name | Chris Rock |
---|---|
birth name | Christopher Julius Rock III |
birth date | February 07, 1965 |
birth place | Andrews, South Carolina, U.S. |
origin | Bedford-Stuyvesant, Brooklyn, New York |
medium | Stand-up comedy, television, film |
nationality | American |
active | 1984–present |
genre | Black humor, musical comedy, observational comedy, political satire, satire |
subject | African-American culture, American politics, current events, human sexuality, marriage, pop culture, race relations, racism |
influences | Bill Cosby, Redd Foxx, Dick Gregory, Flip Wilson, Richard Pryor, Steve Martin, Pigmeat Markham, Woody Allen, Eddie Murphy, Sam Kinison, George Carlin, Mort Sahl, Rodney Dangerfield, Bill Hicks |
influenced | Dave Chappelle, Christian Finnegan, George Lopez |
spouse | Malaak Compton-Rock (November 23, 1996 – present; 2 children) |
website | ChrisRock.com |
Rock was bused to schools in predominately white neighborhoods of Brooklyn where he endured bullying and beatings from white students. As he got older, the bullying became worse and Rock's parents pulled him out of James Madison High School. He decided to drop out of high school altogether and later received a GED. Rock worked menial jobs at various fast-food restaurants.
Rock starred in his first HBO comedy special in 1994 titled ''Big Ass Jokes''. But it was his second stand-up special, 1996's ''Bring the Pain'', that reinvented Rock as one of the best comedians in the industry. His routine, which featured commentaries on race in America, stirred up a great deal of controversy. Rock won two Emmy Awards for that special. Adding to his popularity was his much-publicized role as a commentator for Comedy Central's ''Politically Incorrect'' during the 1996 Presidential elections which earned him another Emmy nomination. Rock also was the voice for the "Lil Penny" puppet who was the alter ego to basketball star Penny Hardaway in a series of Nike shoe commercials from 1994–1998, and hosted the '97 MTV Video Music Awards.
Rock later had two more HBO comedy specials: ''Bigger & Blacker'' in 1999, and ''Never Scared'' in 2004. Articles relating to both specials called Rock "the funniest man in America" in ''Time'' and ''Entertainment Weekly''. HBO also aired his talk show, ''The Chris Rock Show'', which gained critical acclaim for Rock's interviews with celebrities and politicians. The show won an Emmy for writing. His television work has won him a total of three Emmy Awards and 15 nominations. By the end of the decade, Rock was established as one of the preeminent stand-up comedians and comic minds of his generation.
During this time, Rock also translated his comedy into print form in the book ''Rock This!'' and released the Grammy Award-winning comedy albums, ''Roll with the New'', ''Bigger & Blacker'' and ''Never Scared''.
Rock's fifth HBO special, ''Kill the Messenger'', premiered on September 27, 2008, and won him another Emmy for outstanding writing for a variety or music program.
Following the release of his first documentary, 2009's ''Good Hair'', Rock is working on a documentary about debt called ''Credit is the Devil''.
Rock appeared in the Big Daddy Kane music video "Smooth Operator" as a guy getting his hair cut.
He also appeared in Johnny Cash's "God's Gonna Cut You Down", one of the many celebrities seen lip-synching the song.
The comedian has also expressed discomfort with the notion that success in standup comedy—or, indeed, in any aspect of the entertainment industry—should oblige him to serve as a role model. In this position, he finds himself directly at odds with one of his comic idols, Bill Cosby. Cosby has reprimanded Rock both explicitly—for his famous/notorious Niggas vs. Black People track —and implicitly, for heavy use of the word "nigger." Rock has not wavered from a position explored in his 1996 ''Roll With The New'' show, and reiterated in his 1997 memoir: "Why does the public expect entertainers to behave better than everybody else? It's ridiculous...Of course, this is just for black entertainers. You don't see anyone telling Jerry Seinfeld he's a good role model. Because everyone expects whites to behave themselves...Nowadays, you've got to be an entertainer and a leader. It's too much." Often the subject of tabloids, when asked about paparazzi and the other negative aspects of fame, Rock says he accepts the bad with the good: "You can't be happy that fire cooks your food and be mad it burns your fingertips."
At the London Live Earth concert on July 7, 2007, which was broadcast live on the BBC, before introducing the Red Hot Chili Peppers, Rock called the crowd "motherfuckers" and "shit" after a brief sigh when he said he was joking. Due to the broadcast being at 5:45pm Rock was immediately cut off, and the BBC made several apologies for his use of the word "motherfucker".
In November 2006, the entertainment news website TMZ.com reported that Rock was filing for divorce after nearly ten years of marriage to Malaak. Two weeks later, however, TMZ reported that Rock had not filed divorce papers, and that it appeared that the couple had been able to work out their differences and stay together. In response to the reports, the Rocks released a statement to the press denouncing them as "untrue rumors and lies".
In 2007, freelance journalist and former actress Kali Bowyer filed a paternity suit against Chris Rock, claiming he was the father of her son, and in need of hospitalization. DNA testing proved that Rock was not the child's father.
Rock resides in Alpine, New Jersey.
In 2008, Rock's family history was profiled on the PBS series ''African American Lives 2''. A DNA test showed that he is descended from the Udeme people of northern Cameroon. Rock's great-great-grandfather, Julius Caesar Tingman, was a slave for 21 years before serving as part of the United States Colored Troops until 1866; Tingman fought in the American Civil War. During the 1940s, Rock's grandfather, Alan Rock, moved from South Carolina to New York City to become a taxicab driver and preacher.
+ Film | ! Year | ! Title | ! Role | Notes |
1987 | ''Beverly Hills Cop II'' | Playboy Mansion Valet | ||
1988 | ''Comedy's Dirtiest Dozen'' | Himself | Direct-to-video Concert film | |
1988 | ''I'm Gonna Git You Sucka'' | Rib Joint Customer | ||
1989 | ''Who Is Chris Rock?'' | Himself | ||
1991 | ''New Jack City'' | Pookie | ||
1992 | Bony T | |||
1993 | ''CB4'' | Albert Brown/M.C. Gusto | Also wrote story, screenplay and was co-producer | |
1995 | Deke Anthony | |||
1995 | Yuck Mouth | |||
1996 | 1st Lt. Oster | |||
1997 | ''Beverly Hills Ninja'' | Joey Washington | ||
1998 | Rodney | Voice | ||
1998 | ''Lethal Weapon 4'' | Detective Lee Butters | ||
1999 | ''Torrance Rises'' | Himself | Documentary short | |
1999 | ||||
2000 | ''Nurse Betty'' | Wesley | ||
2001 | Lance Barton | Also co-writer and executive producer | ||
2001 | ''AI: Artificial Intelligence'' | Mecha Comedian | Voice/cameo | |
2001 | ''Pootie Tang'' | JB/Radio DJ/Pootie's Father | Also producer | |
2001 | ''Osmosis Jones'' | Voice | ||
2001 | ''Jay and Silent Bob Strike Back'' | Chaka Luther King | Cameo | |
2002 | Jake Hayes/Kevin Pope/Michael Turner | |||
2002 | Himself | Documentary | ||
2003 | ''Pauly Shore Is Dead'' | Himself | Cameo | |
2003 | Mays Gilliam | Also director, producer and co-writer | ||
2004 | ''The N-Word'' | Himself | Documentary | |
2004 | Pizza Delivery Guy | Cameo | ||
2005 | Himself | Documentary | ||
2005 | voice | |||
2005 | Farrell Caretaker | |||
2007 | ''I Think I Love My Wife'' | Richard Marcus Cooper | Also director and co-writer | |
2007 | ''Bee Movie'' | Mooseblood the Mosquito | Voice | |
2008 | ''You Don't Mess with the Zohan'' | Taxi Driver | Cameo | |
2008 | ''Madagascar: Escape 2 Africa'' | Voice | ||
2009 | ''Good Hair'' | Himself | Documentary | |
2010 | Aaron | |||
2010 | Kurt McKenzie | |||
2012 | Vic | |||
2012 | ''Madagascar 3'' | Voice |
+ Television | ! Year | ! Title | ! Role | Notes |
1987 | ''Uptown Comedy Express'' | Himself | HBO special | |
1987 | ''Miami Vice'' | Carson | ||
1990–1993 | ''Saturday Night Live'' | Various | Cast member | |
1993–1994 | ''In Living Color'' | Various | Recurring | |
1994 | Himself | HBO special | ||
1995 | ''The Fresh Prince of Bel-Air'' | Maurice/Jasmine | ||
1996–1998 | ''The Moxy Show'' | Flea | Uncredited voice role | |
1996 | Valentino | |||
1996 | ''Homicide: Life on the Street'' | Carver | ||
1996 | Himself | HBO special | ||
1996 | ''Politically Incorrect'' | Himself | Correspondent | |
1997 | MTV Music Video Awards | Himself | Host | |
1997–2000 | ''The Chris Rock Show'' | Himself | Cast member, writer | |
1998 | ''King of the Hill'' | Roger "Booda" Sack | ||
1999 | MTV Music Video Awards | Himself | Host | |
1999 | ''Bigger & Blacker'' | Himself | HBO special | |
2003 | MTV Music Video Awards | Himself | HBO special | |
2004 | ChalkZone | Boris the Burger | ||
2005 | ''Never Scared'' | Himself | HBO special | |
2005 | 77th Academy Awards | Himself | Host | |
2005–2009 | ''Everybody Hates Chris'' | Narrator | Creator | |
2008 | Himself | HBO special |
Category:1965 births Category:Living people Category:Actors from New York City Category:Actors from South Carolina Category:African American comedians Category:African American film actors Category:African American film directors Category:African American screenwriters Category:American film actors Category:American music video directors Category:American people of Cameroonian descent Category:American stand-up comedians Category:American television actors Category:American television talk show hosts Category:American voice actors Category:Emmy Award winners Category:Grammy Award winners Category:People from Alpine, New Jersey Category:People from Bedford–Stuyvesant, Brooklyn Category:People from Georgetown County, South Carolina
ar:كريس روك bg:Крис Рок ca:Chris Rock da:Chris Rock de:Chris Rock es:Chris Rock fr:Chris Rock id:Chris Rock it:Chris Rock he:כריס רוק nl:Chris Rock ja:クリス・ロック no:Chris Rock pl:Chris Rock pt:Chris Rock ro:Chris Rock ru:Рок, Крис sq:Chris Rock simple:Chris Rock sr:Крис Рок fi:Chris Rock sv:Chris Rock ta:கிரிசு ரொக் th:คริส ร็อก tr:Chris Rock uk:Кріс Рок yo:Chris Rock zh:基斯·洛克This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Some definitions of the term include only people of relatively recent Sub Saharan African descent (see African diaspora). Among the members of this group, dark skin is most often accompanied by the expression of natural afro-hair texture (recent scientific study notes that human skin color diversity is highest in sub-Saharan African populations). Other definitions of the term "black people" extend to other populations characterized by dark skin, including some indigenous to Oceania and Southeast Asia.
Skin cancer as a result of ultraviolet light radiation causing mutations in the skin is less common among people with dark skin than it is among those with light skin. Furthermore, dark skin prevents an essential B vitamin, folate, from being destroyed. Therefore, in the absence of modern medicine and diet, a person with dark skin in the tropics would live longer, be healthier and more likely to reproduce than a person with light skin. White Australians have some of the highest rates of skin cancer as evidence of this expectation. Conversely, as dark skin prevents sunlight from penetrating the skin it hinders the production of vitamin D3. Hence when humans migrated to less sun-intensive regions in the north, low vitamin D3 levels became a problem and lighter skin colors started appearing. White people of Europe, who have low levels of melanin, naturally have an almost colorless skin pigmentation, especially when untanned. This low level of pigmentation allows the blood vessels to become visible which gives the characteristic pale pink color of white people. The loss of melanin in white people is now thought to have been caused by a mutation in just one letter out of 3.1 billion letters of DNA.
Such "afro-hair" texture is denser than its straight counterparts. Due to this, it is often referred to as 'thick', 'bushy', or 'woolly'. For several reasons, possibly including its relatively flat cross section (among other factors), this hair type conveys a dry or matte appearance. It is also very coarse, and its unique shape renders it very prone to breakage when combed or brushed.
The specific characteristics of the natural afro-hair form are unique among all mammals. The texture likely predates the evolution of dark skin. It evolved when, as pre-human Australopithecines lost most of their fur to enable perspiration, the need to protect the newly exposed pale skin underneath this body hair was crucial (see in light of Rogers and others., 2004 and Harding and others., 2000). The trait ceased to be essential to survival at the equator upon the evolution of hairless dark skin. Yet it has continued to be expressed vestigially among most Melanesians, Andaman Islanders, and sub-Saharan Africans.
Owen 'Alik Shahadah argues that the term sub-Saharan Africa has racist overtones:
However, some Black Africans prefer to be culturally distinguished from those who live in the north of the continent.
The apartheid bureaucracy devised complex (and often arbitrary) criteria in the Population Registration Act to determine who belonged in which group. Minor officials administered tests to enforce the classifications. When it was unclear from a person's physical appearance whether a person was to be considered Colored or Black, the "pencil test" was employed. This involved inserting a pencil in a person's hair to determine if the hair was kinky enough for the pencil to get stuck.
During the apartheid era, those classed as 'Coloured' were oppressed and discriminated against. However, they did have limited rights and overall had slightly better socioeconomic conditions than those classed as 'Black'.
In the post-apartheid era, the ANC government's laws in support of their affirmative action policies define 'Black' people to include "Africans", "Coloureds" and "Asians". Their affirmative action policies have also favored 'Africans' over 'Coloureds'. Some South Africans categorized as 'African Black' openly state that 'Coloureds' did not suffer as much as they did during apartheid. The popular saying by 'Coloured' South Africans to illustrate their dilemma is:
In 2008, the High Court in South Africa ruled that Chinese South Africans who were residents during the apartheid era (and their descendents) are to be reclassified as "Black people" solely for the purposes of accessing affirmative action benefits, because they were also "disadvantaged" by racial discrimination. Chinese people who arrived in the country after the end of apartheid do not qualify.
Other than by appearance, 'Coloureds' can usually be distinguished from 'Blacks' by language. Most speak Afrikaans or English as a first language, as opposed to Bantu languages such as Zulu or Xhosa. They also tend to have more European-sounding names than Bantu names.
In more recent times, about 1000 CE, interactions between black people and Arabs resulted in the incorporation of extensive Arabic vocabulary into Swahili, which became a useful ''lingua franca'' for merchants. Some of this linguistic exchange occurred as part of the slave trade; the history of Islam and slavery shows that the major juristic schools traditionally accepted the institution of slavery. As a result, Arab influence spread along the east coast of Africa and to some extent into the interior (see Swahili people). Timbuktu was a trading outpost that linked West Africa with Berber, Arab, and Jewish traders throughout the Arab World. As a result of these interactions, some female-mediated gene flow into the Middle East from Sub-Saharan Africa can be observed in certain populations.
According to Dr. Carlos Moore, resident scholar at Brazil's University of the state of Bahia, Afro-multiracials in the Arab world self-identify in ways that resemble Latin America. He claims that black-looking Arabs, much like black-looking Latin Americans, consider themselves white because they have some distant white ancestry. Moore also claims that a film about Egyptian President Anwar Sadat had to be canceled when Sadat discovered that an African-American had been cast to play him. In fact, the 1983 television movie ''Sadat'', starring Louis Gossett, Jr., was not canceled. The Egyptian government refused to let the drama air in Egypt, partially on the grounds of the casting of Gossett.
Sadat's mother was a dark-skinned Sudanese woman and his father was a lighter-skinned Egyptian. In response to an advertisement for an acting position he remarked, "I am not white but I am not exactly black either. My blackness is tending to reddish".
Fathia Nkrumah was another Egyptian with ties to Black Africa. She was the late wife of Ghanaian revolutionary Kwame Nkrumah, whose marriage was seen as helping plant the seeds of cooperation between Egypt and other African countries as they struggled for independence from European colonization, which in turn helped advance the formation of the African Union.
Because of the patriarchal nature of Arab society, Arab men had more use of black female slaves than black male slaves, more black women were enslaved than men, and, because the Qur'an was interpreted to permit sexual relations between a male master and his female slave outside of marriage, many mixed race children resulted. When an enslaved woman became pregnant with her Arab captor's child, she became “umm walad” or “mother of a child”, a status that granted her privileged rights. The child would have prospered from the wealth of the father and been given rights of inheritance. Because of patrilineality, the children were born free and sometimes even became successors to their ruling fathers, as was the case with Sultan Ahmad al-Mansur, (whose mother was a Fulani concubine), who ruled Morocco from 1578 to 1608. Such tolerance, however, was not extended to wholly black persons, even when technically "free," and the notion that to be black meant to be a slave became a common belief. The term "abd", (,) "slave," remains a common term for black people in the Middle East, often though not always derogatory.
In March 1807, Britain, which largely controlled the Atlantic, declared the trans-atlantic slave trade illegal, as did the United States. (The latter prohibition took effect January 1, 1808, the earliest date on which Congress had the power to do so under Article I, Section 9 of the United States Constitution.)
By that time, the majority of black people were U.S.-born, so use of the term "African" became problematic. Though initially a source of pride, many blacks feared its continued use would be a hindrance to their fight for full citizenship in the US. They also felt that it would give ammunition to those who were advocating repatriating black people back to Africa. In 1835 black leaders called upon black Americans to remove the title of "African" from their institutions and replace it with "Negro" or "Colored American". A few institutions however elected to keep their historical names such as African Methodist Episcopal Church. "Negro" and "colored" remained the popular terms until the late 1960s.
The term ''black'' was used throughout but not frequently as it carried a certain stigma. In his 1963 "I Have a Dream" speech, Martin Luther King, Jr. uses the terms ''Negro'' 15 times and ''black'' 4 times. Each time he uses ''black'' it is in parallel construction with ''white'' (for example,, black men and white men). With the successes of the civil rights movement a new term was needed to break from the past and help shed the reminders of legalized discrimination. In place of ''Negro'', ''black'' was promoted as standing for racial pride, militancy and power. Some of the turning points included the use of the term "Black Power" by Kwame Toure (Stokely Carmichael) and the release of James Brown's song "Say It Loud - I'm Black and I'm Proud". In 1988 Jesse Jackson urged Americans to use the term African American because the term has a historical cultural base. Since then African American and black have essentially a coequal status. There is still much controversy over which term is more appropriate. Some such as Maulana Karenga and Owen Alik Shahadah argue African-American is more appropriate because it accurately articulates geography and historical origin. Others have argued that "Black" is a better term because "African" suggests foreignness, despite the long presence of Black people in the US. Still others believe the term black is inaccurate because African Americans have a variety of skin tones. Surveys show that the majority of Black Americans have no preference for whether "African American" or "Black" is employed to describe them, although they also show that there is a slight preference for "Black" in personal settings and "African American" in more formal settings. The appropriateness of the term "African American" is further confused, however, by increases in the number of immigrants from Africa, the Caribbean and Latin America. The more recent African immigrants may sometimes view themselves, and be viewed, as culturally distinct from native descendants of African slaves.
The U.S. census race definitions says a black is a person having origins in any of the black racial groups of Africa. It includes people who indicate their race as "Black, African Am., or Negro," or who provide written entries such as African American, Afro American, Kenyan, Nigerian, or Haitian. However, the Census Bureau notes that these classifications are socio-political constructs and should not be interpreted as scientific or anthropological.
A considerable portion of the U.S. population identified as ''black'' actually have some Native American or White ancestry. For instance, genetic studies of African American people show an ancestry that is on average 17–18% European.
The one drop rule may have originated as a means of increasing the number of black slaves and been maintained as an attempt to keep the white race pure. One of the results of the one drop rule was uniting the African American community and preserving an African identity. Some of the most prominent civil rights activists were multiracial, and advocated equality for all.
The notion of blackness can also be extended to non-black people. Toni Morrison once described Bill Clinton as the first black president, because of his warm relations with African Americans, his poor upbringing and also because he is a jazz musician. Christopher Hitchens was offended by the notion of Clinton as the first black president noting "we can still define blackness by the following symptoms: alcoholic mothers, under-the-bridge habits...the tendency to sexual predation and shameless perjury about the same" Some black activists were also offended, claiming Clinton used his knowledge of black culture to exploit black people like no other president before for political gain, while not serving black interests. They note his lack of action during the Rwanda genocide and his welfare reform which some claim led to the worst child poverty since the 1960s along with the fact that the number of black people in jail increased during his administration.
The question of blackness also arose in Democrat Barack Obama's 2008 presidential campaign. Commentators have questioned whether Obama, who was elected the first black President of the United States, is black enough, as his mother was white American, and his father was a black Kenyan immigrant. Obama refers to himself interchangeably as black and African American.
The topic of race in Brazil is a complex and diverse one. A Brazilian child was never automatically identified with the racial type of one or both parents, nor were there only two categories to choose from. Between a pure black and a very light mulatto over a dozen racial categories would be recognized in conformity with the combinations of hair color, hair texture, eye color, and skin color. These types grade into each other like the colors of the spectrum, and no one category stands significantly isolated from the rest. That is, race referred to appearance, not heredity.
There is some disagreement among scholars over the effects of social status on racial classifications in Brazil. It is generally believed that upward mobility and education results in reclassification of individuals into lighter skinned categories. The popular claim is that in Brazil poor whites are considered black and wealthy blacks are considered white. Some scholars disagree arguing that whitening of one's social status may be open to people of mixed race, but a typically black person will consistently be identified as black regardless of wealth or social status.
+Demographics of Brazil | |||
Year!! White !! Pardo!! Black | |||
1835 | 24.4% | 18.2% | 51.4% |
2000 | 53.7% | 38.5% |
A philosophy of whitening emerged in Brazil in the 19th century. Until recently the government did not keep data on race. However, statisticians estimate that in 1835 half the population was black, one fifth was Pardo (brown) and one fourth white. By 2000 the black population had fallen to only 6.2% and the Pardo had increased to 40% and white to 55%. Essentially most of the black population was absorbed into the multiracial category by intermarriage. A recent study found that at least 29% of the middle class white Brazilian population had some recent African ancestry.
However, the philosophy of the racial democracy in Brazil has drawn criticism from some quarters. Brazil has one of the largest gaps in income distribution in the world. The richest 10% of the population earn 28 times the average income of the bottom 40%. The richest 10 percent is almost exclusively white. One-third of the population lives under the poverty line, with blacks and other non-whites accounting for 70 percent of the poor.
In the US, black people earn 75% of what white people earn. In Brazil, non-whites earn less than 50% of what whites earn. Some have posited that Brazil does in fact practice the one drop rule when social economic factors are considered. This is because the gap in income between blacks and other non-whites is relatively small compared to the large gap between whites and non-whites. Other factors such as illiteracy and education level show the same patterns. Unlike in the US where African Americans were united in the civil rights struggle, in Brazil the philosophy of whitening has helped divide blacks from other non-whites and prevented a more active civil rights movement.
Though Afro-Brazilians make up half the population there are very few black politicians. The city of Salvador, Bahia for instance is 80% Afro-Brazilian but has never had a black mayor. Critics indicate that US cities that have a black majority, such as Detroit and New Orleans, have never had white mayors since first electing black mayors in the 1970s.
Non-white people also have limited media visibility. The Latin American media, in particular the Brazilian media, has been accused of hiding its black and indigenous population. For example the telenovelas or soaps are said to be a hotbed of white, largely blonde and blue/green-eyed actors who resemble Scandinavians or other northern Europeans more than they resemble the typical whites of Brazil, who are mostly of Southern European descent.
These patterns of discrimination against non-whites have led some to advocate for the use of the Portuguese term 'negro' to encompass non-whites so as to renew a black consciousness and identity, in effect an African descent rule.
In South India there are also several communities of Black African descent, such as the Sheedis/Siddis, specifically the Siddis of Karnataka, who descend from Zanj (Black African) slaves. In Pakistan, Zanj descendants are known as the Makrani.
Other black people of Southeast Asia, collectively known as Negritos, include the Aeta people of Luzon and the Ati of Panay in the Philippines.
There are several groups of dark-skinned people who live in various parts of Asia, Australia and Oceania who sometimes are referred to as black people. They include the Indigenous Australians, the Melanesians (now divided into Austronesian-speaking populations and Papuans, and including the great genetic diversity of New Guinea), the Semang people of the Malay peninsula, and indigenous first nation Fijians.
According to the Office for National Statistics, as of the 2001 census, there are over a million black people in the United Kingdom; 1% of the total population describe themselves as "Black Caribbean", 0.8% as "Black African", and 0.2% as "Black other". Britain encouraged the immigration of workers from the Caribbean after World War II; the first symbolic movement was those who came on the ship the ''Empire Windrush''. The preferred official umbrella term is "black and minority ethnic" (BME), but sometimes the term "black" is used on its own, to express unified opposition to racism, as in the Southall Black Sisters, which started with a mainly British Asian constituency.
Keita and Boyce confront this issue in a 1996 article entitled, "The Geographical Origins and Population Relationships of Early Ancient Egyptians". As anthropologists, they point out the danger in relying on ancient interpretation to reveal for us the biological make up of a population. In any case they contend, the relevant data indicates greater similarity between Egyptians and Ethiopians than the former group with the Ancient Greeks.
Ancient Egyptians are often portrayed in modern media as Caucasians. Afrocentrists, in particular, have been critical of this. According to Egyptologists, ancient Egypt was a multicultural society of Middle Eastern, Northeast African, and Saharan influences. Afrocentrists argue that anthropological and archaeological evidence shows that what they term an ''Africoid'' element was evident in ancient Egypt, which they argue was predominant in Abydos in the First dynasty of Egypt.
Category:Latin American caste system Category:Race
ca:Raça negra de:Schwarze et:Neegrid es:Negro (persona) eo:Nigrulo fr:Noir (humain) ko:흑인 la:Nigrita simple:Black people sv:Svart (hudfärg) uk:Негр ug:قارا تەنلىكلەر wuu:黑人 yi:שווארצע zh-yue:黑人 bat-smg:Negrā zh:黑人This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
alt | A mid-twenties African American man wearing a sequined military jacket and dark sunglasses. He is walking while waving his right hand, which is adorned with a white glove. His left hand is bare. |
---|---|
background | solo_singer |
birth name | Michael Joseph Jackson |
alias | Michael Joe Jackson, MJ, King of Pop |
birth date | August 29, 1958 |
birth place | Gary, Indiana, U.S. |
death date | June 25, 2009 |
death place | Los Angeles, California, U.S. |
instrument | vocals, guitar, drums, percussion, keyboards |
genre | R&B;, pop, rock, soul, dance, funk, disco, New jack swing |
occupation | Singer-songwriter, musician, composer, dancer, choreographer, record producer, actor, businessman, philanthropist |
years active | 1964–2009 |
label | Motown, Epic, Legacy |
associated acts | The Jackson 5 |
relatives | Janet Jackson (sister) |
website | 130pxMichael Jackson's signature }} |
Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American recording artist, entertainer, and businessman. Often referred to as the King of Pop, or by his initials MJ, Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance, and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The seventh child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5, then the Jacksons in 1964, and began his solo career in 1971.
In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs, including those of "Beat It", "Billie Jean", and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive musical sound and vocal style have influenced numerous hip hop, post-disco, contemporary R&B;, pop and rock artists.
Jackson's 1982 album ''Thriller'' is the best-selling album of all time. His other records, including ''Off the Wall'' (1979), ''Bad'' (1987), ''Dangerous'' (1991), and ''HIStory'' (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which have made him the most-awarded recording artist in the history of popular music.
Jackson had a troubled relationship with his father, Joe. In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B; Album, Favorite Soul/R&B; Male Artist, and Favorite Soul/R&B; Single for "Don't Stop 'Til You Get Enough". That year, he also won Billboard Year-End for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B; Vocal Performance, also for "Don't Stop 'Til You Get Enough". Jackson again won at the American Music Awards in 1981 for Favorite Soul/R&B; Album and Favorite Soul/R&B; Male Artist. Despite its commercial success, Jackson felt ''Off the Wall'' should have made a much bigger impact, and was determined to exceed expectations with his next release. In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.
In ''Bad'', Jackson's concept of the predatory lover can be seen on the rock song "Dirty Diana". The lead single "I Just Can't Stop Loving You" is a traditional love ballad, while "Man in the Mirror" is an anthemic ballad of confession and resolution. "Smooth Criminal" was an evocation of bloody assault, rape and likely murder. Allmusic's Stephen Thomas Erlewine states that ''Dangerous'' presents Jackson as a very paradoxical individual. He comments the album is more diverse than his previous ''Bad'', as it appeals to an urban audience while also attracting the middle class with anthems like "Heal the World". The first half of the record is dedicated to new jack swing, including songs like "Jam" and "Remember the Time". The album is Jackson's first where social ills become a primary theme; "Why You Wanna Trip on Me", for example, protests against world hunger, AIDS, homelessness and drugs. ''Dangerous'' contains sexually charged efforts such as the multifaceted love song, "In the Closet". The title track continues the theme of the predatory lover and compulsive desire. The second half includes introspective, pop-gospel anthems such as "Will You Be There", "Heal the World" and "Keep the Faith"; these songs show Jackson opening up about various personal struggles and worries. In the ballad "Gone Too Soon", Jackson gives tribute to his friend Ryan White and the plight of those with AIDS.
''HIStory'' creates an atmosphere of paranoia. Its content focuses on the hardships and public struggles Jackson went through just prior to its production. In the new jack swing-funk-rock efforts "Scream" and "Tabloid Junkie", along with the R&B; ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs much of his anger at the media. In the introspective ballad "Stranger in Moscow", Jackson laments over his "fall from grace", while songs like "Earth Song", "Childhood", "Little Susie" and "Smile" are all operatic pop pieces. In the track "D.S.", Jackson launched a verbal attack against Tom Sneddon. He describes Sneddon as an antisocial, white supremacist who wanted to "get my ass, dead or alive". Of the song, Sneddon said, "I have not—shall we say—done him the honor of listening to it, but I've been told that it ends with the sound of a gunshot". ''Invincible'' found Jackson working heavily with producer Rodney Jerkins. It is a record made up of urban soul like "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn" and "Butterflies" and mixes hip-hop, pop and R&B; in "2000 Watts", "Heartbreaker" and "Invincible".
A distinctive deliberate mispronunciation of "come on", used frequently by Jackson, occasionally spelled "cha'mone" or "shamone", is also a staple in impressions and caricatures of him. The turn of the 1990s saw the release of the introspective album ''Dangerous''. ''The New York Times'' noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". When singing of brotherhood or self-esteem the musician would return to "smooth" vocals. When commenting on ''Invincible'', ''Rolling Stone'' were of the opinion that—at the age of 43—Jackson still performed "exquisitely voiced rhythm tracks and vibrating vocal harmonies". Nelson George summed up Jackson's vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness—that combination of elements mark him as a major vocalist".
In the 19-minute music video for "Bad"—directed by Martin Scorsese—Jackson began using sexual imagery and choreography not previously seen in his work. He occasionally grabbed or touched his chest, torso and crotch. When asked by Oprah in the 1993 interview about why he grabbed his crotch, he replied, "I think it happens subliminally" and he described it as something that was not planned, but rather, as something that was compelled by the music. "Bad" garnered a mixed reception from both fans and critics; ''Time'' magazine described it as "infamous". The video also featured Wesley Snipes; in the future Jackson's videos would often feature famous cameo roles.
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