June () is the sixth month of the year in the Julian and Gregorian calendars and one of the four months with a length of 30 days. Ovid provides two etymologies for June's name in his poem concerning the months entitled the ''Fasti''. The first is that the month is named after the Roman goddess Juno, wife of Jupiter and equivalent to the Greek goddess Hera, whilst the second is that the name comes from the Latin word ''iuniores'', meaning "younger ones," as opposed to ''maiores'' ("elders") for which the preceding month May is named (''Fasti'' VI.1–88). See: Months in various calendars also called the season of the unicorn.
At the start of June, the sun rises in the constellation of Taurus; at the end of June, the sun rises in the constellation of Gemini. However, due to the precession of the equinoxes, June begins with the sun in the astrological sign of Gemini, and ends with the sun in the astrological sign of Cancer.
June is the month with the longest daylight hours of the year in the Northern Hemisphere and the shortest daylight hours of the year in the Southern Hemisphere.
June in the Northern Hemisphere is the seasonal equivalent to December in the Southern Hemisphere and vice versa.
In the Northern hemisphere, the beginning of the meteorological summer is 1 June. In the Southern hemisphere, the beginning of the meteorological winter is 1 June.
June is known for the large number of marriages that occur over the course of the month. According to one etymology, June is named after Juno (Hera). Juno was the goddess of marriage and a married couple's household, so some consider it good luck to be married in this month.
In Iceland, folklore says that if you bathe naked in the morning dew on the morning of June 24, you are supposed to keep aging at bay for longer.
In both common and leap years, no other month begins on the same day of the week as June. This month and May are the only two months that have this property. June ends on the same day of the week as March every year.
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Before leaving the U.S. in the autumn of 1966 aboard the R.M.S Queen Mary, Mr. Levy attended the University of Maryland and Temple University and taught in the literature department at Shippensburg State College, in Pennsylvania. In the sixties and seventies, he was founder and chief-editor of many magazines such as: The Insect Trust Gazette, International Times, Suck, and The Fanatic. Recently, he served as European Editor for American glossy fanzines High Times and Penthouse magazine and as an associate editor of Amsterdam zines Het Gewicht, Ins & Outs, La Linea and Atom Club. Mr. Levy has been a regular contributor to Andrei Codrescu's Exquisite Corpse and Libido and is currently publisher of Transactions of the Invisible Language Society series. His meditation play Europe in Flames was also featured at the Festival of New Radio in New York. In 1998, Mr. Levy was awarded the Erotic Oscar for writing at London's Sex Maniac's Ball. Until his recent retirement from radio and for 20 years non-stop, Mr. Levy's alter-ego, Dr. Doo Wop, could be heard weekly spinning groovy music across Amsterdam's airwaves.
Mr. Levy currently lives in Amsterdam with his wife, the literary translator Susan Janssen (translator of many works of Bukowski and of F. Scott Fitzgerald's The Great Gatsby).
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
birth name | Maite Perroni Beorlegui |
---|---|
birth date | March 09, 1983 |
birth place | Mexico City, Mexico |
occupation | Actress, Singer |
yearsactive | 2004–present |
Relatives | Adolfo and Francisco Perroni (siblings) |
Url | http://www.maite-perroni.com/ }} |
Maite Perroni Beorlegui (born March 9, 1983) is a Mexican actress and singer/songwriter, who is best known for starring in ''Rebelde'', ''Cuidado con el Ángel'', ''Mi Pecado'' and ''Triunfo del Amor''. She gained international fame as a member of the Latin Grammy nominated pop group RBD. Univision named Maite Perroni as the new Queen of the Telenovelas in 2009.
Perroni studied acting at Televisa's Centro de Educación Artistica (CEA) in the year 2000, completing two years of a three year course.
Perroni made her acting debut in ''Rebelde'', a remake of the acclaimed Argentinean novela ''Rebelde Way''. She portrayed Guadalupe "Lupita" Fernández, a teenage girl from a lower class family who gets the opportunity to study at the fictitious Elite Way School. ''Rebelde'' ran from 2004 to 2006, filming 440 episodes.
Following the success of ''Rebelde'', in 2007, Televisa released ''RBD: La Familia'', which starred the members of RBD. The characters of the sitcom were not based on the band's characters in ''Rebelde'', but intended to be similar to the actors' real personalities. ''RBD: La Familia'' was the first Mexican show shot entirely in high definition and ran from March 14, 2007 to June 13, 2007, and only lasted 13 episodes.
In 2008, Maite starred as the lead character in ''Cuidado con el Ángel'', opposite William Levy. The show had great success around the world. She starred in her second leading role in ''Mi Pecado'' opposite Eugenio Siller. She was part of the third season of ''Mujeres Asesinas'' in the sixth episode called ''Las Blanco, Viudas'' along with Diana Bracho, Luz Maria Aguilar and Mark Tacher.
In 2010, Perroni was confirmed to star with her previous co-star, William Levy, in ''Triunfo del Amor'', a remake of the Venezuelan classic ''Cristal''.
Maite composed ''Tal Vez Mañana'', for RBD's fourth Spanish language album, ''Empezar Desde Cero'' and sang solo on the title track for the album.
On August 8, 2008, RBD released a message telling fans that they had decided to split up. They went on one final tour, Gira Del Adios World Tour, which ended in early 2009. Perroni was absent part of the tour, due to her filming in ''Cuidado con el Ángel''.
For her role in ''Cuidado con el Ángel'', Perroni recorded three songs for the show called ''Esta Soledad'', ''Separada de Ti'', and ''Contigo''.
She recorded a song with Reik, entitled ''Mi Pecado'', which was used as the opening song for the telenovela, ''Mi Pecado''.
On July 17, Perroni released her new single ''No Vuelvas'', which will be featured on an EP she is releasing for her Brazilian Pocket Show performances, on her website MaiteMVP.com.
She recently recorded a song with Marco di Mauro called ''A Partir de Hoy'' which forms part of the musical soundtrack of the telenovela she is currently filming called ''Triunfo del Amor''.
In June 2009, Perroni announced her support for the Ecologist Green Party of Mexico. She has starred in several commercials promoting the party.
She started in commercials for Giraffas, Pepsi, Helato de Bonice, Asepxia, Teleton, Wal Mart, Ades Class, Hinds, Pantene.
She won Premio Juventud for most beautiful telenovela actress`Chica que me quite el sueno` in 2009 y 2011.
In 2009, she topped ''Los 50 Más Bellos'' list from ''People en Español'', sharing the front cover with Eva Longoria and Ana Bárbara. She was part of the same list in 2010. She was named `Queen of telenovelas` by her fans and Univision channel.
! Year | ! Title | ! Role | ! Notes |
''Rebelde'' | Guadalupe "Lupita" Fernández | 440 episodes (Lead Role) | |
''Lola...Erase Una Vez'' | La nueva Cenicienta | 1 episode (Supporting) | |
''RBD: La Familia'' | May | 13 episodes (Lead Role) | |
María de Jesús "Marichuy" Velarde | 195 episodes (Lead Role) | ||
''Mi Pecado'' | Lucrecia Córdoba Pedraza | 110 episodes (Lead Role), currently broadcasting in telefutura | |
Estela Blanco (Las Blanco,Viudas) | 1 episode (Lead Role) | ||
''Triunfo del Amor'' | María Desamparada Iturbide Sandoval | 176 episodes (Lead Role), currently broadcasting in univision |
Obras | |||
! Year | ! Title | ! Role | |
''Cena de Matrimonios'' | Elisa | ||
Tours | |||
! Year | ! Title | ||
''Maite Perroni Brazilian Tour 2010'' |
Category:1983 births Category:Living people Category:Mexican female singers Category:Mestizo Category:Mexican songwriters Category:Mexican telenovela actors Category:People from Guadalajara Category:Portuguese-language singers Category:RBD members
bg:Маите Перони ca:Maite Perroni de:Maite Perroni el:Μάιτε Περρόνι es:Maite Perroni fr:Maite Perroni hr:Maite Perroni it:Maite Perroni he:מאיטה פרוני hu:Maite Perroni nl:Maite Perroni pl:Maite Perroni pt:Maite Perroni ro:Maite Perroni sq:Maite Perroni sk:Maite Perroni sl:Maite Perroni sr:Мајте Перони sh:Maite Perroni tl:Maite PerroniThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Neil Peart |
---|---|
landscape | Yes |
background | non_vocal_instrumentalist |
birth name | Neil Ellwood Peart |
birth date | September 12, 1952 |
birth place | Hamilton, Ontario, Canada |
instrument | Drums, percussion, tubular bells |
genre | Hard rock, progressive rock, heavy metal, jazz, swing, |
occupation | Musician, songwriter, producer, author |
years active | 1973–present |
label | Mercury, Anthem, Atlantic |
associated acts | Rush, Buddy Rich Big Band |
website | |
notable instruments | Sabian ''Paragon'' Signature cymbals, designed by Peart }} |
Neil Ellwood Peart (; born September 12, 1952), OC, is a Canadian musician and author. He is the drummer for the rock band Rush.
Peart grew up in Port Dalhousie, Ontario (now part of St. Catharines). During adolescence, he floated from regional band to regional band in pursuit of a career as a full-time drummer. After a discouraging stint in England to concentrate on his music, Peart returned home, where he joined a local Toronto band, Rush, in the summer of 1974.
Early in his career, Peart's performance style was deeply rooted in hard rock. He drew most of his inspiration from drummers such as Keith Moon and John Bonham, players who were at the forefront of the British hard rock scene. As time passed, however, he began to emulate jazz and big band musicians Gene Krupa and Buddy Rich. In 1994, Peart became a friend and pupil of jazz instructor Freddie Gruber. It was during this time that Peart decided to revamp his playing style by incorporating jazz and swing components. Gruber was also responsible for introducing him to the products of Drum Workshop, the company whose products Peart currently endorses.
Peart has received numerous awards for his musical performances, and is known for his technical proficiency and stamina.
In addition to being a musician, Peart is also a prolific writer, having published several memoirs about his travels. Peart is also Rush's primary lyricist. In writing lyrics for Rush, Peart addresses universal themes and diverse subject matter including science fiction, fantasy, and philosophy, as well as secular, humanitarian and libertarian themes. All four of his books are travel-based non-fiction, though they diverge into his life and these subjects as well.
Peart currently resides in Santa Monica, California with his wife, photographer Carrie Nuttall, and daughter, Olivia Louise. He also has a home in the Laurentian Mountains of Quebec, and spends time in Toronto for recording purposes.
His first exposure to musical training came in the form of piano lessons, which he later said in his instructional video ''A Work in Progress'' did not have much impact on him. He had a penchant for drumming on various objects around the house with a pair of chopsticks, so for his 13th birthday, his parents bought him a pair of drum sticks, a practice pad and some lessons, with the promise that if he stuck with it for a year, they would buy him a kit.
His parents bought him a drum kit for his 14th birthday and he began taking lessons from Don George at the Peninsula Conservatory of Music. His stage debut took place that year at the school's Christmas pageant in St. Johns Anglican Church Hall in Port Dalhousie. His next appearance was at Lakeport High School with his first group, The Eternal Triangle. This performance contained an original number entitled "LSD Forever". At this show he performed his first solo.
Peart got a job in Lakeside Park, in Port Dalhousie on the shores of Lake Ontario, which later inspired a song of the same name on the Rush album ''Caress of Steel''. He worked on the Bubble Game and Ball Toss, but his tendency to take it easy when business was slack resulted in his termination. By his late teens, Peart had played in local bands such as Mumblin’ Sumpthin’, the Majority, and JR Flood. These bands practised in basement recreation rooms and garages and played church halls, high schools and roller rinks in towns across Southern Ontario such as Mitchell, Seaforth, and Elmira. They also played in the northern Ontario city of Timmins. Tuesday nights were filled with jam sessions at the Niagara Theatre Centre.
While in London he came across the writings of novelist and objectivist Ayn Rand. Rand's writings became a significant philosophical influence on Peart, as he found many of her treatizes to individualism and Objectivism inspiring. References to Rand's philosophy can be found in his lyrics, most notably "Anthem" from 1975's ''Fly by Night'' and "2112" from 1976's ''2112''.
After eighteen months of dead-end musical gigs, and disillusioned by his lack of progress in the music business, Peart placed his aspiration of becoming a professional musician on hold and returned to Canada. Upon returning to St. Catharines, he worked for his father selling tractor parts at Dalziel Equipment.
Peart officially joined the band on July 29, 1974, two weeks before the group's first US tour. Peart procured a silver Slingerland kit which he played at his first gig with the band, opening for Uriah Heep and Manfred Mann in front of over 11,000 people at the Civic Arena, Pittsburgh, Pennsylvania on August 14, 1974.
His first recording with the band, 1975's ''Fly by Night,'' was fairly successful, winning the Juno Award for most promising new act, but, the follow-up, ''Caress of Steel,'' for which the band had high hopes, was greeted with hostility by both fans and critics. In response to this negative reception, most of which was aimed at the B side-spanning epic "The Fountain of Lamneth", Peart responded by penning "2112" on their next album of the same name in 1976. The album, despite record company indifference, became their breakthrough and gained a following in the United States. The supporting tour culminated in a three-night stand at Massey Hall in Toronto, a venue Peart had dreamed of playing in his days on the Southern Ontario bar circuit and where he was now introduced as "The Professor on the drum kit" by Lee.
Peart returned to England for Rush's Northern European Tour and the band stayed in the United Kingdom to record the next album, 1977's ''A Farewell to Kings'' in Rockfield Studios in Wales. They returned to Rockfield to record the follow-up, ''Hemispheres'', in 1978, which they wrote entirely in the studio. The recording of five studio albums in four years, coupled with as many as 300 gigs a year, convinced the band to take a different approach thereafter. Peart has described his time in the band up to this point as "a dark tunnel."
From this point on, Peart's career was near exclusively with Rush:
While producing the first Buddy Rich tribute album, Peart was struck by the tremendous improvement in ex-Journey drummer Steve Smith's playing, and asked him his "secret." Smith responded he had been studying with drum teacher Freddie Gruber. As a result, Peart would put Rush-related activities on hold while he regularly met with Gruber.
In early 2007, Peart and Cathy Rich again began discussing yet another Buddy tribute concert. At the recommendation of bassist Jeff Berlin, Peart decided to once again augment his swing style with formal drum lessons, this time under the tutelage of another pupil of Freddie Gruber, Peter Erskine, himself an instructor of drummer Steve Gadd. On October 18, 2008, Peart once again performed at the Buddy Rich Memorial Concert at New York's Hammerstein Ballroom. The concert has since been released on DVD.
In his book ''Ghost Rider: Travels on the Healing Road'', Peart writes of how he had told his bandmates at Selena's funeral, "consider me retired." Peart took a long sabbatical to mourn and reflect, during which time he travelled extensively throughout North and Central America on his BMW motorcycle, covering 88,000 km (55,000 miles). After his journey ended, Peart decided to return to the band. Peart wrote ''Ghost Rider: Travels on the Healing Road'' as a chronicle of his geographical and emotional journey.
While Peart was visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, MacNaughtan introduced Peart to his future wife, photographer Carrie Nuttall. They married on September 9, 2000. In early 2001, Peart announced to his bandmates that he was ready to return to recording and performing. The product of the band's return was the 2002 album ''Vapor Trails''. At the start of the ensuing tour in support of the album, it was decided amongst the band members that Peart would not take part in the daily grind of press interviews and "Meet and Greet" sessions upon their arrival in a new city that typically monopolize a touring band's daily schedule. While Peart has always shied away from these types of in-person encounters, it was decided that having to needlessly expose him to an endless stream of questions about the tragic events of his life was quite unnecessary.
Since the release of ''Vapor Trails'' and reuniting with his fellow band mates, Peart has returned to work as a full-time musician. Rush has since released a cover EP, ''Feedback'' in June 2004 and their 18th studio album ''Snakes & Arrows'' in May 2007, which were supported by three additional tours in 2004, 2007, and 2008.
In the June 2009 edition of Peart's ''News, Weather, and Sports'', entitled "Under the Marine Layer", he announced that he and Nuttall were expecting their first child. Peart and Nuttall's first child, Olivia Louise Peart, was born on August 12, 2009.
Peart and the rest of the band recently toured North America, South America and Europe on the Time Machine Tour, which finished July 2, 2011, in George, Washington.
Peart is consistently ranked as one of the greatest rock drummers by fans, fellow musicians, and magazines. His influences are eclectic, ranging from Jon Thomas, John Bonham, Michael Giles, Ginger Baker, Phil Collins, Steve Gadd, and Keith Moon, to fusion and jazz drummers Billy Cobham, Buddy Rich, Bill Bruford and Gene Krupa. The Who was the first group that inspired him to write songs and play the drums. Peart is distinguished for playing "butt-end out", reversing stick orientation for greater impact and increased rimshot capacity. "When I was starting out", Peart later said, "if I broke the tips off my sticks I couldn't afford to buy new ones, so I would just turn them around and use the other end. I got used to it, and continue to use the heavy end of lighter sticks – it gives me a solid impact, but with less 'dead weight' to sling around."
Peart had long played just matched grip; however, he decided to shift to traditional as part of his style reinvention in the mid-1990s under the tutelage of jazz coach Freddie Gruber. Shortly after the filming of his first instructional DVD ''A Work in Progress'', Peart went back to using primarily matched, though he does switch back to traditional when playing songs from ''Test for Echo'' and during moments when he feels traditional grip is more appropriate, such as the rudimentary snare drum section of his drum solo. He discusses the details of these switches in the DVD ''Anatomy of a Drum Solo''.
Historically he has played Zildjian A-series cymbals along with Wuhan china cymbals. In the early 2000s, Peart moved away from Zildjian and Wuhan and began exclusively using Paragon, a line created for him by Sabian. In concert, Peart uses an elaborate 360-degree drum kit, with a large acoustic set in front and electronic drums to the rear.
During the late 1970s, Peart augmented his acoustic setup with diverse percussion instruments including orchestra bells, tubular bells, wind chimes, crotales, timbales, timpani, gong, temple blocks, bell tree, triangle, and melodic cowbells. Since the mid-1980s, Peart has replaced several of these pieces with MIDI trigger pads. This was done in order to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area. Some purely electronic non-instrumental sounds are also used. One classic MIDI pad used is the Malletkat Express which is a two-octave electronic MIDI device that resembles a xylophone or piano. The Malletkat Express is composed of rubber pads for the "keys" so that any stick can be used. Beginning with 1984's ''Grace Under Pressure'', he used Simmons electronic drums in conjunction with Akai digital samplers. Peart has performed several songs primarily using the electronic portion of his drum kit. (e.g. "Red Sector A", "Closer to the Heart" on ''A Show of Hands (video)'' and "Mystic Rhythms" on ''R30''.) Peart's drum solos also feature sections performed primarily on the electronic portion of his kit.
Shortly after making the choice to include electronic drums and triggers, Peart added what has become another trademark of his kit: his rotating drum riser. During live Rush shows, the automated rotating riser allows Peart to swap dynamically the prominent portions of the kit (traditional acoustic in front, electronic in back) and still face front as he plays. A staple of Peart's live drum solos has been the in-performance rotation-and-swap of the front and back kits as part of the solo itself. This special effect simultaneously provides a symbolic transition of drum styles within the solo and provides a visual treat for the audience.
In the early 2000s, Peart began taking full advantage of the advances in electronic drum technology; primarily incorporating Roland V-Drums and continued use of samplers with his existing set of acoustic percussion. Peart's digitally sampled library of both traditional and exotic sounds has grown over the years with his music.
In April 2006, Neil took delivery of his third DW set, configured similarly to the R30 set, in a Tobacco Sunburst finish over curly maple exterior ply, with chrome hardware. He refers to this set as the "West Coast kit", as he uses it when in Los Angeles. Besides using it on recent recordings with Vertical Horizon, he played it while composing parts for Rush's latest studio album, ''Snakes & Arrows''. It features a custom 23" bass drum; all other sizes remain the same as the R30 kit.
On March 20, 2007 Peart revealed that Drum Workshop prepared a new set of red-painted DW maple shells with black hardware and gold "Snakes & Arrows" logos for Neil to play on the Snakes & Arrows Tour.
Peart has also designed his own signature series drumstick with Pro-Mark. The Promark PW747W, Neil Peart Signature drumsticks, are made of Japanese White Oak, which adds more weight than a standard hickory stick. They have the thickness of a standard 5A (0.551", 1.4 cm) but are longer (16.25", 41.3 cm) with a thicker taper and larger olive shaped wooden tip. When Rush held their Time Machine Tour, Pro-Mark released three limited edition sticks, each with one of the three designs selected from Peart's "Steam Punk" tour kit printed with Copper ink. Some other artists who use the Neil Peart Signature series include Ben Johnston (Scottish musician) of Biffy Clyro, Richie Hayward of Little Feat and Paul Garred of The Kooks.
During the 2010 Time Machine Tour Peart used a new DW kit which was outfitted with brass hardware and time machine designs to match the tour's Steampunk theming. Matching Paragon cymbals with clock imagery were also used.
The song "2112" focuses on the struggle of an individual against the collectivist forces of a totalitarian state. This became the band's breakthrough release, but also brought unexpected criticism, mainly because of the credit of inspiration Peart gave to Ayn Rand in the liner notes. "There was a remarkable backlash, especially from the English press, this being the late seventies, when collectivism was still in style, especially among journalists," Peart said. "They were calling us 'Junior fascists' and 'Hitler lovers.' It was a total shock to me".
Weary of accusations of fascism or ideological fealty to Rand's philosophy of Objectivism, Peart has sought to remind listeners of his eclecticism and independence in interviews. He did not, however, try to argue in defence of Rand's views: "For a start, the extent of my influence by the writings of Ayn Rand should not be overstated. I am no one's disciple."
The 1980 album ''Permanent Waves'' saw Peart cease to use fantasy literature or ancient mythology in his writing. 1981's ''Moving Pictures'' showed that Peart was still interested in heroic, mythological figures, but would now place them firmly in a modern and reality-based context. The song "Limelight" from the same album is an autobiographical account of Peart's reservations regarding his own popularity and the pressures with fame. From ''Permanent Waves'' onward, most of Peart's lyrics began to revolve around social, emotional, and humanitarian issues, usually from an objective standpoint and employing the use of metaphors and symbolic representation.
1984's ''Grace Under Pressure'' strings together such despondent topics as the Holocaust ("Red Sector A") and the death of close friends ("Afterimage"). Starting with 1987's ''Hold Your Fire'' and including 1989's ''Presto'', 1991's ''Roll the Bones'', and 1993's ''Counterparts'', Peart would continue to explore diverse lyrical motifs, even addressing the topic of love and relationships ("Open Secrets", "Ghost of a Chance", "Speed of Love", "Cold Fire", "Alien Shore") a subject which he purposefully eschewed in the past because of what he perceived as an inherent hackneyed stereotype. However, 2002's ''Vapor Trails'' was heavily devoted to speaking about Peart's personal issues, combined with other humanitarian topics such as the 9/11 terrorist attacks ("Peaceable Kingdom"). The band's most recent album ''Snakes & Arrows'' deals primarily and vociferously with Peart's opinions regarding faith and religion. The lyrics of one of the songs on that album, "Faithless", exhibit Peart's life stance, which is most closely identified with secular humanism.
Opinions of Peart's lyrics have always been divided. While fans have lauded them as thoughtful and intelligent, some critics have called them over-wrought and bombastic. In 2007, he was voted No.2 on ''Blender'' magazine's list of "worst lyricists in rock". However, Allmusic has called Peart "one of rock's most accomplished lyricists."
Peart's first book, titled ''The Masked Rider: Cycling in West Africa'', was written in 1996 about a month-long bicycling tour through Cameroon in November 1988. The book details Peart's travels through towns and villages with four fellow riders. The original had a limited print run, but after the critical and commercial success of Peart's second book, ''Masked Rider'' was re-issued and remains in print as of 2006.
After losing his wife and only (at the time) daughter, Peart embarked on a lengthy motorcycle road trip spanning North America. His experiences were penned in ''Ghost Rider: Travels on the Healing Road''. Peart and the rest of the band were always able to keep his private life at a distance from his public image in Rush. However, ''Ghost Rider'' is a first-person narrative of Peart on the road, on a BMW R1100GS motorcycle, in an effort to put his life back together as he embarked on an extensive journey across North America.
Years later, after his marriage to Nuttall, Peart took another road trip, this time by car. In his third book, "Traveling Music: The Soundtrack of my Life and Times," He reflects on his life, his career, his family and music. It shows Peart still carrying emotional scars, but building a new life. As with his previous two books, it is a first person narrative.
Thirty years after Peart joined Rush, the band found itself on its 30th anniversary tour. Released in September 2006, ''Roadshow: Landscape With Drums, A Concert Tour By Motorcycle'' details the tour both from behind Neil's drumkit and on his BMW R1150GS and R1200GS motorcycles.
Peart's most recent book, ''Far and Away: A Prize Every Time'', was published by ECW Press in May 2011. This book, which he worked on for two years, is based around his travelling in North and South America. It tells how he found in a Brazilian town a unique combination of West African and Brazilian music.
Peart has received the following awards from DRUM! magazine for 2007:
Peart received the following awards from DRUM! magazine for 2008:
Peart received the following awards from DRUM! magazine for 2009:
Peart received the following awards from DRUM! magazine for 2010:
Along with his bandmates Lee and Lifeson, Peart was made an Officer of the Order of Canada on May 9, 1996. The trio was the first rock band to be so honoured, as a group. Peart was inducted into the Canadian Songwriter Hall of Fame along with bandmates Lifeson and Lee
Category:1952 births Category:Canadian agnostics Category:Canadian libertarians Category:Canadian rock drummers Category:Canadian songwriters Category:Living people Category:Officers of the Order of Canada Category:People from Los Angeles, California Category:People from St. Catharines Category:Progressive rock musicians Category:Rush (band) members Category:Musicians from Toronto Category:Canadian memoirists Category:Left-libertarians Category:Long distance motorcycle riding Category:Canadian expatriate musicians in the United States Category:Anthem Records Category:Canadian travel writers Category:Science fiction fans
ca:Neil Peart cs:Neil Peart de:Neil Peart es:Neil Peart fr:Neil Peart it:Neil Peart hu:Neil Peart nl:Neil Peart ja:ニール・パート no:Neil Peart pl:Neil Peart pt:Neil Peart ro:Neil Peart ru:Пирт, Нил simple:Neil Peart sk:Neil Peart fi:Neil Peart sv:Neil Peart zh:尼爾·佩爾特This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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