This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Harry Nilsson |
---|---|
background | solo_singer |
birth name | Harry Edward Nilsson III |
alias | Nilsson |
birth date | June 15, 1941Brooklyn, New York, |
death date | January 15, 1994Agoura Hills, California, |
instrument | Piano, vocals, keyboards, guitar, harmonica |
genre | RockPopRock and roll |
occupation | Singer-songwriter |
years active | 1958–1994 |
label | Tower RecordsRCA VictorMercury Records |
website | }} |
He was awarded Grammys for two of his recordings; best male contemporary vocal in 1969 for "Everybody's Talkin'", the theme song to the Academy Award-winning movie ''Midnight Cowboy'', and best male pop vocal in 1972 for "Without You".
:Well, in 1941, the happy father had a son :And in 1944, the father walked right out the door
Nilsson's "Daddy's Song", and "Cuddly Toy" recorded by The Monkees, also refer to this period.
Nilsson grew up with his mother Bette and his younger half-sister. His younger half-brother Drake was left with family or friends during their moves between California and New York, sometimes living with a succession of relatives and stepfathers. His Uncle John, a mechanic in San Bernardino, California, helped Nilsson improve his vocal and musical abilities.
He had a half-brother and a half-sister through their mother. He also had three half-sisters and one half-brother through his father.
Due to the poor financial situation of his family, Nilsson worked from an early age, including a job at the Paramount Theatre in Los Angeles. When the Paramount closed, Nilsson applied for a job at a bank, falsely stating he was a high school graduate on his application (he only completed ninth grade). He had an aptitude for computers, which were beginning to be employed by banks at the time. He performed so well that the bank retained him after discovering the lie about his education. He worked on bank computers at night, and in the daytime pursued his songwriting and singing career.
Uncle John's singing lessons, along with Nilsson's natural talent, helped when he got a job singing demos for songwriter Scott Turner in 1960. Turner paid Nilsson five dollars for each track they recorded. (When Nilsson became famous, Turner decided to release these early recordings, and contacted Nilsson to work out a fair payment. Nilsson replied that he had already been paid — five dollars a track.).
In 1963, Nilsson began to have some early success as a songwriter, working with John Marascalco on a song for Little Richard. Upon hearing Nilsson sing, Little Richard reportedly remarked: "My! You sing ''good'' for a white boy!" Marascalco also financed some independent singles by Nilsson. One, "Baa Baa Blacksheep", was released under the pseudonym "Bo Pete" to some small local airplay. Another recording, "Donna, I Understand", convinced Mercury Records to offer Nilsson a contract, and release recordings by him under the name "Johnny Niles."
In 1964, Nilsson worked with Phil Spector, writing three songs with him. He also established a relationship with songwriter and publisher Perry Botkin, Jr., who began to find a market for Nilsson's songs. Botkin also gave Nilsson a key to his office, providing another place to write after hours.
Nilsson's recording contract was picked up by Tower Records, which in 1966 released the first singles actually credited to him by name, as well as the debut album ''Spotlight on Nilsson''. None of Nilsson's Tower releases charted or gained much critical attention, although his songs were being recorded by Glen Campbell, Fred Astaire, The Shangri-Las, The Yardbirds, and others. Despite his growing success, Nilsson remained on the night shift at the bank.
Some of the albums from Derek Taylor's box eventually ended up with the Beatles themselves, who quickly became Nilsson fans. This may have been helped by the track "You Can't Do That", in which Nilsson covered one Beatles song but added 22 others in the multi-tracked background vocals. When John Lennon and Paul McCartney held a press conference in 1968 to announce the formation of Apple Corps, John was asked to name his favorite American artist. He replied, "Nilsson". Paul was then asked to name his favorite American group. He replied, "Nilsson".
Aided by the Beatles' praise, "You Can't Do That" became a minor hit in the U.S., and a top 10 hit in Canada.
When RCA had asked if there was anything special he wanted as a signing premium, Nilsson asked for his own office at RCA, being used to working out of one. In the weeks after the Apple press conference, Nilsson's office phone began ringing constantly, with offers and requests for interviews and inquiries about his performing schedule. Nilsson usually answered the calls himself, surprising the callers, and answered questions candidly. (He recalled years later the flow of a typical conversation: "When did you play last?" "I didn't." "Where have you played before?" "I haven't." "When will you be playing next?" "I don't.") Nilsson acquired a manager, who steered him into a handful of TV guest appearances, and a brief run of stage performances in Europe set up by RCA. He disliked the experiences he had, though, and decided to stick to the recording studio. He later admitted this was a huge mistake on his part.
Once John Lennon called and praised ''Pandemonium Shadow Show'', which he had listened to in a 36-hour marathon. Paul McCartney called the following day, also expressing his admiration]. Eventually a message came, inviting him to London to meet the Beatles, watch them at work, and possibly sign with Apple Corps.
''Pandemonium Shadow Show'' was followed in 1968 by ''Aerial Ballet'', an album that included Nilsson's rendition of Fred Neil's song "Everybody's Talkin'". A minor U.S. hit at the time of release (and a top 40 hit in Canada), the song would become extremely popular a year later when it was featured in the film ''Midnight Cowboy'', and it would earn Nilsson his first Grammy Award. The song would also become Nilsson's first U.S. top 10 hit, reaching #6, and his first Canadian #1.
''Aerial Ballet'' also contained Nilsson's version of his own composition, "One", which was later taken to the top 5 of the U.S. charts by Three Dog Night. Nilsson was also commissioned at this time to write and perform the theme song for the ABC television series ''The Courtship of Eddie's Father''. The result, "Best Friend", was very popular, but Nilsson never released the song on record; an alternative version, "Girlfriend", did appear on the 1995 ''Personal Best'' anthology. Late in 1968, The Monkees' notorious experimental film ''Head'' premiered, featuring a memorable song-and-dance sequence with Davy Jones and Toni Basil performing Nilsson's composition "Daddy's Song." (This is followed by Frank Zappa's cameo as "The Critic," who dismisses the 1920s-style tune as "pretty white.")
With the success of Nilsson's RCA recordings, Tower re-issued or re-packaged many of their early Nilsson recordings in various formats. All of these re-issues failed to chart, including a 1969 single "Good Times".
Nilsson's next project was an animated film, ''The Point!'', created with animation director Fred Wolf, and broadcast on ABC television on February 2, 1971, as an "ABC Movie of the Week". Nilsson's album of songs from ''The Point!'' was well received, and it spawned a hit single, "Me and My Arrow".
Later that year, Nilsson went to England with producer Richard Perry to record what became the most successful album of his career. ''Nilsson Schmilsson'' yielded three very stylistically different hit singles. The first was a cover of Badfinger's song "Without You" (by Pete Ham and Tom Evans), featuring a highly emotional arrangement and soaring vocals to match, a performance that was rewarded with Nilsson's second Grammy Award.
The second single was "Coconut", a novelty calypso number featuring three characters (the narrator, the sister, and the doctor) all sung in different voices by Nilsson. The song is best remembered for its chorus lyric, "Put de lime in de coconut, and drink 'em both up." Also notable is that the entire song is played using one chord, C 7th. "Coconut" was featured in Episode 81 (October 25, 1973) of The Flip Wilson Show. The song has since been featured in many other films and commercials. It was also used in a comedy skit on ''The Muppet Show'', which featured Kermit the Frog in a hospital bed. The song was also used during the end credits of Quentin Tarantino's ''Reservoir Dogs''. George Carlin also made reference to "Coconut" in the live recording of "Occupation: Foole" dated 1973, singing "Put de lime in de coconut, de lemon in de Tidy Bowl." It also featured in the FOX television series Bones, episode "The Hole in The Heart"; is said to be the favorite song of a character killed in the episode and is sung by the remaining characters as they load his coffin into a hearse for transport home to England.
The third single, "Jump into the Fire", was raucous, screaming rock and roll, including a drum solo by Derek and the Dominos' Jim Gordon and a bass detuning by Herbie Flowers. The song was used during the "Sunday, May 11, 1980", sequence in the 1990 film ''Goodfellas'' - and also in the 2006 film A Good Year.
Nilsson followed quickly with ''Son of Schmilsson'' (1972), released while its predecessor was still in the charts. Besides the problem of competing with himself, Nilsson's decision to give free rein to his bawdiness and bluntness on this release alienated some of his earlier, more conservative fan base. With lyrics like "I sang my balls off for you, baby", "Roll the world over / And give her a kiss and a feel", and the notorious "You're breaking my heart / You're tearing it apart / So fuck you"- a reference to his ongoing divorce, Nilsson had traveled far afield from his earlier work. Still, the album reached 12 in the US Hot 100 and the single "Spaceman" was a Top 40 hit. However, the follow-up single "Remember (Christmas)" stalled at #53. A third single, the tongue-in-cheek C&W; send up "Joy", was issued on RCA's country imprint Green and credited to Buck Earle, but it failed to chart.
1973 found Nilsson back in California, and when John Lennon moved there during his separation from Yoko Ono, the two musicians rekindled their earlier friendship. Lennon was intent upon producing Nilsson's next album, much to Nilsson's delight. However, their time together in California became known much more for heavy drinking and drug use than it did for musical collaboration. In a widely publicized incident, they were ejected from the Troubadour nightclub in West Hollywood for drunken heckling of the Smothers Brothers. Both men also caused property damage during binges, with Lennon trashing a bedroom in Lou Adler's house, and Nilsson throwing a bottle through a thirty-foot-high hotel window.
To make matters worse, Nilsson ruptured a vocal cord during the sessions for this album, but he hid the injury due to fear that Lennon would call a halt to the production. The resulting album was ''Pussy Cats''. In an effort to clean up, Lennon, Nilsson and Ringo Starr first rented a house together, then Lennon and Nilsson left for New York.
After the relative failure of his latest two albums, RCA Records considered dropping Nilsson's contract. In a show of friendship, Lennon accompanied Nilsson to negotiations, and both intimated to RCA that Lennon and Starr might want to sign with them, once their Apple Records contracts with EMI expired in 1975, but would not be interested if Nilsson were no longer with the label. RCA took the hint and re-signed Nilsson (adding a bonus clause, to apply to each new album completed), but neither Lennon nor Starr signed with RCA.
Nilsson's voice had mostly recovered by his next release, ''Duit on Mon Dei'' (1975), but neither it nor its follow-ups, ''Sandman'' and ''...That's the Way It Is'' (both 1976) met with chart success. Finally, Nilsson recorded what he later considered to be his favorite album, 1977's ''Knnillssonn''. With his voice strong again, and his songs exploring musical territory reminiscent of ''Harry'' or ''The Point!'', Nilsson anticipated ''Knnillssonn'' to be a comeback album. RCA seemed to agree, and promised Nilsson a substantial marketing campaign for the album. However, the death of Elvis Presley caused RCA to ignore everything except meeting demand for Presley's back catalog, and the promised marketing push never happened. This, combined with RCA releasing a ''Nilsson Greatest Hits'' collection without consulting him, prompted Nilsson to leave the label.
On September 7, 1978, The Who's drummer Keith Moon returned to the same room in the flat after a night out, and died from an overdose of Clomethiazole, a prescribed anti-alcohol drug. Nilsson, distraught over another friend's death in his flat, and having little need for the property, sold it to Moon's bandmate Pete Townshend and consolidated his life in Los Angeles.
Nilsson was profoundly affected by the death of John Lennon on December 8, 1980. He joined the Coalition to Stop Gun Violence and overcame his preference for privacy to make appearances for gun control fundraising. He began to appear at Beatlefest conventions and he would get on stage with the Beatlefest house band "Liverpool" to either sing some of his own songs or "Give Peace a Chance."
After a long hiatus from the studio, Nilsson started recording sporadically once again in the mid to late 1980s. Most of these recordings were commissioned songs for movies or television shows. One notable exception was his work on a Yoko Ono Lennon tribute album, ''Every Man Has A Woman'' (1984) (Polydor); another was a cover of "Zip-A-Dee-Doo-Dah" recorded for Hal Willner's 1988 tribute album ''Stay Awake: Various Interpretations of Music from Vintage Disney Films''. Nilsson donated his performance royalties from the song to the Coalition to Stop Gun Violence.
In 1985 Nilsson set up a production company, Hawkeye, to oversee various film, TV and multimedia projects he was involved in. He appointed his friend, satirist and screenwriter Terry Southern, as one of the principals. They collaborated on a number of screenplays including ''Obits'' (a Citizen Kane-style story about a journalist investigating an obituary notice) and ''The Telephone'', a comedy about an unhinged unemployed actor.
''The Telephone'' was virtually the only Hawkeye project that made it to the screen. It had been written with Robin Williams in mind but he turned it down; comedian-actress Whoopi Goldberg then signed on, with Southern's friend Rip Torn directing, but the project was troubled. Torn battled with Goldberg, who interfered in the production and constantly digressed from the script during shooting, and Torn was forced to plead with her to perform takes that stuck to the screenplay. Torn, Southern and Nilsson put together their own version of the film, which screened at the Sundance Film Festival in early 1988, but it was overtaken by the "official" version from the studio, and this version premiered to poor reviews in late January 1988. The project reportedly had some later success when adapted as a theatre piece in Germany.
In 1990, Hawkeye foundered and Nilsson found himself in a dire financial situation after it was discovered that his financial adviser Cindy Sims had embezzled all the funds he had earned as a recording artist. The Nilssons were left with $300 in the bank and a mountain of debt, while Sims served less than two years and was released from prison in 1994 without making restitution.
In 1991, the Disney CD ''For Our Children'', a compilation of children's music performed by celebrities to benefit the Elizabeth Glaser Pediatric AIDS Foundation, included Nilsson's original composition "Blanket for a Sail," recorded at the Shandaliza Recording Studio in Los Angeles.
Nilsson made his last concert appearance September 1, 1992, when he joined Ringo Starr and His All Starr Band on stage at Caesar's Palace in Las Vegas, Nevada to sing "Without You" with Todd Rundgren handling the high notes. Afterwards, an emotional Ringo Starr embraced Nilsson on stage.
On January 15, 1994, Nilsson died of heart failure in his Agoura Hills, California, home. According to his wife, they had been watching ''Enchanted April'', and the last thing he told her before she fell asleep was, "I love you so much."
In 1995, the 2-CD anthology he worked on with RCA, ''Personal Best'', was released.
The filmmakers re-edited the film with found rare footage of Nilsson, further interviews, and family photographs, and finally released it on September 17, 2010 at selected theaters in the United States. A DVD, including additional footage not in the theatrical release, was released on October 26, 2010.
, Nilsson's final album, tentatively titled ''Papa's Got a Brown New Robe'' (produced by Mark Hudson) has not been released, though several demos from the album are available on promotional CDs and online.
The musical ''Everyday Rapture'' features three songs by Nilsson.
Nilsson was survived by his third wife, Una (née O'Keeffe), and their six children (Annie, Beau, Ben, Kief, Olivia, Oscar), his son Zachary Nine Nilsson from his marriage to Diane Clatworthy, and one grandson (Caleb). He was married to Sandy Maganiello (1964–1966), Diane Clatworthy (1969–1974) and Una O'Keeffe (1976–1994).
The ''New York Post'' rated Nilsson's cover of Fred Neil's "Everybody's Talking" #51 on their list of the 100 Best Cover Songs of All Time.
''For The Love of Harry: Everybody Sings Nilsson'' (1995, MusicMasters/BMG), featured Nilsson's songs performed by Ringo Starr, Stevie Nicks, Richard Barone, Brian Wilson, Aimee Mann, Fred Schneider, and others, with proceeds benefitting the Coalition to Stop Gun Violence.
# Peter Dizozza: "Without Her" # Hilary Levitt: "Down" # Shank: "Jump Into the Fire" # OrimaR2 featuring NitWiT: "I'd Rather Be Dead" # The Neshama Alma Band: "Ambush" # Buzzsaw and the Shavings: "Best Friend" # Matt Kinnison: "Coconut" # LAM: "Driving Along" # Johnny J with Vorgus: "Spaceman" # Mary Jane: "Me And My Arrow" # MWF: "I'll Never Leave You" # Lolwolf: "Black Sails In The Moonlight" # Charles Fyant: "The Moonbeam Song" # Pinkie: "One" # Linda Draper and Brian Wurschum: "The Lottery Song" # David Spero Peligro: "It's a Jungle Out There" # an additional track by The Spaceheaters. "Doris, Buzz and Friends" by John Krane (2008 Cloverbelly Records). Although no Nilsson tracks were featured, the digital version of this album paid tribute to the famous Nilsson Schmilsson album cover, and the robe worn by Krane in the cover photograph actually belonged to Harry Nilsson.
Category:1941 births Category:1994 deaths Category:American male singers Category:American pianists Category:American rock guitarists Category:Songwriters from New York Category:Deaths from myocardial infarction Category:Disease-related deaths in California Category:Grammy Award winners Category:Musicians from New York City Category:People from Brooklyn Category:American musicians of Swedish descent
ca:Harry Nilsson de:Harry Nilsson es:Harry Nilsson fa:هری نیلسون fr:Harry Nilsson it:Harry Nilsson he:הארי נילסון nl:Harry Nilsson ja:ハリー・ニルソン no:Harry Nilsson nn:Harry Nilsson pl:Harry Nilsson pt:Harry Nilsson ro:Harry Nilsson ru:Нилссон, Гарри simple:Harry Nilsson fi:Harry Nilsson sv:Harry Nilsson uk:Гаррі НілссонThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Gary Speed |
---|---|
fullname | Gary Andrew Speed |
dateofbirth | September 08, 1969 |
dateofdeath | November 27, 2011 |
cityofbirth | Mancot |
countryofbirth | Wales |
cityofdeath | Huntington |
countryofdeath | England |
height | |
position | Midfielder |
youthyears1 | ?–1988 |
youthclubs1 | Leeds United |
years1 | 1988–1996 |
years2 | 1996–1998 |
years3 | 1998–2004 |
years4 | 2004–2008 |
years5 | 2008–2010 |
clubs1 | Leeds United |
clubs2 | Everton |
clubs3 | Newcastle United |
clubs4 | Bolton Wanderers |
clubs5 | Sheffield United |
caps1 | 248 |
caps2 | 58 |
caps3 | 213 |
caps4 | 121 |
caps5 | 37 |
goals1 | 39 |
goals2 | 15 |
goals3 | 29 |
goals4 | 14 |
goals5 | 6 |
totalcaps | 677 |
totalgoals | 103 |
nationalyears2 | 1990–2004 |
nationalteam1 | Wales U21 |
nationalteam2 | Wales |
nationalcaps1 | 3 |
nationalcaps2 | 85 |
nationalgoals1 | 0 |
nationalgoals2 | 7 |
manageryears1 | 2010 |
managerclubs1 | Sheffield United |
manageryears2 | 2010–2011 |
managerclubs2 | Wales }} |
Gary Andrew Speed, MBE (8 September 1969 – 27 November 2011) was a Welsh football player and manager. He was captain of the Wales national football team until he retired from international football in 2004 and he remains the most capped outfield player for Wales and the second overall, having appeared 85 times at senior level between 1990 and 2004.
Speed played professionally for Leeds United, Everton, Newcastle United, Bolton Wanderers and Sheffield United. Rarely troubled by injury or suspension, he held the record for the most appearances in the FA Premier League at 535, until it was surpassed by David James.
Speed was appointed manager of Sheffield United in 2010, but he left the club after a few months in December 2010 to manage the Wales national football team.
Speed's death was announced by the Football Association of Wales on 27 November 2011. Throughout the day many tributes came out for him from various figures in football as well as many national figures in Wales and the rest of the United Kingdom.
He was well known as a 'consummate professional' both on and off the field. He was not blessed with exceptional talent at a young age, but instead developed his technique through many hours of hard work on the training field. He had a reputation as an extremely fit footballer who looked after his body. He had a modern approach to diet and fitness, a rare quality amongst players of his generation. His level of fitness allowed him to avoid injury and to continue playing until the age of 39; he rarely missed a game.
He also had a reputation as a friendly and supportive person, who cared for and took an interest in the lives of the people around him; his 'nice guy' persona made him a popular and well respected figure amongst his peers.
He left the club in controversial circumstances and the reasons were never revealed. He told the ''Liverpool Echo'': "You know why I’m leaving, but I can’t explain myself publicly because it would damage the good name of Everton Football Club and I’m not prepared to do that."
Newcastle's manager, Sir Bobby Robson, was sorry to see Speed leave the club, and acknowledged that he would do very well for Bolton Wanderers.
On 1 May 2007, Speed was named as the first team coach for Bolton after Sam Allardyce stepped down from his job as manager. However, in October he left the coaching job and returned to being just a player with the club. Conflicting reports of the incident claimed then manager Sammy Lee relieved him of his duties to concentrate on playing but Speed, in an interview with the Bolton News, claimed he chose to step down.
Speed scored a header for Bolton against Reading on 25 August 2007, making him, at the time, the only player to have scored in every Premiership season to date. Ryan Giggs later matched this achievement on 20 October 2007, and passed it on 8 February 2009. It had been reported in December 2007 that Speed was a target for Derby County, but it was confirmed on 24 December 2007 that he would join Sheffield United on loan on 1 January 2008, with a view to a permanent move for a fee of about £250,000.
Speed started the next season as a regular fixture in the Blades midfield but succumbed to a back injury in November. Despite undergoing surgery to correct the problem he failed to regain his fitness and missed the rest of the season, concentrating instead on a coaching role at the club. In June 2009, he was approached by Swansea City with regards to taking on the managerial role left vacant by Roberto Martinez.
At the end of October 2009, Speed stated that "'I'm 40, I haven't played for a year and you can take what you want from that. I'm not missing playing because I'm enjoying the other side so much", although he revealed he was still in training, in preparation for running the 2010 London Marathon in aid of the Sir Bobby Robson Foundation, the cancer charity founded by Speed's former Newcastle manager, who had died on 31 July 2009 after a long battle against the illness.
Speed finally announced his retirement from playing in his 41st year, but agreed to remain at Sheffield United for at least one more season as a coach. Despite this he was again registered as a player and was named on the bench for the first round League Cup game against Hartlepool United at the outset of the following season.
After his retirement from international football, he was recommended by both the former manager Mark Hughes and fellow Welsh midfielder Robbie Savage as a future Welsh national team manager.
Speed's first game as Wales manager was 8 February 2011 against the Republic of Ireland in the inaugural Nations Cup, which Ireland won 3–0. Speed's first competitive match was the Euro 2012 qualifier at home to England which Wales lost 2–0. In August 2011 Wales attained their lowest ever FIFA ranking of 117th. This was followed by a 2–1 home win against Montenegro, a 1–0 away loss to England, a 2–0 home win against Switzerlandand a 1–0 away win against Bulgaria. Consequently in October 2011, Wales were ranked 45th in the world by FIFA. Speed's last game as manager of Wales was on 12 November 2011, a 4–1 win against Norway.
The match between Aston Villa and Swansea City, held only hours after Speed's death was announced, was dedicated to his memory. A minutes silence was to be held before the match. However, the fans applauded instead and sang Speed's name. Several players who played in the match had been severely affected by the news. Four Welsh internationals played in the match; Ashley Williams, Neil Taylor and Joe Allen, of Swansea, all played under Speed for Wales and Allen in particular was said to be struggling with the news. James Collins was the other Welsh international and he had also played with Speed at international level. Collins' Villa team mates Shay Given and Jermaine Jenas had both played with Speed at Newcastle United and both were very badly affected by the news. Given openly wept during and after the minutes applause. Both managers, Alex McLeish and Brendan Rodgers paid tribute to Speed. Rodgers, who had spoken to Speed a lot since he had become Wales manager, said that the game had lost a legend while Neil Taylor said that he hoped Wales could qualify for the 2014 World Cup to honour him.
Along with this match, several others saw tributes toward Speed. The only other Premier League match played that day was between Liverpool and Manchester City. Craig Bellamy was withdrawn from Liverpool's squad by Kenny Dalglish as he was too affected by news of his former teammate, at club as well as country, to play. Dalglish himself had managed Speed and expressed his sadness at the news. Saying that he thought Speed was a great footballer but also a great person. Another of Speed's former team mates, Hugo Viana paid tribute to him. The Portugese international was another who had played alongside Speed at Newcastle. After his team, Braga, had lost 3–2 to Porto Viana displayed a shirt reading "Gary Rest in Peace"
Internationally, FIFA President Joseph Blatter paid tribute to Gary Speed as "a model professional and a fantastic ambassador for the game". Both the FIFA and Welsh flags at FIFA's headquarters were at half mast as a mark of respect.
# !! Date !! Venue !! Opponent !! Result !! Competition !! Scored | ||||||
1 | 12 October 1994 | Stadionul RepublicanRepublican Stadium, Chisinau || | 2–3 | UEFA Euro 1996 qualifying>1996 European Cup qualification | 1 | |
2 | 6 September 1995| | Cardiff Arms Park>National Stadium, Cardiff | 1–0 | UEFA Euro 1996 qualifying>1996 European Cup qualification | 1 | |
3 | 29 March 1997| | Cardiff Arms Park>National Stadium, Cardiff | 1–2 | 1998 FIFA World Cup qualification>1998 World Cup qualification | 1 | |
4 | 2 September 2000| | Dynama Stadium (Minsk)>Dynama Stadium, Minsk | 2–1 | 2002 FIFA World Cup qualification>2002 World Cup qualification | 1 | |
5 | 20 November 2002| | Tofig Bahramov Stadium, Baku | 2–0 | UEFA Euro 2004 qualification>2004 European Cup qualification | 1 | |
6 | 29 March 2003| | Millennium Stadium, Cardiff | 4–0 | 2006 FIFA World Cup qualification>2006 World Cup qualification | 1 | |
7 | 4 September 2004| | Tofig Bahramov Stadium, Baku | 1–1 | 2006 FIFA World Cup qualification>2006 World Cup qualification | 1 |
Team | Nat | From | To | Record |
!G!!W!!D!!L!!GF!!GA!!GD!!Win % | ||||
align=left | ||||
align=left | ||||
Total |
Category:1969 births Category:People from Flintshire Category:2011 deaths Category:Suicides by hanging in England Category:Association football players who committed suicide Category:Members of the Order of the British Empire Category:Welsh footballers Category:Wales youth international footballers Category:Wales under-21 international footballers Category:Wales international footballers Category:Association football midfielders Category:Association football utility players Category:Leeds United A.F.C. players Category:Everton F.C. players Category:Newcastle United F.C. players Category:Bolton Wanderers F.C. players Category:Bolton Wanderers F.C. non-playing staff Category:Sheffield United F.C. players Category:Premier League players Category:The Football League players Category:Welsh football managers Category:Sheffield United F.C. managers Category:Wales national football team managers Category:The Football League managers
ar:غاري سبيد bg:Гари Спийд cy:Gary Speed da:Gary Speed de:Gary Speed et:Gary Speed es:Gary Speed fr:Gary Speed ga:Gary Speed gd:Gary Speed gl:Gary Speed it:Gary Speed he:גארי ספיד lv:Garijs Spīds hu:Gary Speed ms:Gary Speed nl:Gary Speed ja:ガリー・スピード no:Gary Speed pl:Gary Speed pt:Gary Speed ru:Спид, Гэри fi:Gary Speed sv:Gary Speed vi:Gary Speed zh:加里·斯皮德This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Jimi Hendrix |
---|---|
Background | solo_singer |
Birth name | Johnny Allen Hendrix, renamed James Marshall Hendrix |
Born | November 27, 1942Seattle, Washington, US |
Died | September 18, 1970Kensington, London, England |
Instrument | Guitar, vocals, bass, keyboards, percussion, flute |
Genre | Psychedelic rock, hard rock, blues rock, acid rock, funk rock |
Occupation | Singer, songwriter, guitarist, record producer, recording studio owner |
Years active | 1963–1970 |
Label | RSVP, Track, Barclay, Polydor, Repsrise, Capitol, MCA |
Associated acts | Little Richard, The Isley Brothers, The Blue Flames, The Jimi Hendrix Experience, Gypsy Sun and Rainbows, Band of Gypsys, Curtis Knight |
Website | www.jimihendrix.com |
Notable instruments | Fender StratocasterGibson Flying VGibson SG }} |
After initial success in Europe with his group The Jimi Hendrix Experience, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. He often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback.
Hendrix, as well as his friend Eric Clapton, popularized use of the wah-wah pedal in mainstream rock which he often used to deliver an exaggerated sense of pitch in his solos, particularly with high bends, complex guitar playing, and use of legato. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic phasing effects for rock recording.
Hendrix was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King and Elmore James, rhythm and blues and soul guitarists Curtis Mayfield and Steve Cropper, and the jazz guitarist Wes Montgomery. Hendrix (who was then known as 'Maurice James') began dressing and wearing a moustache like Little Richard when he performed and recorded in his band from March 1, 1964 through to the spring of 1965. In 1966, Hendrix stated, "I want to do with my guitar what Little Richard does with his voice".
Hendrix won many of the most prestigious rock music awards in his lifetime, and has been posthumously awarded many more, including being inducted into the US Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. An English Heritage blue plaque was erected in his name on his former residence at Brook Street, London, in September 1997. A star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut US album, ''Are You Experienced'', was inducted into the United States National Recording Registry, and ''Rolling Stone'' named Hendrix the top guitarist on its list of the 100 greatest guitarists of all-time in 2003.
Hendrix's ancestry was mostly African American, although he was part Cherokee, his paternal great-great grandmother being a full-blooded Cherokee from Georgia. His parents met at a dance in Seattle in 1941 when Lucille Jeter was 16. When she married Al Hendrix the next year, on March 13, 1942, she was pregnant. Since Al had been drafted into the United States Army due to World War II, he was shipped out three days later. Al Hendrix completed his basic training at Fort Sill, Oklahoma, but was stationed in Alabama when his son was born. Because the commanding officer believed that he would go AWOL to Seattle in order to visit his new son, he was locked up in the stockade as a preventative measure, where he remained to receive the telegram informing him of his son's birth. The baby that would grow up to become the guitarist Jimi Hendrix was born to a father who had six fingers on each hand. Al Hendrix spent the war in the South Pacific Theater mostly in Fiji. During the three years that he was away, Lucille struggled with raising her infant son who was neglected in favor of the nightlife scene. Thus Hendrix was mostly cared for by family members and others during this period.
His father received an honorable discharge from the U.S. Army on September 1, 1945, and retrieved his son from a woman who was caring for him in Berkeley. Al legally changed his son’s name to James Marshall Hendrix in memory of his late brother, Leon Marshall Hendrix. He was known as "Buster" to friends and family, from birth. After his return, Al reunited with Lucille. He found it difficult to gain steady employment after the Second World War, and the family was impoverished. Like Lucille, Al also struggled with alcohol and the couple had frequent fights. At one point a pimp named John Page who had a history with Lucille even tried to commandeer her out of a movie theater while she was with Al. Al objected and a fight ensued, spilling out into the street. Al had been an amateur boxer and stunned the pimp with a first punch, eventually winning the brawl and they never saw the pimp again.
During the early years of Hendrix’s life, the turmoil caused by his parent's fighting would sometimes cause him to withdraw and hide in a closet in their home. They moved often, staying in cheap hotels and apartments around Seattle. Throughout his childhood Hendrix would periodically be dropped off to be cared for by relatives. This all left an imprint on him as a small child which would remain with him the rest of his life. In addition to the instability of his home life, Hendrix in later years confided to two different girlfriends that as a youth he had been sexually assaulted by a man, although he never elaborated. In one instance while he was living in Harlem, Hendrix broke down crying as his girlfriend related the sexual abuse she had suffered as a child, telling her that the same thing had happened to him.
Hendrix had two brothers, Leon and Joseph, and two sisters, Kathy and Pamela. Joseph was born with physical difficulties and was placed in foster care at age three. His two sisters were also both placed in foster care at a young age. Kathy was born blind and Pamela suffered lesser physical difficulties.
On December 17, 1951, when Hendrix was nine years old, his parents divorced. His mother developed cirrhosis of the liver and died on February 2, 1958, when the state of her liver caused her spleen to rupture. On occasion, he was placed in the care of his paternal grandmother in Vancouver, British Columbia because of the unstable household, and his brother Leon was placed in foster care temporarily. Hendrix was a shy and sensitive boy, deeply affected by the poverty and family disruption he experienced at a young age. Unusual for his era, Hendrix's high school had a relatively even ethnic mix of African, European, and Asian Americans.
Hendrix was particularly fond of Elvis Presley, whom he saw perform in Seattle, in 1957. Leon Hendrix claimed in an early interview that Little Richard appeared in his Central District neighborhood and shook hands with his brother, Jimi. This is unattested elsewhere and vehemently denied by his father. He also claimed that Richard was visiting his mother there at the time, when Richard's mother actually lived in Los Angeles. Hendrix's early exposure to blues music came from listening to records by Muddy Waters and B.B. King which his father owned. Another early impression came from the 1954 western ''Johnny Guitar'', in which the hero carries no gun but instead wears a guitar slung behind his back.
Hendrix's first gig was with an unnamed band in the basement of a synagogue, Seattle's Temple De Hirsch. After too much wild playing and showing off, he was fired between sets. The first formal band he played in was The Velvetones, who performed regularly at the Yesler Terrace Neighborhood House without pay. He later joined the Rocking Kings, who played professionally at such venues as the Birdland. When his guitar was stolen (after he left it backstage overnight), Al bought him a white Silvertone Danelectro. He painted it red and had "Betty Jean" emblazoned on it—the name of his high school girlfriend.
Hendrix completed junior high at Washington Junior High School with little trouble but did not graduate from Garfield High School. Later he was awarded an honorary diploma, and in the 1990s a bust of him was placed in the school library. After he became famous in the late 1960s, Hendrix told reporters that he had been expelled from Garfield by racist faculty for holding hands with a white girlfriend in study hall. Principal Frank Hanawalt says that it was simply due to poor grades and attendance problems.
At the base recreation center, Hendrix met fellow soldier and bass player Billy Cox, and the two forged a loyal friendship that Hendrix would call upon from April 1969 until Billy's breakdown shortly before Hendrix's death. The two would often perform with other musicians at venues both on and off the base as a loosely organized band there named the Casuals. As a celebrity in the UK, Hendrix mentioned his military service in three published interviews; one in 1967 for the film ''See My Music Talking'' (much later released under the title ''Experience''), which was intended for TV to promote his recently released ''Axis: Bold as Love'' LP, in which he spoke very briefly of his first parachuting experience: "...once you get out there everything is so quiet, all you hear is the breezes-s-s-s..." This comment has later been used to claim that he was saying that this was one of the sources of his "spacy" guitar sound. The second and third mentions of his military experience were in interviews for ''Melody Maker'' in 1967 and 1969, where he spoke of his dislike of the army. In interviews in the US, Hendrix almost never mentioned it, and when Dick Cavett brought it up in his TV interview, Hendrix's only response was to verify that he had been based at Fort Campbell.
In December 1962, Hendrix visited his relatives in Vancouver, Canada, where as a child he had sometimes lived with his grandmother. It has been claimed that while there, he performed with future members of the Motown band Bobby Taylor & the Vancouvers, including Tommy Chong (of later Cheech & Chong fame). Chong, however, disputes this ever happened and that any such appearance is a product of Taylor's "imagination". In early 1963, Hendrix returned to the South. For the next two years, Hendrix made a living performing on a circuit of venues throughout the South catering to black audiences. These were venues affiliated with the Theater Owners' Booking Association (TOBA), sarcastically known as "Tough on Black Asses" because the audiences were very demanding. The TOBA circuit was also widely known as the Chitlin' Circuit. In addition to performing in his own band, Hendrix performed with Bob Fisher and the Bonnevilles, and in backing bands for various soul, R&B;, and blues musicians, including Chuck Jackson, Slim Harpo, Tommy Tucker, Sam Cooke, and Jackie Wilson. The Chitlin' Circuit was where Hendrix refined his style.
Feeling he had artistically outgrown the circuit and frustrated at following the rules of bandleaders, Hendrix decided to try his luck in New York City and in January 1964 moved into the Hotel Theresa in Harlem, where he soon befriended Lithofayne Pridgeon (known as "Faye", who became his girlfriend) and the Allen twins, Arthur and Albert (now known as Taharqa and Tunde-Ra Aleem). The Allen twins became friends and kept Hendrix out of trouble in New York. The twins also performed as backup singers (under the name Ghetto Fighters) on some of his recordings, most notably the song "Freedom". Pridgeon, a Harlem native with connections throughout the area's music scene, provided Hendrix with shelter, support, and encouragement. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest. Hoping to land a gig, Hendrix made the club circuit and sat in with various bands. Eventually, Hendrix was offered the guitarist position with The Isley Brothers' back-up band and he readily accepted.
On March 1, 1964, Hendrix (then calling himself Maurice James) began recording and performing with Little Richard. Hendrix would later (1966) say, "I want to do with my guitar what Little Richard does with his voice". During a stop in Los Angeles while touring with Little Richard in 1965, Hendrix played a session for Rosa Lee Brooks on her single "My Diary". This was his first recorded involvement with Arthur Lee of the band Love. While in L.A., he also played on the session for Little Richard's final single for Vee-Jay, "I Don't Know What You've Got, But It's Got Me". He later made his first recorded TV appearance on Nashville's Channel 5 ''Night Train'' with "The Royal Company" backing up "Buddy and Stacy" on "Shotgun". Hendrix clashed with Richard, over tardiness, wardrobe, and, above all, Hendrix's stage antics. He then rejoined the Isley Brothers in the summer of 1965 and recorded a second single with them, "Move Over and Let Me Dance" backed with "Have You Ever Been Disappointed" (1965 Atlantic 45-2303).
Later in 1965, Hendrix joined a New York–based R&B; band, Curtis Knight and the Squires, after meeting Knight in the lobby of the Hotel America, off Times Square, where both men were living at the time. He performed on and off with them for eight months. In October 1965, Hendrix recorded a single with Curtis Knight, "How Would You Feel" backed with "Welcome Home" (1966 RSVP 1120) and on October 15 he signed a three-year recording contract with entrepreneur Ed Chalpin, receiving 1% royalty. While the relationship with Chalpin was short-lived, his contract remained in force, which caused considerable problems for Hendrix later on in his career. The legal dispute has continued to the present day. (Several songs (and demos) from the 1965–1966 Curtis Knight recording sessions, deemed not worth releasing at the time, were marketed as "Jimi Hendrix" recordings after he became famous.) Aside from Curtis Knight and the Squires, Hendrix then toured for two months with Joey Dee and the Starliters.
In between performing with Curtis Knight in 1966, Hendrix toured and recorded with King Curtis. Hendrix recorded the two-part single "Help Me (Get the Feeling)" with Ray Sharpe and the King Curtis Orchestra (1966 Atco 45-6402) (the backing track was subsequently overdubbed by other vocalists with different lyrics and released as new songs). Later in 1966, Hendrix also recorded with Lonnie Youngblood, a saxophone player who occasionally performed with Curtis Knight. The sessions produced two singles for Youngblood: "Go Go Shoes"/"Go Go Place" (Fairmount F-1002) and "Soul Food (That's What I Like)"/"Goodbye Bessie Mae" (Fairmount F-1022). Additionally, singles for other artists came out of the sessions: The Icemen's "(My Girl) She's a Fox"/ "(I Wonder) What It Takes" (1966 SAMAR S-111) and Jimmy Norman's "You're Only Hurting Yourself"/"That Little Old Groove Maker" (1966 SAMAR S-112). As with the King Curtis recordings, backing tracks and alternate takes for the Youngblood sessions would be overdubbed and otherwise manipulated to create many "new" tracks. (Many Youngblood tracks without any Hendrix involvement would later be marketed as "Jimi Hendrix" recordings). Also around this time in 1966, Hendrix got his first composer credits for two instrumentals "Hornets Nest" and "Knock Yourself Out", released as a Curtis Knight and the Squires single (1966 RSVP 1124).
Hendrix, now going by the name Jimmy James, formed his own band, The Blue Flame, composed of Randy Palmer (bass), Danny Casey (drums), a 15-year-old guitarist who played slide and rhythm named Randy Wolfe, and the occasional stand in June 1966.
Since there were two musicians named "Randy" in the group, Hendrix dubbed Wolfe "Randy California" (as he had recently moved from there to New York City) and Palmer (a Tejano) "Randy Texas". Randy California would later co-found the band Spirit with his stepfather, drummer Ed Cassidy. It was around this time that Hendrix's only daughter Tamika was conceived with Diana Carpenter (also known as Regina Jackson), a teenage runaway and prostitute that he briefly stayed with. Her claim has not been recognized by the US courts where, after death, she may not have a claim on his estate even if she could legally prove he was her father, unless recognized previously as such by him or the courts.
Hendrix and his new band played at several places in New York, but their primary venue was a residency at the Cafe Wha? on MacDougal Street in Greenwich Village. The street runs along "Washington (Square) Park" which appeared in at least two of Hendrix's songs. Their last concerts were at the Cafe au Go Go, as John Hammond Jr.'s backing group, billed as "The Blue Flame". Singer-guitarist Ellen McIlwaine and guitarist Jeff "Skunk" Baxter also claim to have briefly worked with Hendrix in this period.
Impressed with Hendrix's version, Chandler brought him to London and signed him to a management and production contract with himself and ex-Animals manager Michael Jeffery. It was Chandler who came up with the spelling change of "Jimmy" to "Jimi". Chandler then helped Hendrix form a new band, The Jimi Hendrix Experience, with guitarist-turned-bassist Noel Redding and drummer Mitch Mitchell, both English musicians. Shortly before the Experience was formed, Chandler introduced Hendrix to Pete Townshend and to Eric Clapton, who had only recently helped put together Cream. At Chandler's request, Cream let Hendrix join them on stage for a jam on the song "Killing Floor". Hendrix and Clapton remained friends up until Hendrix's death. The first night he arrived in London, he began a relationship with Kathy Etchingham that lasted until February 1969. She later wrote an autobiographical book about their relationship and the sixties London scene in general.
Hendrix sometimes had a camp sense of humor, specifically with the song "Purple Haze". A mondegreen had appeared, in which the line "'Scuse me while I kiss the sky" was misheard as "'Scuse me while I kiss this guy". In a few performances, Hendrix humorously used this, deliberately singing "kiss this guy" while pointing to Mitch or Noel, as he did at Monterey. In the Woodstock DVD he deliberately points to the sky at this point, to make it clear. A volume of misheard lyrics has been published, using this mondegreen itself as the title, with Hendrix on the cover.
Hendrix's first single was a cover of "Hey Joe", using Tim Rose's slower arrangement of the song including his addition of a female backing chorus. Backing this first 1966 "Experience" single was Hendrix's first songwriting effort, "Stone Free". Further success came in early 1967 with "Purple Haze" which featured the "Hendrix chord" and "The Wind Cries Mary". The three singles were all UK Top 10 hits and were also popular internationally including Europe, Australia, New Zealand and Japan (though failed to sell when released later in the US).
Onstage, Hendrix was also making an impression with sped up renderings of the B.B. King hit "Rock Me Baby" and Howlin' Wolf's hit "Killing Floor".
At this time, the Experience extensively toured the United Kingdom and parts of Europe. This allowed Hendrix to develop his stage presence, which reached a high point on March 31, 1967, when, booked to appear as one of the opening acts on the Walker Brothers farewell tour, he set his guitar on fire at the end of his first performance, as a publicity stunt. This guitar has now been identified as the "Zappa guitar" (previously thought to have been from Miami), which has been partly refurbished. Later, as part of this press promotion campaign, there were articles about Rank Theatre management warning him to "tone down" his "suggestive" stage act, with Chandler stating that the group would not compromise regardless. On June 4, 1967, the Experience played their last show in England, at London's Saville Theatre, before heading off to America. The Beatles' ''Sgt. Pepper'' album had just been released on June 1 and two Beatles (Paul McCartney and George Harrison) were in attendance, along with a roll call of other UK rock stardom, including: Brian Epstein, Eric Clapton, Spencer Davis, Jack Bruce, and pop singer Lulu. Hendrix opened the show with his own rendering of "Sgt. Pepper's Lonely Hearts Club Band", rehearsed only minutes before taking the stage, much to McCartney's astonishment and delight.
While on tour in Sweden in 1967, Hendrix jammed with the duo ''Hansson & Karlsson'', and later opened several concerts with their song "Tax Free", also recording a cover of it during the Electric Ladyland sessions. He played there frequently throughout his career, and his only son James Daniel Sundquist was born there in 1969 to a Swede, Eva Sundquist, recognized as such by the Swedish courts and paid a settlement by Experience Hendrix LLC. He wrote a poem to a woman there (probably Sundquist). Sundquist had sent Hendrix roses on each of his opening nights in Stockholm, and began – according to the Swedish courts – a sexual relationship from then until conceiving Daniel with him, after his third visit in January 1969. Hendrix also dedicated songs to the Swedish-based Vietnam deserters organization in 1969.
Months later, Reprise Records released the US and Canadian version of ''Are You Experienced'' with a new cover by Karl Ferris, removing "Red House", "Remember" and "Can You See Me" to make room for the first three single A-sides. Where the (Rest of the World) album kicked off with "Foxy Lady", the US and Canadian one started with "Purple Haze". Both versions offered a startling introduction to the Jimi Hendrix Experience, and the album was a blueprint for what had become possible on an electric guitar, basically recorded on four tracks, mixed into mono and only modified at this point by a "fuzz" pedal, reverb and a small bit of the experimental "Octavia" pedal on "Purple Haze", produced by Roger Mayer in consultation with Hendrix. A remix using the mostly mono backing tracks with the guitar and vocal overdubs separated and occasionally panned to create a stereo mix was also released, only in the US and Canada.
Their chance came when Paul McCartney recommended the group to the organizers of the Monterey International Pop Festival. This proved to be a great opportunity for Hendrix, not only because of the large audience present at the event, but also because of the many journalists covering the event who wrote about him. The performances were filmed by D. A. Pennebaker and later shown in some movie theaters around the country in early 1969 as the concert documentary Monterey Pop, which immortalized Hendrix's iconic burning and smashing of his guitar at the finale of his performance.
The opening song was Hendrix's very fast arrangement of Howlin' Wolf's 1965 R&B; hit "Killing Floor". He played this frequently from late 1965 through 1968, usually as the opener to his shows. The Monterey performance included an equally lively rendering of B.B. King's 1964 R&B; hit "Rock Me Baby", Tim Rose's arrangement of "Hey Joe" and Bob Dylan's 1965 pop hit "Like a Rolling Stone". The set ended with The Troggs' "Wild Thing" and Hendrix repeating the act that had boosted his profile in the UK (and internationally) with him burning his guitar on stage, then smashing it to bits and tossing pieces out to the audience. This show finally brought Hendrix to the notice of the US public. A large chunk of this guitar was on display at the Experience Music Project in Seattle, along with the other psychedelically painted Stratocaster that Hendrix smashed (but did not burn) at his farewell concert in England before he left for the US and Monterey.
At the time Hendrix was playing sets in the Scene club in NYC in July 1967, he met Frank Zappa, whose Mothers of Invention were playing the adjacent Garrick Theater, and he was reportedly fascinated by Zappa's recently purchased wah-wah pedal. Hendrix immediately bought one from Manny's and starting using it right away on the sessions for both sides of his new single, and slightly later, on several jams recorded at Ed Chalpin's studio.
Following the festival, the Experience played a series of concerts at Bill Graham's Fillmore replacing the original headliners Jefferson Airplane at the top of the bill. It was at this time that Hendrix became acquainted with future musical collaborator Stephen Stills, and reacquainted himself with Buddy Miles who introduced Hendrix to his future partner, Devon Wilson. She had a turbulent on/off relationship with him, right up to the night of his death, and was the only one of his partners to record with him. She died only six months after Hendrix under mysterious circumstances, apparently falling from an upper window in the Chelsea Hotel.
Following this very successful West Coast introduction, which also included two open air concerts (one of them a free concert in the "panhandle" of Golden Gate Park) and a concert at the Whisky a Go Go, they were booked as one of the opening acts for pop group The Monkees on their first American tour. The Monkees asked for Hendrix because they were fans, but their (mostly early teens) audience sometimes did not warm to their act, and he quit the tour after a few dates. Chas Chandler later admitted that being thrown off the Monkees tour was engineered to gain maximum media impact and publicity for Hendrix, similar to that gained from the manufactured Rank Theatre's indecency dispute on the earlier UK Walker Brothers tour. At the time, a story circulated claiming that Hendrix was removed from the tour because of complaints made by the Daughters of the American Revolution that his stage conduct was "lewd and indecent". This report was concocted by a journalist accompanying the tour, the Australian Lillian Roxon.
Meanwhile in Western Europe, where Hendrix was appreciated for his authentic blues as well as his hit singles and recognized for his avant-garde musical ideas, his wild-man image and musical gimmickry (such as playing the guitar with his teeth and behind his back) had faded; but they later plagued him in the US following Monterey. He became frustrated by the US media and audience when they concentrated on his stage tricks and best known songs.
The album was released in the UK near the end of their first headlining tour there, after which the pace slowed briefly during the Christmas holidays. In January 1968 the group went to Sweden for a short tour, and after the first show Hendrix, reportedly after drinking and according to Hendrix his drink being spiked, went berserk and smashed up his hotel room in a rage, injuring his hand and culminating in his arrest. Then on the 6th in Denmark his famous hat was stolen. The rest of the tour was uneventful, though Hendrix had to spend some time in Sweden waiting for his trial and eventual large fine.
As the album's recording progressed, Chas Chandler became so frustrated with Hendrix's perfectionism and with various friends and guests milling about the studio that he decided to sever his professional relationship with Hendrix. Chandler's departure had a clear impact on the artistic direction that the recording took.
Hendrix began experimenting with different combinations of musicians and instruments, and modern electronic effects. For example, Dave Mason, Chris Wood, and Steve Winwood from the band Traffic, drummer Buddy Miles and former Bob Dylan organist Al Kooper, among others, were involved in the recording sessions. He described how Hendrix went from a disciplined recording regimen to an erratic schedule, which often saw him beginning recording sessions in the middle of the night and with any number of guests.
Chandler also expressed exasperation at the number of times Hendrix would insist on rerecording particular tracks; the song "Gypsy Eyes" was reportedly recorded 43 times. This was also frustrating for bassist Noel Redding, who would often leave the studio to calm himself, only to return and find that Hendrix had recorded the bass parts himself during Redding's absence.
''Electric Ladyland'' includes "Voodoo Chile (Slight Return)" as well as Hendrix's rendering of Bob Dylan's "All Along the Watchtower".
Throughout the four years of his fame, Hendrix often appeared at impromptu jams with various musicians, such as B.B. King. In March 1968, Jim Morrison of The Doors joined Hendrix onstage at New York's Scene Club. Albums of this ''Electric Ladyland''-era bootleg recording were released under various titles, some falsely claiming the presence of Johnny Winter, who has denied, several times, being a participant at that jam session, and to ever having met Morrison.
Noel Redding felt increasingly frustrated by the fact that he was not playing his original and favored instrument, the guitar. In 1968, he decided to form his own band, Fat Mattress, which would sometimes open for the Experience (Hendrix would jokingly refer to them as "Thin Pillow"). Redding and Hendrix would begin seeing less and less of each other, which also had an effect in the studio, with Hendrix playing many of the bass parts on ''Electric Ladyland''.
Fruitless recording sessions at Olympic in London; Olmstead and the Record Plant in New York that ended on April 9, which only produced a remake of "Stone Free" for a possible single release, were the last to feature Redding. Hendrix then flew Billy Cox to New York and started recording and rehearsing with him on April 21 as a replacement for Noel.
In a recorded interview by Nancy Carter on June 15 at his hotel in Los Angeles, Hendrix announced that he had been recording with Cox and that he would be replacing Noel as bass player in The Jimi Hendrix Experience.
The last Experience concert took place on June 29, 1969 at Barry Fey's Denver Pop Festival, a three-day event held at Denver's Mile High Stadium that was marked by police firing tear gas into the audience as they played "Voodoo Chile (Slight Return)". The band escaped from the venue in the back of a rental truck which was partly crushed by fans trying to escape the tear gas. The next day, Noel Redding announced that he had quit the Experience.
Before Hendrix even arrived at the festival he started to hear media reports that the crowds of kids showing up for the festival were swelling to biblical proportions, in addition to the emerging logistical problems being reported at the site. This gave Hendrix pause for concern since he did not like performing in front of very large crowds. Since he was considered an important draw for the festival, and because of his manager's negotiations, Hendrix was getting paid more than the other performers, (US$18,000, plus US$12,000 for rights to film him). As the scheduled time slot of Sunday night at midnight drew closer, Hendrix indicated that he would rather wait and close the show. A substantial rainstorm that day had delayed the schedule of performers, so when Hendrix insisted on being the closing headliner, it pushed back the time when they finally hit the stage - which ended up being 8:30am Monday morning. The audience which had peaked at an estimated 400,000 people during the festival, was now reduced to about 30-40,000 by that point; many of whom merely waited to catch a glimpse of Hendrix before leaving during his show. This reflected the reality that by the third day attendees had been sleeping in muddy conditions with limited food.
Hendrix and his band were introduced by the festival MC, Chip Monck, as "The Jimi Hendrix Experience", but once on stage Hendrix clarified saying, "We decided to change the whole thing around and call it 'Gypsy Sun and Rainbows'. For short, it's nothin but a 'Band of Gypsys'" He then launched into a two hour set, the longest of his career. Hendrix started off with a new song, “Message to Love". (His Woodstock set consisting of new material, along with his well-known hits).
Hendrix's psychedelic rendition of the U.S. national anthem, "The Star-Spangled Banner" occurred about 3/4 into their set (after which he morphed into "Purple Haze"). The song had actually been part of his set for a year and he had already performed it on at least three different occasions. During the number, Hendrix used feedback and sustain on his guitar to recreate the sound of wails and falling rockets. Although pundits quickly branded the song as a political manifesto against the Vietnam War, Hendrix himself never explained its meaning other than to say at a press conference three weeks later, "We're all Americans. . .it was like 'Go America!'. . .We play it the way the air is in America today. The air is slightly static, see". The song would become "part of the sixties Zeitgeist" as it was captured forever in the Woodstock film; Hendrix's image performing this number during the day wearing a blue-beaded white leather jacket with fringe and a red head scarf, has since been regarded as a defining moment of the 1960s.
Hendrix performed "Hey Joe" as the encore to finish off their set which concluded the 3½ day Woodstock Music Festival. Upon leaving the stage, Hendrix collapsed from exhaustion.
After Woodstock, this particular lineup of the band appeared on only two more occasions. The first was a street benefit in Harlem where, in a scenario similar to the festival, most of the audience had left and only a fraction remained by the time Hendrix took the stage. Within seconds of Hendrix arriving at the site two youths had stolen his guitar from the back seat of his car, although it was later recovered. The band's only other appearance was at the Salvation club in Greenwich Village, New York. After some studio recordings, Hendrix disbanded the group. Some of this band's recordings can be heard on the MCA Records box set ''The Jimi Hendrix Experience'' and on ''South Saturn Delta''. Their final work together was a session on September 6. Hendrix's September 9 appearance on TV's ''The Dick Cavett Show'', backed by Cox, Mitchell and Juma Sultan, was credited as the "Jimi Hendrix Experience".
Along with Billy Cox and drummer Buddy Miles (formerly with Wilson Pickett and The Electric Flag) with whom he had been jamming together since September, Hendrix wrote and rehearsed material which they then performed at a series of four concerts over two nights, New Year's Eve and New Year's Day at Fillmore East. The second night produced the material for the ''Band Of Gypsys'' LP, which was produced by Hendrix (under the name "Heaven Research").
The ''Band of Gypsys'' LP was the only official completely live LP released in Hendrix's lifetime. The band also released a single "Stepping Stone" which failed to sell, and recorded several studio songs slated for Hendrix's future LP. In 1999, the tapes from the four Fillmore concerts were remastered and additional tracks and edits were released as ''Live at the Fillmore East''. Litigation with Chalpin ended in 2007 after the "singularly uncredible witness" was fined nearly US$900,000 for failure to abide by contractual limitations and failure to pay ''Experience Hendrix L.L.C.'' its court ordered royalties.
On January 26 and 27, 1970, Mitch Mitchell and Noel Redding flew into New York and signed contracts with Jeffery for the upcoming Jimi Hendrix Experience tour. The next day, a second and final Band of Gypsys appearance occurred at a twelve-act show in Madison Square Garden which was a benefit for the anti-Vietnam War Moratorium Committee, titled the "Winter Festival for Peace". Similar to Woodstock, set delays forced Hendrix to take the stage at an inopportune 3 a.m., only this time he was obviously in no shape to play. He played "Who Knows" before snapping a vulgar response at a woman who shouted a request for "Foxy Lady". He played a second song, "Earth Blues", he then told the audience: "That's what happens when earth fucks with space—never forget that". He then sat down on the drum riser for a minute and then walked off stage. Various unverifiable assertions have been proffered to explain this bizarre scene. Buddy Miles claimed that manager Michael Jeffery dosed Hendrix with LSD in an effort to sabotage the current band and bring about the return of the Experience lineup, but none of Hendrix's other close associates verifies his statement.
Two of Hendrix's later recordings were the lead guitar parts on "Old Times Good Times" from Stephen Stills hit eponymous album (1970), and on "The Everlasting First" from Arthur Lee's new incarnation of Love, not so successful and aptly named LP ''False Start'' both tracks were recorded with these old friends on a fleeting and unexplained visit to London in March 1970, following Kathy Etchingham's marriage.
He spent the next four months of 1970 working on his next LP tentatively titled ''First Rays of the New Rising Sun'', recording during the week and playing live on the weekends. The Cry of Love tour, launched that April at the L.A. Forum, was partly undertaken to earn money to repay the Warner Bros. loan for completing his Electric Lady Studios. Performances on this tour featured Hendrix, Cox, and Mitchell playing new material alongside older audience favorites. The American leg of the tour included 30 performances and ended at Honolulu, Hawaii on August 1, 1970. A number of these shows were recorded and produced some of Hendrix's most memorable live performances.
Designed by architect and acoustician John Storyk, the studio was made specifically for Hendrix, with round windows and a machine capable of generating ambient lighting in a myriad of colors. It was designed to have a relaxing feel to encourage Hendrix's creativity, but at the same time provide a professional recording atmosphere. Engineer Eddie Kramer upheld this by refusing to allow any drug use during session work.
Hendrix spent only two and a half months recording in Electric Lady, most of which took place while the final phases of construction were still ongoing. Following a recording/dubbing session on August 26, an opening party was held later that day. He then boarded an Air India flight for London with Billy Cox, joining Mitch Mitchell to perform at the Isle of Wight Festival.
Hendrix returned to London, where he reportedly spoke to Chas Chandler, Eric Burdon, and others about leaving his manager, Michael Jeffery. Hendrix's last public performance was an informal jam at Ronnie Scott's Jazz Club in Soho with Burdon and his latest band, War. Much of this was recorded on a Sony cassette recorder by Bill Baker, of Shepherds Bush, London, then aged 20, who was present throughout the entire performance. Two Hendrix tracks from this recording, "Mother Earth" and "Tobacco Road", were later included, without permission from Baker, on a bootleg LP, ''Can You Please Crawl Out Your Window?'', produced in the mid-to-late 1970s, and on an audio tape of poor quality that went into circulation some years later. It was not until 2009, however, that the entire recording entered general circulation within the collecting community. This was remastered in California in December 2010 and includes tracks from the same night's performance by Eric Burdon's War. This is the last known recording of Jimi Hendrix, who died approximately 24 hours later.
Early on September 18, 1970, Jimi Hendrix died in London. He had spent the latter part of the previous evening at a party and was picked up at close to 3:00 by girlfriend Monika Dannemann and driven to her flat at the Samarkand Hotel, 22 Lansdowne Crescent, Notting Hill. From autopsy data and statements by friends about the evening of September 17, it has been estimated that he died sometime after 3:00, possibly before 4:00, but also possibly later, though no estimate was made at the autopsy, or inquest.
Dannemann claimed in her original testimony that after they returned to her lodgings the evening before, Hendrix, unknown to her, had taken nine of her prescribed Vesparax sleeping pills. The normal medical dose was a half to one tablet as stated in the literature, but Hendrix was unfamiliar with this very strong Belgian brand. According to surgeon John Bannister, the doctor who initially attended to him, Hendrix had asphyxiated in his own vomit, mainly red wine which had filled his airways. Bannister's statement was made in January 1992 to Harry Shapiro, co-author of ''Electric Gypsy'', a book which also featured accusations of malpractice by Monika Dannemann in regards to Bannister's not performing a tracheotomy on Hendrix. He appears to have been using the amount of wine in his system as a reason for not performing a tracheotomy. He was reprimanded for two counts of medical malpractice, and struck off the medical register on 28 April 1992 for fraud. No one else at the time, the other two doctors, the ambulance men, or the police mentioned wine. The only mention of wine was by Monika much earlier, in ''Electric Gypsy'' (which Bannister had read), and that Hendrix had drunk some with food earlier that evening and also by Harvey at his, again, much earlier party, which were both several hours prior to death. The autopsy found very little alcohol in his system. The autopsy never mentioned wine, only vomited matter.
Until her death, Dannemann publicly claimed that she had only discovered that her lover had been sick at 11:00 a.m., but he was breathing, though unconscious and unresponsive (The ambulance was called at 11:18 and arrived 11:27). And that Hendrix was alive when placed in the back of the ambulance at approximately 11:30, and that she rode with him on the way to the hospital.
The ambulance crew later denied she was even there; additionally, Dannemann's comments about the timing of some events that morning often differed in places, varying from interview to interview.
Police and ambulance statements reveal that there was no one but Hendrix in the flat when they arrived at 11:27 a.m., and not only was he dead when they arrived on the scene, but was fully clothed and had been dead for some time.
Later, Dannemen claimed that former road managers Gerry Stickels and Eric Barrett had been present before the ambulance was called. and had removed some of Hendrix's possessions, including some of his most recent messages. Lyrics written by Hendrix, which were found in the apartment, led Eric Burdon to make a premature announcement on the BBC-TV program ''24 Hours'' that he believed Hendrix had committed suicide. Burdon often claimed he had been telephoned by Dannemann after she discovered that Hendrix failed to wake up.
In 1996, Monika Dannemann committed suicide shortly after being found guilty of contempt of court for repeating a libel against Kathy Etchingham, who had been a girlfriend of Hendrix in the 1960s.
"There was a freak storm across Mallorca and all the phone lines were down. Somebody told Mike that Jimi had been trying to phone him. The first call that got through was to say Jimi was dead. Mike was terribly upset at the thought of Jimi not being able to get through to him." – Trixie Sullivan, secretary/assistant for Mike Jeffery
Many photographs of Hendrix show him wearing various scarves, rings, medallions, and brooches, and in the early days occasionally badges (pins or buttons) that professed his support for the hippie movement or his fascination with Bob Dylan. He initially wore a dark suit and plain silk shirts that progressively became "louder" and more psychedelically patterned. He later favored a bright blue velvet suit, then a bright red one, antique military dress jackets, a very broadly striped suit, psychedelically patterned silk jackets, various exotic waistcoats and brightly colored flared trousers. At Monterey, he wore a hand-painted silk jacket by Chris Jagger (Mick Jagger's brother) and a bright pink feather boa. In late 1967 he started to wear a wide-brimmed Western style hat (brand name "The Westerner"). It was adorned with a narrow purple band and various brooches, as shown in the original ''Jimi Plays Monterey'' film. This hat was stolen in 1968, and replaced later with another, crowned variously with a longer purple scarf, a star-like brooch in front and a set of silver bangles, sometimes with an angled feather, though he went hatless for protracted periods after this.
From late 1968 he began tying scarves to one leg and one arm, and in mid-1969 he gave up the hat for bandanas. He started wearing increasingly fantastic custom-made stage costume with long trailing sleeves, culminating in his African-styled "Fire Angel" outfit that he wore throughout most of his final "Cry Of Love" tour, until it began to come apart during the Isle of Wight concert. He appeared in this outfit only once more (in just the jacket) at the disastrous concert in Aarhus, Denmark. His only non-work-related vacation was a two-week trip to Morocco in July 1969 with friends Colette Mimram, Stella Benabou (the then-wife of producer Alan Douglas), and Deering Howe. Upon his return Hendrix decorated his Greenwich Village apartment with Moroccan ''objets d'art'' and fabrics. Mimram and Benabou created some of Hendrix's most memorable later attire, the shortened blue kimono-style jacket that he wore in three TV appearances and the white fringed jacket, ornamented with blue glass beads, he wore at the Woodstock Festival.
On May 3, 1969, while checking through Canadian customs at Toronto Pearson International Airport, Hendrix was arrested when small amounts of heroin and hashish were found in his luggage. After being released on a CAN$10,000 cash bail the same day, only four hours before his show was to begin, (and being required to appear in court at a later date), the Experience were able to play their concert at Maple Leaf Gardens. In his trial defense, Hendrix claimed that the drugs were slipped into his bag by a fan without his knowledge. He was acquitted.
He was by all accounts promiscuous, having casual sex with many women.
The memorial is a granite dome supported by three pillars under which Jimi Hendrix and other family members are interred. Hendrix's autograph is inscribed at the base of each pillar, while two stepped entrances and one ramped entrance provide access to the dome's center where the original Stratocaster adorned headstone has been incorporated into a statue pedestal. A granite sundial complete with brass gnomon adjoins the dome, along with over 50 family plots that surround the central structure, half of which are currently adorned with raised granite headstones.
To date, the memorial remains incomplete: brass accents for the dome and a large brass statue of Hendrix were announced as being under construction in Italy, but since 2002 no information as to the status of the project has been revealed to the public. A memorial statue of Jimi playing a Stratocaster stands near the corner of Broadway and Pine Streets in Seattle.
In May 2006, the city of Seattle honored Hendrix with the re-naming of a park near Seattle's Colman School in the Central District.
In 1994, the Hendrix family prevailed in its long standing legal attempt to gain control of Jimi's music, and subsequently licensed the recordings to MCA Records (later Universal Music) through the family-run company Experience Hendrix. In August 2009, Experience Hendrix announced that it had entered a new licensing agreement with Sony Music Entertainment's Legacy Recordings division which would take effect in 2010.
Hendrix's unfinished album was partly released as the 1971 title ''The Cry of Love''. The album was well received and charted in several countries. However, the album's producers, Mitchell and Kramer, would later complain that they were unable to make use of all the tracks they wanted. This was due to some tracks being used for 1971's ''Rainbow Bridge'' and 1972's ''War Heroes'' for contractual reasons.
Material from ''The Cry of Love'' was rereleased in 1997 as ''First Rays of the New Rising Sun'', along with the rest of the tracks that Mitchell and Kramer wanted to include.
Many of Hendrix's personal items, tapes, and many pages of lyrics and poems are now in the hands of private collectors and have attracted considerable sums at the occasional auctions. These materials surfaced after two employees, under the instructions of Mike Jeffery, removed items from Hendrix's Greenwich Village apartment following his death.
In 2010, Legacy Recordings and Experience Hendrix LLC launched the 2010 Jimi Hendrix Catalog Project, starting with the release of ''Valleys of Neptune'' in March. Legacy has also released deluxe CD/DVD editions of the Hendrix albums ''Are You Experienced'', ''Axis: Bold As Love'', ''Electric Ladyland'' and ''First Rays of the New Rising Sun'', as well as the 1968 compilation album ''Smash Hits''.
His career and death grouped him with Janis Joplin, Jim Morrison and Brian Jones as one of the 27 Club, a group including iconic 1960s rock stars who suffered drug-related deaths at the age of 27 within a two year period, leaving legacies in death that have eclipsed the popularity and influence they experienced during their lifetimes. Kurt Cobain and Amy Winehouse were later added to this list, also dying at the age of 27.
Musically, Hendrix did much to further the development of the electric guitar's repertoire, establishing it as a unique sonic source, rather than merely an amplified version of the acoustic guitar. Likewise, his feedback, wah-wah and fuzz-laden soloing moved guitar distortion well beyond mere novelty, incorporating other effects pedals and units specifically designed for him by his sound technician Roger Mayer (such as the Octavia and Uni-Vibe) with dramatic results.
Hendrix affected popular music with similar profundity; along with earlier bands such as The Who and Cream, he established a sonically heavy yet technically proficient bent to rock music as a whole, significantly furthering the development of hard rock and paving the way for heavy metal. He took blues to another level. His music has also had a great influence on funk and the development of funk rock especially through the guitarists Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic, Prince, John Frusciante former member of the Red Hot Chili Peppers and Jesse Johnson of The Time. His influence even extends to many hip hop artists, including Questlove, Chuck D of Public Enemy, Ice-T (who covered "Hey Joe" with his heavy metal band Body Count), El-P and Wyclef Jean. Miles Davis was also deeply impressed by Hendrix and compared his improvisational skills with those of saxophonist John Coltrane, and Davis would later want guitarists in his bands to emulate Hendrix. Hendrix was ranked number 3 on VH1's ''100 Greatest Artists of Hard Rock'' behind Black Sabbath and Led Zeppelin.
Hendrix's guitar style also had significant influence upon ZZ Top guitarist Billy Gibbons, fellow Texas guitar legend Stevie Ray Vaughan, and later on Metallica guitarist Kirk Hammett and Pearl Jam's Mike McCready, among others.
Hendrix was ranked number 3 on VH1's list of the 100 Greatest Artists of Rock N' Roll, behind the Rolling Stones and the Beatles. He has been voted by ''Rolling Stone'', ''Guitar World'', and a number of other magazines and polls as the best electric guitarist of all time. Conversely and with some modesty, Hendrix when asked in a Rolling Stone interview, "How does it feel to be the greatest guitarist in the world?", Hendrix replied, "I don't know, go ask Rory Gallagher."
In 2004, ''Rolling Stone'' ranked him number 6 on their list of the 100 greatest artists of all time.
''Guitar World''
In 1992, Hendrix was posthumously awarded the Grammy Lifetime Achievement Award.
Janie and Robert's defense was that the company was not profitable yet, and that their salary and benefits were justified given the work that they put into running the company. Leon charged that Janie bilked Al Hendrix, then old and frail, into signing the revised will, and sought to have the previous will reinstated. The defense argued that Al willingly removed Leon from his will because of Leon's problems with alcohol and gambling. In early 2005, presiding judge Jeffrey Ramsdell handed down a ruling that left the final will intact, but replaced Janie and Robert's role at the financial helm of Experience Hendrix with an independent trustee.
On October 5, 2011 the U.S. Supreme Court heard arguments in a case ''Golan v. Holder'' concerning the 1994 U.S. federal law that protected foreign copyrights. At stake in the outcome of this case is whether previously unprotected foreign works could be suddenly copyrighted and withdrawn from public domain. In a hypothetical argument Justice John Roberts asked "what about Jimi Hendrix?" and if Hendrix's rendition of the "Star Spangled Banner" at Woodstock violated copyright protection or was protected under public domain. Solicitor General Donald Verrilli, who defended the 1994 law, stated "maybe Jimi Hendrix could claim fair use". The music of the "Star Spangled Banner" was composed by an English musician, John Stafford Smith in the mid 1760s. The lyrics of the "Star Spangled Banner" were written by American Francis Scott Key in 1814 and the song became America's National anthem in 1931.
Hendrix bought many Stratocasters and gave some away as gifts. The original sunburst Stratocaster that Hendrix burnt at the Astoria in 1967, and that he kept as a souvenir, was given to Frank Zappa by a Hendrix roadie at the 1968 Miami Pop Festival; Zappa assumed it was the one Hendrix had played there.
Hendrix used right-handed guitars, turned upside down and restrung for left-hand playing. This had an important effect on his guitar sound: because of the slant of the Strat's bridge pickup, his lowest string had a bright sound while his highest string had a mellow sound, the opposite of the Stratocaster's intended design. Heavy use of the tremolo bar necessitated frequent tuning; Hendrix often asked the audience for a "minute to tune up", as heard on many live bootlegs of his performances.
In addition to Stratocasters, Hendrix was also photographed playing Fender Jazzmasters, Duosonics, two different Gibson Flying Vs, a Gibson Les Paul, three Gibson SGs, a Gretsch Corvette he used at the 1967 Curtis Knight sessions and miming with a right-strung Fender Jaguar on the ''Top of the Pops'' TV show, as well as several other brands. Hendrix borrowed a Fender Telecaster from Noel Redding to record "Hey Joe" and "Purple Haze", used a white Gibson SG Custom for his performances on ''The Dick Cavett Show'' in the summer of 1969, and the Isle of Wight film shows him playing his second Gibson Flying V. While Jimi had previously owned a Flying V that he had painted with a psychedelic design, the Flying V used at the Isle of Wight was a unique custom left-handed guitar with gold plated hardware, a bound fingerboard and "split-diamond" fret markers that were not found on other 1960s-era Flying Vs.
On December 4, 2006, one of Hendrix's 1968 Fender Stratocaster guitars with a sunburst design was sold at a Christie's auction for US$168,000.
While his mainstays were the Arbiter Fuzz Face and a Vox wah-wah pedal, Hendrix experimented with guitar effects as well. He had a fruitful association with engineer Roger Mayer who later went on to make the Axis fuzz unit, the Octavia octave doubler and several other devices based on units Mayer had created or tweaked for Hendrix. The Japanese-made Uni-Vibe, designed to simulate the modulation effects of the rotating Leslie speaker, provided a rich phasing sound with a speed control pedal, and is heard on the Band of Gypsys track "Machine Gun", which highlights use of the Uni-Vibe, Octavia and Fuzz Face.
The Hendrix sound combined high volume and high power, feedback manipulation, and a range of cutting-edge guitar effects. He was also known for his trick playing, which included playing with only his right (fretting) hand and using his teeth or playing behind his back and between his legs. Hendrix had large hands and characteristically used his thumb to fret bass notes, leaving his fingers free to play melodic lines on top. A clear demonstration of this thumb technique can be witnessed in the Woodstock video; during the song "Red House" there are closeups of Hendrix's fretting hand.
Category:1942 births Category:1970 deaths Category:African American guitarists Category:African American rock musicians Category:African American rock singers Category:African American singer-songwriters Category:Alcohol-related deaths Category:Alcohol-related deaths in England Category:American baritones Category:American expatriates in the United Kingdom Category:American people of Cherokee descent Category:Drug-related deaths Category:Grammy Lifetime Achievement Award winners Category:Lead guitarists Category:Musicians from Seattle, Washington Category:Rock and Roll Hall of Fame inductees Category:The Jimi Hendrix Experience members Category:United States Army soldiers Category:People from Renton, Washington Category:Psychedelic rock musicians Category:American rock guitarists Category:American record producers Category:American funk guitarists
af:Jimi Hendrix ar:جيمي هندريكس an:Jimi Hendrix be:Джымі Хендрыкс be-x-old:Джымі Гэндрыкс bs:Jimi Hendrix br:Jimi Hendrix bg:Джими Хендрикс ca:Jimi Hendrix cv:Хендрикс Джими cs:Jimi Hendrix cy:Jimi Hendrix da:Jimi Hendrix de:Jimi Hendrix et:Jimi Hendrix el:Τζίμι Χέντριξ es:Jimi Hendrix eo:Jimi Hendrix eu:Jimi Hendrix fa:جیمی هندریکس hif:Jimi Hendrix fr:Jimi Hendrix ga:Jimi Hendrix gl:Jimi Hendrix ko:지미 헨드릭스 hr:Jimi Hendrix io:Jimi Hendrix id:Jimi Hendrix ia:Jimi Hendrix is:Jimi Hendrix it:Jimi Hendrix he:ג'ימי הנדריקס ka:ჯიმი ჰენდრიქსი sw:Jimi Hendrix la:Iacobus Hendrix lv:Džimijs Hendrikss lb:Jimi Hendrix lt:Jimi Hendrix li:Jimi Hendrix ln:Jimi Hendrix hu:Jimi Hendrix mk:Џими Хендрикс ml:ജിമ്മി ഹെൻഡ്രിക്സ് mt:Jimi Hendrix mr:जिमी हेंड्रिक्स arz:جيمى هيندريكس nl:Jimi Hendrix ja:ジミ・ヘンドリックス no:Jimi Hendrix nn:Jimi Hendrix oc:Jimi Hendrix pl:Jimi Hendrix pt:Jimi Hendrix ro:Jimi Hendrix qu:Jimi Hendrix rue:Джімі Гендрікс ru:Хендрикс, Джими sc:Jimi Hendrix sq:Jimi Hendrix scn:Jimi Hendrix simple:Jimi Hendrix sk:Jimi Hendrix sl:Jimi Hendrix sr:Џими Хендрикс sh:Jimi Hendrix fi:Jimi Hendrix sv:Jimi Hendrix tl:Jimi Hendrix ta:ஜிமி ஹென்றிக்ஸ் th:จิมิ เฮนดริกซ์ tr:Jimi Hendrix uk:Джимі Хендрікс vi:Jimi Hendrix vo:Jimi Hendrix war:Jimi Hendrix yo:Jimi Hendrix bat-smg:Jimi Hendrix zh:吉米·亨德里克斯
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Joe South |
---|---|
Background | solo_singer |
Born | February 28, 1940Atlanta, Georgia, US |
Instrument | Guitar |
Genre | Country, Folk, Rock |
Occupation | Musician |
Years active | 1958–present |
Label | Capitol |
Website | www.joesouth.com }} |
He had met and was encouraged by Bill Lowery, an Atlanta music publisher and radio personality. He began his recording career in Atlanta with National Recording Corporation, where he served as staff guitarist along with other NRC artists Ray Stevens and Jerry Reed. South's earliest recordings have been re-released by NRC on CD.
South had three hits in the late 1960s and early 1970s, "Don't It Make You Wanna Go Home," "Walk A Mile In My Shoes", and his biggest single "Games People Play" (1968), which was a hit on both sides of the Atlantic. It won the Grammy Award for Best Contemporary Song, the Grammy Award for Song of the Year.
South's compositions have been recorded by many artists. They include Billy Joe Royal's hits "Down in the Boondocks" and "Hush" (later a hit for Deep Purple and Kula Shaker), the Osmonds' hit "Yo-Yo," and Elvis Presley's Las Vegas-era version of "Walk a Mile in My Shoes", also recorded by Bryan Ferry and Coldcut. South's most commercially successful composition is Lynn Anderson's 1971 country/pop monster hit "(I Never Promised You A) Rose Garden", which was a hit in 16 countries worldwide and translated into many languages. Lynn Anderson won a Grammy Award for her vocals and South won a Grammy Award for writing the song. South would go on to write more hits for Anderson such as, "How Can I Unlove You" (Billboard #1) and "Fool Me" (Billboard #3).
South was also a prominent sideman, playing guitar on Aretha Franklin's "Chain of Fools", and Tommy Roe's "Sheila," as well as appearing on Bob Dylan's album ''Blonde on Blonde''.
The suicide of his brother, Tommy, drove South into a deep depression. Tommy had been his backing band's drummer and accompanied South not only in live performances, but also on recording sessions when South produced hits for other artists, including Billy Joe Royal, Sandy Posey, and Friend and Lover.
South was inducted into the Nashville Songwriters Hall of Fame in 1979. On 13 September 2003 South was inducted into Georgia Music Hall of Fame, and played together with Buddy Buie, James B. Cobb, Jr. and Chips Moman at the induction ceremony.
In 1988 Dutch DJ Jan Donkers interviewed South for VPRO-radio. The radio show that aired the interview also played four new songs by South, but a new record was not released.
Year | Album | Chart Positions | Label | ||
! width="45" | ! width="45" | CAN | |||
''Introspect'' | |||||
''Games People Play'' | |||||
''Don't It Make You Want to Go Home?'' | |||||
''Greatest Hits'' | |||||
''Joe South'' | |||||
''Joe South Story'' | MGM | ||||
''So the Seeds Are Growing'' | |||||
1972 | ''A Look Inside'' | ||||
1975 | ''Midnight Rainbows'' | Island | |||
1976 | ''You're the Reason'' | Gusto | |||
1990 | ''The Best of Joe South'' | Rhino | |||
1999 | ''Retrospect: The Best of Joe South'' | Koch | |||
2001 | ''Anthology: A Mirror of His Mind'' | Raven | |||
2002 | ''Classic Masters'' | Capitol |
Year | Single | Chart Positions | Album | |||||
! width="45" | ! width="45" | ! width="45" | ! width="45" | CAN Country | CAN AC | |||
1958 | "The Purple People Eater Meets the Witch Doctor" | |||||||
1961 | "You're the Reason" | |||||||
"Birds of a Feather" | ''Introspect'' | |||||||
''Games People Play'' | ||||||||
"Leaning on You" | single only | |||||||
"Don't It Make You Want to Go Home" (with The Believers) | ||||||||
"Walk a Mile in My Shoes" | ||||||||
"Children" | ||||||||
"Why Does a Man Do What He Has to Do" | ||||||||
1971 | "Fool Me" |
Category:1940 births Category:Living people Category:American country guitarists Category:American country singer-songwriters Category:American male singers Category:American pop singers Category:American record producers Category:American rock guitarists Category:American rock singer-songwriters Category:Grammy Award winners Category:People from Atlanta, Georgia Category:National Recording Corporation artists Category:Capitol Records artists Category:American session musicians
de:Joe South pl:Joe South ru:Джо Саут fi:Joe South sv:Joe SouthThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The World News (WN) Network, has created this privacy statement in order to demonstrate our firm commitment to user privacy. The following discloses our information gathering and dissemination practices for wn.com, as well as e-mail newsletters.
We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.