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Coordinates | 55°45′06″N37°37′04″N |
---|---|
Name | Calvin Coolidge |
Office | 30th President of the United States |
Vicepresident | Charles Dawes |
Term start | August 2, 1923 |
Term end | March 4, 1929 |
Predecessor | Warren Harding |
Successor | Herbert Hoover |
Office2 | 29th Vice President of the United States |
President2 | Warren Harding |
Term start2 | March 4, 1921 |
Term end2 | August 2, 1923 |
Predecessor2 | Thomas Marshall |
Successor2 | Charles Dawes |
Order3 | 48th Governor of Massachusetts |
Lieutenant3 | Channing Cox |
Term start3 | January 2, 1919 |
Term end3 | January 6, 1921 |
Predecessor3 | Samuel McCall |
Successor3 | Channing Cox |
Office4 | 46th Lieutenant Governor of Massachusetts |
Governor4 | Samuel McCall |
Term start4 | January 6, 1916 |
Term end4 | January 2, 1919 |
Predecessor4 | Grafton Cushing |
Successor4 | Channing Cox |
Birth date | July 04, 1872 |
Birth place | Plymouth, Vermont, U.S. |
Death date | January 05, 1933 |
Death place | Northampton, Massachusetts, U.S. |
Party | Republican Party |
Spouse | Grace Goodhue |
Children | JohnCalvin |
Alma mater | Amherst College |
Profession | Lawyer |
Religion | Congregationalism |
Signature | C Coolidge signature.svg |
Signature alt | Cursive signature in ink }} |
Coolidge restored public confidence in the White House after the scandals of his predecessor's administration, and left office with considerable popularity. As a Coolidge biographer put it, "He embodied the spirit and hopes of the middle class, could interpret their longings and express their opinions. That he did represent the genius of the average is the most convincing proof of his strength." Some later criticized Coolidge as part of a general criticism of laissez-faire government. His reputation underwent a renaissance during the Ronald Reagan Administration, but the ultimate assessment of his presidency is still divided between those who approve of his reduction of the size of government programs and those who believe the federal government should be more involved in regulating and controlling the economy.
Coolidge's family had deep roots in New England. His earliest American ancestor, John Coolidge, emigrated from Cottenham, Cambridgeshire, England, around 1630 and settled in Watertown, Massachusetts. Another ancestor, Edmund Rice, arrived at Watertown in 1638. Coolidge's great-great-grandfather, also named John Coolidge, was an American military officer in the Revolutionary War and one of the first selectmen of the town of Plymouth Notch. Most of Coolidge's ancestors were farmers. Other well-known Coolidges, architect Charles Allerton Coolidge, General Charles Austin Coolidge, and diplomat Archibald Cary Coolidge among them, were descended from branches of the family that had remained in Massachusetts. Coolidge's grandmother Sarah Almeda Brewer had two famous first cousins: Arthur Brown, a United States Senator, and Olympia Brown, a women's suffragist. It is through Sarah Brewer that Coolidge believed that he inherited American Indian blood, but this descent has never been established by modern genealogists.
They were opposites in personality: she was talkative and fun-loving, while he was quiet and serious. Not long after their marriage, Coolidge handed her a bag with fifty-two pairs of socks in it, all of them full of holes. Grace's reply was "Did you marry me to darn your socks?" Without cracking a smile and with his usual seriousness, Calvin answered, "No, but I find it mighty handy." They had two sons: John, born in 1906, and Calvin, Jr., born in 1908. The marriage was, by most accounts, a happy one. As Coolidge wrote in his ''Autobiography'', "We thought we were made for each other. For almost a quarter of a century she has borne with my infirmities, and I have rejoiced in her graces."
In 1906 the local Republican committee nominated Coolidge for election to the state House of Representatives. He won a close victory over the incumbent Democrat, and reported to Boston for the 1907 session of the Massachusetts General Court. In his freshman term, Coolidge served on minor committees and, although he usually voted with the party, was known as a Progressive Republican, voting in favor of such measures as women's suffrage and the direct election of Senators. Throughout his time in Boston, Coolidge found himself allied primarily with the western Winthrop Murray Crane faction of the state Republican Party, as against the Henry Cabot Lodge-dominated eastern faction. In 1907, he was elected to a second term. In the 1908 session, Coolidge was more outspoken, but was still not one of the leaders in the legislature.
Instead of vying for another term in the State House, Coolidge returned home to his growing family and ran for mayor of Northampton when the incumbent Democrat retired. He was well liked in the town, and defeated his challenger by a vote of 1,597 to 1,409. During his first term (1910 to 1911), he increased teachers' salaries and retired some of the city's debt while still managing to effect a slight tax decrease. He was renominated in 1911, and defeated the same opponent by a slightly larger margin.
In 1911, the State Senator for the Hampshire County area retired and encouraged Coolidge to run for his seat for the 1912 session. He defeated his Democratic opponent by a large margin. At the start of that term, Coolidge was selected to be chairman of a committee to arbitrate the "Bread and Roses" strike by the workers of the American Woolen Company in Lawrence, Massachusetts. After two tense months, the company agreed to the workers' demands in a settlement the committee proposed. The other major issue for Republicans that year was the party split between the progressive wing, which favored Theodore Roosevelt, and the conservative wing, which favored William Howard Taft. Although he favored some progressive measures, Coolidge refused to leave the Republican party. When the new Progressive Party declined to run a candidate in his state senate district, Coolidge won reelection against his Democratic opponent by an increased margin.
The 1913 session was less eventful, and Coolidge's time was mostly spent on the railroad committee, of which he was the chairman. Coolidge intended to retire after the 1913 session, as two terms were the norm, but when the President of the State Senate, Levi H. Greenwood, considered running for Lieutenant Governor, Coolidge decided to run again for the Senate in the hopes of being elected as its presiding officer. Although Greenwood later decided to run for reelection to the Senate, he was defeated and Coolidge was elected, with Crane's help, as the President of a closely divided Senate. After his election in January 1914, Coolidge delivered a speech entitled ''Have Faith in Massachusetts'', which summarized his philosophy of government. It was later published in a book, and frequently quoted.
Coolidge's speech was well-received and he attracted some admirers on its account. Towards the end of the term, many of them were proposing his name for nomination to lieutenant governor. After winning reelection to the Senate by an increased margin in the 1914 elections, Coolidge was reelected unanimously to be President of the Senate. As the 1915 session ended, Coolidge's supporters, led by fellow Amherst alumnus Frank Stearns, encouraged him again to run for lieutenant governor. This time, he accepted their advice.
Coolidge's duties as lieutenant governor were few; in Massachusetts, the lieutenant governor does not preside over the state Senate, although Coolidge did become an ''ex officio'' member of the governor's cabinet. As a full-time elected official, Coolidge no longer practiced law after 1916, though his family continued to live in Northampton. McCall and Coolidge were both reelected in 1916 and again in 1917 (At the time, both offices were held for one-year terms). When McCall decided that he would not stand for a fourth term, Coolidge announced his intention to run for governor.
That night Coolidge received a telegram from AFL leader Samuel Gompers. "Whatever disorder has occurred", Gompers wrote, "is due to Curtis's order in which the right of the policemen has been denied …" Coolidge publicly answered Gompers's telegram with the response that would launch him into the national consciousness (quoted, above left). Newspapers across the nation picked up on Coolidge's statement and he became the newest hero to opponents of the strike. In the midst of the First Red Scare, many Americans were terrified of the spread of communist revolution, like those that had taken place in Russia, Hungary, and Germany. While Coolidge had lost some friends among organized labor, conservatives across the nation had seen a rising star. Although he usually acted with deliberation, the Boston police strike gave him a national reputation as a man who would take decisive action.
Coolidge also wielded the veto pen as governor. His most publicized veto was of a bill that would have increased legislators' pay by 50%. Although Coolidge was personally opposed to Prohibition, he vetoed a bill in May 1920 that would have allowed the sale of beer or wine of 2.75% alcohol or less, in Massachusetts in violation of the Eighteenth Amendment to the United States Constitution. "Opinions and instructions do not outmatch the Constitution," he said in his veto message, "Against it, they are void."
The Democrats nominated another Ohioan, James M. Cox, for President and the Assistant Secretary of the Navy, Franklin D. Roosevelt, for Vice President. The question of the United States joining the League of Nations was a major issue in the campaign, as was the unfinished legacy of Progressivism. Harding ran a "front-porch" campaign from his home in Marion, Ohio, but Coolidge took to the campaign trail in the Upper South, New York, and New England. On November 2, 1920, Harding and Coolidge were victorious in a landslide, winning every state outside the South. They also won in Tennessee, the first time a Republican ticket had won a Southern state since Reconstruction.
As Vice-President, Coolidge and his vivacious wife Grace were invited to quite a few parties, where the legend of "Silent Cal" was born. It is from this time that most of the jokes and anecdotes involving Coolidge originate. Although Coolidge was known to be a skilled and effective public speaker, in private he was a man of few words and was therefore commonly referred to as "Silent Cal." A possibly apocryphal story has it that Dorothy Parker, seated next to him at a dinner, said to him, "Mr. Coolidge, I've made a bet against a fellow who said it was impossible to get more than two words out of you." His famous reply: "You lose." It was also Parker who, upon learning that Coolidge had died, reportedly remarked, "How can they tell?" Alice Roosevelt Longworth supposedly once commented that, "He looks as if he'd been weaned on a pickle." Coolidge often seemed uncomfortable among fashionable Washington society; when asked why he continued to attend so many of their dinner parties, he replied, "Got to eat somewhere."
As President, Coolidge's reputation as a quiet man continued. "The words of a President have an enormous weight," he would later write, "and ought not to be used indiscriminately." Coolidge was aware of his stiff reputation; indeed, he cultivated it. "I think the American people want a solemn ass as a President," he once told Ethel Barrymore, "and I think I will go along with them." However, he did hold a then-record number of presidential press conferences, 520 during his presidency. Some historians would later suggest that Coolidge's image was created deliberately as a campaign tactic, while others believe his withdrawn and quiet behavior to be natural, deepening after the death of his son in 1924.
He addressed Congress when it reconvened on December 6, 1923, giving a speech that echoed many of Harding's themes, including immigration restriction and the need for the government to arbitrate the coal strikes then ongoing in Pennsylvania. Coolidge's speech was the first Presidential speech to be broadcast to the nation over the radio The Washington Naval Treaty was proclaimed just one month into Coolidge's term, and was generally well received in the country. In May 1924, the World War I veterans' World War Adjusted Compensation Act or "Bonus Bill" was passed over his veto. Coolidge signed the Immigration Act later that year, though he appended a signing statement expressing his unhappiness with the bill's specific exclusion of Japanese immigrants. Just before the Republican Convention began, Coolidge signed into law the Revenue Act of 1924, which decreased personal income tax rates while increasing the estate tax, and creating a gift tax to reinforce the transfer tax system.
The Democrats held their convention from June 24 to July 9 in New York City. The convention soon deadlocked, and after 103 ballots, the delegates finally agreed on a compromise candidate, John W. Davis, with Charles W. Bryan nominated for Vice President. The Democrats' hopes were buoyed when Robert M. La Follette, Sr., a Republican Senator from Wisconsin, split from his party to form a new Progressive Party. Many believed that the split in the Republican party, like the one in 1912, would allow a Democrat to win the Presidency.
Shortly after the conventions Coolidge experienced a personal tragedy. Coolidge's younger son, Calvin, Jr., developed a blister from playing tennis on the White House courts. The blister became infected, and within days Calvin, Jr. developed sepsis and died. After that Coolidge became withdrawn. He later said that "when he died, the power and glory of the Presidency went with him." In spite of his sadness, Coolidge ran his conventional campaign; he never maligned his opponents (or even mentioned them by name) and delivered speeches on his theory of government, including several that were broadcast over radio. It was easily the most subdued campaign since 1896, partly because the President was grieving for his son, but partly because Coolidge's style was naturally non-confrontational. The other candidates campaigned in a more modern fashion, but despite the split in the Republican party, the results were very similar to those of 1920. Coolidge and Dawes won every state outside the South except for Wisconsin, La Follette's home state. Coolidge had a popular vote majority of 2.5 million over his opponents' combined total.
Coolidge's economic policy has often been misquoted as "generally speaking, the business of the American people is business" (full quotation at right). Some have criticized Coolidge as an adherent of the laissez-faire ideology, which they claim led to the Great Depression. On the other hand, historian Robert Sobel offers some context based on Coolidge's sense of federalism: "As Governor of Massachusetts, Coolidge supported wages and hours legislation, opposed child labor, imposed economic controls during World War I, favored safety measures in factories, and even worker representation on corporate boards. Did he support these measures while president? No, because in the 1920s, such matters were considered the responsibilities of state and local governments."
After McNary-Haugen's defeat, Coolidge supported a less radical measure, the Curtis-Crisp Act, which would have created a federal board to lend money to farm co-operatives in times of surplus; the bill did not pass. In February 1927, Congress took up the McNary-Haugen bill again, this time narrowly passing it. Coolidge vetoed it. In his veto message, he expressed the belief that the bill would do nothing to help farmers, benefitting only exporters and expanding the federal bureaucracy. Congress did not override the veto, but passed the bill again in May 1928 by an increased majority; again, Coolidge vetoed it. "Farmers never have made much money," said Coolidge, the Vermont farmer's son, "I do not believe we can do much about it."
In 1924, Coolidge responded to a letter that claimed the United States was a "white man's country":
On June 2, 1924, Coolidge signed the Indian Citizenship Act, which granted full U.S. citizenship to all American Indians, while permitting them to retain tribal land and cultural rights. However, the act was unclear on whether the federal government or the tribal leaders retained tribal sovereignty. Coolidge repeatedly called for anti-lynching laws to be enacted, but most Congressional attempts to pass this legislation were filibustered by Southern Democrats.
Coolidge appointed some African Americans to federal office. He retained Harding's choice of Walter L. Cohen of New Orleans, Louisiana, as the comptroller of customs and offered Cohen the post of minister to Liberia, which the businessman declined.
Coolidge's best-known initiative was the Kellogg-Briand Pact of 1928, named for Coolidge's Secretary of State, Frank B. Kellogg, and French foreign minister Aristide Briand. The treaty, ratified in 1929, committed signatories including the U.S., the United Kingdom, France, Germany, Italy, and Japan to "renounce war, as an instrument of national policy in their relations with one another." The treaty did not achieve its intended result the outlawry of war but did provide the founding principle for international law after World War II.
Coolidge continued the previous administration's policy not to recognize the Soviet Union. He also continued the United States' support for the elected government of Mexico against the rebels there, lifting the arms embargo on that country. He sent his close friend Dwight Morrow to Mexico as the American ambassador. Coolidge represented the U.S. at the Pan American Conference in Havana, Cuba, making him the only sitting U.S. President to visit the country. The United States' occupation of Nicaragua and Haiti continued under his administration, but Coolidge withdrew American troops from the Dominican Republic in 1924.
Coolidge had been reluctant to choose Hoover as his successor; on one occasion he remarked that "for six years that man has given me unsolicited advice—all of it bad." Even so, Coolidge had no desire to split the party by publicly opposing the popular Commerce Secretary's nomination. The delegates did consider nominating Vice President Charles Dawes to be Hoover's running mate, but the convention selected Senator Charles Curtis instead.
Coolidge published his autobiography in 1929 and wrote a syndicated newspaper column, "Calvin Coolidge Says," from 1930 to 1931. Faced with looming defeat in 1932, some Republicans spoke of rejecting Herbert Hoover as their party's nominee, and instead drafting Coolidge to run, but the former President made it clear that he was not interested in running again, and that he would publicly repudiate any effort to draft him, should it come about. Hoover was renominated, and Coolidge made several radio addresses in support of him.
He died suddenly of a heart attack at "The Beeches," at 12:45 pm, January 5, 1933. Shortly before his death, Coolidge confided to an old friend: "I feel I no longer fit in with these times."
Coolidge is buried beneath a simple headstone in Notch Cemetery, Plymouth Notch, Vermont, where the family home is maintained as one of the original buildings on the site, all of which comprise the Calvin Coolidge Homestead District. The State of Vermont dedicated a new visitors' center nearby to mark Coolidge's 100th birthday on July 4, 1972. Calvin Coolidge's "Brave Little State of Vermont speech" is memorialized in the Hall of Inscriptions at the Vermont State House in Montpelier, Vermont.
Coolidge's inauguration was the first presidential inauguration broadcast on radio. On December 6, 1923, he was the first President whose address to Congress was broadcast on radio. On February 22, 1924, he became the first President of the United States to deliver a political speech on radio. Coolidge signed the Radio Act of 1927, which assigned regulation of radio to the newly created Federal Radio Commission.
On August 11, 1924, Lee De Forest filmed Coolidge on the White House lawn with DeForest's Phonofilm sound-on-film process, becoming the first President to appear in a sound film. The title of the DeForest film was ''President Coolidge, Taken on the White House Grounds''.
Coolidge was the only president to have his portrait on a coin during his lifetime, the Sesquicentennial of American Independence Half Dollar, minted in 1926. After his death he also appeared on a postage stamp, pictured below.
Category:1872 births Category:1933 deaths Category:Amherst College alumni Category:American Congregationalists Category:American people of English descent Category:Articles containing video clips Calvin Coolidge Category:College Republicans Category:Coolidge family Category:Deaths from myocardial infarction Category:Governors of Massachusetts Category:Lieutenant Governors of Massachusetts Category:Massachusetts city council members Category:Massachusetts lawyers Category:Massachusetts State Senators Category:Mayors of places in Massachusetts Category:Members of the Massachusetts House of Representatives Category:People from Northampton, Massachusetts Category:Plymouth, Vermont Category:Presidents of the United States Category:Republican Party (United States) presidential nominees Category:Republican Party (United States) vice presidential nominees Category:Republican Party Presidents of the United States Category:Republican Party state governors of the United States Category:Republican Party Vice Presidents of the United States Category:St. Johnsbury Academy alumni Category:United States presidential candidates, 1920 Category:United States presidential candidates, 1924 Category:United States presidential candidates, 1932 Category:United States vice-presidential candidates, 1920 Category:Vice Presidents of the United States
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Coordinates | 55°45′06″N37°37′04″N |
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Name | Sonja Henie |
Fullname | Sonja Henie |
Birth date | April 08, 1912 |
Birth place | Oslo, Norway |
Death date | October 12, 1969 |
Death place | aboard a flight to Oslo |
Height | |
Formerpartner | Jack Dunn Stewart Reburn |
Formercoach | Howard Nicholson |
Medaltemplates | }} |
Sonja Henie (April 8, 1912 – October 12, 1969) was a Norwegian figure skater and film star. She was a three-time Olympic Champion (1928, 1932, 1936) in Ladies Singles, a ten-time World Champion (1927–1936) and a six-time European Champion (1931–1936). Henie won more Olympic and World titles than any other ladies figure skater. At the height of her acting career she was one of the highest paid stars in Hollywood.
Henie won the first of an unprecedented ten consecutive World Figure Skating Championships in 1927 at the age of fourteen. The results of 1927 World Championships, where Henie won in 3-2 decision (or 7 vs. 8 ordinal points) over the defending Olympic and World Champion Herma Szabo of Austria, was controversial, as all three of five judges that gave Henie first-place ordinals were Norwegian (1 + 1 + 1 + 2 + 2 = 7 points) while Szabo received first-place ordinals from an Austrian and a German Judge (1 + 1 + 2 + 2 + 2 = 8 points). Henie went on to win first of her three Olympic gold medals the following year. She defended her Olympic titles in 1932 and in 1936, and her World titles annually until 1936. She also won six consecutive European championships from 1931 to 1936. Henie's unprecedented three Olympic gold medals haven't been matched by any ladies skater since; neither are her achievements as ten-time consecutive World Champion. While Irina Slutskaya of Russia won her seventh European Championship in 2006 to become the most successful ladies skater in European Championships, Henie retains record of most consecutive titles, sharing it with Katarina Witt of Eastern Germany/Germany (1983–1988).
Towards the end of her career, she began to be strongly challenged by younger skaters including Cecilia Colledge, Megan Taylor, and Hedy Stenuf. However, she held off these competitors and went on to win her third Olympic title at the 1936 Winter Olympics, albeit in very controversial circumstances with Cecilia Colledge finishing a very close second. Indeed, after the school figures section at the 1936 Olympic competition, Colledge and Henie were virtually neck and neck with Colledge trailing by just a few points. As Sandra Stevenson recounted in her article in The Independent of the 21st April 2008, "the closeness [of the competition] infuriated Henie, who, when the result for that section was posted on a wall in the competitors' lounge, swiped the piece of paper and tore it into little pieces. The draw for the free skating [then] came under suspicion after Henie landed the plum position of skating last, while Colledge had to perform second of the 26 competitors. The early start was seen as a disadvantage, with the audience not yet whipped into a clapping frenzy and the judges known to become freer with their higher marks as the event proceeded. Years later, a fairer, staggered draw was adopted to counteract this situation".
During her competitive career, Henie traveled widely and worked with a variety of foreign coaches. At home in Oslo, she trained at Frogner Stadium, where her coaches included Hjordis Olsen and Oscar Holte. During the latter part of her competitive career she was coached primarily by the American Howard Nicholson in London. In addition to traveling to train and compete, she was much in demand as a performer at figure skating exhibitions in both Europe and North America. Henie became so popular with the public that police had to be called out for crowd control on her appearances in various disparate cities such as Prague and New York City. It was an open secret that, in spite of the strict amateurism requirements of the time, Wilhelm Henie demanded "expense money" for his daughter's skating appearances. Both of Henie's parents had given up their own pursuits in Norway—leaving Leif to run the fur business—in order to accompany Sonja on her travels and act as her managers.
Henie is credited with being the first figure skater to adopt the short skirt costume in figure skating, wear white boots, and make use of dance choreography. Her innovative skating techniques and glamorous demeanor transformed the sport permanently and confirmed its acceptance as a legitimate sport in the Winter Olympics.
After the 1936 World Figure Skating Championships, Henie gave up her amateur status and took up a career as a professional performer in acting and live shows. While still a girl, Henie had decided that she wanted to move to Hollywood and become a movie star when her competitive days were over, without considering that her thick accent might hinder her acting ambitions.
In 1936, following a successful ice show in Los Angeles orchestrated by her father to launch her film career, Hollywood studio chief Darryl Zanuck signed her to a long term contract at Twentieth Century Fox which made her one of the highest-paid actresses of the time. After the success of her first film, ''One in a Million'', Henie's position was assured and she became increasingly demanding in her business dealings with Zanuck. Henie also insisted on having total control of the skating numbers in her films such as ''Second Fiddle'' (1939).
In addition to her film career at Fox, Henie formed a business arrangement with Arthur Wirtz, who produced her touring ice shows under the name of "Hollywood Ice Revue". Wirtz also acted as Henie's financial advisor. At the time, figure skating and ice shows were not yet an established form of entertainment in the United States. Henie's popularity as a film actress attracted many new fans and instituted skating shows as a popular new entertainment. Throughout the 1940s, Henie and Wirtz produced lavish musical ice skating extravaganzas at Rockefeller Center's Center Theatre attracting millions of ticket buyers.
At the height of her fame, her shows and touring activities brought Henie as much as $2 million per year. She also had numerous lucrative endorsement contracts, and deals to market skates, clothing, jewelry, dolls, and other merchandise branded with her name. These activities made her one of the wealthiest women in the world in her time.
Henie broke off her arrangement with Wirtz in 1950 and for the next three seasons produced her own tours under the name "Sonja Henie Ice Revue". It was an ill-advised decision to set herself up in competition with Wirtz, whose shows now featured the new Olympic champion Barbara Ann Scott. Since Wirtz controlled the best arenas and dates, Henie was left playing smaller venues and markets already saturated by other touring ice shows such as Ice Capades. The collapse of a section of bleachers during a show in Baltimore, Maryland in 1952 compounded the tour's legal and financial woes.
In 1953 Henie formed a new partnership with Morris Chalfen to appear in his European ''Holiday On Ice'' tour. This was a great success. She produced her own show at New York's Roxy Theatre in January 1956. However, a subsequent South American tour in 1956 was a disaster. Henie was drinking heavily at that time and could no longer keep up with the demands of touring, and this marked her retirement from skating.
In 1938, she published her autobiography ''Mitt livs eventyr'' which has translated and released as ''Wings on My Feet'' in 1940, which was republished in a revised edition in 1954. At the time of her death, Henie was planning a comeback for a television special that would have aired in January 1970.
Controversy appeared first when Henie greeted Hitler with a Nazi salute during an exhibition in Berlin some time prior to the 1936 Winter Olympics; she was strongly denounced by the Norwegian press. She did not repeat the salute at the Olympics in Garmisch-Partenkirchen, but after the Games she accepted an invitation to lunch with Hitler at his resort home in nearby Berchtesgaden, where Hitler presented Henie with an autographed photo with a lengthy inscription. After beginning her film career, Henie kept up her Nazi connections, for example personally arranging with Joseph Goebbels for the release of her first film, ''One in a Million'', in Germany.
During the occupation of Norway by Nazi Germany, German troops saw Hitler's autographed photo prominently displayed in the Henie family home. As a result, none of Henie's properties in Norway were confiscated or damaged by the Germans. Henie became a naturalized citizen of the United States in 1941. Like many Hollywood stars, she supported the U.S. war effort through USO and similar activities, but she was careful to avoid supporting the Norwegian resistance movement, or making public statements against the Nazis. For this, she was condemned by many Norwegians and Norwegian-Americans. After the war, Henie was mindful that many of her countrymen considered her to be a Quisling. However, she made a triumphant return to Norway with the Holiday on Ice tour in 1953 and 1955.
Henie was married three times, to Dan Topping (1912–1974), Winthrop Gardiner Jr.(1912–1980), and the wealthy Norwegian shipping magnate and art patron, Niels Onstad (1909–1978). After her retirement in 1956, Henie and Onstad settled in Oslo and accumulated a large collection of modern art that formed the basis for the Henie-Onstad Art Centre at Høvikodden in Bærum near Oslo.
In addition to her marriages, Henie had a variety of love interests, including her skating partners Jack Dunn and Stewart Reburn, celebrated boxing legend Joe Louis, a much-publicized affair with Tyrone Power, and a later romance with actor Van Johnson. According to the biography ''Queen of Ice, Queen of Shadows'', written by her brother Leif with Raymond Strait after her death, Henie was obsessed with money and sex, had a vile temper when crossed, and used her family and others shamelessly to advance her own ends.
Sonja Henie was diagnosed with leukemia in the mid-1960s. She died of the disease at age 57 in 1969 during a flight from Paris to Oslo. Considered by many as one of the greatest figure skaters in history, she is buried with her husband in Oslo on the hilltop overlooking the Henie-Onstad Art Centre.
Event | ! 1925 | ! 1926 | ! 1927 | ! 1928 | ! 1929 | ! 1930 | ! 1931 | ! 1932 | ! 1933 | ! 1934 | ! 1935 | ! 1936 | ||
Winter Olympic Games | Winter Olympics | 8th | | | 1st | 1st | 1st | ||||||||
World Figure Skating Championships | World Championships | align="center">5th| | 2nd | 1st | 1st | 1st | 1st | 1st | 1st | 1st | 1st | 1st | 1st | |
European Figure Skating Championships | European Championships | | | 1st | 1st | 1st | 1st | 1st | 1st | ||||||
Norwegian Figure Skating Championships | Norwegian Championships | | | 1st | 1st | 1st | 1st | 1st |
! Year | ! Title | ! Role |
''Seven Days for Elizabeth'' | Skater | |
''Se Norge'' | Herself | |
''One in a Million'' | Greta "Gretchen" Muller | |
rowspan="2" | Lili Heiser | |
''Ali Baba Goes to Town'' | Herself | |
rowspan="2" | ''Happy Landing'' | Trudy Ericksen |
''My Lucky Star'' | Krista Nielsen | |
rowspan="2" | Trudi Hovland | |
''Everything Happens at Night'' | Louise | |
''Sun Valley Serenade'' | Karen Benson | |
Katina Jonsdottir | ||
''Wintertime'' | Nora | |
''It's a Pleasure'' | Chris Linden | |
Karen Kirsten | ||
''Hello London'' | Herself |
Category:1912 births Category:1969 deaths Category:American film actors Category:Deaths from leukemia Category:People who died on aircraft in mid-flight Category:People from Oslo Category:Naturalized citizens of the United States Category:Norwegian actors Category:Norwegian emigrants to the United States Category:American people of Norwegian descent Category:Norwegian figure skaters Category:Figure skaters at the 1924 Winter Olympics Category:Figure skaters at the 1928 Winter Olympics Category:Figure skaters at the 1932 Winter Olympics Category:Figure skaters at the 1936 Winter Olympics Category:Knights First Class of the Order of St. Olav Category:Olympic gold medalists for Norway Category:Olympic figure skaters of Norway Category:Olympic medalists in figure skating
bg:Соня Хени ca:Sonja Henie cs:Sonja Henie da:Sonja Henie de:Sonja Henie et:Sonja Henie es:Sonja Henie eo:Sonja Henie fr:Sonja Henie ko:소냐 헤니 hr:Sonja Henie id:Sonja Henie it:Sonja Henie lv:Sonja Henī nl:Sonja Henie ja:ソニア・ヘニー no:Sonja Henie nn:Sonja Henie pl:Sonja Henie pt:Sonja Henie ru:Хени, Соня sl:Sonja Henie sr:Соња Хени fi:Sonja Henie sv:Sonja Henie tr:Sonja Henie zh:桑雅·赫尼This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 55°45′06″N37°37′04″N |
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Name | Gillis Grafström |
Fullname | Gillis Emanuel Grafström |
Country | |
Birth date | June 07, 1893 |
Birth place | Stockholm |
Death date | April 14, 1938 |
Death place | Potsdam, Germany |
Medaltemplates | }} |
At his first Olympics in Antwerp one of his skates broke and he had to go to town to buy a new pair. Unfortunately only curly-toed skates were available. Despite this, he was still able to win.
At his last Olympics in 1932 in Lake Placid, he collided with a photographer on the ice and still managed to place second.
Grafström was one of the best skaters ever in compulsory figures. He also invented the Grafström-pirouette (on the back outside edge of the blade) and the flying sit spin. He skated very elegantly and was famous for his interpretation of music.
From 1925 to his death he lived in Potsdam, Germany. He trained on the Bornstedter See (Bornstedt Lake) when it was frozen or in Berlin on the artificial ice rink at the Volkspark Friedrichshain.
Grafström studied architecture at the Technical University of Berlin (Technische Hochschule Berlin) and worked later as an architect.
Grafström collected graphics, paintings and sculptures about skating. This collection was continued by his wife Cecilie Mendelssohn-Bartholdy (1898–1995). Today this collection belongs to the World Figure Skating Museum in Colorado Springs in the United States. Grafström was also a writer and an etcher.
Grafström died in 1938 in Potsdam, Germany at the age of 44 due to blood poisoning.
Today there is a street in Potsdam named after him. In 1976 he was admitted to the World Figure Skating Hall of Fame. Additionally, Grafström won the Svenska Dagbladet Gold Medal in 1929 (Shared with Sven Utterström).
Event | ! 1917 | ! 1918 | ! 1919 | ! 1920 | ! 1922 | ! 1924 | ! 1928 | ! 1929 | ! 1932 | ||
Winter Olympic Games | Winter Olympics | | | 1st | 1st | 1st | 2nd | |||||
World Figure Skating Championships | World Championships | align="center">7th| | 1st | 1st | 1st | ||||||
Swedish Figure Skating Championships | Swedish Championships | | | 1st | 1st | 1st |
Category:1893 births Category:1938 deaths Category:People from Stockholm Category:Swedish male single skaters Category:Figure skaters at the 1920 Summer Olympics Category:Figure skaters at the 1924 Winter Olympics Category:Figure skaters at the 1928 Winter Olympics Category:Figure skaters at the 1932 Winter Olympics Category:Olympic figure skaters of Sweden Category:Olympic gold medalists for Sweden Category:Olympic silver medalists for Sweden Category:Olympic medalists in figure skating
ca:Gillis Grafström de:Gillis Grafström es:Gillis Grafström fr:Gillis Grafström ko:일리스 그라프스트룀 it:Gillis Grafström nl:Gillis Grafström ja:ギリス・グラフストローム no:Gillis Grafström pl:Gillis Grafström pt:Gillis Grafström ro:Gillis Grafström ru:Графстрём, Гиллис sl:Gillis Grafström fi:Gillis Grafström sv:Gillis Grafström tr:Gillis Grafström zh:吉利斯·格拉夫斯特伦This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 55°45′06″N37°37′04″N |
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Name | Charles Ives |
Background | non_performing_personnel |
Birth name | Charles Edward Ives |
Birth date | October 20, 1874 |
Death date | May 19, 1954 |
Origin | Danbury, Connecticut |
Religion | United Church of Christ |
Occupation | composer, insurance agent |
Years active | }} |
Sources of Charles Ives’s tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
Ives moved to New Haven in 1893, enrolling in the Hopkins School where he captained the baseball team. In September 1894, Ives entered Yale University, studying under Horatio Parker. Here he composed in a choral style similar to his mentor, writing church music and even an 1896 campaign song for William McKinley. On November 4, 1894 Charles's father died, a crushing blow to the young composer, but to a large degree Ives continued the musical experimentation he had begun with George Ives.
At Yale, Ives was a prominent figure; he was a member of HeBoule, Delta Kappa Epsilon (Phi chapter) and Wolf's Head Society, and sat as chairman of the Ivy Committee. His works ''Calcium Light Night'' and ''Yale-Princeton Football Game'' show the influence of college and sports on Ives's composition. He wrote his Symphony No. 1 as his senior thesis under Parker's supervision. During his career as an insurance executive, Ives devised creative ways to structure life-insurance packages for people of means, which laid the foundation of the modern practice of estate planning. His ''Life Insurance with Relation to Inheritance Tax'', published in 1918, was well-received. As a result of this he achieved considerable fame in the insurance industry of his time, with many of his business peers surprised to learn that he was also a composer. In his spare time he composed music and, until his marriage, worked as an organist in Danbury and New Haven as well as Bloomfield, New Jersey and New York City.
Ives died in 1954 in New York City. His widow bequeathed the royalties from his music to the American Academy of Arts and Letters for the Charles Ives Prize.
Ives was formally trained in music at Yale. His First Symphony shows a grasp of the academic skills needed to write in the traditional sonata form of the late 19th century, as well as a tendency to display an individual and iconoclastic harmonic style. His father was a band leader, and like Hector Berlioz, Ives was fascinated with both outdoor music and instrumentation. His attempts to fuse these interests coupled with his devotion to Beethoven set the direction for the remainder of his musical life.
Ives published a large collection of his songs, many of which had piano parts that paralleled modern movements in Europe, including bitonality and pantonality. He was an accomplished pianist who could improvise in a variety of styles, including those then quite new. Though he is now best known for his orchestral music, he composed two string quartets and other works of chamber music. His work as an organist led him to write ''Variations on "America"'' in 1891, which he premiered at a recital celebrating the Fourth of July. The piece takes the tune (which is the same one as is used for the national anthem of the United Kingdom) through a series of fairly standard but witty variations; it was not published until 1949. The variations differ sharply: a running line, a set of close harmonies, a march, and a polonaise; the interludes are one of the first uses of bitonality; William Schuman arranged this for orchestra in 1964 and again for symphonic band in 1968.
In 1906, Ives composed what some have argued was the first radical musical work of the twentieth century, ''Central Park in the Dark''. The piece evokes an evening comparing sounds from nearby nightclubs in Manhattan (playing the popular music of the day, ragtime, quoting "Hello! Ma Baby" and even Sousa's "Washington Post March") with the mysterious dark and misty qualities of the Central Park woods (played by the strings). The string harmony uses shifting chord structures that are not solely based on thirds but a combination of thirds, fourths, and fifths. Near the end of the piece the remainder of the orchestra builds up to a grand chaos ending on a dissonant chord, leaving the string section to end the piece save for a brief violin duo superimposed over the unusual chord structures.
Ives had composed two symphonies, but it is with ''The Unanswered Question'' (1906), written for the highly unusual combination of trumpet, four flutes, and string orchestra, that he established the mature sonic world that became his signature style. The strings (located offstage) play very slow, chorale-like music throughout the piece while on several occasions the trumpet (positioned behind the audience) plays a short motif that Ives described as "the eternal question of existence". Each time the trumpet is answered with increasingly shrill outbursts from the flutes (onstage) — apart from the last: the unanswered question. The piece is typical Ives — it juxtaposes various disparate elements, it appears to be driven by a narrative never fully revealed to the audience, and it is tremendously mysterious. It has become one of his more popular works. Leonard Bernstein borrowed its title for his Charles Eliot Norton Lectures in 1973, noting that he always thought of the piece as a musical question, not a metaphysical one.
Pieces such as ''The Unanswered Question'' were almost certainly influenced by the New England transcendentalist writers Ralph Waldo Emerson and Henry David Thoreau.
The sonata is possibly Ives's best-known piece for solo piano (although it should be noted that there is an optional part for flute). (A part for viola in the "Emerson" movement is not intended for a viola player — it is simply the "viola part" from the original "Emerson" Concerto sketch, which was also to be played by bassoon and tubular bells.) Rhythmically and harmonically, it is typically adventurous, and it demonstrates Ives's fondness for quotation — on several occasions the opening motto from Beethoven's Fifth Symphony is quoted. It also contains one of the most striking examples of Ives's experimentalism: in the second movement, he instructs the pianist to use a piece of wood to produce a dense but generally very soft cluster chord. All these effects are combined to create one of the towering masterworks of 20th century piano literature—an unprecedented masterpiece of American music.
Perhaps the most remarkable piece of orchestral music Ives completed was his Fourth Symphony (1910–16). The list of forces required to perform the work alone is extraordinary. The work closely mirrors ''The Unanswered Question''. There is no shortage of novel effects. (A tremolando is heard throughout the second movement. A fight between discordance and traditional tonal music is heard in the final movement. The piece ends quietly with just the percussion playing at a distance.) In it, Ives finally resolves all of his compositional issues and the full force of his considerable genius is heard. The final movement can be seen as an apotheosis of his work and a culmination of his musical achievement. A complete performance was not given until 1965, almost half a century after the symphony was completed, and more than a decade after Ives's death.
Ives left behind material for an unfinished ''Universe Symphony'', which he was unable to assemble in his lifetime despite two decades of work. This was due to his health problems as well as his shifting conception of the work. There have been several attempts at completion or performing version. However, none has found its way into general performance. The symphony takes the ideas in the Symphony No. 4 to an even higher level, with complex cross-rhythms and difficult layered dissonance along with unusual instrumental combinations.
Ives's chamber works include the String Quartet No. 2, where the parts are often written at extremes of counterpoint, ranging from spiky dissonance in the movement labeled "Arguments" to transcendentally slow. This range of extremes is frequent in Ives's music — crushing blare and dissonance contrasted with lyrical quiet — and carried out by the relationship of the parts slipping in and out of phase with each other. Ives's idiom, like Mahler's, employed highly independent melodic lines. It is regarded as difficult to play because many of the typical signposts for performers are not present. This work had a clear influence on Elliott Carter's Second String Quartet, which is similarly a four-way theatrical conversation.
One of the more damning words one could use to describe music in Ives's view was "nice", and his famous remark "use your ears like men!" seemed to indicate that he did not care about his reception. On the contrary, Ives was interested in popular reception, but on his own terms.
Early supporters of his music included Henry Cowell, Elliott Carter and Aaron Copland. Cowell's periodical ''New Music'' published a substantial number of Ives's scores (with the composer's approval), but for almost 40 years Ives had few performances that he did not arrange or back, generally with Nicolas Slonimsky as the conductor. The next year, this piece won Ives the Pulitzer Prize for Music. Ives gave the prize money away (half of it to Harrison), saying "prizes are for boys, and I'm all grown up".
At this time, Ives was also promoted by Bernard Herrmann, who worked as a conductor at CBS and in 1940 became principal conductor of the CBS Symphony Orchestra. While there he was a champion of Charles Ives's music. When meeting Ives, Hermann confessed that he had tried his hand at performing the ''Concord Sonata''.
Remarkably, Ives, who actually avoided the radio and the phonograph, agreed to make a series of piano recordings from 1933 to 1943 that were later issued by Columbia Records on a special LP set issued for Ives's centenary in 1974. New World Records issued 42 tracks of Ives's recordings on CD on April 1, 2006.
Recognition of Ives's music has improved. He received praise from Arnold Schoenberg, who regarded him as a monument to artistic integrity, and from the New York School of William Schuman. He won the admiration of Gustav Mahler, who said that Ives was a true musical revolutionary. Mahler talked of premiering Ives's Third Symphony with the New York Philharmonic, but Mahler's death soon after prevented the premiere.
In 1951, Leonard Bernstein conducted the world premiere of Ives's Second Symphony in a broadcast concert by the New York Philharmonic. The Iveses heard the performance on their cook's radio and were amazed at the audience's warm reception to the music. Bernstein continued to conduct Ives's music and made a number of recordings with the Philharmonic for Columbia Records. He even honored Ives on one of his televised youth concerts and in a special disc included with the reissue of the 1960 recording of the second symphony and the ''Fourth of July'' movement from Ives' ''Holiday Symphony''.
Another pioneering Ives recording, undertaken during the 1950s, was the first complete set of the four violin sonatas, performed by Cleveland Orchestra concertmaster Rafael Druian and John Simms.
Leopold Stokowski took on the Symphony No. 4 in 1965, regarding the work as "the heart of the Ives problem". The Carnegie Hall world premiere by the American Symphony Orchestra led to the first recording of the music.
Another promotor of Ives was choral conductor Gregg Smith, who made a series of recordings of the composer's shorter works during the 1960s, including first stereo recordings of the psalm settings and arrangements of many short pieces for theater orchestra. The Juilliard String Quartet recorded the two string quartets during the 1960s.
In the present, Michael Tilson Thomas is an enthusiastic exponent of Ives's symphonies, as is composer and biographer Jan Swafford. Ives's work is regularly programmed in Europe. Ives has also inspired pictorial artists, most notably Eduardo Paolozzi, who entitled one of his 1970s sets of prints ''Calcium Light Night'', each print being named for an Ives piece (including ''Central Park in the Dark''). In 1991, Connecticut's legislature designated Ives as that state's official composer.
The Scottish baritone Henry Herford began a survey of Ives's songs in 1990, but this remains incomplete, owing to the collapse of the record company involved (Unicorn-Kanchana).
Pianist-composer and Wesleyan University professor Neely Bruce has made a life's study of Ives. To date, he has staged seven parts of a concert series devoted to the complete songs of Ives.
Musicologist David Gray Porter reconstructed a piano concerto, the "Emerson" Concerto, from Ives's sketches. A recording of the work was released by Naxos Records.
However, Ives is not without his critics. Some find his music bombastic and pompous. Others find it, strangely enough, timid in that the fundamental sound of European traditional music is still present in his works. His onetime supporter Elliott Carter has called his work incomplete, but has since revised his stance.
. He responds to negligence by contempt. He is not forced to accept praise or blame. His name is Ives.}}
Ives was also a great financial supporter of twentieth century music, often supporting works that were written by other composers. This he did in secret, telling his beneficiaries it was really his wife who wanted him to do so. Nicolas Slonimsky said in 1971, "He financed my entire career."
''Note: Because Ives often made several different versions of the same piece, and because his work was generally ignored during his lifetime, it is often difficult to put exact dates on his compositions. The dates given here are sometimes best guesses. There have also been controversial speculations that Ives purposely misdated his own pieces earlier or later than actually written.
Category:1874 births Category:1954 deaths Category:20th-century classical composers Category:American classical musicians Category:American composers Category:American Congregationalists Category:Grammy Award winners Category:Microtonal musicians Category:Modernist composers Category:People from Danbury, Connecticut Category:Pulitzer Prize for Music winners Category:Wolf's Head Society Category:Hopkins School alumni Category:Yale Bulldogs football players Category:Yale University alumni Category:Symbols of Connecticut
zh-min-nan:Charles Ives ca:Charles Ives cs:Charles Ives da:Charles Ives de:Charles Ives es:Charles Ives eo:Charles Ives fa:چارلز آیوز fr:Charles Ives ko:찰스 아이브스 it:Charles Ives he:צ'ארלס אייבס nl:Charles Ives ja:チャールズ・アイヴズ pl:Charles Ives pt:Charles Ives ru:Айвз, Чарлз simple:Charles Ives sl:Charles Ives fi:Charles Ives sv:Charles Ives uk:Чарлз Айвз zh:查理斯·艾伍士This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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