In Asia, the Republic of China and the Soviet Union engaged in a minor conflict after the Chinese seized full control of the Manchurian Chinese Eastern Railway, which ended with a resumption of joint administration. In the Soviet Union, General Secretary Joseph Stalin expelled Leon Trotsky and adopted a policy of collectivization. The Grand Trunk Express began service in India. In the Middle East, rioting occurred between Muslims and Jews in Jerusalem over access to the Western Wall. Mohammed Nadir Shah became King of Afghanistan. Britain, Australia and New Zealand began a joint Antarctic Research Expedition. The centenary of Western Australia was celebrated.
In international affairs, the Kellogg-Briand Pact, a treaty renouncing war as an instrument of national policy, went into effect. In Europe, the Holy See and the Kingdom of Italy signed the Lateran Treaty. The Idionymon law was passed in Greece to outlaw political dissent. Spain hosted the Ibero-American Exposition which featured pavilions from Latin American countries. The BBC broadcasted a television transmission for the first time (see "1929 in television"). The German airship LZ 127 ''Graf Zeppelin'' flew around the world in 21 days.
Early in 1929, the Afghani leader King Amanullah lost power through revolution and civil war to Amir Habibullah II. Habibulah's rule, however, only lasted nine months. Nadir Shah replaced him in October, starting a line of monarchs which would last 40 years. In neighboring India, a general strike in Bombay continued throughout the year despite efforts by the British. On December 29, the All India Congress in Lahore declared Indian independence from Britain, something it had threatened to do if Britain did not grant India dominion status. China and Russia engaged in a minor conflict after China seized full control of the Manchurian Chinese Eastern Railway. Russia counterattacked and took the cities of Hailar and Manchouli before issuing an ultimatum demanding joint control of the railway to be reinstated. The Chinese agreed to the terms on November 26. The Japanese would later see this defeat as a sign of Chinese weakness, leading to their taking control of Manchuria. The Far East began to experience economic problems late in the year as the effects of the Great Depression began to spread. Southeast Asia was especially hard hit as its exports (spice, rubber, and other commodities) were more sensitive to economic problems. In the Pacific, on December 28 – "Black Saturday" in Samoa – New Zealand colonial police killed 11 unarmed demonstrators, an event which led the Mau movement to demand independence for Samoa. In that year, the Fascist government took control of the authorization of all textbooks, all secondary school teachers were required to take an oath of loyalty to Fascism, and children began to be taught that they owed the same loyalty to Fascism as they did to God. On February 11, Mussolini signed the Lateran Treaty, making Vatican City a sovereign state. On July 25, Pope Pius XI emerged from the Vatican and entered St. Peter's square in a huge procession witnessed by about 250,000 persons, thus ending nearly 60 years of papal self-imprisonment within the Vatican. Italy used the diplomatic prestige associated with this successful agreement to adopt a more aggressive foreign policy. Germany experienced a major turning point in this year due to the economic crash. The country had experienced prosperity under the government of the Weimar Republic until foreign investors withdrew their German interests. This began the crumbling of the Republican government in favor of Nazism. In 1929, the number of unemployed reached three million. On July 27, the Geneva Convention, held in Switzerland, addressed the treatment of prisoners of war in response to problems encountered during World War I.
On May 31, the British general election returned a hung parliament yet again, with the Liberals in position to determine who would have power. These elections were known as the "Flapper" elections due to the fact that it was the first British election in which women under 30 could vote. A week after the vote, on June 7 the Conservatives conceded power rather than ally with the Liberals. Ramsay MacDonald founded a new Labour government the next day. 1929 is regarded as a turning point by French historians, who point out that it was last year in which prosperity was felt before the effects of the Great Depression. The Third Republic had been in power since before World War I. On July 24 French prime minister Raymond Poincaré resigned for medical reasons; he was succeeded by Aristide Briand. Briand adopted a foreign policy of both peace and defensive fortification. The Kellogg-Briand Pact, renouncing war as an instrument of foreign policy, went into effect in this year (it was first signed in Paris in 1928 by most leading world powers). The French began work on the Maginot line in this year, as a defense against a possible German attack, and on September 5 Briand presented a plan for the ''United States of Europe''. On October 22 Briand was replaced as Prime Minister by Andre Tardieu. Primo de Rivera's dictatorship in Spain experienced growing dissatisfaction among students and academics, as well as businessmen who blamed the government for recent economic woes. Many called for a fascist regime, like that in Italy.
The timber market in Finland began to decline in 1929 due to the Great Depression, as well as the Soviet Union's entrance into the market. Financial and political problems culminated in the birth of the fascist Lapua Movement on November 23 in a demonstration in Lapua. The movement's stated aim was Finnish democracy and anti-communism. The Finnish legislature received heavy pressure to remove basic rights from Communist groups. Politics in Lithuania was also very heated, as President Voldemaras was unpopular in some quarters, and survived an assassination attempt in Kaunas. Later, while attending a meeting of the League of Nations, he was ousted in a coup by President Smetona, who made himself dictator. Upon Voldemaras' removal from office, Geležinis Vilkas went underground and received aid and encouragement in its activities from Germany. Yugoslavia was renamed the "Kingdom of Yugoslavia" as King Alexander sought to unite the Balkans under his rule. The state's new Monarchy replaced the old parliament, which had been dominated by Serbs.
The Mexican Cristero War continued in 1929 as clerical forces attempted an assassination of the provisional president in a train bombing in February. The attempt failed. Plutarco Calles, at the center of power for the anti-clerics, continued to gather power in Mexico City. His government was considered an enemy to more conservative Mexicans who held to traditional forms of government and more religious control. Calles founded the National Revolutionary Party early in the year to increase his power; a party which was, ironically, seen by foreigners as fascist and which was in opposition to the Mexican Right. A special election was held in this year, which Jose Vasconselos lost to Ortiz Rubio. By this time, the war had ended. The last group of rebels was defeated on June 4, and in the same month US Ambassador Dwight Morrow initiated talks between parties. On June 21 an agreement was brokered ending the Cristero War. On June 27, church bells rang and mass was held publicly for the first time in three years. However, the agreement favored the government heavily, as Priests were required to register with the government and religion was banned from schools.
The major event of the year for the United states was the stock market crash on Wall Street, which was to have international effects. On September 3, the Dow Jones Industrial Average (DJIA) peaked at 381.17, a height it would not reach again until November 1954. Then, from October 24 – October 29, stock prices suffered three multi-digit percentage drops, wiping out more than $30 billion from the New York Stock Exchange (10 times greater than the annual budget of the federal government). On December 3 U.S. President Herbert Hoover announced to the U.S. Congress that the worst effects of the recent stock market crash were behind the nation, and that the American people had regained faith in the economy.
The arts were in the midst of the Modernist movement, as Pablo Picasso painted two cubist works, ''Woman in a Garden'' and ''Nude in an Armchair'', during this year. The surrealist painters Salvador Dalí and René Magritte completed several works, including ''The First Days of Spring'' and ''The Treachery of Images''. On November 7 in New York City, the Museum of Modern Art opened to the public. The latest in modern architecture was also represented by the likes of the Barcelona Pavilion in Spain and the Royal York Hotel in Toronto, at its completion the tallest building in the British Empire.
The year saw several advances in technology and exploration. On June 27 the first public demonstration of color TV was held by H. E. Ives and his colleagues at Bell Telephone Laboratories in New York. The first images were a bouquet of roses and an American flag. A mechanical system was used to transmit 50-line color television images between New York and Washington. By November, Vladimir Zworykin had taken out the first patent for color television. On November 29, Bernt Balchen, U.S. Admiral Richard Byrd, Captain Ashley McKinley, and Harold June, became the first to fly over the South Pole. Within the year, Britain, Australia and New Zealand began a joint Antarctic Research Expedition, and the German airship ''Graf Zeppelin'' began a round-the-world flight (ended August 29). This year Ernst Schwarz describes Bonobo (''Pan paniscus'') as a different species from chimpanzee (''Pan troglodites''), both very closely phylogenetically related to human beings.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 40°37′29″N73°57′8″N |
---|---|
Name | Tara Oram |
Background | solo_singer |
Birth name | Tara Oram |
Birth date | April 28, 1984 |
Origin | Hare Bay, NL |
Instrument | Vocals, guitar |
Genre | Country |
Occupation | Singer |
Years active | 2003 - present |
Label | Open Road |
Website | www.taraoram.com |
Past members | }} |
Tara Oram (born 28 April 1984 in Gander, Newfoundland and Labrador) is a Canadian country music recording artist and a top six finalist on the fifth season of Canadian Idol in 2007. In March 2009 Oram received an ECMA for Country Recording of the Year Award.
In 2009, CMT and YTV Oram appeared a celebrity judge on the TV series, "Karaoke Star Junior".
On July 10, 2010, Oram was the opening act for Taylor Swift and performed at the second annual Cavendish Beach Music Festival in Cavendish, Prince Edward Island, singing to a crowd of more than 35,000 people.
Title | Details | ||
! scope="row" | * Release date: October 7, 2008 | * Label: Open Road Recordings | |
! scope="row" | * Release date: July 19, 2011 | * Label: Open Road Recordings |
Year | Single | Peak positions | Album |
! width="65" | |||
"Fly Girl" | |||
"538 Stars" | |||
"Go to Bed Angry" | |||
"Living the Dream" | |||
"1929" | |||
"Kiss Me When I Fall" |
! Year | Video | ! Director |
"Fly Girl" | ||
"538 Stars" | ||
2009 | "Go to Bed Angry" | |
2011 | "1929" | Margaret Malandruccolo |
Category:1984 births Category:Living people Category:Canadian Idol participants Category:Canadian country singers Category:Open Road Recordings artists Category:People from Gander, Newfoundland and Labrador
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 40°37′29″N73°57′8″N |
---|---|
name | Bessie Smith |
background | solo_singer |
born | April 15, 1894 Chattanooga, Tennessee, United States |
died | September 26, 1937 Clarksdale, Mississippi, United States |
instrument | Vocals |
genre | Blues, Jazz |
occupation | Singer |
years active | 1912–1937 |
label | Columbia |
notable instruments | }} |
Sometimes referred to as The Empress of the Blues, Smith was the most popular female blues singer of the 1920s and 1930s. She is often regarded as one of the greatest singers of her era and, along with Louis Armstrong, a major influence on subsequent jazz vocalists.
Bessie Smith was the daughter of Laura (née Owens) and William Smith. William Smith was a laborer and part-time Baptist preacher (he was listed in the 1870 census as a "minister of the gospel", in Moulton, Lawrence, Alabama.) He died before his daughter could remember him. By the time she was nine, she had lost her mother and a brother as well. Her older sister Viola took charge of caring for her siblings.
To earn money for their impoverished household, Bessie Smith and her brother Andrew began busking on the streets of Chattanooga as a duo: she singing and dancing, he accompanying her on guitar. Their favorite location was in front of the White Elephant Saloon at Thirteenth and Elm streets in the heart of the city's African-American community.
In 1904, her oldest brother, Clarence, covertly left home by joining a small traveling troupe owned by Moses Stokes. "If Bessie had been old enough, she would have gone with him," said Clarence's widow, Maud. "That's why he left without telling her, but Clarence told me she was ready, even then. Of course, she was only a child."
In 1912, Clarence returned to Chattanooga with the Stokes troupe. He arranged for its managers, Lonnie and Cora Fisher, to give Smith an audition. She was hired as a dancer rather than a singer, because the company also included the then unknown singer, Ma Rainey. Smith eventually moved on to performing in various chorus lines, making the "81" Theater in Atlanta her home base. There were times when she worked in shows on the black-owned T.O.B.A Theater Owners Booking Association circuit. She would rise to become its biggest star after signing with Columbia Records.
By 1923, when she began her recording career, Smith had taken up residence in Philadelphia. There she met and fell in love with Jack Gee, a security guard whom she married on June 7, 1923, just as her first record was released. During the marriage—a stormy one, with infidelity on both sides—Smith became the highest paid black entertainer of the day, heading her own shows, which sometimes featured as many as 40 troupers, and touring in her own railroad car. Gee was impressed by the money, but never adjusted to show business life, or to Smith's bisexuality. In 1929, when she learned of his affair with another singer, Gertrude Saunders, Bessie Smith ended the relationship, although neither of them sought a divorce.
Smith eventually found a common-law husband in an old friend, Richard Morgan, who was Lionel Hampton's uncle and the antithesis of her husband. She stayed with him until her death.
In 1920, sales figures for "Crazy Blues," an Okeh Records recording by singer Mamie Smith (no relation) pointed to a new market. The recording industry had not directed its product to blacks, but the success of the record led to a search for female blues singers. Bessie Smith was signed by Columbia Records in 1923 and her first session for Columbia was February 15, 1923. For most of 1923, her records were issued on Columbia's regular A- series; when the label decided to establish a "race records" series, Smith's "Cemetery Blues" (September 26, 1923) was the first issued.
She scored a big hit with her first release, a coupling of "Gulf Coast Blues" and "Downhearted Blues", which its composer Alberta Hunter had already turned into a hit on the Paramount label. Smith became a headliner on the black T.O.B.A. circuit and rose to become its top attraction in the 1920s. Working a heavy theater schedule during the winter months and doing tent tours the rest of the year (eventually traveling in her own railroad car), Smith became the highest-paid black entertainer of her day. Columbia nicknamed her "Queen of the Blues," but a PR-minded press soon upgraded her title to "Empress".
She made some 160 recordings for Columbia, often accompanied by the finest musicians of the day, most notably Louis Armstrong, James P. Johnson, Joe Smith, Charlie Green and Fletcher Henderson.
Bessie Smith was paid a non-royalty fee of $37.50 for each selection and these Okeh sides, which were her last recordings. Made November 24, 1933, they serve as a hint of the transformation she made in her performances as she shifted her blues artistry into something that fit the "swing era". The relatively modern accompaniment is notable. The band included such swing era musicians as trombonist Jack Teagarden, trumpeter Frankie Newton, tenor saxophonist Chu Berry, pianist Buck Washington, guitarist Bobby Johnson, and bassist Billy Taylor. Benny Goodman, who happened to be recording with Ethel Waters in the adjoining studio, dropped by and is barely audible on one selection. Hammond was not entirely pleased with the results, preferring to have Smith revisit her old blues groove. Her "Take Me For A Buggy Ride" and "Gimme a Pigfoot" continue to be ranked among her most popular recordings.
The first people on the scene were a Memphis surgeon, Dr. Hugh Smith (no relation), and his fishing partner Henry Broughton. In the early 1970s, Dr. Smith gave a detailed account of his experience to Bessie's biographer Chris Albertson. This is the most reliable eyewitness testimony about the events surrounding Bessie Smith's death.
After stopping at the accident scene, Dr. Smith examined Bessie Smith, who was lying in the middle of the road with obviously severe injuries. He estimated she had lost about a half-pint of blood, and immediately noted a major traumatic injury to her right arm; it had been almost completely severed at the elbow. But Dr. Smith was emphatic that this arm injury alone did not cause her death. Although the light was poor, he observed only minor head injuries. He attributed her death to extensive and severe crush injuries to the entire right side of her body, consistent with a "sideswipe" collision.
Broughton and Dr. Smith moved the singer to the shoulder of the road. Dr. Smith dressed her arm injury with a clean handkerchief and asked Broughton to go to a house about 500 feet off the road to call an ambulance.
By the time Broughton returned, about 25 minutes had elapsed since the accident and Bessie Smith was in shock. Time passed with no sign of the ambulance, so Dr. Smith suggested that they take her into Clarksdale in his car. He and Broughton had almost finished clearing the back seat when they heard the sound of a car approaching at high speed. Dr. Smith flashed his lights in warning, but the oncoming car failed to stop and plowed into the doctor's car at full speed. It sent his car careening into Bessie Smith's overturned Packard, completely wrecking it. The oncoming car ricocheted off Dr. Smith's car into the ditch on the right, barely missing Broughton and Bessie Smith.
The young couple in the new car did not have life-threatening injuries. Two ambulances arrived on the scene from Clarksdale; one from the black hospital, summoned by Mr. Broughton, the other from the white hospital, acting on a report from the truck driver, who had not seen the accident victims.
Bessie Smith was taken to Clarksdale's Afro-American Hospital where her right arm was amputated. She died that morning without regaining consciousness. After Smith's death, an often repeated but now discredited story emerged about the circumstances; namely, that she had died as a result of having been refused admission to a "whites only" hospital in Clarksdale. Jazz writer/producer John Hammond gave this account in an article in the November 1937 issue of ''Down Beat'' magazine. The circumstances of Smith's death and the rumor promoted by Hammond formed the basis for Edward Albee's 1959 one-act play ''The Death of Bessie Smith''.
"The Bessie Smith ambulance would ''not'' have gone to a white hospital, you can forget that." Dr. Smith told Albertson. "Down in the Deep South cotton country, no ambulance driver, or white driver, would even have thought of putting a colored person off in a hospital for white folks."
Smith's funeral was held in Philadelphia on Monday, October 4, 1937. Her body was originally laid out at Upshur's funeral home. As word of her death spread through Philadelphia's black community, the body had to be moved to the O.V. Catto Elks Lodge to accommodate the estimated 10,000 mourners who filed past her coffin on Sunday, October 3. Contemporary newspapers reported that her funeral was attended by about seven thousand people. Far fewer mourners attended the burial at Mount Lawn Cemetery, in nearby Sharon Hill. Gee thwarted all efforts to purchase a stone for his estranged wife, once or twice pocketing money raised for that purpose.
The grave remained unmarked until August 7, 1970, when a tombstone—paid for by singer Janis Joplin and Juanita Green, who as a child had done housework for Smith—was erected.
Dory Previn wrote a song of Janis Joplin and the tombstone called ''Stone for Bessie Smith'' on her album ''Mythical Kings & Iguanas''.
The Afro-American Hospital, now the Riverside Hotel in Clarksdale, was the site of the dedication of the fourth historic marker on the Mississippi Blues Trail.
{| class=wikitable |- | colspan="5" style="text-align:center;"| Bessie Smith: Grammy Hall of Fame Award |- ! Year Recorded ! Title ! Genre ! Label ! Year Inducted |- align=center | 1923 | "Downhearted Blues" | Blues (Single) | Columbia | 2006 |- align=center | 1925 | "St. Louis Blues" | Jazz (Single) | Columbia | 1993 |- align=center | 1928 | "Empty Bed Blues" | Blues (Single) | Columbia | 1983 |}
"Downhearted Blues" was included in the list of ''Songs of the Century'' by the Recording Industry of America and the National Endowment for the Arts in 2001. It is in the Rock and Roll Hall of Fame as one of the 500 songs that shaped rock 'n' roll.
U.S. Postage Stamp
{| class=wikitable |- | colspan="4" style="text-align:center;"| |- ! Year Issued ! Stamp ! USA |- align=center | 1994 | 29 cents Commemorative stamp | U.S. Postal Stamps |}
Given those historic limitations, the current digitally remastered versions of her work deliver significant, very positive differences in the sound quality of Smith's performances. Some critics believe that the American Columbia Records compact disc releases are somewhat inferior to subsequent transfers made by the late John R.T. Davies for Frog Records.
Category:1894 births Category:1937 deaths Category:African American female singers Category:American blues singers Category:American buskers Category:Bisexual musicians Category:Blues Hall of Fame inductees Category:Road accident deaths in Mississippi Category:Grammy Lifetime Achievement Award winners Category:LGBT African Americans Category:LGBT musicians from the United States Category:People from Chattanooga, Tennessee Category:Rock and Roll Hall of Fame inductees Category:Vaudeville performers Category:Classic female blues singers
an:Bessie Smith ca:Bessie Smith cy:Bessie Smith de:Bessie Smith es:Bessie Smith eo:Bessie Smith fa:بسی اسمیت fr:Bessie Smith ga:Bessie Smith gl:Bessie Smith hr:Bessie Smith io:Bessie Smith it:Bessie Smith he:בסי סמית hu:Bessie Smith nl:Bessie Smith ja:ベッシー・スミス no:Bessie Smith oc:Bessie Smith pl:Bessie Smith pt:Bessie Smith ru:Смит, Бесси simple:Bessie Smith sk:Bessie Smithová sr:Беси Смит sh:Bessie Smith fi:Bessie Smith sv:Bessie Smith tl:Bessie Smith uk:Бессі СмітThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 40°37′29″N73°57′8″N |
---|---|
name | Rudy Vallée |
background | solo_singer |
birth name | Hubert Prior Vallée |
born | July 28, 1901Island Pond, Vermont, U.S. |
died | July 03, 1986North Hollywood, Los Angeles, California, U.S. |
alma mater | Yale |
instrument | Saxophone |
occupation | Singer, actor, bandleader, entertainer |
years active | 1924–1984 |
label | RCA Victor |
website | www.rudyvallee.com }} |
Rudy Vallée (July 28, 1901 – July 3, 1986) was an American singer, actor, bandleader, and entertainer.
Vallée became the most prominent and, arguably, the first of a new style of popular singer, the crooner. Previously, popular singers needed strong projecting voices to fill theaters in the days before the electric microphone. Crooners had soft voices that were well suited to the intimacy of the new medium of the radio. Vallée's trombone-like vocal phrasing on "Deep Night" would inspire later crooners such as Bing Crosby, Frank Sinatra, and Perry Como to model their voices on jazz instruments.
Vallée also became what was perhaps the first complete example of the 20th century mass media pop star. Flappers mobbed him wherever he went. His live appearances were usually sold out, and even if his singing could hardly be heard in those venues not yet equipped with the new electronic microphones, his screaming female fans went home happy if they had caught sight of his lips through the opening of the trademark megaphone he sang through.
In 1929, Vallée made his first feature film, ''The Vagabond Lover'' for RKO Radio. His first films were made to cash in on his singing popularity. Despite Vallée's rather wooden initial performances, his acting greatly improved in the late 1930s and 1940s. Also in 1929, Vallée began hosting ''The Fleischmann's Yeast Hour'', a very popular radio show at the time.
Vallée's recording career began in 1928 recording for Columbia Records' cheap labels (Harmony, Velvet Tone, and Diva). He signed to Victor in February 1929 and remained with them through to late 1931, leaving after a heated dispute with company executives over title selections. He then recorded for the short-lived, but extremely popular "Hit of the Week" label (which sold records laminated onto cardboard). In August 1932, he signed with Columbia and stayed with them through 1933; he returned to Victor in June 1933. His records were issued on Victor's new budget label, Bluebird, until November 1933 when he was moved up to the full-priced Victor label. He stayed with Victor until signing with ARC in 1936, who released his records on their Perfect, Melotone, Conqueror and Romeo labels until 1937 when he returned to Victor.
Vallée continued hosting popular radio variety shows through the 1930s and 1940s. ''The Royal Gelatin Hour'' featured various film performers of the era, such as Fay Wray and Richard Cromwell in dramatic skits.
Along with his group, The Connecticut Yankees, Vallée's best known popular recordings included: "The Stein Song" (aka University of Maine fighting song) in 1929 and "Vieni, Vieni" in the latter 1930s. Vallée sang fluently in three Mediterranean languages, and always varied the keys, thus paving the way for later pop crooners such as Dean Martin, Andy Williams and Vic Damone. Another memorable rendition of his is "Life Is Just a Bowl of Cherries", in which he imitates Willie Howard's voice in the final chorus. One of his record hits was "The Drunkard Song," popularly known as "There Is a Tavern in the Town." Vallée couldn't stop laughing for the last couple of verses- supposedly he struggled to keep a straight face at the corny lyrics, and the band members egged him on. He managed a second take reasonably well. The "laughing" version was so infectious, however, that Victor released both takes.
Vallée's last hit song was the 1943 reissue of the melancholy ballad "As Time Goes By", popularized in the feature film ''Casablanca'' in 1943 (Due to the mid-1940s recording ban, Victor reissued the version he had recorded 15 years earlier.) During World War II, Vallée enlisted in the Coast Guard to help direct the 11th district Coast Guard band as a Chief Petty Officer. Eventually he was promoted to Lieutenant and led the 40 piece band to great success. In 1944 he was placed on the inactive list and he returned to radio.
When Vallée took his contractual vacations from his national radio show in 1937, he insisted his sponsor hire Louis Armstrong as his substitute (this was the first instance of an African-American fronting a national radio program). Vallée also wrote the introduction for Armstrong's 1936 book ''Swing That Music''.
In 1937 Vallée attended Suffolk University Law School in Boston, Massachusetts.
Vallée acted in a number of Hollywood films starting with "The Vagabond Lover" in 1929. His earliest films showed him rather stiff and unemotional. He improved during the 1930s, and by the time he began working with Preston Sturges in the 1940s he had become a successful comedic supporting player. He appeared opposite Claudette Colbert in the 1942 Preston Sturges screwball comedy ''The Palm Beach Story''. Other films in which he appeared include ''I Remember Mama'', ''Unfaithfully Yours'' and ''The Bachelor and the Bobby-Soxer''.
In 1955, Vallée was featured in ''Gentlemen Marry Brunettes,'' co-starring Jane Russell, Alan Young, and Jeanne Crain. The production was filmed on location in Paris. The film was based on the Anita Loos novel that was a sequel to her acclaimed ''Gentlemen Prefer Blondes''. ''Gentlemen Marry Brunettes'' was popular throughout Europe at the time and was released in France as ''A Paris Pour les Quatre'' ''("Paris for the Four"),'' and in Belgium as ''Tevieren Te Parijs.''In 1971 he made a television appearance as a vindictive surgeon in the Night Gallery episode "Marmalade Wine."
In middle age, Vallée's voice matured into a robust baritone. He performed on Broadway as J.B. Biggley in the musical ''How to Succeed in Business Without Really Trying'' and reprised the role in the film version of the show. He appeared in the campy 1960s ''Batman'' television show as the character "Lord Marmaduke Fogg". He toured with a one-man theater show into the 1980s. He occasionally opened for The Village People.
Rudy Vallee's song compositions included "Oh! Ma-Ma! (The Butcher Boy)" in 1938, recorded by Glenn Miller and his Orchestra, "Deep Night", which was recorded by Duke Ellington and his Orchestra, "If You Haven't Got a Girl", "Violets", "Where To", "Will You Remember Me?", "We'll Never Get Drunk Any More", "Sweet Summer Breeze", "Actions Speak Louder Than Words", "Ask Not", "Forgive Me", "Charlie Cadet", "Somewhere In Your Heart", "You Took Me Out Of This World", "Old Man Harlem" with Hoagy Carmichael, which was recorded by the Dorsey Brothers band, "I'm Just a Vagabond Lover", and "Betty Co-Ed".
In 1967 Rudy Vallee recorded a new record album. Called "Hi-Ho Everybody" it was produced by Snuff Garrett and Ed Silvers for Dot Records on its Viva label; arranged by Al Capps. The engineers were Dave Hassinger and Henry Leroy. Included on the album were songs: "Winchester Cathedral", "Michelle", "My Blue Heaven", "Sweet Heart of Sigma Chi", "Who Likes Good Pop Music?", "Bluebird", "Who", "Lady Godiva", "Mame", The Wiffenpoof Song", "Strangers in The Night", and "One of Those Songs".
Always loyal to Yale University. He never forgot his Maine roots, and maintained an estate at Kezar Lake in Maine.
Film | |||
! Year | ! Film | ! Role | ! Notes |
1929 | ''Glorifying the American Girl'' | Himself | |
1932 | ''The Musical Doctor'' | Dr. Vallee | |
1934 | ''George White's Scandals'' | Jimmy Martin | |
1935 | ''Sweet Music'' | Skip Houston | |
1938 | ''Gold Diggers in Paris'' | Terry Moore | Alternative title: ''The Gay Impostors'' |
1939 | Roger Maxwell | ||
1941 | ''Time Out for Rhythm'' | Daniel "Danny" Collins | |
1942 | ''The Palm Beach Story'' | John D. Hackensacker III | |
1943 | ''Happy Go Lucky'' | Alfred Monroe | |
1945 | ''Man Alive'' | Gordon Tolliver | |
1946 | ''The Fabulous Suzanne'' | Hendrick Courtney, Jr. | |
''The Sin of Harold Diddlebock'' | Lynn Sargent | Alternative title: ''Mad Wednesday'' | |
''The Bachelor and the Bobby-Soxer'' | Tommy | Alternative title: ''Bachelor Knight'' | |
''I Remember Mama'' | Dr. Johnson | ||
''Unfaithfully Yours'' | August Henshler | ||
''Mother Is a Freshman'' | John Heaslip | Alternative title: ''Mother Knows Best'' | |
''The Beautiful Blonde from Bashful Bend'' | Charles Hingleman | ||
''Father was a Fullback'' | Mr. Roger "Jess" Jessup | ||
''My Dear Secretary'' | Charles Harris | ||
1950 | ''The Admiral Was a Lady'' | Peter Pedigrew (Jukebox king) | |
1954 | ''Ricochet Romance'' | Worthington Higgenmacher | |
1955 | ''Gentlemen Marry Brunettes'' | Himself | |
1957 | ''The Helen Morgan Story'' | Himself | Alternative titles: ''Both Ends of the Candle''''Why Was I Born?'' |
1967 | J.B. Biggley | ||
''Live a Little, Love a Little'' | Louis Penlow | ||
''The Night They Raided Minsky's'' | Narrator | ||
1975 | ''Sunburst'' | Proprietor | Alternative title: ''Slashed Dreams'' |
1976 | ''Won Ton Ton, the Dog Who Saved Hollywood'' | Autograph Hound | |
Television | |||
! Year | ! Title | ! Role | ! Notes |
1956–1957 | ''December Bride'' | Himself | 2 episodes |
1957 | ''The Lucy-Desi Comedy Hour'' | Himself | 1 episode |
1967 | Lord Marmaduke Fogg | 3 episodes | |
1969 | ''Petticoat Junction'' | Herbert A. Smith | 1 episode |
1970 | ''Here's Lucy'' | Himself | 1 episode |
1971 | ''Night Gallery'' | Dr. Francis Deeking | 1 episode |
1971–1972 | ''Alias Smith and Jones'' | Winford Fletcher | 2 episodes |
1976 | Alvin Winer | 1 episode | |
1979 | ''CHiPs'' | Arthur Forbinger | 1 episode |
1984 | Elderly Con | 1 episode |
Category:1920s American radio programs Category:American music radio programs Category:American bandleaders Category:American crooners Category:American film actors Category:American male singers Category:American pop singers Category:American people of French-Canadian descent Category:American people of Irish descent Category:Traditional pop music singers Category:RCA Victor artists Category:Musicians from Vermont Category:Yale University alumni Category:1901 births Category:1986 deaths Category:People from Essex County, Vermont Category:People from Westbrook, Maine
es:Rudy Vallee fr:Rudy Vallee sv:Rudy ValléeThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 40°37′29″N73°57′8″N |
---|---|
name | Mary Pickford |
birth name | Gladys Marie Smith |
birth date | April 08, 1892 |
birth place | Toronto, Ontario, Canada |
death date | May 29, 1979 |
death place | Santa Monica, California, U.S. Interred: Forest Lawn Memorial Park, Glendale, California |
spouse | |
years active | 1905–1933 |
occupation | Actress }} |
Mary Pickford (April 8, 1892 – May 29, 1979) was a Canadian-born motion picture actress, co-founder of the film studio United Artists and one of the original 36 founders of the Academy of Motion Picture Arts and Sciences. Known as "America's Sweetheart," "Little Mary" and "The girl with the curls," she was one of the Canadian pioneers in early Hollywood and a significant figure in the development of film acting.
Because her international fame was triggered by moving images, she is a watershed figure in the history of modern celebrity. And as one of silent film's most important performers and producers, her contract demands were central to shaping the Hollywood industry. In consideration of her contributions to American cinema, the American Film Institute named Pickford 24th among the greatest female stars of all time.
Hennessy, who had worked as a seamstress throughout the separation, began taking in boarders. Through one of these lodgers, the seven-year-old Pickford won a big part at Toronto's Princess Theatre in a stock company production of ''The Silver King''. She subsequently acted in many melodramas with the Valentine Company in Toronto, capped by the starring role of Little Eva in their production of ''Uncle Tom's Cabin'', the most popular play of the 19th century.
On April 19, 1909, the Biograph Company director D. W. Griffith screen-tested her at the company's New York studio for a role in the nickelodeon film ''Pippa Passes''. The role went to someone else but Griffith was immediately taken with Pickford. She quickly grasped that movie acting was simpler than the stylized stage acting of the day.
Most Biograph actors earned $5 a day but, after Pickford's single day in the studio, Griffith agreed to pay her $10 a day against a guarantee of $40 a week. Pickford, like all actors at Biograph, played both bit parts and leading roles, playing mothers, ingenues, spurned women, spitfires, slaves, native Americans, and a prostitute. As Pickford said of her success at Biograph: "I played scrubwomen and secretaries and women of all nationalities... I decided that if I could get into as many pictures as possible, I'd become known, and there would be a demand for my work." Pickford appeared in 51 films in 1909 — almost one a week. She also introduced her friend Florence La Badie to D. W. Griffith, which launched La Badie's successful film acting career.
In January 1910, Pickford traveled with a Biograph crew to Los Angeles. Many other companies wintered on the West Coast, escaping the weak light and short days that hampered winter shooting in the East. Pickford added to her 1909 Biographs (''Sweet and Twenty'', ''They Would Elope,'' and ''To Save Her Soul'', to name a few) with films from California. Actors were not listed in the credits in Griffith's company. Audiences nonetheless noticed and identified Pickford within weeks of her first film appearance. Exhibitors in turn capitalized on her popularity by advertising on sandwich boards that a film featuring "The Girl with the Golden Curls," "Blondilocks" or "The Biograph Girl" was inside. Pickford left Biograph in December 1910 and spent 1911 starring in films at Carl Laemmle's Independent Moving Pictures Company (IMP). IMP was absorbed into Universal Pictures in 1912, along with Majestic. Unhappy with their creative standards, she returned to work with Griffith in 1912. Some of her best performances were in films such as ''Friends'', ''The Mender of Nets'', ''Just Like a Woman'', and ''The Female of the Species''. That year Pickford also introduced Dorothy and Lillian Gish (both friends from her days touring melodrama) to Griffith. Both became major silent stars, in comedy and tragedy respectively.
Pickford made her last Biograph picture, ''The New York Hat,'' in late 1912 and returned to Broadway in the David Belasco production of ''A Good Little Devil.'' The experience was the major turning point in her career. Pickford, who had always hoped to conquer the Broadway stage, discovered how deeply she missed film acting.
In 1913, she decided to work exclusively in film. In 1912, Adolph Zukor had formed Famous Players in Famous Plays – later Famous Players-Lasky and then Paramount Pictures – one of the first American feature film companies. Pickford left the stage to join his roster of stars. Zukor believed film's potential lay in recording theatrical players in replicas of their most famous stage roles and productions. Zukor first filmed Pickford in a silent version of ''A Good Little Devil.'' The film, produced in 1913, showed the play's Broadway actors reciting every line of dialogue, resulting in a stiff film that Pickford later called "one of the worst [features] I ever made...it was deadly." Zukor agreed; he held the film back from distribution for a year.
Pickford's work in material written for the camera by that time had attracted a strong following. Comedy-dramas like ''In the Bishop's Carriage'' (1913), ''Caprice'' (1913), and especially ''Hearts Adrift'' (1914) made her irresistible to moviegoers. ''Hearts Adrift'' was so popular that Pickford asked for the first of her many publicized pay raises based on the profits and reviews. The film also marked the first time Pickford’s name was put above the title on movie marquees. ''Tess of the Storm Country'' was released five weeks later. Brownlow observes that the movie “sent her career into orbit and made her the most popular actress in America, if not the world.”
Her appeal was summed up two years later by the February 1916 issue of ''Photoplay'' as "luminous tenderness in a steel band of gutter ferocity". Only Charlie Chaplin—who reportedly slightly surpassed Pickford's popularity in 1916—had a similarly spellbinding pull with critics and the audience. Each enjoyed a level of fame far exceeding that of other actors.
Throughout the 1910s and 1920s, Pickford was believed to be the most famous woman in the world, or, as a silent-film journalist described her, "the best known woman who has ever lived, the woman who was known to more people and loved by more people than any other woman that has been in all history." Pickford's closest female rival at this time at the box office and with the public was 31-year-old Marguerite Clark. She also came from stage acting and had a girlish/whimsical charm to which audiences responded.
In August 1918, Pickford's contract expired and when refusing Zukor's terms for a renewal, she was offered $250,000 to leave the motion picture business. Pickford turned him down and went to First National who agreed to her terms.
In 1919, Pickford — along with D.W. Griffith, Charlie Chaplin, and Douglas Fairbanks — formed the independent film production company United Artists. Through United Artists, Pickford continued to produce and perform in her own movies; she could also distribute them the way she chose.
In 1920, Pickford's film ''Pollyanna'' grossed around $1,100,000. The following year, Pickford's film ''Little Lord Fauntleroy'' would also be a success, Pickford's hair had become a symbol of female virtue, and cutting it was front-page news in ''The New York Times'' and other papers. ''Coquette'' was a success and won her an Academy Award for Best Actress, but the public failed to respond to her in the more sophisticated roles.
Like most movie stars of the silent era, Pickford found her career fading as talkies became more popular among audiences. Her next film, ''The Taming of The Shrew'', was a disaster at the box office. In her late thirties, Pickford was unable to play the children, teenage spitfires and feisty young women so adored by her fans, nor could she play the soignée heroines of early sound.
In 1933, Pickford underwent a Technicolor screen test for a animated/live action film version of Alice in Wonderland, but Walt Disney discarded the project when Paramount released its own version of the book. Only one Technicolor "still" of her screen test still exists.
Pickford retired from acting in 1933. She continued to produce films for others, including ''Sleep, My Love'' (1948) with Claudette Colbert and ''Love Happy'' (1949) with the Marx Brothers.
Pickford used her stature in the movie industry to promote a variety of causes. During World War I, she promoted the sale of Liberty Bonds, through an exhausting series of fund-raising speeches that kicked off in Washington, D.C., where she sold bonds alongside Charles Chaplin, Douglas Fairbanks, Theda Bara, and Marie Dressler. Five days later she spoke on Wall Street to an estimated 50,000 people. Though Canadian-born, she was a powerful symbol of Americana, kissing the American flag for cameras and auctioning one of her world-famous curls for $15,000. In a single speech in Chicago she sold an estimated five million dollars' worth of bonds. She was christened the U.S. Navy's official "Little Sister"; the Army named two cannons after her and made her an honorary colonel.
At the end of World War I, Pickford conceived of the Motion Picture Relief Fund, an organization to help financially needy actors. Leftover funds from her work selling Liberty Bonds were put toward its creation, and in 1921, the Motion Picture Relief Fund (MPRF) was officially incorporated, with Joseph Schenck voted its first president and Mary Pickford as its vice president. In 1932, Pickford spearheaded the "Payroll Pledge Program," a payroll-deduction plan for studio workers who gave one half of one percent of their earnings to the MPRF. As a result, in 1940 the Fund was able to purchase the land and build the Motion Picture Country House and Hospital.
But Pickford's most profound influence (beyond her acting) was to help reshape the film industry itself. When she entered features, Hollywood believed that the movies' future lay in reproducing Broadway plays for a mass audience. Pickford, who entered feature film with two Broadway credits but a far greater following among fans of nickelodeon flickers, became the world's most popular actress in a matter of months. In response to her popularity, Hollywood rethought its vision of features as "canned theatre," and focused instead on actors and material that were uniquely suited to film, not stage performances.
An astute businesswoman, Pickford became her own producer within three years of her start in features. According to her Foundation, "she oversaw every aspect of the making of her films, from hiring talent and crew to overseeing the script, the shooting, the editing, to the final release and promotion of each project." Pickford first demanded (and received) these powers in 1916, when she was under contract to Adolph Zukor's Famous Players In Famous Plays (later Paramount). He also acquiesced to her refusal to participate in block-booking, the widespread practice of forcing an exhibitor to show a bad film of the studio's choosing in order to also show a Pickford film. In 1916, Pickford's films were distributed, singly, through a special distribution unit called Artcraft.
In 1919, she increased her power by co-founding United Artists (UA) with Charlie Chaplin, D. W. Griffith, and her soon-to-be husband, Douglas Fairbanks. Before UA's creation, Hollywood studios were vertically integrated, not only producing films but forming chains of theaters. Distributors (also part of the studios) then arranged for company productions to be shown in the company's movie venues. Filmmakers relied on the studios for bookings; in return they put up with what many considered creative interference. United Artists broke from this tradition. It was solely a distribution company, offering independent film producers access to its own screens as well as the rental of temporarily unbooked cinemas owned by other companies. Pickford and Fairbanks produced and shot their films after 1920 at the jointly owned Pickford-Fairbanks studio on Santa Monica Boulevard. The producers who signed with UA were true independents, producing, creating and controlling their work to an unprecedented degree. As a co-founder, as well as the producer and star of her own films, Pickford became the most powerful woman who has ever worked in Hollywood. By 1930, Pickford's career as an actress had greatly faded.
When she retired from acting in 1933, Pickford continued to produce films for United Artists, and she and Chaplin remained partners in the company for decades. Chaplin left the company in 1955, and Pickford followed suit in 1956, selling her remaining shares for three million dollars.
Pickford became secretly involved in a relationship with Douglas Fairbanks. They toured the US together in 1918 to promote Liberty Bond sales for the World War I effort. thumb|200px|right|Portrait circa 1921 Pickford divorced Moore on March 2, 1920, and married Fairbanks on March 28 of the same year. They went to Europe for their honeymoon; fans in London caused a riot trying to get to her. A similar incident occurred in Paris. The couple's triumphant return to Hollywood was witnessed by vast crowds who turned out to hail them at railway stations across the United States.
''The Mark of Zorro'' (1920) and a series of other swashbucklers gave the popular Fairbanks a more romantic, heroic image. Pickford continued to epitomize the virtuous but fiery girl next door. Even at private parties people instinctively stood up when Pickford entered a room; she and her husband were often referred to as "Hollywood royalty." Their international reputations were broad. Foreign heads of state and dignitaries who visited the White House often asked if they could also visit Pickfair, the couple's mansion in Beverly Hills.
Dinners at Pickfair included a number of notable guests. Charlie Chaplin, Fairbanks' best friend, was often present. Other guests included George Bernard Shaw, Albert Einstein, Elinor Glyn, Helen Keller, H. G. Wells, Lord Mountbatten, Fritz Kreisler, Amelia Earhart, F. Scott Fitzgerald, Noel Coward, Max Reinhardt, Baron Nishi, Vladimir Nemirovich-Danchenko, Sir Arthur Conan Doyle, Austen Chamberlain, Sir Harry Lauder, and the Indian spiritual teacher Meher Baba. The public nature of Pickford's second marriage strained it to the breaking point. Both she and Fairbanks had little time off from producing and acting in their films. They were also constantly on display as America's unofficial ambassadors to the world, leading parades, cutting ribbons, and making speeches.
When their film careers both began to founder at the end of the silent era Fairbanks' restless nature prompted him to overseas travel (something which Pickford did not enjoy). When Fairbanks' romance with Sylvia, Lady Ashley became public in the early 1930s he and Pickford separated. They divorced January 10, 1936. Fairbanks' son by his first wife, Douglas Fairbanks Jr., claimed that his father and Pickford long regretted their inability to reconcile.
On June 24, 1937, Pickford married her third and last husband, actor and band leader Charles 'Buddy' Rogers. They adopted two children: Roxanne (born 1944, adopted 1944) and Ronald Charles (born 1937, adopted 1943, a.k.a. Ron Pickford Rogers). As a PBS ''American Experience'' documentary noted, Pickford's relationship with her children was tense. She criticized their physical imperfections, including Ronnie's small stature and Roxanne's crooked teeth. Both children later said that their mother was too self-absorbed to provide real maternal love. In 2003, Ronnie recalled that "Things didn't work out that much, you know. But I'll never forget her. I think that she was a good woman."
After retiring from the screen, Pickford developed alcoholism, the addiction that had afflicted her father. Other alcoholics in the family included her first husband Owen Moore, her mother Charlotte, and her younger siblings Lottie and Jack. Charlotte died of breast cancer in March 1928 after several operations. Within a few years, Lottie and Jack died of alcohol-related causes. These deaths, her divorce from Fairbanks, and the end of silent films left Pickford deeply depressed. Her relationship to her adopted children, Roxanne and Ronald, was turbulent at best. Pickford gradually became a recluse, remaining almost entirely at Pickfair, allowing visits only from Lillian Gish, her stepson Douglas Fairbanks, Jr., and a few select others. In the mid-1960s, she often received visitors only by telephone, speaking to them from her bedroom. Buddy Rogers often gave guests tours of Pickfair, including views of a genuine western bar Pickford had bought for Douglas Fairbanks, and a portrait of Pickford in the drawing room. Painted at the height of her fame, it emphasizes her girlish beauty and spun-gold curls. A print of this image now hangs in the Library of Congress.
In addition to her Oscar as best actress for ''Coquette'' (1929), Mary Pickford received an Academy Honorary Award for a lifetime of achievements in 1976. The Academy sent a TV crew to her house to record her short statement of thanks. Facing the end of her days, Pickford petitioned the Canadian government to restore her Canadian citizenship, thinking it had been lost when she married Fairbanks in 1920. It was never lost and she became a dual Canadian-American citizen.
There is a first-run movie theatre in Cathedral City, California, called The Mary Pickford Theatre. The theater is a grand one with several screens and is built in the shape of a Spanish Cathedral, complete with bell tower and three-story lobby. The lobby contains a historic display with original artifacts belonging to Ms. Pickford and Buddy Rogers, her last husband. Among them are a rare and spectacular beaded gown she wore in the film "Dorothy Vernon at Haddon Hall" (1924) designed by Mitchell Leisen, her special Oscar and jewelry box.
The 1980 stage musical ''The Biograph Girl'' about the silent film era features the character of Pickford. In 2007, the Academy of Motion Picture Arts and Sciences sued the estate of the deceased Buddy Rogers' second wife, Beverly Rogers, in order to stop the public sale of one of Pickford's Oscars.
A bust and historical plaque marks her birthplace in Toronto, now the site of the Hospital for Sick Children. The plaque was unveiled by her husband Buddy Rogers in 1973. The bust by artist Eino Gira was added ten years later. The family home had been demolished in 1943, and many of the bricks delivered to Pickford in California. Proceeds from the sale of the property were donated by Pickford to build a bungalow in East York, Ontario, then a suburb of Toronto. The bungalow was the first prize in a lottery in Toronto to benefit war charities, and Pickford herself unveiled the home on May 26, 1943.
She received a posthumous star on Canada's Walk of Fame in Toronto in 1999. In 2006, along with fellow deceased Canadian stars Fay Wray, Lorne Greene and John Candy, Pickford was featured on a Canadian postage stamp. From January 2011 until July 2011, the Toronto International Film Festival is exhibiting a collection of Mary Pickford memorabilia in the Canadian Film Gallery of the TIFF Bell LightBox building. In February 2011, the Spadina Museum, a museum dedicated to the 1920s and 1930s era in Toronto, will stage performances of 'Sweetheart: The Mary Pickford Story.' The play is a one-woman musical based on the life and career of Pickford, and will use Pickford movies along with live performance.
Category:Academy Honorary Award recipients Category:Academy of Motion Picture Arts and Sciences founders Category:Actors from Toronto Category:American film actors Category:American silent film actors Category:Best Actress Academy Award winners Category:Burials at Forest Lawn Memorial Park (Glendale) Category:American people of Canadian descent Category:Canadian Christian Scientists Category:Canadian expatriate actors in the United States Category:Canadian film actors Category:Canadian film producers Category:American Christian Scientists Category:Canadian Roman Catholics Category:American Roman Catholics Category:20th-century actors Category:Canadian silent film actors Category:Deaths from cerebral hemorrhage Category:American people of English descent Category:American people of Irish descent Category:Women screenwriters Category:1892 births Category:1979 deaths
ar:ماري بيكفورد an:Mary Pickford bs:Mary Pickford bg:Мери Пикфорд ca:Mary Pickford cs:Mary Pickfordová da:Mary Pickford de:Mary Pickford et:Mary Pickford es:Mary Pickford eu:Mary Pickford fa:مری پیکفورد fr:Mary Pickford gl:Mary Pickford ko:메리 픽퍼드 hr:Mary Pickford id:Mary Pickford it:Mary Pickford ka:მერი პიკფორდი lb:Mary Pickford hu:Mary Pickford nl:Mary Pickford ja:メアリー・ピックフォード no:Mary Pickford pl:Mary Pickford pt:Mary Pickford ro:Mary Pickford ru:Мэри Пикфорд sr:Мери Пикфорд sh:Mary Pickford fi:Mary Pickford sv:Mary Pickford ta:மெரி பிக்ஃபோர்ட் tg:Марӣ Пикфорд tr:Mary Pickford uk:Мері Пікфорд vi:Mary Pickford yo:Mary Pickford zh:玛丽·毕克馥
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The World News (WN) Network, has created this privacy statement in order to demonstrate our firm commitment to user privacy. The following discloses our information gathering and dissemination practices for wn.com, as well as e-mail newsletters.
We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.