name | Burt Bacharach |
---|---|
birth name | Burt F. Bacharach |
birth date | May 12, 1928 |
origin | Kansas City, Missouri, US |
instrument | Piano |
genre | Pop, vocal |
occupation | Composer, pianist, singer |
years active | 1954–present |
labels | Kapp, A&M;, Columbia |
associated acts | Hal David, Elvis Costello, Dionne Warwick, Dusty Springfield, Marlene Dietrich, Cilla Black, Dr. Dre, Ronan Keating |
background | solo_singer }} |
, Bacharach had written 70 Top 40 hits in the US, and 52 Top 40 hits in the UK.
In the early 1960s, Bacharach wrote well over 100 songs with David. The two were associated throughout the '60s with Dionne Warwick, a conservatory-trained vocalist. Bacharach and David started writing a portion of their work with Warwick in mind, leading to one of the most successful teams in popular music history.
Over a 20-year period, beginning in the early 1960s, Warwick charted 38 singles co-written or produced by Bacharach and David, including 22 Top-40, 12 Top-20, and nine Top-10 hits on the American Billboard Hot 100 charts. During the early '60s, Bacharach also collaborated with Bob Hilliard on a number of songs, including "Please Stay" and "Mexican Divorce" for The Drifters, "Any Day Now" for Chuck Jackson, "Tower of Strength" for Gene McDaniels, and "Dreamin' All the Time" and "Pick Up the Pieces" for Jack Jones.
Other singers of Bacharach songs in the '60s and '70s included Bobby Vinton ("Blue on Blue"); Dusty Springfield ("The Look of Love" from Casino Royale), (a cover of Dionne Warwick's "Wishin' and Hopin); Cilla Black (a cover of Dionne Warwick's "Anyone Who Had A Heart"), Cher ("Alfie"); The Shirelles, The Beatles ("Baby, It's You"); The Carpenters ("(They Long to Be) Close to You"); Aretha Franklin ("I Say a Little Prayer"); Isaac Hayes ("Walk On By", from the ''Hot Buttered Soul'' album); B. J. Thomas ("Raindrops Keep Falling on my Head", "Everybody's Out of Town"); Tom Jones ("What's New, Pussycat?"); Engelbert Humperdinck ("I'm A Better Man"); Sandie Shaw ("(There's) Always Something There to Remind Me"); Jack Jones ("Wives and Lovers"); Jackie DeShannon ("What the World Needs Now is Love"); Gene Pitney ("Only Love Can Break a Heart", "The Man Who Shot Liberty Valance", "24 Hours From Tulsa" and "True Love Never Runs Smooth"); Herb Alpert, ("This Guy's In Love With You"); Liz Damon's Orient Express ("Loneliness Remembers What Happiness Forgets); Sergio Mendes & Brasil '66 ("The Look of Love"); Jerry Butler, the Walker Brothers ("Make It Easy on Yourself"); and the Fifth Dimension ("One Less Bell to Answer").
Bacharach songs were adapted by jazz artists of the time, such as Stan Getz, Cal Tjader and Wes Montgomery. The Bacharach/David composition "My Little Red Book", originally recorded by Manfred Mann for the film ''What's New, Pussycat?'', and promptly covered by Love in 1966, has become a rock standard; however, according to Robin Platts' book "Burt Bacharach and Hal David", the composer did not like Love's version. The title of the song is likely a tongue-in-cheek reference to Mao Zedong's Little Red Book, which was first published by the Communist Party of China in April 1964.
Bacharach composed and arranged the soundtrack of the 1967 film ''Casino Royale,'' which included "The Look of Love", performed by Dusty Springfield, and the title song, an instrumental Top 40 single for Herb Alpert and the Tijuana Brass. Bacharach and David also collaborated with Broadway producer David Merrick on the 1968 musical ''Promises, Promises'', which yielded two hits, the title tune and "I'll Never Fall in Love Again", for Dionne Warwick. The year 1969 marked, perhaps, the most successful Bacharach-David collaboration, the Oscar-winning "Raindrops Keep Falling on My Head", written for and prominently featured in the acclaimed film ''Butch Cassidy and the Sundance Kid''.
An example of his distinctive use of changing meter is found in "Promises, Promises" (from his score for the musical of the same name). His style is sometimes also associated with particular instrumental combinations he is assumed to favor or to have favored, including the prominent use of the flugelhorn in such works as "Walk on By", "Nikki", and "Toledo".
In 1973, Bacharach and David were commissioned to score the Ross Hunter-produced revival of the 1937 film, ''Lost Horizon'' for Columbia Pictures. The result was a critical and commercial disaster, and resulted in a flurry of lawsuits between the composer and the lyricist, as well as from Warwick. She reportedly felt abandoned when Bacharach and David refused to work together. Bacharach tried several solo projects (including the 1977 album ''Futures''), but the projects failed to yield hits.
By the early 1980s, Bacharach's marriage to Angie Dickinson had ended, but a new partnership with lyricist Carole Bayer Sager proved rewarding, both commercially and personally. The two married and collaborated on several major hits during the decade, including "Arthur's Theme (Best That You Can Do)" (Christopher Cross), co-written with Cross and Peter Allen; "Heartlight" (Neil Diamond); "Making Love" (Roberta Flack); "On My Own" (Patti LaBelle with Michael McDonald), and perhaps most memorably, "That's What Friends Are For" in 1985, actually the second single which reunited Bacharach and singer Warwick. The profits for the latter song were given to AIDS research. Bacharach's 1980s tunes showed a new sound.
Other artists continued to revive Bacharach's earlier hits, giving them a new audience in the 1980s and 1990s. Examples included Luther Vandross' recording of "A House is Not a Home"; Naked Eyes' 1983 pop hit version of "(There's) Always Something There to Remind Me", and Ronnie Milsap's 1982 country version of "Any Day Now". Bacharach continued a concert career, appearing at auditoriums throughout the world, often featuring large orchestras as accompaniment. He occasionally joined with Warwick, appearing in sold-out concerts in New York, Las Vegas, and Los Angeles.
Another star treatment of his compositions was the 2003 album ''Here I Am'' featuring Ronald Isley, revisiting a number of his 1960s compositions, and also the Vandross arrangement of ''A House Is Not a Home''.
Bacharach's 2005 solo album ''At This Time'' saw a departure from past works in that Bacharach penned his own lyrics, some of which dealt with political themes. Guest stars on some tracks included Elvis Costello, Rufus Wainwright, and hip-hop producer Dr. Dre.
On October 24, 2008, Bacharach opened the BBC Electric Proms at The Roundhouse in London, performing with the BBC Concert Orchestra accompanied by guest vocalists Adele, Beth Rowley and Jamie Cullum. The concert was a retrospective look back at his unparalleled six-decade career, including classics such as "Walk On By", "The Look of Love", "I Say a Little Prayer", "What The World Needs Now", "Anyone Who Had A Heart", "Twenty Four Hours from Tulsa" and "Make It Easy On Yourself", featuring Jamie Cullum.
In early 2009 Bacharach worked with Italian soul singer Karima Ammar and produced her debut single ''Come In Ogni Ora''. The song has been heard during the 59th Sanremo Music Festival and also features him playing piano.
In 1969, Harry Betts arranged Bacharach's instrumental composition "Nikki" (named for Bacharach's daughter) into a new theme for the ''ABC Movie of the Week'', a TV series which ran on the U.S. network until 1976. The arrangement by Betts is published by MCA Duchess Music Corporation (BMI).
During the 1970s, Bacharach and then-wife Angie Dickinson appeared in several TV commercials for Martini & Rossi beverages, and even penned a short jingle ("Say Yes") for the spots. Bacharach also occasionally appeared on TV/variety shows, such as ''The Merv Griffin Show'', ''The Tonight Show Starring Johnny Carson'', and many others.
In the 1990s and 2000s, Bacharach had cameo roles in Hollywood movies including all three Austin Powers movies. His music is credited as providing inspiration for these movies, partially stemming from Bacharach's score for the 1967 James Bond film ''Casino Royale''. During subsequent Bacharach concert tours, each show would open with a very brief video clip from the movie ''Austin Powers: International Man of Mystery'', with Mike Myers (as Austin Powers) uttering "Ladies and Gentlemen, Mr. Burt Bacharach."
Bacharach appeared as a celebrity performer and guest vocal coach for contestants on the television show, "American Idol" during the 2006 season, during which an entire episode was dedicated to his music. In late 2006, Bacharach appeared as the celebrity in a Geico auto insurance commercial, where he sings and plays the piano. He translates the customer's story through song ("I was hit...in the rear!")
In 2008, Bacharach featured in the BBC Electric Proms at The Roundhouse with the BBC Concert Orchestra. He performed similar shows in the same year at the Walt Disney Concert Hall and with the Sydney Symphony.
Category:1928 births Category:Living people Category:People from Kansas City, Missouri Category:Jewish American composers and songwriters Category:American musical theatre composers Category:American racehorse owners and breeders Category:Best Song Academy Award winning songwriters Category:Best Original Music Score Academy Award winners Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Mannes College of Music alumni Category:Music Academy of the West alumni Category:Songwriters Hall of Fame inductees
Category:American people of German-Jewish descent
ar:بيرت باكاراك ca:Burt Bacharach cs:Burt Bacharach cy:Burt Bacharach da:Burt Bacharach de:Burt Bacharach es:Burt Bacharach fr:Burt Bacharach ga:Burt Bacharach id:Burt Bacharach is:Burt Bacharach it:Burt Bacharach he:ברט בכרך nl:Burt Bacharach ja:バート・バカラック no:Burt Bacharach nn:Burt Bacharach pl:Burt Bacharach pt:Burt Bacharach ru:Бакарак, Бёрт sc:Burt Bacharach fi:Burt Bacharach sv:Burt Bacharach th:เบิร์ต แบแคแร็กThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Vikki Carr |
---|---|
background | solo_singer |
birth name | Florencia Vicenta de Casillas Martinez Cardona |
birth date | July 19, 1941 |
origin | El Paso, Texas, United States |
instrument | Guitar |
genre | Latin popPopTraditional popMariachi |
occupation | Singer |
years active | 1962–present |
label | Liberty, Columbia, UMG |
website | http://www.vikkicarr.com/ |
notable instruments | }} |
Vikki Carr (born Florencia Vicenta de Casillas Martinez Cardona; She had two other songs make the US Top 40: 1968's "The Lesson" and 1969's "With Pen in Hand". Around this time, Dean Martin called her "the best girl singer in the business". Carr had 10 singles which made the US pop charts and 13 albums which made the US pop album charts.
In 1968, she taped six specials for London Weekend TV. She appeared on various television programs, such as ABC's ''The Bing Crosby Show'' in the 1964-1965 season. In 1970, she was named "Woman of the Year" by the ''Los Angeles Times''. She guest-hosted ''The Tonight Show Starring Johnny Carson'' in 1973. She received a star on the Hollywood Walk of Fame in 1981. Carr also achieved the rare feat of singing for five presidents during her career: Richard Nixon, Gerald Ford, Ronald Reagan, George Bush, and Bill Clinton. Ford writes in his autobiography, ''A Time to Heal,'' that when Carr appeared at the White House, she asked the president, "What Mexican dish do you like?" His response: "I like you." He goes on to write that the First Lady was not pleased: "Betty overheard the exchange, and needless to say, she wasn't wild about it."
In the 1980s and 1990s Carr had enormous success in the Latin music world, winning Grammy Awards for Best Mexican-American Performance in 1986 for her album ''Simplemente Mujer''; Best Latin Pop Album in 1992 for ''Cosas del Amor''; and Best Mexican-American Performance in 1995 for ''Recuerdo a Javier Solis''. She also received Grammy nominations for the discs ''Brindo a La Vida, Al Bolero, A Ti'' (1993) and ''Emociones'' (1996). Her numerous Spanish-language hit singles include "Total," "Discúlpame," "Déjame," "Hay Otro en Tu Lugar," "Esos Hombres," "Mala Suerte" and "Cosas del Amor." The latter song spent more than two months at No. 1 on the US Latin charts in 1991, her biggest Spanish-language US hit. Her Spanish-language albums have been certified gold and platinum in Mexico, Chile, Puerto Rico, Venezuela, Costa Rica, Colombia and Ecuador.
In recent years, she taped a PBS TV special, ''Vikki Carr: Memories, Memorias'' (1999), in which she performed popular bilingual tunes from the 1940s and 1950s. Her guests were Pepe Aguilar, Arturo Sandoval and Jack Jones. In 2001, she released a bilingual holiday album, ''The Vikki Carr Christmas Album''.
In 2002, she appeared to great acclaim in a Los Angeles production of the Stephen Sondheim musical ''Follies'', which also featured Hal Linden, Patty Duke and Harry Groener. In 2006, Carr made a cameo appearance in a straight-to-video thriller called ''Puerto Vallarta Squeeze.'' In 2008, Carr hosted a PBS TV special, ''Fiesta Mexicana'', which celebrated the music and dance of Mexico. Later that year she was honored with a Lifetime Achievement Award from the Latin Recording Academy. She marked the occasion with an appearance on the Latin Grammy telecast in which she performed "Cosas del Amor" with Olga Tañón and Jenni Rivera.
!Year | !Album | !width="35" | !width="35" | !width="35" | !width="35" | Original Source |
"I'll Walk the Rest of the Way" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
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''single'' | ||||||
"He's a Rebel" | align="center" | |||||
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''single'' | ||||||
"The Rose and Butterfly" | align="center" | |||||
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''single'' | ||||||
"San Francisco" | align="center" | |||||
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align="center" | ||||||
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align="center" | ||||||
''Color Her Great'' | ||||||
"Poor Butterfly / Stay" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
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align="center" | ||||||
''Discovery'' | ||||||
"Forget You" | align="center" | |||||
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align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"The Color of Love" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Busca ese camino" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
"Unforgettable" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Tell Her of Our Love" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"None But the Lonely Heart" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"The Silencers" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Heartaches" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Anatomy of Love'' | ||||||
"My Heart Reminds Me" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''The Way of Today!'' | ||||||
align="center" | ||||||
''It Must Be Him'' | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Until Today" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Now I Know the Feeling" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Sunshine" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"There I Go" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Vikki!'' | ||||||
"The Lesson" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
''Vikki!'' | ||||||
"She'll Be There" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
''Don't Break My Pretty Balloon'' | ||||||
"Your Heart Is Free Just Like The Wind" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
''Don't Break My Pretty Balloon'' | ||||||
"Don't Break My Pretty Balloon" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
''Don't Break My Pretty Balloon'' | ||||||
"A Dissatisfied Man" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"With Pen in Hand" | align="center" | |||||
align="center" | ||||||
''For Once In My Life'' | ||||||
"Can't Take My Eyes Off of You" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''It Must Be Him'' | ||||||
"Eternity" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Singing My Song" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Nashville By Carr'' | ||||||
"Everybody's Talkin'" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Nashville By Carr'' | ||||||
"Ain't No Mountain High Enough" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Love Story'' | ||||||
"For Once in My Life" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''For Once in My Life'' | ||||||
"I'll Be Home" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
''Love Story'' | ||||||
"Six Weeks Every Summer" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Love Story'' | ||||||
"I Can't Give Back the Love I Feel For You" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Love Story'' | ||||||
"Que sea el" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Que sea el'' | ||||||
"I'd Do It All Again" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Superstar'' | ||||||
"The Big Hurt" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Grande, Grande, Grande" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''En español'' | ||||||
"Let the Band Play On" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Ms. America" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Ms. America'' | ||||||
"Leave a Little Room" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Live at the Greek Theatre'' | ||||||
"Sleeping Between Two People" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''One Hell of a Woman'' | ||||||
"One Hell of a Woman" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''One Hell of a Woman'' | ||||||
"Wind Me Up" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''One Hell of a Woman'' | ||||||
"It Came Upon a Midnight Clear" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Hoy" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Hoy'' | ||||||
"Puttin' Myself in Your Hands" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''single'' | ||||||
"Disculpame" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Y el amor'' | ||||||
"Abrazame" | align="center" | |||||
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align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Y el amor'' | ||||||
"Total" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''El retrato del amor'' | ||||||
"Todo me gusta de ti" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Vikki Carr'' | ||||||
"Ya" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Vikki Carr'' | ||||||
"Prefiero amar un extraño" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''El retrato del amor'' | ||||||
"Eso no" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''El retrato del amor'' | ||||||
"Comprendeme" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''A todos'' | ||||||
"Ni princesa ni esclava" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Simplemente mujer'' | ||||||
"Atrapame" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Simplemente mujer'' | ||||||
"Ni me viene ni me va" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Simplemente mujer'' | ||||||
"Cantare, cantaras" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Hermanos'' | ||||||
"Promesas" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Promesas'' | ||||||
"Yo creo en un mundo de amor" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''OK Mr. Tango'' | ||||||
"Esta noche vendras" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Esta noche vendras'' | ||||||
"Tu Dicha, Tu Calma" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Esta noche vendras'' | ||||||
"Asi es la vida" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Esta noche vendras'' | ||||||
"Que no que no" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Me enloqueces'' | ||||||
"Fallaste corazon" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Me enloqueces'' | ||||||
"Me parece perfecto" | align="center" | |||||
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align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Me enloqueces'' | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Dos corazones'' | ||||||
"Juntos los dos" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Dos corazones'' | ||||||
"Mala suerte" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Esos hombres'' | ||||||
"Hay otro en tu lugar" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Esos hombres'' | ||||||
"Esos hombres" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
align="center" | ||||||
''Esos hombres'' | ||||||
"Me estoy volviendo loca" | align="center" | |||||
align="center" | ||||||
align="center" | ||||||
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In "MoonStruck", starring Cher and Nicolas Cage, upon Loretta Castorini coming home to tell her father that she was engaged to Johnny Cammerieri, Cher's character and her father go up to tell her mother the news. The family has a heated exchange over who shall pay for the wedding. Loretta's father ends the fight by putting on a Vikki Carr record, ending the fight. The mother, Mrs. Castorini, played by Olympia Dukakis alleges that "Now he's going to listen to that Vikki Carr record and he won't touch me," referring to her husband not liking sex after he listens to Vikki Carr.
In "Vanilla Sky", starring Tom Cruise and Penelope Cruz, David Ames is given music options from Sofia Serrano: Jeff Buckley or Vikki Carr. He picked both, simultaneously.
Category:1941 births Category:Spanish-language singers Category:Cabaret singers Category:Living people Category:American pop singers Category:American female singers Category:Ranchera singers Category:American musicians of Mexican descent Category:American singers Category:People from El Paso, Texas Category:Traditional pop music singers Category:Torch singers Category:Grammy Award winners Category:Grammy Awards for Best Mexican/Mexican-American Album Category:Liberty Records artists
de:Vikki Carr es:Vikki Carr it:Vikki Carr nl:Vikki Carr pl:Vikki Carr sv:Vikki CarrThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Barbra Streisand |
---|---|
background | solo_singer |
birth name | Barbara Joan Streisand |
birth date | April 24, 1942Brooklyn, New York, U.S. |
genre | Broadway, traditional pop, adult contemporary |
occupation | Singer-songwriter, actress, film producer, director |
years active | 1957–present |
label | Columbia |
spouse | James Brolin (1998-present) |
website | |
children | Jason Gould }} |
Barbra Joan Streisand (pronounced ; born April 24, 1942) is an American singer, actress, film producer and director. She has won two Academy Awards, eight Grammy Awards, four Emmy Awards, a Special Tony Award, an American Film Institute award, a Peabody Award, and is one of the few entertainers who have won an Oscar, Emmy, Grammy, and Tony Award.
She is one of the most commercially and critically successful entertainers in modern entertainment history, with more than 71.5 million albums shipped in the United States and 140 million albums sold worldwide. She is the best-selling female artist on the Recording Industry Association of America's (RIAA) Top Selling Artists list, the only female recording artist in the top ten, and the only artist outside of the rock and roll genre. Along with Frank Sinatra, Cher, and Shirley Jones, she shares the distinction of being awarded an acting Oscar and also recording a number-one single on the U.S. Billboard Hot 100 chart.
According to the RIAA, Streisand holds the record for the most top ten albums of any female recording artist - a total of 31 since 1963. Streisand has the widest span (46 years) between first and latest top ten albums of any female recording artist. With her 2009 album, ''Love Is the Answer'', she became one of the only artists to achieve number-one albums in five consecutive decades. According to the RIAA, she has released 51 Gold albums, 30 Platinum albums, and 13 Multi-Platinum albums in the United States.
Barbra Streisand became a nightclub singer while in her teens. She wanted to be an actress and appeared in summer stock and in a number of Off-Off-Broadway productions, including ''Driftwood'' (1959), with then-unknown Joan Rivers. (In her autobiography, Rivers wrote that she played a lesbian with a crush on Streisand's character, but this was later denied by the play's author.) ''Driftwood'' ran for only six weeks. When her boyfriend, Barry Dennen, helped her create a club act—first performed at The Lion, a popular gay nightclub in Manhattan's Greenwich Village in 1960—she achieved success as a singer. While singing at The Lion for several weeks, she changed her name from Barbara to Barbra. One early appearance outside of New York City was at Enrico Banducci’s hungry i nightclub in San Francisco. In 1961, Streisand appeared at the Town and Country nightclub in Winnipeg, Manitoba, Canada, but her appearance was cut short; the club owner did not appreciate her singing style. Streisand appeared at Baker's Keyboard Lounge in Detroit in 1961.
Streisand's first television appearance was on ''The Tonight Show'', then hosted by Jack Paar, in 1961, singing Harold Arlen's "A Sleepin' Bee". Orson Bean, who substituted for Paar that night, had seen the singer perform at a gay bar and booked her for the telecast (Her older brother Sheldon paid NBC for a kinescope film so she could use it in 1961 to promote herself. Decades later the film was preserved through digitizing and is available for viewing on a website). Streisand became a semi-regular on ''PM East/PM West'', a talk/variety series hosted by Mike Wallace, in late 1961. Westinghouse Broadcasting, which aired ''PM East/PM West'' in a select few cities (Boston, New York, Baltimore, Washington, DC, Pittsburgh, Cleveland, Chicago and San Francisco), has since wiped all the videotapes because of the cost of videotape at the time. Audio segments from some episodes are part of the compilation CD ''Just for the Record'', which went platinum in 1991. The singer said on ''60 Minutes'' in 1991 that 30 years earlier Mike Wallace had been "mean" to her on ''PM East/PM West''. He countered that she had been "self-absorbed." ''60 Minutes'' included the audio of Streisand saying to him in 1961, "I like the fact that you are provoking. But don't provoke ''me''."
In 1962, after several appearances on ''PM East/PM West'', Streisand first appeared on Broadway, in the small but star-making role of Miss Marmelstein in the musical ''I Can Get It for You Wholesale''. Her first album, ''The Barbra Streisand Album'', won two Grammy Awards in 1963. Following her success in ''I Can Get It for You Wholesale'', Streisand made several appearances on ''The Tonight Show'' in 1962 and 1963. Topics covered in her interviews with host Johnny Carson included the empire-waisted dresses that she bought wholesale, to her "crazy" reputation at Erasmus Hall High School. As is the case with Mike Wallace, only audio survives from small portions of her telecast conversations with Carson. It was at about this time that Streisand entered into a long and successful professional relationship with Lee Solters and Sheldon Roskin as her publicists with the firm Solters/Roskin (later Solters/Roskin/Friedman).
Streisand returned to Broadway in 1964 with an acclaimed performance as entertainer Fanny Brice in ''Funny Girl'' at the Winter Garden Theatre. The show introduced two of her signature songs, "People" and "Don't Rain on My Parade." Because of the play's overnight success she appeared on the cover of ''Time.'' In 1966, she repeated her success with ''Funny Girl'' in London's West End at the Prince of Wales Theatre. From 1965 to 1967 she appeared in her first four solo television specials.
Beginning with ''My Name Is Barbra'', her early albums were often medley-filled keepsakes of her television specials. Starting in 1969, she began attempting more contemporary material, but like many talented singers of the day, she found herself out of her element with rock. Her vocal talents prevailed, and she gained newfound success with the pop and ballad-oriented Richard Perry-produced album ''Stoney End'' in 1971. The title track, written by Laura Nyro, was a major hit for Streisand.
During the 1970s, she was also highly prominent on the pop charts, with Top 10 recordings such as ''The Way We Were'' (US No. 1), ''Evergreen'' (US No. 1), ''No More Tears (Enough Is Enough)'' (1979, with Donna Summer), which as of 2010 is reportedly still the most commercially successful duet,(US No. 1), ''You Don't Bring Me Flowers'' (with Neil Diamond) (US No. 1) and ''The Main Event'' (US No. 3), some of which came from soundtrack recordings of her films. As the 1970s ended, Streisand was named the most successful female singer in the U.S.—only Elvis Presley and The Beatles had sold more albums. In 1980, she released her best-selling effort to date, the Barry Gibb-produced ''Guilty''. The album contained the hits ''Woman In Love'' (which spent several weeks atop the pop charts in the Fall of 1980), ''Guilty,'' and ''What Kind of Fool.''
After years of largely ignoring Broadway and traditional pop music in favor of more contemporary material, Streisand returned to her musical-theater roots with 1985's ''The Broadway Album'', which was unexpectedly successful, holding the coveted No. 1 Billboard position for three straight weeks, and being certified quadruple platinum. The album featured tunes by Rodgers & Hammerstein, George Gershwin, Jerome Kern, and Stephen Sondheim, who was persuaded to rework some of his songs especially for this recording. ''The Broadway Album'' was met with acclaim, including a Grammy nomination for album of the year and, ultimately, handed Streisand her eighth Grammy as Best Female Vocalist. After releasing the live album ''One Voice'' in 1986, Streisand was set to take another musical journey along the Great White Way in 1988. She recorded several cuts for the album under the direction of Rupert Holmes, including ''On My Own'' (from ''Les Misérables''), a medley of ''How Are Things in Glocca Morra?'' and ''Heather on the Hill'' (from ''Finian's Rainbow'' and ''Brigadoon,'' respectively), ''All I Ask of You'' (from ''Phantom of the Opera''), ''Warm All Over'' (from ''The Most Happy Fella'') and an unusual solo version of ''Make Our Garden Grow'' (from ''Candide''). Streisand was not happy with the direction of the project and it was ultimately scrapped. Only ''Warm All Over'' and a reworked, lite FM-friendly version of ''All I Ask of You'' were ever released, the latter appearing on Streisand's 1988 effort, ''Till I Loved You.'' At the beginning of the 1990s, Streisand started focusing on her film directorial efforts and became almost inactive in the recording studio. In 1991, a four-disc box set, ''Just for the Record'', was released. A compilation spanning Streisand's entire career to date, it featured over 70 tracks of live performances, greatest hits, rarities and previously unreleased material.
The following year, Streisand's concert fundraising events helped propel former President Bill Clinton into the spotlight and into office. Streisand later introduced Clinton at his inauguration in 1993. Streisand's music career, however, was largely on hold. A 1992 appearance at an APLA benefit as well as the aforementioned inaugural performance hinted that Streisand was becoming more receptive to the idea of live performances. A tour was suggested, though Streisand would not immediately commit to it, citing her well-known stage fright as well as security concerns. During this time, Streisand finally returned to the recording studio and released ''Back to Broadway'' in June 1993. The album was not as universally lauded as its predecessor, but it did debut at No. 1 on the pop charts (a rare feat for an artist of Streisand's age, especially given that it relegated Janet Jackson's ''Janet'' to the No. 2 spot). One of the album's highlights was a medley of ''I Have A Love/One Hand, One Heart,'' a duet with Johnny Mathis, who Streisand said is one of her favorite singers.
In 1993, ''New York Times'' music critic Stephen Holden wrote that Streisand "enjoys a cultural status that only one other American entertainer, Frank Sinatra, has achieved in the last half century." In September 1993, Streisand announced her first public concert appearances in 27 years. What began as a two-night New Year's event at the MGM Grand Hotel in Las Vegas eventually led to a multi-city tour in the summer of 1994. Tickets to the tour were sold out in under one hour. Streisand also appeared on the covers of major magazines in anticipation of what ''Time magazine'' named "The Music Event of the Century." The tour was one of the biggest all-media merchandise parlays in history. Ticket prices ranged from US$50 to US$1,500 – making Streisand the highest-paid concert performer in history. ''Barbra Streisand: The Concert'' went on to be the top-grossing concert of the year and earned five Emmy Awards and the Peabody Award, while the taped broadcast on HBO is, to date, the highest-rated concert special in HBO's 30-year history. Following the tour's conclusion, Streisand once again kept a low profile musically, instead focusing her efforts on acting and directing duties as well as a burgeoning romance with actor James Brolin.
In 1997, she finally returned to the recording studio, releasing ''Higher Ground,'' a collection of songs of a loosely-inspirational nature which also featured a duet with Celine Dion. The album received generally favorable reviews and, remarkably, once again debuted at No. 1 on the pop charts. Following her marriage to Brolin in 1998, Streisand recorded an album of love songs entitled ''A Love Like Ours'' the following year. Reviews were mixed, with many critics carping about the somewhat syrupy sentiments and overly-lush arrangements; however, it did produce a modest hit for Streisand in the country-tinged ''If You Ever Leave Me,'' a duet with Vince Gill.
On New Year's Eve 1999, Streisand returned to the concert stage, with the highest-grossing single concert in Las Vegas history to date. At the end of the millennium, she was the number-one female singer in the U.S., with at least two No. 1 albums in each decade since she began performing. A two-disc live album of the concert entitled ''Timeless: Live in Concert'' was released in 2000. Streisand performed versions of the "Timeless" concert in Sydney and Melbourne, Australia, in early 2000. In advance of four concerts (two each in Los Angeles and New York) in September 2000, Streisand announced she was retiring from paying public concerts. Her performance of the song ''People'' was broadcast on the Internet via America Online.
Streisand's most-recent albums have been ''Christmas Memories'' (2001), a somewhat somber collection of holiday songs (which felt entirely—albeit unintentionally—appropriate in the early post-9/11 days), and ''The Movie Album'' (2003), featuring famous film themes and backed by a large symphony orchestra. ''Guilty Pleasures'' (called ''Guilty Too'' in the UK), a collaboration with Barry Gibb and a sequel to their ''Guilty,'' was released worldwide in 2005.
In February 2006, Streisand recorded the song ''Smile'' alongside Tony Bennett at Streisand's Malibu home. The song is included on Tony Bennett's 80th birthday album, ''Duets.'' In September 2006, the pair filmed a live performance of the song for a special directed by Rob Marshall entitled ''Tony Bennett: An American Classic.'' The special aired on NBC November 21, 2006, and was released on DVD the same day. Streisand's duet with Bennett opened the special. In 2006, Streisand announced her intent to tour again, in an effort to raise money and awareness for multiple issues. After four days of rehearsal at the Sovereign Bank Arena in Trenton, New Jersey, the tour began on October 4 at the Wachovia Center in Philadelphia, continued with a featured stop in Fort Lauderdale, Florida, (this was the concert Streisand chose to film for a TV special), and concluded at Staples Center in Los Angeles on November 20, 2006. Special guests Il Divo were interwoven throughout the show. On stage closing night, Streisand hinted that six more concerts may follow on foreign soil. The show was known as ''Streisand: The Tour.''
Streisand's 20-concert tour set box-office records. At the age of 64, well past the prime of most performers, she grossed US$92,457,062 and set house gross records in 14 of the 16 arenas played on the tour. She set the third-place record for her October 9, 2006, show at Madison Square Garden, the first- and second-place records of which are held by her two shows in September 2000. She set the second-place record at the MGM Grand Garden Arena, with her December 31, 1999, show being the house record and the highest-grossing concert of all time. This led many people to openly criticize Streisand for price gouging, as many tickets sold for upwards of US$1,000.
A collection of performances culled from different stops on this tour, ''Live in Concert 2006,'' debuted at No. 7 on the Billboard 200, making it Streisand's 29th Top 10 album. In the summer of 2007, Streisand gave concerts for the first time in continental Europe. The first concert took place in Zürich (June 18), then Vienna (June 22), Paris (June 26), Berlin (June 30), Stockholm (July 4, canceled), Manchester (July 10) and Celbridge, near Dublin (July 14), followed by three concerts in London (July 18, 22 and 25), the only European city where Streisand had performed before 2007. Tickets for the London dates cost between £100.00 and GB£1,500.00 and for the Ireland date between €118 and €500. The tour included a 58-piece orchestra.
In February 2008, ''Forbes'' listed Streisand as the No. 2 earning female musician, between June 2006 and June 2007, with earnings of about US$60 million. Although Streisand's range has changed with time and her voice has deepened over the years, her vocal prowess has remained remarkably secure for a singer whose career has endured for nearly half a century. Streisand is a contralto or possibly a mezzo-soprano who has a range consisting of well over two octaves from “low E to a high G and probably a bit more in either direction.” On November 17, 2008, Streisand returned to the studio to begin recording what would be her sixty-third album and it was announced that Diana Krall was producing the album. Streisand is one of the recipients of the 2008 Kennedy Center Honors. On December 7, 2008, she visited the White House as part of the ceremonies.
On April 25, 2009, CBS aired Streisand's latest TV special, ''Streisand: Live In Concert'', highlighting the aforementioned featured stop from her 2006 North American tour, in Fort Lauderdale, Florida. On September 26, 2009, Streisand performed a one-night-only show at the Village Vanguard in New York City's Greenwich Village. This performance was later released on DVD as ''One Night Only Barbra Streisand and Quartet at The Village Vanguard.'' On September 29, 2009, Streisand and Columbia Records released her newest studio album, ''Love is the Answer.'' produced by Diana Krall. On October 2, 2009, Streisand made her British television performance debut with an interview on Friday Night With Jonathan Ross to promote the album. This album debuted at No. 1 on the Billboard 200 and registered her biggest weekly sales since 1997, making Streisand the only artist in history to achieve No. 1 albums in five different decades.
On February 1, 2010, Streisand joined over 80 other artists in recording a new version of the 1985 charity single "We Are the World." Quincy Jones and Lionel Richie planned to release the new version to mark the 25th anniversary of its original recording. These plans changed, however, in view of the devastating earthquake that hit Haiti on January 12, 2010, and on February 12, the song, now called "We Are the World 25 for Haiti," made its debut as a charity single to support relief aid for the beleaguered island nation.
Streisand was honored as MusiCares Person of the Year on February 11, 2011, two days prior to the 53rd Annual Grammy Awards.
Streisand is one of many singers who uses teleprompters during their live performances. Streisand has defended her choice in using teleprompters to display lyrics and, sometimes, banter.
During the 1970s, Streisand starred in several screwball comedies, including ''What's Up, Doc?'' (1972) and ''The Main Event'' (1979), both co-starring Ryan O'Neal, and ''For Pete's Sake'' (1974) with Michael Sarrazin. One of her most famous roles during this period was in the drama ''The Way We Were'' (1973) with Robert Redford, for which she received an Academy Award nomination as Best Actress. She earned her second Academy Award for Best Original Song as composer (together with lyricist Paul Williams) for the song "Evergreen", from ''A Star Is Born'' in 1976.
Along with Paul Newman, Sidney Poitier and later Steve McQueen, Streisand formed First Artists Production Company in 1969, so the actors could secure properties and develop movie projects for themselves. Streisand's initial outing with First Artists was ''Up the Sandbox'' (1972).
From a period beginning in 1969 and ending in 1980, Streisand appeared in the annual motion picture exhibitors poll of Top 10 Box Office attractions a total of 10 times, often as the only woman on the list. After the commercially disappointing ''All Night Long'' in 1981, Streisand's film output decreased considerably. She has only acted in six films since.
Streisand produced a number of her own films, setting up Barwood Films in 1972. For ''Yentl'' (1983), she was producer, director, and star, an experience she repeated for ''The Prince of Tides'' (1991) and ''The Mirror Has Two Faces'' (1996). There was controversy when ''Yentl'' received five Academy Award nominations, but none for the major categories of Best Picture, Actress, or Director. ''The Prince of Tides'' received even more Oscar nominations, including Best Picture, but the director was not nominated. Streisand also scripted "Yentl", something she is not always given credit for. According to New York Times Editorial Page Editor Andrew Rosenthal in an interview (story begins at minute 16) with Allan Wolper, "the one thing that makes Barbra Streisand crazy is when nobody gives her the credit for having written 'Yentl'."
In 2004, Streisand made a return to film acting, after an eight-year hiatus, in the comedy ''Meet the Fockers'' (a sequel to ''Meet the Parents''), playing opposite Dustin Hoffman, Ben Stiller, Blythe Danner and Robert De Niro.
In 2005, Streisand's Barwood Films, Gary Smith, and Sonny Murray purchased the rights to Simon Mawer's book ''Mendel's Dwarf''. In December 2008, she stated that she was considering directing an adaptation of Larry Kramer's play ''The Normal Heart'', a project she has worked on since the mid-1990s In 2009, Andrew Lloyd Webber stated that Streisand was one of several actresses (alongside Meryl Streep and Glenn Close) who were interested in playing the role of Norma Desmond in the film adaptation of Webber's musical version of ''Sunset Boulevard''
In December 2010, Streisand appeared in ''Little Fockers'', the third film from the ''Meet the Parents trilogy''. She reprised the role of Roz Focker alongside Dustin Hoffman.
On 4 January 2011, the ''New York Post'' reported that Streisand was in negotiations to produce, direct, and star in a new film version of ''Gypsy.'' In an interview with the ''New York Post'', Arthur Laurents said: "We've talked about it a lot, and she knows what she's doing. She has my approval." He said that he would not write the screenplay. The following day, the ''New York Times'' reported that Arthur Laurents clarified in a telephonic interview that Streisand would not direct the film "but playing Rose is enough to make her happy." Streisand's spokesperson confirmed that "there have been conversations".
On 28 January 2011, ''The Hollywood Reporter'' announced that Paramount Pictures has given the road-trip comedy, ''My Mother's Curse,'' the green light to begin shooting, with Streisand and Seth Rogen playing mother and son. Anne Fletcher is slated to direct the project with a script by Dan Fogelman. Lorne Michaels and John Goldwyn will produce it with Evan Goldberg. Executive producers include Streisand, Rogen, Fogelman, and David Ellison, whose Skydance will co-finance the pic. Shooting began in spring of 2011 and wrapped in July. In August the Internet Movie Database began listing the film with the new title ''Guilt Trip''. The film is set for a November 2012 release (originally it was slated to release in March 2012).
Jon Peters' daughters, Caleigh Peters and Skye Peters, are her goddaughters.
Streisand shares a birthday with Shirley MacLaine, and they celebrate together every year.
In 1971, Streisand was one of the celebrities listed on President Richard Nixon's infamous Enemies List.
In 2006, Streisand donated $1 million to the William J. Clinton Foundation in support of former President Bill Clinton’s climate change initiative.
In 2008, Streisand gifted $5 million to endow the Barbra Streisand Women's Cardiovascular Research and Education Program at Cedars-Sinai Medical Center's Women's Heart Center. In September that year, ''Parade'' magazine included Streisand on their Giving Back Fund's second annual Giving Back 30 survey, "a ranking of the celebrities who have made the largest donations to charity in 2007 according to public records", as the third most generous celebrity. The Giving Back Fund claimed Streisand donated $11 million, which The Streisand Foundation distributed.
At Julien’s Auctions in October 2009, Streisand, a long-time collector of art and furniture, sold 526 items with all the proceeds going to her foundation. Items included a costume from ''Funny Lady'' and a vintage dental cabinet purchased by the performer at 18 years old. The sale’s most valuable lot was a painting by Kees van Dongen.
Streisand is frequently mentioned in the sitcom "The Nanny" as Fran Fine states she is her leader. Both Fran and her mother adore Streisand, and often compete in who loves her more.
Streisand is mentioned in the sitcom ''Will & Grace'', particularly by the character Jack McFarland. Songs made famous by Streisand, such as "Papa, Can You Hear Me?" from ''Yentl'' and "Can't Help Lovin' Dat Man" from ''The Broadway Album'' are reproduced by characters in the show.
The sitcom ''Friends'' refers to Streisand in at least two episodes. In "The One Where Chandler Can't Remember Which Sister", Monica names a sandwich at her 1950s-styled restaurant after Barbra Streisand. A soup is also named after Streisand's movie ''Yentl''. Meanwhile, in "The One After 'I Do'", Phoebe pretends she is pregnant with James Brolin's baby, to which Chandler responds "[A]s in Barbra Streisand's husband, James Brolin?" In the same episode, Gould appears on the show as Ross and Monica's father.
In an episode of ''Absolutely Fabulous'' ("Small Opening"), Beau visits the Monsoon household with her husband Marshall. In another one of their schemes, they have become Jewish with Beau wearing one of Streisand's wigs. She takes the wig off and begins to channel Barbra and says "Papa, Can You Hear Me?" and "People."
At least four episodes of the animated sitcom ''The Simpsons'' refer to Streisand. Outside Springfield Elementary School, announcing Lisa's jazz concert and noting tickets have been sold out, is an advertisement for a Streisand concert in the same venue for the following day, with tickets still on sale. In "Fear of Flying", after Marge undergoes therapy, she informs the therapist that whenever she hears the wind blow, she'll hear it saying "Lowenstein", Streisand's therapist character in ''The Prince of Tides'', even though Marge's therapist is named Zweig. Another reference comes in "Sleeping with the Enemy" when Bart exclaims after seeing Lisa make a snow-angel in a cake on the kitchen table, "At least she's not singing Streisand", in reference to Nelson Muntz singing "Papa Can You Hear Me?" from ''Yentl'' earlier in the episode. In "Simple Simpson", a patriotic country singer says that Streisand is unpatriotic and could be pleased by spitting on the flag and strangling a bald eagle.
thumb|180px|"Mecha Streisand" as portrayed in the animated show ''South Park''. Another enduring satirical reference is in the animated series ''South Park'', most notably in the episode "Mecha-Streisand", where Streisand is portrayed as a self-important, evil, gigantic robotic dinosaur with a terrible singing voice about to conquer the universe before being defeated by Robert Smith of The Cure. On another occasion, the Halloween episode "Spookyfish" is promoted for a week as being done in "Spooky-Vision", which involves Streisand's face seen at times during the episode in the four corners of the screen. At the end of the feature film ''South Park: Bigger, Longer & Uncut,'' her name is used as a powerful curse word, a gag repeated in the episode "Osama bin Laden Has Farty Pants". The Mecha-Streisand character made a return in the Season 14 episodes "200" and "201", as one of several celebrities the show had lampooned over the years.
In the ''Sex and the City'' episode "Ex in the City", protagonist Carrie Bradshaw likens herself and her lovelife to that of Streisand's character, Katie Morosky in ''The Way We Were'' before breaking into a rendition of the title song.
In the 2002–04 Icebox.com cartoon and animated TV series ''Queer Duck'', the title character is obsessed with Streisand. He undergoes conversion therapy at a Christian camp to be "made" straight, but Streisand's magic nose returns him to his former sexual orientation.
In the ''American Dad!'' episode "In Country...Club", Roger prepares to watch a Streisand special where the entertainer sings the collected works of Celine Dion in Las Vegas.
In Season 1 Episode 12 of ''Boston Legal'', Denny Crane boasts that he once had a threesome with Shirley Schmidt and Barbra Streisand. Schmidt corrects him by reminding him that "Barbra Streisand" was actually a female impersonator.
In the ''Family Guy'' episode "Mind Over Murder", Lois sings a cabaret act with "Don't Rain on My Parade" — originally sung by Streisand in ''Funny Girl'' — only slowed down and jazzier, as an act of defiance to Peter. In "Stewie Kills Lois", Peter receives life insurance after Lois' apparent death, and claims that he has more money than Streisand. This was followed by a cut scene showing Streisand blowing money out of her nose. In "Wasted Talent", Streisand and husband James Brolin are shown sitting together at the dinner table, with Streisand remarking "I'm glad I married a regular person and not a celebrity".
Streisand is referenced frequently on the Fox TV musical series ''Glee''. The character Rachel (Lea Michele) mentions that Streisand refused to alter her nose in order to become famous in the show's third episode "Acafellas". Also, in the mid-season finale of ''Glee'', Rachel sings the Streisand anthem "Don't Rain on My Parade". In the episode "Hell-O", she says that she will be heartbroken for life, "Like Barbra in ''The Way We Were''." In the same episode, Jesse St. James (Jonathan Groff) criticizes Rachel's performance of "Don't Rain on My Parade" by saying that she "lacked Barbra's emotional depth." In the episode "Theatricality", Rachel is spying on the opposing team's dance rehearsal when the director, Shelby Corcoran (Idina Menzel), expresses dissatisfaction at the team's routine. She demonstrates how it's done with the title song from ''Funny Girl'', and Rachel, sitting in the audience, whispers to her friend, "Exactly what I would have done — Barbra. I could do it in my sleep." On the episode Born This Way Barbara is mentioned when Rachel is debating whether or not to get a nose job, Kurt Hummel and the rest of the glee club set up a "Barbra-vention" of a flashmob to the popular hit "Barbra Streisand" by Duck Sauce. The characters of Kurt and Rachel also sang the Get Happy/Happy Days are Here Again duet originally heard during Streisand's 1963 appearance with Judy Garland on Garland's weekly TV series.
When ''Glee'' won the prize for "Best TV Series-Comedy Or Musical" at the 2010 Golden Globe Awards, creator Ryan Murphy quipped on stage, "Thank you to the Hollywood Foreign Press and Miss Barbra Streisand".
In the 1980 musical film ''Fame'', one of the characters, Mrs. Finsecker, announces that Barbra Streisand did not have to change her name to get to the top. Also, Doris Finsecker, played by Maureen Teefy, sings "The Way We Were" for her audition to get into the drama department.
In the 1988 comedy, BIG, Tom Hanks goes home and to prove to his mother that he is her "little" boy he sings the first line of her favorite song, "Memories, like the corner of my mind..." from "The Way We Were."
In the 1993 romantic comedy ''Mrs. Doubtfire'', Robin Williams, while trying different looks to apply to the Mrs. Doubtfire character that he portrays, uses a wig "a la Streisand" and sings some lines from "Don't Rain on My Parade".
In the 1996 comedy "The Associate", Whoopi Goldberg plays a business woman, Laurel Ayers, who creates a business associate, Robert S. Cutty, who is said to have known and dated Streisand. In addition to having an autographed picture of Streisand in her office, Ayers also has a cross-dressing friend who dresses up to resemble Streisand throughout the film.
In the 1998 film adaptation of the novel ''Fear and Loathing in Las Vegas'' a teenage runaway played by Christina Ricci paints images of Streisand while being administered large amounts of LSD by Hunter Thompson's Samoan attorney.
In the 1999 film South Park: Bigger, Longer & Uncut based on the TV series, Cartman shouted out Barbra Streisand's name and shot electricity out of his hands. She is also mentioned in a relationship conversation between the characters of Satan and Saddam Hussein.
In the 2000 remake of the comedy ''Bedazzled'', the Devil (Elizabeth Hurley) tells Elliot (Brendan Fraser): "It's not easy being the Barbra Streisand of evil, you know."
The characters Carla and Connie, as aspiring song-and-dance acts in the 2004 comedy ''Connie and Carla'', include four Streisand references. They sing "Papa, Can You Hear Me?" and "Memory" at an airport lounge and "Don't Rain on My Parade" onstage in a gay bar, and talk about the plot of ''Yentl'' at the climax of the film after they ask how many in their audience have seen the movie (everyone raised their hands).
In the 2005 animated feature ''Chicken Little'', Chicken's best friend Runt's mom says, after she thinks he is lying about seeing an alien spaceship, "Don't make me take away your Streisand collection!" and Runt returns with, "Mother, you leave Barbra out of this!" Also, she is referred to many times in the series "Gilmore Girls"
"Barbra Streisand" is a disco house song by American-Canadian DJ duo Duck Sauce. It was released on 10 September 2010. The song peaked at number one in Poland, Belgium, the Netherlands, Finland, Switzerland and Austria. It became a top ten hit in Australia, France, Germany, Ireland, Italy and the UK.
Her name consists both the title and the complete lyrics of Duck Sauce's 2010 disco house song "Barbra Streisand", which reached number 1 in the UK Dance charts. It also reached number 1 in several other countries.
The 2005 Broadway musical ''Spamalot'' carries the song "You won't succeed on Broadway" which references lines from "People" and "Papa, Can You Hear Me?".
The 2008 Broadway musical "Title of show" has a line where the character, Susan, was suggesting names for the title of the show. She threw out the name "Color Me Susan", a reference to Barbra's Color Me Barbra.
Year !! Award !! Category !! Work !! Result | |||||
rowspan="3" | 1963 | Grammy Awards | Album of the Year| | ''The Barbra Streisand Album'' | |
Best Female Vocal Performance | |||||
Record of the Year | Happy Days Are Here Again#Barbra Streisand version>Happy Days Are Here Again" | ||||
rowspan="3" | 1964 | Best Female Vocal Performance''People'' || | |||
Album of the Year | |||||
Record of the Year | |||||
rowspan="2" | 1965 | Best Female Vocal Performance| | ''My Name Is Barbra'' | ||
Album of the Year | |||||
rowspan="2" | 1966 | Best Female Vocal Performance| | ''Color Me Barbra'' | ||
Album of the Year | |||||
1968 | Best Contemporary-Pop Vocal Performance| | Funny Girl (film)>Funny Girl'' Soundtrack | |||
1970 | AGVAAGVA Georgie Award || | Entertainer of the Year | — | ||
rowspan="2" | 1972 | Grammy Awards| | Best Pop Female Vocal Performance | "Sweet Inspiration / Where You Lead" | |
AGVA Georgie Award | Singing Star of the Year| | — | |||
1975 | People's Choice Awards| | Favorite Female Singer of the Year | |||
1976 | rowspan="5"Grammy Awards || | Best Classical Vocal Soloist Performance | ''Classical Barbra'' | ||
rowspan="5" | 1977 | Best Pop Female Vocal Performance"Evergreen" (from ''A Star Is Born'') || | |||
Song of the Year | |||||
Record of the Year | |||||
Best Original Score – Motion Picture or Television Special | |||||
AGVA Georgie Award | Singing Star of the Year| | — | |||
1978 | rowspan="7"Grammy Awards || | Best Pop Female Vocal Performance | rowspan="3"You Don't Bring Me Flowers (song) | You Don't Bring Me Flowers" (with Neil Diamond) |> | |
rowspan="2" | 1979 | Record of the Year | |||
rowspan="2" | Best Pop Vocal Performance – Duo, Group, or Chorus | ||||
rowspan="5" | 1980 | rowspan="2"Guilty (Barbra Streisand album) | Guilty'' (with Barry Gibb) |> | ||
Album of the Year | |||||
Record of the Year | "Woman in Love" | ||||
Best Pop Vocal Female Performance | |||||
AGVA Georgie Awards | Singing Star of the Year| | — | |||
1985 | People's Choice Awards| | Favorite All-Around Female Entertainer | |||
rowspan="3" | 1986 | rowspan="5"Grammy Awards || | Best Pop Vocal Female Performance | ''The Broadway Album'' | |
Album of the Year | |||||
Best Instrumental Arrangement Acompanying Vocal | "Being Alive" | ||||
rowspan="2" | 1987 | Best Pop Vocal Female Performance''One Voice'' || | |||
Best Music Video Performance | |||||
1988 | People's Choice Awards| | Favorite All-Time Musical Performer | — | ||
1991 | rowspan="16"Grammy Awards || | Best Traditional Pop Vocal Performance | "Warm All Over" | ||
1992 | Grammy Legend Award| | — | Special award | ||
1993 | Best Traditional Pop Vocal Performance| | ''Back to Broadway'' | |||
rowspan="3" | 1994 | Grammy Lifetime Achievement Award| | — | Special award | |
Best Traditional Pop Vocal Performance | ''Barbra: The Concert'' | ||||
Best Pop Vocal Female Performance | "Ordinary Miracles" | ||||
rowspan="2" | 1997 | rowspan="2"Best Pop Collaboration With Vocals || | Tell Him (Barbra Streisand and Celine Dion song)>Tell Him" (with Celine Dion) | ||
"I Finally Found Someone" (with Bryan Adams) | |||||
2000 | rowspan="3"Best Traditional Pop Vocal Album || | ''Timeless – Live In Concert'' | |||
2002 | ''Christmas Memories'' | ||||
2003 | ''The Movie Album'' | ||||
2004 | rowspan="2"Grammy Hall of Fame || | Funny Girl (musical)>Funny Girl'' (Barbra Streisand and Sydney Chaplin) | Inducted | ||
2006 | ''The Barbra Streisand Album'' | ||||
2007 | Best Traditional Pop Vocal Album| | ''Live in Concert 2006'' | |||
2008 | Grammy Hall of Fame| | The Way We Were (song)>The Way We Were" | Inducted | ||
2011 | Best Traditional Pop Vocal Album| | Love Is the Answer (album)>Love Is the Answer'' |
Year !! Award !! Category !! Work !! Result | |||||
rowspan="2" | 1969 | Academy Awards | Best Actress''Funny Girl'' || | ||
rowspan="5" | Golden Globe Awards | Best Actress in a Motion Picture (Comedy or Musical) | |||
rowspan="2" | 1970 | ''Hello, Dolly(film) | Hello, Dolly!'' | ||
Henrietta Award | Henrietta World Film Favorite | — | |||
rowspan="2" | 1971 | Best Actress in a Motion Picture (Comedy or Musical)| | The Owl and the Pussycat (film)>The Owl and the Pussycat'' | ||
Henrietta World Film Favorite | — | ||||
rowspan="2" | 1974 | Academy Awards| | Best Actress | ''The Way We Were'' | |
rowspan="3" | Golden Globe Awards | Best Actress in a Motion Picture (Drama) | |||
1975 | Henrietta World Film Favorite| | — | Special award | ||
1976 | Best Actress in a Motion Picture (Comedy or Musical)| | ''Funny Lady'' | |||
rowspan="3" | 1977 | Academy Awards| | Best Original Song | rowspan="3"Evergreen (Love Theme from A Star Is Born) | Evergreen" (from ''A Star Is Born'') |> |
rowspan="6" | Golden Globe Awards | Best Actress in a Motion Picture (Comedy or Musical) | |||
Best Original Song | |||||
1978 | Henrietta World Film Favorite| | — | Special award | ||
rowspan="2" | 1984 | Best Actress in a Motion Picture (Comedy or Musical)''Yentl'' || | |||
Best Director (Motion Picture) | |||||
1988 | Best Actress in Motion Picture (Drama)| | Nuts (film)>Nuts'' | |||
rowspan="2" | 1992 | Academy Awards| | Best Picture | ''The Prince of Tides'' | |
Golden Globe Awards | Best Director (Motion Picture) | ||||
rowspan="3" | 1997 | Academy Awards| | Best Original Song | "I Finally Found Someone" (from ''The Mirror Has Two Faces'') | |
rowspan="3" | Golden Globe Awards | Best Actress in a Motion Picture (Comedy or Musical)| | ''The Mirror Has Two Faces'' | ||
Best Original Song | "I Finally Found Someone" (from ''The Mirror Has Two Faces'') | ||||
2000 | Golden Globe Cecil B. DeMille Award for Lifetime Achievement| | — | Special award |
Year !! Title !! Notes | ||
1961–1963 | ''I Can Get It for You Wholesale'' | Nominated—Tony Award for Best Performance by a Featured Actress in a Musical |
1964–1965 | Funny Girl (musical)>Funny Girl'' |
Year !! Title !! Notes | ||
1966 | Funny Girl (musical)>Funny Girl'' | April 13, 1966 – July 16, 1966 at the Prince of Wales Theatre, London. |
Year !! Title !! Notes | ||
1965 | ''My Name Is Barbra'' | Aired April 28, 1965 |
1966 | Color Me Barbra'' > | |
1967 | ''The Belle of 14th Street'' | |
1968 | ''A Happening in Central Park'' | |
1973 | ''Barbra Streisand...And Other Musical Instruments'' | |
1975 | ''Funny Girl to Funny Lady'' | |
1976 | ''Barbra: With One More Look at You'' | |
1983 | ''A Film Is Born: The Making of 'Yentl''' | |
1986 | ''Putting it Together: The Making of The Broadway Album'' | |
1987 | One Voice (Barbra Streisand album)>One Voice'' | |
1994 | ''Barbra Streisand: The Concert'' | |
2001 | ''Barbra Streisand: Timeless'' | |
2009 | ''Streisand: Live in Concert'' | |
2009 | ''Friday Night with Jonathan Ross'' |
Year !! Title !! Continents !! Box-office benefits !! Total audience | ||||
1966 | ''An Evening with Barbra Streisand (Tour)'' | North America| | $480,000 | 60,000 |
1994 | ''Barbra Streisand: The Concert Tour''| | North America and Europe | $50 million | 400,000 |
2000 | ''Timeless: Live in Concert Tour''| | North America and Oceania | $70 million | 200,000 |
2006–2007 | ''Streisand: The Tour''| | North America and Europe | $119.5 million | 425,000 |
}}
Category:Article Feedback Pilot Category:1942 births Category:Living people Category:20th-century actors Category:21st-century actors Category:Actors from New York City Category:American dance musicians Category:American female pop singers Category:American film actors Category:American film directors Category:American musical theatre actors Category:American stage actors Category:Best Actress Academy Award winners Category:Best Director Golden Globe winners Category:Best Song Academy Award winning songwriters Category:Daytime Emmy Award winners Category:Emmy Award winners Category:English-language singers Category:Erasmus Hall High School alumni Category:Female film directors Category:BRIT Award winners Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:MusiCares Person of the Year Honorees Category:Jewish actors Category:Jewish American composers and songwriters Category:Jewish singers Category:Officiers of the Légion d'honneur Category:Kennedy Center honorees Category:New York Democrats Category:People from Brooklyn Category:Singers from New York City Category:Tony Award winners Category:Torch singers Category:United States National Medal of Arts recipients
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name | Herb Alpert |
---|---|
background | non_vocal_instrumentalist |
birth name | Herbert Alpert |
alias | Herb Alpert, Dore Alpert |
birth date | March 31, 1935 |
origin | Los Angeles, California, U.S. |
instrument | Trumpet, Piano, Vocals |
genre | Jazz, Latin, Funk, Pop, R&B; |
occupation | Trumpeter, Composer, Arranger, Songwriter, Singer, Record Producer, Record executive, Painter, Sculptor |
years active | 1957–present (concert touring presently with wife Lani Hall) |
spouse | Lani Hall (1974-present) 1 childSharon Mae Lubin (1956-1971) (divorced) 2 children |
label | A&M; Records |
associated acts | The Tijuana BrassBaja Marimba Band |
website | www.herbalpert.com }} |
Herbert "Herb" Alpert (born March 31, 1935) is an American musician most associated with the group variously known as Herb Alpert & the Tijuana Brass, Herb Alpert's Tijuana Brass or TJB. He is also a recording industry executive — he is the "A" of A&M; Records (a recording label he and business partner Jerry Moss founded and eventually sold to Polygram). The multi-talented Alpert has also created abstract expressionist paintings and sculpture over two decades, which are on occasion publicly exhibited; and he and his wife are substantial U.S. philantropists through operation of the Herb Alpert Foundation.
Alpert's musical accomplishments include five number one hits, twenty-eight albums on the Billboard charts, eight Grammy Awards, fourteen Platinum albums and fifteen Gold albums. As of 1996, Alpert had sold 72 million albums worldwide. Alpert was the first, and only, recording artist to achieve U.S. Billboard Hot 100 pop chart vocal and instrumental recording placements for his 1968 vocal recording (" This Guy's in Love With You") and his 1997 instrumental recording ("Rise").
He is married to recording artist Lani Hall (1974–present), with 1 adult child, aspiring actress Aria Alpert, and was previously married to Sharon Mae Lubin (1956–1971) (divorced) 2 children.
In 1957, Alpert teamed up with Rob Weerts, another burgeoning lyricist, as a songwriter for Keen Records. A number of songs written or co-written by Alpert during the following two years became top twenty hits, including "Baby Talk" by Jan and Dean, "Wonderful World" by Sam Cooke, and "Alley-Oop" by The Hollywood Argyles and by Dante and The Evergreens. In 1960, Alpert began his recording career as a vocalist at RCA Records under the name of Dore Alpert.
"Tell It to the Birds" was recorded as the first release on the Alpert & Moss label Carnival Records. When Alpert and Moss found that there was prior usage of the Carnival name, their label became A&M; Records.
By the end of 1964, because of a growing demand for live appearances by the Tijuana Brass, Alpert auditioned and hired a team of crack session men. No one in Alpert's band was actually Hispanic. Alpert used to tell his audiences that his group consisted of "Four lasagnas, two bagels, and an American cheese": John Pisano (electric guitar); Lou Pagani (piano); Nick Ceroli (drums); Pat Senatore (bass guitar); Tonni Kalash (trumpet); Herb Alpert (trumpet and vocal); Bob Edmondson (trombone). The band debuted in 1965 and became one of the highest-paid acts then performing, having put together a complete revue that included choreographed moves and comic routines written by Bill ("Jose Jimenez") Dana.
The Tijuana Brass's success helped spawn other Latin acts, notably Julius Wechter (long-time friend of Alpert's and the marimba player for the Brass) and the Baja Marimba Band, and the profits allowed A&M; to begin building a repertoire of artists like Chris Montez and The Sandpipers. Wechter would contribute a number of the Brass' original songs, usually at least one per album, along with those of other Alpert friends, Sol Lake and Ervan "Bud" Coleman.
An album or two would be released each year throughout the 1960s. Alpert's band was featured in several TV specials, each one usually centered on visual interpretations of the songs from their latest album - essentially an early type of music videos later made famous by MTV. The first Herb Alpert and the Tijuana Brass special, sponsored by the Singer Sewing Machine Company, aired on April 24, 1967 on CBS.
Alpert's style achieved enormous popularity with the national exposure The Clark Gum Company gave to one of his recordings in 1964, a Sol Lake number titled "The Mexican Shuffle" (which was retitled "The Teaberry Shuffle" for the television ads). In 1965, Alpert released two albums, ''Whipped Cream (and Other Delights)'' and ''Going Places''. ''Whipped Cream'' sold over 6 million copies in the United States. The album cover featured model Dolores Erickson wearing only what appeared to be whipped cream. In reality, Erickson was wearing a white blanket over which were scattered artfully-placed daubs of shaving cream—real whipped cream would have melted under the heat of the studio lights (although the cream on her head was real). In concerts, when about to play the song, Alpert would tell the audience, "Sorry, we can't play the cover for you." The art was parodied by several groups including one-time A&M; band Soul Asylum and by comedian Pat Cooper for his album ''Spaghetti Sauce and Other Delights''. The singles included the title cut, "Lollipops and Roses", and "A Taste of Honey." The latter won a Grammy Award for Record of the Year. ''Going Places'' produced four more singles: "Tijuana Taxi", "Spanish Flea", "Third Man Theme", and "Zorba the Greek". "Tijuana Taxi" and "Spanish Flea" would be used in the 1966 Academy Award-winning animated short ''A Herb Alpert and the Tijuana Brass Double Feature''.
The Brass covered the Bert Kaempfert tune "Happy Trumpeter" retitling it "Magic Trumpet". Alpert's rendition contained a bar that coincided with a Schlitz beer tune, "When you're out of Schlitz, you're out of beer". ("The Maltese Melody" was another Alpert cover of a Kaempfert original). Another commercial use was a tune called "El Garbanzo", which was featured in Sunoco ads ("They're movin', they're movin', people in the know, they're movin' to Sunoco").
In 1967, the Tijuana Brass did the title cut to the first movie version of ''Casino Royale''.
Many of the tracks from ''Whipped Cream'' and ''Going Places'' received a great deal of airplay; they are frequently used as incidental music in ''The Dating Game'' on the Game Show Network, notably the tracks ''Whipped Cream'', ''Spanish Flea'' and ''Lollipops and Roses''. Despite the popularity of his singles, Alpert's albums outsold and outperformed them on the charts.
Alpert and the Tijuana Brass won six Grammy awards. Fifteen of their albums won gold discs, and fourteen won platinum discs. In 1966 over 13 million Alpert recordings were sold, outselling the Beatles. That same year, the ''Guinness Book of World Records'' recognized that Alpert set a new record by placing five albums simultaneously in the top 20 on the ''Billboard'' Pop Album Chart, an accomplishment that has never been repeated. In April of that year, four of those albums were in the Top 10 simultaneously.
Alpert's only number one single during this period (and the first #1 hit for his A&M; label) was a solo effort: "This Guy's in Love with You" (written by Burt Bacharach and Hal David), featuring a rare vocal. Alpert sang this to his first wife in a 1968 CBS Television special titled ''Beat of the Brass''. The sequence was filmed on the beach in Malibu. The song was not intended to be released, but after it was used in the television special, allegedly thousands of telephone calls to CBS asking about it convinced Alpert to release it as a single, two days after the show aired. Although Alpert's vocal skills and range were limited, the song's unchallenging technical demands suited him. The single debuted in May 1968, topped the national chart for four weeks and ranked among the year's biggest hits. Initially dismissed by the critical cognoscenti and "hip" music-lovers as strictly a housewife's favorite, Alpert's unusually expressive recording of "This Guy's in Love with You" now enjoys appeal well beyond the so-called mainstream. In 1996 at London's Royal Festival Hall, Noel Gallagher (of British rock band Oasis) performed the song with Burt Bacharach. Former Beatle George Harrison has stated that this was one of his favorite recordings.
In the 1970s, 1980s, and 1990s, Alpert enjoyed a successful solo career. He had his biggest instrumental hit, "Rise" (from the album of the same name), which went number one in October 1979 and won a Grammy Award, and was later sampled in the number one 1997 rap song "Hypnotize" by the late rapper Notorious B.I.G. Both "Rise" and "Hypnotize" were written by Alpert's nephew, Randy Badazz Alpert and his friend Andy Armer. "Rise" made Alpert the only artist ever to hit #1 on the ''Billboard'' pop singles charts with both a vocal piece and an instrumental piece. Another Randy Badazz / Andy Armer song, "Rotation", hit #30 on the Billboard Pop Singles Chart. The song "Route 101" off the ''Fandango'' album peaked at number 37 in Billboard in August 1982. In 1987, Alpert branched out successfully to the R&B; world with the hit album ''Keep Your Eye On Me'', teaming up with producers Jimmy Jam and Terry Lewis on "Diamonds" and "Making Love In the Rain" featuring vocals by Janet Jackson and Lisa Keith.
Alpert performed the Star-Spangled Banner prior to Super Bowl XXII in San Diego in January 1988. It was the last non-vocal rendition of the national anthem at the Super Bowl to date.
From 1962 through 1992 Alpert signed artists to A&M; Records and produced records. He discovered the West Coast band We Five. Among the notable artists he worked with personally are Chris Montez, The Carpenters, Sérgio Mendes and Brasil '66, Bill Medley, Lani Hall (Alpert's second and current wife), Liza Minnelli and Janet Jackson (featured vocalist on his 1987 hit single "Diamonds"). These working relationships allowed Alpert to place singles in the Top 10 in three different decades (1960s, 1970s, and 1980s).
Alpert and A&M; Records partner Jerry Moss both agreed in 1987 to sell A&M; to PolyGram Records for a reported $500 million. Both would continue to manage the label until 1993, when they left due to frustrations with PolyGram's constant pressure to force the label to fit into its corporate culture. Alpert and Moss then expanded their Almo Sounds music publishing company to produce records as well, primarily as a vehicle for Alpert's music. Almo Sounds imitates the former company culture embraced by Alpert and Moss when they first started A&M.;
For his contribution to the recording industry, Alpert has a star on the Hollywood Walk of Fame at 6929 Hollywood Blvd. Moss also has a star on the Walk of Fame. Alpert and Moss were also inducted into the Rock and Roll Hall of Fame on March 13, 2006 as non-performer lifetime achievers for their work at A&M.;
Alpert was referenced in the second show of the third season of ''Get Smart'' where one of the code signals between Maxwell Smart and his contact was "Herb Alpert takes trumpet lessons from Guy Lombardo." Also, a fifth-season episode parodied the entire group as Max and 99 sought to unmask "Herb Talbot and His Tijuana Tin" as KAOS spies.
On 17 September 2010 the TV documentary “Legends: Herb Alpert – Tijuana Brass and Other Delights” premiered on BBC 4.
In the 1980s Alpert created The Herb Alpert Foundation and the Alpert Awards in the Arts with The California Institute of the Arts (CalArts). The Foundation supports youth and arts education as well as environmental issues and helps fund the PBS series ''Bill Moyers on Faith and Reason''. Alpert and his wife donated $30 million to University of California, Los Angeles in 2007 to form and endow the UCLA Herb Alpert School of Music as part of the restructured UCLA School of the Arts and Architecture. He gave $24 million, which included $15 million from April 2008, to CalArts for its music curricula, and provided funding for the culture jamming activists Yesmen.
He is actively overseeing the reissue of his music library. In 2000, Alpert acquired the rights to his music from Universal Music (current owners of A&M; Records) in a legal settlement and began remastering his albums for compact disc reissue. In 2005, Shout! Factory began distributing digitally remastered versions of Alpert's A&M; output, including a new album, ''Lost Treasures'', consisting of unreleased material from Alpert's Tijuana Brass years. In the spring of 2006, a remixed version of the ''Whipped Cream'' album, entitled ''Whipped Cream and Other Delights: Re-Whipped'' was released and climbed to #5 on the ''Billboard'' Contemporary Jazz chart. Alpert's 80's catalog, which includes his two most successful solo albums, 1982's ''Fandango'' and 1987's ''Keep Your Eye on Me'', are still unavailable on CD. He continues to be a guest artist for artists including Gato Barbieri, Rita Coolidge, Jim Brickman, Brian Culbertson, and David Lanz. Apart from the reissues, the ''Christmas Album'' continues to be available every year during the holiday season. On Sérgio Mendes' 2008 album ''Encanto'', Alpert performed trumpet solos backing lead vocals by his wife on the song "Dreamer". It marked the first time Alpert, Mendes and Hall had all performed together on the same song. Most recently, Alpert and his wife (Lani Hall) signed with Concord Records and released a new (live) album in the summer of 2009, ''Anything Goes'', which was Alpert's first release of new material since 1999's ''Herb Alpert and Colors''. A new studio album by Alpert and Hall, ''I Feel You,'' was released in February 2011. Both albums feature tight jazz renditions of pop classics along with a handful of original compositions.
While Alpert continues to play trumpet, he also devotes time to his second career as an abstract expressionist painter and sculptor with group and solo exhibitions around the United States and Europe. The sculpture exhibition “Herb Alpert: Black Totems”, on display at ACE Gallery, Beverly Hills, February through September 2010, brought major media attention to his visual work.
Year | Single | Chart positions | |||
! style="width:35px;" | ! style="width:35px;" | ! style="width:35px;" | ! style="width:35px;" | ||
1962 | 6 | 22 | |||
96 | |||||
102 | |||||
77 | 19 | ||||
85 | 19 | ||||
68 | 13 | ||||
116 | 26 | ||||
style="text-align:left;" | 7 | 1 | |||
style="text-align:left;" | 47 | 7 | |||
11 | 2 | ||||
38 | 9 | 37 | |||
24 | 2 | ||||
27 | 4 | 3 | |||
18 | 2 | ||||
28 | 5 | ||||
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1985 | 73 | ||||
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35 | 21 | 7 | |||
1989 | 59 | ||||
1991 | 40 |
Category:A&M; Records artists Category:American businesspeople Category:American dance musicians Category:American music industry executives Category:American record producers Category:American singers Category:American trumpeters Category:Easy listening music Category:Fairfax High School (Los Angeles) alumni Category:Grammy Award winners Category:American people of Ukrainian-Jewish descent Category:American people of Romanian-Jewish descent Category:American musicians of Russian descent Category:American musicians of Romanian descent Category:Jewish composers and songwriters Category:Jewish American musicians Category:People from Los Angeles, California Category:Rock and Roll Hall of Fame inductees Category:Smooth jazz musicians Category:University of Southern California alumni Category:1935 births Category:Living people
ar:هيرب ألبرت da:Herb Alpert de:Herb Alpert es:Herb Alpert fr:Herb Alpert it:Herb Alpert nl:Herb Alpert ja:ハーブ・アルパート no:Herb Alpert pl:Herb Alpert pt:Herb Alpert ru:Алперт, Герб simple:Herb Alpert fi:Herb Alpert sv:Herb Alpert tr:Herb Alpert uk:Херб АлпертThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Elvis Costello |
---|---|
background | solo_singer |
birth name | Declan Patrick MacManus |
alias | D.P. CostelloThe ImposterLittle Hands of ConcreteNapoleon DynamiteD.P.A. MacManusDeclan Patrick Aloysius MacManus |
born | August 25, 1954Paddington, London, England |
instrument | Vocals, guitar, keyboards, bass, drums |
genre | Singer-songwriterPunk rockPub rockNew Wave |
occupation | Musician, singer-songwriter, record producer |
years active | 1970–present |
label | Stiff, Radar, F-Beat, Demon, Columbia, Warner Bros., Mercury, Island, Deutsche Grammophon, Lost Highway, Verve, HearMusic, Rykodisc, Rhino, Hip-O |
associated acts | The Attractions, The Imposters, Diana Krall, Burt Bacharach, Brodsky Quartet, Nick Lowe, Madness |
website | Elvis Costello.com |
notable instruments | Fender JazzmasterFender Telecaster }} |
Costello moved with his Liverpool-born mother to Birkenhead in 1971. There, he formed his first band, a folk duo called Rusty, with Allan Mayes. After completing secondary school at St. Francis Xavier's College, he moved back to London where he next formed a band called Flip City, which had a style in the pub rock vein. They were active from 1974 through to early 1976. Around this time, Costello adopted the stage name D.P. Costello. His father had performed under the name Day Costello, and Elvis has said in interviews that he took this name as a tribute to his father.
To support himself, he worked at a number of office jobs, most famously at Elizabeth Arden – immortalised in the lyrics of "I'm Not Angry" as the "vanity factory" – where he worked as a data entry clerk. He worked for a short period as a computer operator at the Midland Bank computer centre in Bootle. He continued to write songs, and began actively looking for a solo recording contract. On the basis of a demo tape, he was signed to independent label Stiff Records. His manager at Stiff, Jake Riviera, suggested a name change, combining Elvis Presley's first name and Costello, his father's stage name.
The backing for Costello's debut album was provided by American West Coast band Clover, a country outfit living in England whose members would later go on to join Huey Lewis and the News and The Doobie Brothers. Later in 1977, Costello formed his own permanent backing band, The Attractions, consisting of Steve Nieve (born Steve Nason; piano), Bruce Thomas (bass guitar), and Pete Thomas (drums; unrelated to Bruce Thomas). Growing antipathy between Costello and Bruce Thomas contributed to the Attractions' first split in 1986, and the rift was exacerbated by what Costello felt was his unflattering portrayal in Thomas' 1990 book ''The Big Wheel''. Despite this, the original group reunited for the 1994 album ''Brutal Youth'' and toured together over the next two years, but split for good in 1996, although Nieve and Pete Thomas continued to back Costello through various touring and recording lineups and as of 2011 are still members of his current backing group The Imposters. The split between Costello and Bruce Thomas appears permanent, however; Bruce made a brief appearance with his former bandmates when the group was inducted into the Rock & Roll Hall of Fame in 2003, but when Costello was asked why Bruce did not play with them at the event, he reportedly replied, "I only work with professional musicians."
Costello released his first major hit single, "Watching the Detectives," which was recorded with Nieve and the pair of Steve Goulding (drums) and Andrew Bodnar (bass), both members of Graham Parker's backing band The Rumour (whom he had used to audition for The Attractions).
On 17 December 1977, Costello and The Attractions appeared as the musical guest act on the episode of ''Saturday Night Live'' as a last minute fill-in for the Sex Pistols. Scheduled to play "Less Than Zero," he surprised the SNL crew by abruptly stopping the song mid-intro, and launching into "Radio Radio." Following a whirlwind tour with other Stiff artists – captured on the ''Live Stiffs'' album, notable for Costello's recording of the Burt Bacharach/Hal David standard "I Just Don't Know What to Do With Myself" – the band recorded ''This Year's Model'' (1978). Some of the more popular tracks include the British hit "(I Don't Want to Go To) Chelsea" and "Pump It Up." His U.S. record company saw Costello as such a priority that his last name replaced the word Columbia on the label of the disc's original pressing. The Attractions' first tour of Australia in December 1978 was notable for controversial performance at Sydney's Regent Theatre when, angered by the group's failure to perform an encore after their brief 35-minute set, audience members destroyed some of the seating.
A tour of the U.S. and Canada also saw the release of the much-bootlegged Canadian promo-only ''Live at the El Mocambo'', recorded at a Toronto rock club, which finally saw an official release as part of the ''2½ Years'' box set in 1993. It was during the ensuing United States tour that Costello met and developed a relationship with former ''Playboy'' model Bebe Buell (mother of Liv Tyler and later the partner of Todd Rundgren). Their on-again-off-again courtship would last until 1984 and would allegedly become a deep well of inspiration for Costello's songwriting.
In 1979, he released his third LP ''Armed Forces'' (originally to have been titled ''Emotional Fascism'', a phrase that appeared on the LP's inner sleeve). Both the album and the single "Oliver's Army" went to #2 in the UK, and the opening track "Accidents Will Happen" gained wide television exposure thanks to its innovative animated music video, directed by Annabel Jankel and Rocky Morton. Costello also found time in 1979 to produce the debut album for 2 Tone ska revival band, The Specials.
Costello's standing in the U.S. was bruised for a time when in March 1979, during a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio Holiday Inn bar, the singer referred to James Brown as a "jive-ass nigger", then upped the ante by pronouncing Ray Charles a "blind, ignorant, nigger". Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious in order to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press. According to Costello, "it became necessary for me to outrage these people with about the most obnoxious and offensive remarks that I could muster." In his liner notes for the expanded version of ''Get Happy!!'', Costello writes that some time after the incident he had declined an offer to meet Charles out of guilt and embarrassment, though Charles himself had forgiven Costello saying "Drunken talk isn't meant to be printed in the paper." Costello worked extensively in Britain's Rock Against Racism campaign both before and after the incident. The incident inspired his ''Get Happy!!'' song "Riot Act."
Costello is also an avid country music fan and has cited George Jones as his favourite country singer. In 1977, he appeared in Jones' duet album ''My Very Special Guests'', contributing "Stranger in the House," which they later performed together on an HBO special dedicated to Jones.
In 1981, the band released ''Trust'' amidst growing tensions within the band, particularly between Bruce and Pete Thomas. In the U.S., the single "Watch Your Step" was released and played live on Tom Snyder's ''Tomorrow'' show, and received airplay on FM rock radio. In the UK, the single "Clubland" scraped the lower reaches of the charts; follow-up single "From a Whisper to a Scream" (a duet with Glenn Tilbrook of Squeeze) became the first Costello single in over four years to completely miss the charts. Costello also co-produced Squeeze's popular 1981 album ''East Side Story'' (with Roger Bechirian) and also performed backing vocals on the group's hit single "Tempted".
Following ''Trust'', Costello released ''Almost Blue'', an album of country music cover songs written by the likes of Hank Williams ("Why Don't You Love Me (Like You Used to Do?)"), Merle Haggard ("Tonight the Bottle Let Me Down") and Gram Parsons ("How Much I Lied"). The album was a tribute to the country music he had grown up listening to, especially George Jones. It received mixed reviews. The first pressings of the record in the UK bore a sticker with the message: "WARNING: This album contains country & western music and may cause a radical reaction in narrow minded listeners." ''Almost Blue'' did spawn a surprise UK hit single in a version of George Jones' "Good Year for the Roses" (written by Jerry Chesnut), which reached #6.
''Imperial Bedroom'' (1982) marked a much darker sound, due in part to the production of Geoff Emerick, famed for engineering several Beatles records. ''Imperial Bedroom'' remains one of his most critically acclaimed records, but again failed to produce any hit singles. Costello has said he disliked the marketing pitch for the album. The album also featured Costello's song "Almost Blue"; jazz singer and trumpeter Chet Baker would later perform and record a version of this song.
In 1983, he released ''Punch the Clock'', featuring female backing vocal duo (Afrodiziak) and a four-piece horn section (The TKO Horns), alongside The Attractions. Clive Langer (who co-produced with Alan Winstanley), provided Costello with a melody which eventually became "Shipbuilding," which featured a trumpet solo by Chet Baker. Prior to the release of Costello's own version, a version of the song was a minor UK hit for former Soft Machine drummer Robert Wyatt.
Under the pseudonym The Imposter, Costello released "Pills and Soap," an attack on the changes in British society brought on by Thatcherism, released to coincide with the run-up to the 1983 UK general election. ''Punch the Clock'' also generated an international hit in the single "Everyday I Write the Book," aided by a music video featuring lookalikes of the Prince and Princess of Wales undergoing domestic strife in a suburban home. The song became Costello's first Top 40 hit single in the U.S. Also in the same year, Costello provided vocals on a version of the Madness song "Tomorrow's Just Another Day" released as a B-side on the single of the same name.
Tensions within the band - notably between Costello and bassist Bruce Thomas—were beginning to tell, and Costello announced his retirement and the break-up of the group shortly before they were to record ''Goodbye Cruel World'' (1984). Costello would later say of this record that they had "got it as wrong as you can in terms of the execution". The record was poorly received upon its initial release; the liner notes to the 1995 Rykodisc re-release, penned by Costello, begin with the words "Congratulations!, you've just purchased our worst album". Costello's retirement, although short-lived, was accompanied by two compilations, ''Elvis Costello: The Man'' in the UK, Europe and Australia, and ''The Best of Elvis Costello & The Attractions'' in the U.S.
In 1985, he appeared in the Live Aid benefit concert in England, singing the Beatles' "All You Need Is Love" as a solo artist. (The event was overrunning and Costello was asked to "ditch the band".) Costello introduced the song as an "old northern English folk song," and the audience was invited to sing the chorus. In the same year Costello teamed up with friend T-Bone Burnett for the single "The People's Limousine" under the moniker of The Coward Brothers. That year, Costello also produced ''Rum Sodomy & the Lash'' for the Irish punk/folk band The Pogues.
By 1986, Costello was preparing to make a comeback. Working in the U.S. with Burnett, a band containing a number of Elvis Presley's sidemen (including James Burton and Jerry Scheff), and minor input from the Attractions, he produced ''King of America'', an acoustic guitar-driven album with a country sound. Around this time he legally changed his name back to Declan MacManus, adding Aloysius as an extra middle name. Costello retooled his upcoming tour to allow for multiple nights in each city, playing one night with The Confederates (James Burton et al.), one night with The Attractions, and one night solo acoustic. In May 1986, Costello performed at Self Aid, a benefit concert held in Dublin that focused on the chronic unemployment which was widespread in Ireland at that time.
Later that year, Costello returned to the studio with the Attractions and recorded ''Blood and Chocolate'', which was lauded for a post-punk fervour not heard since 1978's ''This Year's Model''. It also marked the return of producer Nick Lowe, who had produced Costello's first five albums. While ''Blood and Chocolate'' failed to chart a hit single of any significance, it did produce what has since become one of Costello's signature concert songs, "I Want You." On this album, Costello adopted the alias Napoleon Dynamite, the name he later attributed to the character of the emcee that he played during the vaudeville-style tour to support ''Blood and Chocolate''. (The pseudonym had previously been used in 1982, when the B-side single "Imperial Bedroom" was credited to Napoleon Dynamite & The Royal Guard, and was later appropriated by the 2004 film ''Napoleon Dynamite''). In 1989, Costello, with a new contract with Warner Bros., released ''Spike'', which spawned his biggest single in America, the Top 20 hit "Veronica," one of several songs Costello co-wrote with Paul McCartney in that period (see Collaborations).
In 1993, Costello experimented with classical music with a critically acclaimed collaboration with the Brodsky Quartet on ''The Juliet Letters''. During this period, Costello wrote a full album's worth of material for Wendy James, and these songs became the tracks on her 1993 solo album ''Now Ain't the Time for Your Tears''. Costello returned to rock and roll the following year with a project that reunited him with The Attractions, ''Brutal Youth''. In 1995, Costello released ''Kojak Variety'', an album of cover songs recorded five years earlier, and followed in 1996 with an album of songs originally written for other artists, ''All This Useless Beauty''. This was the final album of original material that he issued under his Warner Bros. contract. In the spring of 1996, Costello played a series of intimate club dates, backed only by Nieve on the piano, in support of ''All This Useless Beauty''. An ensuing summer and fall tour with the Attractions proved to be the death knell for the band. With relations between Costello and bassist Bruce Thomas at a breaking point, Costello announced that the current tour would be the Attractions' last. The quartet performed their final U.S. show in Seattle, Washington on 1 September 1996, before wrapping up their tour in Japan. To fulfill his contractual obligations to Warner Bros., Costello released a greatest hits album titled ''Extreme Honey'' (1997). It contained an original track titled "The Bridge I Burned," featuring Costello's son, Matt, on bass. In the intervening period, Costello had served as artistic chair for the 1995 Meltdown Festival, which gave him the opportunity to explore his increasingly eclectic musical interests. His involvement in the festival yielded a one-off live EP with jazz guitarist Bill Frisell, which featured both cover material and a few of his own songs.
In 1998, Costello signed a multi-label contract with Polygram Records, sold by its parent company the same year to become part of the Universal Music Group. Costello released his new work on what he deemed the suitable imprimatur within the family of labels. His first new release as part of this contract involved a collaboration with Burt Bacharach. Their work had commenced earlier, in 1996, on a song called "God Give Me Strength" for the movie ''Grace of My Heart''. This led the pair to write and record the critically acclaimed album ''Painted From Memory'', released under his new contract in 1998, on the Mercury Records label, featuring songs that were largely inspired by the dissolution of his marriage to Cait O'Riordan. Costello and Bacharach performed several concerts with a full orchestral backing, and also recorded an updated version of Bacharach's "I'll Never Fall in Love Again" for the soundtrack to ''Austin Powers: The Spy Who Shagged Me'', with both appearing in the film to perform the song. He also wrote "I Throw My Toys Around" for ''The Rugrats Movie'' and performed it with No Doubt. The same year, he collaborated with Paddy Moloney of The Chieftains on "The Long Journey Home" on the soundtrack of the PBS/Disney mini-series of the same name. The soundtrack won a Grammy that year.
In 1999, Costello contributed a version of "She," released in 1974 by Charles Aznavour and Herbert Kretzmer, for the soundtrack of the film ''Notting Hill'', with Trevor Jones producing. For the 25th anniversary of ''Saturday Night Live'', Costello was invited to the program, where he re-enacted his abrupt song-switch: This time, however, he interrupted the Beastie Boys' "Sabotage," and they acted as his backing group for "Radio Radio".
The song "Scarlet Tide" (co-written by Costello and T-Bone Burnett and used in the film ''Cold Mountain'') was nominated for a 2004 Academy Award; he performed it at the awards ceremony with Alison Krauss, who sang the song on the official soundtrack. Costello co-wrote many songs on Krall's 2004 CD, ''The Girl in the Other Room'', the first of hers to feature several original compositions. In July 2004 Costello's first full-scale orchestral work, ''Il Sogno'', was performed in New York. The work, a ballet after Shakespeare's ''A Midsummer Night's Dream'', was commissioned by Italian dance troupe Aterballeto, and received critical acclaim from the classical music critics. Performed by the London Symphony Orchestra, conducted by Michael Tilson Thomas, the recording was released on CD in September by Deutsche Grammophon. Costello released the album ''The Delivery Man'', recorded in Oxford, Mississippi and released on Lost Highway Records, in September of the same year, and it was hailed as one of his best albums.
A CD recording of a collaboration with Marian McPartland on her show ''Piano Jazz'' was released in 2005. It featured Costello singing six jazz standards and two of his own songs, accompanied by McPartland on piano. In November, Costello started recording a new album with Allen Toussaint and producer Joe Henry. ''The River in Reverse'' was released in the UK on the Verve label the following year in May.
A 2005 tour included a gig at Glastonbury that Costello considered to be so dreadful that he said "I don't care if I ever play England again. That gig made up my mind I wouldn't come back. I don't get along with it. We lost touch. It's 25 years since I lived there. I don't dig it, they don't dig me....British music fans don't have the same attitude to age as they do in America, where young people come to check out, say Willie Nelson. They feel some connection with him and find a role for that music in their lives."
In a studio recording of Nieve's opera ''Welcome to the Voice'' (2006, Deutsche Grammophon), Costello interpreted the character of Chief of Police, with Barbara Bonney, Robert Wyatt, Sting and Amanda Roocroft, and the album reached #2 in the ''Billboard'' classical charts. Costello later reprised the piece on the stage of the Théâtre du Châtelet in Paris in 2008, with Sting, Joe Sumner of Fiction Plane (Sting's son) and Sylvia Schwartz. Also released in 2006 was a live recording of a concert with the Metropole Orkest at the North Sea Jazz Festival, entitled ''My Flame Burns Blue''. The soundtrack for ''House M.D.'' featured Costello's interpretation of "Beautiful" by Christina Aguilera, with the song appearing in the second episode of Series 2.
Costello was commissioned to write a chamber opera by the Danish Royal Opera, Copenhagen, on the subject of Hans Christian Andersen's infatuation with Swedish soprano Jenny Lind. Called ''The Secret Songs'' it was unfinished. In a performance in 2007 directed by Kasper Bech Holten at the Opera's studio theatre (Takelloftet), finished songs were interspersed with pieces from Costello's 1993 collaborative classical album ''The Juliet Letters'', featuring Danish soprano Sine Bundgaard as Lind. The 2009 album ''Secret, Profane & Sugarcane'' includes material from ''Secret Songs''.
On 22 April 2008, ''Momofuku'' was released on Lost Highway Records, the same imprint that released ''The Delivery Man'', his previous studio album. The album was, at least initially, released exclusively on vinyl (with a code to download a digital copy). That summer, in support of the album, Costello toured with The Police on the final leg of their 2007/2008 Reunion Tour. Costello played a homecoming gig at the Liverpool Philharmonic Hall on 25 June 2006. and, that month, gave his first performance in Poland, appearing with The Imposters for the closing gig of the Malta theatre festival in Poznań.
In July 2008, Costello (as Declan McManus) was awarded an honorary degree of Doctor of Music from the University of Liverpool.
From late 2008 into 2010, Costello hosted Channel 4/CTV's series ''Spectacle'' in which Costello talked and performed with stars in various fields, styled similarly to ''Inside the Actors Studio''. Between its two seasons, the show compiled 20 episodes, including one where Costello was interviewed by actress Mary-Louise Parker.
Costello was featured on Fall Out Boy's 2008 album ''Folie à Deux'', providing vocals on the track "What a Catch, Donnie", along with other artists who are friends with the band.
Costello appeared in Stephen Colbert's television special ''A Colbert Christmas: The Greatest Gift of All''. In the program, he was eaten by a bear, but later saved by Santa Claus; he also sang a duet with Colbert. The special was first aired on 23 November 2008. Costello released ''Secret, Profane & Sugarcane'', a collaboration with T-Bone Burnett, on 9 June 2009. Burnett previously worked with Costello on ''King of America'' and ''Spike''. It was his first on the Starbucks Hear Music label and a return to country music in the manner of ''Good Year for the Roses''.
Costello appeared as himself in the finale of the third season of ''30 Rock'' and sang in the episode's celebrity telethon, ''Kidney Now!''. The episode references Costello's given name when Jack Donaghy accuses him of concealing his true identity: "Declan McManus, international art thief."
In May 2009, Costello made a surprise cameo appearance on-stage at the Beacon Theater in New York as part of Spinal Tap's ''Unwigged and Unplugged'' show, singing their fictional 1965 hit "Gimme Some Money" with the band backing him up.
On 15 May 2010, Costello announced he would withdraw from a concert performed in Israel in opposition to Israel's treatment of Palestinians. In a statement on his website, Costello wrote, "It has been necessary to dial out the falsehoods of propaganda, the double game and hysterical language of politics, the vanity and self-righteousness of public communiqués from cranks in order to eventually sift through my own conflicted thoughts."
Also in 2010 Elvis Costello appeared as himself in David Simon's television series, ''Treme''. Costello released the album ''National Ransom'' in autumn of 2010.
In 1985, Costello became involved with Cait O'Riordan, former bassist for the English/Irish group The Pogues, while he was producing The Pogues' album ''Rum Sodomy and the Lash''. They married in 1986 and split up by the end of 2002.
Costello became engaged to singer Diana Krall in May 2003, and married her at the home of Elton John on December 6 that year. Krall gave birth to twin sons, Dexter Henry Lorcan and Frank Harlan James, on 6 December 2006 in New York City.
A vegetarian since the early 1980s, Costello says he was moved to reject meat after seeing the documentary ''The Animals Film'' (1982), which also helped inspire his song "Pills and Soap" (from ''Punch the Clock'', 1983).
In 1987, Costello began a long-running songwriting collaboration with Paul McCartney. They wrote a number of songs together, including:
Costello talked about their collaboration:
}}
In November 2009, Costello appeared live with Bruce Springsteen and the E Street Band at Madison Square Garden and performed the Jackie Wilson song, Higher and Higher.
In December 2009, it was announced that Costello would be portraying The Shape in the upcoming album ''Ghost Brothers of Darkland County'', a collaboration between rock singer John Mellencamp and novelist Stephen King.
On April 30, 2011, played the song "Pump it Up" with The Odds before the start of a Vancouver Canucks playoff game at Rogers Arena in Vancouver BC.
Costello is also a music fan, and often champions the works of others in print. He has written several pieces for the magazine ''Vanity Fair'', including the summary of what a perfect weekend of music would be. He has contributed to two Grateful Dead tribute albums and covered Jerry Garcia/Robert Hunter tunes such as Ship of Fools, Friend of the Devil, It Must Have Been the Roses, Ripple and Tennessee Jed in concert. His collaboration with Bacharach honoured Bacharach's place in pop music history. Costello also appeared in documentaries about singers Dusty Springfield, Brian Wilson, Wanda Jackson, and Memphis, Tennessee-based Stax Records. He has also interviewed one of his own influences, Joni Mitchell.
In 2004, ''Rolling Stone Magazine'' ranked him #80 on their list of the ''100 Greatest Artists of All Time''.
==Discography==
Costello has released over 30 studio albums on his own and with the Attractions, the Imposters, or others. He has also released five live albums: ''Live at the El Mocambo'', ''Deep Dead Blue'', ''Costello & Nieve'', ''My Flame Burns Blue'', and ''Live at Hollywood High''. There have also been numerous compilations, box sets, and reissues by labels such as Rykodisc, Demon, Rhino, and Universal Music Enterprises.
Category:1954 births Category:Living people Category:Columbia Records artists Category:Elvis Costello & the Attractions members Category:English buskers Category:English expatriates in the United States Category:English male singers Category:English New Wave musicians Category:English rock guitarists Category:English rock keyboardists Category:English rock singers Category:English singer-songwriters Category:English people of Irish descent Category:English vegetarians Category:Grammy Award winners Category:Lost Highway Records artists Category:Musicians from London Category:People from Paddington Category:Rock and Roll Hall of Fame inductees Category:Warner Bros. Records artists
br:Elvis Costello ca:Elvis Costello cs:Elvis Costello da:Elvis Costello de:Elvis Costello et:Elvis Costello es:Elvis Costello fa:الویس کاستلو fr:Elvis Costello ga:Elvis Costello gv:Elvis Costello gl:Elvis Costello id:Elvis Costello it:Elvis Costello he:אלביס קוסטלו la:Elvis Costello nl:Elvis Costello ja:エルヴィス・コステロ no:Elvis Costello pl:Elvis Costello pt:Elvis Costello ru:Элвис Костелло simple:Elvis Costello sl:Elvis Costello fi:Elvis Costello sv:Elvis Costello tr:Elvis CostelloThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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