This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 35°10′″N33°22′″N |
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Name | Dave Brubeck |
Background | non_vocal_instrumentalist |
Birth name | David Warren Brubeck |
Born | December 06, 1920Concord, California |
Instrument | Piano |
Genre | JazzCool jazzWest Coast jazzThird stream |
Occupation | PianistComposerBandleader |
Years active | 1940s–present |
associated acts | Dave Brubeck Quartet |
Associated artists | Paul DesmondGerry MulliganJoe MorelloEugene Wright |
Religion | Catholicism }} |
His long-time musical partner, alto saxophonist Paul Desmond, wrote the Dave Brubeck Quartet's best remembered piece, "Take Five", which is in 5/4 time and has endured as a jazz classic on the top-selling jazz album, ''Time Out''. Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, and "Blue Rondo à la Turk" in 9/8. He is also a respected composer of orchestral and sacred music, and wrote soundtracks for television such as ''Mr. Broadway'' and the animated mini-series ''This Is America, Charlie Brown''.
Intending to work with his father on their ranch, Brubeck entered the College of the Pacific (now the University of the Pacific) studying veterinary science, but transferred on the urging of the head of zoology, Dr Arnold, who told him "Brubeck, your mind's not here. It's across the lawn in the conservatory. Please go there. Stop wasting my time and yours." Later, Brubeck was nearly expelled when one of his professors discovered that he could not read music. Several of his professors came forward, arguing that his ability with counterpoint and harmony more than compensated. The college was still afraid that it would cause a scandal, and agreed to let Brubeck graduate only after he promised never to teach piano.
After graduating in 1942, Brubeck was drafted into the army and served overseas in George Patton's Third Army. He was spared from service in the Battle of the Bulge when he volunteered to play piano at a Red Cross show; he was such a hit he was ordered to form a band. Thus he created one of the U.S. armed forces' first racially integrated bands, "The Wolfpack". While serving, Brubeck met Paul Desmond in early 1944. He returned to college after serving nearly four years in the army, this time attending Mills College and studying under Darius Milhaud, who encouraged him to study fugue and orchestration, but not classical piano. While on active duty, he received two lessons from Arnold Schoenberg at UCLA in an attempt to connect with High Modernism theory and practice. However, the encounter did not end on good terms since Schoenberg believed that every note should be accounted for, an approach which Brubeck could not accept.
After completing his studies under Milhaud, Brubeck helped to establish Berkeley, California's Fantasy Records. He worked with an octet (the recording bears his name only because Brubeck was the best-known member at the time), and a trio including Cal Tjader and Ron Crotty. Highly experimental, the group made few recordings and got even fewer paying jobs. The trio was often joined by Paul Desmond on the bandstand, at Desmond's prodding.
Early bassists for the group included Ron Crotty, Bob Bates, and Bob's brother Norman Bates; Lloyd Davis and Joe Dodge held the drum chair. In 1956, Brubeck hired Joe Morello, who had been working with Marian McPartland; Morello's presence made possible the rhythmic experiments that were to come. In 1958 Eugene Wright joined for the group's U.S. State Department tour of Europe and Asia; Wright would become a permanent member in 1959, making the "classic" Quartet's personnel complete.
Wright is African-American; in the late 1950s and early 1960s Brubeck canceled several concerts because the club owners or hall managers resisted the idea of an integrated band on their stages. He also canceled a television appearance when he found out that the producers intended to keep Wright off-camera.
In 1959, the Dave Brubeck Quartet recorded ''Time Out'', an album their label was enthusiastic about but nonetheless hesitant to release. Featuring the album art of S. Neil Fujita, the album contained all original compositions, almost none of which were in common time: 9/8, 5/4, 3/4, and 6/4 were used. Nonetheless, on the strength of these unusual time signatures (the album included "Take Five", "Blue Rondo à la Turk", and "Three To Get Ready"), it quickly went platinum.
''Time Out'' was followed by several albums with a similar approach, including ''Time Further Out: Miro Reflections'' (1961), using more 5/4, 6/4, and 9/8, plus the first attempt at 7/4; ''Countdown: Time in Outer Space'' (dedicated to John Glenn) (1962), featuring 11/4 and more 7/4; and ''Time Changes'' (1963), with much 3/4, 10/4 (which was really 5+5), and 13/4. These albums were also known for using contemporary paintings as cover art, featuring the work of Joan Miró on ''Time Further Out'', Franz Kline on ''Time in Outer Space'', and Sam Francis on ''Time Changes''.
A high point for the group was their 1963 live album ''At Carnegie Hall'', described by critic Richard Palmer as "arguably Dave Brubeck's greatest concert".
In the early '60s, Brubeck and his wife Iola developed a jazz musical, ''The Real Ambassadors'', based in part on experiences they and their colleagues had during foreign tours on behalf of the U.S. State Department. The soundtrack album, which featured Louis Armstrong, Lambert, Hendricks & Ross, and Carmen McRae was recorded in 1961; the musical itself was performed at the 1962 Monterey Jazz Festival.
At their peak in the early '60s, the Brubeck Quartet was releasing as many as four albums a year. Apart from the 'College' and the 'Time' series, Brubeck recorded four LPs featuring his compositions based on the group's travels, and the local music they encountered. ''Jazz Impressions of the USA'' (1956, Morello's debut with the group), ''Jazz Impressions of Eurasia'' (1958), ''Jazz Impressions of Japan'' (1964), and ''Jazz Impressions of New York'' (1964) are less well-known albums, but all are brilliant examples of the quartet's studio work, and they produced Brubeck standards such as "Summer Song," "Brandenburg Gate," "Koto Song," and "Theme From ''Mr. Broadway''." (Brubeck wrote, and the Quartet performed, the theme song for the Craig Stevens CBS drama series; the music from the series became material for the "New York" album.)
In 1961 Dave Brubeck appeared in a few scenes of the British Jazz/Beat film ''All Night Long'', which starred Patrick McGoohan and Richard Attenborough. Brubeck merely plays himself, and his piano playing includes closeups of his fingerings. Brubeck performs "It's a Raggy Waltz" from the ''Time Further Out'' album and duets briefly with bassist Charles Mingus in "Non-Sectarian Blues".
In the early 1960s Dave Brubeck was the program director of WJZZ-FM radio (now WEZN). He achieved his vision of an all jazz format radio station along with his friend and neighbor John E. Metts, one of the first African Americans in senior radio management.
The final studio album for Columbia by the Desmond/Wright/Morello quartet was ''Anything Goes'' (1966) featuring Cole Porter songs. A few concert recordings followed, and ''The Last Time We Saw Paris'' (1967) was the "Classic" Quartet's swansong.
Further works followed, including the 1971 cantata ''Truth Is Fallen'' (now re-issued on CD by Collectables Records ), written in protest of the Vietnam War, and also dedicated to the memory of the Kent State shootings and Jackson State killings of May 1970. The work was premiered in Midland, Michigan on May 1, 1971 and released on LP in 1972.
Brubeck's jazz playing did not cease. He was quickly prevailed upon by Newport Jazz Festival producer George Wein to tour with Gerry Mulligan. A Brubeck "Trio" was soon formed: Jack Six on bass, and Alan Dawson on drums. From 1968 until 1973, The Dave Brubeck Trio featuring Gerry Mulligan performed extensively, releasing several concert albums (including one with guest Desmond) and one studio album.
In 1973 Brubeck formed another group with three of his sons, Darius on keyboards, Dan on drums, and Chris on electric bass or bass trombone. This group often included Perry Robinson, clarinet, and Jerry Bergonzi, saxophone. Brubeck would record and tour with this "Two Generations of Brubeck" group until 1978.
Brubeck and Desmond recorded an album of duets in 1975, then the Classic Quartet reassembled for a 25th anniversary reunion in 1976. Desmond died in 1977.
thumb|Dave Brubeck at Blue Note Jazz Club in 2011Brubeck's Quartet has remained vital, a primary creative outlet for the pianist. Bergonzi became a member and remained with the band until 1982. This version featured Chris Brubeck, and Randy Jones on drums. Jones joined in 1979 and is still with the band after over 30 years. Replacing Bergonzi was Brubeck's old friend Bill Smith, who knew Brubeck at Mills College and was a member of Brubeck's Octet in the late 1940s; he remained in the group through the '80s and recorded with it off and on until 1995. The best recording of this Smith/Brubeck/Jones Quartet is probably their remarkable ''Moscow Night'' concert of 1987, released on Concord Records.
The Quartet currently includes alto saxophonist and flautist Bobby Militello, bassist Michael Moore (who replaced Alec Dankworth), and Randy Jones.
In 1994, Brubeck was inducted into the ''Down Beat'' Jazz Hall of Fame.
Brubeck continues to write new works, including orchestral and ballet scores. He has worked extensively with the London Symphony Orchestra and tours about 80 cities each year.
At the 49th Monterey Jazz Festival in September 2006, Brubeck debuted his commissioned work, ''Cannery Row Suite'', a jazz opera drawn from the characters in John Steinbeck's American classic writing about Monterey's roots as a sardine fishing and packing town. Iola (''née'' Whitlock), Brubeck's wife since 1942, is his personal secretary, manager and lyricist, and co-authored the Cannery Row Suite with Dave. His performance of this as well as a number of jazz standards with his current quartet was the buzz of the Festival (an event Brubeck helped launch in 1958).
Because of his advancing years, Brubeck's touring has naturally decreased in activity. He announced at the end of 2008 that he would no longer tour internationally. On April 3, 2009, Brubeck was scheduled to play the album ''Time Out'' in its entirety to commemorate its 50th anniversary at the annual Brubeck Festival, but was not able to because of being in hospital with a viral infection. His son Darius filled in on piano with the rest of his quartet. A scheduled October, 2010 concert in St. Louis, MO was canceled after Brubeck's doctors advised against traveling and performing. He had a heart problem and was experiencing fatigue and dizziness. His doctors installed a pacemaker in his heart. His surgery was doing so well that his doctors said that he could resume his concert touring in November. He performed sold out shows at the Blue Note in New York City on Thanksgiving weekend, 2010, celebrating his 90th birthday.
Brubeck believed what he saw during World War II contradicted the Ten Commandments, and the war evoked a spiritual awakening. He became a Catholic in 1980, shortly after completing the Mass ''To Hope'' which had been commissioned by Ed Murray, editor of the national Catholic weekly ''Our Sunday Visitor''. Although he had spiritual interests before that time, he said, "I didn't convert to Catholicism, because I wasn't anything to convert from. I just joined the Catholic Church." In 1996, he received the Grammy Lifetime Achievement Award. In 2006, Brubeck was awarded the University of Notre Dame's Laetare Medal, the oldest and most prestigious honor given to American Catholics, during the University's commencement. He performed "Travellin' Blues" for the graduating class of 2006.
Brubeck founded the Brubeck Institute with his wife Iola at their alma mater, the University of the Pacific in 2000. What began as a special archive, consisting of the personal document collection of the Brubecks has since expanded to provide fellowships and educational opportunities in jazz for students, also leading to having one of the main streets the school resides on named in his honor, Dave Brubeck Way.
On April 8, 2008, United States Secretary of State Condoleezza Rice presented Brubeck with a "Benjamin Franklin Award for Public Diplomacy" for offering an American "vision of hope, opportunity and freedom" through his music. "As a little girl I grew up on the sounds of Dave Brubeck because my dad was your biggest fan," said Rice. The State Department said in a statement that "as a pianist, composer, cultural emissary and educator, Dave Brubeck's life's work exemplifies the best of America's cultural diplomacy." At the ceremony Brubeck played a brief recital for the audience at the State Department. "I want to thank all of you because this honor is something that I never expected. Now I am going to play a cold piano with cold hands," Brubeck stated.
California Governor Arnold Schwarzenegger and First Lady Maria Shriver announced on May 28, 2008 that Brubeck would be inducted into the California Hall of Fame, located at The California Museum for History, Women and the Arts. The induction ceremony occurred December 10, and he was inducted alongside eleven other legendary Californians.
In September 2009, the Kennedy Center for the Performing Arts announced Brubeck as a Kennedy Center Honoree for exhibiting excellence in performance arts. The Kennedy Center Honors Gala took place on Sunday, December 6 (Brubeck's 89th birthday) and was broadcast nationwide on CBS on December 29 at 9:00 pm EST.
On September 20, 2009, at Monterey Jazz Festival, Brubeck was awarded an honorary Doctor of Music degree (D.Mus. ''honoris causa'') from Berklee College of Music.
On May 16, 2010, Brubeck was awarded an honorary Doctor of Music degree (honoris causa) from The George Washington University in Washington, DC. The ceremony took place on the National Mall.
On July 5, 2010, Brubeck was awarded the Miles-Davis Award at the Montreal International Jazz Festival.In 2010, Bruce Ricker and Clint Eastwood produced a documentary ''Dave Brubeck: In His Own Sweet Way'' about Brubeck for Turner Classic Movies (TCM) to commemorate his 90th birthday in December 2010.
Brubeck has become a supporter of the Jazz Foundation of America in their mission to save the homes and the lives of elderly jazz and blues musicians, including musicians that survived Hurricane Katrina. Brubeck supported the Jazz Foundation by performing in their annual benefit concert "A Great Night in Harlem" in 2006.
Category:American jazz composers Category:American jazz pianists Category:American jazz songwriters Category:American military personnel of World War II Category:American Roman Catholics Category:Concord Records artists Category:Converts to Roman Catholicism Category:Cool jazz pianists Category:Grammy Lifetime Achievement Award winners Category:Kennedy Center honorees Category:Musicians from California Category:Musicians from the San Francisco Bay Area Category:People from Concord, California Category:United States Army soldiers Category:United States National Medal of Arts recipients Category:University of the Pacific (United States) alumni Category:West Coast jazz pianists Category:1920 births Category:Living people
be:Дэйв Брубек ca:Dave Brubeck cs:Dave Brubeck da:Dave Brubeck de:Dave Brubeck es:Dave Brubeck eo:Dave Brubeck fa:دیو بروبک fr:Dave Brubeck it:Dave Brubeck he:דייב ברובק sw:Dave Brubeck lb:Dave Brubeck hu:Dave Brubeck nl:Dave Brubeck ja:デイヴ・ブルーベック no:Dave Brubeck nn:Dave Brubeck nds:Dave Brubeck pl:Dave Brubeck pt:Dave Brubeck ru:Брубек, Дейв sk:Dave Brubeck sr:Дејв Брубек fi:Dave Brubeck sv:Dave Brubeck tr:Dave Brubeck uk:Дейв БрубекThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 35°10′″N33°22′″N |
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name | Nancy Sinatra |
background | solo_singer |
birth name | Nancy Sandra Sinatra |
born | June 08, 1940 |
origin | Jersey City, New Jersey, United States |
instrument | Vocals |
genre | Rock, pop |
occupation | Singer ActressAuthor |
years active | 1961–present |
label | Boots Enterprises, Inc. Reprise Records RCA Records Private Stock Elektra Records Cougar Records Buena Vista Records Attack Records |
associated acts | Frank Sinatra, Lee Hazlewood, Frank Sinatra, Jr., Mel Tillis, Morrissey |
website | NancySinatra.comSinatraFamily.com |
notable instruments | }} |
Nancy Sandra Sinatra (born June 8, 1940) is an American singer and actress. She is the daughter of singer/actor Frank Sinatra, and remains best known for her 1966 signature hit "These Boots Are Made for Walkin'".
Other defining recordings include "Sugar Town", the 1967 number one "Somethin' Stupid" (a duet with her father), the title song from the James Bond film ''You Only Live Twice'', several collaborations with Lee Hazlewood, and her cover of Cher's "Bang Bang (My Baby Shot Me Down)" (lyrics and music by Sonny Bono), which features during the opening sequence of Quentin Tarantino's ''Kill Bill''.
Sinatra began her career as a singer and actress in the early 1960s, but initially achieved success only in Europe and Japan. In early 1966 she had a transatlantic number-one hit with "These Boots Are Made for Walkin'", which showed her provocative but good-natured style, and which popularized and made her synonymous with go-go boots. The promo clip featured a big-haired Sinatra and six young women in tight tops, go-go boots and mini-skirts. The song was written by Lee Hazlewood, who wrote and produced most of her hits and sang with her on several duets, including the critical and cult favorite "Some Velvet Morning". In 1966 and 1967, Sinatra charted with 13 titles, all of which featured Billy Strange as arranger and conductor.
Sinatra also had a brief acting career in the mid-60s including a co-starring role with Elvis Presley in the movie ''Speedway'', and with Peter Fonda in ''The Wild Angels''.
Sinatra was signed to her father's label, Reprise Records, in 1961. Her first single, "Cuff Links and a Tie Clip", went unnoticed. However, subsequent singles charted in Europe and Japan. Without a hit in the U.S. by 1965, she was on the verge of being dropped. Her singing career received a boost with the help of songwriter/producer/arranger Lee Hazlewood, who had been making records for ten years, notably with Duane Eddy. Hazlewood became Sinatra's inspiration. He had her sing in a lower key and crafted pop songs for her. Bolstered by an image overhaul — including bleached-blonde hair, frosted lips, heavy eye make-up and Carnaby Street fashions — Sinatra made her mark on the American (and British) music scene in early 1966 with "These Boots Are Made for Walkin'", its title inspired by a line in Robert Aldrich's 1963 western comedy ''4 for Texas'' starring her father and Dean Martin. One of her many hits written by Hazlewood, it received three Grammy Award nominations, including two for Sinatra and one for arranger Billy Strange. It sold over one million copies, and was awarded a gold disc. The camp promo clip featured a big-haired Sinatra and six young women in loose sweaters, go-go boots and hot pants. The song has been covered by artists such as Geri Halliwell, Megadeth, Jessica Simpson, Lil' Kim, Little Birdy, Billy Ray Cyrus, Faster Pussycat, KMFDM, Symarip (band), Operation Ivy and the Del Rubio Triplets and The Supremes.
A run of chart singles followed, including the two 1966 Top 10 hits "How Does That Grab You, Darlin'?" (#7) and "Sugar Town" (#5). "Sugar Town" became her second million seller. The ballad "Somethin' Stupid" — a duet with her father — hit #1 in the U.S. and the UK in April 1967 and spent nine weeks at the top of Billboard's easy listening chart. It earned a Grammy Award nomination for Record of the Year and remains the only father-daughter duet to hit No.1 in the U.S. It became Sinatra's third million-selling disc. Other 45s showing her forthright delivery include "Friday’s Child" (#36, 1966), and the 1967 hits "Love Eyes" (#15) and "Lightning’s Girl" (#24). She rounded out 1967 with the raunchy but low-charting "Tony Rome" (#83) — the title track from the detective film ''Tony Rome'' starring her father — while her first solo single in 1968 was the more wistful "100 Years" (#69).
Sinatra enjoyed a parallel recording career cutting duets with the husky-voiced, country-and-western-inspired Hazlewood, starting with "Summer Wine" (originally the B-side of "Sugar Town"). Their biggest hit was a cover of the country song, "Jackson". The single peaked at #14 on the Billboard Hot 100 in the summer of 1967, when Johnny Cash and June Carter Cash also made the song their own. In December they released the "MOR"-psychedelic single "Some Velvet Morning", regarded as one of the more unusual singles in pop, and the peak of Sinatra and Hazlewood’s vocal collaborations. It reached #26 in the USA. The promo clip is, like the song, sui generis. The British broadsheet The Daily Telegraph placed "Some Velvet Morning" in pole position in its 2003 list of the Top 50 Best Duets Ever. ("Somethin' Stupid" ranked number 27) .
In 1967 she recorded the theme song for the James Bond film ''You Only Live Twice''. In the liner notes of the CD reissue of her 1966 album, ''Nancy In London'', Sinatra states that she was "scared to death" of recording the song, and asked the songwriters: "Are you sure you don't want Shirley Bassey?" There are two versions of the Bond theme. The first is the lushly orchestrated track featured during the opening and closing credits of the film. The second – and more guitar-heavy — version appeared on the double A-sided single with "Jackson", though the Bond theme stalled at #44 on the Billboard Hot 100.
In 1966 and 1967 Sinatra traveled to Vietnam to perform for the troops. Many U.S. soldiers adopted her song "These Boots Are Made for Walkin'" as their anthem, as shown in Pierre Schoendoerffer's academy award winning documentary ''The Anderson Platoon'' (1967) and reprised in a scene in Stanley Kubrick's ''Full Metal Jacket'' (1987). Sinatra recorded several anti-war songs, including "My Buddy", featured on her album ''Sugar'', "Home", co-written by Mac Davis, and "It's Such A Lonely Time of Year", which appeared on the 1968 LP ''The Sinatra Family Wish You a Merry Christmas''. In 1988 Sinatra recreated her Vietnam concert appearances on an episode of the television show ''China Beach''. Today, Sinatra still performs for charitable causes supporting U.S. veterans who served in Vietnam, including Rolling Thunder Inc..
She also made appearances on ''The Ed Sullivan Show'', ''The Smothers Brothers Comedy Hour'', ''The Man from U.N.C.L.E.'', and ''Rowan & Martin's Laugh-In'', ''The Virginian'' and starred in television specials. These include the Emmy-nominated 1966 Frank Sinatra special ''A Man and His Music - Part II'', and the 1967 NBC Emmy Award nominated for 'Special Classification of Individual Achievements' by choreographer David Winters TV special ''Movin' With Nancy'', in which she appeared with Lee Hazlewood, her father and his Rat Pack pals Dean Martin and Sammy Davis, Jr., with a cameo appearance by her brother Frank Sinatra, Jr. and guest star appearance by West Side Story dancer David Winters. The special also features Winters' choreography, dancing and dancers. As there was no Emmy Award category for Choreography - the shows Emmy Nomination was placed in the 'Special Classification of Individual Achievements' category. Possibly due to this specials success and its choreography a new category for 'Outstanding Choreography' was created by the Emmy's the next year. ''Movin' With Nancy'' was sponsored by Royal Crown Cola.
In the autumn of 1971 Sinatra and Hazlewood’s duet "Did You Ever?" reached number two in the UK singles chart. In 1972 they performed for a Swedish documentary, ''Nancy & Lee In Las Vegas'', which chronicled their Vegas concerts at the Riviera Hotel and featured solo numbers and duets from concerts, behind-the-scenes footage, and scenes of Sinatra's late husband, Hugh Lambert, and her mother.. The film did not appear until 1975.
By 1975 she was releasing singles on Private Stock, which are the most sought-after by collectors. Among those released were "Kinky Love", "Annabell of Mobile", "It's for My Dad," and "Indian Summer" (with Hazlewood). "Kinky Love" was banned by some radio stations in the 1970s for "suggestive" lyrics. It saw the light of day on CD in 1998 on ''Sheet Music: A Collection of Her Favorite Love Songs''. Pale Saints covered the song in 1991.
By the mid-1970s, she slowed her musical activity and ceased acting to concentrate on being a wife and mother. She returned to the studio in 1981 to record a country album with Mel Tillis called ''Mel & Nancy''. Two of their songs made the Billboard Country Singles Chart: "Texas Cowboy Night" (#23) and "Play Me or Trade Me" (#43).
In 1985, she wrote the book ''Frank Sinatra, My Father''.
She and Lee Hazlewood embarked on a U.S. tour playing the House of Blues, the Viper Room, the Whiskey-a-Go-Go, the now-defunct Mama Kin in Boston, the Trocadero in Philadelphia, and The Fillmore.
That year, Sundazed Records began reissuing Sinatra's Reprise albums with remastered sound, new liner notes and photos, and bonus tracks. She also updated her biography on her dad and published ''Frank Sinatra: An American Legend''.
In 2003 she reunited with Hazlewood once more for the album ''Nancy & Lee 3''. It was released only in Australia.
One of her recordings — a cover of Cher "Bang Bang (My Baby Shot Me Down)" — was used to open the 2003 Quentin Tarantino film ''Kill Bill: Vol. One''. In 2005, Sinatra's recording was sampled separately by the Audio Bullys and Radio Slave into dance tracks (renamed into "Shot You Down" and "Bang Bang" respectively), and by hip-hop artist Young Buck in a song titled "Bang Bang", as well as covered for a single and music video by R&B; artist Melanie Durrant. Sinatra recorded the song for her second Reprise album, ''How Does That Grab You?'' in 1966. She and Billy Strange worked on the arrangement, and it was Sinatra's idea to change from a mid-tempo romp (as sung in Cher's hit single) to a ballad. Sinatra's father asked her to sing it on his 1966 TV special ''A Man and His Music - Part II''. The footage of Sinatra's performance on that special was used in the Audio Bullys' music video of "Shot You Down."
Taking her father's advice from when she began her recording career ("Own your own masters"), she owns or holds an interest in most of her material, including videos.
In 2004 she collaborated with former Los Angeles neighbour Morrissey to record a version of his song "Let Me Kiss You", which was featured on her autumn release ''Nancy Sinatra''. The single — released the same day as Morrissey’s version — charted at #46 in the UK, providing Sinatra with her first hit for over 30 years. The follow-up single, "Burnin' Down the Spark", failed to chart. The album, originally titled ''To Nancy, with Love'', featured rock performers such as Calexico, Sonic Youth, U2, Pulp's Jarvis Cocker, Steven Van Zandt, Jon Spencer, and Pete Yorn, who all cited Sinatra as an influence. Each artist crafted a song for Sinatra to sing on the album.
Two years later EMI released ''The Essential Nancy Sinatra'' – a UK-only greatest-hits compilation featuring the previously unreleased track, "Machine Gun Kelly". The collection was picked by Sinatra and spans her 40-year career. The record was Sinatra's first to make the UK album charts (#73) in 30 years.
Sinatra, also recorded "Another Gay Sunshine Day" for ''Another Gay Movie'' in 2006.
Nancy received her own star on the Hollywood Walk of Fame on May 11, 2006, which was also declared "Nancy Sinatra Day" by Hollywood’s mayor, Johnny Grant.
Sinatra appeared, as herself, on one of the final episodes (''Chasing It'') of the HBO mob drama ''The Sopranos''. Her brother, Frank Jr., had previously appeared in the 2000 episode ''The Happy Wanderer''.
Nancy Sinatra recorded a public service announcement for Deejay Ra's 'Hip-Hop Literacy' campaign, encouraging reading of Tarantino screenplays and related books.
September 2009 saw the release of Nancy's digital-only album ''Cherry Smiles: The Rare Singles,'' featuring previously unreleased tracks and songs only available on 45.
Nancy now hosts a weekly show on Sirius Satellite Radio - Siriusly Sinatra - most interesting for her personal insights about her father.
Children (by her second husband):
Category:1940 births Category:Living people Category:American female singers Category:Female rock singers Category:American people of Sicilian descent Category:University High School (Los Angeles, California) alumni Category:People from Jersey City, New Jersey Category:American people of Italian descent Category:American musicians of Italian descent Category:Children of Entertainers
af:Nancy Sinatra bg:Нанси Синатра cs:Nancy Sinatra cy:Nancy Sinatra da:Nancy Sinatra de:Nancy Sinatra es:Nancy Sinatra fr:Nancy Sinatra ko:낸시 시나트라 hr:Nancy Sinatra it:Nancy Sinatra he:ננסי סינטרה ka:ნენსი სინატრა nl:Nancy Sinatra ja:ナンシー・シナトラ no:Nancy Sinatra pl:Nancy Sinatra pt:Nancy Sinatra ru:Синатра, Нэнси simple:Nancy Sinatra sr:Ненси Синатра fi:Nancy Sinatra sv:Nancy Sinatra th:แนนซี ซินาตรา tr:Nancy SinatraThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 35°10′″N33°22′″N |
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Background | solo_singer |
Birth name | James Joseph Brown, Jr. |
Birth date | May 03, 1933 |
Birth place | Barnwell, South Carolina, U.S. |
Origin | Augusta, Georgia, United States |
Death date | December 25, 2006 |
Death place | Atlanta, Georgia, U.S. |
Genre | Rhythm and blues, funk, soul |
Occupation | Singer, musician, songwriter, dancer, bandleader, record producer |
Instrument | Vocal, guitar, harmonica, bass, keyboards, drums, percussion instruments |
Years active | 1956–2006 |
Label | Federal, King, Try Me, Smash, People, Polydor, Scotti Bros., Dade Records |
Associated acts | The Famous Flames, The J.B.'s, Bobby Byrd , The Soul Generals, Lyn Collins |
Website | }} |
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, musician, and recording artist. Eventually referred to as "The Godfather of Soul", Brown started singing in gospel groups and worked his way on up. He has been recognized as one of the most iconic figures in the 20th century popular music and was renowned for his vocals and feverish dancing. He was also called "The Hardest-Working Man in Show Business" and "Mr. Dynamite". He was also noted as the lead singer of the famed Rhythm & Blues vocal group, The Famous Flames.
As a young child, the family lived in extreme poverty in nearby Elko, South Carolina, which at the time was an impoverished town in Barnwell County. When Brown was two years old, his parents separated after his mother left his father for another man. After his mother abandoned the family, Brown continued to live with his father and his father's live-in girlfriends until he was six years old. After that time, Brown and his father moved to Augusta, Georgia.
His father sent him to live with an aunt, who ran a house of prostitution. Even though Brown lived with relatives, he spent long stretches of time on his own, hanging out on the streets and hustling to get by. Brown managed to stay in school until he dropped out in the seventh grade.
During his childhood, Brown earned money shining shoes, sweeping out stores, selling and trading in old stamps, washing cars and dishes and singing in talent contests. Brown also performed buck dances for change to entertain troops from Camp Gordon at the start of World War II as their convoys traveled over a canal bridge near his aunt's home. Between earning money from these adventures, Brown taught himself to play a harmonica given to him by his father. He learned to play some guitar from Tampa Red, in addition to learning to play piano and drums from others he met during this time. Brown was inspired to become an entertainer after watching Louis Jordan, a popular jazz and R&B; performer during the 1940s, and Jordan's Tympany Five performing "Caldonia" in a short film.
As an adult, Brown legally changed his name to remove the "Jr." designation. In his spare time, Brown spent time practicing his various skills in Augusta-area stalls and committing petty crimes. At the age of sixteen, he was convicted of armed robbery and sent to a juvenile detention center upstate in Toccoa in 1949.
In 1952, while Brown was still in reform school, he met future R&B; legend Bobby Byrd, who was there playing baseball against the reform school team. Byrd saw Brown perform there and admired his singing and performing talent. As a result of this friendship, Byrd's family helped Brown secure an early release after serving three years of his sentence. The authorities agreed to release Brown on the condition that he would get a job and not return to Augusta or Richmond County. After stints as a boxer and baseball pitcher in semi-professional baseball (a career move ended by a leg injury), Brown turned his energy toward music.
Little Richard's relations with Brown were particularly significant in Brown's development as a musician and showman. Brown once called Richard his idol, and credited Richard's saxophone-studded mid-1950s road band, The Upsetters, with being the first to put the funk in the rock and roll beat. Etta James recalled her first meeting with James Brown, in Macon, Georgia, where Brown had befriended Little Richard. She said Brown "used to carry around an old tattered napkin with him, because Little Richard had written the words, 'please, please, please' on it and James was determined to make a song out of it...". The resulting track "Please, Please, Please" ended up becoming The Flames first R&B; hit in 1956, selling over a million copies. However, nine subsequent singles released by The Flames failed to live up to the success of their debut, and the group was in danger of being dropped by Federal Records. When Little Richard left pop music in October 1957 to become a preacher, Brown filled out Little Richard's remaining tour dates in his place. Further, several former members of Little Richard's backup band joined Brown's group after Richard's exit from the pop music scene. Brown's group returned to the charts, hitting #1 R&B; in February 1959 with "Try Me". This hit record was the best-selling R&B; single of the year, becoming the first of 17 chart-topping R&B; singles by Brown over the next two decades. By the time "Try Me" was released on record, the group's billing was changed to James Brown and The Famous Flames. "The Famous Flames" was a vocal group, not a backing band.
In 1959, Brown and The Famous Flames moved from the Federal Records subsidiary to King Records, the parent label. Brown began to have recurring conflicts with King Records president Syd Nathan over repertoire and other matters. In one notable instance, Brown recorded the 1960 Top Ten R&B; hit "(Do the) Mashed Potatoes" on Dade Records, owned by Henry Stone, under the pseudonym "Nat Kendrick & The Swans" because Nathan refused to allow him to record it for King.
Brown followed the success of ''Live at the Apollo'' with a string of singles that, along with the work of Allen Toussaint in New Orleans, essentially defined the foundation of Funk music. Driven by the success of ''Live at the Apollo'' and the failure of King Records to expand record promotion beyond the "black" market, James Brown and fellow Famous Flame Bobby Byrd formed a production company, Fair Deal, to promote sales of Brown's record releases to white audiences. In this arrangement, Smash Records, a subsidiary of Mercury Records, was used as a vehicle to distribute Brown's music. Smash released his 1964 hit "Out of Sight", which reached #24 on the pop charts and pointed the way to his later funk hits. Its release also triggered a legal battle between Smash and King that resulted in a one year ban on the release of Brown's vocal recordings.
During the mid-1960s, two of Brown's signature tunes "Papa's Got a Brand New Bag" and "I Got You (I Feel Good)", both from 1965, were his first Top 10 pop hits, as well as major #1 R&B; hits, with each remaining the top-selling singles in black venues for over a month. In 1966, Brown's "Papa's Got a Brand New Bag" won the Grammy for Best Rhythm & Blues Recording (an award last given in 1968). Brown's national profile was boosted further that year by appearances in the movie ''Ski Party'' and the concert film ''The T.A.M.I. Show'', in which he and The Famous Flames (Bobby Byrd, Bobby Bennett and "Baby Lloyd" Stallworth) upstaged The Rolling Stones. In his concert repertoire and on record, Brown mingled his innovative rhythmic essays with Broadway show tunes and ballads, such as his hit "It's a Man's Man's Man's World" (1966).
Changes in Brown's style that started with "Cold Sweat" also established the musical foundation for Brown's later hits, such as "I Got the Feelin'" (1968) and "Mother Popcorn" (1969). By this time Brown's vocals frequently took the form of a kind of rhythmic declamation, not quite sung but not quite spoken, that only intermittently featured traces of pitch or melody. This would become a major influence on the techniques of rapping, which would come to maturity along with hip hop music in the coming decades.
In November 1967, James Brown purchased radio station WGYW in Knoxville, Tennessee for a reported $75,000, according to the January 20, 1968 ''Record World'' magazine. The call letters were changed to WJBE reflecting his initials. WJBE began on January 15, 1968 and broadcast a Rhythm & Blues format. The station slogan was "WJBE 1430 Raw Soul". At the time it was mentioned "Brown has also branched out into real estate and music publishing in recent months".
Brown's recordings influenced musicians across the industry, most notably Sly and his Family Stone, Charles Wright & the Watts 103rd Street Rhythm Band, Booker T. & the M.G.'s and soul shouters like King Curtis, Edwin Starr, Temptations David Ruffin, and Dennis Edwards. A then-prepubescent Michael Jackson took Brown's shouts and dancing into the pop mainstream as the lead singer of Motown's The Jackson 5. Those same tracks were later resurrected by countless hip-hop musicians from the 1970s onward. As a result, James Brown remains to this day the world's most sampled recording artist, with "Funky Drummer" itself becoming the most sampled individual piece of music.
Brown's band during this period employed musicians and arrangers who had come up through the jazz tradition. He was noted for his ability as a bandleader and songwriter to blend the simplicity and drive of R&B; with the rhythmic complexity and precision of jazz. Trumpeter Lewis Hamlin and saxophonist/keyboardist Alfred "Pee Wee" Ellis (the successor to previous bandleader Nat Jones) led the band. Guitarist Jimmy Nolen provided percussive, deceptively simple riffs for each song, and Maceo Parker's prominent saxophone solos provided a focal point for many performances. Other members of Brown's band included stalwart singer and sideman Bobby Byrd, drummers John "Jabo" Starks, Clyde Stubblefield and Melvin Parker (Maceo's brother), saxophonist St. Clair Pinckney, trombonist Fred Wesley, guitarist Alphonso "Country" Kellum and bassist Bernard Odum.
During this period, Brown's music empire also expanded along with his influence on the music scene. As Brown's music empire grew, his desire for financial and artistic independence grew as well. Brown bought radio stations during the late 1960s, including radio station WRDW in Augusta, Georgia where he shined shoes as a boy. Brown also branched out to make several recordings with musicians outside his own band. He recorded ''Gettin' Down To It'' (1969) and ''Soul on Top'' (1970), two albums consisting mostly of romantic ballads and jazz standards, with the Dee Felice Trio and the Louie Bellson Orchestra respectively. He recorded a number of tracks with the Dapps, a white Cincinnati bar band, including the hit "I Can't Stand Myself (When You Touch Me)". He also released three albums of Christmas music with his own band.
In 1971, Brown began recording for Polydor Records which also took over distribution of Brown's King Records catalog. Many of his sidemen and supporting players, such as Fred Wesley & The J.B.'s, Bobby Byrd, Lyn Collins, Vicki Anderson and Hank Ballard, released records on the People label, an imprint founded by Brown that was purchased by Polydor as part of Brown's new contract. The recordings on the People label, almost all of which were produced by Brown himself, exemplified his "house style". Songs such as "I Know You Got Soul" by Bobby Byrd, "Think (About It)" by Lyn Collins and "Doing It to Death" by Fred Wesley & The J.B.'s are considered as much a part of Brown's recorded legacy as the recordings released under his own name.
In 1972, James Brown, when asked, openly proclaimed his support of Richard Nixon against the Democrat, George McGovern, and a nationwide boycott called by Black Democratic leaders damaged his status as the most successful Black entrepreneur in the country. Still, his popularity buoyed up his financial fortunes after a brief downturn, and he went on with his career, undaunted.
In 1973, Brown provided the score for the blaxploitation film ''Black Caesar''. In 1974, he toured Africa and performed in Zaire as part of the buildup to the Rumble in the Jungle fight between Muhammad Ali and George Foreman. Admirers of Brown's music, including Miles Davis and other jazz musicians, began to cite Brown as a major influence on their own styles. However, Brown, like others who were influenced by his music, also "borrowed" from other musicians. His 1976 single "Hot (I Need To Be Loved, Loved, Loved, Loved)" (R&B; #31) used the main riff from "Fame" by David Bowie, not the other way around as was often believed. The riff was provided to "Fame" co-writers John Lennon and Bowie by guitarist Carlos Alomar, who had briefly been a member of Brown's band in the late 1960s.
Brown's Polydor recordings during the 1970s exemplified his innovations from the previous twenty years. Compositions such as "The Payback" (1973), "Papa Don't Take No Mess", "Stoned to the Bone", and "Funky President (People It's Bad)" (1974), and "Get Up Offa That Thing" (1976) were among his most noted recordings during this time.
Brown's contract with Polydor expired in 1981, and his recording and touring schedule was somewhat reduced. Despite these events, Brown experienced something of a resurgence during the 1980s, effectively crossing over to a broader, more mainstream audience. He appeared in the feature films ''The Blues Brothers'', ''Doctor Detroit'' and ''Rocky IV'', as well as guest starring in the ''Miami Vice'' episode "Missing Hours" (1988). He also recorded ''Gravity'', a modestly popular crossover album released on his new host label Scotti Bros., and the 1986 top 10 hit single "Living in America" (written by Dan Hartman), which was featured prominently in the ''Rocky IV'' film and soundtrack. Brown performed the song in the film at Apollo Creed's final fight, shot in the Ziegfeld Room at the MGM Grand in Las Vegas and was credited as "The Godfather of Soul." In 1987, Brown won the Grammy for Best Male R&B; Vocal Performance for "Living in America." Acknowledging his influence on modern hip-hop and R&B; music, Brown collaborated with hip-hop artist Afrika Bambaataa on the single "Unity."
In 1988, Brown worked with the production team Full Force on the hip-hop influenced album ''I'm Real'', which spawned a #5 R&B; hit single, "Static". Meanwhile, the drum break from the second version of the original 1969 hit "Give It Up Or Turnit A Loose" (the recording included on the compilation album ''In the Jungle Groove'') became so popular at hip hop dance parties (especially for breakdance) during the late 1970s and early 1980s that hip hop founding father Kurtis Blow called the song "the national anthem of hip hop".
Although Brown had various run-ins with the law, he continued to perform and record regularly, and he also made appearances in television shows and films, such as ''Blues Brothers 2000'', and sporting events, such as his 2000 appearance at the World Championship Wrestling pay-per-view event ''SuperBrawl X''. In Brown's appearance at the SuperBrawl X event, he danced alongside wrestler Ernest "The Cat" Miller, whose character was based on Brown, during his in ring skit with The Maestro. Brown was featured in Tony Scott's 2001 short film, ''Beat the Devil'', alongside Clive Owen, Gary Oldman, Danny Trejo and Marilyn Manson. Brown also made a cameo appearance in the 2002 Jackie Chan film ''The Tuxedo'', in which Chan was required to finish Brown's act after Brown was accidentally knocked out by Chan. In 2002, Brown appeared in ''Undercover Brother'', playing the role as himself.
Brown appeared at Edinburgh 50,000 - The Final Push, the final Live 8 concert on July 6, 2005, where he performed a duet with British pop star Will Young on "Papa's Got A Brand New Bag". He also performed a duet with another British pop star, Joss Stone, a week earlier on the United Kingdom chat show ''Friday Night with Jonathan Ross''. Before his death, Brown was scheduled to perform a duet with singer Annie Lennox on the song "Vengeance" for her new album ''Venus'', scheduled for release in early 2007. In 2006, Brown continued his "Seven Decades Of Funk World Tour", his last concert tour where he performed all over the world. His final U.S. performance was in San Francisco on August 20, 2006, as headliner at the Festival of the Golden Gate (Foggfest) on the Great Meadow at Fort Mason. His last shows were greeted with positive reviews, and one of his final concert appearances at the Irish Oxegen festival in Punchestown in 2006 was performed for a record crowd of 80,000 people. Brown's last televised appearance was at his induction into the UK Music Hall of Fame in November 2006, before his death the following month.
So now ladies and gentlemen it is star time, are you ready for star time? Thank you and thank you very kindly. It is indeed a great pleasure to present to you at this particular time, national and international[ly] known as the hardest working man in show business, the man that sings "I'll Go Crazy" ... "Try Me" ... "You've Got the Power" ... "Think" ... "If You Want Me" ... "I Don't Mind" ... "Bewildered" ...the million dollar seller, "Lost Someone" ... the very latest release, "Night Train" ... let's everybody "Shout and Shimmy" ... Mr. Dynamite, the amazing Mr. Please Please himself, the star of the show, James Brown and The Famous Flames!! |
Among the MCs who worked with Brown and his revue through the years, Brown's most famous MC was Danny Ray, who appeared on stage with him for over 30 years.
James Brown's performances were famous for their intensity and length. His own stated goal was to "give people more than what they came for — make them tired, 'cause ''that's'' what they came for.'" Brown's concert repertoire consisted mostly of his own hits and recent songs, with a few R&B; covers mixed in. Brown danced vigorously as he sang, working popular dance steps such as the Mashed Potato into his routine along with dramatic leaps, splits and slides. In addition, his horn players and backup singers (The Famous Flames) typically performed choreographed dance routines, and later incarnations of the Revue included backup dancers. Male performers in the Revue were required to wear tuxedoes and cummerbunds long after more casual concert wear became the norm among the younger musical acts. Brown's own extravagant outfits and his elaborate processed hairdo completed the visual impression.
A James Brown concert typically included a performance by a featured vocalist, such as Vicki Anderson or Marva Whitney, and an instrumental feature for the band, which sometimes served as the opening act for the show. Although Brown released many live albums, ''Say It Live & Loud: Live in Dallas 08.26.68'', released by Polydor in 1998, was one of only a few audio recordings that captured a performance of the James Brown Revue from beginning to end.
Brown performs a version of the cape routine over the closing credits of the film ''Blues Brothers 2000''.
Brown also had a practice of directing, correcting and assessing fines on members of his band who broke his rules, such as wearing unshined shoes, dancing out of sync or showing up late on stage. During some of his concert performances, Brown danced in front of his band with his back to the audience as he slid across the floor, flashing hand signals and splaying his pulsating fingers to the beat of the music. Although audiences thought Brown's dance routine was part of his act, this practice was actually his way of pointing to the offending member of his troupe who played or sang the wrong note or committed some other infraction. Brown used his splayed fingers and hand signals to alert the offending person of the fine that person must pay to him for breaking his rules.
In 1968 after the assassination of Martin Luther King, Jr., Brown released "Say It Loud – I'm Black and I'm Proud" following pressure from fans to take a stance on the civil rights movement, an issue he had avoided up until this point. It became an anthem of the civil rights movement. Brown later said of it in his 1986 autobiography “The song is obsolete now... But it was necessary to teach pride then, and I think the song did a lot of good for a lot of people... People called "Black and Proud" militant and angry - maybe because of the line about dying on your feet instead of living on your knees. But really, if you listen to it, it sounds like a children's song. That's why I had children in it, so children who heard it could grow up feeling pride... The song cost me a lot of my crossover audience. The racial makeup at my concerts was mostly black after that. I don't regret it, though, even if it was misunderstood.”
He performed in front of a televised audience in Boston the day after Dr. King's death. Brown is often given credit for preventing rioting with the performance. Mayor Kevin White strongly restrained the Boston Police from cracking down on minor violence and protests after the assassination, and Boston religious and community leaders worked to keep tempers from flaring. Also, White arranged to have the Brown performance broadcast multiple times on Boston's public television station, WGBH, thus keeping many potential rioters off the streets, watching the concert for free. Brown demanded $60,000 for "gate" fees (money he thought would be lost from ticket sales on account of the concert being broadcast for free), and then threatened to go public about the secret arrangement when the city balked at paying up after the concert, news of which would have been a political death-blow to White, and possibly sparked riots on its own. White successfully lobbied the behind-the-scenes power-brokering group known as "The Vault" to come up with money for Brown's gate fee and other social programs; The Vault contributed $100,000 to such programs, and Brown received $15,000 from them via the city. White persuaded management at the Boston Garden to give up their share of receipts to make up the difference. The story is documented in the PBS film "The Night James Brown Saved Boston".
Afterwards, President Johnson urged Brown to visit Washington, D.C. to greet inner-city residents there performing at a benefit concert there and expressed the notion that violence "wasn't the way to go". Many in the black community felt that Brown was speaking out to them more than some major leaders in the country, a sentiment that was strengthened with the release of his groundbreaking landmark single, "Say It Loud – I'm Black and I'm Proud".
Brown continued performing benefit concerts for various civil rights organizations including Jesse Jackson's PUSH and The Black Panther Party's Breakfast program throughout the early-1970s. Brown also continued to release socially conscious singles such as "I Don't Want Nobody To Give Me Nothing (Open Up the Door, I'll Get It Myself)" (1969), "Get Up, Get Into It, Get Involved" (1971), "Talking Loud and Saying Nothing" (1972), "King Heroin" (1972), "Funky President (People It's Bad)" (1974) and "Reality" (1975). The week before his death, Brown took time to give Christmas presents to an orphanage in Atlanta.
According to Dallas, Brown was angry and hurt that Hynie concealed her prior marriage from him, and that Brown moved to file for annulment from Hynie. Dallas added that, although Hynie's marriage to Javed Ahmed was annulled after she married James Brown, the Brown-Hynie marriage was not valid under South Carolina law because Brown and Hynie did not remarry after the annulment. In August 2003, Brown took out a full-page public notice in ''Variety Magazine'' featuring Hynie, James II and himself on vacation at Disney World to announce that he and Hynie were going their separate ways.
At the age of 16, he was arrested for theft and served 3 years in prison.
In 1988, Brown was arrested following an alleged high-speed car chase on Interstate 20 along the Georgia-South Carolina state border. He was convicted of carrying an unlicensed pistol and assaulting a police officer, along with various drug-related and driving offenses. Although he was sentenced to six years in prison, he was eventually released in 1991 after serving only three years of his sentence. Brown's FBI file, released to ''The Washington Post'' in 2007 under the Freedom of Information Act, related Brown's claim that the high-speed chase did not occur as claimed by the police, and that local police shot at his car several times during an incident of police harassment and assaulted him after his arrest. Local authorities found no merit to Brown's accusations.
In another incident, the police were summoned to Brown's residence on July 3, 2000 after he was accused of charging an electric company repairman with a steak knife when the repairman visited Brown's house to investigate a complaint about having no lights at the residence.
In 2003, Brown was pardoned by the South Carolina Department of Probation, Parole, and Pardon Services for past crimes that he was convicted of committing in South Carolina.
During the 1990s and 2000s, Brown was repeatedly arrested for domestic violence:
Adrienne Rodriguez, his third wife, had him arrested four times between the mid-1980s and mid-1990s on charges of assault.
In January 2004, Brown was arrested in South Carolina on a domestic violence charge after Tomi Rae Hynie accused him of pushing her to the floor during an argument at their home, where she suffered scratches and bruises to her right arm and hip. Later that year in June 2004, Brown pleaded no contest to the domestic violence incident, but served no jail time. Instead, Brown was required to forfeit a US$1,087 bond as punishment.
In January 2005, a woman named Jacque Hollander filed a lawsuit against James Brown, which stemmed from an alleged 1988 forcible rape. When the case was initially heard before a judge in 2002, Hollander's claims against Brown were dismissed by the court as the limitations period for filing the suit had expired. Hollander claimed that stress from the alleged assault later caused her to contract Graves' Disease, a thyroid condition. Hollander claimed that the incident took place in South Carolina while she was employed by Brown as a publicist. Hollander alleged that, during her ride in a van with Brown, Brown pulled over to the side of the road and sexually assaulted her while he threatened her with a shotgun. In her case against Brown, Hollander entered as evidence a DNA sample and a polygraph result, but the evidence was not considered due to the limitations defense. Hollander later attempted to bring her case before the Supreme Court but nothing became of her complaint.
Brown checked in at the Emory Crawford Long Memorial Hospital in Atlanta, Georgia on December 24, 2006 for a medical evaluation of his condition, and he was admitted to the hospital for observation and treatment. According to Charles Bobbit, Brown's longtime personal manager and friend, Brown had been sick and suffering with a noisy cough since he returned from a November trip to Europe. Bobbit also added that it was characteristic of Brown to never tell or complain to anyone that he was sick, and that Brown frequently performed during illness. Although Brown had to cancel upcoming shows in Waterbury, Connecticut and Englewood, New Jersey, Brown was confident that the doctor would discharge him from the hospital in time to perform the New Year's Eve shows.
For the New Year's celebrations, Brown was scheduled to perform at the Count Basie Theatre in New Jersey and at the B. B. King Blues Club in New York, in addition to performing a song live on CNN for the Anderson Cooper New Year's Eve special. However, Brown remained hospitalized, and his medical condition worsened throughout that day.
On December 25, 2006, Brown died at approximately 1:45 AM EST (06:45 UTC) from congestive heart failure resulting from complications of pneumonia, with his agent Frank Copsidas and his friend Paul Sargent at his bedside. According to Sargent, Brown stuttered "I'm going away tonight", and then Brown took three long, quiet breaths and fell asleep before dying.
Brown's public and private memorial ceremonies were elaborate, complete with costume changes for Brown and videos featuring him in concert performances. Brown's body, which was placed in a Promethean casket, which is bronze polished to a golden shine, was driven through the streets of New York to the Apollo Theater in a white, glass-encased horse-drawn carriage. In Augusta, Georgia, the procession for Brown's public memorial visited Brown's statue as the procession made its way to the James Brown Arena. During the public memorial at the James Brown Arena, nachos and pretzels were served to mourners, as a video showed Brown's last performance in Augusta, Georgia and the Ray Charles version of "Georgia On My Mind" played soulfully in the background. Brown's last backup band, The Soul Generals, also played the music of Brown's hits during the memorial service at the James Brown Arena. The group was joined by Bootsy Collins on bass, with MC Hammer performing a dance in James Brown style. Former Temptations lead singer Ali-Ollie Woodson performed "Walk Around Heaven All Day" at the memorial services.
During the reading of Brown's will on January 11, 2007, Thurmond revealed that Brown's six adult living children (Terry Brown, Larry Brown, Daryl Brown, Yamma Brown Lumar, Deanna Brown Thomas and Venisha Brown) were named in the will. Hynie and James II were not mentioned in the will as parties who could inherit Brown's property. Brown's will was signed ten months before James II was born and more than a year before Brown's marriage to Tomi Rae Hynie. Like Brown's will, his irrevocable trust also did not mention Hynie and James II as recipients of Brown's property. The irrevocable trust was established before, and had not been amended since, the birth of James II.
On January 24, 2007, Brown's children filed a lawsuit against the personal representatives of Brown's estate. In their petition, Brown's children asked the court to remove the personal representatives of Brown's estate (including Brown's attorney and estate's trustee, Albert "Buddy" Dallas) and appoint a special administrator because of perceived impropriety and alleged mismanagement of Brown's assets. To challenge the validity of the will and irrevocable trust, Hynie also filed a lawsuit against Brown's estate on January 31, 2007. In her lawsuit against Brown's estate, Hynie asked the court to recognize her as Brown's widow, and she also asked the court to appoint a special administrator for the estate.
According to Brown's family, Brown's body will remain buried at the temporary site while a public mausoleum is built for him and a decision has been made for Brown's final resting place. To turn Brown's estate into a visitor attraction, Brown's family plans to consult with the family of Elvis Presley for guidance about converting the estate into an attraction similar to Graceland.
Dallas, Brown's long time attorney and one of the trustees for Brown's estate, did not attend the private service for the temporary burial. He expressed his disapproval and disappointment with the temporary burial arrangement with the comment "Mr. Brown's not deserving of anyone's backyard." According to Dallas, the trustees for Brown's estate "had made arrangements for Brown to be laid to rest at no cost at a 'very prominent memorial garden in Augusta.'"
During his long career, James Brown received several prestigious music industry awards and honors. In 1983, Brown was inducted into the Georgia Music Hall of Fame. In addition, Brown was named as one of the first inductees into the Rock and Roll Hall of Fame at its inaugural induction dinner in New York on January 23, 1986. However, the members of his original vocal group, The Famous Flames, Bobby Byrd, Johnny Terry, Bobby Bennett, and Lloyd Stallworth, were not. On February 25, 1992, Brown was awarded a Lifetime Achievement Award at the 34th annual Grammy Awards. Exactly a year later, he received a Lifetime Achievement Award at the 4th annual Rhythm & Blues Foundation Pioneer Awards. A ceremony was held for Brown on January 10, 1997 to honor him with a star on the Hollywood Walk of Fame.
On June 15, 2000, Brown was honored as an inductee for the New York Songwriters Hall of Fame. On August 6, 2002, James Brown was honored as the first BMI Urban Icon at the BMI Urban Awards. His BMI accolades include an impressive ten R&B; Awards and six Pop Awards. On November 14, 2006, Brown was inducted into the UK Music Hall of Fame, and he was one of several inductees who performed at the ceremony. In recognition of his accomplishments as an entertainer, Brown was a recipient of Kennedy Center Honors on December 7, 2003. In 2004, ''Rolling Stone'' magazine ranked James Brown as #7 on its list of the 100 Greatest Artists of All Time. In an article for ''Rolling Stone'', critic Robert Christgau cited Brown as "the greatest musician of the rock era".
Brown was also honored in his hometown of Augusta, Georgia for his philanthropy and civic activities. On November 20, 1993, Mayor Charles DeVaney of Augusta held a ceremony to dedicate a section of 9th Street between Broad and Twiggs Streets, renamed "James Brown Boulevard", in the entertainer's honor. On May 6, 2005, as a 72nd birthday present for Brown, the city of Augusta unveiled a life-sized bronze James Brown statue on Broad Street. The statue was to have been dedicated a year earlier, but the ceremony was put on hold because of a domestic abuse charge that Brown faced at the time. In 2005, Charles "Champ" Walker and the We Feel Good Committee went before the County commission and received apporoval to change Augusta's slogan to "We Feel Good". Afterwards, Official renamed the city's civic center the James Brown Arena, and James Brown attended a ceremony for the unveiling of the namesake center on October 15, 2006.
On December 30, 2006, during the public memorial service at the James Brown Arena, Dr. Shirley A.R. Lewis, president of Paine College, a historically black college in Augusta, Georgia, bestowed posthumously upon Brown an honorary doctorate in recognition and honor of his many contributions to the school in its times of need. Brown was scheduled originally to receive the honorary doctorate from Paine College during its May 2007 commencement.
During the 49th Annual Grammy Awards presentation held on February 11, 2007, James Brown's famous cape was draped over a microphone at the end of a montage by ''Danny Ray'' (his M.C. for over 30 years), in honor of notable persons in the music industry, including Brown, who died during the previous year. Earlier that evening, Christina Aguilera delivered an impassioned performance of one of Brown's hits, "It's a Man's Man's Man's World" followed by a standing ovation, while Chris Brown performed a dance routine in honor of James Brown.
On December 22, 2007, the first annual "Tribute Fit For the King of King Records" in honor of James Brown was held at the Madison Theater in Covington, Kentucky. The tribute, organized by Bootsy Collins, featured appearances by Afrika Bambaataa, Chuck D of Public Enemy, The Soul Generals, Buckethead, Freekbass, Triage and many of Brown's surviving family members. Comedian Michael Coyer was the MC for the event. During the show, the mayor of Cincinnati proclaimed December 22 as James Brown Day. It has been said that a biopic is in the works about Brown; Spike Lee has signed on to direct, with Brian Grazer producing and Jez and John-Henry Butterworth writing the script. Usher and Fergie are interested in being in the project.
In 2008, Aaron Smith (aka Shwayze), an American rapper, titled the 8th track of his self-titled album "James Brown is Dead" as a tribute to the Godfather of Soul.
In addition, Brown's 1970 double album ''Sex Machine'' was ranked 96th in a 2005 survey held by British television station Channel 4 to determine the 100 greatest albums of all time. Other notable albums, originally released as double LP records, feature extensive playing by The J.B.'s and served as prolific sources of samples for later musical artists, including:
The 1968 ''Live at the Apollo, Vol. II'' double LP album was notably influential on musicians at the time of its release. This classic album remains an example of Brown's energetic live performances and audience interaction, as well as providing a means of documenting the metamorphosis of his music from the R&B; and soul styles into hard funk.
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am:ጄምስ ብራውን ar:جيمس براون an:James Brown bg:Джеймс Браун ca:James Brown cs:James Brown cy:James Brown da:James Brown de:James Brown et:James Brown es:James Brown eo:James Brown fa:جیمز براون fr:James Brown ga:James Brown gd:James Brown gl:James Brown ko:제임스 브라운 hr:James Brown io:James Brown id:James Brown it:James Brown he:ג'יימס בראון ka:ჯეიმზ ბრაუნი la:Iacobus Brown lv:Džeimss Brauns lt:James Brown hu:James Brown nl:James Brown ja:ジェームス・ブラウン no:James Brown nn:James Brown oc:James Brown pms:James Brown pl:James Brown pt:James Brown ro:James Brown ru:Браун, Джеймс scn:James Brown simple:James Brown sk:James Brown sl:James Brown sr:Џејмс Браун sh:James Brown fi:James Brown sv:James Brown ta:ஜேம்ஸ் ப்ரௌன் th:เจมส์ บราวน์ tg:Ҷеймс Браун tr:James Brown uk:Джеймс Браун vi:James Brown yo:James Brown zh:詹姆士·布朗This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 35°10′″N33°22′″N |
---|---|
Name | Paul Anka |
Background | solo_singer |
Birth name | Paul Albert Anka |
Birth date | July 30, 1941 |
Origin | Ottawa, Ontario, Canada |
Instrument | Vocals, piano, guitar |
Genre | Pop, jazz, soft rock, doo-wop |
Occupation | Singer, songwriter |
Years active | 1955–present |
Label | EMI Columbia, RCA, Columbia |
Website | Official Facebook }} |
Anka first became famous as a teen idol in the late 1950s and 1960s with hit songs like "Diana'", "Lonely Boy", and "Put Your Head on My Shoulder". He went on to write such well-known music as the theme for ''The Tonight Show Starring Johnny Carson'' and one of Tom Jones's biggest hits, "She's a Lady", and the English lyrics for Frank Sinatra's signature song, "My Way" (originally French song "Comme d'habitude").
In 1983, he co-wrote with Michael Jackson the song "I Never Heard", which was retitled and released in 2009 under the name "This Is It". An additional song that Jackson co-wrote with Anka from this 1983 session, "Love Never Felt So Good", has since been discovered, and will be released in the near future. The song was also released by Johnny Mathis in 1984.
Anka became a naturalized US citizen in 1990.
His talent went beyond the theme for ''The Tonight Show Starring Johnny Carson'' (reworked in 1962 from a song Anka wrote earlier called "Toot Sweet" which had been rewritten with lyrics and recorded by Annette Funicello in 1959 as "It's Really Love") since Anka composed Tom Jones' biggest hit record "She's a Lady" and wrote the English lyrics to "My Way", Frank Sinatra's signature song sung by many well known artists.
In the 1960s Anka began acting in motion pictures as well as writing songs for them, most notably the theme for the hit movie ''The Longest Day'', in which he made a cameo appearance as a US Army Ranger. From his movie work, he wrote and recorded one of his greatest hits, "Lonely Boy" and also "My Home Town", which was a #8 pop hit for him the same year. He then went on to become one of the first pop singers to perform at the Las Vegas casinos. Anka returns to Canada several times a year, regularly playing to sold out crowds at the Fallsview Casino in Niagara Falls, Ontario in Canada. In 1960, he appeared twice as himself in NBC's short-lived crime drama ''Dan Raven'', starring Skip Homeier and set on the Sunset Strip of West Hollywood.
His 1998 album ''A Body of Work'' was his first new U.S. studio release since ''Walk a Fine Line'' in 1983; vocals and performers include Celine Dion, Kenny G, Patti LaBelle and Skyler Jett. The album also included a new version of "Hold Me 'Til the Morning Comes," once again performed with Peter Cetera. On September 6, 1990, he became a naturalized citizen of the United States. In 2005, his album of big-band arrangements of contemporary standards, ''Rock Swings'', provided a mainstream comeback of sorts that saw Anka awarded a star on Canada's Walk of Fame in Toronto.
On October 12, 2009, Anka stated that Michael Jackson's new release titled "This Is It" was a collaborative effort between the two musicians, and that it was co-written by Anka in 1983. According to Anka, after recording the song, Michael Jackson decided not to use it and the tune was then recorded and released by singer Sa-Fire. After he threatened to sue for credit and a share of royalties the administrators of Jackson's estate granted Anka fifty percent of the copyright. An additional song that Jackson co-wrote with Anka from this 1983 session, "Love Never Felt So Good", was discovered shortly thereafter and will be released in the near future.
In 2003, Anka came back with an exclusive concert in Bologna, organized by Italian company Mapei during the CERSAIE exhibition. He also recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.
In 2006, Anka recorded in duet with 1960's Italian hitmaker Adriano Celentano a new cover of "Diana", with Italian lyrics by Celentano-Mogol and with singer/songwriter Alex Britti on the guitar. The song immediately reached #3 on the charts.
A single release in Japanese (''Kokoro No Sasae / Shiawase E No Tabiji'') is also reported on his discography.
In 1993 he recorded a duet with Philippine singer Regine Velasquez entitled "It's Hard to Say Goodbye" included in her album ''Reason Enough''. This song was re-recorded several years later by Anka and Celine Dion and was included in his album ''A Body of Work''.
Anna was featured in the Swedish TV3 show ''Svenska Hollywoodfruar'' (Swedish Hollywood wives).
In 1981, Ottawa City Council named 26 August 'Paul Anka Day' to celebrate his 25th anniversary in show business. A street in Ottawa was named 'Paul Anka Drive' in 1975 in his honor. He attended Fisher Park High School as well as Lisgar Collegiate Institute.
The woman that inspired 'Diana' lives with her family in Ottawa. After receiving a negative review for a 1981 performance in Ottawa, he swore off performing there and did not play there again for almost twenty years, until an April 2002 fundraiser gala at the Ottawa Congress Centre.
In 1991, he signed an investment agreement with the new Ottawa Senators NHL franchise. The agreement ended up being dissolved in an out-of-court settlement in 1993.
Anka guest starred as a rival mobster and suspect in murder in a 1991 ''Perry Mason'' mystery movie (''The Case of the Maligned Mobster'') and played a yacht broker in the 1992 film ''Captain Ron''. In October 1995, he appeared in "Treehouse of Horror VI" on ''The Simpsons.'' He also made a guest appearance as himself in episode 'Red's Last Day' in the sitcom ''That '70s Show''. The scene is like an episode of ''Playboy After Dark'', but in Kelso's old van.
He has also made several appearances on the NBC TV series ''Las Vegas''. On The CW show ''Gilmore Girls'', Lorelai named her new dog Paul Anka. He made a guest appearance as himself in the episode 'The Real Paul Anka', which aired April 11, 2006.
Anka also played a part in the film ''3000 Miles To Graceland'' as an Elvis-hating pit manager.
Anka wrote and performed songs in a 1985 Canadian children's Christmas cartoon, George and the Christmas Star.
In American Idol's Seasons 2 and 3, he made a special appearance and sang an adapted version of "My Way" that mocked the format of the show, as well as participants, participants of past seasons, judges and the host. The performance was praised as "One of the Best Moments in American Idol" by several members of the cast.
In an episode of the animated TV series ''The Simpsons'' entitled "Treehouse of Horror VI", he guest stars as himself.
He makes a special appearance in Las Vegas, a show on Star World.
Anka's song "(You're) Having My Baby" was featured on the first season of the TV show ''Glee'', namely in Episode 10, "Ballad", in which the character Finn sings the song to his pregnant girlfriend, Quinn.
On the TV show Gilmore Girls, Lorelai's dog was named Paul Anka; series co-creator Dan Palladino said he chose that name after hearing the ''Rock Swings'' album.
Year | Single | Chart positions | |||||
! style="width:40px;" | ! style="width:40px;" | ! style="width:40px;" | ! style="width:40px;" | ! style="width:40px;" | ! style="width:40px;" | ||
style="text-align:left;" | 1 | - | 1 | 1 | 2 | - | |
97 | - | - | 3 | - | - | ||
- | - | - | 25 | - | - | ||
7 | - | 14 | 6 | - | - | ||
15 | - | - | 26 | - | - | ||
16 | - | - | - | - | - | ||
69 | - | - | 26 | - | - | ||
80 | - | - | - | - | 15 | ||
29 | - | - | - | - | - | ||
15 | - | - | 10 | 7 | 9 | ||
33 | - | - | - | - | 15 | ||
style="text-align:left;" | 1 | - | 6 | 3 | 8 | 2 | |
style="text-align:left;" | 2 | - | 12 | 7 | 25 | 2 | |
4 | - | 13 | 28 | - | 2 | ||
2 | - | - | 33 | - | 3 | ||
90 | - | - | - | - | 21 | ||
8 | - | - | - | - | 6 | ||
41 | - | - | - | - | - | ||
23 | - | - | 44 | - | 13 | ||
40 | - | - | - | - | - | ||
11 | - | 29 | - | - | - | ||
104 | - | - | - | - | - | ||
16 | - | - | - | - | 26 | ||
108 | - | - | - | - | - | ||
13 | - | - | - | - | 8 | ||
10 | - | - | - | - | 12 | ||
35 | - | - | - | - | - | ||
70 | - | - | - | - | 12 | ||
104 | - | - | - | - | 26 | ||
110 | - | - | - | - | - | ||
103 | - | - | - | - | - | ||
106 | - | - | - | - | - | ||
94 | - | - | - | - | - | ||
12 | - | - | 19 | 45 | - | ||
13 | - | - | 41 | 35 | - | ||
46 | - | - | - | - | - | ||
19 | - | - | - | 14 | 23 | ||
26 | - | - | - | - | - | ||
39 | - | - | - | 42 | - | ||
97 | - | - | - | 46 | - | ||
89 | - | - | - | - | - | ||
1964 | 113 | - | - | - | - | - | |
27 | 2 | - | - | - | - | ||
style="text-align:left;" | 64 | 36 | - | - | - | - | |
80 | 30 | - | - | - | - | ||
86 | 13 | - | - | - | - | ||
1971 | 53 | 14 | - | - | - | - | |
1972 | 65 | - | - | - | - | - | |
80 | 40 | - | - | - | - | ||
1 | 5 | - | 6 | 15 | - | ||
7 | 5 | - | - | - | - | ||
8 | 8 | - | - | - | - | ||
15 | 3 | - | - | - | - | ||
7 | 1 | - | - | - | - | ||
33 | 2 | - | - | - | - | ||
- | 20 | - | - | - | - | ||
60 | 10 | - | - | - | - | ||
80 | 41 | - | - | - | - | ||
75 | - | - | - | - | - | ||
1978 | 35 | 3 | - | - | - | - | |
1979 | - | 29 | - | - | - | - | |
- | - | - | - | - | - | ||
48 | 16 | - | - | - | - | ||
1983 | 40 | 2 | - | - | - | - | |
1984 | - | 14 | - | - | - | - |
Category:1941 births Category:Living people Category:ABC Records artists Category:American crooners Category:American film actors Category:American male singers Category:American pop singers Category:American songwriters Category:Canadian film actors Category:Canadian emigrants to the United States Category:Canadian male singers Category:Canadian Music Hall of Fame inductees Category:Canadian pop singers Category:Canadian songwriters Category:Canadian singer-songwriters Category:Canadian people of Lebanese descent Category:American people of Lebanese descent Category:Naturalized citizens of the United States Category:Officers of the Order of Canada Category:Chevaliers of the Ordre des Arts et des Lettres Category:Musicians from Ottawa Category:RPM Records artists Category:RCA Victor artists Category:Songwriters Hall of Fame inductees Category:Eastern Orthodox Christians from Canada
bg:Пол Анка ca:Paul Anka cs:Paul Anka da:Paul Anka de:Paul Anka es:Paul Anka fr:Paul Anka gl:Paul Anka ko:폴 앵카 hr:Paul Anka id:Paul Anka it:Paul Anka he:פול אנקה la:Paulus Anka hu:Paul Anka nl:Paul Anka ja:ポール・アンカ no:Paul Anka pl:Paul Anka pt:Paul Anka ru:Анка, Пол sc:Paul Anka scn:Paul Anka simple:Paul Anka fi:Paul Anka sv:Paul Anka th:พอล แองคา tr:Paul Anka zh-yue:保羅安卡 zh:保羅·安卡This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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