This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
His big break came with the role of young Tarzan, in the 1918 film ''Tarzan of the Apes''. He was required to do his own stunts, such as climbing trees, swinging from vines, and interacting closely with a chimpanzee. Griffith also has several nude scenes in the first half of the film. Griffith appears before the actor portraying the adult Tarzan—Elmo Lincoln—making him the first actor to portray Tarzan in film. After seeing the movie, a critic described Griffith as "a youthful actor of uncommon gifts."
Griffith received the role of Tom Sawyer in ''Huckleberry Finn''. Later he was again cast in the first Tarzan serial as Tarzan's son, Korak, a role that has been described as "anticipating John Sheffield's 'Boy' roles [in later Tarzan films]." Both of his parents died in the 1920s—his mother in 1921 and his father in 1926. At the time of the 1930 census, he and his brother were living with his sister and her family in Pasadena, California.
Between 1937 and 1956 he produced five films. He was an associate producer under Robert Sherwood, and a director and then an associate producer for Gregory Ratoff Productions. In 1941, Griffith became production manager at Columbia Pictures, and later served as an associate producer for RKO, eventually becoming executive producer for films such as 1956's ''Alexander the Great''.
In 1958, Griffith died of a heart attack in Hollywood. He was survived by his sister.
Category:1907 births Category:1958 deaths Category:Actors from Chicago, Illinois Category:American child actors Category:American film actors Category:American film producers Category:American silent film actors Category:Deaths from myocardial infarction
es:Gordon GriffithThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 41°52′55″N87°37′40″N |
---|---|
name | Klimt 1918 |
background | group_or_band |
origin | Rome, |
genre | Gothic metal (early material) Alternative rock Indie rock |
years active | 1999 – present |
label | Prophecy Productions, My Kingdom Music |
website | www.klimt1918.com |
current members | Marco SoellnerDavide PesolaPaolo SoellnerFrancesco Conte |
notable instruments | }} |
Klimt 1918 is an indie/alternative rock band from Rome, Italy.
Between September and October 2006, guitarist Alessandro Pace left the band and was replaced by Francesco Conte, who made his live debut with the band on October 21, at Prophecy Productions' 10 years festival.
The long-delayed follow-up to ''Dopoguerra'', called ''Just In Case We'll Never Meet Again (Soundtrack For The Cassette Generation)'', was first released in Germany on June 20, 2008, being subsequently released worldwide on June 23 and in the U.S.A. on June 24.
In April 2009 the band released its first videoclip Ghost Of A Tape Listener, followed by a vinyl release of Just In Case We'll Never Meet Again (Soundtrack For The Cassette Generation) and a Ghost Of A Tape Listener EP featuring a previously unreleased track, "Blackeberg 1981".
The name may also be a tribute to Bauhaus, which was originally named "Bauhaus 1919".
Category:Italian post-rock groups
de:Klimt 1918 es:Klimt 1918 it:Klimt 1918 ru:Klimt 1918This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 41°52′55″N87°37′40″N |
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name | Marion Harris |
background | solo_singer |
birth name | Mary Ellen Harrison |
born | April 04, 1896Indiana, United States |
died | New York City, New York |
genre | Jazz, blues, pop |
occupation | Singer |
years active | 1914—1930s |
label | Victor, Columbia, Brunswick |
notable instruments | }} |
Born Mary Ellen Harrison, probably in Indiana, she first played vaudeville and movie theaters in Chicago around 1914. Dancer Vernon Castle introduced her to the theater community in New York where she debuted in a 1915 Irving Berlin revue, ''Stop! Look! Listen!''
In 1920, after the Victor label would not allow her to record W.C. Handy's "St. Louis Blues", she joined Columbia Records where she recorded the song successfully. Sometimes billed as "The Queen of the Blues," she tended to record blues- or jazz-flavored tunes throughout her career. Handy wrote of Harris that "she sang blues so well that people hearing her records sometimes thought that the singer was colored." Harris commented, "You usually do best what comes naturally, so I just naturally started singing Southern dialect songs and the modern blues songs."
In 1922 she moved to the Brunswick label. She continued to appear in Broadway theatres throughout the 1920s. She regularly played the Palace Theatre, appeared in Florenz Ziegfeld's ''Midnight Frolic'' and toured the country with vaudeville shows. After a marriage which produced two children, and her subsequent divorce, she returned in 1927 to New York theater, made more recordings with Victor and appeared in an eight-minute promotional film, ''Marion Harris, Songbird of Jazz''. After a Hollywood movie, the early musical ''Devil-May-Care'' (1929) with Ramon Navarro, she temporarily withdrew from performing because of an undisclosed illness.
In early 1931 she performed in London, returning for long engagements at the Café de Paris. In London she appeared in the musical ''Ever Green'' and broadcast on BBC radio. She also recorded in England in the early 1930s but retired soon afterwards and married an English theatrical agent. Their house was destroyed in a German rocket attack in 1941, and in 1944 she travelled to New York to seek treatment for a neurological disorder. Although she was discharged two months later, she died soon afterwards in a hotel fire that started when she fell asleep while smoking in bed.
Category:1896 births Category:1944 deaths Category:American blues singers Category:American female singers Category:American pop singers Category:Vaudeville performers
de:Marion Harris fa:مریون هریس it:Marion HarrisThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
A prolific artist, McCay's pioneering early animated films far outshone the work of his contemporaries, and set a standard followed by Walt Disney and others in later decades. His two best-known creations are the newspaper comic strip ''Little Nemo in Slumberland'', which ran from 1905–1914 and 1924–1927, and the animated cartoon ''Gertie the Dinosaur'', which he created in 1914.
His comic strip work has influenced generations of artists, including creators such as William Joyce, André LeBlanc, Moebius, Maurice Sendak, Chris Ware and Bill Watterson.
In 1886, McCay's parents sent him to Cleary's Business College in Ypsilanti, Michigan to learn to be a businessman. While in Ypsilanti, he also received his only formal art training, from John Goodison of Michigan State Normal College (now known as Eastern Michigan University). Goodison taught him the strict application of the fundamentals of perspective, which he put to significant use later in his career. Goodison, formerly a glass stainer, also influenced McCay's bold use of color.
McCay's first major comic strip series was ''Tales of the Jungle Imps by Felix Fiddle''. Forty-three installments were published from January to November 1903, in the ''Cincinnati Enquirer''. The strip was based on poems by George Randolph Chester, then a reporter and editor at the ''Enquirer''. The stories concerned jungle creatures and the ways that they adapted to a hostile world, with individual titles such as ''How the Elephant Got His Trunk'' and ''How the Ostrich Got So Tall''.
His strips ''Little Nemo'' and ''Dreams of a Rarebit Fiend'' were both set in the dreams of their characters and featured fantasy art that attempted to capture the look and feel of dreams. McCay's cartoons were never overwhelmingly popular, but always had a strong following because of his expressive graphic style. Newspaper pages were physically much larger in that time and McCay usually had a half a page to work with. For fantasy art in comics, his only rival was Lyonel Feininger, who went on to have a career in the fine arts after his comics days were over.
McCay also created a number of animated short films, in which every single frame of each cartoon (with each film requiring thousands of frames) was hand-drawn by McCay and occasionally his assistants. McCay went on vaudeville tours with his films. He presented lectures and did drawings; then he interacted with his animated films, performing such tricks as holding his hand out to "pet" his animated creations. The star of McCay's groundbreaking animated film ''Gertie the Dinosaur'' is classified by film and animation historians as the first cartoon character created especially for film to display a unique, realistic personality. In the film, Gertie causes trouble and cries when she is scolded, and finally she gives McCay himself a ride on her back as he steps into the movie picture.
In addition to a series of cartoons based on his popular "rarebit" gags, McCay also created ''The Sinking of the Lusitania'', a depiction of the attack on the maritime ship. The cartoon contained a message that was meant to inspire America into joining World War I.
Woody Gelman discovered many of the original Little Nemo strips at a cartoon studio where Bob McCay, Winsor's son, had worked in 1966. Many of the original drawings that Gelman recovered were displayed at the Metropolitan Museum of Art under the direction of curator A. Hyatt Mayor. In 1973, Gelman would publish a collection of Little Nemo strips in Italy.
Category:1934 deaths Category:American animators Category:Artists from Cincinnati, Ohio Category:Burials at the Cemetery of the Evergreens Category:Cleary University alumni Category:Comic strip cartoonists Category:Eastern Michigan University alumni Category:People from Chicago, Illinois Category:People from Ypsilanti, Michigan Category:Vaudeville performers Category:Will Eisner Award Hall of Fame inductees
bs:Winsor McCay ca:Winsor McCay de:Winsor McCay et:Winsor McCay es:Winsor McCay fr:Winsor McCay hr:Winsor McCay it:Winsor McCay nl:Winsor McCay ja:ウィンザー・マッケイ no:Winsor McCay pt:Winsor McCay ro:Winsor McCay ru:Маккей, Уинзор sr:Винзор Мекеј fi:Winsor McCay sv:Winsor McCayThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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