This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Jack Benny |
---|---|
Birth name | Benjamin Kubelsky |
Birth date | February 14, 1894 |
Birth place | Chicago, Illinois, United States |
Death date | December 26, 1974 |
Death place | Beverly Hills, CaliforniaUnited States |
Show | The Jack Benny Program |
Network | NBC, CBS |
Style | Comedian |
Country | United States |
Website | }} |
Benny was known for his comic timing and his ability to get laughs with either a pregnant pause or a single expression, such as his signature exasperated "''Well!''" His radio and television programs, tremendously popular from the 1930s to the 1960s, were a foundational influence on the situation comedy genre. Dean Martin, on the celebrity roast for Johnny Carson in November 1973, introduced Benny as "the Satchel Paige of the world of comedy."
In 1911, Benny was playing in the same theater as the young Marx Brothers, whose mother Minnie was so enchanted with Benny's musicianship that she invited him to be their permanent accompanist. The plan was foiled by Benny's parents, who refused to let their son, then 17, go on the road, but it was the beginning of his long friendship with Zeppo Marx. Benny's future wife Mary Livingstone was a distant cousin of the Marx Brothers.
The following year, Benny formed a vaudeville musical duo with pianist Cora Salisbury, a buxom 45-year-old widow who needed a partner for her act. This provoked famous violinist Jan Kubelik, who thought that the young vaudeville entertainer with a similar name (Kubelsky) would damage his reputation. Under pressure from Kubelik's lawyer, Benjamin Kubelsky agreed to change his name to Ben K. Benny (sometimes spelled Bennie). When Salisbury left the act, Benny found a new pianist, Lyman Woods, and re-named the act "From Grand Opera to Ragtime". They worked together for five years and slowly added comedy elements to the show. They even reached the Palace Theater, the "Mecca of Vaudeville", but bombed. Benny left show business briefly in 1917 to join the U.S. Navy during World War I, and he often entertained the troops with his violin playing. One evening, his violin performance was booed by the troops, so with prompting from fellow sailor and actor Pat O'Brien, he ad-libbed his way out of the jam and left them laughing. He got more comedy spots in the revues and was a big hit, and earned himself a reputation as a comedian as well as a musician.
Shortly after the war, Benny started a one-man act, "Ben K. Benny: Fiddle Funology". But then he heard from another lawyer, this time that of Ben Bernie, another patter-and-fiddle performer who also threatened to sue. So Benny adopted the common sailor's nickname Jack. By 1921, the fiddle became more of a prop and the low-key comedy took over.
Benny had several romantic encounters, including one with a dancer, Mary Kelly, whose devoutly Catholic family forced her to turn down Benny's proposal because he was Jewish. Benny was introduced to Mary Kelly by Gracie Allen. Some years after their split, Kelly resurfaced as a dowdy fat girl and Jack gave her a part in an act of three girls: one homely, one fat and one who couldn't sing. This lasted until, at Mary Livingstone's request, Mary Kelly was let go.
In 1922, Jack accompanied Zeppo Marx to a Passover seder where he met Sadye (Sadie) Marks, whom he married in 1927 after meeting again on a double-date. She was working in the hosiery section of the Hollywood Boulevard branch of the May Company and Benny would court her there. Called on to fill in for the "dumb girl" part in one of Benny's routines, Sadie proved a natural comedienne and a big hit. Adopting Mary Livingstone as her stage name, Sadie became Benny's collaborator throughout most of his career. They later adopted a daughter, Joan.
In 1929, Benny's agent Sam Lyons convinced MGM's Irving Thalberg to catch Benny's act at the Orpheum Theatre in Los Angeles. Benny was signed to a five-year contract and his first film role was in ''The Hollywood Revue of 1929''. His next movie, ''Chasing Rainbows'', was a flop and after several months, Benny was released from his contract and returned to Broadway in Earl Carroll's ''Vanities''. At first dubious about the viability of radio, Benny was eager to break into the new medium. In 1932, after a four-week nightclub run, he was invited onto Ed Sullivan's radio program, uttering his first radio spiel "This is Jack Benny talking. There will be a slight pause while you say, 'Who cares?'..."
Benny had been only a minor vaudeville performer, but he became a national figure with ''The Jack Benny Program'', a weekly radio show which ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS. It was consistently among the most highly rated programs during most of that run.
On April 6, 1932, the NBC Commercial Program Department arranged for an audition of Jack Benny for Ayer and its client Canada Dry, after which its head, Bertha Brainard made an assessment of this new comic: “We think Mr. Benny is excellent for radio, and while the audition was unassisted as far as orchestra was concerned, we believe he would make a great bet for an air program.” With Canada Dry Ginger Ale as a sponsor, Benny came to radio on ''The Canada Dry Program'', beginning May 2, 1932, on the NBC Blue Network and continuing there for six months until October 26, moving the show to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933. The commercial ran twice a week from 9:30 to 10:00, it ran for almost a year.
Arriving at NBC on March 17, Benny did ''The Chevrolet Program'' until April 1, 1934. He continued with sponsor General Tire through the end of the season. In October, 1934, General Foods, the makers of ''Jell-O'' and ''Grape-Nuts'', became the sponsor most identified with Jack, for the next ten years. American Tobacco's ''Lucky Strike'' was his longest-lasting radio sponsor, from October, 1944, through the end of his original radio series.
The show switched networks to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" of NBC talent in 1948–49. There it stayed for the remainder of its radio run, which ended on May 22, 1955. CBS aired repeats of old radio episodes from 1956 to 1958 as ''The Best of Benny''.
Benny's stage character was just about everything the actual Jack Benny was not: cheap, petty, vain, and self-congratulatory. His comic rendering of these traits became the linchpin to the Benny show's success. Benny set himself up as the comedic foil, allowing his supporting characters to draw laughs at the expense of his character's flaws. By allowing such a character to be seen as human and vulnerable, in an era where few male characters were allowed such obvious vulnerability, Benny made what might have been a despicable character into a lovable Everyman character. Benny himself said on several occasions: "I don't care ''who'' gets the laughs on my show, as long as the ''show'' is funny." In her book, Benny's daughter Joan said her father always said it doesn't matter who gets laughs, because come the next day they will say, "Remember the Jack Benny Show, last night, it was good, or it was bad." Jack felt he got the credit or blame either way, not the actor saying the lines, so it had better be funny.
The supporting characters who amplified that vulnerability only too gladly included wife Mary Livingstone as his wisecracking and not especially deferential female friend (not quite his girlfriend, since Benny would often try to date movie stars like Barbara Stanwyck, and occasionally had stage girlfriends such as "Gladys Zybisco"); rotund announcer Don Wilson (who also served as announcer for Fanny Brice's hit, ''Baby Snooks''); bandleader Phil Harris as a jive-talking, wine-and-women type whose repartee was rather risqué for its time; boy tenor Dennis Day, who was cast as a sheltered, naïve youth who still got the better of his boss as often as not (this character was originated by Kenny Baker, but perfected by Day); and, especially, Eddie Anderson as valet-chauffeur Rochester van Jones who was as popular as Benny himself.
And that was itself a radical proposition for the era: unlike the protagonists of ''Amos 'n' Andy'', Rochester was a black man allowed to one-up his vain, skinflint boss. In more ways than one, with his mock-befuddled one-liners and his sharp retorts, he broke a comedic racial barrier. Unlike many black supporting characters of the time, Rochester was depicted and treated as a regular member of Benny's fictional household. Benny, in character, tended if anything to treat Rochester more like an equal partner than as a hired domestic, even though gags about Rochester's flimsy salary were a regular part of the show.
Rochester seemed to see right through his boss's vanities and knew how to prick them without overdoing it, often with his famous line "Oh, Boss, come now!" Benny deserves credit for allowing this character and the actor who played him (it is difficult, if not impossible, to picture any other performer giving Rochester what Anderson gave him) to transcend the era's racial stereotype and for not discouraging his near-equal popularity. A New Year's Eve episode, in particular, shows the love each performer had for the other, quietly toasting each other with champagne. That this attention to Rochester's race was no accident became clearer during World War II, when Benny would frequently pay tribute to the diversity of Americans who had been drafted into service.
After the war, once the depths of Nazi race hatred had been revealed, Benny made a conscious effort to remove the most stereotypical aspects of Rochester's character. In 1948, it became apparent to Benny how much the times had changed when a 1941 script for "The Jack Benny Program" was re-used for one week's show. The script included mention of several African-American stereotypes (i.e. a reference to Rochester carrying a razor), and prompted a number of listeners, who didn't know the script was an old one, to send in angry letters protesting the stereotypes. Thereafter, Benny insisted that his writers should make sure that no racial jokes or references should be heard on his show. Benny also often gave key guest-star appearances to African-American performers such as Louis Armstrong and The Ink Spots.
The rest of Benny's cast included character actors and comedians:
Other musical contributions came starting in 1946 from the singing quartet the Sportsmen (members: Bill Days, Max Smith, Marty Sperzel and Gurney Bell) singing the middle Lucky Strike commercial. In the early days of the program, the supporting characters were often vaudevillian ethnic stereotypes whose humor was grounded in dialects. As the years went by, the humor of these figures became more character-based.
Benny's method of bringing a character into a skit, by announcing his name, also became a well-known Benny shtick: "Oh, Dennis..." or "Oh, Rochester..." typically answered by, "Yes, Mr. Benny (Boss)?"
''The Jack Benny Program'' evolved from a variety show blending sketch comedy and musical interludes into the situation comedy form we know even now, crafting particular situations and scenarios from the fictionalization of Benny the radio star. Any situation from hosting a party to income tax time to a night on the town was good for a Benny show, and somehow the writers and star would find the right ways and places to insert musical interludes from Phil Harris and Dennis Day. With Day, invariably, it would be a brief sketch that ended with Benny ordering Day to sing the song he planned to do on that week's show.
One extremely popular scenario that became an annual tradition on ''The Jack Benny Program'' was the "Christmas Shopping" episode, in which Benny would head to a local department store. Each year, Benny would buy a ridiculously cheap Christmas gift for Don Wilson from a store clerk played by Mel Blanc. Benny would then have second (then third, and even fourth) thoughts about his gift choice, driving Blanc (or, in two other cases, his wife and his psychiatrist, as well) to hilarious insanity by exchanging the gift, pestering about the Christmas card or wrapping paper countless times throughout the episode: in many cases, the clerk would commit suicide, or attempt and fail to commit suicide ("Look what you done! You made me so nervous, I missed!") as a result.
In the 1946 Christmas episode, for example, Benny buys shoelaces for Don, and then is unable to make up his mind whether to give Wilson shoelaces with plastic tips or shoelaces with metal tips. After Benny exchanges the shoelaces repeatedly, Mel Blanc is heard screaming insanely, "Plastic tips! Metal tips! I can't stand it anymore!" A variation in 1948 concerned Benny buying an expensive wallet for Don, but repeatedly changing the greeting card inserted—prompting Blanc to shout: "I haven't run into anyone like you in 20 years! Oh, why did the governor have to give me that pardon!?" – until Benny realizes that he should have gotten Don a wallet for $1.98, whereupon the put-upon clerk immediately responds by committing suicide. Over the years, in these Christmas episodes, Benny bought and repeatedly exchanged cuff links, golf tees, a box of dates, a paint set, and even a gopher trap.
In 1936, after a few years broadcasting from New York, Benny moved the show to Los Angeles, allowing him to bring in guests from among his show business friends — such as Frank Sinatra, James Stewart, Judy Garland, Barbara Stanwyck, Bing Crosby, Burns and Allen (George Burns was Benny's closest friend), and many others. Burns and Allen and Orson Welles guest hosted several episodes in March and April 1943 when Benny was seriously ill with pneumonia, while Ronald Colman and his wife Benita Hume appeared frequently in the 1940s as Benny's long-suffering neighbors.
In fact, the radio show was generally not announced as ''The Jack Benny Program''. Instead, the primary name of the show tied to the sponsor. Benny's first sponsor was Canada Dry Ginger Ale from 1932 to 1933. Benny's sponsors included Chevrolet from 1933 to 1934, General Tire in 1934, and Jell-O from 1934 to 1942. ''The Jell-O Program Starring Jack Benny'' was so successful in selling Jell-O, in fact, that General Foods could not manufacture it fast enough when sugar shortages arose in the early years of World War II, and the company had to stop advertising the popular dessert mix. General Foods switched the Benny program from Jell-O to Grape-Nuts from 1942 to 1944, and it became, naturally, ''The Grape Nuts Program Starring Jack Benny''. Benny's longest-running sponsor, however, was the American Tobacco Company's Lucky Strike cigarettes, from 1944 to 1955, when the show was usually announced as ''The Lucky Strike Program starring Jack Benny''.
Starting in the Lucky Strike era, Benny adopted a medley of "Yankee Doodle Dandy" and "Love in Bloom" as his theme music, opening every show. "Love in Bloom" later became the theme of his television show as well. His radio shows often ended with the orchestra playing "Hooray for Hollywood". The TV show ended with one of two bouncy instrumentals written for the show by his musical arranger and conductor, Mahlon Merrick.
Benny would sometimes joke about the propriety of "Love in Bloom" as his theme song. On a segment often played in ''Tonight Show'' retrospectives, Benny talks with Johnny Carson about this. Benny says he has no objections to the song in and of itself, only as ''his theme.'' Proving his point, he begins reciting the lyrics slowly and deliberately: "Can it be the ''trees.'' That fill the breeze. With rare and magic perfume. Now what the hell has that got to do with ''me?''"
The punchline came to Benny staff writers John Tackaberry and Milt Josefsberg almost by accident. Writer George Balzer described the scene to author Jordan R. Young, for ''The Laugh Crafters'', a 1999 book of interviews with veteran radio and television comedy writers: :... they had come to a point where they had the line, "Your money or your life." And that stopped them... Milt is pacing up and down, trying to get a follow... And he gets a little peeved at Tack, and he says, "For God's sakes, Tack, say something." Tack, maybe he was half asleep—in defense of himself, says, "I'm thinking it over." And Milt says, "Wait a minute. That's it." And that's the line that went in the script... By the way, that was ''not'' the biggest laugh that Jack ever got. It has the reputation of getting the biggest laugh. But that's not true.
The actual length of the laugh the joke got was five seconds when originally delivered and seven seconds when the gag was reprised on a follow-up show. In fact, the joke is probably not so memorable for the length of the laugh it provoked, but because it became the definitive "Jack Benny joke"—the joke that best illustrated Benny's "stingy man" persona. The punchline—"I'm thinking it over!"—simply would not have worked with any other comedian but Benny.
The actual longest laugh known to collectors of ''The Jack Benny Program'' lasted in excess of 32 seconds. The International Jack Benny Fan Club reports that, at the close of the program broadcast on December 13, 1936, sponsored by Jell-O, guest Andy Devine says that it is the "last number of the eleventh program in the new Jelly series." The audience, who loved any sort of accidental flub in the live program, is still laughing after 32 seconds, at which point the network cut off the program to prevent it from running overtime.
According to Jack himself, Mary Livingstone got the biggest laugh he ever heard on the show, on the April 25, 1948 broadcast. The punchline was the result of the following exchange between Don Wilson and noted opera singer Dorothy Kirsten:
:Don Wilson: Oh, Miss Kirsten, I wanted to tell you that I saw you in "Madame Butterfly" Wednesday afternoon, and I thought your performance was simply magnificent. :Dorothy Kirsten: Well, thanks, awfully. It's awfully nice and kind of you, Mr. Wilson. But, uh, who could help singing Puccini? It's so expressive. And particularly in the last act, starting with the ''allegro vivacissimo''. :Don Wilson: Well, now, that's being very modest, Miss Kirsten. But not every singer has the necessary ''bel canto'' and flexibility or range to cope with the high ''tessitura'' of the first act. :Dorothy Kirsten: Thank you, Mr. Wilson. And don't you think that in the aria, "''Un bel dì vedremo''", that the strings played the ''con molto passione'' exceptionally fine and with great ''sostenuto''? :Jack Benny: Well, I thought-- :Mary Livingstone (to Jack): Oh, shut up!
According to Jack, the huge laugh resulted from the long buildup, and the audience's knowledge that Jack, with his pompous persona, would have to break into the conversation at some point.
A nearly identical exchange occurred over a year earlier, among renowned violinist Isaac Stern, actor Ronald Colman, Jack Benny, and Mary Livingstone. The quartet's back-and-forth, which centered on Stern's recent public performance of a Mendelssohn piece, was heard on an episode first broadcast on February 16, 1947. The resulting laughter lasted some 18 seconds, after which Jack retorted, "Mary, that's no way to talk to Mr. Stern."
Later in life, when performing as a stand-up comedian in Las Vegas, Jack had just begun to tell an old joke about the salesman, the farmer and the farmer's daughter: "So the salesman and the farmer's daughter come to the front door, and the farmer opens the door." At this point, Sammy Davis, Jr. walks onstage behind Jack, the audience screams, and Sammy proceeds to speak and sing and dance about 25 minutes or so, while Jack continues to stand at center stage, quietly watching the spectacle. When Davis finally walks offstage and the audience's applause dies down, Jack continues to watch Davis offstage for a few moments, then as the audience is finally quiet continues: "... So the farmer said--" And that's about as far as that joke got, because the audience laughed for minutes afterward.
For a decade, the two went at it back and forth, so convincingly that fans of either show could have been forgiven for believing they had become blood enemies. In fact, the two men were good friends and each other's greatest admirers. Benny and Allen often appeared on each other's show during the thick of the "feud"; numerous surviving episodes of both comedians' radio shows feature each other, in both acknowledged guest spots and occasional cameos. Benny in his eventual memoir (''Sunday Nights at Seven'') and Allen in his ''Treadmill to Oblivion'' later revealed that each comedian's writing staff often met together to plot future takes on the mock feud. If Allen zapped Benny with a satirisation of Benny's show ("The Pinch Penny Program"), Benny shot back with a parody of Allen's early favourite, ''Town Hall Tonight''. Benny's parody? "Clown Hall Tonight." And their playful sniping ("Benny was born ignorant, and he's been losing ground ever since") was also advanced in the films ''Love Thy Neighbor'' and ''It's in the Bag!''.
Perhaps the climax of the "feud" came during Fred Allen's parody of popular quiz-and-prize show ''Queen for a Day'', which was barely a year old when Allen decided to have a crack at it on ''The Fred Allen Show''---an episode that has survived for today's listeners to appreciate. Calling the sketch "King for a Day", Allen played the host and Benny a contestant who sneaked onto the show using the alias Myron Proudfoot. Benny answered the prize-winning question correctly and Allen crowned him "king" and showered him with a passel of almost meaningless prizes. Allen proudly announced, "Tomorrow night, in your ermine robe, you will be whisked by bicycle to Orange, New Jersey, where you will be the judge in a chicken-cleaning contest." To which Benny joyously declared, "I'm ''king'' for a day!" At this point a professional pressing-iron was wheeled on stage, to press Benny's suit properly. It didn't matter that Benny was still ''in'' the suit. Allen instructed his aides to remove Benny's suit, one item at a time, ending with his trousers, each garment's removal provoking louder laughter from the studio audience. As his trousers began to come off, Benny howled, "Allen, you haven't seen the ''end'' of me!" At once Allen shot back, "It won't be long ''now!''"
The laughter was so loud and chaotic at the chain of events that the Allen show announcer, Kenny Delmar, was cut off the air while trying to read a final commercial and the show's credits. (Allen was notorious for running overtime often enough, largely thanks to his ad-libbing talent, and he overran the clock again this time.)
Benny was profoundly shaken by Allen's sudden death of a heart attack in 1956. In a statement released on the day after Allen's death, Benny said, "People have often asked me if Fred Allen and I were really friends in real life. My answer is always the same. You couldn't have such a long-running and successful feud as we did, without having a deep and sincere friendship at the heart of it."
But Paley, according to CBS historian Robert Metz, also learned that Benny chafed under NBC's almost indifferent attitude toward the talent that attracted the listeners. NBC, under the leadership of David Sarnoff, seemed at the time to think that listeners were listening to NBC because of NBC itself. To Paley, according to Metz, that was foolish thinking at best: Paley believed listeners were listening because of the talent, not because of which platform hosted them. When Paley said as much to Benny, the comedian agreed. Because Paley took a personal interest in the Benny negotiations, as opposed to Sarnoff who had never met his top-rated star, Benny was convinced to make the jump. He convinced a number of his fellow NBC performers (notably Burns and Allen, Edgar Bergen, Red Skelton and Kate Smith) to join him.
To sweeten the deal for a very nervous sponsor, Paley also agreed to make up the difference to American Tobacco if Benny's Hooper rating (the radio version of today's Nielsen ratings) on CBS fell to a certain level below his best NBC Hooper rating. Benny's CBS debut on January 2, 1949 bested his top NBC rating by several points while also pumping up the ratings of the show that followed, ''Amos 'n' Andy''. NBC, with its smash Sunday night lineup now broken up, offered lucrative new deals to two of those Sunday night hits, ''The Fred Allen Show'' and ''The Phil Harris-Alice Faye Show''. Benny's bandleader and his singing actress wife now starred in their own hit sitcom, meaning Harris was featured on shows for two different networks.
Benny and Sarnoff eventually met several years later and became good friends. Benny said that if he had had this kind of relationship with Sarnoff earlier, when he was Sarnoff's number-one radio star, he never would have left NBC.
The television version of ''The Jack Benny Program'' ran from October 28, 1950 to 1965. Initially scheduled as a series of five "specials" during the 1950–1951 season, the show appeared every six weeks for the 1951–1952 season, every four weeks for the 1952–1953 season and every three weeks in 1953–1954. For the 1953–1954 season, half the episodes were live and half were filmed during the summer, to allow Benny to continue doing his radio show. From the fall of 1954 to 1960, it appeared every other week, and from 1960 to 1965 it was seen weekly.
In September 1954, CBS premiered Chrysler's ''Shower of Stars'' co-hosted by Jack Benny and William Lundigan. It enjoyed a successful run from 1954 until 1958. Both television shows often overlapped the radio show. In fact, the radio show alluded frequently to its television counterparts. Often as not, Benny would sign off the radio show in such circumstances with the line "Well, good night, folks. I'll see you on television."
When Benny moved to television, audiences learned that his verbal talent was matched by his controlled repertory of dead-pan facial expressions and gesture. The program was similar to the radio show (several of the radio scripts were recycled for television, as was somewhat common with other radio shows that moved to television), but with the addition of visual gags. Lucky Strike was the sponsor. Benny did his opening and closing monologues before a live audience, which he regarded as essential to timing of the material. As in other TV comedy shows, canned laughter was sometimes added to "sweeten" the soundtrack, as when the studio audience missed some close-up comedy because of cameras or microphones in their way. The television viewers learned to live without Mary Livingstone, who was afflicted by a striking case of stage fright. Livingstone appeared rarely if at all on the television show (for the last few years of the radio show, she pre-recorded her lines and Jack and Mary's daughter, Joan, stood in for the live broadcast as the pre-recordings were played), and finally retired from show business permanently in 1958, as her friend Gracie Allen had done.
Benny's television program relied more on guest stars and less on his regulars than his radio program. In fact, the only radio cast members who appeared regularly on the television program as well were Don Wilson and Eddie Anderson. Day appeared sporadically, and Harris had left the radio program in 1952, although he did make a guest appearance on the television show (Bob Crosby, Phil's "replacement", frequently appeared on television through 1956). A frequent guest was the Canadian born singer-violinist Gisele Mackenzie.
Benny was able to attract guests who rarely, if ever, appeared on television. In 1953, both Marilyn Monroe and Humphrey Bogart made their television debuts on Benny's program.
Canadian singer Gisele MacKenzie, who toured with Benny in the early 1950s, guest starred seven times on ''The Jack Benny Program''. Benny was so impressed with MacKenzie's talents that he served as co-executive producer and guest starred on her 1957–1958 NBC variety show, ''The Gisele MacKenzie Show''. In 1964, Walt Disney was a guest, primarily to promote his production of ''Mary Poppins''. Benny persuaded Disney to give him over 100 free admission tickets to Disneyland for his friends, but later in the show Disney apparently sent his pet tiger after Benny as revenge, at which point Benny opened his umbrella and soared above the stage like Mary Poppins.
In due course the ratings game finally got to Benny, too. CBS dropped the show in 1964, citing Benny's lack of appeal to the younger demographic the network began courting, and he went to NBC, his original network, in the fall, only to be out-rated by CBS's ''Gomer Pyle, U.S.M.C.'' The network dropped Benny at the end of the season. He continued to make occasional specials into the 1970s. His last television appearance was in 1974, on a Dean Martin Celebrity Roast for Lucille Ball. The videotaped show was telecast just a few weeks after his death.
In his unpublished autobiography, ''I Always Had Shoes'' (portions of which were later incorporated by Jack's daughter, Joan, into her memoir of her parents, ''Sunday Nights at Seven''), Benny said that he, not NBC, made the decision to end his TV series in 1965. He said that while the ratings were still very good (he cited a figure of some 18 million viewers per week, although he qualified that figure by saying he never believed the ratings services were doing anything more than guessing, no matter what they promised), advertisers were complaining that commercial time on his show was costing nearly twice as much as what they paid for most other shows, and he had grown tired of what was called the "rate race." Thus, after some three decades on radio and television in a weekly program, Jack Benny went out on top. In fairness, Benny himself shared Fred Allen's ambivalence about television, though not quite to Allen's extent. "By my second year in television, I saw that the camera was a man-eating monster...It gave a performer close-up exposure that, week after week, threatened his existence as an interesting entertainer."
In a joint appearance with Phil Silvers on Dick Cavett's show, Benny recalled that he had advised Silvers not to appear on television. However, Silvers ignored Benny's advice and proceeded to win several Emmy awards as Sergeant Bilko on the popular series ''The Phil Silvers Show'', while Benny claimed he never won any of the television honors.
Benny may have had an unbilled cameo role in ''Casablanca'' (claimed by a contemporary newspaper advertisement and reportedly in the ''Casablanca'' press book). When asked in his column "Movie Answer Man", critic Roger Ebert first replied, "It looks something like him. That's all I can say." In response to a follow-up question in his next column, he stated, "I think you're right."
Benny also was caricatured in several Warner Brothers cartoons including ''Daffy Duck and the Dinosaur'' (1939, as Casper the Caveman), ''I Love to Singa'', ''Slap Happy Pappy'', and ''Goofy Groceries'' (1936, 1940, and 1941 respectively, as Jack Bunny), ''Malibu Beach Party'' (1940, as himself), and ''The Mouse that Jack Built'' (1959). The last of these is probably the most memorable: Robert McKimson engaged Benny and his actual cast (Mary Livingstone, Eddie Anderson, and Don Wilson) to do the voices for the mouse versions of their characters, with Mel Blanc—the usual Warner Brothers cartoon voicemeister—reprising his old vocal turn as the always-aging Maxwell, always a ''phat''-phat-''bang!'' away from collapse. In the cartoon, Benny and Livingstone agree to spend their anniversary at the Kit-Kat Club, which they discover the hard way is inside the mouth of a live cat. Before the cat can devour the mice, Benny himself awakens from his dream, then shakes his head, smiles wryly, and mutters, "Imagine, me and Mary as little mice." Then, he glances toward the cat lying on a throw rug in a corner and sees his and Livingstone's cartoon alter egos scampering out of the cat's mouth. The cartoon ends with a classic Benny look of befuddlement. It was rumored that Benny requested that, in lieu of monetary compensation, he receive a copy of the finished film.
A skit heard numerous times on radio, and seen many times on television, had Mel Blanc as a Mexican in a sombrero and sarape sitting on a bench. Jack Benny sits down and begins a conversation. To each question asked by Benny, Blanc replies Si, Benny asks his name, Blanc replies Sy and when Benny asks where Blanc is going, Blanc replies, "to see his sister", Sue.
A running gag in Benny's private life concerned George Burns. To Benny's eternal frustration, he could never get Burns to laugh. Burns, on the other hand, could crack Benny up with the least effort. An example of this occurred at a party when Benny pulled out a match to light a cigar. Burns announced to all, "Jack Benny will now perform the famous match trick!" Benny had no idea what Burns was talking about, so he proceeded to light up. Burns observed, "Oh, a new ending!" and Benny collapsed in helpless laughter.
Benny even had a sound-based running gag of his own: his famous basement vault alarm, allegedly installed by Spike Jones, ringing off with a shattering cacophony of whistles, sirens, bells, and blasts, before ending invariably with the sound of a foghorn. The alarm rang off even when Benny opened his safe with the correct combination. The vault also featured a guard named Ed (voiced by Joseph Kearns) who had been on post down below before, apparently, the end of the Civil War, the end of the Revolutionary War, the founding of Los Angeles, on Jack's 38th birthday, and even the beginning of humanity. In one appearance, Ed asked Benny, "By the way, Mr. Benny...what's it like on the outside?" Benny responded, "...winter is nearly here, and the leaves are falling." Ed responded, "Hey, that must be exciting." To which Benny replied (in a stunningly risqué joke for the period), "Oh, no—people are wearing clothes now." In one episode of the Benny radio show, Ed the Guard actually agreed when Jack invited him to take a break and come back to the surface world, only to discover that modern conveniences and transportation, which hadn't been around the last time he'd been to the surface, terrorized and confused him. (Poor Ed thought a crosstown bus was "a red and yellow dragon.") Finally, Ed decides to return to his post fathoms below and stay there. The basement vault gag was also used in the cartoon ''The Mouse that Jack Built'' and an episode of ''The Lucy Show''.
A separate sound gag involved a song Benny had written, "When You Say I Beg Your Pardon, Then I'll Come Back to You." Its inane lyrics and insipid melody guaranteed that it would never be published or recorded, but Benny continued to try to con, extort, or otherwise inveigle some of his musical guests (including The Smothers Brothers and Peter, Paul and Mary) to perform it. None ever made it all the way through.
In keeping with his "stingy" schtick, on one of his television specials he remarked that, to his way of looking at things, a "special" is when the price of coffee is marked down.
The explanation usually given for the "stuck on 39" running joke is that he had celebrated his birthday on-air when he turned 39, and decided to do the same the following year, because "there's nothing funny about 40." Upon his death, having celebrated his 39th birthday 41 times, some newspapers continued the joke with headlines such as "Jack Benny Dies – At 39?"
Another popular running gag concerned the social habits of Benny's on-air orchestra, who were consistently portrayed as a bunch of drunken ne'er-do-wells. Led first by Phil Harris and later by Bob Crosby, the orchestra, and in particular band member Frank Remley, were jokingly portrayed as often being too drunk to play properly, using an overturned bass drum to play cards on just minutes before a show, and so enamored by liquor that the sight of a glass of milk would make them sick. Remley was portrayed in various unflattering situations, such as being thrown into a garbage can by a road sweeper who had found him passed out in the street at 4 am, and on a wanted poster at the Beverly Hills police station. Crosby also got consistent laughs by frequently joking about his more famous brother Bing's vast wealth.
When the Jack Benny Program began appearing on television in 1950, a 1916 Maxwell Model 25 Tourer became one of the production's standard props. Benny's Maxwell later became a 1923 Tourer. In addition to on the program, Benny would often make public appearances in Maxwells. He appeared behind the wheel of one in the film It's a Mad, Mad, Mad, Mad World and drove a Maxwell onto the stage in one of his last television specials. Benny and his archaic auto were featured in a series of television and print ads for Texaco from the 1950s through the 1970s. A series of gags were built around the premise that Benny appreciated the value of "Sky Chief" brand gasoline in keeping his car running smoothly, but was too cheap to buy more than one gallon at a time.
After his broadcasting career ended, Benny performed live as a stand up comedian and returned to films in 1963 with a cameo appearance in ''It's a Mad, Mad, Mad, Mad World''. Benny was preparing to star in the film version of Neil Simon's ''The Sunshine Boys'' when his health failed. In fact, he prevailed upon his longtime best friend, George Burns, to take his place on a nightclub tour while preparing for the film. (Burns ultimately had to replace Benny in the film as well and went on to win an Academy Award for his performance).
Benny made one of his final television appearances in the fall of 1972 on ''The Tonight Show with Johnny Carson'' when Carson celebrated his 10th anniversary. (An audio recording featuring highlights of Benny's appearance is featured on the album ''Here's Johnny: Magic Moments From The Tonight Show'' released in 1973.) During this appearance, he stated that he loved the violin so much, "if God came to me and said 'Jack, starting tomorrow I will make you one of the world's great violinists, but no more will you ever be able to tell a joke', I really believe that I would accept that." He also related something Isaac Stern once told him: "You know, Jack, when you walk out in front of a symphony orchestra in white tie and tails and your violin, you actually ''look'' like one of the world's great violinists. It's a damned shame you have to ''play''!" Jokes aside, Benny was a serious, dedicated violinist who could play aside Stern and not embarrass himself.
In trying to explain his successful life, Benny summed it up by stating "Everything good that happened to me happened by accident. I was not filled with ambition nor fired by a drive toward a clear-cut goal. I never knew exactly where I was going."
Upon his death, his family donated to UCLA his personal, professional, and business papers, as well as a collection of his television shows. The university established the Jack Benny Award in his honor in 1977 to recognize outstanding people in the field of comedy. Johnny Carson was the first award recipient. Benny also donated a Stradivarius violin purchased in 1957 to the Los Angeles Philharmonic Orchestra. Benny had commented, "If it isn't a $30,000 Strad, I'm out $120."
Jack Benny Middle School in Waukegan, Illinois, is named after the famous comedian. Its motto matches his famous statement as "Home of the '39ers".
Category:1950s American television series Category:1960s American television series Category:1950 television series debuts Category:1965 television series endings Category:American comedians Category:American film actors Category:American Jews Category:American military personnel of World War I Category:American people of Lithuanian-Jewish descent Category:American people of Polish-Jewish descent Category:American radio personalities Category:American radio actors Category:American stand-up comedians Category:American television actors Category:American violinists Category:Cancer deaths in California Category:CBS network shows Category:Deaths from pancreatic cancer Category:Jewish actors Category:Jewish comedians Category:Peabody Award winners Category:National Radio Hall of Fame inductees Category:People from Chicago, Illinois Category:People from Waukegan, Illinois Category:United States Navy officers Category:Vaudeville performers Category:1894 births Category:1974 deaths
de:Jack Benny es:Jack Benny eo:Jack Benny fr:Jack Benny gl:Jack Benny ko:잭 베니 it:Jack Benny hu:Jack Benny ja:ジャック・ベニー pl:Jack Benny pt:Jack Benny simple:Jack Benny sh:Jack Benny fi:Jack Benny sv:Jack Benny tl:Jack BennyThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
{{infobox television | show name | The Fast Show | format Sketch comedy | image | caption Front cover of the ''Ultimate Fast Show Collection'' DVD. | creator Paul Whitehouse and Charlie Higson | starring Paul Whitehouse Charlie Higson Arabella Weir John Thomson Caroline Aherne (1994–97) Simon Day Mark Williams Paul Shearer | runtime 30 minutes | num_episodes 25 | channel BBC |country United Kingdom | first_aired 1994 | last_aired 1997reunion special in 2000 }} |
---|
''The Fast Show'', known as ''Brilliant'' in the US, was a BBC comedy sketch show programme that ran for three series from 1994 to 1997 with a special ''Last Fast Show Ever'' in 2000. The show's central performers were Paul Whitehouse, Charlie Higson, Simon Day, Mark Williams, John Thomson, Arabella Weir and Caroline Aherne. Other significant cast members included Paul Shearer, Felix Dexter, Rhys Thomas, Jeff Harding, Maria McErlane, Eryl Maynard, Colin McFarlane and Donna Ewin.
The show produced two national tours, the first in 1998 with the cast of the BBC surrealist comedy quiz show ''Shooting Stars'' and the second being their 'Farewell Tour' in 2002. ''The Fast Show'' was loosely structured and relied on character comedy, recurring running gags, and many catchphrases. Its fast-paced "blackout" style set it apart from traditional sketch series because of the number and relative brevity of its sketches; a typical half-hour TV sketch comedy of the period might have consisted of nine or ten major items, with contrived situations and extended setups, whereas the premiere episode of ''The Fast Show'' featured twenty-seven sketches in thirty minutes, with some items lasting less than ten seconds and none running longer than three minutes. Its innovative style and presentation influenced many later series such as ''The Catherine Tate Show'' and ''Little Britain''.
It was one of the most popular sketch shows of the 1990s. The show has been released on VHS, DVD and audio CD. Some of its characters, Ron Manager, Ted and Ralph, Swiss Toni and Billy Bleach have had their own spin-off programmes.
In the early 1990s Higson and Whitehouse worked extensively with Vic Reeves and Bob Mortimer, writing for and performing in the series ''The Smell of Reeves and Mortimer'' and ''Bang Bang, It's Reeves and Mortimer'' (both of which Higson produced). These series also featured occasional appearances by future ''Fast Show'' cast members Caroline Aherne, Simon Day and Mark Williams. Higson made many appearances in minor roles, while Williams and Whitehouse had recurring roles (with Vic and Bob) in ''The Smell of Reeves and Mortimer'', parodying the members of rock group Slade in the popular "Slade in Residence" and "Slade on Holiday" sketches.
Inspired by a press preview tape of Enfield's show, compiled by producer friend Geoffrey Perkins and consisting of fast-cut highlights of Enfield's sketches, the pair began stockpiling material and developing the idea of a rapid-fire 'MTV generation' format based wholly on quick cuts and soundbites/catchphrases. After unsuccessfully trying to sell the series to ITV through an independent production company, Higson and Whitehouse approached the new controller of BBC2, Michael Jackson; fortunately, he was then looking for new shows to replace several high-profile series that had been recently lost to BBC1, and their show was picked up by BBC2.
Whitehouse and Higson, the co-producers and main writers, then assembled the original team of writers and performers, which included David Cummings, Mark Williams, Caroline Aherne, Paul Shearer, Simon Day, Arabella Weir, John Thomson, Graham Linehan and Arthur Mathews (of ''Father Ted'' fame), Vic Reeves, Bob Mortimer and Craig Cash (who went on to write and perform with Aherne in ''The Royle Family''). Musical director Philip Pope was also an established comedy actor with extensive experience in TV and radio comedy, and had previously appeared in series such as ''Who Dares Wins'' and ''KYTV''; he also enjoyed success as a comedy recording artist as part of the Bee Gees parody group The HeeBeeGeebees.
''The Fast Show'' was a working title disliked by both Whitehouse and Higson but it went unchanged through production and eventually remained as the final title.
The first series introduced many signature characters and sketches including Ted and Ralph, Unlucky Alf, The Fat Sweaty Coppers, Ron Manager, Roy and Renée, Ken and Kenneth (The Suit You Tailors), Arthur Atkinson, Bob Fleming, Brilliant Kid, Insecure Woman, Janine Carr, Denzil Dexter, Carl Hooper, Ed Winchester, the Patagonian buskers, "Jazz Club" and the popular parody "Chanel 9".
Many characters were never given any 'official' name, with their sketches being written to give their catchphrase as the punchline of each sketch. Examples include "Anyone fancy a pint?" (played by Whitehouse), "You ain't seen me, right!" (a mysterious gangster-like character played by Mark Williams), "I'll get me coat" (Williams) and "Ha!", a sarcastic elderly woman played by Weir.
Other long-standing running jokes in the programme included the fictitious snack food "Cheesy Peas" in various different forms, shapes and flavours, in satirical adverts presented by a twangy, Northern lad (Paul Whitehouse) who claims, "They're good for your teas!"and has since become a reality thanks to UK TV chef Jamie Oliver . The dire earnestness of the born-again Christian was parodied in another popular group of sketches where various characters responded to any comment or question by extolling the virtues of "Our Lord Jesus" and ended the sketch with the exclamation "He died for all our sins, didn't he?" or something similar; and most controversially, "We're from the Isle of Man", featuring a stereotype of weird, surreal, townsfolk in a setting portrayed as an abjectly impoverished and desolate cultural wasteland.
Some of the characters resembled parodies of well-known personalities: for example, Louis Balfour, host of "Jazz Club" was reminiscent of Bob Harris of ''The Old Grey Whistle Test'' and Ron Manager of football pundits Trevor Brooking and Graham Taylor. However, the parodic intent of this character is broader, and portrays how often football pundits have little to say of any real substance and sometimes waffle. Paul Whitehouse said that Ron Manager was based on ex-Luton Town & Fulham manager Alec Stock . Arthur Atkinson is a composite of Arthur Askey and Max Miller and Lord Ralph Mayhew is said to be based on film director John Boorman.
The show ended in 2000, with a three-part "Last Ever" show, in the first episode of which ''Fast Show'' fan Johnny Depp had a guest-starring role as a customer of The Suit You Tailors, after three series and a Christmas special.
The theme tune was "Release Me", a song which had been a hit for pop singer Engelbert Humperdinck. In the first series it was performed over the opening credits by Whitehouse in the guise of abnormally transfiguring singer Kenny Valentine. In subsequent series, the tune only appeared in the closing credits, played on the saxophone.
These sketches are included in the UK edition of the boxed VHS videotape set of Series 3, and also on the 7 disc Ultimate Fast Show DVD box set.
Category:1994 in British television Category:1994 British television programme debuts Category:2000 British television programme endings Category:1990s British television series Category:2000s British television series Category:BBC television comedy Category:British television sketch shows Category:The Fast Show
nl:The Fast Show no:The Fast Show fi:Ruuvit löysällä (televisiosarja) vls:The Fast ShowThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Bill Bailey |
---|---|
birth name | Mark Bailey |
birth date | January 13, 1964 |
birth place | Bath, Somerset, England |
active | 1989–present |
genre | Surreal humour, Musical comedy |
spouse | Kristin Bailey (1998–present) |
religion | Pagan |
website | |
notable work | ''Black Books''''Never Mind the Buzzcocks''''Hot Fuzz'' |
notable role | Manny Biancoin ''Black Books''Bilboin ''Spaced'' }} |
Bailey was listed by ''The Observer'' as one of the 50 funniest acts in British comedy in 2003. In 2007 and again in 2010, he was voted the 7th greatest stand-up comic on Channel 4's 100 Greatest Stand-Ups. Bill Bailey is a patron of International Animal Rescue.
Bailey was educated at King Edward's School, an independent school in Bath where he was initially an academic pupil winning most of the prizes. However, at about the age of 15 years, he started to become distracted from school work when he realised the thrill of performance as a member of a school band called Behind Closed Doors, which played mostly original work. He was the only pupil at his school to study A-level music and he passed with an A grade. He also claims to have been good at sport (captain of KES 2nd XI cricket team 1982), which often surprised his teachers. He would often combine the two by leading the singing on the long coach trip back from away rugby fixtures. It was here that he was given his nickname Bill by his music teacher, Ian Phipps, for being able to play the song "Won't You Come Home Bill Bailey" so well on the guitar.
He started an English degree at Westfield College of the University of London but left after a year.
He spent his early years listening to Monty Python records, and rehearsing with a band called the "Famous Five", who he himself confesses were very bad but still much better than him and who actually only had four members. However, he is a classically trained musician and received an Associateship Diploma from the London College of Music as well as being made an honorary member of the Society of Crematorium Organists. Despite this, he has said that he always had the temptation to be silly with music, a trait that influences his stand-up shows.
Bailey often mythologises his early years in his stand-up. In his show ''Bewilderness'', he claims to have attended Bovington Gurney School of Performing Arts and Owl Sanctuary. He talks about a succession of jobs he had before becoming a comedian, including lounge pianist, crematorium organist, door-to-door door-salesman and accompanist for a mind-reading dog. A clip of Bailey's appearance in the dog's routine was shown during his ''Room 101'' appearance. He also is self-deprecating about his appearance, suggesting he is so hairy that he is part troll, or that his hair or beard is a small animal named Lionel whom he has trained to sit 'very very still.'
Bailey also talks about his role as a "Disenfranchised Owl" in an experimental Welsh theatre troupe. Other acting roles included a part in a Workers' Revolutionary Party stage production called ''The Printers'', which also featured Vanessa Redgrave and Frances de la Tour. His trivia page on IMDb also claims that he was awarded Best Actor in the 1986 Institut Français awards.
Bailey married Kristin in 1998. An avid ''Star Trek'' fan, he named his son (born 2003) not after the'' Star Trek: Deep Space Nine'' character Dax as is often reported, but after a childhood friend, and often refers to himself as a Klingon (once claiming during his "Part Troll" tour that his ear-mounted microphone made him resemble "a wizard in a call centre" and "a Klingon motivational speaker").
He currently lives in Hammersmith and supports Queens Park Rangers. In 2010, Bailey endorsed the Labour Party in the upcoming General Election, appearing in the party's fifth party election broadcast of the 2010 campaign. He is also an outspoken feminist and supporter of the Fawcett Society.
Stubbs later quit to pursue a more serious career, and in 1994 Bailey performed ''Rock'' at the Edinburgh Festival Fringe with Sean Lock, a show about an ageing rockstar and his roadie, script-edited by comedy writer Jim Miller. It was later serialised for the Mark Radcliffe show on BBC Radio 1. However, the show's attendances were not impressive and on one occasion the only person in the audience was comedian Dominic Holland. Bailey almost gave up comedy to take up a telesales job.
He persevered, however, and went solo the next year with the one man show ''Bill Bailey's Cosmic Jam''. The show was very well received and led to a recording at the Bloomsbury Theatre in London which was broadcast in 1997 on Channel 4 as a one-hour special called ''Bill Bailey Live''. It was not until 2005 that this was released in DVD uncut and under its original title. It marked the first time that Bailey had been able to tie together his music and post-modern gags with the whimsical rambling style he is now known for.
After supporting Donna McPhail in 1995 and winning a ''Time Out'' award, he returned to Edinburgh in 1996 with a critically acclaimed show that was nominated for the Perrier Comedy Award. Amongst the other nominees was future ''Black Books'' co-star Dylan Moran, who narrowly beat him in the closest vote in the award's history.
Bailey won the Best Live Stand-Up award at the British Comedy Awards, 1999.
This was not Bailey's first foray into television. His debut was on the children's TV show ''Motormouth'' in the late 1980s, playing piano for a mind-reading dog. The trick went hilariously wrong, and Bailey reminisced about the experience on the BBC show ''Room 101'' with Paul Merton in 2000. In 1991, he was appearing in stand-up shows such as ''The Happening'', ''Packing Them In'', ''The Stand Up Show'', and ''The Comedy Store''. He also appeared as captain on two panel games, an ITV music quiz pilot called ''Pop Dogs'', and the poorly received Channel 4 science fiction quiz show, ''Space Cadets''. However ''Is it Bill Bailey?'' was the first time he had written and presented his own show.
With his star on the rise and gaining public recognition, over the next few years, Bailey made well received guest appearances on shows such as ''Have I Got News For You'', ''World Cup Comedy'', ''Room 101'', ''Des O'Connor Tonight'', ''Coast to Coast'' and three episodes of off-beat Channel 4 sitcom ''Spaced'', in which he played comic-shop manager Bilbo Bagshot.
In 1998, Dylan Moran approached him with the pilot script for ''Black Books'', a Channel 4 sitcom about a grumpy bookshop owner, his put-upon assistant, and their neurotic female friend. It was commissioned in 2000, and Bailey took the part of the assistant Manny Bianco, with Moran playing the owner Bernard, and Tamsin Greig the friend, Fran. Three series of six episodes were made, building up a large cult fanbase, providing the public awareness on which Bailey would build a successful national tour in 2001.
When Sean Hughes left his long-term role as a team captain on ''Never Mind the Buzzcocks'' in 2002, Bailey became his successor. His style quickly blended into the show, possibly helped by his background in music. He soon developed a rapport of sorts with host Mark Lamarr, who continually teased him about his looks and his pre-occupation with woodland animals. It was announced on 18 September 2008 that Bill would be leaving the series and be replaced by a series of guest captains including Jack Dee and Dermot O'Leary. Whilst touring in 2009, Bailey joked that his main reason for leaving the show was a lack of desire to continue humming Britney Spears' Toxic to little known figures in the indie music scene. It was during this time that he also left his position as "curator" of The Museum of Curiosity, and declared his intention to "retire" from panel games, although he has since appeared on QI many more times and hosted Have I Got News For You.
Bailey has appeared frequently on the intellectual panel game ''QI'' since it began in 2003, appearing alongside host Stephen Fry and regular panellist Alan Davies. Other television appearances include a cameo role in Alan Davies' drama series ''Jonathan Creek'' as failing street magician Kenny Starkiss and obsessed guitar teacher in the "Holiday" episode of Sean Lock's ''Fifteen Storeys High''. He later appeared with Lock again as a guest on his show ''TV Heaven, Telly Hell''. He has also appeared twice on ''Friday Night with Jonathan Ross''. Bill also hosted his own show "Comic's Choice", which aired in 2011.
Bailey also presented ''Wild Thing I Love You'' which began on Channel 4 on 15 October 2006. The series focuses on the protection of Britain's wild animals, and has included rehoming badgers, owls, and water voles.
Bailey has most recently appeared in the second series of the E4 teenage "dramedy" ''Skins'' playing Maxxie's Dad, Walter Oliver. In episode 1, Walter struggles with his son's desire to be a dancer, instead wishing him to become a builder, which is what he himself does for a living. Walter is married to Jackie, played by Fiona Allen.
Bailey appeared on the first episode of Grand Designs Live on 4 May 2008, helping Kevin McCloud build his eco-friendly home. In 2009 Bailey appeared in the BBC show "Hustle" as the Character "Cyclops", a side-line character. In the Autumn of 2009, Bailey presented Bill Bailey's Birdwatching Bonanza.
As a continuation of Bailey's recent foray into natural history, he presented ITV1's half-hour wildlife mini-series ''Baboons With Bill Bailey''. The series was filmed in Cape Town and spanned 8 episodes, with exclusive content available on itvWILD.
Bailey premiered his show ''Part Troll'' at the 2003 Edinburgh Festival Fringe. A critical and commercial success, he then transferred it to the West End where tickets sold out in under 24 hours, and new dates had to be added. Since then he has toured it all over the UK as well as in America, Australia and New Zealand. The show marked the first time Bailey had really tackled political material, as he expanded on subjects such as the war on Iraq, which he had only touched upon before in his ''Bewilderness New York'' show. He also talks extensively on drugs, at one point asking the audience to name different ways of baking cannabis. A DVD was released in 2004.
2005 finally saw the release of his 1995 show ''Bill Bailey's Cosmic Jam''. The 2-disc set also contained a director's cut of ''Bewilderness'', which featured a routine on Stephen Hawking's ''A Brief History of Time'' not seen in the original version.
Bailey performed at show at the 2006 Edinburgh Festival Fringe entitled "Steampunk". It looked set to become the fastest selling fringe show ever (beating the record Bailey set with The Odd Couple in 2005). But a ticketing mix-up forced the last 10% of tickets to be purchased in person from the venue rather than pre-booked, meaning the venue filled at a slower overall rate than it should have.
Bailey appeared at the Beautiful Days festival in August 2007. The UK leg of the ''Tinselworm'' tour enjoyed 3 sell-out nights at the MEN Arena in Manchester, Europe's largest indoor arena, and culminated with a sell-out performance at Wembley Arena.
Early in 2007, a petition was started to express fans' wishes to see him cast as a dwarf in the 2010 film ''The Hobbit'', after his stand-up routine mentioned auditioning for Gimli in ''The Lord of the Rings''. The petition reached its goal in the early days of January, and was sent to the producers. It was hoped that as the Tinselworm tour took him to Wellington in New Zealand where the film is in pre-production, that he would be able to audition.
Bill Bailey's most recent tour, titled ''Dandelion Mind'', was released on DVD on 22 November 2010.
In February 2007, Bill appeared on two occasions with the BBC Concert Orchestra and Anne Dudley in a show entitled ''Cosmic Shindig''. Performed in The Colosseum in Watford on 24 February and in the Queen Elizabeth Hall on 26 February, the show contained orchestrally accompanied versions of many of Bill's previously performed songs, an exploration of the instruments of the orchestra and a number of new pieces of music. The Queen Elizabeth Hall performance was aired on BBC Radio 3 on 16 March 2007 as a part of Comic Relief 2007.
Bill had planned to put himself forward as Britain's Eurovision entry in 2008, as a result of several fan petitions encouraging him to do so.
In October 2008 he performed ''Bill Bailey's Remarkable Guide to the Orchestra'' at the Royal Albert Hall with the BBC Concert Orchestra, conducted by Anne Dudley.
In 2009, Bailey presented a project about the explorer and naturalist Alfred Russel Wallace, in the form of an Indonesian travelogue. Bailey said in an interview that Wallace had been "airbrushed out of history", and that he feels a "real affinity" with him.
In November 2009 he was a guest on ''Private Passions'', the biographical music discussion programme on BBC Radio 3.
In July 2011, Bailey performed at the Sonisphere Festival in Knebworth, headlining the Saturn Stage.
!Title | !Released | !Notes |
''Bewilderness'' | 12 November 2001 | |
''Part Troll'' | 22 November 2004 | Live at London's HMV Hammersmith Apollo |
''Cosmic Jam'' | 7 November 2005 | Live at London's Bloomsbury Theatre |
''Tinselworm'' | 10 November 2008 | Live at London's Wembley Arena |
''Remarkable Guide to the Orchestra'' | 23 November 2009 | Live at London's Royal Albert Hall |
''Dandelion Mind'' | 22 November 2010 |
Category:1965 births Category:20th-century actors Category:21st-century actors Category:20th-century writers Category:21st-century writers Category:Alumni of the Royal Academy of Music Category:Alumni of Westfield College Category:English buskers Category:English comedians Category:English comedy musicians Category:English composers Category:English film actors Category:English guitarists Category:English stand-up comedians Category:English television actors Category:English television writers Category:Living people Category:Never Mind the Buzzcocks Category:People from Bath, Somerset Category:People from Keynsham Category:People educated at King Edward's School, Bath
cy:Bill Bailey fr:Bill Bailey ga:Bill Bailey nl:Bill Bailey no:Bill Bailey ru:Бэйли, Билл (комедиант) simple:Bill Bailey fi:Bill Bailey sv:Bill BaileyThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Judy Garland''' |
---|---|
Birth name | Frances Ethel Gumm |
Birth date | June 10, 1922 |
Birth place | Grand Rapids, Minnesota, U.S. |
Death date | June 22, 1969 |
Death place | Chelsea, London, England, UK |
Cause death | Drug Overdose |
Occupation | Actress, singer |
Years active | |
Spouse | |
Children | }} |
At 39 years of age, she was the youngest recipient of the Cecil B. DeMille Award for lifetime achievement in the motion picture industry.
After appearing in vaudeville with her two older sisters, Garland was signed to Metro-Goldwyn-Mayer as a teenager. There she made more than two dozen films, including nine with Mickey Rooney and the 1939 film with which she would be most identified, ''The Wizard of Oz''. After 15 years, she was released from the studio but gained renewed success through record-breaking concert appearances, including a return to acting beginning with critically acclaimed performances.
Despite her professional triumphs, Garland battled personal problems throughout her life. Insecure about her appearance, her feelings were compounded by film executives who told her she was unattractive and manipulated her on-screen physical appearance. She was plagued by financial instability, often owing hundreds of thousands of dollars in back taxes. She married five times, with her first four marriages ending in divorce. She died of an accidental drug overdose at the age of 47, leaving children Liza Minnelli, Lorna Luft, and Joey Luft.
In 1997, Garland was posthumously awarded a Grammy Lifetime Achievement Award. Several of her recordings have been inducted into the Grammy Hall of Fame. In 1999, the American Film Institute placed her among the ten greatest female stars in the history of American cinema.
Garland's ancestry on both sides of her family can be traced back to the early colonial days of the United States. Her father was descended from the Marable family of Virginia, her grandfather a Milne from Aberdeen (as she told an audience on May 29, 1951 in Edinburgh), and her mother from Patrick Fitzpatrick, who emigrated to America in the 1770s from Smithtown, County Meath, Ireland.
Named after both her parents and baptized at a local Episcopal church, "Baby" (as she was called by her parents and sisters) shared her family's flair for song and dance. Her first appearance came at the age of two-and-a-half when she joined her two older sisters, Mary Jane "Suzy/Suzanne" Gumm (1915–64) and Dorothy Virginia "Jimmie" Gumm (1917–77), on the stage of her father's movie theater during a Christmas show and sang a chorus of "Jingle Bells". Accompanied by their mother on piano, The Gumm Sisters performed at there for the next few years. Following rumors that Frank Gumm had made sexual advances toward male ushers there, the family relocated to Lancaster, California, in June 1926. Frank purchased and operated another theater in Lancaster, and Ethel, acting as their manager, began working to get her daughters into motion pictures. Garland graduated from Antelope Valley High School shortly after.
In 1934, the trio, who by then had been touring the vaudeville circuit as "The Gumm Sisters" for many years, performed in Chicago at the Oriental Theater with George Jessel. He encouraged the group to choose a more appealing name after "Gumm" was met with laughter from the audience. "The Garland Sisters" was chosen, and Frances changed her name to "Judy" soon after, inspired by a popular Hoagy Carmichael song.
Several stories persist regarding the origin of the name "Garland". One is that it was originated by Jessel after Carole Lombard's character Lily Garland in the film ''Twentieth Century'' which was then playing at the Oriental; another is that the girls chose the surname after drama critic Robert Garland. Garland's daughter Lorna Luft stated that her mother selected the name when Jessel announced that the trio "looked prettier than a garland of flowers". Another variation surfaced when he was a guest on Garland's television show in 1963. He claimed that he had sent actress Judith Anderson a telegram containing the word "garland," and it stuck in his mind.
At any rate, by late 1934 the "Gumm Sisters" had changed their name to the "Garland Sisters." They were broken up in August 1935, however, Suzanne Garland flew to Reno, Nevada, and married musician Lee Kahn, a member of the Jimmy Davis orchestra playing at Cal-Neva Lodge, Lake Tahoe.
On November 16, 1935, in the midst of preparing for a radio performance on the ''Shell Chateau Hour,'' Garland learned that her father, who had been hospitalized with meningitis, had taken a turn for the worse. Frank Gumm died the following morning, on November 17, leaving her devastated. Her song for the ''Shell Chateau Hour'' was her first professional rendition of "Zing! Went the Strings of My Heart", a song which would become a standard in many of her concerts.
Garland next came to the attention of studio executives by singing a special arrangement of "You Made Me Love You" to Clark Gable at a birthday party held by the studio for the actor; her rendition was so well regarded that she performed the song in the all-star extravaganza ''Broadway Melody of 1938'' (1937), in which she sang it to a photograph of him.
MGM hit on a winning formula when it paired Garland with Mickey Rooney in a string of "backyard musicals". The duo first appeared together in the 1937 B movie ''Thoroughbreds Don't Cry''. They became a sensation, and teamed up again in ''Love Finds Andy Hardy''. She would eventually star with him in nine films.
To keep up with the frantic pace of making one film after another, Garland, Rooney, and other young performers were constantly given amphetamines, as well as barbiturates to take before going to bed. For Garland, this regular dose of drugs led to addiction and a lifelong struggle, and contributed to her eventual demise. She later resented the hectic schedule and felt that her youth had been stolen from her by MGM. Despite successful film and recording careers, several awards, critical praise, and her ability to fill concert halls worldwide, she was plagued throughout her life with self-doubt and required constant reassurance that she was talented and attractive.
Shooting commenced on October 13, 1938, and was completed on March 16, 1939, with a final cost of more than US$2 million. From the conclusion of filming, MGM kept Garland busy with promotional tours and the shooting of ''Babes in Arms''. She and Mickey Rooney were sent on a cross-country promotional tour, culminating in the August 17 New York City premiere at the Capitol Theater, which included a five-show-a-day appearance schedule for the two stars.
On November 17, 1939, Garland's mother, Ethel, married William P. Gillmore in Yuma, Arizona. It was the fourth anniversary of her first husband's death.
''The Wizard of Oz'' was a tremendous critical success, though its high budget and promotions costs of an estimated $4 million coupled with the lower revenue generated by children's tickets meant that the film did not make a profit until it was rereleased in the 1940s. At the 1940 Academy Awards ceremony, Garland received an Academy Juvenile Award for her performances in 1939, including ''The Wizard of Oz'' and ''Babes in Arms''. Following this recognition, she became one of MGM's most bankable stars.
At the age of 21, she was given the "glamour treatment" in ''Presenting Lily Mars'', in which she was dressed in "grown-up" gowns. Her lightened hair was also pulled up in a stylish fashion. However, no matter how glamorous or beautiful she appeared on screen or in photographs, she was never confident in her appearance and never escaped the "girl next door" image that had been created for her.
One of Garland's most successful films for MGM was ''Meet Me in St. Louis'' (1944), in which she introduced three standards: "The Trolley Song", "The Boy Next Door", and "Have Yourself a Merry Little Christmas". Vincente Minnelli was assigned to direct this movie, and he requested that makeup artist Dorothy Ponedel be assigned to her for the picture. Ponedel refined her appearance in several ways, including extending and reshaping her eyebrows, changing her hairline, modifying her lip line, and removing her nose discs. She appreciated the results so much that Ponedel was written into her contract for all her remaining pictures at MGM.
''The Clock'' (1945) was her first straight dramatic film, opposite Robert Walker. Though the film was critically praised and earned a profit, most movie fans expected her to sing. It would be many years before she acted again in a non-singing dramatic role.
Garland's other famous films of the 1940s include ''The Harvey Girls'' (1946), in which she introduced the Academy Award-winning song "On the Atchison, Topeka and the Santa Fe", and ''The Pirate'' (1948).'''
Because of her mental condition, Garland was unable to complete a series of films. During the filming of ''The Barkleys of Broadway'', she was taking prescription sleeping medication along with illicitly obtained pills containing morphine. These, in combination with migraine headaches, led her to miss several shooting days in a row. After being advised by her doctor that she would only be able to work in four-to-five-day increments with extended rest periods between, MGM executive Arthur Freed made the decision to suspend her on July 18, 1948. She was replaced by Ginger Rogers.
Garland was cast in the film adaptation of ''Annie Get Your Gun'' in the title role of Annie Oakley. She was nervous at the prospect of taking on a role strongly identified with Ethel Merman, anxious about appearing in an unglamorous part after breaking from juvenile parts for several years, and disturbed by her treatment at the hands of director Busby Berkeley. She began arriving late to the set, and sometimes failed to appear. She was suspended from the picture on May 10, 1949, and was replaced by Betty Hutton.
Garland was next cast in the film ''Royal Wedding'' with Fred Astaire after June Allyson became pregnant in 1950. She again failed to report to the set on multiple occasions, and the studio suspended her contract on June 17, 1950. She was replaced by Jane Powell. Reputable biographies following her death stated that after this latest dismissal, she slightly grazed her neck with a broken water glass, requiring only a Band-Aid, but at the time, the public was informed that a despondent Garland had slashed her throat. "All I could see ahead was more confusion," Garland later said of this suicide attempt. "I wanted to black out the future as well as the past. I wanted to hurt myself and everyone who had hurt me."
Garland's personal and professional achievements during this time were marred by the actions of her mother, Ethel. In May 1952, at the height of her comeback, Ethel was featured in a ''Los Angeles Mirror'' story in which she revealed that while Garland was making a small fortune at the Palace, Ethel was working a desk job at Douglas Aircraft Company for $61 a week. They had been estranged for years, with Garland characterizing her mother as "no good for anything except to create chaos and fear" and accusing her of mismanaging and misappropriating her salary from the earliest days of her career. Garland's sister Virginia denied this, stating "Mama never took a dime from Judy." On January 5, 1953, Ethel was found dead in the Douglas Aircraft parking lot.
Upon its September 29 world premiere, the film was met with tremendous critical and popular acclaim. Before release it was edited at the instruction of Jack Warner; theater operators, concerned that they were losing money because they were only able to run the film for three or four shows per day instead of five or six, pressured the studio to make additional reductions. About 30 minutes of footage was cut, sparking outrage among critics and filmgoers. ''A Star is Born'' ended up losing money, and the secure financial position Garland had expected from the profits did not materialize. Transcona made no more films with Warner.
Garland was nominated for the Academy Award for Best Actress and, in the run-up to the 27th Academy Awards, was generally expected to be the winner. She could not attend the ceremony because she had just given birth to her son, Joseph Luft, so a television crew was in her hospital room with cameras and wires to televise her anticipated acceptance speech. The Oscar was won, however, by Grace Kelly for ''The Country Girl'' (1954). The camera crew was packing up before Kelly could even reach the stage. Garland even made jokes about the incident on her television series, saying "...and nobody said good-bye." Groucho Marx sent her a telegram after the awards ceremony, declaring her loss "the biggest robbery since Brinks". To this day, it is still considered to be one of the biggest upsets in the history of the Academy Awards and generally felt that she should have rightly won the Oscar and her performance far exceeded Kelly's. ''TIME'' magazine labeled her performance as "just about the greatest one-woman show in modern movie history". Garland won the Golden Globe Award for Best Actress in a Musical for the role.
Garland's films after ''A Star Is Born'' included ''Judgment at Nuremberg'' (1961) (for which she was Oscar-and Golden Globe-nominated for Best Supporting Actress), the animated feature ''Gay Purr-ee'' (1962), and ''A Child Is Waiting'' (1963) with Burt Lancaster. Her final film, ''I Could Go On Singing'' (1963), costarring Dirk Bogarde, mirrored her own life with its story of a world famous singing star. Her last screen performance of a song was the prophetic ''I Could Go on Singing'' at the end of the film.
In November 1959 Garland was hospitalized, diagnosed with acute hepatitis. Over the next few weeks several quarts of fluid were drained from her body until, still weak, she was released from the hospital in January 1960. She was told by doctors that she likely had five years or less to live, and that even if she did survive she would be a semi-invalid and would never sing again. She initially felt "greatly relieved" at the diagnosis. "The pressure was off me for the first time in my life." However, she successfully recovered over the next several months and, in August of that year, returned to the stage of the Palladium. She felt so warmly embraced by the British that she announced her intention to move permanently to England.
Her concert appearance at Carnegie Hall on April 23, 1961, was a considerable highlight, called by many "the greatest night in show business history". The two-record ''Judy at Carnegie Hall'' was certified gold, charting for 95 weeks on ''Billboard'', including 13 weeks at number one. The album won four Grammy Awards including Album of the Year and Best Female Vocal of the Year. The album has never been out of print.
In 1961, Garland and CBS settled their contract disputes with the help of her new agent, Freddie Fields, and negotiated a new round of specials. The first, entitled ''The Judy Garland Show'', aired in 1962 and featured guests Frank Sinatra and Dean Martin. Following this success, CBS made a $24 million offer to her for a weekly television series of her own, also to be called ''The Judy Garland Show'', which was deemed at the time in the press to be "the biggest talent deal in TV history". Although she had said as early as 1955 that she would never do a weekly television series, in the early 1960s she was in a financially precarious situation. Garland was several hundred thousand dollars in debt to the Internal Revenue Service, having failed to pay taxes in 1951 and 1952, and the financial failure of ''A Star is Born'' meant that she received nothing from that investment. A successful run on television was intended to secure her financial future.
Following a third special, ''Judy Garland and Her Guests Phil Silvers and Robert Goulet'', Garland's weekly series debuted September 29, 1963. ''The Judy Garland Show'' was critically praised, but for a variety of reasons (including being placed in the time slot opposite ''Bonanza'' on NBC) the show lasted only one season and was cancelled in 1964 after 26 episodes. Despite its short run, the series was nominated for four Emmy Awards. The demise of the series was personally and financially devastating for Garland, who never fully recovered from its failure.
A 1964 tour of Australia was largely disastrous. Garland's first concert in Sydney, held in the Sydney Stadium because no concert hall could accommodate the crowds who wanted to see her, went well and received positive reviews. Her second performance, in Melbourne, started an hour late. The crowd of 7,000, angered by her tardiness and believing her to be drunk, booed and heckled her, and she fled the stage after just 45 minutes. She later characterized the Melbourne crowd as "brutish". A second concert in Sydney was uneventful but the Melbourne appearance garnered her significant bad press. Some of that bad press was deflected by the announcement of a near fatal episode of pleurisy.
In February 1967, Garland had been cast as Helen Lawson in ''Valley of the Dolls'' for 20th Century Fox. The character of Neely O'Hara in the book by Jacqueline Susann was rumored to have been based on her. The role of O'Hara in the film was played by Patty Duke. During the filming, she missed rehearsals and was fired in April. She was replaced by Susan Hayward. Her prerecording of the song "I'll Plant My Own Tree" survived, along with her wardrobe tests.
Returning to the stage, Garland made her last appearances at New York's Palace Theatre in July, a 16-show tour, performing with her children Lorna and Joey Luft. She wore a sequined pantsuit on stage for this tour, which was part of the original wardrobe for her character in ''Valley of the Dolls.''
Garland and Luft were married on June 8, 1952, in Hollister, California, and she gave birth to their first child, Lorna, on November 21 and her third one, Joey, on March 29 1955
Garland sued Luft for divorce in 1963, claiming "cruelty" as the grounds. She also asserted that he had repeatedly struck her while he was drinking and that he had attempted to take their children from her by force. She had filed for divorce more than once previously, including as early as 1956.
Garland was posthumously awarded the Grammy Lifetime Achievement Award in 1997. Several of her recordings have been inducted into the Grammy Hall of Fame. These include "Over the Rainbow", which was ranked as the number one movie song of all time in the American Film Institute's "100 Years...100 Songs" list. Four more Garland songs are featured on the list: "Have Yourself a Merry Little Christmas" (#76), "Get Happy" (#61), "The Trolley Song" (#26), and "The Man That Got Away" (#11). She has twice been honored on U.S. postage stamps, in 1989 (as Dorothy) and again in 2006 (as Vicki Lester from ''A Star Is Born''). She is mentioned in the 1998 horror film ''I Still Know What You Did Last Summer'' when the hotel clerk is explaining the history of the hotel in the Bahamas where the film takes place.
Some have also suggested a connection between the date of Garland's death and funeral on June 27, 1969 and the Stonewall riots, the flashpoint of the modern Gay Liberation movement, which started in the early hours of June 28.
Garland has also been impersonated in several TV shows as well.
Category:1922 births Category:1969 deaths Category:People from Grand Rapids, Minnesota Category:Academy Juvenile Award winners Category:Accidental deaths in England Category:Actors from Minnesota Category:University High School (Los Angeles, California) alumni Category:American people of English descent Category:American child actors Category:American child singers Category:American contraltos Category:American female singers Category:American film actors Category:American voice actors Category:American musicians of English descent Category:American people of Irish descent Category:American people of Scottish descent Category:American radio personalities Category:Best Musical or Comedy Actress Golden Globe (film) winners Category:Burials at Ferncliff Cemetery Category:Capitol Records artists Category:Decca Records artists Category:Drug-related deaths in England Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Tony Award winners Category:Traditional pop music singers Category:Vaudeville performers Category:American expatriates in the United Kingdom Category:Real people associated with Oz
ar:جودي غارلند an:Judy Garland bg:Джуди Гарланд ca:Judy Garland cs:Judy Garlandová cy:Judy Garland da:Judy Garland de:Judy Garland es:Judy Garland eo:Judy Garland eu:Judy Garland fa:جودی گارلند fr:Judy Garland ga:Judy Garland gd:Judy Garland ko:주디 갈런드 hr:Judy Garland io:Judy Garland id:Judy Garland it:Judy Garland he:ג'ודי גרלנד ka:ჯუდი გარლანდი la:Judy Garland lv:Džūdija Gārlenda hu:Judy Garland mk:Џуди Гарланд nl:Judy Garland ja:ジュディ・ガーランド no:Judy Garland oc:Judy Garland pl:Judy Garland pt:Judy Garland ro:Judy Garland ru:Джуди Гарленд sq:Judy Garland simple:Judy Garland sl:Judy Garland sr:Џуди Гарланд sh:Judy Garland fi:Judy Garland sv:Judy Garland tl:Judy Garland th:จูดี การ์แลนด์ tr:Judy Garland uk:Джуді Гарленд vi:Judy Garland zh:朱迪·加兰This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The World News (WN) Network, has created this privacy statement in order to demonstrate our firm commitment to user privacy. The following discloses our information gathering and dissemination practices for wn.com, as well as e-mail newsletters.
We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.