Quicksand is a colloid hydrogel consisting of fine granular matter (such as sand or silt), clay, and salt water.

Water circulation underground can focus in an area with the optimal mixture of fine sands and other materials such as clay. The water moves up and then down slowly in a convection-like manner throughout a column of sand, and the sand remains a generally solid mass. The water lubricates the sand particles and renders them unable to support significant weight. Since water does not usually go up to the surface of the sand, the sand on top appears solid and can support leaves and other small debris, making quicksand difficult to distinguish from the surrounding environment.

Properties

Quicksand is a non-Newtonian fluid: when undisturbed, it often appears to be solid ("gel" form), but a minor (less than 1%) change in the stress on the quicksand will cause a sudden decrease in its viscosity ("sol" form). After an initial disturbance — such as a person attempting to walk on it — the water and sand in the quicksand separate and dense regions of sand sediment form; it is because of the formation of these high volume fraction regions that the viscosity of the quicksand seems to increase suddenly. Someone stepping on it will start to sink. To move within the quicksand, a person or object must apply sufficient pressure on the compacted sand to re-introduce enough water to liquefy it. The forces required to do this are quite large: to remove a foot from quicksand at a speed of .01 m/s would require the same amount of force as "that needed to lift a medium-sized car."

Because of the higher density of the quicksand, it would be impossible for a human or animal to completely sink in the quicksand, though natural hazards present around the quicksand would lead people to believe that quicksand is dangerous. In actuality the quicksand is harmless on its own, but because it greatly impedes human locomotion, the quicksand would allow harsher elements like solar radiation, dehydration, or tides to harm a trapped person.

Prevalence

Quicksand may be found inland (on riverbanks, near lakes, or in marshes), or near the coast.

In fiction

People falling into (and, unrealistically, being submerged in) quicksand or a similar substance is a trope of adventure fiction, notably movies. According to Slate magazine, this gimmick had its heyday in the 1960s, when almost three percent of all films showed someone sinking in mud, sand or clay, but it has since gradually fallen out of use. The proliferation of quicksand scenes in movies has given rise to an internet subculture and a fetish scene dedicated to the topic.

See also

Dry quicksand

Fech fech

Liquid limit

Plastic limit

Soil liquefaction

Thixotropy

References

External links

Howstuffworks.com - How quicksand works

Category:Sediments Category:Geological hazards Category:Soil mechanics

Name	Britney Spears
Years active	1992–present
Background	solo_singer
Birth name	Britney Jean Spears
Born	December 02, 1981 McComb, Mississippi,
Genre	Pop, dance-pop
Occupation	Singer, songwriter, dancer, actress, record producer, author, fashion designer, video director
Instrument	Vocals, piano
Label	Jive
Associated acts	The New Mickey Mouse Club
Url

Britney Jean Spears (born December 2, 1981) is an American recording artist and entertainer. Born in McComb, Mississippi and raised in Kentwood, Louisiana, Spears began performing as a child, landing acting roles in stage productions and television shows. She signed with Jive Records in 1997 and released her debut album ...Baby One More Time in 1999. During her first decade within the music industry, she became a prominent figure in mainstream popular music and popular culture, followed by a much-publicized personal life. Her first two albums established her as a pop icon and broke sales records, while title tracks "...Baby One More Time" and "Oops!... I Did It Again" became international number-one hits. Spears was credited with influencing the revival of teen pop during the late 1990s.

In 2001, she released her third studio album Britney and expanded her brand, playing the starring role in the film Crossroads. She assumed creative control of her fourth studio album, In the Zone released in 2003, which yielded chart-topping singles "Me Against the Music", "Toxic" and "Everytime". After the release of two compilation albums, Spears experienced personal struggles and her career went under hiatus. Her fifth studio album, Blackout, was released in 2007 and despite receiving little promotion, it spawned hits "Gimme More" and "Piece of Me". In 2008, her erratic behaviour and hospitalizations caused her to be placed in a conservatorship. The same year, her sixth studio album Circus was released, with the global chart-topping lead single "Womanizer". After embarking on The Circus Starring Britney Spears, she released greatest hits The Singles Collection, which featured U.S. and Canadian number-one single "3".

Spears has sold over 100 million records worldwide, making her one of the best-selling music artists in the history of contemporary music. According to the Recording Industry Association of America (RIAA), she is the eighth top-selling female artist in the United States, with 32 million certified albums. Spears is also recognized as the best-selling female artist of the first decade of the 21st century, as well as the fifth overall. She was ranked the 8th Artist of the 2000–10 decade by Billboard. In June 2010, Spears was ranked sixth on Forbes list of the 100 Most Powerful and Influential celebrities in the world; she is also ranked as the third most powerful musician in the world.

Biography

1981–97: Early life and career beginnings

Britney Jean Spears was born on December 2, 1981, the second child of Lynne Irene (née Bridges) and James Parnell Spears. She is of English heritage through her maternal grandmother, who was born in London, and of distant Maltese descent. Her siblings are Bryan James and Jamie Lynn. At age three, she started to attend dance lessons in her hometown of Kentwood, Louisiana, and was selected to perform a solo at the annual recital. During her childhood, she also attended gymnastics and voice lessons, and won many state-level competitions and children's talent shows. Spears made her local stage debut at age five, singing "What Child Is This?" at her kindergarten graduation. She said about her ambition as a child, "I was in my own world, [...] I found out what I'm supposed to do at an early age". In December 1992, she was finally cast in The Mickey Mouse Club, but returned to Kentwood after the show was cancelled. She enrolled at Parklane Academy in nearby McComb, Mississippi. Although she made friends with most of her classmates, she compared the school to "the opening scene in Clueless with all the cliques. [...] I was so bored. I was the point guard on the basketball team. I had my boyfriend, and I went to homecoming and Christmas formal. But I wanted more."

In June 1997, Spears was in talks with manager Lou Pearlman to join female pop group Innosense. Lynne asked family friend and entertainment lawyer Larry Rudolph for his opinion and submitted a tape of Spears singing over a Whitney Houston karaoke song along with some pictures. Rudolph decided he wanted to pitch her to record labels, therefore she needed a professional demo. He sent Spears an unused song from Toni Braxton; she rehearsed for a week and recorded her vocals in a studio with a sound engineer. Spears travelled to New York with the demo and met with executives from four labels, returning to Kentwood the same day. Three of the labels rejected her, arguing audiences wanted pop bands such as The Backstreet Boys and The Spice Girls, and "there wasn't going to be another Madonna, another Debbie Gibson, or another Tiffany." Two weeks later, executives from Jive Records returned calls to Rudolph. Senior vice president of A&R; Jeff Fenster stated about Spears's audition that "It's very rare to hear someone that age who can deliver emotional content and commercial appeal. [...] For any artist, the motivation—the 'eye of the tiger'— is extremely important. And Britney had that." After hearing the recorded material, president Clive Calder ordered a full album. Spears had originally envisioned "Sheryl Crow music, but younger more adult contemporary" but felt alright with her label's appointment of producers, since "It made more sense to go pop, because I can dance to it—it's more me." She flew to Cheiron Studios in Stockholm, Sweden, where half of the album was recorded from March to April 1998, with producers Max Martin, Denniz PoP and Rami, among others. Her debut album, ...Baby One More Time, was released on January 1999. It debuted at number one on the U.S. Billboard 200 and was certified two-times platinum by the Recording Industry Association of America after a month. Worldwide, the album topped the charts in fifteen countries and sold over ten million copies in a year. It became the biggest selling album ever by a teenage artist. "...Baby One More Time" later received a Grammy nomination for Best Female Pop Vocal Performance. The title track also topped the singles chart for two weeks in the United Kingdom, and became the fastest-selling single ever by a female artist, shipping over 460,000 copies. It would later become the 25th most successful song of all time in British chart history. Spears is also the youngest female artist to have a million seller in the country. "(You Drive Me) Crazy" was released as the third single from the album. It became a top-ten hit worldwide and propelled ...Baby One More Time to sell 26 million copies. The April 1999 cover of Rolling Stone featured Spears laying on her bed, clad with a bra, shorts and an open top. The American Family Association (AFA) referred to the shoot as "a disturbing mix of childhood innocence and adult sexuality" and called to "God-loving Americans to boycott stores selling Britney's albums." Spears responded to the outcry commenting, "What's the big deal? I have strong morals. [...] I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time." Shortly before, Spears had announced publicly she would remain a virgin until marriage. but generated some controversy due to her racy outfits. An extension of the tour, titled Crazy 2k, followed in March 2000. Spears premiered songs from her upcoming second album during the show. The album sold over 20 million copies worldwide. Rob Sheffield of Rolling Stone said that "the great thing about Oops! – under the cheese surface, Britney's demand for satisfaction is complex, fierce and downright scary, making her a true child of rock & roll tradition." The album's lead single, "Oops!... I Did It Again", peaked at the top of the charts in Australia, New Zealand, the United Kingdom and many other European nations. The album as well as the title track received Grammy nominations for Best Pop Vocal Album and Best Female Pop Vocal Performance, respectively. The same year, Spears embarked on the Oops!... I Did It Again World Tour, which grossed $40.5 million; she also released her first book, Britney Spears' Heart-to-Heart, co-written with her mother. On September 7, 2000, Spears performed at the 2000 MTV Video Music Awards. Halfway through the performance, she ripped of her black suit to reveal a sequined flesh-colored bodysuit, followed by heavy dance routine. It is noted by critics as the moment that Spears showed signs of becoming a more provocative performer. Amidst media speculation, Spears confirmed she was dating 'N Sync member Justin Timberlake. The album debuted at number one in the Billboard 200 and reached top five positions in Australia, the United Kingdom and mainland Europe and sold over 12 million copies worldwide. Stephen Thomas Erlewine of Allmusic called Britney "the record where she strives to deepen her persona, making it more adult while still recognizably Britney. [...] It does sound like the work of a star who has now found and refined her voice, resulting in her best record yet." The album was honored with two Grammy nominations—Best Pop Vocal Album and Best Female Pop Vocal Performance for "Overprotected"— and was listed in 2008 as one of Entertainment Weekly's "100 Best Albums from the Past 25 Years". The album's first single, "I'm a Slave 4 U", became a top-ten hit worldwide. Spears's performance of the single at the 2001 MTV Video Music Awards featured a caged tiger and a large albino python draped over her shoulders. It was harshly received by animal rights organization PETA, who claimed the animals were mistreated and scrapped plans for an anti-fur billboard that was to feature Spears. The tour grossed $43.7 million, becoming the second highest grossing tour of 2002 by a female artist, behind Cher's . Her career success was highlighted by Forbes in 2002, as Spears was ranked the world's most powerful celebrity. Spears also landed her first starring role in Crossroads, released in February 2002. Although the film was largely panned, most critics actually praised Spears's acting. Crossroads, which had a $11 million budget, went on to gross over $57 million worldwide. In July 2002, Spears announced she would take a six month break from her career; however, she went back into the studio in October to record her new album. Spears's relationship with Justin Timberlake ended after three years. In December 2002, Timberlake released the song "Cry Me a River" as the second single from his solo debut album. The music video featured a Spears look-alike and fueled the rumors that she had been unfaithful to him. As a response, Spears wrote the ballad "Everytime" with her backing vocalist and friend Annet Artani. The same year, Limp Bizkit frontman Fred Durst confirmed that he was in a relationship with Spears, only to deny it later. In a 2009 interview, he explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her." Spears opened the 2003 MTV Video Music Awards with Christina Aguilera, performing "Like a Virgin". Halfway through they were joined by Madonna, with whom they both kissed. The incident was highly publicized. NPR listed the album as one of "The 50 Most Important Recording of the Decade", adding that "the decade's history of impeccably crafted pop is written on her body of work." In the Zone sold over 609,000 copies in the United States and debuted at the top of the charts, making Spears the first female artist in the SoundScan era to have her first four studio albums to debut at number one. In the Zone sold over 10 million copies worldwide. The album produced the hit singles: "Me Against the Music", a collaboration with Madonna; "Toxic"—which won a Grammy for Best Dance Recording; "Everytime" and "Outrageous". She began The Onyx Hotel Tour in support of In the Zone in March 2004. On June 8, 2004, Spears fell and injured her left knee during the music video shoot for "Outrageous". She was taken immediately to a local hospital, where doctors performed an MRI scan and found floating cartilage. The following day, Spears underwent arthroscopic surgery. She was forced to remain six weeks with a thigh brace, followed by eight to twelve weeks of rehabilitation, which caused The Onyx Hotel Tour to be canceled. During 2004, Spears became involved in the Kabbalah Centre through her friendship with Madonna. In July 2004, she announced her engagement to American dancer Kevin Federline, who she had met three months before. The romance received intense attention from the media, since Federline had recently broken up with actress Shar Jackson, who was still pregnant with their second child at the time. Shortly after, she released her first fragrance with Elizabeth Arden, Curious, which broke the company's first-week gross for a perfume. , her first greatest hits compilation album, was released in November 2004. Spears's cover version of Bobby Brown's "My Prerogative" was released as the lead single from the album, reaching the top of the charts in Finland, Ireland, Italy and Norway. The second single, "Do Somethin'", was a top ten hit in Australia, the United Kingdom and other countries of mainland Europe. Worldwide, Greatest Hits: My Prerogative sold over 5 million copies. In late 2004, Spears went on KIIS-FM radio in Los Angeles, CA to play a new demo titled "Mona Lisa." The demo was to be the first single from an upcoming album called the "Original Doll." However, Spears' label later cancelled the album for unknown reasons. Spears gave birth to her first child, Sean Preston Federline, on September 14, 2005.

In November 2005, she released her first remix compilation, , which consists of eleven remixes. In February 2006, pictures surfaced of Spears driving with her son Sean, on her lap instead of in a car seat. Child advocates were horrified by the photos of her holding the wheel with one hand and Sean with the other. Spears claimed that the situation happened because of a frightening encounter with paparazzi, and that it was a mistake on her part. She publicly announced she no longer studied Kabbalah in June 2006, explaining, "my baby is my religion." On November 7, 2006, Spears filed for divorce from Federline, citing irreconcilable differences. Their divorce was finalized in July 2007, when the couple reached a global settlement and agreed to share joint custody of their children. Spears's aunt Sandra Bridges Covington, with whom she had been very close, died of ovarian cancer in January. On February 16, 2007, Spears stayed in a drug rehabilitation facility in Antigua for less than a day. The following night, she shaved her head with electric clippers at a hair salon in Tarzana, California. She admitted herself to other treatment facilities during the following weeks. After completing a month-long program at Promises, she wrote on her website, "I truly hit rock bottom. Till this day I don't think that it was alcohol or depression. [...] was like a bad kid running around with ADD." Spears lost physical custody of her children to Federline on October 1, 2007. The reasons of the court ruling were not revealed to the public.

Her fifth studio album, Blackout, was released in October 2007. It debuted at the top of charts in Canada and Ireland, number two in the U.S. Billboard 200,—held off from the top spot by Eagles's Long Road out of Eden— France, Japan, Mexico and the United Kingdom and the top ten in Australia, Korea, New Zealand and many European nations. In the United States, Spears became the only female artist to have her first five studio albums debut at the two top slots of the chart. Blackout sold over 3.1 million copies worldwide. Peter Robinson of The Observer said that "Britney has delivered the best album of her career, raising the bar for modern pop music with an incendiary mix of Timbaland's Shock Value and her own back catalogue." Dennis Lim of Blender commented, "Spears’s fifth studio album is her most consistent, a seamlessly entertaining collection of bright, brash electropop." Blackout won Album of the Year at MTV Europe Music Awards 2008 and was listed as the fifth Best Pop Album of the Decade by The Times. Spears performed the lead single "Gimme More" at the 2007 MTV Video Music Awards. The performance was panned by many critics. David Willis of BBC stated her performance would "go down in the history books as being one of the worst to grace the MTV Awards". Despite the backlash, the single rocketed to worldwide success, peaking at number one in Canada and the top ten in almost every country it charted. The second single "Piece of Me" reached the top of the charts in Ireland and reached the top five in Australia, Canada, Denmark, New Zealand and the United Kingdom. The third single "Break the Ice" was released the following year and had moderate success due to Spears not being able to promote it properly. In December 2007, Spears began a relationship with paparazzi Adnan Ghalib.

2008–10: Conservatorship, Circus, and The Circus Starring Britney Spears

and her 27th birthday party.]] On January 3, 2008, Spears refused to relinquish custody of her sons to Federline's representatives. She was hospitalized at Cedars-Sinai Medical Center, after police that arrived at her house noted she appeared to be under the influence of an illicit substance. The following day, Spears's visitation rights were suspended at an emergency court hearing, and Federline was given sole physical and legal custody of the children. On January 31, 2008, Spears was committed to the psychiatric ward of Ronald Reagan UCLA Medical Center and put on 5150 involuntary psychiatric hold. The court placed her under temporary conservatorship of her father James Spears and attorney Andrew Wallet, giving them complete control of her assets. The following month, she guest-starred on the How I Met Your Mother episode "Ten Sessions" as receptionist Abby. She received positive reviews for her performance, as well as bringing the series highest ratings ever. In July 2008, Spears regained some visitation rights after coming to an agreement with Federline and his counsel. On September 7, 2008, Spears opened the MTV Video Music Awards with a pre-taped comedy sketch with Jonah Hill and an introduction speech. She won Best Female Video, Best Pop Video and Video Of The Year for "Piece of Me".

A 60-minute introspective documentary, , was produced to chronicle Spears' return to the recording industry. Directed by Phil Griffin, For the Record was entirely shot in Beverly Hills, Hollywood, and New York City during the third quarter of 2008. Main shooting began on September 5, 2008, two days before Spears' appearance at the MTV Video Music Awards. For the Record was broadcast on MTV on November 30, 2008 to 3.7 million viewers.

Her sixth studio album Circus, was released in December 2008. It received positive reviews from critics; according to the music review aggregation of Metacritic, it garnered an average score of 64/100. Circus debuted at number one in Canada, Czech Republic and the United States, and inside the top in many European nations. In the United States, Spears became the youngest female artist to have five albums debut at number one, earning a place in the Guinness Book of World Records. She also became the only act in the Soundscan era to have four albums debut with 500,000 or more copies sold. and has sold 4 million copies worldwide. Its lead single, "Womanizer", became her first number one in the Billboard Hot 100 since "...Baby One More Time" and topped the charts in countries such as Belgium, Canada, Denmark, Finland, France, Norway and Sweden. It was also nominated for a Grammy in the category of Best Dance Recording. In January 2009, Spears and her father James obtained a restraining order against her former manager Sam Lufti, ex-boyfriend Adnan Ghalib and attorney Jon Eardley—all of whom, court documents claim, had been conspiring to gain control of Spears's affairs. The restraining order forbids Lutfi and Ghalib from contacting Spears or coming within 250 yards of her, her property or family members. Spears embarked on The Circus Starring Britney Spears in March 2009. With a gross of U.S. $131.8 million, it became the fifth highest grossing tour of the year.

She released her second greatest hits album, The Singles Collection in November 2009. "3" became her third number one single in the US, and was the first song to debut at the top of the charts in three years. Later that month, she released an application for iPhone and iPod Touch titled "It's Britney!". In May 2010, Spears's representatives confirmed she was dating her agent Jason Trawick, and that they had decided to end their professional relationship to focus on their personal relationship. Spears designed a limited edition clothing line for Candie's. It was released on stores in July 2010. On September 28, 2010, she made a cameo appearance on a Spears-themed tribute episode of American TV show Glee, titled "Britney/Brittany". Spears approved of the episode, although her appearances received mixed reviews from critics. The episode drew Glee's second largest audience, as well as the show's highest ratings ever.

2010–present: Upcoming seventh album

In March 2010, it was confirmed by Jive Records that Spears had begun recording her seventh studio album. Max Martin and Dr. Luke are set to be the executive producers. Luke stated that he wanted the sound to "get harder" in different ways "and maybe a little more deep into electronic – grimier." On December 2, 2010, Spears announced via her Twitter account that the album will be released in March 2011. The lead single "Hold It Against Me" was premiered on Ryan Seacrest's radio show on January 10, 2011... It was released as a Digital Download exclusively to the iTunes store on January 11, 2011.

Musical style and performance

]] Following her debut, Spears was credited with leading the revival of teen pop in the late 1990s. The Daily Yomiuri reported that "[m]usic critics have hailed her as the most gifted teenage pop idol for many years, but Spears has set her sights a little higher-she is aiming for the level of superstardom that has been achieved by Madonna and Janet Jackson." Rolling Stone wrote: "Britney Spears carries on the classic archetype of the rock & roll teen queen, the dungaree doll, the angel baby who just has to make a scene." Rami Yacoub who co-produced Spears's debut album with lyricist Max Martin, commented, "I know from Denniz Pop and Max's previous productions, when we do songs, there's kind of a nasal thing. With N' Sync and the Backstreet Boys, we had to push for that mid-nasal voice. When Britney did that, she got this kind of raspy, sexy voice." Following the release of her debut album, Chuck Taylor of Billboard observed, "Spears has become a consummate performer, with snappy dance moves, a clearly real-albeit young-and funkdified voice ... "(You Drive Me) Crazy", her third single ... demonstrates Spears's own development, proving that the 17-year-old is finding her own vocal personality after so many months of steadfast practice." Stephen Thomas Erlewine of Allmusic referred to her music as a "blend of infectious, rap-inflected dance-pop and smooth balladry." Spears later commented, "With ...Baby One More Time, I didn't get to show my voice off. The songs were great, but they weren't very challenging".

Oops!...I Did It Again and subsequent albums saw Spears working with several contemporary R&B; producers, leading to "a combination of bubblegum, urban soul, and raga." Her third studio album, Britney derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit, underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums." Guy Blackman of The Age wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."

Spears possesses the vocal range of a contralto. Her vocal ability has also been criticized, often drawing unfavorable comparison to her pop rival, Christina Aguilera Critic Allan Raible derides her overdependence in Circus on digital effects and the robotic effect it creates. "She’s never been a strong vocalist..." writes Raible, "Could she handle these songs with stripped down arrangements and no vocal effects? More importantly, would anyone want to hear her attempt such a performance? Does it matter? No. The focus is still image over substance." Her image and persona are also often contrasted to Christina Aguilera. David Browne of Entertainment Weekly observed "Christina Aguilera may flash skin and belly button, but in her music and manner, she's too eager not to offend — she's a good girl pretending to be bad. Spears, however, comes across as a bad girl acting good ... Spears' artificial-sweetener voice is much less interesting than the settings, yet that blandness is actually a relief compared with Aguilera's numbing vocal gymnastics. In contrast, Allmusic comments: "Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs ... Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she can indulge herself. Sal Cinquemani of Slant Magazine notes, "The disparity between Aguilera and Spears can't be measured solely by the timbre and octave range of their voices ... [Aguilera's] popularity has never reached the fever pitch of Britney's.

Like other dance-oriented pop stars, it has been widely reported that Spears lip-syncs in concert. Author Gary Giddins wrote in his book Natural selection: Gary Giddins on comedy, film, music, and books (2006) that "among many other performers accused of moving their lips while a machine does the labor are Britney Spears, Luciano Pavarotti, Shania Twain, Beyoncé, and Madonna." Rashod D. Ollison of The Baltimore Sun observes: "Many pop stars ... feel they have no choice but to seek vocal enhancement. Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket." Giddins adds, "it was reported Britney Spears fans prefer her to lip-sync—despite her denials of doing so (contradicted by her own director)—because they expect flawless digitalization when they pay serious money for a concert." Noting on the prevalence of lip-syncing, Los Angeles Daily News reported "in the context of a Britney Spears concert, does it really matter? Like a Vegas revue show, you don't go to hear the music, you go for the somewhat-ridiculous spectacle of it all". Similarly, Aline Mendelsohn of the Orlando Sentinel remarked: "Let's get one thing straight: A Britney Spears concert is not about the music ... you have to remember that it's about the sight, not the sound." Critic Glenn Gamboa comments her concert tours are "like her life—a massive money-making venture designed to play up her talents and distract from her shortcomings with a mix of techno-tinged sex appeal and disco-flavored flash. And, like her life, it is, more or less, a success.

Influences

Throughout her career, Spears has drawn frequent comparisons to Madonna and Janet Jackson, in terms of vocals, choreography and stage presence, citing both as influences in her work. She has also named Michael Jackson as a source of inspiration." According to Spears: "I know when I was younger, I looked up to people... like, you know, Janet Jackson and Madonna. And they were major inspirations for me. But I also had my own identity and I knew who I was, you know." In the 2002 book Madonnastyle by Carol Clerk, she is quoted saying: "I have been a huge fan of Madonna since I was a little girl. She's the person that I've really looked up to. I would really, really like to be a legend like Madonna."

Many critics have argued that Spears should not be considered in the same league of talent as Jackson or Madonna. Journalists Erika Montalvo and Jackie Sheppard of the Rocky Mountain Collegian observed "[s]ome may argue that Spears is not only a good recording artist but also an important cultural icon." Joan Anderman of the Boston Globe remarked that "[t]hirteen costume changes in 90 minutes won't bless her with Madonna's intelligence or cultural barometer. An army of cutting-edge R&B; producers won't supply her with Janet Jackson's sense of humor or sincere smile ... Britney's heroes aren't great singers. But they're real singers. Spears sounds robotic, nearly inhuman, on her records, so processed is her voice by digital pitch-shifters and synthesizers."

Reporter Ed Bumgardner commented her transition from teen pop start to adult sex symbol with her third studio album Britney "takes its cues from two other successful performers—Madonna and Janet Jackson—both of whom she brazenly rips off and both of whom, like Spears, are passable singers, at best." Critic Shane Harrison wrote: "From the minimalist thump and "Nasty" feel of "I'm a Slave 4 U" to the scattered quotes in "Boys", [Britney] feels like [Spears's] attempt at 'Control'." The biographers also report "[s]ome observers of popular culture, however, feel that the comparisons between the two artist are meaningless and fail to recognize Madonna's unique contribution: Madonna was never 'just another pop star' whereas Britney can more easily be seen as a standard manufactured pop act." She is listed by the Guinness World Records as having the "Best-selling album by a teenage solo artist" for her debut album ...Baby One More Time which sold over thirteen million copies in the United States. Melissa Ruggieri of the Richmond Times-Dispatch reported, "She's also marked for being the best-selling teenage artist. Before she turned 20 in 2001, Spears sold more than 37 million albums worldwide".

Barbara Ellen of The Observer has reported: "Spears is famously one of the 'oldest' teenagers pop has ever produced, almost middle aged in terms of focus and determination. Many 19-year-olds haven't even started working by that age, whereas Britney, a former Mouseketeer, was that most unusual and volatile of American phenomena — a child with a full-time career. While other little girls were putting posters on their walls, Britney was wanting to be the poster on the wall. Whereas other children develop at their own pace, Britney was developing at a pace set by the ferociously competitive American entertainment industry". 'Britney Spears' has been Yahoo!'s most popular search term for the last four consecutive years, seven times in total. Spears was named as Most Searched Person in the Guinness World Records book edition 2007 and 2009. Spears has also become a major influence among many new artists, including Kristinia DeBarge, Lady Gaga, Little Boots, Selena Gomez & The Scene, Pixie Lott and Miley Cyrus who has cited Spears as one of her biggest inspirations and has also referenced Spears in her hit song "Party in the U.S.A.".

Bebo Norman wrote a song about Spears, called "Britney", which was released as a single. Boy band Busted also wrote a song about Spears called "Britney", which was on their debut album. She is also mentioned in P!nk's song "Don't Let Me Get Me". Richard Cheese called Britney Spears "a remarkable recording artist" and also went on to say that she was "versatile" and what the industry calls an "artist". People magazine and MTV reported that October 1, 2008, the Bronx's John Philip Sousa Middle School, named their music studio in honor of Britney Spears. Spears herself was present during the ceremony and donated $10,000 to the school's music program.

Discography

* ...Baby One More Time (1999)

Oops!... I Did It Again (2000)

Britney (2001)

In the Zone (2003)

Blackout (2007)

Circus (2008)

Awards and nominations

See also

Britney Spears filmography

Britney Spears products

List of Britney Spears tours

List of Britney Spears songs

List of best-selling music artists

List of best selling music artists in the United States

List of honorific titles in popular music

Notes

References

Further reading

Dennis, Steve (2009). Britney: Inside the Dream. Harper Collins. ISBN 978-0007317516.

Peters, Beth (1999). True Brit: The Story of Singing Sensation Britney Spears. Ballantine Books. ISBN 978-0345436870.

Spears, Britney (2000). Britney Spears's Heart to Heart. Three Rivers Press. ISBN 978-0609807019.

Scott, Kieran (2001). I was a Mouseketeer!. Disney Press. ISBN 978-0786844708.

Stevens, Amanda (2001). Britney Spears: the illustrated story. Billboard Books. ISBN 978-0823078677.

Smith, Sean (2006). Britney The Unauthorized Biography of Britney Spears. Pan Macmillan. ISBN 978-0330440776.

External links

Category:1981 births Category:1990s singers Category:2000s singers Category:2010s singers Category:Actors from Louisiana Category:American child singers Category:American dance musicians Category:American dancers Category:American female singers Category:American film actors Category:American music video directors Category:American pop singers Category:American singer-songwriters Category:American stage actors Category:American television actors Category:Baptists from the United States Category:English-language singers Category:Grammy Award winners Category:Innosense members Category:Jive Records artists Category:Living people Category:Mouseketeers Category:Musicians from Louisiana Category:Parklane Academy alumni Category:Participants in American reality television series Category:People from Kentwood, Louisiana Category:Sony BMG artists Category:World Music Awards winners Category:American people of Maltese descent

Name	Natalie Walker
Background	solo_singer
Origin	Indianapolis, Indiana, U.S.
Instrument	Vocals
Genre	Electronica, trip hop, pop, indie rock
Occupation	Musician, vocalist, songwriter
Years active	2002—present
Label	Plain Jane, Dorado
Associated acts	Daughter Darling, Mouchette
Url	natalie-walker.com

Natalie Walker is an American vocalist, songwriter and musician from Indiana who first came to prominence as part of the group Daughter Darling. While her time in the low-key electronica trip-hop outfit was promising, Walker decided on a solo career, and released her first album Urban Angel in 2006, which was produced by the duo Stuhr (Dan Chen and Nate Greenberg). The album made minor waves commercially, but it was a pair of songs from the full-length that helped Walker's career, one of which—a remix of "Quicksand" -- was featured in the Sofia Coppola film Marie Antoinette, while another -- "Circles" -- made it to television, featuring in an episode of Grey's Anatomy. Her follow-up, With You, was released in 2008, and also featured production by Stuhr.

Biography

Growing up in a born again Christian family, Songs from the album include "No One Else", "Quicksand", and "Circles". "Circles" featured in a fourth season episode of Grey's Anatomy. Thievery Corporation's remix of "Quicksand" has been featured in Sofia Coppola's Marie Antoinette.

With You

Natalie's second album, With You is a marked sign of maturity from this former lead singer of Daughter Darling. It was produced by the Brooklyn-based Stuhr – the same duo that produced her debut. "A sophomore record is really tough," Walker admits, "I had no idea how difficult it would be. I know I wanted give myself some room to experiment with a lighter and more upbeat sound, but it was really challenging for me to keep things simple. I wanted to force myself to get out of my comfort zone – and I did."

She released her second album With You on August 19, 2008 featuring tracks such as "Over and Under", "Empty Road", "Monarch", "By and By", and "With You". Her latest EP Live At the Bunker on January 28, 2009. Songs from With You have been featured on 90210 ("With You", September 30, 2008), MTV's The City ("With You", January 5, 2009), and Smallville ("Empty Road", January 29, 2009).

Natalie formed the band Mouchette in 2009 with Aaron Nevezie (guitars), David Mason (drums), John Stenger (keys) & John Davis (bass). They released their debut EP Orchids to Ashes in May 2009.

Discography

Daughter Darling

Sweet Shadows (LP, 2002)

Solo

Urban Angel (LP, 2006)

No One Else (EP, 2006)

Quicksand (EP, 2006)

Crush (Single, 2006)

Waking Dream (King Britt Remix) (Single, 2008)

Over & Under (EP, 2008)

Pink Neon (EP, 2008)

With You (Natalie Walker Album) (LP, 2008)

Live at The Bunker (Live EP, 2009)

With You (Dive Index Remix) (Single, 2009)

Mouchette

Orchids to Ashes (EP, 2009)

Glimmer (EP,jan 2010)

Side projects

Dive Index - Mid/Air (LP, 2007)

Dive Index - Collisions: The Mid/Air Remixes (Remix LP, 2008)

References

External links

Official site

Category:American musicians Category:Living people Category:Year of birth missing (living people)

Name	Lady Gaga
Img alt	Portrait of a young, pale-skinned Caucasian female with blond hair
Background	solo_singer
Birth name	Stefani Joanne Angelina Germanotta
Born	March 28, 1986 New York City, U.S.
Instrument	Vocals, piano, synthesizer, keytar
Genre	Pop, dance
Occupation	Singer-songwriter, performance artist, record producer, dancer, businesswoman
Years active	2005–present
Label	Def Jam, Cherrytree, Streamline, Kon Live, Interscope
Url

Stefani Joanne Angelina Germanotta (born March 28, 1986), better known by her stage name Lady Gaga, is an American pop singer-songwriter. She began performing in the rock music scene of New York City's Lower East Side in 2003 and enrolled at New York University's Tisch School of the Arts. She soon signed with Streamline Records, an imprint of Interscope Records. During her early time at Interscope, she worked as a songwriter for fellow label artists and captured the attention of Akon, who recognized her vocal abilities, and signed her to his own label, Kon Live Distribution.

Gaga came to prominence following the release of her debut studio album The Fame (2008), which was a commercial success and achieved international popularity with the singles "Just Dance" and "Poker Face". The album reached number one on the record charts of six countries, accomplished positions within the top-ten worldwide, and topped the Billboard Dance/Electronic Albums chart while simultaneously peaking at number two on the Billboard 200 chart in the United States. Achieving similar worldwide success, the follow-up EP The Fame Monster (2009), produced a further two global chart-topping singles "Bad Romance" and "Telephone" and allowed her to embark on a second global headlining concert tour, The Monster Ball Tour, just months after having finished her first, The Fame Ball Tour. Her second studio album, Born This Way, is scheduled for release in 2011.

Inspired by glam rock artists like David Bowie and Queen, as well as pop singers such as Madonna and Michael Jackson, Gaga is well-recognized for her outré sense of style as a recording artist, in fashion, in performance and in her music videos. Her contributions to the music industry have garnered her numerous achievements including two Grammy Awards, amongst twelve nominations; two Guinness World Records; and the estimated sale of fifteen million albums and fifty-one million singles worldwide. Billboard named her as the Artist of the Year in 2010 and ranked her as the 73rd Artist of the 2000s decade. Gaga has been included in Time magazine's annual Time 100 list of the most influential people in the world as well as Forbes' list of the 100 Most Powerful and Influential celebrities in the world. Forbes also placed her at number seven on their annual list of the World's 100 Most Powerful Women.

Life and career

1986–2004: Early life

Lady Gaga was born Stefani Joanne Angelina Germanotta in New York City on March 28, 1986, the eldest child of Joseph Germanotta, an internet entrepreneur, and Cynthia (née Bissett). She learned to play piano from the age of four, went on to write her first piano ballad at 13 and began performing at open mike nights by age 14. Gaga was raised a Roman Catholic. At the age of 11, Gaga attended Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side, but has stressed that she does not come from a wealthy background, saying that her parents "both came from lower-class families, so we've worked for everything – my mother worked eight to eight out of the house, in telecommunications, and so did my father."

An avid thespian in high school musicals, Gaga portrayed lead roles as Adelaide in Guys and Dolls and Philia in A Funny Thing Happened on the Way to the Forum. She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure" as she told in an interview, "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn’t fit in, and I felt like a freak." Acquaintances dispute that she did not fit in school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate. Referring to her "expressive, free spirit", Gaga told Elle magazine "I'm left-handed!"

At age 17, Gaga gained early admission to the New York University's Tisch School of the Arts and lived in a NYU dorm on 11th Street. There she studied music and improved her songwriting skills by composing essays and analytical papers focusing on topics such as art, religion, social issues and politics. Gaga felt that she was more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said. By the second semester of her sophomore year, she withdrew from the school to focus on her musical career. Her father agreed to pay her rent for a year, on the condition that she re-enroll for Tisch if she was unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she said. Shortly after, her former management company introduced her to songwriter and producer RedOne, whom they also managed. The first song she produced with RedOne was "Boys Boys Boys", She also started the Stefani Germanotta Band with some friends from NYU. They recorded an extended play of their ballads at a studio underneath a liquor store in New Jersey, becoming a local fixture at the downtown Lower East Side club scene. Music producer Rob Fusari, who helped her write some of her earlier songs, compared some of her vocal harmonies to that of Freddie Mercury. He explained,

She was known thereafter as Lady Gaga. The pair began playing gigs at downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall, with their live performance art piece known as "Lady Gaga and the Starlight Revue." Billed as "The Ultimate Pop Burlesque Rockshow", their act was a low-fi tribute to 1970s variety acts. In August 2007, Gaga and Starlight were invited to play at the American Lollapalooza music festival. The show was critically acclaimed, and their performance received positive reviews.

Fusari sent the songs he produced with Gaga to his friend, producer and record executive Vincent Herbert. Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. She credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going." While Gaga was writing at Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio. He then convinced Interscope-Geffen-A&M; Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live Distribution Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album The album peaked at number one in United Kingdom, Canada, Austria, Germany, Switzerland and Ireland, and the top-five in Australia, the United States and fifteen other countries. Worldwide, The Fame has sold over fourteen million copies. Its lead single "Just Dance" topped the charts in six countries – Australia, Canada, the Netherlands, Ireland, the United Kingdom, and the United States – and later received a Grammy Award nomination for Best Dance Recording. The following single "Poker Face" was an even greater success, reaching number-one in almost all major music markets in the world, including the United Kingdom and the United States. It won the award for Best Dance Recording at the 52nd Grammy Awards, over nominations for Song of the Year and Record of the Year. The Fame was nominated for Album of the Year; it won the Grammy Award for Best Electronic/Dance Album. Although her first concert tour happened as an opening act for fellow Interscope pop group, the reformed New Kids on the Block, she ultimately headlined her own worldwide concert tour, The Fame Ball Tour, which was critically appreciated and began in March 2009; culminating in September of that year. The cover of the annual "Hot 100" issue of Rolling Stone in May 2009 featured a semi-nude Gaga wearing only strategically placed plastic bubbles. She was nominated for a total of nine awards at the 2009 MTV Video Music Awards, winning the award for Best New Artist, while her single "Paparazzi" won two awards for Best Art Direction and Best Special Effects. In October, Gaga received Billboard magazine's Rising Star of 2009 award. She attended the Human Rights Campaign's "National Dinner" the same month, before marching in the National Equality March for the equal protection of LGBT people in all matters governed by US civil law in Washington, D.C.

|alt= Profile of a young blond woman. Her hair falls in waves up to her shoulders. She wears a purple leotard with visible sequins attached. Ample bosom, arm and leg are visible.]] Written over the course of 2008–09, The Fame Monster, a collection of eight songs, was released in November 2009. Each song, dealing with the darker side of fame from personal experience while she travelled the world, is expressed through a monster metaphor. Its first single "Bad Romance" topped the charts in eighteen countries, while reaching the top-two in the United States, Australia and New Zealand. In the US, Gaga became the first artist in digital history to have three singles (along with "Just Dance" and "Poker Face") to pass the four million mark in digital sales. The song received a Grammy nomination for Best Female Pop Vocal Performance while its accompanying music video was nominated for Best Short Form Music Video. The album's second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number-one single while its accompanying music video, although controversial, was met mostly positive reception from contemporary critics: praising her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna." Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its idea and dark nature, but the Catholic League attacked Gaga for her use of blasphemy. Despite the controversy surrounding her music videos, they have made Gaga one of the first artists to gain over one billion viral views on video-sharing website YouTube. Musically, The Fame Monster has also received abundant success. Equating to the amount of Grammy nominations her debut received, The Fame Monster garnered a total of six – among them Best Pop Vocal Album and her second-consecutive nomination for Album of the Year. The success of the album allowed Gaga to embark on her second headlining worldwide concert tour, The Monster Ball Tour, just weeks after the release of The Fame Monster and months after having finished her first. Upon finishing in May 2011, the critically acclaimed and commercially accomplished concert tour will have ran for over one and a half years. Additionally, Gaga has performed other songs from the album at international events like the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony.

Barbara Walters chose Gaga as one the "10 Most Fascinating People of 2009" for her annual ABC News special. When interviewed by the journalist, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." Excited about bringing back Polaroid and "combining it with the digital era", Gaga was named Chief Creative Officer for a line of imaging products for the international optic company in January 2010 with the intent of creating fashion, technology and photography products. Her production team, Mermaid Music LLC, was sued in March by Rob Fusari; claiming that he was entitled to a 20% share of its earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment, however, five months later, the New York Supreme Court dismissed the lawsuit. In April, Gaga was named one of Time magazine's 100 most influential people of the year. While giving an interview to The Times, Gaga hinted at having Systemic lupus erythematosus, commonly referred to as lupus, which is a connective tissue disease. She later confirmed with Larry King that she does not have lupus but "the results were borderline positive".

2010–present: Born This Way

Gaga's second studio album and third major release Born This Way, whose title was announced during her acceptance speech for Video of the Year at the 2010 MTV Video Music Awards, will be released on May 23, 2011. Its arrival will follow the release of its lead single on February 13, 2011. These dates were tweeted by Gaga at the stroke of midnight on New Year's Day, 2011. Described as "a marriage of electronic music with major [...] metal or rock 'n' roll, pop, anthemic style melodies with really sledge-hammering dance beats", Born This Way will be Gaga's third release in three years. She stated, "It came so quickly. I've been working on [the album] for months, and I feel very strongly that it's finished right now. Some artists take years. I don't. I write music every day." With two tracks already confirmed by Gaga – one she has been performing during The Monster Ball Tour, she has referred to the album as "the greatest" of the decade about "what keeps us up at night and what makes us afraid." Likening Born This Way to "bad kids going to church" that are "having fun on a high level", Gaga characterized her new music as "something so much deeper than a wig or lipstick or a fucking meat dress" and upon hearing it, Akon remarked that she will take music to the "next level."

Lending her vocal talent elsewhere, Gaga also paired with Elton John to record an original duet for the soundtrack to the forthcoming animated Disney feature film Gnomeo and Juliet. The song, titled "Hello, Hello", is scheduled for release in February 2011.

Musical style and influences

Gaga has been influenced by glam rock artists such as David Bowie and Queen, as well as pop music artists such as Madonna, Britney Spears and Michael Jackson. The Queen song "Radio Ga Ga" inspired her stage name, "Lady Gaga". She commented: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique – one of the biggest personalities in the whole of pop music."

Gaga's vocals have drawn frequent comparison to those of Madonna and Gwen Stefani, while the structure of her music is said to echo classic 1980s pop and 1990s Europop. While reviewing her debut album The Fame, The Sunday Times asserted "in combining music, fashion, art and technology, Lady GaGa evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now." Similarly, The Boston Globe critic Sarah Rodman commented that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Though her lyrics are said to lack intellectual stimulation, "[she] does manage to get you moving and grooving at an almost effortless pace." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B;-ish beats.

Gaga has identified fashion as a major influence. Her love of fashion came from her mother, who she stated was "always very well kept and beautiful." Entertainment Weekly put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream."

Critical reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, trailblazer and fashion icon is by turns affirmed and denied. Gaga's albums have received mostly positive reviews, Her role as a self-esteem booster for her fans is also lauded, as is her role in breathing life into the fashion industry. Her performances are described as "highly entertaining and innovative"; in particular, the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme in The Monster Ball Tour, in which she wore a revealing leather corset and is "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene in Manchester, England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Chris Rock later defended her flamboyant, provocative behavior. "Well, she's Lady Gaga," he said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?" She later returned to the 2010 MTV Video Music Awards wearing a dress which was supplemented by boots, a purse and a hat—each fabricated from the flesh of a dead animal. The dress, named Time magazine's Fashion Statement of 2010 and more widely known as the "meat dress", was made by Argentinian designer Franc Fernandez and received divided opinions—evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. Gaga, however, later denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community.

Gaga's treatment of her fans as "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image. Camille Paglia wrote a cover story "Lady Gaga and the death of sex" on September 12, 2010, in The Sunday Times in which she asserts that Gaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those."

Public image

Contrary to her outré style, the New York Post described her early look as like "a refugee from Jersey Shore" with "big black hair, heavy eye makeup and tight, revealing clothes." She has another six known tattoos, among them a peace symbol, which was inspired by John Lennon whom she stated was her hero, Towards the end of 2008, comparisons were made between the fashions of Gaga and fellow recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Comparisons continued into 2010 when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Gaga's video for "Bad Romance". There have also been similar comparisons made between Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier.

Gaga's influence on modern culture and society has provoked the University of South Carolina into offering a full-time course titled "Lady Gaga and the Sociology of Fame" in the objective of unravelling "the sociologically relevant dimensions of the fame of Lady Gaga with respect to her music, videos, fashion, and other artistic endeavors".

Philanthropy

Besides her career in music, Gaga has enhanced her repertoire as a philanthropist who has contributed to various charities and humanitarianism works.

Although declining an invitation to record a benefit song, Gaga held a concert of The Monster Ball Tour following the 2010 Haiti earthquake and dedicated it to the country’s reconstruction relief fund. This concert, held at the Radio City Music Hall, New York, on January 24, 2010, donated any received revenue to the relief fund while, in addition, all profits from sales of products on Gaga’s official online store on that same day were donated. Gaga announced that an estimated total of $500,000 was collected for the fund.

Gaga also contributes in the fight against HIV and AIDS with the focus upon educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company’s campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick."

, October 11, 2009|alt=A blond woman speaking on a kiosk. She wears a white shirt and black glasses. Behind her, the balcony of a building is visible.]] Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a rising gay icon. Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase." She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of The Fame, saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team." One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance". In June of the same year, she performed the song again at the San Francisco Pride event.

After The Fame was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with Rolling Stone, she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." She proclaimed that the October 11, 2009, National Equality March rally on the national mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," At the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality. In September 2010, she spoke at a rally in favor of repealing the US military's Don't ask, don't tell policy, which prohibits lesbian, gay and bisexual people from serving openly, and released an online video urging her fans to contact their Senators in an effort to get the policy overturned. Editors of The Advocate commented that she had become the "fierce advocate" for gays and lesbians that future president Barack Obama had promised to be during his campaign.

Discography

The Fame (2008)

The Fame Monster (2009)

Born This Way (2011)

Tours

The Fame Ball Tour (2009)

The Monster Ball Tour (2009–11)

Awards and nominations

See also

Honorific nicknames in popular music

List of best-selling music artists

References

Further reading

External links

Year in Gaga: A Provocative 2010 — slideshow by Life magazine

Category:1986 births Category:2000s singers Category:2010s singers Category:American Roman Catholics Category:American dance musicians Category:American electronic musicians Category:American female pop singers Category:American musicians of Italian descent Category:American singer-songwriters Category:Bisexual musicians Category:BRIT Award winners Category:English-language singers Category:Feminist artists Category:Grammy Award winners Category:Interscope Records artists Category:Keytarists Category:LGBT musicians from the United States Category:LGBT rights activists from the United States Category:Living people Category:New York University alumni Category:Singers from New York Category:Sony/ATV Music Publishing artists Category:Wonky Pop acts

Name	David Bowie
Background	solo_singer
Birth name	David Robert Jones
Born	January 08, 1947 Brixton, London, England
Years active	1964–present
Occupation	Musician, actor, record producer, arranger, singer
Voice type	Baritone
Instrument	Vocals, guitar, saxophone, piano, keyboards, synthesizers, Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums, percussion
Genre	Rock, Pop, glam rock, art rock, blue-eyed soul
Associated acts	The Riot Squad, Tin Machine
Label	Deram, RCA, Rykodisc, Virgin, EMI, ISO, Columbia, BMG, Parlophone, Pye, Hanso
Url	Official Website

David Bowie ( ; born David Robert Jones, 8 January 1947) is an English rock musician and singer who has also worked as an actor, record producer and arranger. A major figure for five decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s, and is known for his distinctive voice and the intellectual depth of his work.

Although he released an album (David Bowie) and several singles earlier, Bowie first caught the eye and ear of the public in July 1969, when the song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture."

The family moved in 1953 to nearby suburb, Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–1968: The Kon-rads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Kon-rads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Kon-rads and formed another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul—"I used to dream of being their Mick Jagger", Bowie was to recall.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years. Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–1973: Psychedelic folk to glam rock

Space Oddity to Hunky Dory

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, Love You till Tuesday, was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, Space Oddity, followed in November; originally issued in the UK as David Bowie, it caused some confusion with its predecessor of the same name, and the early US release was instead titled Man of Words/Man of Music. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release. presents David Bowie. Cleveland Press magazine in November 3, 1972. WMMS played a key role in breaking several major acts at the time. It helped break many new rock artists nationally, most notably Bowie, who along with the Spiders from Mars, kicked off his American tour in Cleveland, based on the market's huge sales figures for the Bowie album, primarily due to WMMS airplay.|left]] Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries. During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word zoe, life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.

Ziggy Stardust

Tour]] With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), combining the hard rock elements of The Man Who Sold the World with the lighter experimental rock and pop of Hunky Dory, was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July Top of the Pops performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old Hunky Dory. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Reed's 1972 solo breakthrough Transformer, co-producing the album with Ronson. His own Aladdin Sane (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. Aladdin Sane spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both Ziggy Stardust and Aladdin Sane, were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film Ziggy Stardust and the Spiders from Mars.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: The Man Who Sold the World had been re-released in 1972 along with Space Oddity. "Life on Mars?", from Hunky Dory, was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. Pin Ups, a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–1976: Soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. Diamond Dogs (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's 1984 to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, Cracked Actor, featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, David Live, ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". David Live nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was Young Americans (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. Young Americans yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Earning the distinction of being one of the first white artists to appear on the US variety show Soul Train, Bowie mimed "Fame", as well as "Golden Years", his October single. Young Americans was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US.

Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of Ziggy Stardust alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door."

at the O'Keefe center, Toronto 1976]] Station to Station (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film The Man Who Fell to Earth the same year. Developing the funk and soul of Young Americans, Station to Station also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in NME. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in The Times, "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–1979: The Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Pop, with Bowie as a co-writer and musician, completed his solo album debut, The Idiot, and its follow-up, Lust for Life, touring the UK, Europe, and the US in March and April 1977. Low (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, Low yielded the UK number three single "Sound and Vision", and its own performance surpassed that of Station to Station in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described Low as "a work of genius" in 1992, when he used it as the basis for his Symphony No. 1 "Low"; subsequently, Glass used Bowie's next album as the basis for his 1996 Symphony No. 4 "Heroes". Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing Lows minimalist, instrumental approach, the second of the trilogy, "Heroes" (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like Low, "Heroes" evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show Marc, and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing Low and "Heroes", Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album Stage, released the same year.

The final piece in what Bowie called his "triptych", Lodger (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's Sergeant Pepper [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." Lodger reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–1989: From superstar to megastar

Scary Monsters (and Super Creeps) (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While Scary Monsters utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in The Elephant Man.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German movie Christiane F., a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as Christiane F. a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play Baal. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as David Bowie in Bertolt Brecht's Baal. In March 1982, the month before Paul Schrader's film Cat People came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with Let's Dance. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film From Here to Eternity), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. Let's Dance was followed by the Serious Moonlight world tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The tour lasted six months and was extremely popular.

Tonight (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of The Falcon and the Snowman. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film Absolute Beginners. The movie was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film Labyrinth, for which he wrote five songs. His final solo album of the decade was 1987's Never Let Me Down, where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting Never Let Me Down, and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–1991: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, known by Bowie since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album Lust For Life.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, Tin Machine (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. Tin Machine IIs arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of the four nude band members in statuesque pose, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–1999: Electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced Black Tie White Noise. Making prominent use of electronic instruments, the album, which reunited Bowie with Let's Dance producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on The Buddha of Suburbia (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in Black Tie White Noise, and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial Outside (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, Earthling (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film Showgirls was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US Billboard Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for The Rugrats Movie. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.. In 1998, Bowie recorded "A Foggy Day (In London Town)" with Angelo Badalamenti for the Red Hot Organization’s compilation album Red Hot + Rhapsody a tribute to George Gershwin which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.

1999–present: Neoclassicist Bowie

during the Heathen Tour in 2002.]] Bowie created the soundtrack for , a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album 'Hours...' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album Toy, intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions would be the 2002 album Heathen. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of Heathen, and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual Meltdown festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's Low era. Reality (2003) followed, and then a world tour. Covering Europe, the United States, Canada, New Zealand, Australia and Japan, 'A Reality Tour', with an estimated attendance of 722,000, grossed more than any other tour in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

at the premiere of Jones' directorial debut Moon]] Recuperating from the heart surgery, Bowie reduced his musical output for the first time in several years, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film Shrek 2. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the movie Stealth. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album Return to Cookie Mountain, made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album No Balance Palace. Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, Anywhere I Lay My Head. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. A Reality Tour, a double album of live material from the 2003 concert tour, was released in January 2010.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production Pierrot in Turquoise (later made into the 1970 TV movie The Looking Glass Murders). In the black and white short film The Image (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel The Virgin Soldiers saw Bowie make a brief appearance as an extra. Bowie starred in The Hunger (1983), a revisionist vampire movie, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, Merry Christmas, Mr. Lawrence, based on Laurens van der Post's novel The Seed and the Sower, Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Another musician, Ryuichi Sakamoto, played the camp commandant who begins to be undermined by Celliers' bizarre behaviour. Bowie had a cameo in Yellowbeard, a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film Into the Night. He declined to play the villain Max Zorin in the James Bond film A View to a Kill (1985).

Absolute Beginners (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy Labyrinth found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film The Last Temptation of Christ. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in The Linguini Incident (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's (1992). He took a small but pivotal role as Andy Warhol in Basquiat, artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's spaghetti western Il Mio West (1998, released as Gunslinger's Revenge in the US in 2005) as the most feared gunfighter in the region. He played the aging gangster Bernie in Andrew Goth's Everybody Loves Sunshine (1999), and appeared in the TV horror serial of The Hunger. In Mr. Rice's Secret (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in Zoolander.

Bowie portrayed Nikola Tesla, the physicist who pioneered AC electricity, co-starring with Christian Bale and Hugh Jackman in The Prestige (2006), Christopher Nolan's film of Christopher Priest's epistolary novel about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated movie Arthur and the Invisibles as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the SpongeBob's Atlantis SquarePantis TV movie. In the 2008 film August, directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for The Man Who Fell to Earth.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Melody Maker in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust. In a 1983 interview with Rolling Stone, Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by Blender whether he still believed his public declaration was the biggest mistake he ever made, he replied:

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Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women." but biographer also reinforces that his public statements on sex had no other purpose but to do marketing and draw attention to his "transgressional" work.

Musicianship

Voice and instruments

A man of many voices, Bowie, from the time of his earliest recordings in the 1960s, has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, David Bowie (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop. Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello. , 1974.]]

Compositions

Bowie's compositions are suffused with philosophical and literary lyrics. Songs like "The Width of a Circle", "Quicksand" and "The Superman" receive influences of Buddhism, occultism, mysticism and especially the concept of Übermensch by Friedrich Nietzsche. The first of the three alluded to a sexual encounter with God or Devil in Hell, or other supernatural being, according to different interpretations. Indeed, his early compositions were influenced by poetry and writings of Aleister Crowley, William Hughes Mearns and H. P. Lovecraft, and "The Jean Genie" is a reference to Jean Genet.

With these influences Bowie created a new world through his music. "Oh! You Pretty Things" from Hunky Dory (1971) is a fine example of this and has been considered a sci-fi song about 'homo superior' concepts in a "teasing, unquestionably gay tinged manner." The Rise and Fall of Ziggy Stardust and the Spiders from Mars is another example; an album around a fictional sci-fi story created by Bowie himself. Track "Five Years", for example, desperately says that the world will end to five years, and is one of many examples of his artistic endeavors with the collapse of society. Diamond Dogs also presents a vision of a post-apocalyptic world. Later, in Outside, he returned to the idea of a concept album based on stories he wrote and characters he had created. And Heathen reflected his impressions on the Attacks of September 11, 2001, with lyrics focused on humanity degradation. To conclude, Reality reflects on his career and in the title track he sings: "I've been right and I've been wrong"/ "I look for sense but I get next to nothing" / "Hey boy welcome to reality" on a hard song moved with three guitars, syncopated drums and bass such as the rock songs of his past phases.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historiographer Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, [...] Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. [...] The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced [...] has created perhaps the biggest cult in popular culture. [...] His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996.

David Bowie's influence remains immense, musically and socially. According to many authors, for example, incorporating androgynous characters like Ziggy Stardust and Aladdin Sane in his 1970 glam era that communicate through sexual languages Bowie re-create a independent adolescent class at the time and also helped movements such as the gay liberation. In this era he also helped to create new fashions around the rock and music scenes that still appeals people nowadays.

Musically, his albums were also very influential. The Man Who Sold the World (1970), for example, has been cited as influencing the goth rock, darkwave and science fiction elements of work by artists such as Siouxsie and the Banshees, The Cure, Gary Numan, John Foxx and Nine Inch Nails. In his journal, Kurt Cobain of Nirvana listed this album at number 45 in his top 50 favourite albums. In 1993, the band re-recorded its title-track in their MTV Unplugged in New York. After the glam era Bowie produced works such as Diamond Dogs (1974) which its elements of raw guitar style and visions of urban chaos, scavenging children and nihilistic lovers have been credited with anticipating the punk revolution of bands like The Germs and Sex Pistols, that would take place in the following years. 1976 saw the appraised album Station to Station, that has also been described as "enormously influential on post-punk" and influenced band Magazine. On the following year, "Heroes" (1977) of 'Berlin Trilogy' influenced Double Fantasy (1980) by John Lennon and Yoko Ono.

His work in the 80's, especially "Ashes to Ashes" song and its video showing a creative Bowie's music and image, provided the basis for a new musical movement of the time, called New Romantic, influencing acts such as Blitz Kids, Keanan Duffty, and Steve Strange. In fact, critics have written that this song was considered the anthem for the New Romantic movement musicians. Pixies also began in 1986 with Joey Santiago introducing Black Francis to the Bowie's music and punk rock, then the pair began to jam together.

David Bowie's influence continues nowadays, even among artists and acts of diverse genres and countries. Examples include Marilyn Manson (in fact, Bowie is their biggest influence), Boy George, Groove Armada (especially album Black Light), Spacehog, Neïmo, Arckid, Stacey Q, Buck-Tick, Lady Gaga, All the Pretty Horses (a Minnesota's transgender rock band), and many others. On November 2010, Bono Vox of U2 compared Bowie to Elvis Presley and said he was very influential on Britain and also in his generation and band. As biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film The Man Who Fell to Earth, he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 136 million albums. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, Rolling Stone magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

David Bowie (1967)

Space Oddity (1969)

The Man Who Sold the World (1970)

Hunky Dory (1971)

The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)

Aladdin Sane (1973)

Pin Ups (1973)

Diamond Dogs (1974)

Young Americans (1975)

Station to Station (1976)

Low (1977)

"Heroes" (1977)

Lodger (1979)

Scary Monsters (and Super Creeps) (1980)

Let's Dance (1983)

Tonight (1984)

Never Let Me Down (1987)

Black Tie White Noise (1993)

The Buddha of Suburbia (1993)

Outside (1995)

Earthling (1997)

'Hours...' (1999)

Heathen (2002)

Reality (2003)

See also

100 Greatest Britons

Best selling music artists

David Bowie filmography

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Low Symphony and Heroes Symphony

Notes

References

Further reading

Seabrook, Thomas Jerome, Bowie in Berlin: A New Career in a New Town, Jawbone Press, 2008.

Spitz, Marc, Bowie: A Biography, Crown Publishers, 2009.

Tremlett, George, David Bowie: Living on the Brink, Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", The Aesthetics of Self-Invention: Oscar Wilde to David Bowie, University of Minnesota Press, 2004.

Welch, Chris, David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song, Da Capo Press, 1999.

Wilcken, Hugo, 33⅓: David Bowie's Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Bowieart – paintings, printmakings, etc.

Charlie Rose interview (1998)

Category:1947 births Category:Living people Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:British expatriates in Switzerland Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres * Category:Daytime Emmy Award winners Category:Decca Records artists Category:English baritones Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT people from England Category:Musicians from London Category:Parlophone artists Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees‎ Category:Rykodisc artists Category:Saturn Award winners Category:Virgin Records artists

Name	Bill Nye
Image width	250px
Caption	Nye at Bridgewater State College in 2007
Birth date	November 27, 1955
Birth place	Washington, D.C.
Residence	Los Angeles
Nationality
Field	Mechanical engineering
Work institutions	Boeing Cornell University Planetary Society
Alma mater	Cornell University (B.S.)
Known for	Bill Nye the Science Guy

William Sanford "Bill" Nye (born November 27, 1955), popularly known as "Bill Nye the Science Guy", is an American science educator, comedian, television host and mechanical engineer. He is best known as the host of the Disney children's science show Bill Nye the Science Guy (1993–1997) and for his many subsequent appearances in popular media as a science educator.

Early life and career

William Sanford Nye was born in Washington, D.C., the son of Jacqueline (née Jenkins; c. 1920–2000), a codebreaker during World War II, and Edwin Darby "Ned" Nye (died 1997), a sundial manufacturer. Nye is a fourth-generation Washington, D.C. resident on his father's side of family. After attending Lafayette Elementary and Alice Deal Junior High in the city, he was accepted to the private Sidwell Friends School on a partial scholarship, graduating in 1973. He studied mechanical engineering at Cornell University, where one of his professors was Carl Sagan, and graduated with a bachelor of science degree in 1977.

Nye began his career in Seattle at Boeing, where, among other things, he starred in training films and developed a hydraulic pressure resonance suppressor still used in the 747. Later he worked as a consultant in the aeronautics industry. Nye told the St. Petersburg Times in 1999 that he applied to be a NASA astronaut every few years but was always rejected.

The Science Guy

Nye began his professional entertainment career as an actor on a local sketch comedy television show in Seattle, Almost Live!; Nye attempted to correct the host of Almost Live! after the host pronounced "gigawatt" as "jigowatt." The character name came from the host's comment "Who do you think you are—Bill Nye the Science Guy?" and Nye was thereafter known as such on the program. His other main recurring role on Almost Live! was as Speedwalker, a speedwalking Seattle superhero.

Coincidentally, in 1992–93 he appeared in the live-action educational segments of with a nonspeaking role as an assistant to Dr. Emmett Brown, played by Christopher Lloyd, in which he would demonstrate science with Lloyd's voice-over. The segments' national popularity led to Nye's hosting the educational television program Bill Nye the Science Guy from 1993 to 1997. Each of the 100 episodes aimed to teach a specific topic in science to a preteen audience, yet it garnered a wide adult audience as well. The show was very popular as a school resource and is still used to this day. He has written several books as The Science Guy. In addition to hosting the show, he was also a writer and producer for the series, which was filmed entirely in Seattle.

When portraying "the Science Guy", Nye wears a light blue lab coat and a bow tie and takes on the persona of an excited, jocular science educator. This popular image of Nye has been parodied by numerous sources, including the webcomic xkcd and the satirical news organization The Onion. In response to the fake headline "Crack Nearly Killed Me," Nye took the joke in good humor and sent The Onion an email thanking them for "dealing compassionately with this matter."

He appeared in his Science Guy persona alongside Ellen DeGeneres and Alex Trebek in Ellen's Energy Adventure, an attraction that has played since 1996 at the Universe of Energy pavilion inside Epcot at Walt Disney World. He also has a voice-over at the DINOSAUR attraction in Disney's Animal Kingdom park, where he tells guests about the dinosaurs while they queue for the ride. In addition, he appears in the "Design Lab" of CyberSpace Mountain inside DisneyQuest at Walt Disney World, where he refers to himself as "Bill Nye the Coaster Guy."

Post-Science Guy career

Nye remained interested in science education through entertainment. He created a 13-episode PBS KCTS-TV series about science, called The Eyes of Nye, aimed at an older audience than his previous show had been. Airing in 2005, it often featured episodes based on politically relevant themes such as genetically modified food, global warming, and race.

He played a science teacher in Disney's 1998 TV movie The Principal Takes a Holiday; he made a hovercraft in order to demonstrate science in an unusual classroom manner. From 2000 to 2002, Nye was the technical expert in BattleBots. In 2004 and 2005, Nye hosted 100 Greatest Discoveries, an award-winning series produced by THINKFilm for The Science Channel and in high definition on the Discovery HD Theater. He was also host of an eight-part Discovery Channel series called Greatest Inventions with Bill Nye.

Nye has guest-starred in several episodes of the crime drama Numb3rs as an engineering faculty member. A lecture Nye gave several years ago on exciting children about math was an inspiration for creating the Numb3rs show.

Bill joined the American Optometric Association in a multimedia advertising campaign to educate parents on the importance of getting their children a comprehensive eye examination.

He was a regular in TV Land discussions. He has also made guest appearances on the VH1 reality show America's Most Smartest Model.

Nye appears in segments of The Climate Code on The Weather Channel, telling his personal ways of saving energy. He still makes regular appearances on the show, often asking quiz questions.

As of fall 2008, Nye also appears on the daytime game show Who Wants to Be a Millionaire as part of the show's reintroduced "Ask the Expert" lifeline. He currently hosts Stuff Happens, a show on the new Planet Green network.

In November 2008, Nye appeared in an acting role as himself in the fifth-season episode "Brain Storm" of Stargate Atlantis alongside fellow television personality and astrophysicist Neil deGrasse Tyson.

Nye has appeared numerous times on the talk show Larry King Live, speaking about topics such as global warming and UFOs. He argued that global warming is an issue that should be addressed by governments of the world in part because it could be implicated in the record-setting 2005 Atlantic hurricane season. On UFOs he has been skeptical of extraterrestrial explanations for sightings such as those at Roswell and Malmstrom Air Force Base in 1967.

In 2009, portions of Bill Nye's shows were used as lyrics and portions of the second Symphony of Science science education music video by composer John Boswell.

Nye recorded a short YouTube video (as himself, not his TV persona) advocating clean energy climate change legislation on behalf of Al Gore's Repower America campaign in October 2009.

Nye (as his TV persona) also made a guest appearance on The Dr. Oz Show.

Life outside television

In the early 2000s, Nye assisted in the development of a small sundial that was included in the Mars Exploration Rover missions. Known as MarsDial, it included small colored panels to provide a basis for color calibration in addition to helping keep track of time. From 2005 to 2010 Nye was the vice president of The Planetary Society, an organization that advocates space science research and the exploration of other planets, particularly Mars.

He holds several United States patents, including one for ballet shoes and another for an educational magnifying glass created by filling a clear plastic bag with water.

From 2001–2006 Nye served as Frank H.T. Rhodes Class of '56 University Professor at Cornell University.

When Pluto was reclassified from a planet to a dwarf planet by the International Astronomical Union in 2006, Nye came out in favor of the change. Nye held a conference in 2006 discussing his opinion on the issue.

Since 2006, Nye has lived in Los Angeles in a house with modifications, though has owned a house on Mercer Island. As of July 2007, Nye and environmental activist Ed Begley, Jr. are engaging in a friendly competition "to see who could have the lowest carbon footprint," according to Begley. In a 2008 interview, Nye joked that he wants to "crush Ed Begley" in their environmental competition.

Personal life

Nye announced his engagement during an appearance on The Late Late Show with Craig Ferguson and was married briefly to his fiancée of five months, author Blair Tindall, on February 3, 2006. The ceremony was performed by Rick Warren at The Entertainment Gathering at the Skirball Cultural Center in Los Angeles. Yo-Yo Ma provided the music. Tindall left the relationship seven weeks later when the marriage license was declared invalid; their impromptu ceremony, which preceded the license purchase, violated California state law, said Tindall in a radio interview.

Nye enjoys baseball and occasionally does experiments involving the physics of the game. He is said to have been a fan of the Seattle Mariners, although recently he has voiced his preference for the Washington Nationals.

References

External links

Nye-Tindall wedding video

An interview/discussion with Nye as guest on the radio show Loveline

"Changing The World With Science Education" interview on Point of Inquiry.

Seattle Times interview (April 26, 2004)

Science Channel interview

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