^[49] The album's first draft, entitled My Story, saw her actually writing and recording with a wider range of well-known contemporary R&B producers and artists as she wanted to go "in the urban, more R&B route [in general]" with the album, involving Big Tank, Patrick "J. Que" Smith, Rich Harrison, Rodney Jerkins, and Robin Thicke.^[49] Female rappers Remy Ma and Shawnna also lent their voices to guest parts.^[49] Anxious to avoid hasty productions as on previous album Simply Deep, Rowland took a wider role in the production of the album: she co-wrote the majority of the songs and shared ideas in which one to produce. "I wrote a lot on this record [...] and it's especially from me [to my fans]," she said of the album. "It's more R&B [...] and it definitely has a feel-good vibe to it as well."^[49]

A few months before the scheduled release of My Story however, Rowland felt the album was not going into the direction she had previously envisioned, and thus, she asked to revamp the album.^[53] "It was basically a list of songs that I put together about the past three years of my life, with love and relationships," she said of the original track listing. "And I remember listening to the record, and I was just like, 'I don't want this to be too deep to where, you know, [I] lose people.' And the record was too full of midtempos and ballads, so I wanted to bring it up a little bit."^[48] Rowland eventually consulted new producers to collaborate on the album, including Mysto & Pizzi, Sean Garrett, Scott Storch, Polow da Don, and Eve.^[50]

In addition, the singer decided to rename the album. "I really put my heart and soul into this record," she said, "and not only am I excited that everyone's going to hear the music, I'm looking forward to people getting to hear the real me. That's the reason I called the album Ms. Kelly. Because the title is all about respect, being an adult and that's how I feel about my life, and my music."^[48] Rowland cited former bandmate Beyoncé Knowles, and singers Brandy and Whitney Houston as major inspirations while recording her album.^[48]

In continued support of the album, Rowland released the album cuts "Ghetto" and "Work" as singles, respectively. While the Snoop Dogg-featured "Ghetto" underperformed stateside, the latter became a top-ten hit in Australia and New Zealand, as well as in most European markets, including France, Italy, Switzerland and the UK.^[54][26] In 2008, a reissued version of the album, branded Ms. Kelly Deluxe, received a release. Its lead single is the previously unreleased Bobby Womack cover "Daylight", a collaboration with rapper Travie McCoy (of alternative rap group Gym Class Heroes)^[55] that reached the top-twenty of the UK Singles Chart.^[26] By April 2008, Ms. Kelly had managed to sell over 1.2 million copies worldwide.^[47] In October 2008, Rowland was featured on French singer Nâdiya's single "No Future in the Past".

[edit] 2009–11: New management, label, and Here I Am

French DJ David Guetta and Rowland performing at the Orange Rockcorps in London, England in 2009

In 2009, Rowland was featured on Italian singer Tiziano Ferro's single "Breathe Gentle", which was released on February 20, 2009. It reached the top ten of The Netherlands' Single Top 100 chart.^[56] On January 28, 2009, it was announced that Rowland and her manager Mathew Knowles had parted ways.^[57] She released a statement to the media, saying "Mathew Knowles has been a positive influence in my career. I have had great success under his guidance – both as a member of Destiny's Child and with my solo projects. Although we have decided to part ways professionally, the Knowles family and the entire Music World Entertainment team will always be my family."^[57] Then two months later, on March 31, 2009, Rowland issued a statement that she had also left her record label of 13 years, Columbia Records, to explore other ventures.^[58] She added that she "felt the need to explore new directions, new challenges, and new freedoms outside my comfort zone."^[58] Later in a 2010 interview with Entertainment Weekly, Rowland stated that the decision to leave was not hers: the label ended her contract because her previous album Ms. Kelly was not commercially successful.^[59]

In April 2009, Rowland was featured on the dance song "When Love Takes Over", the first single from French DJ David Guetta's album One Love (2009), in which Rowland contributed vocals on two other tracks.^[60] The song was a commercial success, reaching number one in ten countries, including in the UK, Ireland, Italy and Switzerland.^[61] "When Love Takes Over" earned the pair a Grammy Award nomination in the Best Dance Recording category of the 52nd Grammy Awards.^[62] In October 2009, it was suggested that the success of the single had made Rowland consider signing a new record deal with EMI Music.^[63] Then in May 2010, speculation of Rowland's new record deal ended when an official press release revealed that she had signed to Universal Motown Records.^[64] It was whilst recording within the studios with Guetta that Rowland caught the attention of the head of Universal Motown, Sylvia Rhone, which led to the new deal.^[65] On the decision to go with Rhone's label, Rowland said "they have really embraced me and have set me up to succeed. I decided, after careful thought, to sign with Universal Motown not only because of their track record of success, but also because they truly put their artists first".^[64]

In 2010, Rowland released the single "Everywhere You Go", which featured several African and South African artists known as the Rhythm of Africa, as the theme song for the 2010 FIFA World Cup.^[66] Rowland continued her live appearances throughout 2010 in Australia, performing at the Sydney Gay and Lesbian Mardi Gras party with George Michael on March 7, and was part of the Supafest tour in April.^[67][68] A song titled "Commander" featuring David Guetta, was released on May 17, 2010 as the first international single from Rowland's third studio album Here I Am.^[69] Upon release, the single was met with positive reception from music critics who praised the dance sound of the song.^[70][71] In the United Kingdom, "Commander" topped the UK Dance Chart and became a top-ten hit on the UK Singles Chart.^[72][26] Despite not being serviced as a single in the US, it managed to top the Hot Dance Club Songs chart.^[73] In the US, "Rose Colored Glasses" and "Grown Woman" were released as the album's lead pop and R&B singles, respectively.^[74] Both songs failed to match the chart success that their predecessor achieved, and resulted in "Grown Woman" being excluded from the album.^[75][76] Eventually, Rowland announced that Here I Am would be rebooted with a brand new lead single for the US market. In April 2011, she released a song titled "Motivation" featuring rapper Lil Wayne, replacing the previous lead singles. "Motivation" peaked at number 17 on the Billboard Hot 100, and number one on Hot R&B/Hip-Hop Songs chart.^[77] It was eventually certified platinum by the RIAA,^[33] and became Rowland's highest charting single on the Hot 100 as a lead artist thus far.^[78][79] The song won the award for Song of the Year at the 2011 Soul Train Music Awards,^[80] and was nominated in the Best Rap/Sung Collaboration category of the 54th Grammy Awards.^[81]

Rowland continued her musical collaborations by lending her vocals to British rapper Tinie Tempah's single "Invincible", from his album Disc-Overy (2010). The single peaked at number 11 on the UK Singles Chart.^[82] In addition, she reunited with rapper Nelly on the single "Gone", and appeared on Italian DJ Alex Gaudino's single "What a Feeling".^[83] After several delays, Here I Am was finally released in the US on July 26, 2011.^[84] The album debuted on the Billboard 200 at number three, and number one on the Top R&B/Hip-Hop Albums chart, with first-week sales of 77,000 copies sold.^[85][86] To date, it is Rowland's highest debuting and charting album in the United States.^[85] As of December 2011, Here I Am has sold 178,000 copies in the US.^[87] Two more singles were released from the album; "Lay It on Me" and "Down for Whatever", the latter became a top-ten hit in the UK.^[88] In August 2011, Rowland was announced as the ambassador and spokesperson for rapper Sean Combs' second fragrance, Empress.^[89] In December 2011, Rowland was announced as a worldwide ambassador for the watchmakers company, TW Steel.^[90]

2012–present: Fourth studio album[link]

Rowland performing at Supafest in Sydney, Australia, April 2012

Work on Rowland's fourth album reportedly began in August 2011. Producer Rico Love remarked in an interview with Rap-Up magazine, "While she's on tour, I'm gonna be writing records for her new album. We can kinda roll that out and drop her new single in late spring 2012. Excited about that".^[91] Rowland stated in an interview with MTV News that the album will have a theme: "I made sure that I locked in on a concept and everyone that's come in to work on this album, we've all built around it. It's just building up so beautifully. I'm so proud! So I can't wait till all of my fans hear it".^[92] During a radio interview, Lonny Bereal stated that the album will see Rowland returning to her R&B roots:

"Kelly is returning to real R&B music. She's going in so hard with the R&B. Of course, she is going to give the Pop crowd what they're looking for. But, she really is returning to R&B on this album. Her delivery is real confident now. It's definitely a new Kelly Rowland. She wouldn't even let me put autotune on her voice this time round. She was like 'No, I want people to really get me'. She's killing everything from the uptempo's to the ballads".^[93]

Other songwriters and producers working on the album, include T-Pain, Da Internz, Eric Hudson and Sean Garrett.^[93][94] On February 8, 2012, Rowland was honored for her contributions to the music industry at Essence magazine's 2012 Black Women in Music Event.^[95] In April 2012, Rowland travelled to Australia as one of the supporting acts at Supafest.^[96] A song titled "Need a Reason" featuring American rappers Future and Bei Major, was featured on the soundtrack album for the 2012 film Think Like a Man, in which Rowland stars.^[97] In May 2012, she made a cameo appearance in Trey Songz' music video for the single "Heart Attack", as his love interest.^[98] At the 2012 Billboard Music Awards, Rowland's song "Motivation" featuring Lil Wayne won in the Top R&B Song category.^[99]

Artistry[link]

Musical style and influences[link]

	"Commander" (2010) noicon A 19-second sample of "Commander". Rowland has stated that meeting David Guetta has inspired her to record dance music.[100]
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Rowland's music includes various styles of musical genres, including contemporary R&B,^[101] pop,^[102] hip hop,^[103] soul,^[104] rock^[101] and dance.^[102] Her debut solo album Simply Deep (2002) followed an adult-alternative rock sound, while her second album Ms. Kelly (2007) featured an urban sound.^[101][105] In an interview with The Independent, Rowland admitted that with her first two albums she struggled to find her sound. "I was in a stage with the first two records where I was searching and I was like, let me try a rock-dance approach, the label [and management] wanted me to try it and I did it ... And then after that came a more urban approach with Ms. Kelly in 2007."^[105] Her third album Here I Am (2011) consisted of a pop and R&B sound, with subtle influences of dance.^[102] Rowland stated that meeting French DJ David Guetta has influenced her to record dance music.^[100] During production of the album, Rowland stated that part of the reason for the new sound on Here I Am was wanting to do something different, saying "I knew I couldn't be afraid of this direction, and I wasn't going to let the thoughts and opinions of others make me afraid to go in this direction".^[105]

Most of the lyrical themes in Simply Deep (2002) speak of love and life experiences,^[106] particularly in the songs "Dilemma", in which Rowland expresses her endless love to her love interest,^[107] and "Stole", in which she sings about an emotional "tale of school shootings and suicides".^[108] In Ms. Kelly (2007), Rowland covers topics such as her "deeply personal relationship issues" in her songs, "Still in Love with My Ex", "Flashback", "Love", "Better Without You" and "Gotsta Go (Part I)".^[109] Alex Macpherson of The Guardian noted that the songs could be about Rowland's former relationship with American football player Roy Williams.^[110] Here I Am (2011) included common themes of womanhood, sexual intimacy and love.^[111] Some of Rowland's other songs such as "Work", "I'm Dat Chick" and "Work It Man" have been musically compared to the work of former bandmate Beyoncé Knowles.^{[112][104][113]}

Rowland has cited Whitney Houston and Janet Jackson as her biggest musical influences.^[114][115] Following the news of Houston's death, Rowland commented, "I am beyond heartbroken. Whitney Houston was undoubtedly one of the greatest singers & performers of all time & such a huge influence on me. She embraced me when I first started out with Destiny's Child, with love, with encouragement and with that powerhouse voice".^[114] Rowland has also drawn inspiration from Beyoncé, Destiny's Child, Sade, Martin Luther King Jr., Donna Summer, Diana Ross, and Oprah Winfrey.^{[116][117][118]} When speaking of Winfrey, she stated, "Nobody's perfect, but she comes so close! She's like the female version of God. She inspires me to work hard and give back".^[117] Rowland also stated that living Miami has influenced her style, growth, and music.^[117] From a fashion perspective, Rowland has viewed her grandmother, Halle Berry, Jennifer Lopez, Beyoncé, and Oprah as her style icons.^[116]

Other ventures[link]

Film and television career[link]

Rowland branched out into acting with a guest stint on the sitcom The Hughleys in 2002, before appearing in other UPN shows such as Eve and Girlfriends in the years of 2003 and 2006 respectively.^[49] Having played the role of Tammy Hamilton, an ambitious 21-year-old apprentice to realtor Toni (Jill Marie Jones) in latter sitcom, Rowland initially hoped her three-episode stint would expand to a larger recurring role, but as the show was moved to The CW network the following year plans for a return eventually went nowhere.^[49] Also in 2003, she appeared in American Dreams as Martha Reeves of Martha & The Vandellas, singing a version of the group's single "Nowhere to Run".^[119]

In 2003, Rowland made her big screen debut in the slasher film Freddy vs. Jason, a crossover film directed by Ronny Yu. Cast as one of the female leads, she portrayed Kia Waterson, the frank best friend of lead character Lori Campbell, played by Monica Keena.^[120] Released to generally mixed reviews from critics, the movie topped the U.S. box office, gaining $36.4 million on its first weekend.^[121] Budgeted at $25 million, the film became a financial success, resulting in a worldwide box office total of $114.3 million.^[121] The following year, Rowland returned to the big screen, this time for a lead role in the romantic comedy The Seat Filler, starring opposite Duane Martin and Shemar Moore. Executive produced by Will Smith and Jada Pinkett Smith, the film hit theaters in the summer of 2005 and debuted at number eighteen at the box office top twenty.^[122] It eventually earned a total domestic gross ticket sales of $10.2 million. In the film, for which she recorded two songs, Rowland played a pop star who falls for an awards-show seat filler in which she mistakes for a high-profile entertainment attorney.^[123] Released to a limited number of festivals only, the film went straight to DVD in 2006.^[49]

In October 2007, Rowland auditioned for the role of Louise, Carrie Bradshaw's assistant, in the 2008 film adaptation of HBO's comedy series Sex and the City. The part eventually went to Jennifer Hudson.^[124] In fall 2007, Rowland appeared as a choirmaster on the NBC reality show Clash of the Choirs. Rowland was among superstars like Michael Bolton, Patti LaBelle, Nick Lachey, and Blake Shelton. Rowland's choir finished fifth in the competition.^[125] In 2009, she was cast to host Bravo's reality competition series The Fashion Show alongside Isaac Mizrahi. The series premiered on May 7, 2009.^[126] On 30 May 2011, Rowland was confirmed as a judge for the eighth series of British television show The X Factor.^{[127][128][129]} In addition to her judging stint, Rowland also had a supporting role in the motion picture Think Like a Man (2012), which also starred Keri Hilson, Chris Brown and Gabrielle Union.^[130] On 30 April 2012, it was officially announced that Rowland had stepped down as a judge on The X Factor, due to a conflicting schedule.^[131] Rowland was awarded Ultimate TV Personality at the 2011 Cosmopolitan Ultimate Women of the Year Awards,^[132] and TV Personality of the Year at the 2012 Glamour Women of the Years Awards, for her role on the show.^[133]

Philanthropy[link]

Effects of Hurricane Katrina

Rowland and the Knowles family founded the Survivor Foundation, a charitable entity set up to provide transitional housing for 2005 Hurricane Katrina victims and storm evacuees in the Houston, Texas area.^[14] The Survivor Foundation extended the philanthropic mission of the Knowles-Rowland Center for Youth, a multi-purpose community outreach facility in downtown Houston.^[14] Also in 2005, Rowland and Knowles lent their voices to a collaboration with Kitten K. Sera, entitled "All That I'm Lookin for". The song appeared on The Katrina CD album, whose proceeds went to the Recording Artists for Hope organization.^[134]

In 2006, Rowland joined other artists such as Pink and Avril Lavigne in ads for so-called empowerment tags for the ALDO Fights AIDS campaign, which went on sale exclusively at ALDO stores and benefited the YouthAIDS initiative.^[135] In 2007, Rowland, along with stars such as Jessica Simpson and the cast of Grey's Anatomy autographed pink Goody Ouchless brushes that were made available for auction on eBay, with all proceeds going to Breast Cancer Awareness.^[135] In addition, the singer teamed up with Kanye West, Nelly Furtado and Snoop Dogg to design a Nike sneaker for another eBay auction. All proceeds went to AIDS Awareness.^[135]

In 2008, Rowland officially became ambassador for MTV's Staying Alive Foundation, which aims to reduce discrimination against HIV and AIDS victims.^[136] She has since visited projects in Tanzania and Kenya to promote the charity, and underwent a HIV and AIDS test in Africa to raise awareness of the deadly diseases.^[137] In March 2009, she spearheaded a bone marrow drive.^[60] In 2009, Rowland connected with Serve.MTV.com, MTV's platform to connect young people with local volunteerism opportunities, for a series of on-air PSAs. From battling homelessness to beautifying impoverished neighborhoods to saving whales, Rowland was joined by the likes of Cameron Diaz, will.i.am, and Sean Kingston as they discuss causes they volunteer to support, and urge young people to join with their friends in making civil service a part of their lifestyle.^[138] Also in 2009, Rowland along with fellow singers Alesha Dixon and Pixie Lott created T-shirts for River Island in aid of the Prince's Trust, profits from which help change young lives.^[139] In March 2010, Rowland launched her brand new charity, I Heart My Girlfriends. According to Rowland's official website, the charity focuses on self-esteem, date violence prevention, community service, abstinence, sports, drug and alcohol and smoking avoidance, obesity, disabilities, education and more.^[140] On April 26, 2010, she was at Grand Ballroom's "City of Hope — Spirit of Life Awards" for a charity event.^[141]

Discography[link]

• Simply Deep (2002)
• Ms. Kelly (2007)
• Here I Am (2011)

Tours[link]