Aldous Leonard Huxley was born on July 26, 1894, at Laleham in Godalming, Surrey, England. He was the third of four children. His brother Julian Huxley was a biologist known for his theories of evolution. His grandfather, named Thomas Henry Huxley, was a naturalist known as "Darwin's Bulldog." His father, named Leonard Huxley, was a writer. His mother, named Julia Arnold, was related to poet Matthew Arnold. Young Huxley graduated from the Hillside School, where his mother was supervisor. He was traumatized by the death of both his mother and sister in 1908. He then followed in the footsteps of his brothers by going to Eaton and then to Balliol College, Oxford University. At age 16 he contracted keratitis which left him practically blind for two years, and disqualified him from service in WWI. Upon his recovery he graduated with a First in English Literature, he taught English literature at Balliol College, Oxford. Huxley's literary life began in 1915, when he joined the circle of Lady Ottoline Morell at Garsington Manor. There he met 'Bertrand Russell' (qv), D.H. Lawrence, 'T.S. Eliot' (qv), 'Lytton Strachey' (qv), 'Virginia Woolf' (qv), and 'Katherine Mansfield' (qv). He also met and fell in love with a Belgian refugee Maria Nys. In 1919 she became his wife, and they had a son, named Matthew. In 1920 Huxley began writing for Conde Nast at House and Garden to support his family, and later contributed to Vanity Fair and Vogue magazines. He soon established himself as a successful writer and social satirist with his novels: Crome Yellow (1921), Antic Hay (1923), Those Barren Leaves (1925, and Point Counter Point (1928). The latter novel brought him international fame and was lated included in the Modern Library list of the top 100 novels of the 20th century. His best known novel 'Brave New World' (1932) was actually preceded by "We" (written in 1920, published in English in 1924), which was the very first anti-Utopian novel in literature, written by 'Yevgeni Zamyatin' (qv). Both novels describe the futurist idea of One World State, where totalitarian government manipulates people's lives by eliminating individual freedom, family, art, literature, religions and cultural diversity. Totalitarian government controls humans from their conception and regulates assisted reproduction, as well, as education, indoctrination, and also enforces the medical drug use for pacification. Huxley himself called it a "negative utopia" which was written as a parody on 'Men Like Gods' (1923), a Utopian novel by H.G. Wells, which was also preceded by writings of 'Yevgeni Zamyatin' (qv). In 1937 Huxley moved to Hollywood, California, with wife Maria and a life-long friend 'Gerald Heard' (qv). There Huxley befriended 'Jiddu Krishnamurti' (qv) and became one of his disciples, adopting a blend of eastern philosophical traditions with modernized mysticism. He also joined the circle of 'Swami Prabhavadanta' and became influenced by Vedanta and meditating. Huxley dramatically updated his lifestyle, become a vegetarian and practiced yoga. He also became addicted to drugs and rationalized his drug dependency in his writings. He even reported that his eyesight had improved for the first time in over 25 years. After the Second World War Huxley applied for the United States citizenship, but was denied for refusing to take up arms to defend the country. He remained a British Citizen for his entire life. Later in the 1950's he turned down an offer of a Knight Bachelor by the British government. In 1955 his wife, Maria, died of breast cancer. A year later Huxley became married to 'Laura Archera Huxley' (qv) who was herself a writer and also became his biographer. In 1960 Huxley was diagnosed with throat cancer. In his last Utopian novel 'Island' (1962), Huxley re-visited and updated his basic ideas from the 'Brave New World' and from his other novels. In 'Island' Huxley summarized his views on the modern world and society, including his position on medical drug use and his political stands on democracy, modernity, ecology and pacifism. The novel served as an inspiration for the 1960's psychedelic culture and was also incorporated in ideology of the New Age Movement. Huxley's opposition to the rigid social organization and self-destructive nature of modern class society and inevitable fatality of the modern world was paralleled by that of 'Jean-Paul Sartre' (qv). Aldous Huxley volunteered in experimental drug use in research carried by his friend Dr. Humphry Osmond since 1953. Huxley repeatedly experimented with mescaline injections and described his observations in 'The Doors of Perception' (1954) and 'Heaven and Hell' (1956). His own health deteriorated dramatically in the early 1960's. Huxley spent his last days bedridden, almost blind, and unable to speak. On his deathbed he made a written request to his wife for an intramuscular injection of 100 mg of LSD. 'Laura Archera Huxley' (qv) followed his instruction, and Huxley died peacefully in a few hours after the injection. That was on November 22, 1963, in his home in California. His death was obscured by the news of the assassination of President John F. Kennedy, which occurred on the same day. Huxley wrote the original screenplay for Disney's animated 'Alise in Wonderland' (1951), and co-wrote the screenplays for 'Pride and Prejudice' (1940) and 'Jane Eyre' (1944). Many of his novels were adapted for film or television: two TV productions of 'Brave New World' (in 1980 and in 1998), a BBC production of 'Point counterpoint' (1968) and 'The Devils' (1971) starring Vanessa Redgrave and directed by Ken Russell, as well as other film and TV adaptations.
name | Aldous Huxley |
---|---|
alt | Blurry monochrome head-and-shoulders portrait of Aldous Huxley, facing viewer's right, chin a couple of inches above hand |
birth name | Aldous Leonard Huxley |
birth date | July 26, 1894 |
birth place | Godalming, Surrey,England |
death date | November 22, 1963 |
death place | Los Angeles, California,United States |
resting place | Compton, Surrey,England |
occupation | Writer (fiction & non-fiction) |
notableworks | ''Brave New World'', ''Island'', ''Point Counter Point'', ''The Doors of Perception'' |
influences | Swami Prabhavananda, J. Krishnamurti, F. Matthias Alexander, Yevgeny Zamyatin, William Blake, Charles Dickens, H. G. Wells, Thomas Traherne |
influenced | Christopher Isherwood, Michel Houellebecq, Jim Morrison, George Orwell, Huston Smith, Kurt Vonnegut |
signature | Aldous Huxley signature.svg }} |
Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was an English writer and one of the most prominent members of the famous Huxley family. Best known for his novels including ''Brave New World'' and a wide-ranging output of essays, Huxley also edited the magazine ''Oxford Poetry'', and published short stories, poetry, travel writing, and film stories and scripts. Huxley spent the later part of his life in the United States, living in Los Angeles from 1937 until his death.
Aldous Huxley was a humanist and pacifist, and he was latterly interested in spiritual subjects such as parapsychology and philosophical mysticism. He is also well known for advocating and taking psychedelics.
By the end of his life Huxley was considered, in some academic circles, a leader of modern thought and an intellectual of the highest rank, and highly regarded as one of the most prominent explorers of visual communication and sight-related theories as well.
Aldous Huxley was born in Godalming, Surrey, UK, in 1894. He was the third son of the writer and schoolmaster Leonard Huxley and his first wife, Julia Arnold, who founded Prior's Field School. Julia was the niece of poet and critic Matthew Arnold and the sister of Mrs. Humphrey Ward. Aldous was the grandson of Thomas Henry Huxley, the zoologist, agnostic and controversialist ("Darwin's Bulldog"). His brother Julian Huxley and half-brother Andrew Huxley also became outstanding biologists. Aldous had another brother, Noel Trevelyan (1891–1914), who committed suicide after a period of clinical depression.
Huxley began his learning in his father's well-equipped botanical laboratory, then continued in a school named Hillside. His teacher was his mother who supervised him for several years until she became terminally ill. After Hillside, he was educated at Eton College. Huxley's mother died in 1908 when he was 14. In 1911, he suffered an illness (keratitis punctata) which "left [him] practically blind for two to three years". Aldous's near-blindness disqualified him from service in the First World War. Once his eyesight recovered sufficiently, he was able to study English literature at Balliol College, Oxford. In 1916 he edited ''Oxford Poetry'' and later graduated with first class honours. His brother Julian wrote,
I believe his blindness was a blessing in disguise. For one thing, it put paid to his idea of taking up medicine as a career... His uniqueness lay in his universalism. He was able to take all knowledge for his province.
Following his education at Balliol, Huxley was financially indebted to his father and had to earn a living. He taught French for a year at Eton, where Eric Blair (later to become George Orwell) and Stephen Runciman were among his pupils, but was remembered as an incompetent and hopeless teacher who couldn’t keep discipline. Nevertheless, Blair and others were impressed by his use of words. For a short while in 1918, he was employed acquiring provisions at the Air Ministry.
Significantly, Huxley also worked for a time in the 1920s at the technologically-advanced Brunner and Mond chemical plant in Billingham, Teesside, and the most recent introduction to his famous science fiction novel ''Brave New World'' (1932) states that this experience of "an ordered universe in a world of planless incoherence" was one source for the novel.
Works of this period included important novels on the dehumanising aspects of scientific progress, most famously ''Brave New World'', and on pacifist themes (for example, ''Eyeless in Gaza''). In ''Brave New World'' Huxley portrays a society operating on the principles of mass production and Pavlovian conditioning. Huxley was strongly influenced by F. Matthias Alexander and included him as a character in ''Eyeless in Gaza''.
Starting from this period, Huxley began to write and edit non-fiction works on pacifist issues, including ''Ends and Means'', ''An Encyclopedia of Pacifism'', and ''Pacifism and Philosophy'', and was an active member of the Peace Pledge Union.
Heard introduced Huxley to Vedanta (Veda-Centric Hinduism), meditation, and vegetarianism through the principle of ahimsa. In 1938 Huxley befriended J. Krishnamurti, whose teachings he greatly admired. He also became a Vedantist in the circle of Hindu Swami Prabhavananda, and introduced Christopher Isherwood to this circle. Not long after, Huxley wrote his book on widely held spiritual values and ideas, ''The Perennial Philosophy'', which discussed the teachings of renowned mystics of the world. Huxley's book affirmed a sensibility that insists there are realities beyond the generally accepted "five senses" and that there is genuine meaning for humans beyond both sensual satisfactions and sentimentalities.
Huxley became a close friend of Remsen Bird, president of Occidental College. He spent much time at the college, which is in the Eagle Rock neighbourhood of Los Angeles. The college appears as "Tarzana College" in his satirical novel ''After Many a Summer'' (1939). The novel won Huxley that year's James Tait Black Memorial Prize for fiction. Huxley also incorporated Bird into the novel.
During this period Huxley earned some Hollywood income as a writer. In March 1938, his friend Anita Loos, a novelist and screenwriter, put him in touch with Metro-Goldwyn-Mayer who hired Huxley for ''Madame Curie'' which was originally to star Greta Garbo and be directed by George Cukor. (The film was eventually filmed by MGM in 1943 with a different director and stars.) Huxley received screen credit for ''Pride and Prejudice'' (1940) and was paid for his work on a number of other films, including ''Jane Eyre'' (1944).
However, his experience in Hollywood was not a success. When he wrote a synopsis of ''Alice in Wonderland'', Walt Disney rejected it on the grounds that "he could only understand every third word". Huxley's leisurely development of ideas, it seemed, was not suitable for the movie moguls, who demanded fast, dynamic dialogue above all else. For Dick Huemer, during the 1940s, Huxley went to the first of a five meetings' session to elaborate the script of ''Alice in Wonderland'' but never came again. For author John Grant, although the movie's character the Caterpillar displays some characteristics familiar from Huxley's discussion of his experiments with hallucinogens, Huxley's contribution to the movie is nonexistent.
On 21 October 1949, Huxley wrote to George Orwell, author of ''Nineteen Eighty-Four'', congratulating him on "how fine and how profoundly important the book is". In his letter to Orwell, he predicted:
Within the next generation I believe that the world's leaders will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging them and kicking them into obedience.
In October 1930, the English occultist Aleister Crowley dined with Huxley in Berlin, and to this day rumours persist that Crowley introduced Huxley to peyote on that occasion. He was introduced to mescaline (considered to be the key active ingredient of peyote) by the psychiatrist Humphry Osmond in 1953. Through Dr. Osmond, Huxley met millionaire Alfred Matthew Hubbard who would deal with LSD on a wholesale basis. On 24 December 1955, Huxley took his first dose of LSD. Indeed, Huxley was a pioneer of self-directed psychedelic drug use "in a search for enlightenment", famously taking 100 micrograms of LSD as he lay dying. His psychedelic drug experiences are described in the essays ''The Doors of Perception'' (the title deriving from some lines in the book ''The Marriage of Heaven and Hell'' by William Blake), and ''Heaven and Hell''. Some of his writings on psychedelics became frequent reading among early hippies. While living in Los Angeles, Huxley was a friend of Ray Bradbury. According to Sam Weller's biography of Bradbury, the latter was dissatisfied with Huxley, especially after Huxley encouraged Bradbury to take psychedelic drugs.
In 1944 Huxley wrote the introduction to the "Bhagavad Gita: The Song of God", translated by Swami Prabhavanada and Christopher Isherwood, which was published by The Vedanta Society of Southern California.
From 1941 through 1960 Huxley contributed 48 articles to ''Vedanta and the West'', published by the Society. He also served on the editorial board with Isherwood, Heard, and playwright John van Druten from 1951 through 1962.
Huxley also occasionally lectured at the Hollywood and Santa Barbara Vedanta temples. Two of those lectures have been released on CD: ''Knowledge and Understanding'' and ''Who Are We'' from 1955.
After the publication of ''The Doors of Perception'', Huxley and the Swami disagreed about the meaning and importance of the LSD drug experience, which may have caused the relationship to cool, but Huxley continued to write articles for the Society's journal, lecture at the temple, and attend social functions.
It was, and to a noticeable extent still is, widely held that, for most of his life, since the illness in his teens which left Huxley nearly blind, that his eyesight was exceedingly poor (despite the partial recovery which had enabled him to study at Oxford). For instance, some ten years after publication of ''The Art of Seeing'', in 1952, Bennett Cerf was present when Huxley spoke at a Hollywood banquet, wearing no glasses and apparently reading his paper from the lectern without difficulty: "Then suddenly he faltered—and the disturbing truth became obvious. He wasn't reading his address at all. He had learned it by heart. To refresh his memory he brought the paper closer and closer to his eyes. When it was only an inch or so away he still couldn't read it, and had to fish for a magnifying glass in his pocket to make the typing visible to him. It was an agonising moment."
On the other hand, Huxley's second wife, Laura Archera Huxley, would later emphasise in her biographical account, ''This Timeless Moment'': "One of the great achievements of his life: that of having regained his sight." Here, she portrays the accomplishment as both metaphorical and considerably physiological in nature, attributing that which she cites J. Krishnamurti as naming the spirit of "freedom from the known", which she suggests that Huxley applied, non-exhaustively, in writing ''The Art of Seeing'' and utilising the Bates Method. After revealing a letter she wrote to the ''Los Angeles Times'' disclaiming the label of Huxley as a "poor fellow who can hardly see" by Walter C. Alvarez, she tempers this: "Although I feel it was an injustice to treat Aldous as though he were blind, it is true there were many indications of his impaired vision. For instance, although Aldous did not wear glasses, he would quite often use a magnifying lens." Laura Huxley proceeds to elaborate a few nuances of inconsistency peculiar to Huxley's vision. Her account, in this respect, is discernibly congruent with the following sample of Huxley's own words from ''The Art of Seeing''. "The most characteristic fact about the functioning of the total organism, or any part of the organism, is that it is not constant, but highly variable." Nevertheless, the topic of Huxley’s eyesight continues to endure similar, significant controversy, regardless of how trivial a subject matter it might initially appear.
In 1956 he married Laura Archera (1911–2007), also an author. She wrote ''This Timeless Moment'', a biography of Huxley. In 1960 Huxley himself was diagnosed with laryngeal cancer, and in the years that followed, with his health deteriorating, he wrote the Utopian novel ''Island'', and gave lectures on "Human Potentialities" at the Esalen institute, which were fundamental to the forming of the Human Potential Movement.
Media coverage of Huxley's passing was overshadowed by the assassination of President John F. Kennedy, on the same day, and the death of the British author C. S. Lewis, who also died on 22 November. This coincidence was the inspiration for Peter Kreeft's book ''Between Heaven and Hell: A Dialog Somewhere Beyond Death with John F. Kennedy, C. S. Lewis, & Aldous Huxley''. Huxley's literary legacy continues to be represented by the literary agency headed by Georges Borchardt.
Category:19th-century English people Category:Alumni of Balliol College, Oxford Category:British people of Cornish descent Category:Cancer deaths in California Category:Consciousness researchers and theorists Category:Deaths from laryngeal cancer Category:Duke University faculty Category:English essayists Category:English expatriates in the United States Category:English humanists Category:English novelists Category:English pacifists Category:English poets Category:English satirists Category:English science fiction writers Category:English short story writers Category:English travel writers Category:English vegetarians Category:Huxley family Category:People associated with the Human Potential Movement Category:People from Godalming Category:People from Los Angeles, California Category:Psychedelic drug advocates Category:Western mystics Category:Writers from Los Angeles Category:1894 births Category:1963 deaths
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Region | Eastern Philosophy |
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Era | Contemporary philosophy |
Color | #B0C4DE |
Name | Alan Wilson Watts |
birth date | January 06, 1915 |
birth place | Chislehurst, Kent, England |
death date | November 16, 1973 |
death place | Mt. Tamalpais, California, USA |
School tradition | Zen Buddhism Hinduism Pantheism Religious naturalism Taoism |
Main interests | Personal identity Higher consciousnessAesthetics Public Ethics |
Influenced | }} |
Living on the West Coast, Watts gained a large following in the San Francisco Bay Area while working as a volunteer programmer at KPFA, a Pacifica Radio station in Berkeley. Watts wrote more than 25 books and articles on subjects important to Eastern and Western religion, introducing the then-burgeoning youth culture to ''The Way of Zen'' (1957), one of the first bestselling books on Buddhism. In ''Psychotherapy East and West'' (1961), Watts proposed that Buddhism could be best thought of as a form of psychotherapy, not just a religion. Like Aldous Huxley before him, he explored human consciousness in the essay, "The New Alchemy" (1958), and in the book, ''The Joyous Cosmology'' (1962).
Towards the end of his life, he divided his time between a houseboat in Sausalito and a cabin on Mount Tamalpais. His legacy has been kept alive with the help of his son, Mark Watts, and many of his recorded talks and lectures have found new life on the Internet. Critic Erik Davis notes the freshness, longevity, and continuing relevance of Watts's work today, observing that his "writings and recorded talks still shimmer with a profound and galvanizing lucidity."
Watts also later wrote of a mystical vision he experienced while ill with a fever as a child. During this time he was influenced by Far Eastern landscape paintings and embroideries that had been given to his mother by missionaries returning from China. The few Chinese paintings Watts was able to see in England riveted him, and he wrote "I was aesthetically fascinated with a certain clarity, transparency, and spaciousness in Chinese and Japanese art. It seemed to float...". These works of art emphasized the participative relationship of man in nature, a theme that stood fast throughout his life.
Hence, when he graduated from secondary school, Watts was thrust into the world of employment, working in a printing house and later a bank. He spent his spare time involved with the Buddhist Lodge and also under the tutelage of a "rascal guru" named Dimitrije Mitrinović. (Mitrinović was himself influenced by Peter Demianovich Ouspensky, G. I. Gurdjieff, and the varied psychoanalytical schools of Freud, Jung and Adler.) Watts also read widely in philosophy, history, psychology, psychiatry and Eastern wisdom. By his own reckoning, and also by that of his biographer Monica Furlong, Watts was primarily an autodidact. His involvement with the Buddhist Lodge in London afforded Watts a considerable number of opportunities for personal growth. Through Humphreys, he contacted eminent spiritual authors (e.g., Nicholas Roerich, Dr. Sarvapalli Radhakrishnan) and prominent theosophists like Alice Bailey. In 1936, aged 21, he attended the World Congress of Faiths at the University of London, heard D.T. Suzuki read a paper, and afterwards was able to meet this esteemed scholar of Zen Buddhism. Beyond these discussions and personal encounters, Watts absorbed, by studying the available scholarly literature, the fundamental concepts and terminology of the main philosophies of India and East Asia.
In 1938 he and his bride left England to live in America. He had married Eleanor Everett, whose mother Ruth Fuller Everett was involved with a traditional Zen Buddhist circle in New York. A few years later, Ruth Fuller married the Zen master (or "roshi"), Sokei-an Sasaki, and this Japanese gentleman served as a sort of model and mentor to Watts, though he chose not to enter into a formal Zen training relationship with Sasaki. During these years, according to his later writings, Watts had another mystical experience while on a walk with his wife.
Watts' fascination with the Zen (or Chan) tradition—beginning during the 1930s—developed because that tradition embodied the spiritual, interwoven with the practical, as exemplified in the subtitle of his ''Spirit of Zen: A Way of Life, Work, and Art in the Far East''. "Work," "life," and "art" were not demoted due to a spiritual focus.
All seemed to go reasonably well in his next role, as Episcopalian priest (beginning in 1945, aged 30), until an extramarital affair resulted in his young wife having their marriage annulled. It also resulted in Watts leaving the ministry by 1950. He spent the New Year getting to know Joseph Campbell; his wife, Jean Erdman; and John Cage.
In early 1951, Watts moved to California, where he joined the faculty of the American Academy of Asian Studies in San Francisco. Here he taught alongside Saburō Hasegawa, Frederic Spiegelberg, Haridas Chaudhuri, lama Tokwan Tada, and various visiting experts and professors. Hasegawa, in particular, served as a teacher to Watts in the areas of Japanese customs, arts, primitivism, and perceptions of nature. Besides teaching, Watts served for several years as the Academy's administrator.
Watts also studied written Chinese and practiced Chinese brush calligraphy with Hasegawa as well as with some of the Chinese students who enrolled at the Academy. While Watts was noted for an interest in Zen Buddhism, his reading and discussions delved into Vedanta, "the new physics", cybernetics, semantics, process philosophy, natural history, and the anthropology of sexuality.
In 1957 when 42, Watts published one of his best known books, ''The Way of Zen'', which focused on philosophical explication and history. Besides drawing on the lifestyle and philosophical background of Zen, in India and China, Watts introduced ideas drawn from general semantics (directly from the writings of Alfred Korzybski and also from Norbert Wiener's early work on cybernetics, which had recently been published). Watts offered analogies from cybernetic principles possibly applicable to the Zen life. The book sold well, eventually becoming a modern classic, and helped widen his lecture circuit.
Around this time, Watts toured parts of Europe with his father, meeting the renowned psychiatrist Carl Jung. In relation to modern psychology, Watts's instincts were closer to Jung's or Abraham Maslow's than to those of Freud.
For a time, Watts came to prefer writing in the language of modern science and psychology (''Psychotherapy East and West'' is a good example), finding a parallel between mystical experiences and the theories of the material universe proposed by 20th-century physicists. He later equated mystical experience with ecological awareness, and typically emphasized whichever approach seemed best suited to the audience he was addressing.
Though never affiliated for long with any one academic institution, he did have a fellowship for several years at Harvard University. He also lectured to many college and university students. His lectures and books gave him far-reaching influence on the American intelligentsia of the 1950s–1970s, but he was often seen as an outsider in academia. When questioned sharply by students during his talk at University of California Santa Cruz in 1970, Watts responded that he was not an academic philosopher but rather "a philosophical entertainer."
Watts has been criticized by Buddhists such as Roshi Philip Kapleau, John Daido Loori, and D. T. Suzuki for allegedly misinterpreting several key concepts of Zen Buddhism. Examples of the criticisms by those who believe that zazen can only be achieved by a strict and specific means of sitting as opposed to a cultivated state of mind available at any moment in any situation would be when Kapleau claimed that Watts dismissed zazen on the basis of only half a koan. In regard to the aforementioned koan, Robert Baker Aitken reports that Suzuki told him "I regret to say that Mr. Watts did not understand that story." In Loori's translation of Dogen's The True Dharma Eye, the author also mentions this and expands further to suggest that Zen in its essence ''is'' zazen, and cannot be grasped without the practice. This had been the predominant interpretation of Zen in the West before Alan Watts began to write. One major point raised today, however, is that the state of Zen is like that of dog, always in the moment, regretting nothing. Although in one Koan Zhaozhou is said to have answered that a Dog does not have Buddha nature, in a different Koan from the same period Zhaozhou answered the same question in the positive, demonstrating the disagreements between the sects of 'walking monks' and 'sitting monks' that go back thousands of years. In his talks, Watts addressed the issue of defining zazen practice when he said, "A cat sits until it is tired of sitting, then gets up, stretches, and walks away."
He did, however, have his supporters in the Zen community, including Shunryu Suzuki, the founder of the San Francisco Zen Center. As David Chadwick recounted in his biography of Suzuki, when a student of Suzuki's disparaged Watts by saying “we used to think he was profound until we found the real thing," Suzuki "fumed with a sudden intensity," saying, "You completely miss the point about Alan Watts! You should notice what he has done. He is a great bodhisattva."
Regarding his intentions, Watts attempted to lessen the alienation that accompanies the experience of being human that he felt plagued the modern Westerner, and (like his fellow British expatriate and friend, Aldous Huxley) to lessen the ill will that was an unintentional by-product of alienation from the natural world. He felt such teaching could improve the world, at least to a degree. He also articulated the possibilities for greater incorporation of aesthetics (for example: better architecture, more art, more fine cuisine) in American life. In his autobiography he wrote, "… cultural renewal comes about when highly differentiated cultures mix".
In his last novel ''Island'' (1962), Aldous Huxley mentions the religious practice of maithuna as being something like what Roman Catholics call "coitus reservatus". A few years before, Alan Watts had discussed the theme in his own book ''Nature, Man and Woman''. There, he discusses the possibility of the practice being known to early Christians and of it being kept secretly by the Church.
In his mature work, he presents himself as "Zennist" in spirit as he wrote in his last book, ''Tao: The Watercourse Way''. Child rearing, the arts, cuisine, education, law and freedom, architecture, sexuality, and the uses and abuses of technology were all of great interest to him.
Though known for his Zen teachings, he was equally if not more influenced by ancient Hindu scriptures, especially Vedanta, and spoke extensively about the nature of the divine Reality Man that Man misses, how the contradiction of opposites is the method of life and the means of cosmic and human evolution, how our fundamental Ignorance is rooted in the exclusive nature of mind and ego, how to come in touch with the Field of Consciousness and Light, and other cosmic principles. These are discussed in great detail in dozens of hours of audio that are in part captured in the ‘Out of Our Mind’ series.
On the personal level, Watts sought to resolve his feelings of alienation from the institutions of marriage and the values of American society, as revealed in his classic comments on love relationships in "Divine Madness" and on perception of the organism-environment in "The Philosophy of Nature".
In looking at social issues he was quite concerned with the necessity for international peace, for tolerance and understanding among disparate cultures. He also came to feel acutely conscious of a growing ecological predicament; as one instance, in the early 1960s he wrote: “Can any melting or burning imaginable get rid of these ever-rising mountains of ruin – especially when the things we make and build are beginning to look more and more like rubbish even before they are thrown away?" These concerns were later expressed in a television pilot made for NET filmed at his mountain retreat in 1971 in which he noted that the single track of conscious attention was wholly inadequate for interactions with a multi-tracked world.
In one campus lecture tour, which Watts titled "The End to the Put-Down of Man", Watts presented positive images for both nature and humanity, spoke in favor of the various stages of human growth (including the teenage years), reproached excessive cynicism and rivalry, and extolled intelligent creativity, good architecture and food .
He often said that he wished to act as a bridge between the ancient and the modern, between East and West, and between culture and nature.
Watts led some tours for Westerners to the Buddhist temples of Japan. He also studied some movements from the traditional Chinese martial art T'ai Chi Ch'uan, with an Asian colleague, Al Chung-liang Huang.
He met Eleanor Everett in 1936, when her mother, Ruth Fuller Everett, brought her to London to study piano. They met at the Buddhist Lodge, were engaged the following year, and married in April 1938. A daughter, Joan, was born November 1938, and another, Anne, was born in 1943. Their marriage ended eleven years later, but Watts continued after that to correspond with his ex-mother-in-law.
After leaving Eleanor in 1950 Alan Watts married Dorothy DeWitt and moved to San Francisco in early 1951 to teach. They began a family that grew to include five children: Tia, Mark, Richard, Lila, and Diane. However the couple separated in the early sixties after Watts met Mary Jane Yates King while lecturing in New York. After a difficult divorce he married Mary Jane in 1964.
Watts lived with his wife Mary Jane in Sausalito, California in the mid-60s. He lived his later years at times on a houseboat in Sausalito called the Vallejo, and at times in a secluded cabin on Mount Tamalpais. Laden with social and financial responsibilities, he struggled increasingly with alcohol addiction, which may have contributed to his premature death.
In October 1973, Watts returned from an exhausting European lecture tour. There is currently no evidence proving the cause of Watt's death .
Category:1915 births Category:1973 deaths Category:20th-century philosophers Category:Buddhism in the United States Category:Converts to Buddhism Category:Buddhist philosophers Category:Mahayana Buddhists Category:English Buddhists Category:English philosophers Category:English spiritual teachers Category:English spiritual writers Category:English Taoists Category:Harvard Fellows Category:Metaphysicians Category:Modern Buddhist writers Category:People associated with the Human Potential Movement Category:Western mystics Category:American Episcopal priests
cs:Alan Watts de:Alan Watts es:Alan Watts eo:Alan Watts fr:Alan Watts it:Alan Watts he:אלאן ווטס nl:Alan Watts no:Alan Wilson Watts pl:Alan Watts pt:Alan Watts ru:Уотс, Алан fi:Alan Watts tr:Alan WattsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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