Natural history is the scientific research of plants or animals, leaning more towards observational rather than experimental methods of study, and encompasses more research published in magazines than in academic journals. Grouped among the natural sciences, natural history is the systematic study of any category of natural objects or organisms. That is a very broad designation in a world filled with many narrowly focused disciplines. So while modern natural history dates historically from studies in the ancient Greco-Roman world and the medieval Arabic world through to the scattered European Renaissance scientists working in near isolation, today's field is more of a cross discipline umbrella of many specialty sciences. For example, geobiology has a strong multi-disciplinary nature combining scientists and scientific knowledge of many specialty sciences.

A person who studies natural history is known as a naturalist or "natural historian".

Definitions

Historical

The English term 'natural history' is a translation of the Latin ''naturalis historia''. Its meaning has narrowed considerably over time (see also History below). In antiquity, it covered more-or-less anything which is connected with nature or which uses materials drawn from nature; see for example the contents of Pliny's encyclopedia of this title, published circa AD 77-79.

Until well into the nineteenth century, knowledge was considered by Europeans to have two main divisions: the humanities (including theology), and studies of nature. Studies of nature could in turn be divided, with natural history being the descriptive counterpart to natural philosophy which was the analytical study of nature. In modern terms, natural philosophy roughly corresponded to modern physics and chemistry, while natural history included the biological and geological sciences. The two were strongly associated. During the heyday of the gentleman scientists, many figures contributed to both fields, and early papers in both were commonly read at professional science society meetings such as the Royal Society and the French Academy of Sciences – both founded during the seventeenth century.

Natural history had been encouraged by practical motives, such as the work of Linnaeus motivated by the desire to improve the economical condition of the Swedish kingdom. Similarly, the Industrial Revolution prompted the development of the science of geology through the need to analyze rock strata (layers) in order to find mineral deposits.

Modern

Modern definitions of natural history come from a variety of fields and sources, and many of the modern definitions emphasize a particular aspect of the field, creating a plurality of definitions with a number of common themes among them. For example, while natural history is most often defined as a type of observation and a subject of study, it can also be defined as a body of knowledge, and as a craft or a practice, in which the emphasis is placed more on the observer than on the observed.

Modern definitions from biologists often focus on the scientific study of individual organisms in their environment, as seen in this definition by M. Bates: "Natural history is the study of animals and Plants - of organisms. ... I like to think, then, of natural history as the study of life at the level of the individual - of what plants and animals do, how they react to each other and their environment, how they are organized into larger groupings like populations and communities" and this more recent definition by D.S. Wilcove and T. Eisner: "The close observation of organisms—their origins, their evolution, their behavior, and their relationships with other species". This focus on organisms in their environment is also echoed by H.W. Greene and J.B. Losos: "Natural history focuses on where organisms are and what they do in their environment, including interactions with other organisms. It encompasses changes in internal states insofar as they pertain to what organisms do". Some definitions go further, focusing on direct observation of organisms in their environment, both past and present, such as this one by G.A. Bartholomew: "A student of natural history, or a naturalist, studies the world by observing plants and animals directly. Because organisms are functionally inseparable from the environment in which they live and because their structure and function cannot be adequately interpreted without knowing some of their evolutionary history, the study of natural history embraces the study of fossils as well as physiographic and other aspects of the physical environment". A common thread in many definitions of natural history is the inclusion of a descriptive component, as seen in a recent definition by H.W. Greene: "Descriptive ecology and ethology".

Recently, several authors have argued for a more expansive view of natural history, including S. Herman, who defines the field as "the scientific study of plants and animals in their natural environments. It is concerned with levels of organization from the individual organism to the ecosystem, and stresses identification, life history, distribution, abundance, and inter-relationships. It often and appropriately includes an esthetic component", and T. Fleischner, who defines the field even more broadly, as “A practice of intentional, focused attentiveness and receptivity to the more-than-human world, guided by honesty and accuracy". These definitions explicitly include the arts in the field of natural history, and are aligned with the broad definition outlined by B. Lopez, who defines the field as the "Patient interrogation of a landscape" while referring to the natural history knowledge of the Eskimo.

A slightly different, but equally expansive framework for natural history is also implied in the scope of work encompassed by many leading natural history museums, which often include elements of Anthropology, Geology, Paleontology and Astronomy along with Botany and Zoology, or include both cultural and natural components of the world.

The plurality of definitions for this field has recently been recognized as both a weakness and a strength, and a range of definitions have recently been offered by practitioners in a recent collection of views on natural history.

History

Natural history begins with Aristotle and other ancient philosophers who analyzed the diversity of the natural world. Natural history, as a discipline, had existed since classical times, and fifteenth-century Europeans were very familiar with Pliny the Elder's ''Historia Naturalis''. From the ancient Greeks until the work of Carolus Linnaeus (also known as Carl Linnaeus, or Carl von Linné) and other 18th century naturalists, the main concept of natural history was the ''scala naturae'' or Great Chain of Being, a conceptual arrangement of minerals, vegetables, more primitive forms of animals, and more complex life forms on a linear scale of increasing "perfection", culminating in our species.

Dioscorides' ''De Materia Medica'' is often said to be the oldest and most valuable work in the history of botany. A Greek manuscript of Aristotle's ''Biological Works'', written in Constantinople in the mid-9th century, and preserved at Corpus Christi College, Oxford, is probably the oldest surviving manuscript of texts that founded the science of biology.

While natural history was basically static in medieval Europe, it continued to be developed by Arabic scholars during the Arab Agricultural Revolution. Al-Jahiz described early natural history ideas such as the "struggle for existence" (Malthus' phrase), and the idea of a food chain. He was an early adherent of environmental determinism. Al-Dinawari is considered the founder of Arabic botany for his ''Book of Plants'', in which he described at least 637 plants and discussed plant development from germination (sprouting) to death, describing the phases of plant growth and the production of flowers and fruit. Abu al-Abbas al-Nabati developed an early scientific method for botany, introducing empirical and experimental techniques in the testing, description and identification of numerous materia medica, and separating unverified reports from those supported by actual tests and observations. His student Ibn al-Baitar wrote a pharmaceutical encyclopedia describing 1,400 plants, foods, and drugs, 300 of which were his own original discoveries. A Latin translation of his work was useful to European biologists and pharmacists in the 18th and 19th centuries. Earth sciences such as geology were also studied extensively by Arabic geologists, but by Avicenna's time, around 1000, the Arab Empire was in decline and scientists were not free to publish their ideas. From the 13th century, the work of Aristotle was adapted rather rigidly into Christian philosophy, particularly by Thomas Aquinas, forming the basis for natural theology. During the Renaissance, scholars (herbalists and humanists, particularly) returned to direct observation of plants and animals for natural history, and many began to accumulate large collections of exotic specimens and unusual monsters. Andrea Cesalpino was the creator of one of the first herbaria and the inventor of botanical systematics. Leonhart Fuchs was one of the three founding fathers of botany, along with Otto Brunfels and Hieronymus Bock. Important contributors to the field were also Valerius Cordus, Konrad Gesner (''Historiae animalium''), Frederik Ruysch, or Gaspard Bauhin. The rapid increase in the number of known organisms prompted many attempts at classifying and organizing species into taxonomic groups, culminating in the system of the Swedish naturalist Carl Linnaeus.

In modern Europe, professional disciplines such as physiology, botany, zoology, geology, and palaeontology were formed. ''Natural history'', formerly the main subject taught by college science professors, was increasingly scorned by scientists of a more specialized manner and relegated to an "amateur" activity, rather than a part of science proper. In Victorian Scotland it was believed that the study of natural history contributed to good mental health. Particularly in Britain and the United States, this grew into specialist hobbies such as the study of birds, butterflies, seashells (malacology/conchology), beetles and wildflowers; meanwhile, scientists tried to define a unified discipline of biology (though with only partial success, at least until the modern evolutionary synthesis). Still, the traditions of natural history continue to play a part in the study of biology, especially ecology (the study of natural systems involving living organisms and the inorganic components of the Earth's biosphere that support them), ethology (the scientific study of animal behavior), and evolutionary biology (the study of the relationships between life-forms over very long periods of time), and re-emerges today as integrative organismal biology.

Amateur collectors and natural history entrepreneurs played an important role in building the large natural history collections of the nineteenth and early twentieth centuries, such as the Smithsonian Institution's National Museum of Natural History.

Museums

Natural history museums, which evolved from cabinets of curiosities, played an important role in the emergence of professional biological disciplines and research programs. Particularly in the 19th century, scientists began to use their natural history collections as teaching tools for advanced students and the basis for their own morphological research.

Societies

The term "natural history" alone, or sometimes together with archeology, forms the name of many national, regional and local natural history societies that maintain records for birds (ornithology), mammals (mammalogy), insects (entomology), fungi (mycology) and plants (botany). They may also have microscopical and geological sections.

Examples of these societies in Britain include the Natural History Society of Northumbria founded in 1829, British Entomological and Natural History Society founded in 1872, Birmingham Natural History Society, Glasgow Natural History Society, London Natural History Society founded in 1858, Manchester Microscopical and Natural History Society established in 1880, Scarborough Field Naturalists' Society and the Sorby Natural History Society, Sheffield, founded in 1918. The growth of natural history societies was also spurred due to the growth of British colonies in tropical regions with numerous new species to be discovered. Many civil servants took an interest in their new surroundings, sending specimens back to museums in Britain. (See also Indian natural history)

See also

Big History

Evolutionary history of life

Natural environment

Natural landscape

Natural philosophy

Natural science

Naturalism (philosophy)

Nature documentary

Nature writing

Nature

Nature study

Prehistoric life

Terra: The Nature of Our World (video podcast)

Timeline of evolution

- - - - -

Parson-naturalist

Russian naturalists

References

;Citations and notes ;General information

Peter Anstey, "Two Forms of Natural History", ''Early Modern Experimental Philosophy'', 17 January 2011.

Kohler, Robert E. ''Landscapes and Labscapes: Exploring the Lab-Field Border in Biology''. University of Chicago Press: Chicago, 2002.

Mayr, Ernst. ''The Growth of Biological Thought: Diversity, Evolution, and Inheritance''. The Belknap Press of Harvard University Press: Cambridge, Massachusetts, 1982.

Rainger, Ronald; Keith R. Benson; and Jane Maienschein, editors. ''The American Development of Biology''. University of Pennsylvania Press: Philadelphia, 1988.

External links

Category:History of science Category:History of earth science Category:History of biology

ar:تاريخ طبيعي az:Təbiətşünaslıq zh-min-nan:Phok-bu̍t-ha̍k ca:Història natural cs:Přírodopis da:Naturhistorie de:Naturgeschichte el:Φυσική ιστορία es:Historia natural eo:Natura historio fr:Histoire naturelle gl:Historia natural hi:प्राकृतिक इतिहास id:Sejarah alam ia:Historia natural it:Storia naturale he:ידיעת הטבע hu:Természetrajz nl:Natuurlijke historie ja:博物学 no:Naturhistorie nn:Naturhistorie uz:Tabiatshunoslik pl:Historia naturalna pt:História natural ro:Istorie naturală ru:Естественная история simple:Natural history sl:Prirodopis fi:Luonnonhistoria sv:Naturhistoria ta:இயற்கை வரலாறு th:ธรรมชาติวิทยา tr:Doğa tarihi zh:博物学

name	J. D. Souther
background	solo_singer
birth name	John David Souther
born	November 02, 1945
origin	Detroit, Michigan, USA
genre	Rock
years active	1970s–present
label	Elektra
associated acts	Eagles, Jackson Browne, Longbranch Pennywhistle, James Taylor, Danny Kortchmar, Linda Ronstadt, Souther-Hillman-Furay Band
website	}}

John David Souther (commonly abbreviated as J. D. Souther) is an American singer-songwriter and actor, as well as a multi-instrumentalist. He is a well known country rock performer, writer and co-writer of hit songs for other artists, most famously Linda Ronstadt and associate of the Eagles band.

Singing career

Souther was born in Detroit and raised in Amarillo, Texas and was greatly influenced by Texan Roy Orbison, whose sound he tried to emulate. Following his move to Los Angeles in the late 1960s, he met a young guitarist from Detroit named Glenn Frey. They bonded over their Detroit roots and a common love of country and R&B; music. In short order, they began working together while sharing a small apartment in Los Angeles' Echo Park area (their downstairs neighbor was Jackson Browne with whom both Souther and Frey would collaborate on numerous projects).

Shortly after meeting, Souther and Frey formed a folk duo called Longbranch Pennywhistle. Their lone album, released in 1970 on Jimmy Bowen's Amos Records, featured significant contributions from guitarists James Burton and Ry Cooder, fiddler Doug Kershaw, drummer Jim Gordon, pianist Larry Knechtel and bassist Joe Osborn.

After recording an eponymous solo album in 1972, persuaded by David Geffen, Souther teamed up with Chris Hillman and Richie Furay to form the Souther Hillman Furay Band The group released two albums, but creative tensions and lack of record sales (not to mention Furay's discomfort with playing secular music following his conversion to Christianity) led to the band's demise.

Souther is probably best known for his well-crafted songwriting abilities, especially in the field of country rock. He co-wrote some of the biggest hits for the Eagles, including "Best of My Love", "Victim of Love", "Heartache Tonight", and "New Kid in Town". "How Long", which appears on the Eagles ''Long Road Out of Eden'' was written by Souther and originally recorded on his first solo album in 1972. He also produced Linda Ronstadt's "Don't Cry Now" album, and wrote songs for several of Ronstadt's multi-platinum albums, including "Faithless Love" from ''Heart Like a Wheel'' and "White Rhythm and Blues" included in her ''Living in the USA'' album. He also recorded several notable duets with Ronstadt, including "Hasten Down the Wind," "Prisoner in Disguise," and "Sometimes You Can't Win." He wrote "Run Like a Thief," which appeared on ''Home Plate'' by Bonnie Raitt.

Souther has also contributed as a singer in works written by other artists, including backing vocals with Don Henley in "The Light Is On" by Christopher Cross on his eponymous debut album.

His biggest hit as a solo artist was his 1979 Orbison-influenced song "You're Only Lonely" from the album of the same name, which reached number 7 on the ''Billboard'' charts. A collaboration with James Taylor called "Her Town Too" from Taylor's ''Dad Loves His Work'' album reached number 11 on the Billboard Pop Singles chart.

He was a contributor on the ''Roy Orbison and Friends, A Black and White Night'' 1987 concert and video, sang The Platters' "Smoke Gets In Your Eyes" in the 1989 movie ''Always'' and sang the theme song to the 1989-1992 sitcom ''Anything But Love''.

On October 14, 2008 Souther released ''If the World Was You'', his first new release in 25 years. In the fall of 2009, Souther released a follow up live CD entitled ''Rain - Live at the Belcourt Theatre'', featuring a blend of old and new material.

Acting career

As an actor, he has played several roles, including the character of John Dunaway in the (1989–1990) third season of the television drama ''thirtysomething'' and Ted in the film ''Postcards from the Edge'' (1990). He also performs in the audio book genre including the recent Jimmy Buffett sequel to ''Tales from Margaritaville'', ''A Salty Piece of Land''. He played Jesse James in the Television movie "Purgatory" in 1999. He was also Jeffrey Pommeroy in "My Girl 2".

Personal life

In December 2002, Souther moved from the Hollywood Hills, California to Nashville, Tennessee. JD continues to write, record, and tour.

Discography

Albums

Year	Album	Chart Positions		Label
		! width="50"	CAN
1972
1976
1979	''You're Only Lonely''			Columbia
1984	''Home by Dawn''			Warner Bros.
2008	''If the World Was You''			Slow Curve

Singles

Year	Single	Peak chart positions						Album
		! width="40"	! width="40"	! width="40"	CAN AC	! width="40"	CAN Country
1979	align="left"	1	7	60	2	18	12

Guest singles

Year	Single	Artist	Peak chart positions					Album
			US AC	US	US Country	CAN AC	CAN
1981		James Taylor	5	11	-	5	19
1982		Linda Ronstadt	-	-	27	-	-

20 Songs

In addition to these public releases, there also exists a promotional/not-for-sale CD, ''20 Songs'', which showcases Souther's writing and performing talents. In addition to Souther himself, artists represented on the CD include Eagles, Linda Ronstadt, Don Henley, Bonnie Raitt, George Strait and James Taylor.

References

External links

Official Website

Category:1945 births Category:American rock musicians Category:American rock singers Category:American rock songwriters Category:Living people Category:People from Detroit, Michigan Category:Souther–Hillman–Furay Band members Category:Tascosa High School alumni

de:J. D. Souther ja:J.D.サウザー sv:J.D. Souther

Name	Bradford Cox
Background	solo_singer
Birth name	Bradford James Cox
Alias	Atlas Sound
Birth date	May 15, 1982
Origin	Athens, Georgia
Instrument	Voice, electric and acoustic guitar, percussion, bells, tape, electric bass, drums
Genre	Experimental rock, ambient, punk, shoegaze, electronic, pop, psychedelic, noise rock
Occupation	Singer-songwriter
Years active	1994 - present
Label	HOSS Records, Rob's House Records, Kranky, 4AD, K Records
Associated acts	Deerhunter, Atlas Sound, Lotus Plaza, Ghetto Cross, Black Lips, The Wet Dreams
Website	Deerhunter blog }}

Bradford James Cox (born May 15, 1982) is an American musician best known as the lead singer and guitarist of Atlanta, Georgia-based psychedelic and ambient band Deerhunter. He also pursues a solo career under the moniker Atlas Sound. Cox formed Deerhunter with drummer Moses Archuleta in 2001. The band has released 5 LPs along with several singles and EPs. Atlas Sound is a name Cox has used since he was ten to refer to his own music, but his first full-length produced under the name was ''Let the Blind Lead Those Who Can See but Cannot Feel'', released in 2008. Cox's method of creating music is stream-of-consciousness, and he does not write lyrics in advance.

Musical career

Deerhunter

Cox founded Deerhunter with bassist Paul Harper and drummer Dan Walton (who named the band) in early 2001. The band expanded after Cox met a teenage transient, Moses Archuleta, who was sleeping on the floor of Cox's friends. Archuleta initially played Acetone Organ and electronics. The band's first shows were experimental and based on improvisation. Cox continued recording slightly more structured material and releasing it on CD-R and cassette using the name Atlas Sound. Paul Harper moved to Ohio and was replaced by Justin Bosworth. At this point Colin Mee also joined the band on guitar. Dan Walton left and Cox suggested Archuleta move to drums. The band's live shows and recordings became more song-oriented. They recorded their debut 7" for Die Slaughterhaus. Josh Fauver joined the band in 2004 after Bosworth died in a freak skateboarding accident. This lineup recorded Deerhunter's debut LP on Atlanta label Stickfigure. Cox suggested Lockett Pundt, whom he befriended while attending Harrison High School join the band on guitar so that he could concentrate on vocals and electronics. This lineup recorded their breakthrough record, 2007's Cryptograms. Colin Mee left the band after failing to show up for a North American tour. The band are now a four piece consisting of Cox on guitar and vocals, Pundt on guitar and occasional vocals, Fauver on bass, and Archuleta on drums.

Atlas Sound

"Atlas Sound" is the musical solo project of Cox, although he has used the name to represent his music since he was a child. He had access to a cassette player with two tape decks, which he used to layer guitar and drum sounds, and his own voice. In listening to some of these old tapes (of which Cox believes he has over five hundred in storage) he found "Some of it is absolutely, terrifyingly bad, but sometimes I'm just like, 'Wow, that's cool.' That's actually how some Deerhunter songs happened. 'Spring Hall Convert' [from ''Cryptograms''] was like that. That was a tape I made in ninth or tenth grade." Cox writes his music stream-of-consciousness, not writing lyrics in advance, and constructing songs by adding more parts until he feels "it's getting crowded." The name of his project is derived from the brand of tape player he used, Atlas Sound.

Cox began Atlas Sound in the wake of his work with Deerhunter because "I have ideas that I can't make work with a five piece rock band...There's kind of this palette of sounds that I use that I don't necessarily get to use with Deerhunter." Because the music Deerhunter makes is a collaborative effort, Cox does not want to assert himself as its principal songwriter. "I might have an idea for a fragment of a song, but I want to leave it skeletal so the guys can fill it out. Whereas with Atlas Sound, everything is done in an hour." Cox created the music for his first record in the software Ableton Live, utilizing an array of computer-based instruments, as well as his own live recordings.

To date, there have been six full-length releases by Cox as Atlas Sound: ''Let the Blind Lead Those Who Can See but Cannot Feel'' in 2008, ''Logos'' in 2009, and Bedroom Databank in 2010, which is separated into four different albums. The lyrics of ''Let the Blind Lead'' are autobiographical in nature, reflecting life experiences of Cox. In discussing his second album, Cox characterized his first as being a "bedroom laptop type thing" and "Very introverted." In contrast, ''Logos'' was written in several parts of the world, and is "not about me. There are collaborations with other musicians. The lyrics are not autobiographical. The view is a lot more panoramic and less close-up. I became bored with introspection." An unfinished version of ''Logos'' was leaked onto the internet in August 2008, over a year before its release date. In response, Cox almost ceased production on the record, later saying "I did not react well to the leak, in retrospect. It became the kind of internet-fueled drama that I was quickly learning to despise."

In late 2010, Cox published four volumes of demos on his blog, entitled "Bedroom Databank". These demos were taken down from Mediafire by Sony, but they later apoligized to Cox, stating that they "were mistakenly removed". Atlas Sound has been chosen by Animal Collective to perform at the All Tomorrow's Parties festival that they curated in May 2011.

Other work

Cox has also recorded as part of other bands, such as the short lived "Wet Dreams", an otherwise all-girl garage / noise band in which he played drums. He also recorded several tracks on the Black Lips second album ''We Did Not Know the Forest Spirit Made the Flowers Grow'', playing drums on the song "Notown Blues" from that album. Regarding this album, Bradford said in an interview: "People look at what's successful, and what's successful is what's easy on the ears, things that aren't challenging," he says. "Nobody wants to listen to something that sounds awkward and makes you cringe because it's real personal or idiosyncratic. People just want to hear things that sounds familiar already to them. I make really accessible pop stuff, but at the same time I have no problem making something creepy or just odd."

Cox contributed to the Karen O-scored soundtrack for the 2009 film ''Where the Wild Things Are''.

Equipment

Guitars

For the most part, Bradford favors vintage and modern Fender and Gibson guitars. Some of his guitars include:

Fender Jaguar (1966 Sunburst with bound neck)

Fender Jazzmaster (1964 Originally white, now yellow)

Fender Stratocaster '74 Gibson Les Paul Signature

Fender Bronco (70s stripped natural finish)

Effects & amplifiers

;Pedalboard:

Boss TU-2 Chromatic Tuner

Line 6 DL4

Home Brew Electronics Power Screamer

Eventide PitchFactor

Behringer Reverb Machine RV600

Ibanez DE7

Digitech DigiVerb (through Mic for Vocals)

Digitech DigiDelay (through Mic for Vocals)

MXR Distortion +

Z.Vex Box of Rock

Boss SL-20 Slicer

Boss DS-1

Boss SD-1

(this list in incomplete) ;Amps: When playing with Deerhunter, Bradford will usually run his guitars through a Vox AC30 amplifier, and occasionally a Marshall half-stack or a Fender Hot Rod DeVille 410.

Songwriting

Cox describes his mode of songwriting as 'automatic or stream-of-consciousness'. "Usually I go into a sort of trance and I'll have five or six songs afterwards", he said, speaking to Victoria Segal of ''Q'' in November 2010. "What is interesting is seeing how the band adapts them and mutates them into the final product. Lots of accidents and primitive irrational things happen. It can be difficult trying to explain the process to a producer or engineer. They generally want to help you polish things and I tend to want to sabotage that", he added.

Personal life

Cox was born with the genetic disorder Marfan syndrome. As a teenager, he dropped out of high school (although later earned a GED) and his parents divorced, leaving him "to live in my childhood home alone. I literally lived in this large suburban house by myself." Cox has called his changing music taste growing up reflective of his life and mental state. Around the age of ten, Cox's disorder began to affect his body in more visible ways; this is the point at which he "first started looking awkward." With no friends, Cox became interested in how music could sound "heartbreaking or nostalgic or melancholy"; he identified with the title character of the film ''Edward Scissorhands'', and especially enjoyed the soundtrack, which was composed by Danny Elfman. Cox's tastes shifted to music that was more "monotonous or hypnotic", such as the Stereolab album ''Transient Random-Noise Bursts with Announcements''. Around twenty years of age, his life situation brought about "a period", during which he became "only interested in this certain sort of suburban psychedelic pastoral thing. It was escapism. I didn't want as much emotional manipulation. It's kind of the opposite of ''Edward Scissorhands.''" Cox has previously described himself as gay, though he has since stated that he leads a non-sexual lifestyle.

Discography

With Deerhunter:

2005 ''Turn It Up Faggot''

2007 ''Cryptograms''

2008 ''Microcastle''

2008 ''Weird Era Cont.''

2010 ''Halcyon Digest''

As Atlas Sound:

2008 ''Let the Blind Lead Those Who Can See but Cannot Feel''

2009 ''Logos''

2011 ''Parallax''

See also

Deerhunter

References

External links

MySpace

10 Minutes With Bradford Cox (Atlas Sound)

Deerhunter's Cox Talks LP3, Atlas Sound, Dresses

Video interview with Bradford Cox

Linear Notes with Bradford Cox by DIRTY

Atlas Sound article

Pitchfork news story

Straight article

The Phoenix article

Category:Ambient musicians Category:Musicians from Atlanta, Georgia Category:Bedroom musicians Category:Living people Category:People with Marfan syndrome Category:1982 births Category:Asexual people

fr:Bradford Cox it:Bradford Cox sv:Bradford Cox