Name | Hard rock |
---|---|
Bgcolor | crimson |
Color | white |
Stylistic origins | Blues rock, garage rock, psychedelic rock, rock and roll and rhythm and blues |
Cultural origins | Mid 1960s, United Kingdom and United States |
Instruments | Electric guitar – bass guitar – vocals – drums – sometimes pianos and keyboards |
Popularity | High since the late 1960s |
Derivatives | Heavy metal |
Subgenrelist | List of rock genres |
Other topics | Back beat – rock opera – rock band – performers – progressive rock – Hall of Fame – social impact }} |
Hard rock (or heavy rock) is a loosely defined genre of rock music which has its earliest roots in mid-1960s garage rock, blues rock and psychedelic rock. It is typified by a heavy use of distorted electric guitars, bass guitar, drums, and often accompanied with pianos, and keyboards.
Hard rock developed into a major form of popular music in the 1970s, with bands such as Led Zeppelin, Deep Purple, Aerosmith, AC/DC, and Van Halen, and reached a commercial peak in the mid to late 1980s. The glam metal of bands like Bon Jovi and Def Leppard and the rawer sounds of Guns N' Roses followed up with great success in the later part of that decade, before losing popularity in the face of grunge. Despite this, many post-grunge bands adopted a hard rock sound and in the 2000s there came a renewed interest in established bands, attempts at a revival, and new hard rock bands that emerged from the garage rock and post-punk revival scenes.
In the late 1960s the term heavy metal was used interchangeably with hard rock, but gradually began to be used to describe music played with even more volume and intensity. While hard rock maintained a bluesy rock and roll identity, including some swing in the back beat and riffs that tended to outline chord progressions in their hooks, heavy metal's riffs often functioned as stand-alone melodies and had no swing in them. Heavy metal took on "darker" characteristics after Black Sabbath's breakthrough at the beginning of the 1970s, and in the 1980s it developed a number of sub-genres, often termed extreme metal, which were influenced by hardcore punk, and which further differentiated the two styles. Despite this differentiation, hard rock and heavy metal have existed side by side, with bands frequently standing on the boundary of, or crossing between, the genres.
Blues-rock acts that pioneered the sound included Cream, Jimi Hendrix Experience and The Jeff Beck Group. Cream, in songs like "I Feel Free" (1966) combined blues-rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton. Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll. From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues-rock in the direction of heavy rock with his band, The Jeff Beck Group. Dave Davies of The Kinks, Keith Richards of The Rolling Stones, Pete Townshend of The Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion. Even The Beatles attempted to produce songs in the new hard rock style, trying to create a greater level of noise than The Who, from ''The Beatles'' (1968) (known as the "White Album") onwards, beginning with "Helter Skelter". Some critics have written about its "proto-metal roar", but others have argued that "their attempts at the heavy style were without exception embarrassing".
Groups that emerged from the American psychedelic scene about the same time included Iron Butterfly, MC5, Blue Cheer and Vanilla Fudge. San Francisco band Blue Cheer released a crude and distorted cover of Eddie Cochran's classic "Summertime Blues", from their 1968 debut album ''Vincebus Eruptum'', that outlined much of the later hard rock and heavy metal sound. The same month, Steppenwolf released its self-titled debut album, including "Born to Be Wild", which contained the first lyrical reference to heavy metal and helped popularise the style when it was used in the film ''Easy Rider'' (1969). Iron Butterfly's ''In-A-Gadda-Da-Vida'' (1968), with its 17-minute-long title track, using organs and with a lengthy drum solo, also prefigured later elements of the sound.
By the end of the decade a distinct genre of hard rock was emerging with bands like Led Zeppelin, who mixed the music of early rock bands with a more hard-edged form of blues rock and acid rock on their first two albums ''Led Zeppelin'' (1969) and ''Led Zeppelin II'' (1969), and Deep Purple, who achieved their commercial breakthrough with their fourth and distinctively heavier album, ''In Rock'' (1970). Also significant was Black Sabbath's ''Paranoid'' (1970), which combined guitar riffs with dissonance and more explicit references to the occult and elements of Gothic horror. All three of these bands have been seen as pivotal in the development of heavy metal, but where metal further accentuated the intensity of the music, with bands like Judas Priest following Sabbath's lead into territory that was often "darker and more menacing", hard rock tended to continue to remain the more exuberant, good-time music.
Emerging British acts included Free, who released their signature song "All Right Now" (1970), which has received extensive radio airplay in both the UK and US. After the breakup of the band in 1973, vocalist Paul Rodgers joined supergroup Bad Company, whose eponymous first album (1974) was an international hit. Scottish band Nazareth released their self-titled début album in 1970, producing a blend of hard rock and pop that would culminate in their best selling, ''Hair of the Dog'' (1975), which contained the proto-power ballad "Love Hurts". The mixture of hard rock and progressive rock, evident in the works of Led Zeppelin and Deep Purple, was pursued more directly by bands like Uriah Heep and Argent. Having enjoyed some national success in the early 1970s, Queen, after the release of ''Sheer Heart Attack'' (1974) and ''A Night at the Opera'' (1975), gained international recognition with a sound that used layered vocals and guitars and mixed hard rock with glam rock, heavy metal, progressive rock, and even opera. The latter featured the single "Bohemian Rhapsody", which stayed at number 1 in the UK charts for nine weeks.
In the United States, macabre-rock pioneer Alice Cooper achieved mainstream success with the top ten album ''School's Out'' (1972). In the following year blues rockers ZZ Top released their classic album ''Tres Hombres'' and Aerosmith produced their eponymous début, as did Southern rockers Lynyrd Skynyrd and proto-punk outfit New York Dolls, demonstrating the diverse directions being pursued in the genre. Montrose, including the instrumental talent of Ronnie Montrose and vocals of Sammy Hagar and arguably the first all American hard rock band to challenge the British dominance of the genre, released their first album in 1973. Kiss built on the theatrics of Alice Cooper and the look of the New York Dolls to produce a unique band persona, achieving their commercial breakthrough with the double live album ''Alive!'' in 1975 and helping to take hard rock into the stadium rock era. In the mid-1970s Aerosmith achieved their commercial and artistic breakthrough with ''Toys in the Attic'' (1975), which reached number 11 in the American album chart, and ''Rocks'' (1976), which peaked at number 3. Blue Öyster Cult, formed in the late 60s, picked up on some of the elements introduced by Black Sabbath with their breakthrough live gold album ''On Your Feet or on Your Knees'' (1975), followed by their first platinum album, ''Agents of Fortune'' (1976), containing the hit single "(Don't Fear) The Reaper", which reached number 12 on the Billboard charts. Journey released their eponymous debut in 1975 and the next year Boston released their highly successful début album. In the same year, hard rock bands featuring women saw commercial success as Heart released ''Dreamboat Annie'' and The Runaways débuted with their self-titled album. While Heart had a more folk-oriented hard rock sound, the Runaways leaned more towards a mix of punk-influenced music and hard rock. The Amboy Dukes, having emerged from the Detroit garage rock scene and most famous for their Top 20 psychedelic hit "Journey to the Centre of the Mind" (1968), were dissolved by their guitarist Ted Nugent, who embarked on a solo career that resulted in four successive multi-platinum albums between ''Ted Nugent'' (1975) and his best selling ''Double Live Gonzo'' (1978).
From outside of Britain and the United States, the Canadian trio Rush released three distinctively hard rock albums in 1974–75 (''Rush'', ''Fly by Night'' and ''Caress of Steel'') before moving toward a more progressive sound. The Irish band Thin Lizzy, which had formed in the late 1960s, made their most substantial commercial breakthrough in 1976 with the hard rock album ''Jailbreak'' and their worldwide hit "The Boys Are Back in Town", which reached number 8 in the UK and number 12 in the US. Their style, consisting of two duelling guitarists often playing leads in harmony, proved itself to be a large influence on later bands. They reached their commercial, and arguably their artistic peak with ''Black Rose: A Rock Legend'' (1979). The arrival of Scorpions from Germany marked the geographical expansion of the sub-genre. Australian-formed AC/DC, with a stripped back, riff heavy and abrasive style that also appealed to the punk generation, began to gain international attention from 1976, culminating in the release of their multi-platinum albums ''Let There Be Rock'' (1977) and ''Highway to Hell'' (1979). Also influenced by a punk ethos were heavy metal bands like Motörhead, while Judas Priest abandoned the remaining elements of the blues in their music, further differentiating the hard rock and heavy metal styles and helping to create the New Wave of British Heavy Metal which was pursued by bands like Iron Maiden, Saxon and Venom.
With the rise of disco in the US and punk rock in the UK, hard rock's mainstream dominance was rivalled toward the later part of the decade. Disco appealed to a more diverse group of people and punk seemed to take over the rebellious role that hard rock once held. Early punk bands like The Ramones explicitly rebelled against the drum solos and extended guitar solos that characterised stadium rock, with almost all of their songs clocking in around two minutes with no guitar solos. However, new rock acts continued to emerge and record sales remained high into the 1980s. 1977 saw the début and rise to stardom of Foreigner, who went on to release several platinum albums through to the mid 1980s. Midwestern groups like Kansas, REO Speedwagon and Styx helped further cement heavy rock in the Midwest as a form of stadium rock. In 1978, Van Halen emerged from the Los Angeles music scene with a sound based around the skills of lead guitarist Eddie Van Halen. He popularised a guitar‐playing technique of two‐handed hammer‐ons and pull‐offs called tapping, showcased on the song "Eruption" from the album ''Van Halen'', which was highly influential in re‐establishing hard rock as a popular genre after the punk and disco explosion, while also redefining and elevating the role of electric guitar.
Often categorised with the New Wave of British Heavy Metal, in 1981 Def Leppard released their second album ''High 'n' Dry'', mixing glam-rock with heavy metal, and helping to define the sound of hard rock for the decade. The follow-up ''Pyromania'' (1983), reached number 2 on the American charts and the singles "Photograph", "Rock of Ages" and "Foolin'", helped by the emergence of MTV, all reached the Top 40. It was widely emulated, particularly by the emerging Californian glam metal scene. This was followed by US acts like Mötley Crüe, with their albums ''Too Fast for Love'' (1981) and ''Shout at the Devil'' (1983) and, as the style grew, the arrival of bands such as Ratt, White Lion, Twisted Sister and Quiet Riot. Quiet Riot's album ''Metal Health'' (1983) was the first glam metal album, and arguably the first heavy metal album of any kind, to reach number 1 in the Billboard music charts and helped open the doors for mainstream success by subsequent bands.
Established bands made something of a comeback in the mid-1980s. After an 8-year separation, Deep Purple returned with the classic ''Machine Head'' line-up to produce ''Perfect Strangers'' (1984), which reached number 5 in the UK, number 2 in Norway, and number 17 on the Billboard 200 in the US. After disappointing sales of its fourth album, ''Fair Warning'', Van Halen rebounded with the Top 5 album ''Diver Down'' in 1982, then reached their commercial pinnacle with ''1984''. It reached number 2 on the Billboard album chart and provided the track "Jump", which reached number 1 on the singles chart and remained there for several weeks. The new medium of video channels was used with considerable success by bands formed in previous decades. Among the first were ZZ Top, who mixed hard blues-rock with New Wave music to produce a series of highly successful singles, beginning with "Gimme All Your Lovin'" (1983), which helped their albums ''Eliminator'' (1983) and ''Afterburner'' (1985) achieve diamond and multi-platinum status respectively. Others found renewed success in the singles charts with power ballads, including REO Speedwagon with "Keep on Loving You" (1980) and "Can't Fight This Feeling" (1984), Journey with "Don't Stop Believin'" (1981) and "Open Arms" (1982), Foreigner's "I Want to Know What Love Is", Scorpions "Still Loving You", (both from 1984), Heart’s "What About Love" (1985) and "These Dreams" (1986), and Boston's "Amanda" (1986).
Bon Jovi's third album, ''Slippery When Wet'' (1986), mixed hard rock with a pop sensitivity and spent a total of 8 weeks at the top of the Billboard 200 album chart, selling 12 million copies while becoming the first hard rock album to spawn three top 10 singles — two of which reached number 1. The album has been credited with widening the audiences for the genre, particularly by appealing to women as well as the traditional male dominated audience, and opening the door to MTV and commercial success for other bands at the end of the decade. The anthemic ''The Final Countdown'' (1986) by Swedish group Europe was an international hit, reaching number 8 on the US charts while hitting the top 10 in nine other countries. This era also saw more glam-infused American hard rock bands come to the forefront, with both Poison and Cinderella releasing their multi-platinum début albums in 1986. Van Halen released ''5150'' (1986), their first album with Sammy Hagar on lead vocals, which was number 1 in the US for three weeks and sold over 6 million copies. By the second half of the decade, hard rock had become the most reliable form of commercial popular music in the United States.
Established acts benefited from the new commercial climate, with Whitesnake's self-titled album (1987) selling over 17 million copies, outperforming anything in Coverdale's or Deep Purple's catalogue before or since. It featured the rock anthem "Here I Go Again '87" as one of 4 UK top 20 singles. The follow-up ''Slip of the Tongue'' (1989) went platinum, but according to critics Steve Erlwine and Greg Prato, "it was a considerable disappointment after the across-the-board success of ''Whitesnake''". Aerosmith's comeback album ''Permanent Vacation'' (1987) would begin a decade long revival of their popularity. ''Crazy Nights'' (1987) by Kiss was the band's highest charting release in the USA since 1979 and the highest of their career in the UK. Mötley Crüe with ''Girls, Girls, Girls'' (1987) continued their commercial success and Def Leppard with ''Hysteria'' (1987) hit their commercial peak, the latter producing seven hit singles (a record for a hard rock act). Guns N' Roses released the best-selling début of all time, ''Appetite for Destruction'' (1987). With a "grittier" and "rawer" sound than most glam metal, it produced three top 10 hits, including the number 1 "Sweet Child O' Mine". Some of the glam rock bands that formed in the mid-1980s, such as White Lion and Cinderella experienced their biggest success during this period with their respective albums ''Pride'' (1987) and ''Long Cold Winter'' (1988) both going multi-platinum and launching a series of hit singles. In the last years of the decade, the most notable successes were ''New Jersey'' (1988) by Bon Jovi, ''OU812'' (1988) by Van Halen, ''Open Up and Say... Ahh!'' (1988) by Poison'', Pump'' (1989) by Aerosmith, and Mötley Crüe's most commercially successful album ''Dr. Feelgood'' (1989). ''New Jersey'' spawned five Top 10 singles, a record for a hard rock act. A final wave of glam rock bands arrived in the late 1980s, and experienced success with multi-platinum albums and hit singles from 1989 until the early 1990s, among them Extreme, Warrant Slaughter and FireHouse. Skid Row also released their eponymous début (1989), reaching number 6 on the Billboard 200, but they were to be one of the last major bands that emerged in the glam rock era.
While these few hard rock bands managed to maintain success and popularity in the early part of the decade, alternatives to hard rock achieved mainstream success in the form of grunge in the US and Britpop in the UK. This was particularly evident after the success of Nirvana's ''Nevermind'' (1991), which combined elements of hardcore punk and heavy metal into a "dirty" sound that made use of heavy guitar distortion, fuzz and feedback, along with darker lyrical themes than their "hair band" predecessors. Although most grunge bands had a sound that sharply contrasted mainstream hard rock, a minority, including Pearl Jam, Alice in Chains, Mother Love Bone and Soundgarden, were more strongly influenced by 1970s and 1980s rock and metal, while Stone Temple Pilots managed to turn alternative rock into a form of stadium rock. However, all grunge bands shunned the macho, anthemic and fashion-focused aesthetics particularly associated with glam metal. In Britain, Oasis were unusual among the Britpop bands of the mid-1990s in incorporating a hard rock sound.
In the new commercial climate many glam metal bands like Europe, Ratt, White Lion and Cinderella broke up, Whitesnake went on hiatus in 1991, and while many of these bands would re-unite again in the late 1990s or early 2000s, they never reached the commercial success they saw in the 1980s or early 1990s. Other bands such as Mötley Crüe and Poison saw personnel changes which impacted those bands' commercial viability during the decade. In 1995 Van Halen released ''Balance'', a multi-platinum seller that would be the band's last with Sammy Hagar on vocals. In 1996 David Lee Roth returned briefly and his replacement, former Extreme singer Gary Cherone, was fired soon after the release of the commercially unsuccessful 1998 album ''Van Halen III'' and Van Halen would not tour or record again until 2004. Guns N' Roses' original lineup was whittled away throughout the decade. Drummer Steven Adler was fired in 1990, guitarist Izzy Stradlin left in late 1991 after recording ''Use Your Illusion I and II'' with the band. Tensions between the other band members and lead singer Axl Rose continued after the release of the 1993 covers album ''The Spaghetti Incident?'' Guitarist Slash left in 1996, followed by bassist Duff McKagan in 1997. Axl Rose, the only original member, worked with a constantly-changing lineup in recording an album that would take over fifteen years to complete.
Some established acts continued to enjoy commercial success, such as Aerosmith, with their number 1 multi-platinum albums: ''Get a Grip'' (1993), which produced four Top 40 singles and became the band's best-selling album worldwide (going on to sell over 20 million copies), and ''Nine Lives'' (1997). In 1998, Aerosmith released the number 1 hit "I Don't Want to Miss a Thing", which remains the only single by a hard rock band to debut at number 1. AC/DC produced the double platinum ''Ballbreaker'' (1995). Bon Jovi appealed to their hard rock audience with songs like "Keep the Faith" (1992), but also achieved success in the adult contemporary genre, with the Top 10 ballads "Bed of Roses" (1993) and "Always" (1994). Metallica's ''Load'' (1996) and ''ReLoad'' (1997) each sold in excess of 4 million copies in the US and saw the band develop a more melodic and blues-rock sound. As the initial impetus of grunge bands faltered in the middle years of the decade, post-grunge bands emerged. They emulated the attitudes and music of grunge, particularly thick, distorted guitars, but with a more radio-friendly commercially-oriented sound that drew more directly on traditional hard rock. Among the most successful acts were the Foo Fighters, Candlebox, Live, Collective Soul, Australia's Silverchair and England's Bush, who all cemented post-grunge as one of the most commercially viable sub-genres by the late 1990s. Similarly, some post-Britpop bands that followed in the wake of Oasis, including Feeder and Stereophonics, adopted a hard rock or "pop-metal" sound.
Although Foo Fighters continued to be one of the most successful rock acts, with albums like ''In Your Honor'' (2005) reaching number 2 in the US and UK, many of the first wave of post-grunge bands began to fade in popularity. Acts like Creed, Staind, Puddle of Mudd and Nickelback took the genre into the 21st century with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs. They were followed in this vein by new acts including Shinedown and Seether. Acts with more conventional hard rock sounds included Andrew W.K., Beautiful Creatures and Buckcherry, whose breakthrough album ''15'' (2006) went platinum and spawned the single "Sorry" (2007), which made the Top 10 of the Billboard 100. These were joined by bands with hard rock leanings that emerged in the mid-2000s from the garage rock or post punk revival, including Black Rebel Motorcycle Club and Kings of Leon, and Queens of the Stone Age from the US, Three Days Grace from Canada, Jet from Australia and The Datsuns from New Zealand. In 2009 Them Crooked Vultures, a supergroup that brings together Foo Fighters' Dave Grohl, Queens of the Stone Age's Josh Homme and Led Zeppelin bass player John Paul Jones attracted attention as a live act and released a self-titled debut album that reached the top 20 in the US and UK and the top ten in several other countries.
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Vinnie Moore |
---|---|
background | non_vocal_instrumentalist |
born | April 14, 1964New Castle, Delaware, USA |
instrument | Guitar |
genre | Neo-classical metal, hard rock, heavy metal, instrumental rock |
occupation | Musician, songwriter |
years active | 1986–present |
associated acts | UFO, Alice Cooper |
website | http://www.vinniemoore.com |
notable instruments | Dean VM-2000 Signature model }} |
Vinnie Moore (April 14, 1964, New Castle, Delaware) is a guitarist and a member of the English hard rock band UFO. Along with Yngwie Malmsteen, Tony MacAlpine, and others, Moore is known as one of the most influential guitarists to emerge out of the shredder boom in the mid 1980s.
Vinnie Moore played lead guitar with the heavy metal band Vicious Rumors on their debut album, ''Soldiers of the Night''. The album features Moore's solo-song, "Invader", which was in the style of Van Halen's "Eruption". The shred guitar craze of the late eighties led to more releases for Shrapnel. Moore also began performing with other hard rock and heavy metal bands. He joined Alice Cooper's band for a tour and then appeared on the ''Hey Stoopid'' album. Following this Moore released two instructional videos on guitar playing.
He has been the lead guitarist for UFO since 2004.
Category:1964 births Category:Living people Category:Lead guitarists Category:American rock guitarists Category:American heavy metal guitarists Category:People from New Castle County, Delaware Category:UFO members
cs:Vinnie Moore de:Vinnie Moore es:Vinnie Moore fa:وینی مور fr:Vinnie Moore it:Vinnie Moore ja:ヴィニー・ムーア pl:Vinnie Moore pt:Vinnie Moore ru:Мур, Винни sk:Vinnie Moore fi:Vinnie Moore tr:Vinnie MooreThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Gary Moore |
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background | solo_singer |
birth name | Robert William Gary Moore |
born | April 04, 1952Belfast, Northern Ireland, United Kingdom |
died | February 06, 2011Estepona, Malaga Province, Spain |
instrument | Vocals, guitar, bass guitar, keyboards, harmonica |
genre | Blues-rock, hard rock, heavy metal, blues, jazz fusion |
occupation | Musician, songwriter, producer |
years active | 1969–2011 |
label | Virgin, Eagle |
associated acts | Skid Row, Thin Lizzy, Colosseum II, Phil Lynott, Greg Lake, BBM |
website | |
notable instruments | Gary Moore Signature Les PaulFender Stratocaster }} |
Robert William Gary Moore (4 April 1952 – 6 February 2011), better known simply as Gary Moore, was a British musician from Belfast, best recognised as a blues rock guitarist and singer.
In a career dating back to the 1960s, Moore played with artists including Phil Lynott and Brian Downey during his teens, leading him to membership with the Irish rock band Thin Lizzy on three separate occasions. Moore shared the stage with such blues and rock luminaries as B.B. King, Albert King, Colosseum II, George Harrison, Greg Lake and Skid Row (not to be confused with the hard rock band of the same name), as well as having a successful solo career. He guested on a number of albums recorded by high profile musicians, including a cameo appearance playing the lead guitar solo on "She's My Baby" from ''Traveling Wilburys Vol. 3''.
Moore died of a heart attack in his hotel room while on holiday in Estepona, Spain, in February 2011.
Moore's greatest influence in the early days was guitarist Peter Green of Fleetwood Mac who was a mentor to Moore when performing in Dublin. Green's continued influence on Moore was later repaid as a tribute to Green on his 1995 album ''Blues for Greeny'', an album consisting entirely of Green compositions. On this tribute album, Moore played Green's 1959 Les Paul Standard guitar which Green had lent to Moore after leaving Fleetwood Mac. Moore ultimately purchased the guitar, at Green's request, so that "it would have a good home".
While less popular in the US, Moore's work "brought substantial acclaim and commercial success in most other parts of the world – especially in Europe". Throughout his career, Moore was recognised as an influence by many notable guitarists including Vivian Campbell, Patrick Rondat, John Norum, Paul Gilbert , Gus G, Joe Bonamassa, Adrian Smith, Zakk Wylde, Randy Rhoads, John Sykes, John Norum and Kirk Hammett
He collaborated with a broad range of artists including George Harrison, Trilok Gurtu, Dr. Strangely Strange, Colosseum II, Travelling Wilburys, Albert Collins, Jimmy Nail, Mo Foster, Ginger Baker, Jack Bruce, Jim Capaldi, B.B. King, Bob Dylan, Vicki Brown, Cozy Powell, Rod Argent, the Beach Boys, Ozzy Osbourne, Paul Rodgers, Keith Emerson, Roger Daltrey, Albert King and together with Colosseum II with Andrew Lloyd Webber on the composer's ''Variations'' album in 1978. He experimented with many musical genres, including rock, jazz, blues, country, electric blues, hard rock and heavy metal.
In 1968, aged 16, Moore moved to Dublin to join the group Skid Row with Noel Bridgeman and Brendan "Brush" Shiels. It was with this group that he earned a reputation in the music industry, and his association with Phil Lynott began.
In 1987, he collaborated on the UK charity record "Let It Be", a cover of the Beatles track. He performed a guitar solo for inclusion on the recording, which was released under the group-name of 'Ferry Aid'. The record raised substantial funds for the survivors of the ''MS Herald of Free Enterprise'' disaster.
In 1993, he was included on a cassette called ''Rock Classics Vol. 1'' with "Run to Your Mama", and "Dark Side of the Moog". After a series of rock records, Moore returned to blues music with ''Still Got the Blues'', with contributions from Albert King, Albert Collins and George Harrison. The album was well received by fans. He stayed with the blues format until 1997, when he decided to experiment with modern dance beats on ''Dark Days in Paradise''; this left many fans, as well as the music press, confused. He also contributed guitar sections to Richard Blackwood's 2000 album, ''You'll Love to Hate This''.
With ''Back to the Blues'', Moore return to his tried and tested blues format in 2001: he continued with this style on ''Power of the Blues'' (2004), ''Old New Ballads Blues'' (2006), ''Close As You Get'' (2007) and ''Bad For You Baby'' (2008).
In January 2005, Moore joined the One World Project, which recorded a song for the 2004 Asian Tsunami relief effort. The group featured Russell Watson, Boy George, Steve Winwood, Barry Gibb, Brian Wilson, Cliff Richard, Dewey Bunnell, Gerry Beckley and Robin Gibb on vocals (in their order of appearance), and featured a guitar solo by Moore. The song, entitled "Grief Never Grows Old", was released in February 2005, reaching #4 on the UK Singles Chart.
In what has been described as "a brave and principled stand", Gary declared his support for the cultural boycott of Israel. At a press conference in Russia he announced that he would not visit the ‘criminal state’ of Israel ‘because of its racist policies against the Palestinian people’.
He also took part in a comedy skit entitled "The Easy Guitar Book Sketch" with comedian Rowland Rivron and fellow musicians Mark Knopfler, Lemmy from Motorhead, Mark King from Level 42, and David Gilmour.
Aiming to become a musician he moved to Dublin at the age of 16 and joined Skid Row, a band that then included Phil Lynott. Moore would later join Lynott again in 1973 when he first joined Thin Lizzy, after the departure of founding member Eric Bell and again in 1977. He moved to England in 1970 and remained there, apart from two short periods in America. In 2002 he bought a five-bedroom detached Edwardian house in Hove, just west of Brighton, Sussex, to be near his sons, Jack and Gus, from his former marriage which had lasted from 1985 to 1993. Since 1997 he was living with his partner, an artist named Jo, and their daughter Lily (b. 1999) and Saoirse. His residence was reported to be on Vallance Gardens in Hove, East Sussex.
Fans have called for popular magazines such as ''Classic Rock'', ''Guitarist'' and ''Total Guitar'' to do tributes. Twitter was flooded with tributes from fans for several days after the news was revealed.
Tributes:
Category:1952 births Category:2011 deaths Category:Deaths from myocardial infarction Category:People from Belfast Category:Male singers from Northern Ireland Category:Irish musicians Category:Irish songwriters Category:English-language singers Category:Irish rock singers Category:Irish guitarists Category:Irish rock guitarists Category:Rock musicians from Northern Ireland Category:Thin Lizzy members Category:The Gary Moore Band members Category:Lead guitarists Category:Jazz fusion guitarists Category:Guitarists from Northern Ireland Category:Blues rock musicians Category:Electric blues musicians Category:People educated at Ashfield Boys' High School
ar:غاري مور an:Gary Moore az:Qari Mur be-x-old:Гэры Мур bg:Гери Мур ca:Gary Moore cs:Gary Moore cy:Gary Moore da:Gary Moore de:Gary Moore et:Gary Moore el:Γκάρι Μουρ es:Gary Moore eo:Gary Moore eu:Gary Moore fa:گری مور fr:Gary Moore ko:게리 무어 it:Gary Moore he:גרי מור ka:გარი მური la:Gary Moore lb:Gary Moore hu:Gary Moore nl:Gary Moore ja:ゲイリー・ムーア no:Gary Moore nn:Gary Moore pl:Gary Moore pt:Gary Moore ro:Gary Moore ru:Мур, Гэри simple:Gary Moore sk:Gary Moore sl:Gary Moore fi:Gary Moore sv:Gary Moore th:แกรี มัวร์ tr:Gary Moore uk:Ґері МурThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | 50 Cent |
---|---|
Background | solo_singer |
Birth name | Curtis James Jackson III |
Origin | South Jamaica, Queens, New York, United States |
Birth date | July 06, 1975 |
Genre | Hip hop |
Occupation | Rapper |
Years active | 1997–present |
Label | Shady, Aftermath, Interscope |
Former label | Jam Master Jay Records, Columbia Records |
Associated acts | G-Unit, Dr. Dre, Eminem, Sha Money XL |
Website | }} |
He rose to fame with the release of his albums ''Get Rich or Die Tryin''' (2003) and ''The Massacre'' (2005). His album ''Get Rich or Die Tryin''' has been certified six times platinum by the RIAA.
Born in South Jamaica, Queens, Jackson began drug dealing at the age of twelve during the 1980s crack epidemic. After leaving drug dealing to pursue a rap career, he was shot at and struck by nine bullets during an incident in 2000.
After releasing his album ''Guess Who's Back?'' in 2002, Jackson was discovered by rapper Eminem and signed to Interscope Records. With the help of Eminem and Dr. Dre, who produced his first major commercial successes, Jackson became one of the world's highest selling rappers. In 2003, he founded the record label G-Unit Records, which signed several successful rappers such as Young Buck, Lloyd Banks, and Tony Yayo.
Jackson has engaged in feuds with other rappers including Ja Rule, Nas, Fat Joe, Jadakiss, Cam'ron, Puff Daddy, Rick Ross, and former G-Unit members The Game and Young Buck. He has also pursued an acting career, appearing in the semi-autobiographical film ''Get Rich or Die Tryin''' in 2005, the Iraq War film ''Home of the Brave'' in 2006, and ''Righteous Kill'' in 2008. 50 Cent was ranked as the sixth best artist of the 2000s by ''Billboard'' magazine. The magazine also ranked him as the fourth top male artist and as the third top rapper behind Eminem and Nelly. ''Billboard'' magazine also ranked him as the sixth best and most successful Hot 100 Artist of the 2000s and as the number one rap artist of the 2000s. ''Billboard'' ranked his album ''Get Rich or Die Tryin''' as the twelfth best album of the 2000s and his album ''The Massacre'' as the 37th best album of the 2000s. As of September 2011, 50 Cent is working on his yet-to-be-titled fifth studio album, which is set to be released in December 2011.
Sabrina, a cocaine dealer, raised Jackson until the age of twelve, when she was killed in 1988. Twenty-seven at the time, she became unconscious after someone drugged her drink. She was then left for dead after the gas in her apartment was turned on and the windows shut closed.
After her death, Jackson moved into his grandparents' house with his eight aunts and uncles. He recalls, "My grandmother told me, 'Your mother's not coming home. She's not gonna come back to pick you up. You're gonna stay with us now.' That's when I started adjusting to the streets a little bit".
Jackson began boxing around the age of eleven.
At fourteen, a neighbor opened a boxing gym for local kids.
"When I wasn't killing time in school, I was sparring in the gym or selling crack on the strip", he recalled. In the mid 1980s, he competed in the Junior Olympics as an amateur boxer. He recounts, "I was competitive in the ring and hip-hop is competitive too... I think rappers condition themselves like boxers, so they all kind of feel like they're the champ". At the age of twelve, Jackson began dealing narcotics when his grandparents thought he was at after-school programs. He also took guns and drug money to school. In the tenth grade, he was caught by metal detectors at Andrew Jackson High School. He later stated, "I was embarrassed that I got arrested like that... After I got arrested I stopped hiding it. I was telling my grandmother [openly], 'I sell drugs.'"
Following time spent in a correctional boot camp, Jackson adopted the nickname "50 Cent" as a metaphor for "change". The name was derived from Kelvin Martin, a 1980s Brooklyn robber known as "50 Cent". Jackson chose the name "because it says everything I want it to say. I'm the same kind of person 50 Cent was. I provide for myself by any means".
Jay taught him how to count bars, write choruses, structure songs, and how to make a record. Jackson's first official appearance was on a song titled "React" with the group Onyx on their 1998 album ''Shut 'Em Down''. He credited Jam Master Jay as an influence who helped him improve his ability to write hooks. Jay produced Jackson's first album; however, it was never released.
In 1999, after leaving Jam Master Jay, the platinum-selling producers Trackmasters took notice of Jackson and signed him to Columbia Records. They sent him to a studio in Upstate New York where he produced thirty-six songs in two weeks. Eighteen were included on his unofficially released album, ''Power of the Dollar'' in 2000. He also started the now-defunct Hollow Point Entertainment with former G-Unit affiliate Bang 'Em Smurf.
Jackson's popularity started to increase after the successful but controversial underground single, "How to Rob", which he wrote in half an hour while in a car on the way to a studio. The track comically explains how he would rob famous artists. He explained the reasoning behind song's content as, "There's a hundred artists on that label, you gotta separate yourself from that group and make yourself relevant". Rappers Jay-Z, Kurupt, Sticky Fingaz, Big Pun, DMX, Wyclef Jean and the Wu-Tang Clan replied to the song and Nas, who received the track positively, invited Jackson to travel on a promotional tour for his ''Nastradamus'' album. The song was intended to be released with "Thug Love" featuring Destiny's Child, but two days before he was scheduled to film the "Thug Love" music video, Jackson was shot and confined to a hospital due to his injuries.
His son was in the house, while his grandmother was in the front yard. Upon returning to the back seat of the car and already seated, another car pulled up nearby. An assailant then walked up to Jackson's left side with a 9mm handgun and fired nine shots at close range. He was shot nine times: in the hand (around hit his right thumb, to where the bullet passed through and out his little finger), arm, hip, both legs, chest, and his face (his left cheek). The face wound resulted in a swollen tongue, the loss of a wisdom tooth, and a small slur in his voice. His friend also sustained a gunshot wound to the hand. They were driven to the hospital where Jackson spent thirteen days.
Baum, the alleged shooter, was killed three weeks later.
Baum was also Mike Tyson's close friend and bodyguard.
Jackson recalled the incident saying, "It happens so fast that you don't even get a chance to shoot back.... I was scared the whole time.... I was looking in the rear-view mirror like, 'Oh @#!*% , somebody shot me in the face! It burns, burns, burns.'" In his autobiography, ''From Pieces to Weight: Once upon a Time in Southside Queens'', he wrote, "After I got shot nine times at close range and didn't die, I started to think that I must have a purpose in life... How much more damage could that shell have done? Give me an inch in this direction or that one, and I'm gone". He used a walker for the first six weeks and fully recovered after five months. When he left the hospital, he stayed in the Poconos with his then-girlfriend and son. His workout regime helped him attain his muscular physique.
While in the hospital, Jackson signed a publishing deal with Columbia Records. However, he was dropped from the label and "blacklisted" in the recording industry because of his song "Ghetto Qu'ran".
Unable to find a studio to work with in the U.S, he traveled to Canada. Along with his business partner Sha Money XL, he recorded over thirty songs for mixtapes, with the purpose of building a reputation.
According to Shady Records A&R; Marc Labelle in an interview with HitQuarters, Jackson shrewdly used the mixtape circuit to his own advantage saying, "He took all the hottest beats from every artist and flipped them with better hooks. They then got into all the markets on the mixtapes and all the mixtape DJs were messing with them." Jackson's popularity rose and in 2002, he released material independently on the mixtape, ''Guess Who's Back?''. Beginning to attract interest, and now backed by G-Unit, Jackson continued to release music including ''50 Cent Is the Future''. The mixtape revisited material by Jay-Z and Raphael Saadiq.
In February 2003, Jackson released his commercial debut album, ''Get Rich or Die Tryin'''. Allmusic described it as "probably the most hyped debut album by a rap artist in about a decade". ''Rolling Stone'' noted the album for its "dark synth grooves, buzzy keyboards and a persistently funky bounce" with Jackson complementing the production in "an unflappable, laid-back flow".
It debuted at number one on the ''Billboard'' 200, selling 872,000 copies in the first four days. The lead single, "In da Club", which ''The Source'' noted for its "blaring horns, funky organs, guitar riffs and sparse hand claps", broke a ''Billboard'' record as the most listened-to song in radio history within a week.
Interscope granted Jackson his own label, G-Unit Records in 2003. He signed Lloyd Banks, Tony Yayo, and Young Buck as the established members of G-Unit. The Game was later signed under a joint venture with Dr. Dre's Aftermath Entertainment.
In March 2005, Jackson's second commercial album, ''The Massacre'', sold 1.14 million copies in the first four days-the highest in an abbreviated sales cycle- and peaked at number one on the ''Billboard'' 200 for six weeks.
He became the first solo artist to have three singles on the ''Billboard'' top five in the same week with "Candy Shop", "Disco Inferno", and "How We Do". ''Rolling Stone'' noted that "50's secret weapon is his singing voice - the deceptively amateur-sounding tenor croon that he deploys on almost every chorus".
After The Game's departure, Jackson signed singer Olivia and rap veterans Mobb Deep to G-Unit Records. Spider Loc, M.O.P., 40 Glocc and Young Hot Rod later joined the label. Jackson expressed interest in working with rappers outside of G-Unit, such as Lil' Scrappy of BME, LL Cool J from Def Jam, Mase from Bad Boy, and Freeway of Roc-A-Fella, some of whom he recorded with. In September 2007, he released his third album ''Curtis'', which was inspired by his life before ''Get Rich or Die Tryin'''. It debuted at number two on the ''Billboard'' 200, selling 691,000 units in the first week, behind Kanye West's ''Graduation'', whom he had a sales competition with, as both albums were released on the same day.
He confirmed on TRL on September 10, 2008 that his fourth studio album, ''Before I Self Destruct'', will be "done and released in November".
On May 18, 2009, Jackson released a song entitled "Ok, You're Right". The song was produced by Dr. Dre and was included in ''Before I Self Destruct''.
In Fall 2009, 50 Cent appeared in the new season of VH1's Behind The Music.
On September 3, 2009 months upon the release of his "Before I Self Destruct" album 50 Cent posted a video for the Soundkillers' Phoenix produced track "Flight 187" which introduced his mixtape, the 50th LAW, and was also featured as a bonus track on his iTunes release of Before I Self Destruct. The song ignited speculation that there was tension between rapper 50 Cent and Jay Z for Jackson's comments in the song.
50 Cent revealed that he wanted his new album to have the same "aggression" as his debut record, ''Get Rich or Die Tryin'''.
He later tweeted that the album was "80 percent done", and stated that fans can expect the album in the summer of 2011; however, the album has been delayed to 2012 at the earliest, due to tensions and disagreements at Interscope Records, Later 50 Cent said that he will release his album in November of 2011 and it has also been confirmed that "Black Magic" will not be the album's title. 50 Cent has already confirmed that Eminem will appear on the album, but he also confirmed that he has been working with new producers such as Boi-1da and Alex da Kid. Cardiak, who produced Lloyd Banks' “Start It Up”, also confirmed that he had produced a song for the upcoming album.
DJ Whoo Kid confirmed in an interview that 50 Cent was filming a new movie with Robert DeNiro in New Orleans.
50 Cent released the first song from his fifth studio album, titled "Outlaw", to the Internet on June 16, 2011.
The single was produced by Cardiak.
It was released to iTunes on July 19, 2011, although 50 Cent confirmed through his Twitter account that the song was not the album's first single.
50 Cent is set to release a book titled ''Playground''.
Unlike his previous literary efforts — which focus on his life story and the rules of power — this time he's aiming at a teen audience with a semi-autobiographical novel about bullying. According to a statement from the book's publisher, the first-person novel is slated for release in January 2012 and will tell the story of a 13-year-old schoolyard bully "who finds redemption as he faces what he's done."
50 Cent has promised to deliver his fifth studio album album over the past few years, but the LP may be delayed until 2012. In a series of tweets, 50 Cent explained that him and his label Interscope Records aren’t on the same page on how to roll out the album and that he’s delaying its release until they see eye to eye.
50 Cent later suggested that his album will be releasing in November 2011, along with his headphone line ''SMS by 50''.
50 Cent spoke to MTV in relation to the possibility of leaving Interscope Records. "I don't know," 50 told MTV News when asked if he would ink back with Interscope once his five-album deal was fulfilled. "It will all be clear in the negotiations following me turning this actual album in. And, of course, the performance and how they actually treat the work will determine whether you still want to stay in that position or not."
On June 20, 2011, 50 Cent announced that he will release an LP titled ''Before I Self Destruct II''. The announced sequel to his 2009 LP is suggested to be released after his fifth studio album.
On June 26, 2011, 50 Cent planned to shoot a music video for the lead single from his fifth studio album titled ''I'm On It''. However, the music video never surfaced.
50 Cent spoke to Shade45 in relation guest appearances for his fifth studio album. "I did four songs in Detroit with Eminem. I did two with Just Blaze, a Boi-1da joint, and I did something with Alex da Kid. We made two that are definite singles and the other two are the kinds of records that we been making, more aimed at my core audience, more aggressive, more of a different kind of energy to it."
In September 2011, 50 Cent released a song titled "Street King Energy Track #7" in attempt to promote his charitable energy drink ''Street King''.
On September 28, 2011, it was confirmed that 50 Cent is shooting a music video for his lead single from his fifth studio album titled "Girls Go Wild", which features Jeremih.
On October 26, 2011, 50 Cent announced that his fifth studio album will be released in December 2011.
Its sequel, ''50 Cent: Blood on the Sand'', was released in early 2009. He worked with Glacéau to create a vitamin water drink called Formula 50. In 2007, Coca-Cola purchased Glacéau for US$4.1 billion. ''Forbes'' estimated Jackson, who owns a stake in the company, earned $100 million from the deal after taxes. He has teamed up with Right Guard to launch a body spray called Pure 50 RGX Body Spray and a condom line called Magic Stick Condoms, in which he planned to donate part of the proceeds to HIV awareness.
Jackson has signed a multi-year deal with Steiner Sports to sell his memorabilia.
In 2005, Jackson made a cameo appearance on ''The Simpsons'' episode "Pranksta Rap", in which he makes light of his legal troubles. The same year, he starred alongside Terrence Howard in the semi-autobiographical film ''Get Rich or Die Tryin'''. He starred in the 2006 film ''Home of the Brave'', as a soldier returning home from the Iraq War, traumatized after killing an Iraqi woman.
Jackson is working on a role as a fighter in an Angola State Prison in ''Spectacular Regret'' alongside Nicolas Cage, and starred opposite Al Pacino and Robert De Niro in 2008's ''Righteous Kill'', a movie regarding a police death.
He also started the film production companies G-Unit Films in 2007 and Cheetah Vision in 2008.
In August 2007, Jackson announced plans to launch a dietary supplement company in conjunction with his movie ''Spectacular Regret''.
In August 2005, shortly before appearing in ''Get Rich or Die Tryin''', Jackson published an autobiography entitled ''From Pieces to Weight: Once upon a Time in Southside Queens''. In it, Jackson explores the cultural and economic forces that led him to sell cocaine and crack, details his entrepreneurship as a drug-dealer and then as a rapper, and reflects on his own ethos and on society.
On January 4, 2007, Jackson launched his G-Unit Books imprint at the Time Warner Building. He also co-wrote ''The Ski Mask Way'', a novel about a small-time drug dealer who attempts to rob his employers, which is to be turned into a film. Jackson said he read Robert Greene's ''The 33 Strategies of War'' and worked with the author on a book titled ''The 50th Law'', an urban take on ''The 48 Laws of Power''. In May 2008, Jackson met billionaire Patrice Motsepe to forge a joint venture selling 50 Cent-branded platinum.
In 2008, Jackson started a reality television show on MTV titled ''50 Cent: The Money and the Power''; the winning contestant, Ryan Mayberry, won a $100,000 investment from Jackson.
On September 8, 2009, he published his book ''The 50th Law''.
In 2010, Jackson's film company Cheetah Vision landed $200 million in funding.
In July 2011, 50 Cent revealed his initiative to provide food for millions of people in Africa by 2016. 50 Cent teamed up with Pure Growth Partners to launch a charitable energy drink called ''Street King'' that will help aid in combating world hunger. For every purchase of Street King, a portion of the sales will go to providing a daily meal to an underprivileged child around the world. The partnership coincides with Fiddy’s mission statement of feeding a billion people in Africa over the next five years.
“50 Cent and I share a common vision: To address the world’s problems through smart and sustainable business models,” said Chris Clark, the founder and CEO of Pure Growth Partners. “With the rampant starvation in Africa and hunger afflicting children worldwide, we need socially responsible businesses that affect real change now more than ever.”
50 concurs, stating, “I’m inspired by Clarke’s vision and innovative approaches to tackling serious issues. It’s our mission with Street King to really change children’s lives around the world.”
The birth of his son changed Jackson's outlook on life: "When my son came into my life, my priorities changed, because I wanted to have the relationship with him, that I didn't have with my father." He credited his son for inspiring his career and being "motivation to go in a different direction".
If his felony convictions did not prevent him from voting, he claimed he would have voted for Bush.
He later stated that Bush "has less compassion than the average human. By all means, I don't aspire to be like George Bush."
He put the mansion for sale at $18.5 million to move closer to his son who lives in Long Island with his ex-girlfriend. On October 12, 2007, the Mayor of Bridgeport, Connecticut declared it "50 Cent Curtis Jackson Day". He was honored with a key to the city and an official proclamation.
One of his homes in New York purchased for 2.4 million dollars in January 2007 and at the center of a lawsuit between Jackson and ex-girlfriend Shaniqua Tompkins caught fire on May 30, 2008 while he was out of town filming for a movie in Louisiana.
In December 2008 Jackson told the Canadian press that he had been affected by the recession, losing several million dollars in the stock market as an investor. He also went on to say that he had been unable to sell his Connecticut mansion and pushed ''Before I Self-Destruct'' back because of the recent economic downturn.
He was sentenced to three to nine years in prison, but managed to serve six months in a shock incarceration boot camp where he earned his GED. Jackson said that he did not use cocaine himself, he only sold it.
His ex-girlfriend Shaniqua Tompkins sued Jackson for $50 million, claiming that he said that he would take care of her for life; the suit, which includes 15 claims was later dismissed by a judge, calling it "an unfortunate tale of a love relationship gone sour."
50 Cent was sentenced to two years probation on July 22, 2005 from an incident in May 2004 when 50 Cent jumped into the audience after being hit with a water bottle. He was charged with three counts of assault and battery.
He became aware of the internet ad after one of his staff members saw it on a MySpace page. According to court documents, the ad features a cartoon image of the rapper and the message: "shoot the rapper and you will win $5000 or five ring tones guaranteed".
Though the ad did not use his name, the image allegedly intended to resemble him, suggesting he endorsed the ad.
The lawsuit calls it a "vile, tasteless and despicable" use of 50 Cent's image that "quite literally calls for violence against him". The lawsuit seeks for unspecified punitive damages and a permanent injunction against the use of his image without permission.
In November 2009, 50 Cent won in a lawsuit against Taco Bell over the fast food chain using his name to promote the brand without his permission.
The comments made towards the Wu-Tang Clan were responded to on the Ghostface Killah album ''Supreme Clientele'' on a track called "Ghost Deini" and even more directly on a skit called "Clyde Smith" which included one of the Wu-Tang Clan members talking about how they intended to harm the rapper, which is identifiable as Raekwon when the track is sped up. A supposed diss song, "Who the @#!*% Is 50 Cent", which circulated the web in the beginning of 2001 was rumored to be by the Clan, but was proven to be recorded by Polite of American Cream Team (Raekwon's then-side project).
Jay-Z also reacted to the comments in the track called "It's Hot (Some Like It Hot)", off the album ''Vol. 3... Life and Times of S. Carter'':
"Go against Jigga yo' @#!*% is dense I'm about a dollar, what the @#!*% is 50 Cents?"
Sticky Fingaz responded to the diss with the track "Jackin' for Beats."
"The real 50 from Brooklyn god bless he got outed You just a fake clown who front and rout about it."
Big Pun responds to this track on his album ''Yeeeah Baby'', in the song "My Turn."
"And to the 50 Cent Rapper, very funny – get your nut off, 'cuz in real life, we all know I'd blow your @#!*% head off...If I'm gonna write a song, it'll be about how I had to beat your @#!*% ' @#!*% . And that'll be the name of the @#!*% : 'That's Why I Had To Beat Your @#!*% @#!*% ', featuring Tony Sunshine."
Kurupt responded on the diss track "Callin' Out Names."
"Now it's 50 mc's that ain't worth @#!*% Get ya @#!*% kicked 50 times, beat to 10 cent"
Wyclef Jean responded on the song "Low Income", from his 2000 album, ''The Ecleftic''.
"I stay so hungry that if 50 Cent came to rob me he'd be part of my charity."
An affidavit by an IRS agent suggested that Murder Inc. had ties to Kenneth "Supreme" McGriff, a New York drug lord who was suspected of being involved in the murder of Jam Master Jay and the shooting of Jackson. An excerpt of the affidavit read:
In an interview with MTV, Ja Rule acknowledged his defeat against 50 Cent and stated that his new album, The Mirror, will not be continuing any past feuds that he has engaged in. He said: There was a lot of things I wanted to say, and I didn't want there to be any bitter records on the album. Because I'm not bitter about anything that happened [in the past few years].
Jackson later dismissed The Game from G-Unit on Hot 97 radio. After the announcement, The Game, who was a guest earlier in the evening, attempted to enter the building with his entourage. After being denied entry, one of his associates was shot in the leg during a confrontation with a group of men leaving the building. When the situation escalated, both rappers held a press conference to announce their reconciliation. Fans had mixed feelings as to whether the rappers created a publicity stunt to boost the sales of the albums they had just released. Nevertheless, even after the situation deflated, G-Unit criticized The Game's street credibility. The group denounced The Game and announced that they will not be featured on his albums. During a Summer Jam performance, The Game launched a boycott of G-Unit called "G-Unot".
After the performance at Summer Jam, The Game responded with "300 Bars and Runnin'", an extended "diss" aimed at G-Unit as well as members of Roc-A-Fella Records on the mixtape ''You Know What It Is Vol. 3''. Jackson responded through his "Piggy Bank" music video, which features The Game as a Mr. Potato Head doll and also parodies other rivals. Since then both groups continued to attack each other. The Game released two more mixtapes, ''Ghost Unit'' and a mixtape/DVD called ''Stop Snitchin, Stop Lyin''.
Jackson posted a cover of The Game's head on the body of a male stripper for "Hate It or Love It (G-Unit Radio Part 21)" mixtape, as a response to The Game displaying pictures of G-Unit dressed as Village People. Although he was signed to Aftermath Entertainment, The Game left the label and signed with Geffen Records to terminate his contractual obligations with G-Unit (although others claim Jackson pressured Dr. Dre to kick him off). G-Unit member Spider Loc had also began to insult The Game on various songs. In addition, The Game released "240 Bars (Spider Joke)" and "100 Bars (The Funeral)" both attacking G-Unit, Spider Loc and others. Jackson's response was "Not Rich, Still Lyin'" where he mocks The Game. Lloyd Banks replied to the Game on a Rap City freestyle booth session. The Game quickly released a "diss" record called "SoundScan" where The Game pokes fun at Lloyd Banks' album ''Rotten Apple'' falling thirteen spots on the ''Billboard'' 200 chart and disappointing second week sales. Lloyd Banks replied on his mixtape ''Mo' Money In The Bank Pt. 5: Gang Green Season Continues'' with a song called "Showtime (The Game's Over)". Lloyd Banks states that Jackson wrote half of The Game's first album ''The Documentary'' and pokes fun at The Game's suicidal thoughts.
In October 2006, The Game extended a peace treaty to Jackson, which was not immediately replied to. However, a couple days later, on Power 106, he stated that the treaty was only offered for one day. On The Game's album, ''Doctor's Advocate'', he claims that the feud is over on a few of the songs.
In July 2009, The Game stated the beef was squashed with help from Michael Jackson and Diddy, and he apologized for his actions during the beef. Tony Yayo said that neither Jackson (50 Cent) or G-Unit would accept his apology. Since then, The Game continued his old "G-Unot" ways at live concerts. Jackson released "So Disrespectful" a diss song on ''Before I Self Destruct'' targeting Jay-Z, The Game and Young Buck. Game later responded with the song "Shake", poking fun of the music video for 50's single "Candy Shop", quote, "Me and 50 aint agreeing on @#!*% so I had to (Shake) Aint no telling what he putting in that protein (Shake) Seen the candy shop video look at this @#!*% (Shake) And thats the same @#!*% that made the @#!*% Young Buck (Shake)". He also takes shots at Lloyd Banks and Tony Yayo, in which he says, "I'm surprised that Lloyd Banks and Yayo didn't (Shake) Wasn't selling no records Jimmy Iovine said (Shake)". Game also dissed G-Unit several times on the song "400 Bars".
In September 2011, 50 Cent dissed Game on the song "Love, Hate, Love", in which Game responded to on his twitter, saying he was going to diss him back after his tour was finished, quote:
Before going to Venezuela, Jackson uploaded a video entitled "Warning Shot", where he warns Rick Ross: ''"I'ma @#!*% your life up for fun"''. In addition, Jackson released the first of a series of "Officer Ricky" cartoons. Early February, Jackson once again made a video which he uploaded to YouTube where he interviews "Tia", the mother of one of Rick Ross's children. She verifies his being a correctional officer and claims his whole persona is fake and fraudulent. On Thursday, February 5, 2009, The Game, who Jackson has a long-standing "beef" with, called up Seattle's KUBE 93 Radio Station. When asked about the beef between Jackson and Rick Ross, The Game sided with Jackson and said that things are not looking good for Rick Ross. However, he offered to help Rick Ross get out of this situation, stating ''"Rick Ross, holla at your boy, man,"'' and ''"50 eating you'', boy."
On his album ''Deeper Than Rap'', Ross references Jackson in the song "In Cold Blood". A video for the song was released that portrayed Jackson's mock funeral. Upon release, Ross stated that he has ended Jackson's career.
In an interview, Jackson said: "Rick Ross is Albert From CB4. You ever seen the movie? He's Albert," he added. "It never gets worse than this. You get a guy that was a correctional officer come out and base his entire career on writing material from a drug dealer's perspective such as "Freeway" Ricky Ross."
Year | Film | Role | Notes |
2003 | ''50 Cent: The New Breed'' | Himself | Documentary DVD |
2005 | Marcus | Film debut | |
2006 | Jamal Aiken | Supporting Role | |
''Righteous Kill'' | Spider | Supporting Role | |
Clarence | Supporting Role | ||
''50 Cent: The Money and the Power'' | Himself | TV series (one episode: "Choose Your Crew Wisely") | |
''Streets of Blood'' | Stan Johnson | ||
Himself | TV series (Season 6, Episode 3: "One Car, Two Car, Red Car, Blue Car") | ||
Thigo | |||
''Caught in the Crossfire'' | Tino | Executive producer | |
Jimy | |||
Rich | |||
Lionel | Supporting Role | ||
Himself | |||
Black | Post-production | ||
''Blood Out'' | Hardwick | ||
Sonny | |||
''All Things Fall Apart'' | Deon | ||
Malo | |||
- | Producer | ||
Shamus Cocobolo | |||
Pre-production |
Year | Film | Role | Notes |
''The Simpsons'' | Himself | TV series (one episode: "Pranksta Rap") | |
''50 Cent: Bulletproof'' | Himself | Video game, voice only | |
''50 Cent: Blood on the Sand'' | Himself | Video game, voice only | |
''Call of Duty: Modern Warfare 2'' | Video game, voice only |
* Category:1975 births Category:Living people Category:Actors from New York City Category:African-American businesspeople Category:African American film actors Category:African-American film producers Category:African American rappers Category:African American record producers Category:Aftermath Entertainment artists Category:American investors Category:American music industry executives Category:American shooting survivors Category:American stock traders Category:American video game actors Category:Brit Award winners Category:Businesspeople from New York City Category:Grammy Award winners Category:G-Unit members Category:Hip hop singers Category:People convicted of drug offenses Category:People from Queens Category:Pseudonymous rappers Category:Rappers from New York City Category:Shady Records artists Category:Survivors of stabbing Category:Sony/ATV Music Publishing artists Category:World Music Awards winners
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name | Ester Dean |
---|---|
background | solo_singer |
birth name | Ester Renay Dean |
born | December 15, 1981 |
birth place | Muskogee, Oklahoma, U.S. |
instrument | Vocals |
genre | R&B;, hip hop, pop |
occupation | Singer-songwriter, rapper, record producer |
years active | 2009–present |
label | Interscope, Polydor, Zone 4 |
associated acts | Katy Perry, Monica, Chris Brown, Soulja Boy Tell 'Em, Ciara, Usher, Lloyd, Nicki Minaj, Rihanna |
website | EsterDean.com }} |
Ester Renay Dean (frequently seen as Esther Dean born on December 15, 1981) is an American singer-songwriter, and record producer signed to Zone 4 Records/Interscope Records. She is most notable for her dual appearance on ''Rio: Music From The Motion Picture'' (2011) and her 2009 US hit single "Drop It Low", which featured singer Chris Brown. Dean has also written songs with many artists including Nicki Minaj, Katy Perry, Beyoncé, Mary J. Blige, Christina Aguilera, Ciara, Nicole Scherzinger, Usher, Kelly Rowland, Girlicious, Rihanna, R. Kelly, Britney Spears, and Soulja Boy Tell 'Em.
Dean recorded and released her first single, "Drop It Low" which features singer Chris Brown, from the LeBron James documentary, ''More Than a Game'' (2009), which peaked at #38 on the US ''Billboard'' Hot 100, becoming her first US Top 40 single. The song received positive reviews, and the song was remixed by artists such as Lil Wayne, Trey Songz and Diddy. Dean has co-written songs featured on the ''Step Up 3D Original Motion Picture Soundtrack'' (2010) and ''Burlesque: Original Motion Picture Soundtrack'' (2010). She also co-wrote "Super Bass", a bonus track for Nicki Minaj's debut album ''Pink Friday'' (2011). The song was received well, with many fans stating it was better than some of the main tracks, and should have been on the standard edition of the album. "Super Bass" was released as a single and after becoming Minaj's first top ten placement as a lead artist has gone on to achieve the position of number three on the Hot 100. The song's title is included as part of the title of a UK Deluxe edition of the album, ''Pink Friday (Super Bass Edition)''. Dean has a dual appearance on ''Rio: Music From The Motion Picture'' (2011) with "Let Me Take You To Rio" and "Take You To Rio".
Category:1981 births Category:Living people Category:American female singers Category:American pop singers Category:American rhythm and blues singers Category:Hip hop singers Category:English-language singers Category:American record producers
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