Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented 'Laurence Olivier' (qv) in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of 'Tennessee Williams' (qv)' _A Streetcar Named Desire (1951)_ (qv) and a quarter-century after his last great performance as Col. Kurtz in 'Francis Ford Coppola' (qv)'s _Apocalypse Now (1979)_ (qv), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of 'John Barrymore (I)' (qv), the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as 'Paul Muni (I)' (qv) and 'Fredric March' (qv). Only the luster of 'Spencer Tracy (I)' (qv)'s reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did. Born Marlon Brando Jr. on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman and his artistically inclined wife, the former Dorothy Pennebaker, "Bud" Brando was one of three children. His oldest sister 'Jocelyn Brando' (qv) was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown 'Henry Fonda' (qv), another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation. Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in _Ultimo tango a Parigi (1972)_ (qv) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. 'Anthony Quinn (I)' (qv), his Oscar-winning co-star in _Viva Zapata! (1952)_ (qv) told Brando's first wife 'Anna Kashfi' (qv), "I admire Marlon's talent, but I don't envy the pain that created it." Brando enrolled in 'Erwin Piscator' (qv)'s Dramatic Workshop at New York's New School, and was mentored by 'Stella Adler' (qv), a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario 'Konstantin Stanislavski' (qv), whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture. Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in 'Fred Zinnemann' (qv)'s _The Men (1950)_ (qv) for producer 'Stanley Kramer' (qv). Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni 'John Garfield (I)' (qv), the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer 'Irene Mayer Selznick' (qv) had chosen to play the lead in a new 'Tennessee Williams' (qv) play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." 'Burt Lancaster' (qv) was next approached, but couldn't get out of a prior film commitment. Then director 'Elia Kazan' (qv) suggested Brando, whom he had directed to great effect in 'Maxwell Anderson (I)' (qv)'s play "Truckline Café," in which Brando co-starred with 'Karl Malden' (qv), who was to remain a close friend for the next 60 years. During the production of "Truckline Café", Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as 'Karl Malden' (qv) and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young 'Pauline Kael' (qv), arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor. The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of 'Jessica Tandy' (qv)'s Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences. For his part, Brando believed that the audience sided with his Stanley because 'Jessica Tandy' (qv) was too shrill. He thought 'Vivien Leigh' (qv), who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents. Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as 'Lee Strasberg' (qv) at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and 'Stella Adler' (qv)'s husband, 'Harold Clurman' (qv), all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience Interestingly, 'Elia Kazan' (qv) believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method. After _A Streetcar Named Desire (1951)_ (qv), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in _Viva Zapata! (1952)_ (qv), _Julius Caesar (1953)_ (qv) and the summit of his early career, Kazan's _On the Waterfront (1954)_ (qv). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in _The Wild One (1953)_ (qv) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to 'Jon Voight' (qv), unprecedented in its audacious presentation of such a wide range of great acting. Director 'John Huston (I)' (qv) said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star 'John Gielgud' (qv), the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company. It was this period of 1951-54 that revolutionized American acting, spawning such imitators as 'James Dean (I)' (qv) - who modeled his acting and even his lifestyle on his hero Brando - the young 'Paul Newman (I)' (qv) and 'Steve McQueen (I)' (qv). After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as 'Warren Beatty' (qv) in Kazan's _Splendor in the Grass (1961)_ (qv). "We are all Brando's children," 'Jack Nicholson (I)' (qv) pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, _Sayonara (1957)_ (qv) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed _One-Eyed Jacks (1961)_ (qv) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). 'Stanley Kubrick (I)' (qv) had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow 'Christiane Kubrick' (qv), Stanley believed that Brando had wanted to direct the film himself all along. Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting _One-Eyed Jacks (1961)_ (qv), 'Edward Dmytryk' (qv)'s filming of 'Irwin Shaw' (qv)'s novel _The Young Lions (1958)_ (qv). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade. _One-Eyed Jacks (1961)_ (qv) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture. Between the production and release of _One-Eyed Jacks (1961)_ (qv), Brando appeared in 'Sidney Lumet' (qv)'s film version of Tennessee Williams' play "Orpheus Descending", _The Fugitive Kind (1960)_ (qv) which teamed him with fellow Oscar winners 'Anna Magnani' (qv) and 'Joanne Woodward (I)' (qv). Following in 'Elizabeth Taylor (I)' (qv)'s trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic 'Hollis Alpert' (qv) had published a book "Brando and the Shadow of Stanley Kowalski). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed _The Fugitive Kind (1960)_ (qv) finally released. Though Tennessee was hot, with movie versions of _Cat on a Hot Tin Roof (1958)_ (qv) and _Suddenly, Last Summer (1959)_ (qv) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, _The Fugitive Kind (1960)_ (qv) was a failure. This was followed by the so-so box-office reception of _One-Eyed Jacks (1961)_ (qv) in 1961 and then by a failure of a more monumental kind: _Mutiny on the Bounty (1962)_ (qv), a remake of the famed 1935 film. Brando signed on to _Mutiny on the Bounty (1962)_ (qv) after turning down the lead in the 'David Lean (I)' (qv) classic _Lawrence of Arabia (1962)_ (qv) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director 'Carol Reed (I)' (qv) (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner 'Lewis Milestone' (qv), was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President 'John F. Kennedy' (qv) asked director 'Billy Wilder' (qv) at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation. Brando and Taylor, whose _Cleopatra (1963)_ (qv) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's _Mutiny on the Bounty (1962)_ (qv)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of _The Ten Commandments (1956)_ (qv) and _Ben-Hur (1959)_ (qv), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office. While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with _Cleopatra (1963)_ (qv) co-star 'Richard Burton (I)' (qv), remained hot until the tanking of her own Tennessee Williams-renamed debacle _Boom (1968)_ (qv), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968. Some of the films Brando made in the 1960s were noble failures, such as _The Ugly American (1963)_ (qv), _The Chase (1966)_ (qv) and _Reflections in a Golden Eye (1967)_ (qv). For every "Reflections," though, there seemed to be two or three outright debacles, such as _Bedtime Story (1964)_ (qv), _A Countess from Hong Kong (1967)_ (qv) and _The Night of the Following Day (1968)_ (qv). By the time Brando began making the anti-colonialist picture _Queimada (1969)_ (qv) in Colombia with 'Gillo Pontecorvo' (qv) in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as 'Arthur Penn (I)' (qv), 'John Huston (I)' (qv) and the legendary 'Charles Chaplin' (qv), and with such top-drawer co-stars as 'David Niven (I)' (qv), 'Yul Brynner' (qv), 'Sophia Loren' (qv) and Taylor. The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to 'Laurence Olivier' (qv), as his friend 'William Redfield' (qv) limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as 'Rod Steiger' (qv) tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout. Despite evidence in such films as _The Chase (1966)_ (qv), _The Appaloosa (1966)_ (qv) and _Reflections in a Golden Eye (1967)_ (qv) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years. 'Pauline Kael' (qv) wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of 'John Barrymore (I)' (qv), a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious _Candy (1968)_ (qv), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor 'Elia Kazan' (qv), a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House Un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, _The Arrangement (1969)_ (qv). However, after the assassination of 'Martin Luther King' (qv), Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king 'Paul Newman (I)' (qv) in a surefire script, _Butch Cassidy and the Sundance Kid (1969)_ (qv), Brando decided to make _Queimada (1969)_ (qv) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as 'Howard Zinn' (qv). Kazan, after a life in film and the theater, said that, aside from 'Orson Welles' (qv), whose greatness lay in filmmaking, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight. 'Truman Capote' (qv), who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted. 'Charlton Heston' (qv), who participated in 'Martin Luther King' (qv)'s 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?", Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As 'Rod Steiger' (qv) once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When 'James Mason (I)' (qv)' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be 'George C. Scott' (qv), by default. Paramount thought that only 'Laurence Olivier' (qv) would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. 'Francis Ford Coppola' (qv) won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, _The Godfather (1972)_ (qv), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous _Ultimo tango a Parigi (1972)_ (qv) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a Top-Ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies. After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in "Last Tango in Paris," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. 'Pauline Kael' (qv), the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wanna-be's, said Brando's performance in "Last Tango" had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with 'Sam Peckinpah' (qv)'s summation of 'Pauline Kael' (qv): "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." Probably in a simulacrum of those words, too. After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after 'Jack Nicholson (I)' (qv) in 'Arthur Penn (I)' (qv)'s _The Missouri Breaks (1976)_ (qv), a western that succeeded neither with the critics or at the box office. From then on, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on _Superman (1978)_ (qv). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day 'Harrison Ford (I)' (qv) set with _K-19: The Widowmaker (2002)_ (qv). Before cashing his first paycheck for _Superman (1978)_ (qv), Brando had picked up $2 million for his extended cameo in 'Francis Ford Coppola' (qv)'s _Apocalypse Now (1979)_ (qv) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura performance, though he did receive an eighth and final Oscar nomination for _A Dry White Season (1989)_ (qv) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of _The Men (1950)_ (qv), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.
name | Marlon Brando |
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birth name | Marlon Brando, Jr. |
birth date | April 03, 1924 |
birth place | Omaha, Nebraska, U.S. |
death date | July 01, 2004 |
death place | Los Angeles, California, U.S. |
death cause | Respiratory failure |
nationality | American |
education | The New School |
spouse | Anna Kashfi (1957–59)Movita Castaneda (1960–62)Tarita Teriipia (1962–72) |
children | 13, including:Christian Brando (deceased)Cheyenne Brando (deceased)Stephen Blackehart |
parents | Marlon Brando, Sr.Dodie Brando |
website | http://www.marlonbrando.com/
}} |
An enduring cultural icon, Brando was perhaps best known for his role as Stanley Kowalski in ''A Streetcar Named Desire'' (1951), his Academy Award-nominated performance as Emiliano Zapata in ''Viva Zapata!'' (1952), his role as Mark Antony in the MGM film adaptation of the Shakespeare play ''Julius Caesar'' (1953), for which he was nominated for an Academy Award, and his Academy Award-winning performance as Terry Malloy in ''On the Waterfront'' (1954). During the 1970s, he was most famous for his Academy Award-winning performance as Vito Corleone in Francis Ford Coppola's ''The Godfather'' (1972), also playing Colonel Walter Kurtz in another Coppola film, ''Apocalypse Now'' (1979). Brando delivered an Academy Award-nominated performance as Paul in ''Last Tango in Paris'' (1972), in addition to directing and starring in the western film ''One-Eyed Jacks'' (1961).
Brando had a significant impact on film acting, and was the foremost example of the "method" acting style. While he became notorious for his "mumbling" diction and exuding a raw animal magnetism, his mercurial performances were nonetheless highly regarded, and he is widely considered as one of the greatest and most influential actors of the 20th century. Director Martin Scorsese said of him, "He is the marker. There's 'before Brando' and 'after Brando'.'" Actor Jack Nicholson once said, "When Marlon dies, everybody moves up one."
Brando was also an activist, supporting many issues, notably the African-American Civil Rights Movement and various American Indian Movements.
Brando's family was of mostly Irish ancestry. He also had distant French ancestry. Brando was raised a Christian Scientist. His grandmother Marie Holloway abandoned her family when Marlon Brando, Sr., was five years old. She used the money Eugene sent her to support her gambling and alcoholism.''
Marlon Brando, Sr., was a talented amateur photographer. His wife, known as Dodie, was unconventional but talented, having been an actress. She smoked, wore trousers, and drove cars, unusual for women at the time. However, she was an alcoholic and often had to be brought home from Chicago bars by her husband; she finally joined Alcoholics Anonymous. Dodie Brando acted and was a theater administrator. She helped Henry Fonda to begin his acting career, and fueled her son Marlon's interest in stage acting. However, Brando was closer to his maternal grandmother, Bessie Gahan Pennebaker Meyers, than to his mother. Widowed while young, Meyers worked as a secretary and later as a Christian Science practitioner. Her father, Myles Gahan, was a doctor from Ireland; her mother, Julia Watts, was from England.
Brando was a mimic from early childhood and developed an ability to absorb the mannerisms of people he played and display them dramatically while staying in character. His sister Jocelyn Brando was the first to pursue an acting career, going to study at the American Academy of Dramatic Art. She appeared on Broadway, then movies and television. Brando's sister Frances left college in California to study art in New York. Brando soon followed her.
Brando had been held back a year in school and was later expelled from Libertyville High School for riding his motorcycle through the corridors. He was sent to Shattuck Military Academy, where his father had studied before him. Brando excelled at theatre and did well in the school. In his final year (1943), however, he was put on probation for talking back to a student officer during maneuvers. He was confined to the campus, but tried going into town, and was caught. The faculty voted to expel him, though he was supported by the students, who thought expulsion was too harsh. He was invited back for the following year, but decided instead to drop out of high school.
Brando worked as a ditch-digger as a summer job arranged by his father. It was also during this time that Brando attempted to join the Army. However at his army induction physical it was discovered that a football injury that he had sustained at Shattuck had left him with a trick knee. Brando was therefore classified as a 4-F, and not inducted into the Army. He then decided to follow his sisters to New York. His father supported him for six months, then offered to help him find a job as a salesman. However, Brando left to study at the American Theatre Wing Professional School, part of the Dramatic Workshop of The New School with the influential German director Erwin Piscator and at the Actors Studio. He also studied with Stella Adler and learned the techniques of the Stanislavski System. There is a story in which Adler spoke about teaching Brando, saying that she had instructed the class to act like chickens, then adding that a nuclear bomb was about to fall on them. Most of the class clucked and ran around wildly, but Brando sat calmly and pretended to lay an egg. Asked by Adler why he had chosen to react this way, he said, "I'm a chicken, what do I know about nuclear bombs?"
Brando used his Stanislavski System skills for his first summer-stock roles in Sayville, New York on Long Island. His behavior got him kicked out of the cast of the New School's production in Sayville, but he was discovered in a locally produced play there and then made it to Broadway in the bittersweet drama ''I Remember Mama'' in 1944. Critics voted him "Broadway's Most Promising Actor" for his role as an anguished veteran in ''Truckline Café'', although the play was a commercial failure. In 1946 he appeared on Broadway as the young hero in the political drama ''A Flag is Born'', refusing to accept wages above the Actor's Equity rate because of his commitment to the cause of Israeli independence. In that same year, Brando played the role of Marchbanks with Katharine Cornell in her production's revival of Candida, one of her signature roles. Cornell also cast him as The Messenger in a her production of Jean Anouilh's Antigone that same year. Brando achieved stardom, however, as Stanley Kowalski in Tennessee Williams's 1947 play ''A Streetcar Named Desire,'' directed by Elia Kazan. Brando sought out that role, driving out to Provincetown, Massachusetts, where Williams was spending the summer, to audition for the part. Williams recalled that he opened the screen door and knew, instantly, that he had his Stanley Kowalski. Brando's performance revolutionized acting technique and set the model for the American form of method acting.
Afterward, Brando was asked to do a screen test for Warner Brothers studio for the film ''Rebel Without A Cause'', which James Dean was later cast in. The screen test appears as an extra in the 2006 DVD release of ''A Streetcar Named Desire''.
Brando's first screen role was as the bitter paraplegic veteran in ''The Men'' in 1950. True to his method, Brando spent a month in bed at the Birmingham Army Hospital in Van Nuys to prepare for the role. By Brando's own account it may have been because of this film that his draft status was changed from 4-F to 1-A. He had had an operation on the knee he had injured at Shattuck, and it was no longer physically debilitating enough to incur exclusion from the draft. When Brando reported to the induction center he answered a questionnaire provided to him by saying his race was "human", his color was "Seasonal-oyster white to beige", and he told an Army doctor that he was psycho neurotic. When the draft board referred him to a psychiatrist Brando explained how he had been expelled from Military School, and that he had severe problems with authority. Coincidentally enough the psychiatrist knew a doctor friend of Brando, and Brando was able to avoid military service during the Korean War.
In 1953, Brando also starred in ''The Wild One'' riding his own Triumph Thunderbird 6T motorcycle which caused consternation to Triumph's importers, as the subject matter was rowdy motorcycle gangs taking over a small town. But the images of Brando posing with his Triumph motorcycle became iconic, even forming the basis of his wax dummy at Madame Tussauds.
Later that same year, Brando starred in Lee Falk's production of George Bernard Shaw's ''Arms and the Man'' in Boston. Falk was proud to tell people that Marlon Brando turned down an offer of $10,000 per week on Broadway, in favor of working on Falk's play in Boston. His Boston contract was less than $500 per week. It would be the last time he ever acted in a stage play.
Brando won the Oscar for his role as Terry Malloy in ''On the Waterfront''. For the famous ''I coulda' been a contender'' scene, Brando convinced Kazan that the scripted scene was unrealistic, and with Rod Steiger, improvised the final product.
Brando then took a variety of roles in the 1950s: as Sky Masterson in the musical ''Guys and Dolls''; as Sakini, a Japanese interpreter for the U.S. Army in postwar Japan in ''The Teahouse of the August Moon''; as a United States Air Force officer in ''Sayonara'', and a Nazi officer in ''The Young Lions''.
In the 1960s, Brando starred in films such as ''Mutiny on the Bounty'' (1962); ''One-Eyed Jacks'' (1961), a western that would be the only film Brando would ever direct; ''The Chase'' (1966), and ''Reflections in a Golden Eye'' (1967), portraying a repressed gay army officer. It was the type of performance that later led critic Stanley Crouch to write, "Brando's main achievement was to portray the taciturn but stoic gloom of those pulverized by circumstances." He also played a guru in the sex farce ''Candy'' (1968). ''Burn!'' (1969), which Brando would later claim as his personal favorite, was a commercial failure. His career slowed down by the end of the decade as he gained a reputation for being difficult to work with.
Brando's performance as Vito Corleone or 'the Don' in 1972's ''The Godfather'' was a mid-career turning point. Director Francis Ford Coppola convinced Brando to submit to a "make-up" test, in which Brando did his own makeup (he used cotton balls to simulate the puffed-cheek look). Coppola was electrified by Brando's characterization as the head of a crime family, but had to fight the studio in order to cast the temperamental Brando. Mario Puzo always imagined Brando as Corleone. However, Paramount studio heads wanted to give the role to Danny Thomas in the hope that Thomas would have his own production company throw in its lot with Paramount. Thomas declined the role and actually urged the studio to cast Brando at the behest of Coppola and others who had witnessed the screen test.
Eventually, Charles Bluhdorn, the president of Paramount parent Gulf + Western, was won over to letting Brando have the role; when he saw the screen test, he asked in amazement, "What are we watching? Who is this old guinea?"
Brando won the Academy Award for Best Actor for his performance, but turned down the Oscar, becoming the second actor to refuse a Best Actor award (the first being George C. Scott for ''Patton''). Brando boycotted the award ceremony, sending instead American Indian Rights activist Sacheen Littlefeather, who appeared in full Apache dress, to state Brando's reasons, which were based on his objection to the depiction of American Indians by Hollywood and television.
The actor followed with Bernardo Bertolucci's 1973 film, ''Last Tango in Paris'', but the performance was overshadowed by an uproar over the erotic nature of the film. Despite the controversy which attended both the film and the man, the Academy once again nominated Brando for the Best Actor.
Brando, along with James Caan, was later scheduled in 1974 to appear in the final scene of ''The Godfather Part II''. However, rewrites were made to the script when Brando refused to show up to the studio on the single day of shooting due to disputes with the studio.
Brando portrayed Superman's father Jor-El in the 1978 film ''Superman''. He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand and his lines would be displayed somewhere off-camera. It was revealed in a documentary contained in the 2001 DVD release of ''Superman'', that he was paid $3.7 million for just two weeks of work.
Brando also filmed scenes for the movie's sequel, ''Superman II'', but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage. However, after Brando's death the footage was reincorporated into the 2006 re-cut of the film, ''Superman II: The Richard Donner Cut''.
Two years after Brando's death, he "reprised" the role of Jor-El in the 2006 "loose sequel" ''Superman Returns'', in which both used and unused archive footage of Brando as Jor-El from the first two Superman films was remastered for a scene in the Fortress of Solitude, and Brando's voice-overs were used throughout the film.
Brando starred as Colonel Walter E. Kurtz in Francis Ford Coppola's Vietnam epic ''Apocalypse Now''. Brando plays a highly decorated American Army Special Forces officer who goes renegade. He runs his own operations out of Cambodia and is feared by the US military as much as the Vietnamese. Brando was paid $1 million a week for his work.
Despite announcing his retirement from acting in 1980, he subsequently gave interesting supporting performances in movies such as ''A Dry White Season'' (for which he was again nominated for an Oscar in 1989), ''The Freshman'' in 1990 and ''Don Juan DeMarco'' in 1995. In his last film, ''The Score'' (2001), he starred with fellow method actor Robert De Niro. Some later performances, such as ''The Island of Dr Moreau'' (1996), earned Brando some of the most uncomplimentary reviews of his career.
Brando conceived the idea of a novel called ''Fan-Tan'' with director Donald Cammell in 1979, which was not released until 2005.
In 2004, Brando signed with Tunisian film director Ridha Behion and began pre-production on a project to be titled ''Brando and Brando''. Up to a week before his death, Brando was working on the script in anticipation of a July/August 2004 start date. Production was suspended in July 2004 following Brando's death, at which time Behi stated that he would continue the film as an homage to Brando, with a new title of ''Citizen Brando''.
Brando married actress Anna Kashfi in 1957. Kashfi was born in Calcutta and moved to Wales from India in 1947. She is said to have been the daughter of a Welsh steel worker of Irish descent, William O'Callaghan, who had been superintendent on the Indian State railways. However, in her book, ''Brando for Breakfast'', she claimed that she really is half Indian and that the press incorrectly thought that her stepfather, O'Callaghan, was her real father. She said her real father was Indian and that she was the result of an "unregistered alliance" between her parents. In 1959, Brando and Kashfi divorced after the birth of their son, Christian Brando, on May 11, 1958.
In 1960, Brando married Movita Castaneda, a Mexican-American actress seven years his senior; they were divorced in 1962. Castaneda had appeared in the first ''Mutiny on the Bounty'' film in 1935, some 27 years before the 1962 remake with Brando as Fletcher Christian. Brando's behavior during the filming of ''Bounty'' seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either.
The ''Bounty'' experience affected Brando's life in a profound way. He fell in love with Tahiti and its people. He bought a twelve-island atoll, Tetiaroa, which he intended to make partly an environmental laboratory and partly a resort. Tahitian beauty Tarita Teriipia, who played Fletcher Christian's love interest, became Brando's third wife on August 10, 1962. She was 20 years old, 18 years younger than Brando. A 1961 article on Teriipia in the fan magazine ''Motion Picture'' described Brando's delight at how naïve and unsophisticated she was. Because Teriipia was a native French speaker, Brando became fluent in the language and gave numerous interviews in French. Teriipia became the mother of two of his children. They divorced in July 1972. Brando eventually had a hotel built on Tetiaroa. It went through many redesigns as a result of changes demanded by Brando over the years. It is now closed. A new hotel, consisting of thirty deluxe villas, was planned.
Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the FCC records as Martin Brandeaux to preserve his privacy.
;Children
;Grandchildren
In May 1990, Dag Drollet, the Tahitian lover of Brando's daughter Cheyenne, died of a gunshot wound after a confrontation with Cheyenne's half-brother Christian at the family's hilltop home above Beverly Hills. Christian, then 31 years old, claimed he was drunk and the shooting was accidental.
After heavily publicized pre-trial proceedings, Christian pleaded guilty to voluntary manslaughter and use of a gun. He was sentenced to ten years in prison. Before the sentence, Brando delivered an hour of testimony, in which he said he and his former wife had failed Christian. He commented softly to members of the Drollet family: "I'm sorry... If I could trade places with Dag, I would. I'm prepared for the consequences." Afterward, Drollet's father said he thought Brando was acting and his son was "getting away with murder." The tragedy was compounded in 1995, when Cheyenne, suffering from lingering effects of a serious car accident and said to still be depressed over Drollet's death, committed suicide by hanging herself in Tahiti. Christian Brando died of pneumonia at age 49, on January 26, 2008.
In an interview with Gary Carey, for his 1976 biography ''The Only Contender'', Brando said, "Homosexuality is so much in fashion it no longer makes news. Like a large number of men, I, too, have had homosexual experiences and I am not ashamed. I have never paid much attention to what people think about me. But if there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing."
In 1992, he donated money to Michael Jackson to help start his Heal the World Foundation.
The actor was a longtime close friend of entertainer Michael Jackson and paid regular visits to his Neverland Ranch, resting there for weeks at a time. Brando also participated in the singer's two-day solo career thirtieth-anniversary celebration concerts in 2001, and starred in his 13-minute-long music video, "You Rock My World," in the same year. The actor's son, Miko, was Jackson's bodyguard and assistant for several years, and was a friend of the singer. He stated "The last time my father left his house to go anywhere, to spend any kind of time... was with Michael Jackson. He loved it... He had a 24-hour chef, 24-hour security, 24-hour help, 24-hour kitchen, 24-hour maid service." On Jackson's 30th anniversary concert, Brando gave a speech to the audience on humanitarian work which received a poor reaction from the audience and was unaired.
On July 1, 2004, Brando died, aged 80. He left behind eleven children as well as over thirty grandchildren. The cause of death was intentionally withheld, his lawyer citing privacy concerns. It was later revealed that he had died at UCLA Medical Center of respiratory failure brought on by pulmonary fibrosis. He also suffered from congestive heart failure, failing eyesight caused by diabetes, and liver cancer. Before his death and despite his ill-health, he recorded his voice to appear in ''The Godfather: The Game'', once again as Don Vito Corleone.
Karl Malden, Brando's fellow actor in ''A Streetcar Named Desire'', ''On The Waterfront'', and ''One-Eyed Jacks'' (the only film directed by Brando), talks in a documentary accompanying the DVD of ''A Streetcar Named Desire'' about a phone call he received from Brando shortly before Brando's death. A distressed Brando told Malden he kept falling over. Malden wanted to come over, but Brando put him off telling him there was no point. Three weeks later, Brando was dead. Shortly before his death, Brando had apparently refused permission for tubes carrying oxygen to be inserted into his lungs, which, he was told, was the only way to prolong his life.
Brando was cremated, and his ashes were put in with those of his childhood friend Wally Cox and another friend. They were then scattered partly in Tahiti and partly in Death Valley.
In 2007, a 165-minute biopic of Brando, ''Brando: The Documentary'', produced by Mike Medavoy (the executor of Brando's will) for Turner Classic Movies, was released.
Brando attended some fundraisers for John F. Kennedy in the 1960 presidential election.
In August 1963, Brando participated in the March on Washington along with fellow celebrities Harry Belafonte, James Garner, Charlton Heston, Burt Lancaster, and Sidney Poitier. Brando also, along with Paul Newman, participated in the freedom rides.
In the aftermath of the 1968 slaying of Dr. Martin Luther King Jr., Brando made one of the strongest commitments to furthering Dr. King's work. Shortly after Dr. King's death, Brando announced that he was bowing out of the lead role of a major film (''The Arrangement'') which was about to begin production, in order to devote himself to the civil rights movement. "I felt I’d better go find out where it is; what it is to be black in this country; what this rage is all about," Brando said on the late night ABC-TV ''Joey Bishop Show''.
The actor's participation in the African-American civil rights movement actually began well before King's death. In the early 1960s Brando contributed thousands of dollars to both the Southern Christian Leadership Conference (S.C.L.C.) and to a scholarship fund established for the children of slain Mississippi N.A.A.C.P. leader Medgar Evers. By this time, Brando was already involved in films that carried messages about human rights: "Sayonara," which addressed interracial romance, and "The Ugly American," depicting the conduct of US officials abroad and its deleterious effect on the citizens of foreign countries. For a time Brando was also donating money to the Black Panther Party and considered himself a friend of founder Bobby Seale. However, Brando ended his financial support for the group over his perception of its increasing radicalization, specifically a passage in a Panther pamphlet put out by Eldridge Cleaver advocating indiscriminate violence, "for the Revolution."
At the 1973 Academy Awards ceremony, Brando refused to accept the Oscar for his performance in The Godfather. Sacheen Littlefeather represented Mr. Brando at the ceremony. She appeared in full Apache clothing. She stated that owing to the "poor treatment of Native Americans in the film industry" Mr. Brando would not accept the award. At this time the 1973 standoff at Wounded Knee occurred, causing rising tensions between the government and Native American activists. The event grabbed the attention of the US and the world media. This was considered a major event and victory for the movement by its supporters and participants.
Outside of his film work, Brando not only appeared before the California Assembly in support of a fair housing law, but personally joined picket lines in demonstrations protesting discrimination in housing developments.
Brando made a similar comment on ''Larry King Live'' in April 1996, saying "Hollywood is run by Jews; it is owned by Jews, and they should have a greater sensitivity about the issue of—of people who are suffering. Because they've exploited—we have seen the—we have seen the Nigger and Greaseball, we've seen the Chink, we've seen the slit-eyed dangerous Jap, we have seen the wily Filipino, we've seen everything but we never saw the Kike. Because they knew perfectly well, that that is where you draw the wagons around." King, who is Jewish, replied, "When you say—when you say something like that you are playing right in, though, to anti-Semitic people who say the Jews are—" at which point Brando interrupted. "No, no, because I will be the first one who will appraise the Jews honestly and say 'Thank God for the Jews.'"
Jay Kanter, Brando's agent, producer and friend defended him in ''Daily Variety'': "Marlon has spoken to me for hours about his fondness for the Jewish people, and he is a well-known supporter of Israel." Similarly, Louie Kemp, in his article for ''Jewish Journal'', wrote: "You might remember him as Don Vito Corleone, Stanley Kowalski or the eerie Col. Walter E. Kurtz in "Apocalypse Now," but I remember Marlon Brando as a mensch and a personal friend of the Jewish people when they needed it most." Brando was also a major donor to the Irgun, a Zionist political-paramilitary group.
In an interview with ''NBC Today'' one day after Brando's death, Larry King also defended Brando's comments saying that they were out of proportion and taken out of context.
Marlon Brando is a cultural icon whose popularity has endured for over six decades. Brando's rise to national attention in the 1950s had a profound effect on the motion picture industry and influenced the broader scope of American culture. According to film critic Pauline Kael, "[Marlon] Brando represented a reaction against the post-war mania for security. As a protagonist, the Brando of the early fifties had no code, only his instincts. He was a development from the gangster leader and the outlaw. He was antisocial because he knew society was crap; he was a hero to youth because he was strong enough not to take the crap ... Brando represented a contemporary version of the free American ... Brando is still the most exciting American actor on the screen." Sociologist Dr. Suzanne Mcdonald-Walker states: "Marlon Brando, sporting leather jacket, jeans, and moody glare, became a cultural icon summing up 'the road' in all its maverick glory." His portrayal of the gang leader Johnny Strabler in ''The Wild One'' has become an iconic image, used both as a symbol of rebelliousness and a fashion accessory that includes a Perfecto style motorcycle jacket, a tilted cap, jeans and sunglasses. Johnny's haircut inspired a craze for sideburns, followed by James Dean and Elvis Presley, among others. Dean copied Brando's acting style extensively and Presley used him as a model for his role in ''Jailhouse Rock''. The "I coulda been a contenda" scene from ''On the Waterfront'', according to the author of ''Brooklyn Boomer'', Martin H. Levinson, is "one of the most famous scenes in motion picture history and the line itself has become part of America's cultural lexicon."
Brando's estate still earns about $9,000,000 per year, according to ''Forbes''. He was named one of the top-earning dead celebrities in the world by the magazine.
Brando was named the fourth Greatest Male Star of All Time by the American Film Institute, and part of ''Time'' magazine's Time 100: The Most Important People of the Century. He was also named one of the top 10 "Icons of the Century" by ''Variety'' magazine.
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name | Larry King |
---|---|
birth name | Lawrence Harvey Zeiger |
birth date | November 19, 1933 |
birth place | Brooklyn, New York City, U.S. |
religion | Jewish (1933–1966)Agnostic (1966–present) |
occupation | Television/Radio personality |
years active | 1957–present |
spouse | Freda Miller (1952–1953, annulled); Annette Kaye (1961, divorced); Alene Akins (1961–1963; divorced)Mickey Sutphin (1963–1967, divorced); Alene Akins (1967–1972, divorced); Sharon Lepore (1976–1983, divorced); Julie Alexander (1989–1992, divorced); Shawn Southwick (1997–present)}} |
Larry King (born November 19, 1933) is an American television and radio host whose work has been recognized with awards including two Peabodys and ten Cable ACE Awards. He began as a local Florida journalist and radio interviewer in the 1950s and 1960s and became prominent as an all-night national radio broadcaster starting in 1978. From 1985-2010, he hosted the nightly interview TV program ''Larry King Live'' on CNN, a network for which he continues to host specials.
King's father died at 44 of heart disease, and his mother had to go on welfare to support her two sons. His father's death greatly affected King, and he lost interest in school. After graduating from high school, he worked to help support his mother. From an early age, however, he had wanted to go into radio. King is a fan of the Los Angeles Dodgers.
His Miami radio show launched him to local stardom. A few years later, in May 1960, he hosted ''Miami Undercover,'' airing Sunday nights at 11:30 p.m. on WPST-TV Channel 10 (now WPLG). On the show, he moderated debates on important issues of the time. King credits his success on local TV to the assistance of another showbiz legend, comedian Jackie Gleason, whose national TV variety show was being filmed in Miami Beach during this period. "That show really took off because Gleason came to Miami," King said in a 1996 interview he gave when inducted into the Broadcasters' Hall of Fame. "He did that show and stayed all night with me. We stayed till five in the morning. He didn't like the set, so we broke into the general manager's office and changed the set. Gleason changed the set, he changed the lighting, and he became like a mentor of mine." Jackie Gleason was instrumental in getting Larry a hard-to-get on air interview with Frank Sinatra during this time.
During this period, WIOD gave King further exposure as a color commentator for the Miami Dolphins of the National Football League, during their 1970 season and most of their 1971 season. However, he was dismissed by both WIOD and television station WTVJ as a late-night radio host and sports commentator as of December 20, 1971, when he was arrested after being accused of grand larceny by a former business partner. Other staffers covered the Dolphins' games into their 24–3 loss to Dallas in Super Bowl VI. King also lost his weekly column at the ''Miami Beach Sun'' newspaper. The charges were dropped on March 10, 1972, and King spent the next several years in reviving his career, including a stint as the color announcer in Louisiana for the Shreveport Steamer of the World Football League in 1974–75 on KWKH. Eventually, King was rehired by WIOD in Miami. For several years during the 1970s in South Florida, he hosted a sports talk-show called "Sports-a-la-King" that featured guests and callers. He is known for voice Doris in Shrek 2, Shrek The Third, and Shrek forever After,
It was broadcast live Monday through Friday from midnight to 5:30 a.m. Eastern Time. King would interview a guest for the first 90 minutes, with callers asking questions that continued the interview for another 90 minutes. At 3 a.m., he would allow callers to discuss any topic they pleased with him, until the end of the program, when he expressed his own political opinions. That segment was called "Open Phone America". Some of the regular callers used the pseudonyms "The Portland Laugher", "The Miami Derelict", "The Todd Cruz Caller", "The Scandal Scooper", "Mr. Radio" and "The Water Is Warm Caller". "Mr. Radio" made over 200 calls to King during Open Phone America. The show was successful, starting with relatively few affiliates and eventually growing to more than 500. It ran until 1994.
For its final year, the show was moved to afternoons, but, because most talk radio stations at the time had an established policy of local origination in the time-slot (3 to 6 p.m. Eastern Time) that Mutual offered the show, a very low percentage of King's overnight affiliates agreed to carry his daytime show and it was unable to generate the same audience size. The afternoon show was eventually given to David Brenner and radio affiliates were given the option of carrying the audio of King's new CNN evening television program. The Westwood One radio simulcast of the CNN show continued until December 31, 2009.
Unlike many interviewers, King has a direct, non-confrontational approach. His reputation for asking easy, open-ended questions has made him attractive to important figures who want to state their position while avoiding being challenged on contentious topics. His interview style is characteristically frank, but with occasional bursts of irreverence and humor. His approach attracts some guests who would not otherwise appear. King, who is known for his general lack of pre-interview preparation, once bragged that he never read the books of authors before making an appearance on his program.
In a show dedicated to the surviving Beatles, King asked George Harrison's widow about the song "Something", which was written about George Harrison's first wife. He seemed surprised when she did not know very much about the song.
Throughout his career King has interviewed many of the leading figures of his time. CNN claimed during his final episode that he had performed 60,000 interviews in his career.
King also wrote a regular newspaper column in USA Today for almost 20 years, from shortly after that newspaper's origin in 1982 until September 2001. The column consisted of short "plugs, superlatives and dropped names" but was dropped when the newspaper redesigned its "Life" section. The column was resurrected in blog form in November 2008 and on Twitter in April 2009.
The final edition of ''Larry King Live'' aired on December 16, 2010. The show concluded with his last thoughts and a thank you to his audience for watching and supporting him over the years.
On September 3, 2005, following Hurricane Katrina, King aired "How You Can Help", a three-hour special designed to provide a forum and information clearinghouse for viewers to understand and join nationwide and global relief efforts. On January 18, 2010, in the wake the 2010 Haiti earthquake, King aired "Haiti: How You Can Help", a special two-hour edition designed to show viewers how to take action and be a part of the global outreach. Following the Deepwater Horizon explosion, King aired "Disaster in the Gulf: How You Can Help", a special two-hour edition designed to show viewers how to take action in the clean-up efforts on the Gulf Coast.
On August 30, 2010, King served as the host of Chabad's 30th annual "To Life" telethon, in Los Angeles.
In 1997, King was one of 34 celebrities to sign an open letter to then-German Chancellor Helmut Kohl, published as a newspaper advertisement in the ''International Herald Tribune'', which protested the treatment of Scientologists in Germany, comparing it to the Nazis' oppression of Jews in the 1930s. Other signatories included Dustin Hoffman and Goldie Hawn.
In 1961, King married his third wife, Alene Akins, a ''Playboy'' bunny at one of the magazine's eponymous nightclubs. The couple had son Andy in 1962, and divorced the following year. In 1963, King married his fourth wife, Mary Francis "Mickey" Sutphin, who divorced King. He remarried Akins, with whom he had a second child, Chaia, in 1969. The couple divorced a second time in 1972. In 1997, Dove Books published a book written by King and Chaia, ''Daddy Day, Daughter Day''. Aimed at young children, it tells each of their accounts of his divorce from Akins.
On September 25, 1976, King married his fifth wife, math teacher and production assistant Sharon Lepore. The couple divorced in 1983.
King met businesswoman Julie Alexander in summer 1989, and proposed to her on the couple's first date, on August 1, 1989. Alexander became King's sixth wife on October 7, 1989, when the two were married in Washington, D.C. The couple lived in different cities, however, with Alexander in Philadelphia, Pennsylvania, and King in Washington, D.C., where he worked. The couple separated in 1990 and divorced in 1992. He became engaged to actress Deanna Lund in 1995, after five weeks of dating, but they never married.
He married his seventh wife, Shawn Southwick, born in 1959 as Shawn Oro Engemann, a former singer and TV host, in King's Los Angeles, California, hospital room three days before King underwent heart surgery to clear a clogged blood vessel. The couple have two children: Chance, born March 1999, and Cannon, born May 2000. He is stepfather to Danny Southwick. On King and Southwick's 10th anniversary in September 2007, Southwick boasted she was "the only [wife] to have lasted into the two digits". On April 14, 2010, both Larry and Shawn King filed for divorce. but have since stopped the proceedings, claiming "We love our children, we love each other, we love being a family. That is all that matters to us".
On February 24, 1987, King suffered a major heart attack and then had quintuple-bypass surgery. Since then, King has written two books about living with heart disease. ''Mr. King, You're Having a Heart Attack: How a Heart Attack and Bypass Surgery Changed My Life'' (1989, ISBN 0-440-50039-7) was written with New York's ''Newsday'' science editor B. D. Colen. ''Taking On Heart Disease: Famous Personalities Recall How They Triumphed over the Nation's #1 Killer and How You Can, Too'' (2004, ISBN 1-57954-820-2) features the experience of various celebrities with cardiovascular disease including Peggy Fleming and Regis Philbin.
In July 2009, King appeared on ''The Tonight Show with Conan O'Brien'', where he told host O'Brien about his wishes to be cryonically preserved upon death, as he had revealed in his book ''My Remarkable Journey''. In December of 2011, preceding a CNN Special on the topic, the Kings had a special dinner with friends Conan O'Brien, Tyra Banks, Shaquille O'Neal, Seth MacFarlane, Jack Dorsey, Quincy Jones and Russell Brand where his intent to do so was reiterated, among other topics that were discussed.
On February 12, 2010, Larry King revealed that he had undergone surgery five weeks earlier to place stents in his coronary artery to remove plaque from his heart. During the segment on Larry King Live which discussed Bill Clinton's similar procedure, King said he was "feeling great" and had been in hospital for just one day.
In 1989, King was inducted into the National Radio Hall of Fame, and in 1996 to the Broadcasters' Hall of Fame. In 2002, the industry magazine ''Talkers'' named King both the fourth-greatest radio talk show host of all time and the top television talk show host of all time.
in June 1998, King received an Honorary Degree from Brooklyn College, City University of New York, for his life achievements.
King was given the Golden Mike Award for Lifetime Achievement in January 2009, by the Radio & Television News Association of Southern California.
King is an honorary member of the Rotary Club of Beverly Hills. He is also a recipient of the President's Award honoring his impact on media from the Los Angeles Press Club in 2006.
King is the first recipient of the Arizona State University Hugh Downs Award for Communication Excellence, presented April 11, 2007, via satellite by Downs himself. Downs sported red suspenders for the event and turned the tables on King by asking "very tough questions" about King's best, worst and most influential interviews during King's 50 years in broadcasting.
Category:1933 births Category:Living people Category:American actors Category:American agnostics Category:American Jews Category:American talk radio hosts Category:National Radio Hall of Fame inductees Category:American television talk show hosts Category:American people of Belarusian-Jewish descent Category:American people of Russian-Jewish descent Category:American voice actors Category:Jewish actors Category:Jewish agnostics Category:Miami Dolphins broadcasters Category:National Football League announcers Category:People from Brooklyn Category:World Football League announcers
ar:لاري كينغ be:Лары Кінг bg:Лари Кинг cs:Larry King da:Larry King de:Larry King et:Larry King es:Larry King fa:لری کینگ fr:Larry King gl:Larry King ko:래리 킹 hr:Larry King id:Larry King it:Larry King he:לארי קינג hu:Larry King mn:Ларри Кинг nl:Larry King ja:ラリー・キング no:Larry King pl:Larry King pt:Larry King ro:Larry King ru:Ларри Кинг simple:Larry King sh:Larry King fi:Larry King sv:Larry King th:แลร์รี คิง tr:Larry King uk:Ларрі Кінг zh:拉里·金This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
birth name | Christopher Nash Elliott |
---|---|
birth date | May 31, 1960 |
birth place | New York City, New York |
occupation | Actor, comedian, writer, director, author |
years active | 1983–present |
spouse | Paula Niedert (1986-present) |
children | Abby and Bridey Elliott |
parents | Bob and Lee Elliott}} |
Christopher Nash "Chris" Elliott (born May 31, 1960) is an American actor, comedian and writer. He is best known for his comedic sketches on ''Late Night with David Letterman'', starring in the cult comedy series ''Get a Life'' and for his recurring role as Peter MacDougall on ''Everybody Loves Raymond''. He is also known for appearing in movies such as ''Cabin Boy'', ''There's Something About Mary'', ''Scary Movie 2'' and ''Groundhog Day''. Elliott currently stars in the Adult Swim series ''Eagleheart''.
In 1986 Elliot starred in ''FDR: A One Man Show'' about the life and times of the president; however, he looks and sounds nothing like the man, portrays him as occasionally ambulatory, and he re-enacts events from Roosevelt's life that never happened, such as the Japanese bombing of the White House.
In 1990, Elliott created and starred in his own sitcom, which was called ''Get A Life'', about a 30-year-old paperboy named Chris Peterson, who lived at home with his parents. Elliott's real-life father, Bob Elliott, appeared in the show as Peterson's father. The January 1999 issue of ''TV Guide'' called the "Zoo Animals On Wheels" episode the 19th funniest TV moment of all time.
In 1993, Elliott teamed up with producer Brad Hall and directed a series of critically acclaimed short films that Elliott showed when appearing on ''Late Show with David Letterman''.
Elliott became a cast member of ''Saturday Night Live'' in 1994. Also that year, Elliott starred in his first movie—entitled ''Cabin Boy''—which also featured a short appearance by Elliott's old boss, David Letterman, and was produced by Tim Burton. It was nominated for a Razzie Award for Worst New Star.
In 2007 Elliott began reappearing on the ''Late Show with David Letterman'' with fellow former Letterman writer Gerard Mulligan. On average, these bits appear once per month.
His other television credits include the chowder taster on Throwdown with Bobby Flay, airdate 09/02/09, the voice of Dogbert on the short-run show ''Dilbert'' for UPN. He played a serial killer in the series ''Third Watch'' in the episode 5 "The Hunter, Hunted" and episode 6, "Greatest Detectives in the World" from season six. He played the role of Peter in the last three seasons of ''Everybody Loves Raymond'' and a role in a semi-autobiographical sitcom pilot for CBS, entitled ''You've Reached the Elliotts'', playing a man who tries to balance a modest show business career with his home life. As well as multiple appearances on ''King of Queens'' Elliott made guest appearances on the ''Late Show'', ''That '70s Show'' episode "2000 light years from home", ''According to Jim'' and ''How I Met Your Mother'' in the 2009 Thanksgiving episode as Lily's (Alyson Hannigan) father.
Elliott currently stars in the live-action Adult Swim comedy series ''Eagleheart'', produced by Conan O'Brien's production company, Conaco. The first season began airing on February 3, 2011.
In the summer of 2008, Elliott and his family returned to Connecticut, purchasing a home in Old Lyme, Connecticut.
! Year | ! Film | ! Role | ! Notes |
''Lianna'' | Lighting Assistant | ||
''Hyperspace'' | Hooper | ||
''My Man Adam'' | Mr. Spooner | ||
rowspan=2 | Zeller | ||
''FDR: A One Man Show'' | Franklin Delano Roosevelt | ||
''Action Family'' | Chris | ||
rowspan=2 | ''The Abyss'' | Bendix | |
''New York Stories'' | Robber | ||
''Medusa: Dare to Be Truthful'' | Andy | TV Film | |
rowspan=3 | ''The Travelling Poet'' | Alan Squire | |
''CB4'' | A. White | ||
Larry | |||
rowspan=3 | ''Cabin Boy'' | Nathanial Mayweather | |
''Poolside Ecstasy'' | The Pool Boy | ||
''Housewives: The Making of the Cast Album'' | Chris the Diva | ||
''The Barefoot Executive'' | Jase Wallenberg | TV Film | |
The Gambler | |||
''There's Something About Mary'' | Dom Woganowski | ||
rowspan=3 | Santa Claus | ||
''Nutty Professor II: The Klumps'' | Restaurant Manager | ||
Roger (The Snow Plow Guy) | |||
rowspan=2 | ''Osmosis Jones'' | Bob | |
''Scary Movie 2'' | Hanson | ||
''Scary Movie 4'' | Ezekiel | ||
rowspan=2 | ''Thomas Kinkade's Home for Christmas'' | Ernie Trevor | |
''I'll Believe You'' | Eugene the Gator Guy | ||
''Dance Flick'' | Ron | ||
''Speed-Dating'' | Inspector Green | ||
Category:1960 births Category:American comedians Category:American film actors Category:American novelists Category:American television actors Category:American television writers Category:American voice actors Category:David Letterman Category:Emmy Award winners Category:Living people Category:Actors from New York City Category:People from Wilton, Connecticut Category:People from Ridgefield, Connecticut Category:Waldorf school alumni
de:Chris Elliott es:Chris Elliott fr:Chris Elliott it:Chris Elliott la:Christophorus Elliott nl:Chris Elliott ja:クリス・エリオット no:Chris Elliott pl:Chris Elliott pt:Chris Elliott fi:Chris Elliott sv:Chris ElliottThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
birth date | August 17, 1960 |
---|---|
birth place | Santa Monica, California, U.S. |
birth name | Sean Justin Penn |
occupation | Actor, screenwriter, director, producer |
years active | 1974–present |
spouse | Madonna (1985–1989)Robin Wright (1996–2010) |
parents | Leo Penn (deceased)Eileen Ryan |
relatives | Aimee Mann (sister-in-law) }} |
Penn began his acting career in television with a brief appearance in a 1974 episode of ''Little House on the Prairie'', directed by his father Leo Penn. Following his film debut in 1981's ''Taps'' and a diverse range of film roles in the 1980s, Penn emerged as a prominent leading actor with the 1995 drama film ''Dead Man Walking'', for which he earned his first Academy Award nomination and the Best Actor Award at the Berlin Film Festival. Penn subsequently received another two Oscar nominations for ''Sweet and Lowdown'' (1999) and ''I Am Sam'' (2001), before winning his first Academy Award for Best Actor in 2003 for ''Mystic River'' and a second one in 2008 for ''Milk''. He has also won a Best Actor Award of the Cannes Film Festival for ''She's So Lovely'' (1997), and two Best Actor Awards at the Venice Film Festival for ''Hurlyburly'' (1998) and ''21 Grams'' (2003).
Penn made his feature film directorial debut with 1991's ''The Indian Runner'', followed by the drama film ''The Crossing Guard'' (1995) and the mystery film ''The Pledge'' (2001). In 2002, Penn directed one of the 11 segments of ''11'09"01 September 11'', a compilation film made in response to the September 11 attacks. In 2007, Penn directed his fourth feature film ''Into the Wild'', which garnered critical acclaim and two Academy Award nominations.
In addition to his film work, Penn is known for his political and social activism, most notably his criticism of the George W. Bush administration, his contact with the Presidents of Venezuela and Cuba, and his humanitarian work in the aftermath of Hurricane Katrina and the 2010 Haiti earthquake. Penn also attracted media attention for his previous marriages to pop icon Madonna and actress Robin Wright.
Penn launched his film career with the 1981 action-drama ''Taps,'' where he played a key role, as a military high school cadet, opposite protagonist Timothy Hutton. Tom Cruise also made one of his first film appearances, as another cadet. A year later, Penn appeared in the hit comedy ''Fast Times at Ridgemont High'', in the role of surfer-stoner Jeff Spicoli, with his character helping popularize the word "dude" in popular culture. In 1983, Penn appeared as Mick O'Brien, a troubled youth, in the drama ''Bad Boys''. The role earned Penn favorable reviews and jump-started his career as a serious actor.
In 1985, Penn played Andrew Daulton Lee in the film ''The Falcon and the Snowman'', which closely followed an actual criminal case. Lee was a former drug dealer by trade, convicted of espionage for the Soviet Union and originally sentenced to life in prison, later being paroled in 1998. Penn later hired Lee as his personal assistant, partly because he wanted to reward Lee for allowing him to play Lee in the film; also, he was a firm believer in rehabilitation and thought Andrew Lee should be successfully reintegrated into society, since he was a free man again.
In 1986, he starred in the drama ''At Close Range'', opposite Christopher Walken. The film featured his then-wife Madonna's single "Live to Tell". The music video for the song, which featured clips from the film, played heavily on MTV and helped promote the film. Penn stopped acting for a few years in the early 1990s, having been dissatisfied with the industry, and focused on making his directing debut.
Penn, nominated for the Academy Award for Best Actor five times, has won the award twice. The Academy first recognized his work in nominating him for playing a racist murderer on death row in Tim Robbins' 1995 drama ''Dead Man Walking''. Penn was nominated again for his comedic performance as an egotistical jazz guitarist in Woody Allen's 1999 release ''Sweet and Lowdown''. He received his third nomination after portraying a mentally-handicapped father in 2001's ''I am Sam''. Penn finally won for his role in Clint Eastwood's 2003 Boston crime-drama ''Mystic River''. In 2004, he played a disturbed man bent on killing the president in ''The Assassination of Richard Nixon''. He was invited to join the Academy of Motion Picture Arts and Sciences in 2004.
In 2006, he portrayed populist governor Willie Stark (based on Huey Long) in an adaptation of the classic American novel ''All the King's Men'', though the film was a critical and commercial failure. In November 2008, Penn earned rave reviews for his portrayal of real-life gay-rights icon and politician Harvey Milk in the biopic ''Milk'' and was nominated for best actor for the 2008 Independent Spirit Awards. The film also earned Penn his fifth nomination and second win for the Academy Award for Best Actor. In 2010 he starred as Joseph Wilson in ''Fair Game'', a film adaptation of Valerie Plame's 2007 memoir. Penn co-starred with Brad Pitt and Jessica Chastain in the drama ''The Tree of Life'' which won the Palme d'Or at the 2011 Cannes Film Festival.
He soon began a relationship with actress Robin Wright, and their first child – a daughter named Dylan Frances – was born in 1991. Their second child, a son whom they named Hopper Jack, was born in 1993. Penn and Wright married in 1996 and lived in Ross, California. The relationship went through on-and-off periods in the late 2000s (decade). The couple filed for divorce in December 2007, but reconciled several months later, requesting a court dismissal of their divorce case. In April 2009, Penn filed for legal separation, only to withdraw the case once again when the couple reconciled in May. On August 12, 2009, Wright Penn filed for divorce again. The couple's divorce was finalized on July 22, 2010, with the couple reaching a private agreement on child and spousal support, division of assets, and custody over their underage son.
During a separation from Wright in the mid 1990s, Penn dated singer and songwriter Jewel. He was also the director of the original video for Jewel's hit song "You Were Meant for Me".
On January 7, 2006, Penn was a special guest at the Progressive Democrats of America, where he was joined by author and media critic Norman Solomon, Democratic congressional candidate Charles Brown, and activist Cindy Sheehan. The "Out of Iraq Forum", which took place in Sacramento, California, was organized to promote the anti-war movement calling for an end to the War in Iraq.
In August 2008, Penn made an appearance at one of Ralph Nader's "Open the Debates" Super Rallies. He protested the political exclusion of Nader and other third parties.
In October 2008, Penn traveled to Cuba, where he met with and interviewed President Raúl Castro.
This advertisement was cited as a primary reason for the development of his relationship with Venezuelan president Hugo Chávez. In one of his televised speeches, Chávez used and read aloud an open letter Penn wrote to Bush. The letter condemned the Iraq War, called for Bush to be impeached, and also called Bush, Vice President Dick Cheney, and Secretary of State Condoleezza Rice "villainously and criminally obscene people.". In August 2007, Penn met with Chávez in Caracas for two hours, after which Chávez praised him for urging Americans to impeach Bush. Penn also visited a new film studio on the outskirts of Caracas, though he did not speak publicly.
On April 19, 2007, Penn appeared on ''The Colbert Report'' and had a "Meta-Free-Phor-All" versus Stephen Colbert that was judged by Robert Pinsky. This stemmed from some of Penn's criticisms of Bush. His exact quote was "We cower as you point your fingers telling us to support our troops. You and the smarmy pundits in your pocket– those who bathe in the moisture of your soiled and blood-soaked underwear– can take that noise and shove it." He won the contest with 10,000,000 points to Colbert's 1.
On December 7, 2007, Penn said he supported Ohio Congressman Dennis J. Kucinich for U.S. President in 2008, and criticized Bush's handling of the Iraq war. Penn questioned whether Bush's twin daughters supported the war in Iraq.
Director Spike Lee interviewed Penn for his documentary ''When the Levees Broke: A Requiem in Four Acts'', about Hurricane Katrina.
Year | Film | Notes |
1991 | ''The Indian Runner'' | |
1995 | ''The Crossing Guard'' | Also writer, Nominated – Golden Lion |
2001 | Nominated – Golden BearNominated – Bodil Award for Best Non-European FilmNominated – Palme d'Or | |
2002 | ''11'9"01 September 11'' | anthology short, segment "U.S.A."UNESCO AwardNominated – César Award for Best Film from the European Union |
2007 | Also writer, Palm Springs International Film Festival Award for Best DirectorRome Film Fest Premiere PrizeSão Paulo International Film Festival Best Foreign Language FilmNominated – Broadcast Film Critics Association Award for Best DirectorNominated – BFCA Critics' Choice Award for Best WriterNominated – Chicago Film Critics Association Award for Best Adapted ScreenplayNominated – Directors Guild of America Award for Best Director – Motion PictureNominated – Film Critics Circle of Australia Award for Best Foreign Film – English LanguageNominated – Writers Guild of America Award for Best Adapted Screenplay |
Category:1960 births Category:Actors from California Category:American agnostics Category:American anti–Iraq War activists Category:American film actors Category:American film directors Category:American people convicted of assault Category:American people of Irish descent Category:American people of Italian descent Category:American people of Jewish descent Category:American people of Russian descent Category:American screenwriters Category:American stage actors Category:American television actors Category:Best Actor Academy Award winners Category:Best Drama Actor Golden Globe (film) winners Category:Independent Spirit Award winners Category:Living people Category:People associated with Charles Bukowski Category:People from Burbank, California Category:People from Marin County, California Category:People from Santa Monica, California
ar:شون بن an:Sean Penn az:Şon Penn bn:শন পেন bar:Penn Sean bg:Шон Пен ca:Sean Penn cs:Sean Penn co:Sean Penn cy:Sean Penn da:Sean Penn de:Sean Penn et:Sean Penn el:Σον Πεν es:Sean Penn eu:Sean Penn fa:شان پن fr:Sean Penn gv:Sean Penn gl:Sean Penn ko:숀 펜 hr:Sean Penn id:Sean Penn it:Sean Penn he:שון פן la:Ioannes Penn lv:Šons Penns lt:Sean Penn hu:Sean Penn ms:Sean Penn nl:Sean Penn ja:ショーン・ペン no:Sean Penn pl:Sean Penn pt:Sean Penn ro:Sean Penn ru:Пенн, Шон sk:Sean Penn sl:Sean Penn sr:Шон Пен sh:Sean Penn fi:Sean Penn sv:Sean Penn tl:Sean Penn th:ฌอน เพนน์ tr:Sean Penn uk:Шон Пенн vi:Sean Penn wuu:桑•班 yo:Sean Penn zh:西恩·潘This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Charlie Rose |
---|---|
Birthname | Charles Peete Rose, Jr. |
Birth date | January 05, 1942 |
Birth place | Henderson, North Carolina, U.S. |
education | Duke University B.A. (1964) Duke University J.D. (1968) |
occupation | Talk show hostJournalist |
years active | 1972–present |
credits | ''Charlie Rose'', ''60 Minutes II'', ''60 Minutes'', ''CBS News Nightwatch'', ''CBS This Morning'' |
url | http://www.charlierose.com/ }} |
Charles Peete "Charlie" Rose, Jr. (born January 5, 1942) is an American television talk show host and journalist. Since 1991 he has hosted ''Charlie Rose'', an interview show distributed nationally by PBS since 1993. He has also co-anchored ''CBS This Morning'' since January 2012.
Rose worked for CBS News (1984–1990) as the anchor of ''CBS News Nightwatch'', the network's first late-night news broadcast. The ''Nightwatch'' broadcast of Rose's interview with Charles Manson won an Emmy Award in 1987. In 1990, Rose left CBS to serve as anchor of ''Personalities'', a syndicated program produced by Fox Broadcasting Company, but he got out of his contract after six weeks because of the tabloid-style content of the show. ''Charlie Rose'' premiered on PBS station Thirteen/WNET on September 30, 1991, and has been nationally syndicated since January 1993. In 1994, Rose moved the show to a studio owned by Bloomberg Television, which allowed for improved satellite interviewing.
Rose was a correspondent for ''60 Minutes II'' from its inception in January 1999 until its cancellation in September 2005, and was later named a correspondent on ''60 Minutes''.
Rose was a member of the board of directors of Citadel Broadcasting Corporation from 2003 to 2009. In May 2010, Charlie Rose delivered the commencement address at North Carolina State University.
On November 15, 2011, it was announced that Rose would return to CBS to help anchor ''CBS This Morning'', replacing ''The Early Show'', commencing January 9, 2012, along with co-anchors Erica Hill and Gayle King.
Rose has attended several Bilderberg Group conference meetings, including meetings held in the United States in 2008; Spain in 2010; and Switzerland in 2011. These unofficial conferences hold guests from North America and Western Europe, most of whom are political leaders and businessmen. Details of meetings are closed off to the public and strictly invitation-only, and critics speculate the controversial nature of these meetings of highly influential people. Accusations from conspiracy theorists against The Charlie Rose show claim that it has become the US media outlet for Bilderberg.
On March 29, 2006, after experiencing shortness of breath in Syria, Rose was flown to Paris and underwent surgery for mitral valve repair in the Georges-Pompidou European Hospital. His surgery was performed under the supervision of Alain F. Carpentier, a pioneer of the procedure. Rose returned to the air on June 12, 2006, with Bill Moyers and Yvette Vega (the show's executive producer), to discuss his surgery and recuperation.
Rose owns a farm in Oxford, North Carolina, an apartment overlooking Central Park in New York City, a beach house in Bellport, New York and an apartment in Washington D.C..
Category:American journalists Category:American television talk show hosts Category:New York television reporters Category:CBS News Category:60 Minutes correspondents Category:Duke University alumni Category:New York University alumni Category:People from Henderson, North Carolina Category:1942 births Category:Living people
bg:Чарли Роуз de:Charlie Rose fa:چارلی رز fr:Charlie Rose he:צ'ארלי רוז ro:Charlie Rose ru:Роуз, Чарли sv:Charlie RoseThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.