EMI Group Ltd.

Type	Private company
Industry	Music entertainment
Founded	1931[1]
Headquarters	London, England, United Kingdom
Key people	Roger Faxon, Chief Executive, EMI Group Shane Naughton, CFO
Revenue	£1.072 billion ($1.65 billion)(2009)
Owner(s)	Citigroup[2]
Employees	5,500 (January 2008)
Website	emimusic.com

The EMI Group, also known as EMI Music or simply EMI, is a British multinational music company headquartered in London, United Kingdom. It is the fourth-largest business group and family of record labels in the recording industry and was one of the "big four" record companies. EMI Group also has a major publishing arm, EMI Music Publishing – also based in London with offices globally. The company was once a constituent of the FTSE 100 Index but since February 2011 it has been wholly owned by Citigroup (which took the then financially troubled company over because of more than $4 billion in debt it held).^[2][3] EMI is a member of the RIAA & IFPI.

In November 2011 Citigroup announced a tentative deal to sell off pieces of the company with the music arm going to Vivendi's Universal Music Group for $1.9 billion and the publishing business going to a Sony/ATV consortium for around $2.2 billion. Other members of the Sony consortium include Blackstone and Abu Dhabi-owned investment fund Mubadala.^[4] Both before and after the sale announcement, Universal Music Group pledged to sell off EMI assets to the value of half a billion Euros.^[5]

History[link]

EMI's building in London

EMI (Electric and Musical Industries) Ltd was formed in March 1931 by the merger of the Columbia Graphophone Company and the Gramophone Company, with its "His Master's Voice" record label, firms that have a history extending back to the origins of recorded sound. The new vertically integrated company produced sound recordings as well as recording and playback equipment.

Manufacturing[link]

The company's gramophone manufacturing led to forty years of success with larger-scale electronics and electrical engineering. Alan Blumlein, a skilled engineer employed by EMI, conducted a great deal of pioneering research into stereo sound recording, however many years prior to the perfection of the medium in the early '50s, he was killed in 1942 whilst conducting trials on an experimental H2S radar unit. During and after the Second World War, the EMI Laboratories in Hayes, Hillingdon developed radar equipment and guided missiles, employing analogue computers. The company later became involved in broadcasting equipment, notably providing the first television transmitter to the BBC. It also manufactured broadcast television cameras for British television production companies, mostly the BBC, although the commercial television ITV companies used them as well alongside cameras made by Pye and Marconi. Their most famous piece of broadcast television equipment was the EMI 2001 colour camera, which became the mainstay of both the BBC and several ITV companies in the 1970s and early 1980s.

In 1958 the EMIDEC 1100, Britain's first transistorised computer, was developed at Hayes under the leadership of Godfrey Hounsfield. In the early 1970s, Hounsfield developed the first CAT scanner, a device which revolutionised medical imaging. In 1973 EMI was awarded a prestigious Queen's Award for Technological Innovation for what was then called the EMI scanner,^[6] and in 1979 Hounsfield won the Nobel Prize for his accomplishment.^[7] After brief, but brilliant, success in the medical imaging field, EMI's manufacturing activities were sold off to other companies, notably Thorn (see Thorn EMI). Subsequently development and manufacturing activities were sold off to other companies and work moved to other towns such as Crawley and Wells.

Emihus Electronics, based in Glenrothes, Scotland, was owned 51% by Hughes Aircraft, of California, U.S., and 49% by EMI. It manufactured integrated circuits and, for a short period in the mid-1970s, made hand-held calculators under the Gemini name.^[8]

Music[link]

Early in its life, the Gramophone Company established subsidiary operations in a number of other countries in the British Commonwealth, including India, Australia and New Zealand. Gramophone's (later EMI's) Australian and New Zealand subsidiaries dominated the popular music industries in those countries from the 1920s until the 1960s, when other locally owned labels (such as Festival Records) began to challenge the near monopoly of EMI. Over 150,000 78-rpm recordings from around the world are held in EMI's temperature-controlled archive in Hayes, some of which have been released on CD since 2008 by Honest Jon's Records.^[9][10]

In 1931, the year the company was formed, it opened the legendary recording studios at Abbey Road, London. During the 1930s and 1940s, its roster of artists included Arturo Toscanini, Sir Edward Elgar, and Otto Klemperer, among many others. During this time EMI appointed its first A&R managers. These included George Martin, who later brought the Beatles into the EMI fold.

When The Gramophone Company merged with the Columbia Graphophone Company (including Columbia's subsidiary label Parlophone) in 1931, the new Anglo-American group was incorporated as Electric & Musical Industries Ltd. At this point RCA had a majority shareholding in the new company, giving RCA chair David Sarnoff a seat on the EMI board.

However, EMI was subsequently forced to sell Columbia USA due to anti-trust action taken by its American competitors. By this time the record industry had been hit hard by the Depression and in 1934 a much-diminished Columbia USA was purchased for just US$70,500 by ARC-BRC (American Record Corporation–Brunswick Record Company), which also acquired the OKeh label.

RCA sold its stake in EMI in 1935, but due to its earlier takeover of the Victor label in 1929, RCA retained the North and South American rights to the "Nipper" trademark. In other countries, the Dog and Phonograph Logo was used by the EMI subsidiary label HMV, even though the slogan itself would be retained by RCA along with the logo.

In 1938 ARC-Brunswick was taken over by CBS, which then sold the American Brunswick label to American Decca Records, which along with its' other properties, Aeolian Records and Vocalion Records, used it as a subsidiary budget label afterward. CBS then operated Columbia as its flagship label in both the United States and Canada.

However. to make it even more confusing, EMI retained the rights to the Columbia name in most other territories including the UK, Australia and New Zealand. It continued to operate the label with moderate success until 1972, when it was retired and replaced by the EMI Records imprint, so if you see any Columbia Records manufactured outside North America between 1972 and 1992, they are rare indeed.

In 1990, following a series of major takeovers that saw CBS Records acquired by the Sony Corporation of Japan, EMI sold its remaining rights to the Columbia name to Sony and the label is now operated exclusively throughout the world by Sony Music Entertainment; except in Japan where the trade mark is owned by Columbia Music Entertainment,

EMI released its first LPs in 1952 and its first stereophonic recordings in 1955 (first on reel-to-reel tape and then LPs, beginning in 1958). In 1957, to replace the loss of its long-established licensing arrangements with RCA Victor and Columbia Records (Columbia USA cut its ties with EMI in 1951) and EMI entered the American market by acquiring 96% of the stock for Capitol Records USA.

Trade ad of congratulations to The Beatles for their 1964 Grammys.

From 1960 to 1995 their "EMI House," corporate headquarters was located at 20 Manchester Square London, England, the stairwell from which was featured on the cover of the Beatles' Please Please Me album. In addition, an unused shot from the Please Please Me photo session featuring the boys in short hair and cleancut attire, was used for the cover of the Beatles' first double-disc greatest-hits compilation entitled 1962–1966 (aka "The Red Album"). In 1969, Angus McBean took a matching group photograph featuring the boys in long hair and beards to contrast with the earlier cleancut image in order to show that the boys could have appeal across a wide range of audiences. This photo was originally intended for the Get Back album which later was entitled Let It Be. The photo was used instead for the cover of the Beatles second greatest-hits double-disc compilation entitled 1967–1970 (aka "The Blue Album"). (The two compilations were released in 1973.)

EMI's classical artists of the period were largely limited to the prestigious British orchestras, such as the Philharmonia Orchestra and London Symphony Orchestra. During the era of the long-playing record (LP), very few U.S. orchestras had their principal recording contracts with EMI, one notable exception being that of the Pittsburgh Symphony Orchestra, especially during the tenure of William Steinberg.

From the late 1950s to the early 1970s, the company enjoyed huge success in the popular music field under the management of Sir Joseph Lockwood. The strong combination of EMI and its subsidiary labels (including Parlophone, HMV, Columbia and Capitol Records) along with a roster of stellar groups such as The Hollies, The Shadows, The Beach Boys, and, The Beatles along with hit solo performers such as Frank Sinatra, Cliff Richard, and Nat 'King' Cole, made EMI the best-known and most successful recording company in the world at that time.

In 1967, while shifting their pop and rock music roster to Columbia, EMI converted HMV solely to a classical music label exclusively. For the emerging progressive rock genre including Pink Floyd, who had debuted on Columbia, EMI established a new subsidiary label, Harvest Records two years later.

In 1971, Electric & Musical Industries changed its name to EMI Ltd. and a year later EMI replaced the Columbia label with the EMI Records imprint. Two years later, The Gramophone Company subsidiary became EMI Records Ltd as well, and in February 1979, EMI Ltd acquired United Artists Records and with it their subsidiary labels Liberty Records and Imperial Records.

Eight months later, THORN Electrical Industries merged with EMI Ltd. to form Thorn EMI.^[11]

Ten years later in 1989, Thorn EMI bought a 50% interest in Chrysalis Records, completing the buyout two years later. Six months after completing the buyout of Chrysalis, Thorn EMI bought Virgin Records from Richard Branson in one of its highest-profile and most expensive acquisitions in record music history.

Aftermath of demerger from Thorn[link]

Due to the increasing divergence of business models, Thorn EMI shareholders voted in favour of demerger proposals on 16 August 1996. The resulting media company was now known as EMI Group PLC.^[12]

Since the 1930s, the Baak Doi label heaquartered in Shanghai had been published under the EMI banner^[13] and since then, EMI had also been the dominant label in the cantopop market in Hong Kong until the genre's decline in the mid 1980s. Between the years 2004–2006, EMI then completely and totally divested itself from the c-pop market, and after that, all Hong Kong music artists previously associated with EMI have had their music published by Gold Label, a concern unaffiliated with EMI and with which EMI does not hold any interest.

On 21 November 2000, Streamwaves and EMI signed a deal licensing EMI's catalogue in a digital format for their online streaming music service. This was the first time EMI had licensed any of its catalogue to a streaming music website.^[14]

Pop star Robbie Williams signed a 6 album deal in 2002 paying him over £80 million ($157 million), which was not only the biggest recording contract in British music history at the time, but also the second biggest in music history^[15] behind that of Michael Jackson.

Apple Records, the record label representing the The Beatles, launched a suit against EMI for non-payment of royalties on 15 December 2005. The suit alleged that EMI have withheld $50 million from the record label, however an EMI spokesman noted that audits of record label accounts are not that unusual, confirming at least two hundred such audits performed on the label, but that these audits rarely result in legal action.^[16] A legal settlement was announced on 12 April 2007 and terms were undisclosed.^[17]

On 2 April 2007, EMI announced it would begin releasing its music in DRM-free formats. Initially they are rolling out in superior sounding high-bitrate AAC format via Apple's iTunes Store (under the iTunes Plus category).^[18]

Tracks will cost $1.29/€1.29/£0.99. Legacy tracks with FairPlay DRM will still be available for $0.99/€0.99/£0.79 – albeit with lower quality sound and DRM restrictions still in place. Users will be able to ‘upgrade’ the EMI tracks that they have already bought for $0.30/€0.30/£0.20. Albums are also available at the same price as their lower quality, DRM counterparts and music videos from EMI will also be DRM-free. The higher-quality, DRM-free files became available worldwide on iTunes on 30 May 2007, and are expected to appear on other music download services as well in the near future.

Since then Universal Music Group has also announced sales of DRM-free music (which they described as an experiment).^[19]

In May 2006, EMI attempted to buy Warner Music Group, which would have reduced the world's four largest record companies (Big Four) to three; however, the bid was rejected.^[20] Warner Music Group launched a Pac-Man defence, offering to buy EMI. EMI rejected the $4.6bn offer.^[21]

Terra Firma takeover[link]

After a dramatic 7% decline in the British market share, from 16% to 9% and the announcement that EMI had sustained a loss of £260 million in 2006/2007,^[22][23] EMI was acquired by Terra Firma Capital Partners in August 2007^[22] which purchased it for £4.2 billion.

Following the transition, several important artists including Radiohead walked away from the label, while other artists such as Paul McCartney had seen the writing on the wall and left ahead of the takeover.^[22] At the same time, The Rolling Stones signed a one-album deal with Interscope Records/Universal Music Group outside of its contract with EMI, which expired on February 2008,^[24][25] and then in July 2008 signed a new long term deal with Universal Music Group.^[26]

The Terra Firma takeover is also reported to have been the catalyst behind a lawsuit filed by Pink Floyd over unpaid royalties.^[27] In January 2011 Pink Floyd signed a new global agreement with EMI.^[28]

Around the same time, Guy Hands, CEO of Terra Firma Capital Partners, came to EMI with restructuring plans to cut between 1,500 and 2,000 jobs^[23] and to reduce costs by £200 million a year. As a result, the UK chief executive Tony Wadsworth left EMI after 25 years in January 2008. The cuts were planned to take effect over the year 2008, and will affect up to a third of EMI's 5,500 staff.^[23] Another EMI singer Joss Stone is battling the label, and has offered to forfeit £2 million ($2.8 million) in hopes of being released from her contract. Stone has said that after EMI was taken over by Terra Firma, her relationship with the label has gone sour and that there is "no working relationship".^[29] In an interview with BBC 6music, Roisin Murphy clearly stated that she left the label as well because of similar disagreements. She also commented on the difficulties she had while recording her second solo album Overpowered.

In 2008, EMI withdrew from the South-East Asian market entirely, forcing its large roster of acts to search out contracts with other unaffiliated labels. As a result, the South-East Asian market is now the only region in the world where EMI is no longer in operation, although the record label does continue to operate in Hong Kong and Indonesia (which is currently named Arka Music Indonesia).^[30] The Chinese and Taiwanese operation of EMI as well as the Hong Kong branch of Gold Label, was sold to Typhoon Group and reformed as Gold Typhoon. The Philippine branch of EMI changed its name to PolyEast Records, and is now a joint venture between EMI itself and Pied Piper Records Corporation. The physical audio and video products of the label have been distributed in South-East Asia by Warner Music since December 2008, while new EMI releases in China and Taiwan, were distributed under Gold Typhoon which was previously known as EMI Music China and EMI Music Taiwan, respectively. Meanwhile, the Korean branch of EMI (known as EMI Korea Limited) had its physical releases distributed by Warner Music Korea. EMI Music Japan, the Japanese EMI branch, remains unchanged from the reflection of Toshiba's divestiture to the business by EMI buying the whole branch way back July 2007, making it a full subsidiary.^[31][32]

In July 2009, there were reports that EMI would not sell CDs to independent album retailers in a bid to cut costs,^[33] but in fact only a handful of small physical retailers were affected.^[34]

Citigroup ownership[link]

In February 2010, EMI Group reported pre-tax losses of £1.75 billion for the year ended March 2009, including write-downs on the value of its music catalogue.^[35][36] In addition, KPMG issued a going concern warning on the holding company's accounts regarding an ability to remain solvent.^[37]

Citigroup (which held $4 billion in debt) took 100% ownership of EMI Group from Terra Firma Capital Partners on 1 February 2011, writing off £2.2 billion of debt^[38] and reducing EMI's debt load by 65%.^[39] The group was put up for sale and final bids were due by 5 October 2011.^[40][41]

Sony/Universal sale[link]

On 12 November 2011, it was announced that EMI has sold its recorded music operations to Universal Music Group for £1.2 billion ($1.9billion) and its music publishing operations to a Sony-led consortium for $2.2 billion.^[42] Among the other companies that had competed for the recorded music business was Warner Music Group which was reported to have made a $2 billion bid.^[43] However, IMPALA has said that it would fight the merger, and the merger has yet to be approved.^[44]

In March 2012, the European Union opened an investigation into Universal's purchase of EMI's recorded music division^[45] and has asked rivals and consumer groups whether the deal will result in higher prices and shut out competitors.^[46]

Operations[link]

EMI Music[link]

Labels under the EMI banner[link]

See List of EMI labels.

Past and present EMI musicians[link]

EMI Music Publishing[link]

As well as the well-known record label the group also owns EMI Music Publishing, which is the largest music publisher in the world. EMI Music Publishing has won the Music Week Award for Publisher of the Year every year for over 10 years; in 2009, for the first time in history the award was shared jointly with Universal Music Publishing.^[47] As is often the case in the music industry, the publishing arm and record label are very separate businesses.

See also[link]

Companies portal

• EMI Films
• EMI Records
• EMI Televisa Music/Capitol Latin
• EMI Songbook Series
• List of EMI labels
• List of musicians signed to EMI
• List of record labels
• EMI CMG
• The Gramophone Company
• The HMV Group
  • HMV
  • Waterstone's
• Streamwaves
• Baak Doi

References[link]

Further reading[link]

• International Directory of Company Histories, St. James Press.
• Peter Martland, Since Records Began: EMI, the first hundred years. Batsford (London) 1997. 359pp. ISBN 0-7134-6207-8

External links[link]

• Official website
• EMI Music Publishing
• EMI Sessions
• Official Australian Site
• History of EMI
• EMI Archive
• Fight With EMI
• Pages of pictures of the EMI/HMV sites in Hayes Middlesex

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David Guetta
David Guetta at the 2011 MuchMusic Video Awards
Background information
Birth name	Pierre David Guetta
Born	(1967-11-07) 7 November 1967 (age 44) Paris, France
Genres	House, electro house, hip house
Occupations	DJ, record producer, songwriter
Years active	1984–present
Labels	EMI Music France, Virgin, Positiva, Astralwerks, Jack Back Records
Website	DavidGuetta.com

Pierre David Guetta (7 November 1967), known professionally as David Guetta (French pronunciation: [daˌvid ɡɛˈta]), is a French house music producer and DJ.^[1] Originally a DJ at nightclubs during the 1980s and 1990s, he co-founded Gum Productions and released his first album, Just a Little More Love, in 2002. Later, he released Guetta Blaster (2004) and Pop Life (2007). His 2009 album One Love included the hit singles "When Love Takes Over" (featuring Kelly Rowland), "Gettin' Over You" (featuring Chris Willis, Fergie & LMFAO) and "Sexy Bitch" (featuring Akon), the last becoming a top five hit in the United States and all three reaching #1 in the United Kingdom, as well as another internationally known single called "Memories" featuring Kid Cudi which became a top five hit in many countries. Guetta has sold over three million albums and 15 million singles worldwide.^[2] He is currently one of the most sought-after music producers.^[3] As at 2012 David Guetta is the world's most popular DJ, claiming the #1 poll position of the DJ Mag 100 popularity poll.^[4]

Biography[link]

1984–2000: Early life and career[link]

At age 17, Guetta began DJing at the Broad Club in Paris.^[5] He first played popular songs, and he discovered house music when he heard a Farley master Funk track on French radio in 1987. The next year, he began hosting his own club nights.^[6] In 1990, he released "Nation Rap", a hip-hop collaboration with French rapper Sidney Duteil.^[7]

In the mid 1990s Guetta played in clubs including Le Centrale, the Rex, Le Boy, and Folies Pigalle.^[5][8] Released in 1994^[7] Guetta's second single, a collaboration with American house vocalist Robert Owens titled "Up & Away", was a minor club hit.^[6] In 1994, David Guetta became the manager of Le Palace nightclub and he continued to organise parties there and in other clubs, such as the "Scream" parties in Les Bains Douches.^[9]

[edit] 2001–2006: Just a Little More Love and Guetta Blaster

In 2001, David Guetta along with Joachim Garraud founded Gum Productions, and in the same year Guetta's first hit single, "Just a Little More Love", featuring American singer Chris Willis was released. Willis was vacationing in France when he met Guetta.^[6] Guetta's debut album Just a Little More Love was released in 2002 on Virgin Records and sold over 300,000 copies. The follow-up singles, ("Love Don't Let Me Go", "People Come People Go" and "Give Me Something"), were released in 2002. Guetta released a compilation, Fuck Me I'm Famous, in 2003, named after his party in Ibiza. It included "Just for One Day (Heroes)", a remix of David Bowie's song "Heroes".^[6] Later in his career, Guetta continued recording compilations under that title.

Guetta's second album, Guetta Blaster, was released in 2004. It released four singles: "Money" and "Stay" featuring Chris Willis and "The World Is Mine" and "In Love With Myself" featuring JD Davis. In 2006 the Just a Little More Love single "Love Don't Let Me Go" was re-released as a mash-up with the Tocadisco remix of "Walking Away" by The Egg. The mash-up single entitled "Love Don't Let Me Go (Walking Away)" was charted higher than the original release of the song.

[edit] 2007–2008: Pop Life

Guetta performing, May 2007

In 2007, Guetta's third album Pop Life was released. The album was successful in the UK and Ireland as well as in mainland Europe. According to EMI in 2010, the album has sold a total of 530,000 copies worldwide. The lead single "Love Is Gone" reached Number 1 on the American Dance Chart and charted on the Billboard Hot 100.

He played in many countries around the world to promote the album. He played in Mauritius in January 2008, accompanied by French rapper JoeyStarr. In the same year, he and his wife Cathy also planned a new event which took place in the Stade de France on 5 July 2008. The event was called "UNIGHTED", he performed with Tiësto, Carl Cox, Joachim Garraud and Martin Solveig in front of a crowd of 40,000.^[10]

In 2009, he was placed third in the "Top 100 DJs" poll by DJ Magazine,^[11] and was elected "Best House DJ" by DJ Awards in 2008. Since April 2009, Guetta had his own radio show on the internet radio station RauteMusik on Saturday evening. The show was afterwards moved into Radio 538, being aired every Friday evening after Tiësto's Club Life. Its name is DJ Mix. Guetta performs a one-hour set of house music, presenting mainly new talents inside.

[edit] 2009–2010: One Love and international breakthrough

David Guetta's fourth studio album, One Love, was released in August 2009. Its first single "When Love Takes Over", which featured Kelly Rowland, peaked at #1 on the UK Singles Chart and topped many other countries worldwide. His second single from the album, "Sexy Bitch" featuring Akon, became his second #1 in the UK. "One Love" featuring Estelle, "Memories" featuring Kid Cudi and "Gettin' Over You" featuring Chris Willis, Fergie and LMFAO followed. As of May 2011 the album had sold three million copies worldwide.^[12] Guetta's fourth studio album One Love was nominated as "Best Electronic/Dance Album" at the 52nd Grammy Awards.^[13] His song "When Love Takes Over" featuring American R&B singer Kelly Rowland received two nominations; Best Dance Recording and Best Remixed Recording, Non-Classical, and won the latter. After conflicts over whether or not an album re-issue should go ahead, One More Love was released on 29 November 2010. First single, titled "Who's That Chick?" featuring Rihanna was released a few weeks prior.^[14]

On 16 June 2009, The Black Eyed Peas released the David Guetta-produced "I Gotta Feeling" as their second single from their fifth studio album, The E.N.D.. It became a worldwide hit topping the charts in seventeen countries. It became the most downloaded song of all-time in the United States with almost 7.5 million downloads and in the United Kingdom selling more than 1 million copies.^[15][16] He was nominated twice for his work with The Black Eyed Peas at the 52nd Grammy Awards; in the category Record of the Year for "I Gotta Feeling" and Album of the Year for their album The E.N.D.. In 2010, David Guetta co-wrote and produced Kelly Rowland's "Commander" from her third album Here I Am. It peaked at number one on Billboard's Hot Dance Club Songs chart in the United States, and reached top ten positions in Belgium and the United Kingdom. Guetta has also co-produced "Forever and a Day", which was Kelly's next UK single from that album.^[17][18] Guetta also produced the singles "Acapella" and "Scream" for American singer-songwriter Kelis's fifth studio album, Flesh Tone, released on 14 May 2010. "Acapella" was released as the lead single on 23 February 2010 and topped the dance charts in the United Kingdom and United States. On 28 June 2010 American rapper Flo Rida released the single "Club Can't Handle Me" featuring David Guetta. The song is included on the soundtrack album to the American 3D dance film Step Up 3D.

Guetta on the One Love Tour, January 2010.

[edit] 2011–present: Nothing But the Beat

Guetta's fifth studio album, Nothing But the Beat was released on August 30, 2011. It was released as a double-disc album; one disc being vocal and the other being electronic.^[19] The French DJ was inspired by rock bands such as Kings of Leon and Coldplay to add rock influences to his dance productions.^[20] "Where Them Girls At" featuring Nicki Minaj and Flo Rida, the first single off the album, was released worldwide on May 2, 2011.^[21][22] "Little Bad Girl" featuring Ludacris and Taio Cruz, was released as the second single on June 28, 2011.^[19][23] The third single "Without You" featuring Usher was released on September 27, 2011. Guetta also released three promotional singles for Nothing But the Beat, "Titanium" featuring Sia, "Lunar" with Afrojack and "Night of Your Life" featuring Jennifer Hudson. The album also features the hit single "Sweat" with Snoop Dogg.

Guetta is also scheduled to perform alongside Nicky Romero and Nervo at London's Alexandra Palace on June 1, 2012.^[24]

Personal life[link]

Guetta and his wife Cathy in January 2012 at the NRJ Music Awards ceremony.

His father was a restaurateur of Moroccan Jewish descent,^[25] and his mother is of Belgian descent.^[26][27][28] He is married to socialite and night club manager Cathy Guetta; they have two children, Tim Elvis Eric (born 2004) and Angie (born 2007).^[29]

Discography[link]

• Just a Little More Love (2002)
• Guetta Blaster (2004)
• Pop Life (2007)
• One Love (2009)
• Nothing but the Beat (2011)

Awards and nominations[link]

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