Emotion is the complex psychophysiological experience of an individual's state of mind as interacting with biochemical (internal) and environmental (external) influences. In humans, emotion fundamentally involves "physiological arousal, expressive behaviors, and conscious experience." Emotion is associated with mood, temperament, personality, disposition, and motivation. Motivations direct and energize behavior, while emotions provide the affective component to motivation, positive or negative.

No definitive taxonomy of emotions exists, though numerous taxonomies have been proposed. Some categorizations include:

"Cognitive" versus "non-cognitive" emotions

Instinctual emotions (from the amygdala), versus cognitive emotions (from the prefrontal cortex).

Categorization based on duration: Some emotions occur over a period of seconds (for example, surprise), whereas others can last years (for example, love).

A related distinction is between the emotion and the results of the emotion, principally behaviors and emotional expressions. People often behave in certain ways as a direct result of their emotional state, such as crying, fighting or fleeing. If one can have the emotion without a corresponding behavior, then we may consider the behavior not to be essential to the emotion.

The James–Lange theory posits that emotional experience is largely due to the experience of bodily changes. The "functionalist" approach to emotions (for example, Nico Frijda and Freitas-Magalhaes) holds that emotions have evolved for a particular function, such as to keep the subject safe.

Etymology

The English word ''emotion'' is derived from the French word ''émouvoir''. This is based on the Latin ''emovere'', where ''e-'' (variant of ''ex''-) means "out" and ''movere'' means "move." The related term "motivation" is also derived from the word ''movere''.

Classification

There are basic and complex categories, where some basic emotions can be modified in some way to form complex emotions (for example, Paul Ekman). In one model, the complex emotions could arise from cultural conditioning or association combined with the basic emotions. Alternatively, analogous to the way primary colors combine, ''primary emotions'' could blend to form the full spectrum of human emotional experience. For example interpersonal anger and disgust could blend to form contempt.

Robert Plutchik proposed a three-dimensional "circumplex model" which describes the relations among emotions. This model is similar to a color wheel. The vertical dimension represents intensity, and the circle represents degrees of similarity among the emotions. He posited eight primary emotion dimensions arranged as four pairs of opposites. Some have also argued for the existence of meta-emotions which are emotions about emotions.

Another important means of distinguishing emotions concerns their occurrence in time. Some emotions occur over a period of seconds (for example, surprise), whereas others can last years (for example, love). The latter could be regarded as a long term ''tendency'' to have an emotion regarding a certain object rather than an emotion proper (though this is disputed). A distinction is then made between emotion episodes and emotional dispositions. Dispositions are also comparable to character traits, where someone may be said to be generally disposed to experience certain emotions, though about different objects. For example an irritable person is generally disposed to feel irritation more easily or quickly than others do. Finally, some theorists (for example, Klaus Scherer, 2005) place emotions within a more general category of "affective states" where affective states can also include emotion-related phenomena such as pleasure and pain, motivational states (for example, hunger or curiosity), moods, dispositions and traits.

The neural correlates of hate have been investigated with an fMRI procedure. In this experiment, people had their brains scanned while viewing pictures of people they hated. The results showed increased activity in the medial frontal gyrus, right putamen, bilaterally in the premotor cortex, in the frontal pole, and bilaterally in the medial insula of the human brain. The researchers concluded that there is a distinct pattern of brain activity that occurs when people are experiencing hatred (Zeki and Romaya, 2008).

==Theories== Theories about emotions stretch back at least as far as the stoics of ancient Greece, as well as Plato and Aristotle. We also see sophisticated theories in the works of philosophers such as René Descartes, Baruch Spinoza and David Hume. Later theories of emotions tend to be informed by advances in empirical research. Often theories are not mutually exclusive and many researchers incorporate multiple perspectives (theories) in their work.

Somatic theories

Somatic theories of emotion claim that bodily responses rather than judgements are essential to emotions. The first modern version of such theories comes from William James in the 1880s. The theory lost favor in the 20th century, but has regained popularity more recently due largely to theorists such as John Cacioppo, António Damásio, Joseph E. LeDoux and Robert Zajonc who are able to appeal to neurological evidence.

James–Lange theory

William James, in the article "What is an Emotion?", argued that emotional experience is largely due to the experience of bodily changes. The Danish psychologist Carl Lange also proposed a similar theory at around the same time, so this position is known as the James–Lange theory. This theory and its derivatives state that a changed situation leads to a changed bodily state. As James says "the perception of bodily changes as they occur ''is'' the emotion." James further claims that "we feel sad because we cry, angry because we strike, afraid because we tremble, and neither we cry, strike, nor tremble because we are sorry, angry, or fearful, as the case may be."

This theory is supported by experiments in which by manipulating the bodily state, a desired emotion is induced. Such experiments also have therapeutic implications (for example, in laughter therapy, dance therapy). Some people may believe that emotions give rise to emotion-specific actions: e.g. "I'm crying because I'm sad," or "I ran away because I was scared." The James–Lange theory, conversely, asserts that ''first'' we react to a situation (running away and crying happen before the emotion), and ''then'' we interpret our actions into an emotional response. In this way, emotions serve to explain and organize our own actions to us.

The James–Lange theory has now been all but abandoned by most scholars.

Tim Dalgleish (2004) states the following:

The issue with the James–Lange theory is that of causation (bodily states causing emotions and being ''a priori''), not that of the bodily influences on emotional experience (which can be argued is still quite prevalent today in biofeedback studies and embodiment theory).

Neurobiological theories

Based on discoveries made through neural mapping of the limbic system, the neurobiological explanation of human emotion is that emotion is a pleasant or unpleasant mental state organized in the limbic system of the mammalian brain. If distinguished from reactive responses of reptiles, emotions would then be mammalian elaborations of general vertebrate arousal patterns, in which neurochemicals (for example, dopamine, noradrenaline, and serotonin) step-up or step-down the brain's activity level, as visible in body movements, gestures, and postures.

For example, the emotion of love is proposed to be the expression of paleocircuits of the mammalian brain (specifically, modules of the cingulate gyrus) which facilitate the care, feeding, and grooming of offspring. Paleocircuits are neural platforms for bodily expression configured before the advent of cortical circuits for speech. They consist of pre-configured pathways or networks of nerve cells in the forebrain, brain stem and spinal cord.

The motor centers of reptiles react to sensory cues of vision, sound, touch, chemical, gravity, and motion with pre-set body movements and programmed postures. With the arrival of night-active mammals, smell replaced vision as the dominant sense, and a different way of responding arose from the olfactory sense, which is proposed to have developed into mammalian emotion and emotional memory. The mammalian brain invested heavily in olfaction to succeed at night as reptiles slept—one explanation for why olfactory lobes in mammalian brains are proportionally larger than in the reptiles. These odor pathways gradually formed the neural blueprint for what was later to become our limbic brain.

Emotions are thought to be related to certain activities in brain areas that direct our attention, motivate our behavior, and determine the significance of what is going on around us. Pioneering work by Broca (1878), Papez (1937), and MacLean (1952) suggested that emotion is related to a group of structures in the center of the brain called the limbic system, which includes the hypothalamus, cingulate cortex, hippocampi, and other structures. More recent research has shown that some of these limbic structures are not as directly related to emotion as others are, while some non-limbic structures have been found to be of greater emotional relevance.

Prefrontal cortex

There is ample evidence that the left prefrontal cortex is activated by stimuli that cause positive approach. If attractive stimuli can selectively activate a region of the brain, then logically the converse should hold, that selective activation of that region of the brain should cause a stimulus to be judged more positively. This was demonstrated for moderately attractive visual stimuli and replicated and extended to include negative stimuli.

Two neurobiological models of emotion in the prefrontal cortex made opposing predictions. The Valence Model predicted that anger, a negative emotion, would activate the right prefrontal cortex. The Direction Model predicted that anger, an approach emotion, would activate the left prefrontal cortex. The second model was supported.

This still left open the question of whether the opposite of approach in the prefrontal cortex is better described as moving away (Direction Model), as unmoving but with strength and resistance (Movement Model), or as unmoving with passive yielding (Action Tendency Model). Support for the Action Tendency Model (passivity related to right prefrontal activity) comes from research on shyness and research on behavioral inhibition. Research that tested the competing hypotheses generated by all four models also supported the Action Tendency Model.

Homeostatic/primordial emotion

Another neurological approach distinguishes two classes of emotion. "Classical" emotions including love, anger and fear, are evoked by appraisal of scenarios fed by environmental stimuli via distance receptors in the eyes, nose and ears. "Homeostatic" or "primordial" emotions are feelings such as pain, hunger, thirst and fatigue, evoked by internal body states, communicated to the central nervous system by interoceptors, which motivate behavior aimed at maintaining the body's internal milieu at its ideal state. These demanding sensations that capture conscious attention are coordinated from the lower or basal regions of the brain and impact diverse regions of the brain, including the frontal lobes.

Cognitive theories

Several theories argue that cognitive activity—in the form of judgments, evaluations, or thoughts—is necessary for an emotion to occur. This, argued by Richard Lazarus, is necessary to capture the fact that emotions are about something or have intentionality. Such cognitive activity may be conscious or unconscious and may or may not take the form of conceptual processing.

An influential theory here is that of Lazarus: emotion is a disturbance that occurs in the following order: 1.) Cognitive appraisal—The individual assesses the event cognitively, which cues the emotion. 2.) Physiological changes—The cognitive reaction starts biological changes such as increased heart rate or pituitary adrenal response. 3.) Action—The individual feels the emotion and chooses how to react. For example: Jenny sees a snake. 1.) Jenny cognitively assesses the snake in her presence, which triggers fear. 2.) Her heart begins to race faster. Adrenaline pumps through her blood stream. 3.) Jenny screams and runs away. Lazarus stressed that the quality and intensity of emotions are controlled through cognitive processes. These processes underlie coping strategies that form the emotional reaction by altering the relationship between the person and the environment.

George Mandler provided an extensive theoretical and empirical discussion of emotion as influenced by cognition, consciousness, and the autonomic nervous system in two books (Mind and Emotion, 1975, and Mind and Body: Psychology of Emotion and Stress, 1984)

There are some theories on emotions arguing that cognitive activity in the form of judgements, evaluations, or thoughts is necessary in order for an emotion to occur. A prominent philosophical exponent is Robert C. Solomon (for example, ''The Passions, Emotions and the Meaning of Life'', 1993). The theory proposed by Nico Frijda where appraisal leads to action tendencies is another example.

It has also been suggested that emotions (affect heuristics, feelings and gut-feeling reactions) are often used as shortcuts to process information and influence behavior. The affect infusion model (AIM) is a theoretical model developed by Joseph Forgas in the early 1990s that attempts to explain how emotion and mood interact with one's ability to process information.

Perceptual theory

A recent hybrid of the somatic and cognitive theories of emotion is the perceptual theory. This theory is neo-Jamesian in arguing that bodily responses are central to emotions, yet it emphasizes the meaningfulness of emotions or the idea that emotions are about something, as is recognized by cognitive theories. The novel claim of this theory is that conceptually-based cognition is unnecessary for such meaning. Rather the bodily changes themselves ''perceive'' the meaningful content of the emotion because of being causally triggered by certain situations. In this respect, emotions are held to be analogous to faculties such as vision or touch, which provide information about the relation between the subject and the world in various ways. A sophisticated defense of this view is found in philosopher Jesse Prinz's book ''Gut Reactions'' and psychologist James Laird's book ''Feelings''.

Affective events theory

This a communication-based theory developed by Howard M. Weiss and Russell Cropanzano (1996), that looks at the causes, structures, and consequences of emotional experience (especially in work contexts). This theory suggests that emotions are influenced and caused by events which in turn influence attitudes and behaviors. This theoretical frame also emphasizes ''time'' in that human beings experience what they call emotion episodes—a "series of emotional states extended over time and organized around an underlying theme." This theory has been utilized by numerous researchers to better understand emotion from a communicative lens, and was reviewed further by Howard M. Weiss and Daniel J. Beal in their article, "Reflections on Affective Events Theory" published in ''Research on Emotion in Organizations'' in 2005.

Cannon–Bard theory

In the Cannon–Bard theory, Walter Bradford Cannon argued against the dominance of the James–Lange theory regarding the physiological aspects of emotions in the second edition of ''Bodily Changes in Pain, Hunger, Fear and Rage''. Where James argued that emotional behavior often precedes or defines the emotion, Cannon and Bard argued that the emotion arises first and then stimulates typical behavior.

Two-factor theory

Another cognitive theory is the Singer–Schachter theory. This is based on experiments purportedly showing that subjects can have different emotional reactions despite being placed into the same physiological state with an injection of adrenaline. Subjects were observed to express either anger or amusement depending on whether another person in the situation displayed that emotion. Hence, the combination of the appraisal of the situation (cognitive) and the participants' reception of adrenaline or a placebo together determined the response. This experiment has been criticized in Jesse Prinz's (2004) ''Gut Reactions''.

Component process model

A recent version of the cognitive theory regards emotions more broadly as the synchronization of many different bodily and cognitive components. Emotions are identified with the overall process whereby low-level cognitive appraisals, in particular the processing of relevance, trigger bodily reactions, behaviors, feelings, and actions.

Feeling theory

A non-cognitive and non-physical approach to emotions has recently been developed by Marc Jackson in his book ''Emotion and Psyche''. Jackson has taken the approach of classifying emotions by how they feel as they are experienced "It is on that basis of feeling tone that they will be distinguished" . Using the different felt quality of emotions Jackson has identified 25 different emotions, which he has categorised into 4 groups based on similarity of feeling. According to Jackson these felt emotions do not have to be associated with any particular thoughts or actions "Emotions are not tied down to being felt about certain things" . For example love could potentialy be associated with anyone, anything or any behavior. These emotions seek to be exercised and thereby build up associations. Once an association is established an encounter with the associated thing can trigger the feeling of the emotion.

Disciplinary approaches

Many different disciplines have produced work on the emotions. Human sciences study the role of emotions in mental processes, disorders, and neural mechanisms. In psychiatry, emotions are examined as part of the discipline's study and treatment of mental disorders in humans. Nursing studies emotions as part of its approach to the provision of holistic health care to humans. Psychology examines emotions from a scientific perspective by treating them as mental processes and behavior and they explore the underlying physiological and neurological processes. In neuroscience sub-fields such as social neuroscience and affective neuroscience, scientists study the neural mechanisms of emotion by combining neuroscience with the psychological study of personality, emotion, and mood. In linguistics, the expression of emotion may change to the meaning of sounds. In education, the role of emotions in relation to learning are examined.

Social sciences often examine emotion for the role that it plays in human culture and social interactions. In sociology, emotions are examined for the role they play in human society, social patterns and interactions, and culture. In anthropology, the study of humanity, scholars use ethnography to undertake contextual analyses and cross-cultural comparisons of a range of human activities; some anthropology studies examine the role of emotions in human activities. In the field of communication sciences, critical organizational scholars have examined the role of emotions in organizations, from the perspectives of managers, employees, and even customers. A focus on emotions in organizations can be credited to Arlie Russell Hochschild's concept of emotional labor. The University of Queensland hosts EmoNet, an e-mail distribution list representing a network of academics that facilitates scholarly discussion of all matters relating to the study of emotion in organizational settings. The list was established in January 1997 and has over 700 members from across the globe.

In economics, the social science that studies the production, distribution, and consumption of goods and services, emotions are analyzed in some sub-fields of microeconomics, in order to assess the role of emotions on purchase decision-making and risk perception. In criminology, a social science approach to the study of crime, scholars often draw on behavioral sciences, sociology, and psychology; emotions are examined in criminology issues such as anomie theory and studies of "toughness," aggressive behavior, and hooliganism. In law, which underpins civil obedience, politics, economics and society, evidence about people's emotions is often raised in tort law claims for compensation and in criminal law prosecutions against alleged lawbreakers (as evidence of the defendant's state of mind during trials, sentencing, and parole hearings). In political science, emotions are examined in a number of sub-fields, such as the analysis of voter decision-making.

In philosophy, emotions are studied in sub-fields such as ethics, the philosophy of art (for example, sensory–emotional values, and matters of taste and sentimentality), and the philosophy of music (see also Music and emotion). In history, scholars examine documents and other sources to interpret and analyze past activities; speculation on the emotional state of the authors of historical documents is one of the tools of interpretation. In literature and film-making, the expression of emotion is the cornerstone of genres such as drama, melodrama, and romance. In communication studies, scholars study the role that emotion plays in the dissemination of ideas and messages. Emotion is also studied in non-human animals in ethology, a branch of zoology which focuses on the scientific study of animal behavior. Ethology is a combination of laboratory and field science, with strong ties to ecology and evolution. Ethologists often study one type of behavior (for example, aggression) in a number of unrelated animals.

Evolutionary psychology

Perspectives on emotions from evolutionary theory were initiated in the late 19th century with Charles Darwin's book ''The Expression of the Emotions in Man and Animals''. Darwin's original thesis was that emotions evolved via natural selection and therefore have cross-culturally universal counterparts. Furthermore, animals undergo emotions comparable to our own (see emotion in animals). In the early 1970s, Paul Ekman and colleagues began a line of research that suggests that many emotions are universal. He found evidence that humans share at least five basic emotions: fear, sadness, happiness, anger, and disgust. Other research in this area focuses on physical displays of emotion including body language of animals and humans (see affect display). The increased potential in neuroimaging has also allowed investigation into evolutionarily ancient parts of the brain. Important neurological advances were derived from these perspectives in the 1990s by, for example, Joseph E. LeDoux and António Damásio.

Social emotions evidently evolved to motivate social behaviors that were adaptive in the ancestral environment. For example, spite seems to work against the individual but it can establish an individual's reputation as someone to be feared. Shame and pride can motivate behaviors that help one maintain one's standing in a community, and self-esteem is one's estimate of one's status.

Sociology

We try to regulate our emotions to fit in with the norms of the situation, based on many—sometimes conflicting—demands upon us which originate from various entities studied by sociology on a micro level—such as social roles and "feeling rules" the everyday social interactions and situations are shaped by—and, on a macro level, by social institutions, discourses, ideologies, etc. For example, (post-)modern marriage is, on one hand, based on the emotion of love and on the other hand the very emotion is to be worked on and regulated by it. The sociology of emotions also focuses on general attitude changes in a population. Emotional appeals are commonly found in advertising, health campaigns and political messages. Recent examples include no-smoking health campaigns and political campaign advertising emphasizing the fear of terrorism.

Psychotherapy

Depending on the particular school's general emphasis either on cognitive components of emotion, physical energy discharging, or on symbolic movement and facial expression components of emotion, different schools of psychotherapy approach human emotions differently. Cognitively oriented schools approach them via their cognitive components, such as rational emotive behavior therapy. Yet others approach emotions via symbolic movement and facial expression components (like in contemporary Gestalt therapy).

Computer science

In the 2000s, research in computer science, engineering, psychology and neuroscience has been aimed at developing devices that recognize human affect display and model emotions. In computer science, affective computing is a branch of the study and development of artificial intelligence that deals with the design of systems and devices that can recognize, interpret, and process human emotions. It is an interdisciplinary field spanning computer sciences, psychology, and cognitive science. While the origins of the field may be traced as far back as to early philosophical enquiries into emotion, the more modern branch of computer science originated with Rosalind Picard's 1995 paper on affective computing. Detecting emotional information begins with passive sensors which capture data about the user's physical state or behavior without interpreting the input. The data gathered is analogous to the cues humans use to perceive emotions in others. Another area within affective computing is the design of computational devices proposed to exhibit either innate emotional capabilities or that are capable of convincingly simulating emotions. Emotional speech processing recognizes the user's emotional state by analyzing speech patterns. The detection and processing of facial expression or body gestures is achieved through detectors and sensors.

Notable theorists

In the late 19th century, the most influential theorists were William James (1842–1910) and Carl Lange (1834–1900). James was an American psychologist and philosopher who wrote about educational psychology, psychology of religious experience/mysticism, and the philosophy of pragmatism. Lange was a Danish physician and psychologist. Working independently, they developed the James–Lange theory, a hypothesis on the origin and nature of emotions. The theory states that within human beings, as a response to experiences in the world, the autonomic nervous system creates physiological events such as muscular tension, a rise in heart rate, perspiration, and dryness of the mouth. Emotions, then, are feelings which come about as a result of these physiological changes, rather than being their cause.

Some of the most influential theorists on emotion from the 20th century have died in the last decade. They include Magda B. Arnold (1903–2002), an American psychologist who developed the appraisal theory of emotions; Richard Lazarus (1922–2002), an American psychologist who specialized in emotion and stress, especially in relation to cognition; Herbert Simon (1916–2001), who included emotions into decision making and artificial intelligence; Robert Plutchik (1928–2006), an American psychologist who developed a psychoevolutionary theory of emotion; Robert Zajonc (1923–2008) a Polish–American social psychologist who specialized in social and cognitive processes such as social facilitation. In addition, an American philosopher, Robert C. Solomon (1942–2007), contributed to the theories on the philosophy of emotions with books such as ''What Is An Emotion?: Classic and Contemporary Readings'' (Oxford, 2003).

Influential theorists who are still active include psychologists, neurologists, and philosophers including:

Lisa Feldman Barrett – Social philosopher and psychologist specializing in affective science and human emotion.

John Cacioppo – from the University of Chicago, founding father with Gary Berntson of social neuroscience.

António Damásio (born 1944) – Portuguese behavioral neurologist and neuroscientist who works in the US

Richard Davidson (born 1951) – American psychologist and neuroscientist; pioneer in affective neuroscience.

Paul Ekman (born 1934) – Psychologist specializing in study of emotions and their relation to facial expressions

Barbara Fredrickson – Social psychologist who specializes in emotions and positive psychology.

Nico Frijda (born 1927) – Dutch psychologist who specializes in human emotions, especially facial expressions

Peter Goldie – British philosopher who specializes in ethics, aesthetics, emotion, mood and character

Arlie Russell Hochschild (born 1940) – American sociologist whose central contribution was in forging a link between the subcutaneous flow of emotion in social life and the larger trends set loose by modern capitalism within organizations.

Joseph E. LeDoux (born 1949) – American neuroscientist who studies the biological underpinnings of memory and emotion, especially the mechanisms of fear

George Mandler (born 1924) - American psychologist who wrote influential books on cognition and emotion

Jaak Panksepp (born 1943) – Estonian-born American psychologist, psychobiologist and neuroscientist; pioneer in affective neuroscience.

Jesse Prinz – American philosopher who specializes in emotion, moral psychology, aesthetics and consciousness

Klaus Scherer (born 1943) – Swiss psychologist and director of the Swiss Center for Affective Sciences in Geneva; he specializes in the psychology of emotion

Ronald de Sousa (born 1940) – English–Canadian philosopher who specializes in the philosophy of emotions, philosophy of mind and philosophy of biology.

See also

Affect measures

Affective Computing

Affective forecasting

Affective neuroscience

Affective science

CyberEmotions

Emotion classification

Emotion in animals

Emotions and culture

Emotion and memory

Emotional expression

Feeling

Fuzzy-trace theory

Sex and emotion

Sociology of emotions

Social neuroscience

Somatic markers hypothesis

Affective_science#Measuring_Emotions

References

Notes

Further reading

Dana Sugu & Amita Chaterjee "Flashback: Reshuffling Emotions", ''International Journal on Humanistic Ideology'', Vol. 3 No. 1, Spring–Summer 2010.

Cornelius, R. (1996). ''The science of emotion''. New Jersey: Prentice Hall.

Freitas-Magalhães, A. (Ed.). (2009). Emotional Expression: The Brain and The Face. Porto: University Fernando Pessoa Press. ISBN 978-989-643-034-4.

Freitas-Magalhães, A. (2007). ''The Psychology of Emotions: The Allure of Human Face''. Oporto: University Fernando Pessoa Press.

Ekman, P. (1999). "Basic Emotions". In: T. Dalgleish and M. Power (Eds.). ''Handbook of Cognition and Emotion''. John Wiley & Sons Ltd, Sussex, UK:.

Frijda, N.H. (1986). ''The Emotions''. Maison des Sciences de l'Homme and Cambridge University Press.

Hochschild, A.R. (1983). The managed heart: Commercialization of human feelings. Berkeley: University of California Press.

LeDoux, J.E. (1986). The neurobiology of emotion. Chap. 15 in J.E. LeDoux & W. Hirst (Eds.) ''Mind and Brain: dialogues in cognitive neuroscience''. New York: Cambridge.

Mandler, G. (1984). ''Mind and Body: Psychology of emotion and stress''. New York: Norton.

Plutchik, R. (1980). A general psychoevolutionary theory of emotion. In R. Plutchik & H. Kellerman (Eds.), ''Emotion: Theory, research, and experience: Vol. 1. Theories of emotion'' (pp. 3–33). New York: Academic.

Ridley-Duff, R.J. (2010). Emotion, Seduction and Intimacy: Alternative Perspectives on Human Behaviour (Third Edition), Seattle: Libertary Editions. http://www.libertary.com/book/emotion-seduction-intimacy

Scherer, K. (2005). What are emotions and how can they be measured? ''Social Science Information'' Vol. 44, No. 4: 695–729.

Solomon, R. (1993). ''The Passions: Emotions and the Meaning of Life''. Indianapolis: Hackett Publishing.

Zeki, S. & Romaya, J.P. (2008), "Neural correlates of hate", PloS one, vol. 3, no. 10, pp. 3556.

Wikibook Cognitive psychology and cognitive neuroscience

Hogan, Patrick Colm, ''What Literature Teaches Us about Emotion'' (Cambridge University Press, 2011)

External links

Online Demo: Emotion recognition from speech, University of Patras, Wire Communication Lab

Facial Emotion Expression Lab

CNX.ORG: The Psychology of Emotions, Feelings and Thoughts (free online book)

Queen Mary Centre for the History of the Emotions

Humaine Emotion-Research.net: The Humaine Portal: Research on Emotions and Human-Machine Interaction

PhilosophyofMind.net: Philosophy of Emotions portal

Swiss Center for Affective Sciences

The Internet Encyclopedia of Philosophy: Theories of Emotion

The Stanford Encyclopedia of Philosophy: Emotion

University of Arizona: Salk Institute:

Category:Limbic system Category:Concepts

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name	Samantha Sang
background	solo_singer
birth name	Cheryl Lau Sang
alias	Cheryl Gray
birth date	August 05, 1951
birth place	Melbourne, Victoria, Australia
instrument	Vocals
genre	Pop
occupation	Singer
years active	1961–19811999, 2004, 2007
label	HMV, Private Stock, United Artists, EMI-Odeon, Sutra
associated acts	Bee Gees
website	}}

Samantha Sang is a stage name of Australian singer, Cheryl Lau Sang, (born 5 August 1951) from Melbourne, who had an earlier career as Cheryl Gray. She had a number eight hit in Australia with "You Made Me What I Am" in 1967. By 1969, she had relocated to United Kingdom and worked with Bee Gees but then returned to Australia in 1975. Sang reconnected with Bee Gees in 1977 and had a number three hit with their song, "Emotion", on the ''Billboard'' Hot 100 in 1978, which also charted in Australia peaking at number two, and in the United Kingdom at number eleven. The related album, ''Emotion'' reached the top 30 on ''Billboard'' 200 and included two other Hot 100 singles.

Career

Samantha Sang was born as Cheryl Lau Sang on 5 August 1951 to Reg Sang and Joan (née Clarke) in Melbourne, Australia. Sang is the great great granddaughter of a Chinese herbalist and surgeon. Reg ran a singing school and performed professionally as Reg Gray. Sang began her career, at the age of eight, by singing on Australian radio. She entered and won talent contests. In December 1966, Sang released her debut single, "The Real Thing" (not to be confused with fellow Australian Russell Morris' 1969 hit song, "The Real Thing") under the name Cheryl Gray. It was issued by EMI Records on their HMV label and was quickly followed by her second single, "In a Woman's Eyes". Her third single, "You Made Me What I Am", was released in May 1967 and reached number eight on the ''Go-Set'' Top 40. Teen magazine, ''Go-Set'' ran a poll in August for pop performers and Gray was voted third in the 'Top Girl Singer' category behind Lynne Randell and Bev Harrell. Sang released three more singles on HMV but none charted. She became a singer on Australian television, but she felt her career was limited if she remained in Australia.

In 1969, Sang travelled to the United Kingdom where Barry Gibb (Bee Gees) heard her singing and urged his manager, Robert Stigwood, to sign her. Under Stigwood's management she changed her name to Samantha Sang. Barry co-wrote "Love of a Woman" with his brother Maurice. Sang's version – with Barry supplying backing vocals, guitar and producing – was released in August. It was a minor hit in some European countries. Sang followed with "Nothing in the World Like Love" written by UK pop singer-songwriter Labi Siffre. Visa restrictions forced her out of the UK and she returned to Australia.

By 1975 Sang had changed management and signed with Polydor which released three singles and her debut album, ''Samantha Sang and Rocked the World''. She starred in the Australian production of ''The Magic Show''. In 1977, she recorded "When Love Is Gone", the theme song, for French drama film, ''Bilitis''. She visited Barry Gibb in France whilst Bee Gees were recording songs for the ''Saturday Night Fever'' soundtrack. A new song, "Emotion", was written for her by Barry and Robin Gibb. The single was co-produced by Barry with Bee Gees' production team of Alby Galuten and Karl Richardson. Released in 1978, with backing vocals by Barry, it showcased a softer style and became a major hit worldwide. It reached number three on the US ''Billboard'' Hot 100 in March 1978, and earned a platinum record. It peaked at number eleven on the UK Singles Chart and at number two on the Australian Kent Music Report Singles Chart.

Her following album ''Emotion'', although not produced by Barry Gibb, included a version of "Charade", a little-known Bee Gees song from their 1974 album ''Mr. Natural''. ''Emotion'' peaked at number 29 on the ''Billboard'' 200 and achieved a gold record in March 1978. Determined to succeed on her own merits, Sang did not record another Gibb song to capitalise on her success, but chose a disco track, "You Keep Me Dancin" as her next single. It peaked at number 56 on the Hot 100, and was followed into the charts by her cover of Wilson Pickett's "In the Midnight Hour". She recorded a cover of Eric Carmen's Top 20 single "Change of Heart," which failed to chart. Her third album, ''From Dance to Love'' was released by United Artists in 1979.

Residing again in Melbourne, in 1999 Sang made a short return to live performing, with her father, Reg, as guest vocalist. In 2004, Sang's three albums were released for the first time on CD in a two piece set as the compilation, ''The Ultimate Collection''.

References

External links

Official website archived at Samantha Sang on 19 July 2008.

Pop Archive feature "Emotion"

Category:1951 births Category:Living people Category:Australian female singers Category:Australian dance musicians Category:Australian people of Chinese descent Category:Singers from Melbourne

pl:Samantha Sang pt:Samantha Sang

name	Celine Dion
background	solo_singer
birth name	Céline Marie Claudette Dion
birth date	March 30, 1968
origin	Charlemagne, Quebec, Canada
instrument	Vocals
genre	Pop, dance-pop, pop rock, soft rock, adult contemporary
occupation	Singer, songwriter-composer, actress
years active	1980–present
label	Sony Music Canada, Epic, 550, Columbia
networth	over US$250 million (Jan. 2007)
website
associated acts	Andrea Bocelli, R. Kelly, Peabo Bryson, Barbra Streisand, the Bee Gees, Luciano Pavarotti }}

Céline Marie Claudette Dion, , (; born March 30, 1968), is a Canadian singer. Born to a large family from Charlemagne, Quebec, Dion emerged as a teen star in the French-speaking world after her manager and future husband René Angélil mortgaged his home to finance her first record. In 1990, she released the English-language album ''Unison'', establishing herself as a viable pop artist in North America and other English-speaking areas of the world.

Dion had first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest. Following a series of French albums in the early 1980s, she signed on to CBS Records Canada in 1986. During the 1990s, with the help of Angélil, she achieved worldwide fame after signing with Epic Records and releasing several English albums along with additional French albums, becoming one of the most successful artists in pop music history. However, in 1999 at the height of her success, Dion announced a hiatus from entertainment in order to start a family and spend time with her husband, who had been diagnosed with cancer. She returned to the top of pop music in 2002 and signed a three-year (later extended to almost five years) contract to perform nightly in a five-star theatrical show at the Colosseum at Caesars Palace, Las Vegas.

Dion's music has been influenced by genres ranging from rock and R&B; to gospel and classical. While her releases have often received mixed critical reception, she is renowned for her technically skilled and powerful vocals. Dion is the best-selling Canadian artist of all time, is the second best-selling female artist in the US during the Nielsen SoundScan era, and is the only female artist to have two singles sell more than a million copies in the UK. In addition, her 1995 album ''D'eux'', is the best-selling French-language album of all time. In 2004, after surpassing 175 million in album sales worldwide, she was presented with the Chopard Diamond Award at the World Music Awards for becoming the best-selling female artist of all time. According to Sony Music Entertainment, Dion has sold over 200 million albums worldwide.

Life and career

Childhood and early beginnings

The youngest of 14 children born to Adhémar Dion and Thérèse Tanguay, both of French-Canadian descent, Celine Dion was raised a Roman Catholic in a poverty-stricken, but, by her own account, happy home in Charlemagne, Quebec, Canada. Music had always been a part of the family (Dion was named after the song ''Céline'', recorded by French singer Hugues Aufray two years before her birth), as she grew up singing with her siblings in her parents' small piano bar called ''Le Vieux Baril''. From an early age Dion had dreamed of being a performer. In a 1994 interview with ''People'' magazine, she recalled, "I missed my family and my home, but I don't regret having lost my adolescence. I had one dream: I wanted to be a singer."

At age 12, Dion collaborated with her mother and her brother Jacques to compose her first song, "Ce n'était qu'un rêve" ("It Was Only a Dream"). Her brother Michel Dondalinger Dion sent the recording to music manager René Angélil, whose name he discovered on the back of a Ginette Reno album. Angélil was moved to tears by Dion's voice, and decided to make her a star. In 1981, he mortgaged his home to fund her first record, ''La voix du bon Dieu'' ("The Voice of the Good God"), which later became a local number-one hit and made Dion an instant star in Quebec. Her popularity spread to other parts of the world when she competed in the 1982 Yamaha World Popular Song Festival in Tokyo, Japan, and won the musician's award for "Top Performer" as well as the gold medal for "Best Song" with "Tellement j'ai d'amour pour toi" ("I Have So Much Love for You").

By 1983, in addition to becoming the first Canadian artist to receive a gold record in France for the single "D'amour ou d'amitié" ("Of Love or of Friendship"), Dion had also won several Félix Awards, including "Best Female performer" and "Discovery of the Year". Further success in Europe, Asia, and Australia came when Dion represented Switzerland in the 1988 Eurovision Song Contest with the song ''Ne partez pas sans moi'' (''Don't Go Without Me'') and won the contest by a close margin in Dublin, Ireland. However, American success was yet to come, partly because she was exclusively a Francophone artist. At eighteen, after seeing a Michael Jackson performance, Dion told Angélil that she wanted to be a star like Jackson. Though confident in her talent, Angélil realized that her image needed to be changed in order for her to be marketed worldwide. Dion receded from the spotlight for a number of months, during which she underwent dental surgery to improve her appearance, and was sent to the École Berlitz in 1989 to polish her English.

In 1989, during a concert on ''Incognito Tour'', Dion injured her voice. She consulted the otorhinolaryngologist William Gould. He gave her an ultimatum: have surgery on her vocal cords, or not utilize them at all for three weeks. The album was largely influenced by 1980s soft rock music that quickly found a niche within the adult contemporary radio format. ''Unison'' also hit the right notes with critics: Jim Faber of ''Entertainment Weekly'' wrote that Dion's vocals were "tastefully unadorned", and that she never attempted to "bring off styles that are beyond her". Stephen Erlewine of ''Allmusic'' declared it as, "a fine, sophisticated American debut." Singles from the album included "(If There Was) Any Other Way", "The Last to Know", "Unison", and "Where Does My Heart Beat Now", a mid-tempo soft-rock ballad which made prominent use of the electric guitar. The latter became her first single to reach the top-ten on the U.S. ''Billboard'' Hot 100, peaking at number-four. The album established Dion as a rising singer in the United States, and across Continental Europe and Asia.

In 1991, Dion was also a soloist in ''Voices That Care'', a tribute to American troops fighting in Operation Desert Storm. Dion's real international breakthrough came when she duetted with Peabo Bryson on the title track to Disney's animated film ''Beauty and the Beast'' (1991). The song captured a musical style that Dion would utilize in the future: sweeping, classically influenced ballads with soft instrumentation. Both a critical and commercial hit, the song became her second U.S. top-ten single, and won the Academy Award for Best Song, and the Grammy Award for Best Pop Performance by a Duo or Group with Vocal. "Beauty and the Beast" was featured on Dion's 1992 self-titled album, which, like her debut, had a strong rock influence combined with elements of soul and classical music. Owing to the success of the lead-off single and her collaboration with Foster and Diane Warren, the album was as well received as ''Unison''. Other singles that achieved moderate success included "If You Asked Me To" (a cover of Patti LaBelle's song from the 1989 movie ''Licence to Kill'') which peaked at number-four on the U.S. ''Billboard'' Hot 100, the gospel-tinged "Love Can Move Mountains", and "Nothing Broken But My Heart".

As with Dion's earlier releases, the album had an overtone of love. Also during this time, Dion released the Francophone album ''Dion chante Plamondon'' in 1991. The album consisted mostly of covers, but included 4 new songs, which included "Des mots qui sonnent", "Je danse dans ma tête", "Quelqu'un que j'aime, quelqu'un qui m'aime" and "L'amour existe encore". It was originally released in Canada and France during the 1991–1992 period, but then got an international release in 1994, the first French Celine Dion album to do so. "Un garçon pas comme les autres (Ziggy)" became a smash hit in France, reaching number-two and being certified gold. In Quebec, the album was certified Gold the day it was released.

By 1992 ''Unison'', ''Céline Dion'', and media appearances had propelled Dion to superstardom in North America. She had achieved one of her main objectives: wedging her way into the Anglophone market and achieving fame. However, while she was experiencing rising success in the U.S., her French fans in Canada criticized her for neglecting them. She would later regain her fan base at the Félix Award show, where, after winning "English Artist of the Year", she openly refused to accept the award. She asserted that she was—and would always be—a French, not an English, artist. Apart from her commercial success, there were also changes in Dion's personal life, as Angélil, who was twenty-six years her senior, transitioned from manager to lover. However, the relationship was kept a secret as they both feared that the public would find their relations inappropriate.

Popularity established: 1993–1995

In 1993, Dion announced her feelings for her manager by declaring him "the colour of [her] love" in the dedication section of her third English-language album ''The Colour of My Love''. However, instead of criticizing their relationship as Dion had feared, fans embraced the couple. Eventually, Angélil and Dion married in an extravagant wedding ceremony in December 1994, which was broadcast live on Canadian television.

As it was dedicated to her manager, the album's motif focused on love and romance. It became her most successful record up to that point, selling more than six million copies in the U.S., two million in Canada, and peaking at number-one in many countries. The album also spawned Dion's first U.S., Canadian, and Australian number-one single "The Power of Love" (a remake of Jennifer Rush's 1985 hit), which would become her signature hit until she reached new career heights in the late 1990s. The single "When I Fall in Love", a duet with Clive Griffin, achieved moderate success on the U.S. and Canadian charts, and was nominated for two Grammy Awards, winning one. ''The Colour of My Love'' also became Dion's first major hit in Europe, and in particular the United Kingdom. Both the album and the single "Think Twice" simultaneously occupied the top of the British charts for five consecutive weeks. "Think Twice", which remained at number-one for seven weeks, eventually became the fourth single by a female artist to sell in excess of one million copies in the UK, while the album was eventually certified five-times platinum for two-million copies sold.

Dion kept to her French roots and continued to release many Francophone recordings between each English record. Generally, they achieved more credibility than her English-language works. She released ''À l'Olympia'', a live album that was recorded during one of Dion's concerts at the Paris Olympia in 1994. It had one promotional single, a live version of "Calling You", which peaked at seventy-five on the French Singles Chart. She also recorded a bilingual version of Petit Papa Noël with Alvin and the Chipmunks for the 1994 holiday album ''A Very Merry Chipmunk''. ''D'eux'' (also known as ''The French Album'' in the United States), was released in 1995, and it would go on to become the best-selling French-language album of all time. The album was mostly written and produced by Jean-Jacques Goldman, and amassed huge success with the singles "Pour que tu m'aimes encore" and "Je sais pas". "Pour que tu m'aimes encore" reached number 1 in France and stayed at the top position for twelve weeks. It was later certified Platinum in France. The single also reached the top ten in the UK and Ireland, a rare accomplishment for a French song. The second single off the album, "Je sais pas", reached number-one on the French Singles Chart as well and was certified Silver in France. These songs would later become "If That's What It Takes" and "I Don't Know" on Dion's next English album, ''Falling into You''.

During the mid-1990s, Dion's albums continued to be constructed on the basis of melodramatic ballads, but also with up-tempo pop and adult contemporary themed music. She collaborated with talented craftsman such as Jim Steinman and David Foster who helped her devise more adult contemporary songs. While critical reviews fluctuated, Dion's releases performed increasingly well on the international charts, and in 1996 she won the World Music Award for "World’s Best-selling Canadian Female Recording Artist of the Year" for the third time. By the mid-1990s, she had established herself as one of the best-selling artists in the world.

Worldwide commercial success: 1996–1999

''Falling into You'' (1996), Dion's fourth English-language album, presented the singer at the height of her popularity, and showed a further progression of her music. In an attempt to reach a wider audience, the album combined many elements, such as complex orchestral sounds, African chanting and elaborate musical effects. Additionally, instruments like the violin, Spanish guitar, trombone, the cavaquinho and saxophone created a new sound. The singles encompassed a variety of musical styles. The title track "Falling into You" and "River Deep, Mountain High" (a Tina Turner cover) made prominent use of percussion instruments; "It's All Coming Back to Me Now" (a remake of Jim Steinman's song) and a remake of Eric Carmen's "All by Myself" kept their soft-rock atmosphere, but were combined with the classical sound of the piano; and the number-one single "Because You Loved Me", which was written by Diane Warren, was a ballad that served as the theme to the 1996 film ''Up Close & Personal''.

''Falling into You'' garnered career-best reviews for Dion. While Dan Leroy wrote that it was not very different from her previous work, and Stephen Holden of ''The New York Times'' and Natalie Nichols of the ''Los Angeles Times'' wrote that the album was formulaic, other critics, such as Chuck Eddy of ''Entertainment Weekly'', Stephen Thomas Erlewine of ''AMG'' and Daniel Durchholz, lavished the album as "compelling", "passionate", "stylish", "elegant" and "remarkably well-crafted". ''Falling Into You'' became Dion's most critically and commercially successful album: it topped the charts in many countries and became one of the best-selling albums of all time. In the United States, the album reached number-one, and was later certified 11x Platinum for over 11 million copies shipped. In Canada, the album was certified diamond for over one million copies shipped. The IFPI certified ''Falling into You'' 9x Platinum, an accolade that has been given to only two other albums in history, with one of the two being Dion's own album, ''Let's Talk About Love''. The album also won Grammy Awards for Best Pop Album, and the academy's highest honor Album of the Year. Dion's status on the world stage was further solidified when she was asked to perform "The Power of the Dream" at the opening ceremonies of the 1996 Atlanta Olympic Games. In March 1996, Dion launched the Falling into You Tour in support of her new album, giving concerts around the world for over a year.

Dion followed ''Falling into You'' with ''Let's Talk About Love'' (1997), which was publicized as its sequel. The recording process took place in London, New York City, and Los Angeles, and featured a host of special guests, such as Barbra Streisand on "Tell Him"; the Bee Gees on "Immortality"; and world-renowned tenor Luciano Pavarotti on "I Hate You Then I Love You". Other musicians included Carole King, Sir George Martin, Bryan Adams and Jamaican singer Diana King, who added a reggae tinge to "Treat Her Like a Lady". As with ''Falling into You'', ''Let's Talk About Love'' was a major success for Dion, reaching number-one all over the world, attaining platinum status in twenty-four sales territories, and becoming Dion's fastest selling album of her career. In the United States, the album topped the chart in its seventh week of release, and was later certified 10x Platinum in the U.S. for over 10 million copies shipped. In Canada, the album sold 230,212 copies in its first week of release, which became, and still is, a record. It was eventually certified diamond in Canada for over 1 million copies shipped. The most successful single from the album became the classically influenced ballad "My Heart Will Go On", which was written and composed by James Horner and Will Jennings, and produced by Horner and Walter Afanasieff. Serving as the love theme for the 1997 blockbuster film ''Titanic'', the song topped the charts across the world, and became Dion's signature song; as well as winning the Academy Award and Golden Globe for Best Original Song. The song also gave Dion two Grammy Awards for "Best Female Pop Vocal Performance" and the most coveted "Record of the Year", (the song itself won four awards, but two were presented to the songwriters). "My Heart Will Go On" and "Think Twice" made her the only female artist in the UK to have two singles to sell more than a million copies. In support of her album, Dion embarked on the Let's Talk About Love Tour between 1998 and 1999.

Dion ended the 1990s with three more extremely successful albums—the Christmas album ''These Are Special Times'' (1998), the French-language album, ''S'il suffisait d'aimer'', and the compilation album ''All the Way... A Decade of Song'' (1999). On ''These Are Special Times'', Dion became more involved in the writing process. She co-wrote the song, ''Don't Save It All For Christmas Day'' along with Ric Wake and Peter Zizzo. The album was her most classically influenced yet, with orchestral arrangements found on virtually every track. "I'm Your Angel", a duet with R. Kelly, became Dion's fourth U.S. number one single, and another hit single across the world. ''All the Way... A Decade of Song'' drew together her most successful hits coupled with seven new songs, including the lead off single "That's the Way It Is", a cover of Roberta Flack's "The First Time Ever I Saw Your Face", and "All the Way", a duet with Frank Sinatra. The album itself was also extremely successful worldwide, reaching number-one in the United States for three weeks. The album was later certified 7x Platinum in the U.S. for 7 million copies shipped. ''All the Way... A Decade of Song'' also topped the charts in the UK, Canada, and Australia. Her last French-language studio album of the 1990s, ''S'il suffisait d'aimer'', was very successful as well, topping the charts in every major French-speaking country, including France, Switzerland, Belgium Wallonia, and Canada. By the end of the 1990s, Celine Dion had sold more than 100 million albums worldwide, and had won a slew of industry awards. Her status as one of the music industry's biggest pop divas was further solidified when she was asked to perform on VH1's ''Divas Live'' special in 1998, with superstars Aretha Franklin, Gloria Estefan, Shania Twain and Mariah Carey. That year she also received two of the highest honours from her home country: "Officer of the Order of Canada for Outstanding Contribution to the World of Contemporary Music" and "Officer of the National Order of Quebec". A year later she was inducted into the Canadian Broadcast Hall of Fame, and was honoured with a star on Canada's Walk of Fame.

During this time, the pop-rock genre that was more noticeable in her earlier releases, was replaced by a more adult contemporary feel. However, the theme of "love" remained in most of her releases, which led to some critics dismissing her music as banal. Other critics, like Elysa Gardner and Jose F. Promis, praised her vocals during this period, describing it as a "technical marvel". However, others, like Steve Dollar, who reviewed ''These Are Special Times'', stated that Dion is a "vocal Olympian for whom there ain't no mountain—or scale—high enough."

Career break: 2000–2002

After releasing and promoting thirteen albums during the 1990s, Dion stated that she needed to settle down, and announced on her latest album ''All the Way... A Decade of Song'', that she needed to take a step back from the spotlight and enjoy life. Angélil's diagnosis with throat cancer also prompted her to hiatus. While on break, Dion was unable to escape the spotlight. In 2000, the ''National Enquirer'' published a false story about the singer. Brandishing a picture of Dion and her husband, the magazine misquoted Dion, printing the headline, "Celine — 'I'm Pregnant With Twins!'" Dion later sued the magazine for more than twenty million dollars. The editors of the ''Enquirer'' printed an apology and a full retraction to Dion in the next issue, and donated money to the American Cancer Society in honor of Dion and her husband. A year after the incident, after undergoing fertility treatments, Dion gave birth to a son, René-Charles Dion Angélil, on January 25, 2001, in Florida. Following the September 11, 2001, attacks, Dion returned to the music scene, and in a televised performance sang "God Bless America" at the benefit concert America: A Tribute to Heroes. Chuck Taylor of ''Billboard'' wrote, "the performance... brings to mind what has made her one of the celebrated vocalists of our time: the ability to render emotion that shakes the soul. Affecting, meaningful, and filled with grace, this is a musical reflection to share with all of us still searching for ways to cope." In December 2001, Dion published her autobiography, ''My Story, My Dream'' which chronicled her rags to riches story.

Return to music: 2002–2003

Dion's aptly titled ''A New Day Has Come'', released in March 2002, ended her three-year break from the music industry. The album was Dion's most personal yet, and established a more mature side of Dion with the songs "A New Day Has Come", "I'm Alive", and "Goodbye's (The Saddest Word)", a change that resulted from her new-found maternal responsibilities, because, in her own words, "becoming a mother makes you a grown-up." She stated, "''A New Day Has Come'', for Rene, for me, is the baby. It has everything to do with the baby...That song "A New Day Has Come" represents very well the mood I'm feeling right now. It represents the whole album." ''A New Day Has Come'' debuted at number one in over 17 countries, including the United Kingdom and Canada. In the United States, the album debuted at number one on the Billboard 200, with first week sales of 527,000 copies; marking her first number one debut on the chart. It was eventually certified 3x Platinum in the United States, and 6x Platinum in Canada.

While the album was commercially successful, critical reviews suggested that it was "forgettable" and the lyrics were "lifeless". Both Rob Sheffield of ''Rolling Stone'' magazine, and Ken Tucker of ''Entertainment Weekly'', stated that Dion's music had not matured during her break, and classed her music as trite and mediocre. Sal Cinquemani of ''Slant'' magazine called the album "a lengthy collection of drippy, gooey pop fluffer-nutter." The first single off the album, ''A New Day Has Come'' peaked at No.22 on the Billboard Hot 100 charts, being an airplay-only release. On the Hot Adult Contemporary Tracks, however the song spent 21 consecutive weeks at number 1, breaking the record for the longest span at the top. The previous record holders were Phil Collins' ''You'll Be in My Heart'' and Dion's own ''Because You Loved Me,'' both of which lasted nineteen weeks at number 1. During 2002, she performed for many benefit concerts, the famous VH1 Divas Live, a concert to benefit the VH1 Save The Music Foundation, alongside Cher, Anastacia, Dixie Chicks, Mary J. Blige, Whitney Houston, Cyndi Lauper, Shakira and Stevie Nicks.

Drawing inspiration from personal experiences, Dion released ''One Heart'' (2003), an album that represented her appreciation for life. The album largely consisted of dance music—a deviation from the soaring, melodramatic ballads, for which she had once been given mixed reception. Although the album achieved moderate success, ''One Heart'' was met with mixed criticism, and words such as "predictable" and "banal" appeared even in the most lenient reviews. A cover of the 1989 Cyndi Lauper hit "I Drove All Night", released to launch her new advertising campaign with Chrysler, incorporated dance-pop and rock and roll. The advertising deal itself, however was met with mixed criticism, with some stating that Dion was trying to please her sponsors. However, people like Bonita Stewart, who was the director of Chrysler Group Marketing Communications stated that "Chrysler was taken by how her appeal crossed ethnic lines." She also added, "She brings sophistication, refinement, romance and passion to the brand."

After ''One Heart'', Dion released her next English Language studio album, ''Miracle'' (2004). ''Miracle'' was a multimedia project conceived by Dion and photographer Anne Geddes, and had a theme centering on babies and motherhood. The album was filled with lullabies and other songs of maternal love and inspiration, the two most popular being covers of Louis Armstrong's "What a Wonderful World" and John Lennon's "Beautiful Boy". The reviews for ''Miracle'' were mixed. Stephen Thomas Erlewine of Allmusic.com gave the album three of out five stars, stating, "The worst you can say about the record is that there are no surprises, but the audience for this record doesn't want surprises; they want comfort, whether it arrives in polished music or artsy photos of newborns, and Miracle provides both, which makes it appealing for those expectant or new mothers in Dion's audience. Chuck Taylor of ''Billboard'' magazine wrote that the single "Beautiful Boy" was "an unexpected gem" and called Dion "a timeless, enormously versatile artist", Chuck Arnold of ''People'' Magazine, however, labeled the album as excessively sentimental, while Nancy Miller of ''Entertainment Weekly'' opined that "the whole earth-mama act is just opportunism, reborn". ''Miracle'' debuted at number four on the ''Billboard'' 200 chart and number one in Canada , and was eventually certified platinum by the RIAA.

The Francophone album ''1 fille & 4 types'' (''1 Girl & 4 Guys''), released in October 2003, fared better than her first two releases, and showed Dion trying to distance herself from the "diva" image. She recruited Jean-Jacques Goldman, Gildas Arzel, Eric Benzi, and Jacques Veneruso, with whom she had previously worked on two of her best-selling French albums ''S'il suffisait d'aimer'' and ''D'eux''. Labeled "the album of pleasure" by Dion herself, the album cover showed Dion in a simple and relaxed manner, contrary to the choreographed poses usually found on her album covers. The album achieved widespread commercial success in France, Canada, and Belgium where it reached number one. In France, the album debuted at number one and was later certified 2x platinum after selling over 700,000 copies. Critic, Stephen Erlewine of ''AllMusic'' wrote that Dion's vocals "are back at top of their game" and that she was "getting back to pop basics and performing at a level unheard in a while."

Though her albums were commercially successful, they did not achieve the sales or the reception of her previous works. Albums like ''The Collector's Series, Volume One'' (2000), and ''One Heart'' (2003) did not perform as well critically. Her songs received less airplay as radio became less embracing of balladeers like Dion, Carey, and Houston, and was focused on more up-tempo, Urban/Hip-hop songs. However, by 2004, Dion had accumulated sales of more than 175 million albums worldwide, and received the Chopard Diamond Award from the World Music Awards for her achievements. According to the official World Music Awards website, the award is rare; it's not even "presented every year" and an artist can only be presented with the award for selling "over 100 million albums during their career."

''A New Day... Live in Las Vegas'': 2003–2007

In early 2002 Dion had announced a three-year, 600-show contract to appear five nights a week in an entertainment extravaganza, ''A New Day...'', at The Colosseum at Caesars Palace, Las Vegas. This move was seen as "one of the smartest business decisions in years by any major recording artist". She conceived the idea for the show after seeing ''O'' by Franco Dragone early in her break from recording, and began on March 25, 2003, in a 4,000-seat arena designed for her show. Many stars attended opening night including Dick Clark, Alan Thicke, Kathy Griffin, and Justin Timberlake, who hosted the television special. The show, put together by Dragone, was a combination of dance, music, and visual effects. It included Dion performing her biggest hits against an array of dancers and special effects. Reviewer Mike Weatherford felt that, at first, Dion was not as relaxed as she should be, and at times, it was hard to find the singer among the excessive stage ornamentations and dancers. However, he noted that the show had become more enjoyable, due to Dion's improved stage-presence and simpler costumes.

The show was also well-received by audiences, despite the complaints of expensive tickets; the show routinely sold out until its end in late 2007. Ticket prices averaged $135.33. The show was choreographed by Mia Michaels, who is a world renowned choreographer. According to ''Pollstar'', Dion sold 322,000 tickets and grossed US$43.9 million in the first half of 2005, and by July 2005, she had sold out 315 out of 384 shows. By the end of 2005, Dion grossed more than US$76 million, placing sixth on ''Billboard's Money Makers list for 2005''. ''A New Day...'' was the 6th biggest selling tour in America in 2006. Because of the show's success, Dion's contract was extended into 2007 for an undisclosed sum. On January 5, 2007 it was announced that the show would end on December 15, 2007, with tickets for the period after October 2007 having gone on sale from March 1. During its entire run, the show accumulated a total gross of $400 million, while being seen by nearly 3 million fans. The ''Live in Las Vegas - A New Day...'' DVD was released on December 10, 2007 in Europe and the following day in North America.

Back to studio and world tour: 2007–2009

Dion's latest French language album, ''D'elles'' ''(About Them)'', released on May 21, 2007, debuted at the top of the Canadian album charts, selling 72,200 copies in its first week. It marked her tenth number-one album in the SoundScan era, and her eighth to debut at the top position. In Canada, the album has been certified 2× platinum, and within the first week had already shipped half a million units worldwide. ''D'Elles'' also reached No. 1 in France and Belgium. The first single "Et s'il n'en restait qu'une (je serais celle-là)" (meaning "And If There Was Only One Woman Left (I Would Be That One)") debuted at the top of the French singles chart a month earlier. She released her latest English album ''Taking Chances'' on November 12 in Europe, and on the November 13 in North America. Her first English studio album since 2003's ''One Heart'', it features pop, R&B;, and rock inspired music. Dion has collaborated with John Shanks and ex-Evanescence guitarist Ben Moody, as well as Kristian Lundin, Peer Astrom, Linda Perry, Japanese singer Yuna Ito, and R&B; singer-songwriter Ne-Yo. Dion stated, "I think this album represents a positive evolution in my career ... I'm feeling strong, maybe a little gutsier than in the past, and just as passionate about music and life as I ever was." She launched her year-long worldwide Taking Chances Tour on February 14, 2008 in South Africa, performing 132 dates in stadiums and arenas across five continents.

The Taking Chances Tour was a great success in the United States, reaching the Number 1 spot on the ''Billboard'' Boxscore and it sold out every concert in the U.S. and Canada. In addition, she appeared on Idol Gives Back for a second year in a row. Céline Dion was nominated for six Juno Awards in 2008, leading the group of Canadians to receive this honour,and adding to her 53 previous nominations. Her nominations included Artist of the Year, Pop Album of the Year (for ''Taking Chances''), Francophone Album of the Year (for ''D'elles'') and Album of the Year (for both ''Taking Chances'' and ''D'elles''). The following year, Dion was nominated for 3 Juno Awards including the Fan Choice Award, Song of the Year (for ''Taking Chances''), and Music DVD of the Year (for ''Live in Las Vegas — A New Day...'')

On August 22, 2008, Celine Dion presented a free show, exclusively francophone, outside on the Plains of Abraham, in Quebec City, Canada, for the 400th anniversary of Quebec City. The celebration gathered approximately 490,000 people (total with TV broadcast). The concert, called ''Céline sur les Plaines'', was released on DVD on November 11, 2008 in Quebec and was released on May 20, 2009 in France. The end of October saw the worldwide release of her first ever comprehensive English greatest hits album called ''My Love: Essential Collection'', available in two different album formats.

In May 2009, Celine Dion was named the 20th best-selling artist of the decade in the United States and the second-best-selling female artist of the decade in the United States, selling an estimated 17.57 million albums. In June 2009, ''Forbes'' reported that Dion earned $100 million during 2008. In December 2009, Pollstar announced that Dion was the best-selling solo touring act of the decade and the second-best-selling touring act of the decade, only to the Dave Matthews Band. Dion grossed $522.2 million during the decade, a large sum of that coming from her five-year residence at Caesars Palace.

Concert film and video release: late 2009–2010

On February 17, 2010 Dion released into theatres a documentary film about her ''Taking Chances Tour'', titled, ''Celine: Through the Eyes of the World''. The documentary shows behind-the-scenes footage of Dion both onstage and offstage, along with footage of Dion with her family as they traveled with her. The distributor is the Sony Pictures subsidiary, Hot Ticket. The film was later released on Blu-ray and DVD on May 4, 2010, along with the CD/DVD, ''Taking Chances World Tour: The Concert'', which chronicled her world tour of the same name. At the 52nd Grammy Awards in February 2010, Dion joined Carrie Underwood, Usher, Jennifer Hudson and Smokey Robinson to perform the song "Earth Song" during the 3-D Michael Jackson tribute.

In January 2010, ''The Los Angeles Times'' presented its annual list of the top ten largest earners of the year, revealing that Dion took the top spot for the entire decade, with $US747.9 million in total revenue from 2000–2009. The largest haul came from ticket sales, totaling $522.2 million. Additionally, Dion was named "Artist of the Decade" in her native Canadian province of Quebec, announced by the Montreal-based newspaper, ''Le Journal de Quebec'' in 2009 December. A public online survey asked responders to vote for who they believe deserved the above-mentioned accolade.

Furthermore, in a May 2010 Harris Poll, Dion was named the most popular musician in the United States, ahead of U2, Elvis Presley, and The Beatles, while factoring in gender, political affiliations, geographic region of residence, and income. Specifically, Dion was the most popular musician in the female demographic, as well as among all Democrats, those who live in the eastern United States and southern United States, and those who have incomes between US$35k and US$74.9k.

In September 2010, she released the single "Voler", a duet with French singer Michel Sardou. The song was later included on Sardou's album. In addition, it was announced in October 2010 that Dion wrote and composed a new song for Canadian singer, Marc Dupré entitled "Entre deux mondes".

New Las Vegas show: 2011–present

In an interview with ''People Magazine'' published in February 2010, Dion announced that she will be returning to Caesars Palace in Las Vegas for ''Celine'', a three-year residency for seventy shows a year, beginning March 15, 2011. She stated that the show will feature, "all the songs from my repertoire that people want to hear" and will contain a selection of music from classic Hollywood films. Dion has also announced that she is working on two new studio albums, in French and English.

In preparation for her return to Las Vegas, Dion, on February 21 made an appearance on the "Oprah Winfrey Show" during the show's final season, and spoke about her upcoming Caesars Palace shows, as well as her family. Additionally, for a record sixth time, Dion performed at the 83rd Academy Awards, where she sang the song "Smile," as part of the ceremony's "In Memoriam" segment.

Personal life

Dion first met her husband and manager, Rene Angelil in 1980, when she was 12 and he was 38, after she and her mother sent him a demo tape of a song they had written. They began a relationship in 1987, and became engaged in 1991. They married on December 17, 1994, at the Notre-Dame Basilica in Montreal, Quebec. On January 5, 2000, Dion and Angelil renewed their wedding vows in Las Vegas.

In May 2000, Dion had two small operations at a fertility clinic in New York to improve her chances of conceiving, after deciding to use in-vitro fertilisation after years of failed attempts to conceive. Their first child, Rene-Charles Angelil, was born on January 25, 2001. In May 2010, Angelil announced that Dion was 14 weeks pregnant with twins after a sixth treatment of in-vitro fertilisation. On Saturday, October 23, 2010, at 11:11 and 11:12 am respectively, at St. Mary's Medical Center in West Palm Beach, Florida, Dion, by Caesarean section, gave birth to two healthy fraternal twins weighing 5 pounds 10 ounces and 5 pounds 4 ounces. The twins were named Eddy, after Dion's favorite Algerian songwriter Eddy Marnay, and Nelson, after former South African President Nelson Mandela. Dion appeared with her newborn sons on the cover of the December 9, 2010 issue of the Canadian edition of ''Hello!'' magazine.

On October 15, 2010, Céline Dion was nominated Goodwill Ambassador of the Food and Agriculture Organization of the United Nations (FAO).

Artistry and image

Dion grew up listening to the music of Aretha Franklin, Michael Jackson, Carole King, Anne Murray, Barbra Streisand, and the Bee Gees, all of whom she would eventually collaborate with. Dion has also stated she grew up listening to artists such as Janis Joplin, the Doobie Brothers, and Creedence Clearwater Revival, but never got the chance to sing their genre of music. She also was inspired by fellow vocalist Whitney Houston, whom Dion has often been compared to. Her music has been influenced by numerous genres, including pop, rock, gospel, R&B; and soul, and her lyrics focus on themes of poverty, world hunger, and spirituality, with an emphasis on love and romance. After the birth of her child, her work also began to emphasize maternal bond and brotherly love.

Dion has faced considerable criticism from critics, who state that her music often retreats behind pop and soul conventions, and is marked by excessive sentimentality. According to Keith Harris of ''Rolling Stone'' magazine, "[Dion's] sentimentality is bombastic and defiant rather than demure and retiring....[she] stands at the end of the chain of drastic devolution that goes Aretha-Whitney-Mariah. Far from being an aberration, Dion actually stands as a symbol of a certain kind of pop sensibility—bigger is better, too much is never enough, and the riper the emotion the more true." Dion's francophone releases, by contrast, tend to be deeper and more varied than her English releases, and consequently have achieved more credibility.

Critics have stated that Dion's involvement in the production aspect of her music is fundamentally lacking, which results in her work being overproduced and impersonal. However, coming from a family in which all of her siblings were musicians, she learned to play instruments like piano and guitar, and practiced with a Fender Stratocaster during the recording sessions of her album, ''Falling into You''. Also, she helped to compose many of her earlier French songs, and had always tried to involve herself with the production and recording of her albums. On her first English album, which she recorded before she had a firm command of the English language, she expressed disapproval of the record, which could have been avoided if she had assumed more creative input. By the time she released her second English album ''Celine Dion'', she had assumed more control of the production and recording process, hoping to dispel earlier criticisms. She stated, "On the second album I said, 'Well, I have the choice to be afraid one more time and not be 100% happy, or not be afraid and be part of this album.' This is my album." She would continue to involve herself in the production of subsequent releases, helping to write a few of her songs on ''Let's Talk About Love'' (1997) and ''These Are Special Times'' (1998).

Dion is often the subject of media ridicule and parody, and is frequently impersonated on shows like ''MADtv'', ''Saturday Night Live'', ''South Park'', ''Royal Canadian Air Farce'' and ''This Hour Has 22 Minutes'' for her strong accent and on-stage movements. However, Dion has stated that she is unaffected by the comments, and is flattered that people take the time to impersonate her. She even invited Ana Gasteyer, who parodied her on SNL, to appear on stage during one of her performances. While she is rarely politically outspoken, in 2005 following the Hurricane Katrina disaster, Dion appeared on ''Larry King Live'' and tearfully criticized the U.S. government's slow response in aiding the victims of the hurricane: "There's people still there waiting to be rescued. To me that is not acceptable...How can it be so easy to send planes in another country to kill everybody in a second and destroy lives. We need to serve our country." After her interview, she stated, "When I do interviews with Larry King or the big TV shows like that, they put you on the spot, which is very difficult. I do have an opinion, but I'm a singer. I'm not a politician."

Voice

Dion is often regarded as one of pop music's most influential voices. She has been described as a reigning "Queen of Pop" for her influence over the record industry during the 1990s, alongside other female entertainers, including Whitney Houston and Mariah Carey. In a countdown of the "22 Greatest Voices in Music" by ''Blender Magazine'' and MTV, she placed ninth (sixth for a female), and she was also placed fourth in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists." Dion is often compared to Mariah Carey for her vocal style and to her idol, Barbra Streisand, for her voice.

According to various sources, Dion possesses a five-octave vocal range. Regarding the power of Dion's voice, Regine Crespin states, "The volume as such is thin, but thanks to her perfect mastery of the nasal backing, her voice acquires an incisive and penetrating timbre, with a great harmonic richness." Dion states she is a mezzo-soprano, while Regine Crespin and André Tubeuf state she is probably a lyric soprano. However, attempts to adopt classical voice types to other forms of singing has been met with controversy. Without making a classification, maestro Kent Nagano remarked, "All you just sang was soprano," after Dion auditioned with two solos of ''Carmen,'' wanting to know if she could sing opera. Her timbre has been described as "fresh," as well as "thin, slightly nasal, nearly vibratoless," with a "raspy" lower register and "bell glass-like high notes." According to French soprano, Regine Crespin, Dion's voice is "comparable to oboe, because of its nasal and fruity timbre and it is mordant in high notes." Crespin is also circumspect about Dion's highest notes, stating, "She doesn't have a head voice," further remarking, "she uses falsetto," which is "disconnected to the normal voice body."

Dion is often praised for her technical virtuosity. Stephen Holden of ''The New York Times,'' writes, "Ms. Dion [...] is a belter with a high, thin, slightly nasal, nearly vibratoless soprano and a good-sized arsenal of technical skills. She can deliver tricky melismas, produce expressive vocal catches and sustain long notes without the tiniest wavering of pitch. And as her duets [...] have shown, she is a reliable harmony voice." In an interview with ''Libération'', Jean-Jacques Goldman states that she has "no problem of accuracy or tempo." According to Kent Nagano, maestro of the Munich Symphony Orchestra, Dion is "a musician who has a good ear, a refinement, and a degree of perfection that is envious." Mezzo-soprano, Cecilia Bartoli and soprano, Joan Sutherland have expressed that Dion has a very good legato, while Charles Alexander of ''TIME'' states, "[Her] voice glides effortlessly from deep whispers to dead-on high notes, a sweet siren that combines force with grace."

In her French repertoire, Dion adorns her vocals with more nuances and modulations, with the emotional intensity being "more tender and intimate." Additionally, Luc Plamondon, a French singer-songwriter who has written several works for Dion states that there are three chanteuse that Dion uses: the Québécois, the French, and the American. Her latest fragrance, ''Pure Brilliance'' is scheduled to be released in September 2010. Since its inception, ''Celine Dion Parfums'' has grossed over $850 million in retail sales. In October 2004, Air Canada hired Dion as part of their promotional campaign to unveil new service products and an updated livery. "You and I", the theme song sung by Dion, was written by advertising executives working for Air Canada.

Dion has actively supported many charity organizations, worldwide. She has promoted the Canadian Cystic Fibrosis Foundation (CCFF) since 1982, and became the foundation's National Celebrity Patron in 1993. She has an emotional attachment to the foundation; her niece Karine succumbed to the disease at the age of sixteen. In 2003, Dion joined a number of other celebrities, athletes, and politicians, including Josh Groban and Yolanda Adams to support "World Children's Day", a global fundraising effort sponsored by McDonald's. The effort raised money from more than 100 nations and benefited orphanages and children's health organizations. In addition, Dion has been a major supporter of the T.J. Martell Foundation, the Diana Princess of Wales Memorial Fund, and many health and educational campaigns. During the aftermath of Hurricane Katrina, Dion donated $1 million to the victims of the storm, and held a fund-raising event for the victims of the 2004 Asian Tsunami, which subsequently raised more than $1 million. After the 2008 Sichuan earthquake, Dion donated $100,000 to China Children & Teenagers' Fund and sent a letter showing her consolation and support.

In 1999, Dion received a star on Canada's Walk of Fame and also a star on the Hollywood Walk of Fame in January 2004. She dedicated her star to her father, who died the month prior. In 2007, Celine Dion was ranked by ''Forbes'' as the 5th richest woman in entertainment with an estimated net worth of US$250 million. She also received France's highest award, the Légion d'honneur, in May 2008. In August 2008, she received an honorary doctorate in music from the Université Laval in Quebec City. In October 2010, Dion was named a Goodwill Ambassador, a program created by the UN in 1999. She shared this accolade with Oscar-winner, Susan Sarandon.

Discography

1981: ''La voix du bon Dieu''

1981: ''Céline Dion chante Noël''

1982: ''Tellement j'ai d'amour...''

1983: ''Les chemins de ma maison''

1983: ''Chants et contes de Noël''

1984: ''Mélanie''

1985: ''C'est pour toi''

1987: ''Incognito''

1990: ''Unison''

1991: ''Dion chante Plamondon''

1992: ''Celine Dion''

1993: ''The Colour of My Love''

1995: ''D'eux''

1996: ''Falling into You''

1997: ''Let's Talk About Love''

1998: ''S'il suffisait d'aimer''

1998: ''These Are Special Times''

2002: ''A New Day Has Come''

2003: ''One Heart''

2003: ''1 fille & 4 types''

2004: ''Miracle''

2007: ''D'elles''

2007: ''Taking Chances''

Tours

!Year	!Title	!Releases
1983–1984	Les chemins de ma maison tournée	None
1985	C'est pour toi tournée	Vinyl ''Céline Dion en concert''
1988	Incognito tournée	None
1990–1991	Unison Tour
1992–1993	Celine Dion in Concert	None
1994–1995	The Colour of My Love Tour	VHS/DVD ''The Colour of My Love Concert''; CD ''À l'Olympia''
1995	D'eux Tour
1996–1997	Falling into You Tour	VHS ''Live in Memphis''
1998–1999	Let's Talk About Love World Tour
2003–2007	''A New Day...''	DVD/BD ''Live in Las Vegas - A New Day...''; CD ''A New Day... Live in Las Vegas''
2008–2009	Taking Chances Tour	DVD ''Céline sur les Plaines''; DVD/BD ''Celine: Through the Eyes of the World''; DVD/CD ''Taking Chances World Tour: The Concert''
2011–2014

Filmography

''Touched by an Angel''

''The Nanny''

''All My Children''

''La fureur de Céline''

''Des fleurs sur la neige''

''Céline sur les Plaines''

''Celine: Through the Eyes of the World''

See also

List of awards received by Celine Dion

Celine Dion videography

List of best-selling music artists

Notes

References

}}

''Céline Dion''. Artist direct. Retrieved on December 18, 2005.

"Celine Dion." ''Contemporary Musicians, Volume 25''. Gale Group, 1999.

"Celine Dion." ''Newsmakers 1995'', Issue 4. Gale Research, 1995.

''Céline Dion'' Rock on the Net. Retrieved November 20, 2005.

Céline Dion ''The Canadian Encyclopedia''. Retrieved July 2, 2006

''Céline Dion'' provided by VH1.com Retrieved August 16, 2005.

''Dion extends long Las Vegas stint'' bbc news. com. Retrieved November 5, 2005.

Durchholz, Daniel. ''Review: One Heart''. ''St. Louis Post-Dispatch''. St. Louis, Mo.: April 24, 2003. p. F.3

''The 100 Outstanding Pop Vocalist'' covemagazine.com Retrieved November 1, 2005.

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Nineties'' (ISBN 0-89820-137-3)

''The Journey so far'' celinedion.com. Retrieved August 16, 2005.

World Music Awards ''Diamond Award'' Retrieved November 1, 2005, (Search by year required)

Céline Dion's biography ''Biography'' Retrieved April 7, 2006.

Céline DTV Series ''TV Series'' Retrieved April 15, 2006.

Further reading

}}

External links

CelineDion.com – Official website operated by Sony Music Canada (English, French).

Celine Dion YouTube Channel

Celine Dion at WN

[ Celine Dion] at Allmusic

Celine Dion at Billboard.com

FAO Goodwill Ambassador website

Johnny Loganwith "Hold Me Now"}} Rivawith "Rock Me"}}

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af:Céline Dion ar:سيلين ديون an:Céline Dion az:Selin Dion zh-min-nan:Céline Dion be:Селін Дыён be-x-old:Сэлін Дыён bg:Селин Дион ca:Céline Dion cs:Céline Dion cy:Céline Dion da:Céline Dion de:Céline Dion et:Céline Dion el:Σελίν Ντιόν es:Céline Dion eo:Céline Dion eu:Céline Dion fa:سلین دیون fr:Céline Dion ga:Celine Dion gu:સેલિન ડીયોન ko:셀린 디옹 hy:Սելին Դիոն hr:Céline Dion io:Céline Dion id:Celine Dion ia:Celine Dion is:Céline Dion it:Céline Dion he:סלין דיון jv:Celine Dion kl:Céline Dion ka:სელინ დიონი sw:Celine Dion lv:Selīna Diona lt:Céline Dion hu:Céline Dion mk:Селин Дион ms:Celine Dion mn:Селин Дион nl:Céline Dion ja:セリーヌ・ディオン no:Céline Dion nn:Céline Dion pcd:Céline Dion pl:Céline Dion pt:Céline Dion ro:Céline Dion ru:Дион, Селин sc:Cèline Dion sq:Celine Dion simple:Céline Dion sk:Céline Dionová sl:Celine Dion sr:Селин Дион fi:Céline Dion sv:Céline Dion ta:செலின் டியான் th:เซลีน ดิออน tr:Celine Dion uk:Селін Діон vi:Céline Dion zh:席琳·狄翁

name	Mariah Carey
background	solo_singer
birth date	March 27, 1970
birth place	Huntington, New York, U.S.
genre	R&B;, pop, hip hop, soul, dance
years active	1988–present
associated acts	Brenda K. Starr, Trey Lorenz, Allure, Boyz II Men, Whitney Houston, Jermaine Dupri, Bone Thugs N Harmony
occupation	Singer-songwriter, model, record producer, actress, film producer
spouse
label	Columbia, Virgin, Island
website	}}

Mariah Carey (born March 27, 1970) is an American R&B;/pop singer-songwriter, record producer and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and became the first recording artist to have her first five singles top the U.S. ''Billboard'' Hot 100 chart. Following her marriage to Mottola in 1993, Carey enjoyed a series of hit records from the diamond certified albums ''Music Box'' (1993) and ''Daydream'' (1995). She later released the holiday standard "All I Want For Christmas Is You" from her 1994 album, ''Merry Christmas'', which helped to establish her position as Columbia Records' top-selling act.

Following her separation from Mottola in 1997, she introduced elements of hip hop into her album work, to much initial success, but when she left Columbia in 2001 her popularity was in decline. She signed an unprecedented $100 million deal with Virgin Records, only to be dropped from the label and bought out of her contract in the following year. This turn of events was due to the highly publicized physical and emotional breakdown, as well as the poor reception that was given to ''Glitter,'' her film and soundtrack project. In 2002 Carey signed a $24 million deal with Island Records, and after a relatively unsuccessful period, she returned to the top of pop music in 2005 with her album ''The Emancipation of Mimi.'' The album became her best-selling album in the 2000s and its single, "We Belong Together", became the most successful solo single of her music career and was awarded "Song of the Decade" by ''Billboard''. Ending the decade, Carey starred in the film ''Precious'' (2009), whose performance earned her a "Breakthrough Performance Award" at the Palm Springs International Film Festival, and a NAACP Image Award nomination.

In a career spanning over two decades, Carey has sold more than 200 million albums, singles, and videos worldwide, making her one of the world's best-selling music artists. Carey was cited as the world’s best-selling recording artist of the 1990s at the World Music Awards in 1998, and was named the best-selling female artist of the millennium by the same awards show in 2000. According to the Recording Industry Association of America (RIAA), she is the third-best-selling female artist, with shipments of 63 million albums in the U.S. In April 2008, "Touch My Body" became Carey's eighteenth number one single on the Hot 100, the most by any solo artist. Aside from her commercial accomplishments, she has earned five Grammys, seventeen World Music Awards, and is known for her five-octave vocal range, power, melismatic style and signature use of the whistle register.

Early life

Mariah Carey was born in Huntington, Long Island, New York. She is the third and youngest child of Patricia (née Hickey), a former opera singer and vocal coach, and Alfred Roy Carey, an aeronautical engineer. Her mother is Irish American and her father is of Afro-Venezuelan and African American descent; her paternal grandfather, Roberto Nuñez, changed his surname to Carey to better assimilate upon moving to the United States from Venezuela. Carey has two siblings, Morgan and Alison Carey.

Carey was named after the song "They Call the Wind Mariah", by Alan Jay Lerner and Frederick Loewe, originally from the 1951 Broadway musical ''Paint Your Wagon.'' which was a favorite of her mother, Patricia Hickey Carey, a singer with the New York City Opera and vocal coach. Patricia had discovered that she was pregnant in the fall of 1969, around the time that the movie version of ''Paint Your Wagon'' premiered. Mariah Carey was born on March 27, 1970, when songs from the movie were very popular. Early in Mariah's career, her show began with a "taped overture" of the song.

Carey's parents divorced when she was three years old. While she lived in Huntington, racist neighbors allegedly poisoned the family dog and set fire to her family's car. After her parents' divorce, she had little contact with her father and her mother worked several jobs to support the family. Carey spent much of her time at home, alone, and turned to music to occupy herself. She began to sing at around the age of three, when her mother began to teach her, after Carey imitated her mother practicing Verdi's opera ''Rigoletto'' in Italian.

Carey graduated from Harborfields High School in 1987. She was frequently absent, because of her work as a demo singer for local recording studios; her classmates consequently gave her the nickname "Mirage." Her work in the Long Island music scene provided opportunities to work with musicians, such as Gavin Christopher and Ben Margulies, with whom she co-wrote material for her demo tape. After she moved to New York City, she worked part-time jobs to pay the rent and she completed 500 hours of beauty school. Eventually, she became a backup singer for Puerto Rican freestyle singer Brenda K. Starr.

Career

1988–92: Early career

In 1988, Carey met Columbia Records executive Tommy Mottola at a party, where Starr gave Carey's demo tape to him. Mottola played the tape when he left the party and was impressed. He returned to find Carey but she had left. Nevertheless, Mottola tracked her down and signed her to a recording contract. This Cinderella-like story became part of the standard publicity that surrounded Carey's entrance into the industry.

Carey co-wrote the tracks on her 1990 debut album ''Mariah Carey'' and she has co-written most of her material since. During the recording, she expressed dissatisfaction with the contributions of producers such as Ric Wake and Rhett Lawrence, whom the executives at Columbia had enlisted to help to make the album more commercially viable. Critics were generally enthusiastic (See critical reception section of the album article). Backed by a substantial promotional budget, the album reached number one on the U.S. ''Billboard'' 200 chart, where it remained for several weeks. It yielded four number-one singles and made Carey a star in the United States but it was less successful in other countries. Critics rated the album highly, which assisted Carey's Grammy wins for Best New Artist, and—for her debut single, "Vision of Love"—Best Female Pop Vocal Performance. ''Mariah Carey'' was also the best selling album of 1991 in the United States.

Carey conceived ''Emotions'', her second album, as an homage to Motown soul music (see Motown Sound), and she worked with Walter Afanasieff and Clivillés & Cole (from the dance group C+C Music Factory) on the record. It was released soon after her debut album – in late 1991 – but was neither as critically or commercially successful (See promotion and reception section of the album article). Following the success of Carey's self-titled debut album, critics wondered whether or not she would tour in order to promote the album in the major worldwide music markets. However, Carey expressed in several interviews that due to the strenuous nature and the sheer difficulty of her songs, she feared a tour with back-to-back shows would not be possible, aside from the long travel times and constant travel. With the extra time, Carey began writing and producing material for ''Emotions'' around the same time that her debut's third single, "Someday", was released in December 1990. During this time period in music, it was traditional for an artist to release a studio album every two years in their prime, allowing the singles to fully promote the album through airwaves, as well as television appearances. Additionally, after a tour that would usually follow, as the next album would be released and would gain new fans, they would search the artist's catalog, and purchase the previous album in hopes of learning of their older work. Sony, however, chose to market Carey in a different fashion, leaning towards the traditional form in the 1960s, where acts would release an LP every year. They felt that Carey's reputation of being a "studio worm" and a songwriter from a young age would be captivating enough to deliver a new album more often than most.

As writing for the album came under way, Carey had a falling out with Ben Margulies, the man whom Carey had written seven of the eleven songs on Carey's debut. Together, the duo had written and produced seven songs for Carey's demo tape which she handed to Tommy Mottola. Their parting of ways was due to a contract Carey had signed prior to her signing with Columbia. Carey had agreed to split not only the songwriting royalties from the songs, but half of her earnings as well, something she never thought twice about while writing songs in his father's basement. However, when the time came to write music for ''Emotions,'' Sony officials made it clear he would only be paid the fair amount given to co-writers on an album. Following the discussion, Margulies filed a lawsuit against Sony, claiming that under contract, he would be entitled to work with Carey, as well as reap extra benefits. After an almost one year lawsuit, the judge settled that Margulies was to earn ten percent of Carey's direct earnings from her record sales, not including an income from any other ventures. While settled, their relationship remained ruined, damaged by what Carey considered treachery. In an interview with Fred Bronson, Carey said the following regarding the contract: "I signed blindly. Later, I tried to make it right so we could continue...but he wouldn't accept it." After the settlement, Margulies spoke of his feelings on the matter, claiming he would hope to one day write again with Carey, placing most of the blame on the record label and concluding "Hopefully one day, art will prevail over business." The title track "Emotions" made Carey into the only recording act whose first five singles have reached number one on the U.S. Hot 100 chart, although the album's follow-up singles failed to match this feat. Carey had lobbied to produce her own songs and, beginning with ''Emotions,'' she has co-produced most of her material. "I didn't want [''Emotions''] to be somebody else's vision of me", she said. "There's more of me on this album."

Although Carey performed live occasionally, stage fright prevented her from embarking on a major tour. Her first widely seen appearance was featured on the television show ''MTV Unplugged'' in 1992, and she remarked that she felt that her performance that night proved her vocal abilities were not, as some had previously speculated, simulated with studio equipment. Alongside acoustic versions of some of her earlier songs, Carey premiered a cover of The Jackson 5's "I'll Be There", with her back-up singer Trey Lorenz. The duet was released as a single, reached number one in the U.S. and led to a record deal for Lorenz, whose debut album Carey later co-produced. Because of high ratings for the ''Unplugged'' television special, the concert's set list was released on the EP ''MTV Unplugged,'' which ''Entertainment Weekly'' called "the strongest, most genuinely musical record she has ever made [...] Did this live performance help her to take her first steps toward growing up?"

1993–96: First marriage, and international success

Carey and Tommy Mottola became romantically involved during the making of her debut album and were married in June of 1993. Kenneth "Babyface" Edmonds consulted on the album ''Music Box,'' which was released later that year and became Carey's most successful worldwide. The album maintained a presence on the ''Billboard'' 200 for 128 weeks. It yielded her first UK Singles Chart number-one, a cover of Badfinger's "Without You", and the U.S. number-ones "Dreamlover" and "Hero."

After the success of Carey's previous albums ''Mariah Carey'' and ''Emotions,'' Sony wanted to take ''Music Box'' in a new direction, but not too far from her older releases. Sony began letting Carey take more control over the projects, as well as letting her produce her own material. On the album's first track "Dreamlover", Carey worked with Dave Hall throughout the song's entire production. However, after listening to the song, Tommy Mottola felt "Dreamlover" needed stronger tunes and a more "direct" sound. In order to help with some of the song's arrangements, Mottola enrolled the help of Walter Afanasieff, who took on the completed track and transformed it into a more commercial hit.

Aside from the changes on "Dreamlover", "Hero", the album's second single, also had its own story. While Carey and Afanasieff worked on ''Music Box'', he was also working on the film ''Hero'', starring Dustin Hoffman and Geena Davis. As a result, he and Carey began working on a theme-song for the film, one that was intended for Gloria Estefan. After only two hours however, the finished product was perfect, surpassing both their expectations. When Mottola came for a final listen he was shocked as to what he heard, exclaiming, "Are you kidding me? You can't give this song to a movie. This is too good, Mariah, you have to take this song. You have to do it." After insisting, Carey and Afanasieff made some lyrical changes, and made it a very personal track, "especially for Carey."

The album's title track, ''Music Box'', is described as one of Carey's more difficult compositions, due to its "softness." The song requires a great deal of legato, to keep "the tunes softness and sweetness, without resorting to volume." Carey's vocals on the track are defined as "soft and controlled", managing to maintain the delicate balance in a manner that seems effortless, floating easily over the keyboard and the shimmer of the guitar. One of the noticeable differences from ''Music Box'' and Carey's previous albums was its sound. The album was described by Afanasieff as a softer and more pop-oriented album, "filling the songs with air", and allowing far more space in the overall sound. Another noticeable change was in the album's production. When ''Mariah Carey'' was released, critics took notice of its "overly produced" and "studio perfect" quality, where in comparison, ''Emotions'' maintained a "raw, live sound." ''Music Box'' however, fell in between the two, a decision made by Carey during the album's production. She would layer each track with live backing vocals, so not to sound too overly produced, but still kept the inclusion of musical synthesizers.

''Billboard'' magazine proclaimed it "heart-piercing [...] easily the most elemental of Carey's releases, her vocal eurythmics in natural sync with the songs", but ''TIME'' magazine's Christopher John Farley lamented Carey's attempt at a mellower work, "[''Music Box''] seems perfunctory and almost passionless [...] Carey could be a pop-soul great; instead, she has once again settled for Salieri-like mediocrity." ''AllMusic'' adds, "Carey sounds detached on several selections. She scored a couple of huge hits, "Hero" and "Dreamlover", where she did inject some personality and intensity into the leads. Most other times, Carey blended into the background and allowed the tracks guide her, instead of pushing and exploding through them. It was wise for Carey to display other elements of her approach but, sometimes, excessive spirit is preferable to an absence of passion," and ''Rolling Stone'' expressed mixed sentiments and said, "Some of the songs appear to be strongly influenced by other hits. "Hero", with its message of self-sufficiency, aims for the inspirational grandeur of "Greatest Love of All", while "Just to Hold You Once Again" and "All I've Ever Wanted" chase the tail of "I Will Always Love You." In fact, Music Box is so precisely calculated to be a blockbuster that its impact is ultimately a little unnerving." In response to such comments, Carey said, "As soon as you have a big success, a lot of people don't like that. There's nothing that I can do about it. All I can do is to make music that I believe in." Most critics slighted the opening of her subsequent U.S. Music Box Tour. Farley balanced his critique with some positive observations: "The gospel flavored 'Anytime You Need A Friend' demonstrates Carey's vocal power, although too fleetingly. And the title cut is one of Carey's loveliest songs to date..."

In late 1994, after her duet with Luther Vandross on a cover of Lionel Richie and Diana Ross's "Endless Love" became a hit, Carey released the holiday album ''Merry Christmas''. It contained cover material and original compositions, such as "All I Want for Christmas Is You", which became Carey's biggest single in Japan and, in subsequent years, emerged as one of her most perennially popular songs on U.S. radio. Since her rise to fame in 1990, Carey has always claimed herself to be a religious and spiritual person. She always expressed her belief in God and her connection between music and spirituality, and felt the album was finally a way to portray her mysticism into music. After the success of Carey's previous effort, Music Box, there was speculation of a new project in the works; however it wasn't until October 1994, only one month before the album's release, that Billboard announced Carey would be releasing a holiday album for the Christmas season. Initially, critics were shocked; they didn't know how Carey would fare as an entertainer, as she had previously only been viewed as a pop star. Nevertheless, Carey, unaffected by the speculation, continued working on, and promoting the album in high spirits, confident in her work. The idea proved to be wise, earning Carey recognition in various markets including Christian radio and contemporary R&B; stations, as well as extended her fame in Japan, where the album experienced much of its success. Critical reception of ''Merry Christmas'' was mixed, with Allmusic calling it an "otherwise vanilla set [...] pretensions to high opera on 'O Holy Night' and a horrid danceclub take on 'Joy to the World'." It became one of the most successful Christmas albums of all time.

In 1995, Columbia released Carey's fourth studio album, ''Daydream'', which combined the pop sensibilities of ''Music Box'' with downbeat R&B; and hip hop influences. A remix of "Fantasy", its first single, featured rapper Ol' Dirty Bastard. Carey said that Columbia reacted negatively to her intentions for the album: "Everybody was like 'What, are you crazy?'. They're very nervous about breaking the formula." The New Yorker noted that "It became standard for R&B; stars, like Missy Elliott and Beyoncé, to combine melodies with rapped verses." John Norris of MTV News has stated that the remix was "responsible for, I would argue, an entire wave of music that we've seen since and that is the R&B-hip-hop; collaboration. You could argue that the 'Fantasy' remix was the single most important recording that she's ever made." Norris echoed the sentiments of TLC's Lisa Lopes, who told MTV that it's because of Mariah that we have "R&B.;" ''Daydream'' became her biggest-selling album in the U.S. and its singles achieved similar success – "Fantasy" became the second single to debut at number one in the U.S. and topped the Canadian Singles Chart for twelve weeks; "One Sweet Day" (a duet with Boyz II Men) spent a record-holding sixteen weeks at number one in the U.S.; and "Always Be My Baby" (co-produced by Jermaine Dupri) was the most successful record on U.S. radio in 1996, according to ''Billboard'' magazine. The album also generated career-best reviews for Carey, and publications such as ''The New York Times'' named it as one of 1995's best albums; the ''Times'' wrote that its "best cuts bring R&B; candy-making to a new peak of textural refinement [...] Carey's songwriting has taken a leap forward and become more relaxed, sexier and less reliant on thudding clichés." and ''AllMusic'' adds, "Daydream is her best record to date, and features a consistently strong selection of songs and a remarkably impassioned performance by Carey. A few of the songs are second-rate – particularly the cover of Journey's "Open Arms" – but Daydream demonstrates that Carey continues to perfect her craft and that she has earned her status as an R&B; diva." The short but profitable Daydream World Tour augmented sales of the album. The music industry took note of Carey's success – she won two awards at the American Music Awards for her solo efforts: Favorite Pop/Rock Female Artist and Favorite Soul/R&B; Female Artist. ''Daydream'' and its tracks were respectively nominated for six categories in the 38th Grammy Awards. Carey, along with Boyz II Men, opened the event with a performance of "One Sweet Day", which was mightily applauded. Although many critics proclaimed ''Daydream'' as the best album of 1995, she ended that night with no awards. The cameras started to focus on Carey, whose disappointment was becoming obvious. Carey eventually was able to deal with this incident. "What can you do?. I will never be disappointed again. After I sat through the whole show and didn't win once, I can handle anything." In 1995, due to ''Daydream'''s enormous Japanese sales, ''Billboard'' declared Carey "Artist of the year" in Japan.

1997–2000: New image, ''Butterfly'' and ''Rainbow''

Carey and Mottola officially separated in 1997. Although the public image of the marriage was a happy one, she said that, in reality, she had felt trapped by her relationship with Mottola, whom she often described as controlling. They officially announced their separation in 1997 and their divorce became final in the following year. Soon after the separation, Carey hired an independent publicist and a new attorney and manager. She continued to write and produce for other artists during this period and contributed to the debut albums of Allure and 7 Mile through her short-lived imprint Crave Records.

Carey's next album, ''Butterfly'' (1997), yielded the number-one single "Honey", the lyrics and music video which presented a more overtly sexual image of her than had been previously seen. She stated that ''Butterfly'' marked the point when she attained full creative control over her music. However, she added, "I don't think that it's that much of a departure from what I've done in the past [...] It's not like I went psycho and thought I would be a rapper. Personally, this album is about doing whatever the hell I wanted to do." Throughout the development of the album, in a departure from her previous style, Carey worked with various rappers and hip-hop producers, including Sean "Puffy" Combs, Kamaal Fareed, Missy Elliott and Jean Claude Oliver and Samuel Barnes from Trackmasters. Critics saw Carey's new production team as a form of revenge on Mottola and Sony Music. Carey denied taking a radically new direction, and insisted that the musical style of her new album was of her own choosing. Nevertheless, Carey resented the control that Sony, whose president was Mottola, exercised over her music, preventing her making music about which she was passionate. In contrast, Sony were concerned Carey, their best-selling act, could jeopardize her future success through her actions.

The pressure of the separation and constant press attention began to take its toll of Carey. Growing creative differences with producer Walter Afanasieff ended their working relationship, after collaborating on most of Carey's previous output. The breaking point came after a heated argument during a long recording session, over the album's musical direction. Carey also faced media criticism over her choice of producers and several newspapers linked Carey romantically to several rappers, suggesting these relationships influenced her decisions. However, Carey denied the allegations, stating she had only slept with her husband.

Reviews for ''Butterfly'' were generally positive: ''Rolling Stone'' wrote, "Carey couldn't have wished for a better start than "Honey", [...] it's an undeniably catchy pop record that revamps her sound and image. It's not as if Carey has totally dispensed with her old saccharine, Houston-style balladry [...] but the predominant mood of Butterfly is one of coolly erotic reverie. [... Except "Outside" the album sounds] very 1997. [...] Carey has spread her wings and she's ready to fly", LAUNCHcast said ''Butterfly'' "pushes the envelope", a move that its critic thought "may prove disconcerting to more conservative fans" but praised as "a welcome change." The ''Los Angeles Times'' wrote, "[''Butterfly''] is easily the most personal, confessional-sounding record she's ever done [...] Carey-bashing just might become a thing of the past." and ''AllMusic'' adds "Carey's vocals are sultrier and more controlled than ever, and that helps "Butterfly", "Break Down", "Babydoll", and the Prince cover, "The Beautiful Ones", rank among her best; also, the ballads do have a stronger urban feel than before. Even though ''Butterfly'' doesn't have as many strong singles as ''Daydream'', it's one of her best records and illustrates that Carey continues to improve and refine her music, which makes her a rarity among her '90s peers." The album was a commercial success—although not to the degree of her previous three albums—and "My All" (her thirteenth Hot 100 number-one) gave her the record for the most U.S. number-ones by a female artist.

Toward the turn of the millennium, Carey developed the film project ''Glitter'' and wrote songs for the films ''Men in Black'' (1997) and ''How the Grinch Stole Christmas'' (2000). During the production of ''Butterfly'', Carey became romantically involved with New York Yankees baseball star Derek Jeter. Their relationship ended in 1998, with both parties citing media interference as the main reason for the split. The same year, Columbia released the album ''#1's'', a collection of Carey's U.S. number-one singles alongside new material, which, she said, was a way to reward her fans. The song "When You Believe", a duet with Whitney Houston, was recorded for the soundtrack of ''The Prince of Egypt'' (1998) and won an Academy Award. ''#1's'' sold above expectations but a review in ''NME'' labeled Carey "a purveyor of saccharine bilge like 'Hero', whose message seems wholesome enough: that if you vacate your mind of all intelligent thought, flutter your eyelashes and wish hard, sweet babies and honey will follow." Also that year, she appeared on the first televised ''VH1 Divas'' benefit concert program, although her alleged prima donna behavior had already led many to consider her a diva.

''Rainbow'', Carey's sixth studio album, was released in 1999 and comprised more R&B;/hip hop–oriented songs, with many of them co-created with Jimmy Jam and Terry Lewis. "Heartbreaker" and "Thank God I Found You" (the former featuring Jay-Z, the latter featuring Joe and boy band 98 Degrees) reached number one in the U.S. and the success of the former made Carey the only act to have a number-one single in each year of the 1990s. A cover of Phil Collins's "Against All Odds (Take a Look at Me Now)" went to number one in the UK, after Carey re-recorded it with boy band Westlife. Media reception of ''Rainbow'' was generally enthusiastic, with the ''Sunday Herald'' saying that the album "sees her impressively tottering between soul ballads and collaborations with R&B; heavyweights like Snoop Doggy Dogg, Usher [...] It's a polished collection of pop-soul." ''VIBE'' magazine expressed similar sentiments, writing, "She pulls out all stops [...] ''Rainbow'' will garner even more adoration", However, ''Rainbow'' became Carey's lowest-selling album up to that point, and there was a recurring criticism that the tracks were too alike. When the double A-side "Crybaby" (featuring Snoop Dogg)/"Can't Take That Away (Mariah's Theme)" became her first single to peak outside the U.S. top twenty, Carey accused Sony of underpromoting it: "The political situation in my professional career is not positive [...] I get a lot of negative feedback from certain corporate people", she wrote, on her official website.

2001–04: ''Glitter'', ''Charmbracelet'' and personal struggles

After she received ''Billboard'''s Artist of the Decade Award and the World Music Award for Best-Selling Female Artist of the Millennium, Carey parted from Columbia and signed a contract with EMI's Virgin Records worth a reported US$100 million. She often stated that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Just a few months later, in July, 2001, it was widely reported that Carey had suffered a physical and emotional breakdown. She had left messages on her website that complained of being overworked, and her relationship with the Latin icon Luis Miguel ended. In an interview the following year, she said, "I was with people who didn't really know me and I had no personal assistant. I'd do interviews all day long and get two hours of sleep a night, if that." During an appearance on MTV's ''Total Request Live'', to which she showed up unannounced and to the apparent bewilderment of host Carson Daly, Carey handed out popsicles to the audience and began what was later described as a "striptease". By the month's end, she had checked into a hospital and her publicist announced that Carey would take a break from public appearances.

Critics panned ''Glitter'', Carey's much delayed semi-autobiographical film and it was a box office failure. The accompanying soundtrack album, ''Glitter'', was inspired by the music of the 1980s and featured collaborations with Rick James and Jimmy Jam and Terry Lewis; it generated Carey's worst showing on the U.S. chart. The ''St. Louis Post-Dispatch'' dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful", while ''Blender'' magazine opined, "After years of trading her signature flourishes for a radio-ready purr, Carey's left with almost no presence at all." The lead single, "Loverboy" (which features Cameo), reached number two on the Hot 100, due to the release of the physical single, but the album's follow-up singles failed to chart; however, a live rendition/medley of the single, "Never Too Far", made its way to number 81.

Later, in the year, Columbia released the low-charting compilation album ''Greatest Hits'', shortly after the failure of ''Glitter'', and, in early 2002, Virgin bought out Carey's contract for $28 million, and created further negative publicity. Carey later said that her time at Virgin was "a complete and total stress-fest [...] I made a total snap decision which was based on money and I never make decisions based on money. I learned a big lesson from that." Later that year, she signed a contract with Island Records, valued at more than $22.5 million, and launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had little contact since childhood, died of cancer that year.

Carey, Mira Sorvino and Melora Walters co-starred as waitresses at a mobster-operated restaurant in the independent film ''WiseGirls'' (2002), which premiered at the Sundance Film Festival but went straight to cable in the U.S. Critics commended Carey for her efforts – ''The Hollywood Reporter'' predicted, "Those scathing notices for ''Glitter'' will be a forgotten memory for the singer once people warm up to Raychel", and Roger Friedman, referring to her as "a Thelma Ritter for the new millennium", said, "Her line delivery is sharp and she manages to get the right laughs". ''WiseGirls'' producer Anthony Esposito cast Carey in ''The Sweet Science'' (2006), a film about an unknown female boxer recruited by a boxing manager, but it never entered production.

In 2002, she performed the American national anthem in front of an audience at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana. Following a well-received supporting role in the 2002 film ''WiseGirls'', Carey released the album ''Charmbracelet'', which, she said, marked "a new lease on life" for her. Sales of ''Charmbracelet'' were moderate and the quality of Carey's vocals came under severe criticism. ''The Boston Globe'' declared the album "the worst of her career, and revealed a voice [that is] no longer capable of either gravity-defying gymnastics or soft coos", and ''Rolling Stone'' commented, "Carey needs bold songs that help her use the power and range for which she is famous. ''Charmbracelet'' is like a stream of watercolors that bleed into a puddle of brown." Allmusic expressed similar sentiments and said, "There are no good songs on this record, outside of Def Leppard's power ballad classic "Bringin on the Heartbreak", which isn't even covered all that well. What is a greater problem is that Mariah's voice is shot, sounding in tatters throughout the record. Whenever she sings, there's a raspy whistle behind her thin voice and she strains to make notes throughout the record. She cannot coo or softly croon nor can she perform her trademark gravity-defying vocal runs. Her voice is damaged and there's not a moment where it sounds strong or inviting." The magazine adds "the songs are formless and the production bland." The album's only charting single in America, "Through the Rain", was a failure on pop radio, which had become less open to maturing "diva" stylists, such as Celine Dion, or Carey, herself, in favor of younger singers such as Christina Aguilera, who had vocal styles very similar to Carey's.

"I Know What You Want", a 2003 Busta Rhymes single on which Carey guest starred, fared considerably better and reached the U.S. top five; it was also included on Columbia's release of ''The Remixes'', a compilation of Carey's best remixes and some new tracks. That year, she embarked on the Charmbracelet World Tour and was awarded the Chopard Diamond award for selling more than 100 million albums worldwide. She was featured on rapper Jadakiss's 2004 single "U Make Me Wanna", which reached the top ten on ''Billboard''s R&B;/Hip-Hop chart. Carey was one of several musicians who appeared in the independently produced Damon Dash films ''Death of a Dynasty'' (2003) and ''State Property 2'' (2005).

2005–07: Return to prominence with ''The Emancipation of Mimi''

Carey's tenth studio album, ''The Emancipation of Mimi'' (2005), contained contributions from producers such as The Neptunes, Kanye West and Carey's longtime collaborator, Jermaine Dupri. Carey said it was "very much like a party record [...] the process of putting on makeup and getting ready to go out [...] I wanted to make a record that was reflective of that." ''The Emancipation of Mimi'' became 2005's best-selling album in the U.S. ''The Guardian'' reviewer defined it as "cool, focused and urban [... some of] the first Mariah Carey tunes in years which I wouldn't have to be paid to listen to again"., while Elysa Gardner writes on ''USA Today'', "Breezy, playful tracks such as Say Somethin' (featuring Snoop Dogg) and Get Your Number (with Jermaine Dupri) prove the singer hasn't forsaken her passion for hip-hop. But it's the ballads and midtempo numbers that truly reflect the renewed confidence of a songbird who has taken her shots and kept on flying." On the other hand, ''Slant'' and ''AllMusic'' critized her vocals, writing, "Just as you start to hear the scratchiness in her voice (no doubt due to all that "purple"), the padded hook kicks in or the song fades. Where once Mariah's trademark high notes used to serve some purpose (structurally, melodically, texturally), they now seem random, existing just to convince us that The Voice is still there—and it is...kind of. More convincing would be a low note (remember those first 60 outrageously versatile seconds of '91's "You're So Cold"?), but mostly what we get here is midrange belting. As gratifying as that is on the surface, there's still the nagging feeling that Mariah has damaged her voice beyond repair." "Mariah's voice sounds as airy, thin, and damaged as it did on ''Charmbracelet.'' Mariah never sounds like herself on this record. When she's not sounding like Beyoncé, she sounds desperate to be part of the waning bling era. Disregarding these two rather sizeable problems, ''The Emancipation of Mimi'' still works, at least as a slick, highly crafted piece of dance-pop."

''The Emancipation of Mimi'' earned a Grammy Award for Best Contemporary R&B; Album and the single "We Belong Together" won Best Female R&B; Vocal Performance and Best R&B; Song. "We Belong Together" held the Hot 100's number-one position for fourteen weeks, her longest run at the top as a solo lead artist. Subsequently, the single "Shake It Off" reached number two for a week, which made Carey the first female lead vocalist to have simultaneously held the Hot 100's top two positions. (While it topped the charts in 2002, Ashanti was the "featured" singer on the number two single.) 2005 proved to be a good year for Carey, as "We Belong Together" reached number one on Billboard's year end chart for Hot 100 singles, and ''The Emancipation of Mimi'' is classed as the best selling album of 2005 by Nielsen SoundScan.

In mid-2006, Carey began The Adventures of Mimi Tour, which was the most successful of her career, although some dates had to be canceled. She appeared on the cover of the March, 2007, edition of ''Playboy'' magazine in a non-nude photo session. Around this time, she made a legal threat against porn star Mary Carey, believing their names were too similar.

In 2006, Carey joined the cast of the indie film ''Tennessee'' (2008), taking the role of an aspiring singer who flees her controlling husband and joins two brothers on a journey to find their long-lost father. The movie received mixed reviews, but some, like Reuters, praised Carey's performance as "understated and very effective."

2007–09: ''E=MC²'', second marriage, and ''Memoirs of an Imperfect Angel''

By spring 2007, she had begun to work on her eleventh studio album, ''E=MC²''. Asked about the album title's meaning, Carey said "Einstein's theory? Physics? ''Me?'' Hello! ...Of course I'm poking fun." She characterized the project as "''Emancipation of Mimi'' to the second power", and said that she was "freer" on this album than any other. Like her previous one, this album mainly concentrates on pop and R&B; but borrows hip hop, gospel and even reggae ("Cruise Control") elements. Although ''E=MC²'' was well received by most critics, some of them criticized it for being "a clone of ''The Emancipation of Mimi''". ''Bleu Magazine'''s critic said that the "facsimiles aren't terrible, they're just boring and forgettable at this point." Two weeks before the album's release, on April 2, 2008, "Touch My Body", her first single from the album, became Carey's eighteenth number-one single on the Hot 100, pushing her past Elvis Presley into second place for the most number-one singles among all artists in the rock era, according to ''Billboard'' magazine's revised methodology. Carey is now second only to The Beatles, who have twenty number-one singles. The album debuted at number one on the ''Billboard 200'' with 463,000 copies sold, making it the biggest opening week sales of her career.

In 2008, ''Billboard'' magazine ranked her at number six on the "Billboard Hot 100 All-Time Top Artists", making Carey the second most successful female artist in the history of the ''Billboard'' Hot 100 chart. Carey has also had notable success on international charts, though not to the same degree as in the United States. Thus far, she has had two number-one singles in Britain, two in Australia, and six in Canada. Her highest-charting single in Japan peaked at number two. Carey and actor/comedian/rapper Nick Cannon met while they shot Carey's music video for her second single "Bye Bye" on a private island of the coast of Antigua. On April 30, 2008, Carey married Cannon at her private estate on Windermere Island in The Bahamas. In October 2008, Carey was inducted into the Long Island Music Hall of Fame. Carey had a cameo appearance in Adam Sandler's 2008 film ''You Don't Mess with the Zohan'', playing herself.

Carey performed "Hero" at the Neighborhood Inaugural Ball after Barack Obama was sworn in as America's first African-American president on January 20, 2009. On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of the Jackson 5 hit "I'll Be There" at the memorial service for Michael Jackson in the Los Angeles Staples Center. Carey was featured on "My Love", the second single from singer-songwriter The-Dream's album ''Love vs. Money''. In 2009, she appeared as a social worker in ''Precious'', the movie adaptation of the 1996 novel ''Push'' by Sapphire. The film has garnered mostly positive reviews from critics, as has Carey's performance. ''Variety'' described her acting as "pitch-perfect". So far ''Precious'' has won awards at both the Sundance Film Festival and the Toronto Film Festival, receiving top awards there. In January 2010, Carey won the Breakthrough Actress Performance award for her role in ''Precious'' at the Palm Springs International Film Festival.

Carey's twelfth studio album, ''Memoirs of an Imperfect Angel'' was released on September 25, 2009. The album received generally favorable reviews from music critics. Stephen Thomas Erlewine of Allmusic called it "her most interesting album in a decade", while Jon Caramanica from ''The New York Times'' criticized Carey's vocal performances, decrying her overuse of her softer vocal registers at the expense of her more powerful lower and mid registers. Commercially, the album debuted at number three on the ''Billboard'' 200 and became the lowest-selling studio album of her career. The album's lead single, "Obsessed", became her 40th entry on the ''Billboard'' Hot 100 and her highest debut on the chart since "My All" in 1998. The song debuted at number eleven and peaked at number seven on the chart and became Carey's 27th US top-ten hit, tying her with Elton John and Janet Jackson as the fifth most top-ten hits. Within hours after the song's release, various outlets speculated that its target was rapper Eminem, in response to his song "Bagpipes from Baghdad", in which he taunted Carey's husband, Nick Cannon by telling him to back off and that Carey is his. According to MTV, Carey alludes to drug problems in "Obsessed", which Eminem opened up about on his sixth studio album, ''Relapse''. The album's follow-up singles failed to achieve commercial success. The second single, a cover of Foreigner's "I Want to Know What Love Is", peaked at number 60 and the third single, "H.A.T.E.U.", failed to crack the ''Billboard'' Hot 100. On December 31, 2009, Carey embarked her seventh concert tour, Angels Advocate Tour, which visited the United States and Canada. Later it was announced that Carey would release two remix albums of ''Memoirs of an Imperfect Angel''; titled ''Angels Advocate'' (an R&B; remix album featuring a collection of newly remixed duets with some of Carey's favorite artists) and ''MC vs JS'' (a dance album entirely remixed by the ''Jump Smokers''). In January 2010, "Up Out My Face" featuring Nicki Minaj and "Angels Cry" featuring Ne-Yo were released as the lead singles from ''Angels Advocate''. Both albums were slated for a March 2010 release, but were eventually cancelled. On February 9, 2011, Carey released 100% to iTunes, a song originally from motion picture ''Precious''. It was later used on the ''AT&T; Team USA Soundtrack'' for the 2010 Winter Olympics.

2010–present: ''Merry Christmas II You'', motherhood, and new studio album

Following the cancellation of the remix albums, it was announced that Carey will go back to the studio to start work on her second Christmas album and her 13th studio album. Long time collaborators for the project include Jermaine Dupri and Bryan-Michael Cox. Dupri stated that a single will be released by the end of 2010. Johntá Austin and Randy Jackson are also contributing to the project.

During a press conference in Seoul, South Korea, in August 2010, Island Def Jam executive Matt Voss announced that the Christmas album would be out on November 2 and will include six new songs and a remix of her classic hit "All I Want for Christmas Is You". The album will be titled ''Merry Christmas II You'', a follow-up to her 1994 multiplatinum album ''Merry Christmas''. An accompanying DVD was released alongside the CD. Carey has produced and recorded tracks with the Broadway producer Marc Shaiman for the album. The album debuted at No.4 on the ''Billboard'' 200 with sales of 56,000 copies, surpassing the opening week sales of Carey's previous holiday album ''Merry Christmas'' of 45,000 copies 16 years prior, and making ''Merry Christmas II You'' Carey's 16th top 10 album. The album debuted at No.1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart, and also hit number No.1 on the Holiday Albums Chart.

In May 2010, Carey cited medical reasons and dropped out of her planned appearance in ''For Colored Girls'', the film adaptation of the play ''For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf''. After much media speculation, on October 28, 2010, Carey confirmed that she and Cannon are expecting a baby, and that it is due in the spring of 2011. Carey also revealed that she had conceived naturally. She added that she had been pregnant shortly after her wedding with Nick Cannon, but that she miscarried. Carey and Cannon decided to keep the matter private. On April 30, 2011, the couple's third wedding anniversary, Carey gave birth to fraternal twins via C-section. The twins were named Monroe, after Marilyn Monroe, and Moroccan Scott, after Cannon proposed to Carey in her Moroccan-style room; Scott is Cannon's middle name and his grandmother's maiden name.

Carey said on Friday, February 11 on HSN, that she recorded a duet with Tony Bennett for his upcoming "Duets" album. The song is to be called 'When Do The Bells Ring For Me'. Jermaine Dupri and Mariah worked on a charity song which was to be called, 'Save the Day', and was to feature vocals from Carey, Taylor Swift, Mary J. Blige and R. Kelly. Following the birth of their children, Cannon revealed during an interview with ''Billboard'' that Carey had already begun working on a new record. Cannon said "She's been working away, and we have a studio in the crib, and [the pregnancy] has totally inspired her on so many different levels. You're definitely gonna see some new phenomenal music from Mariah" and assured Carey would plan on releasing it by the end of the year.

Artistry

Musical style

Love is the subject of the majority of Carey's lyrics, although she has written about themes such as racism, social alienation, death, world hunger, and spirituality. She has said that much of her work is partly autobiographical, but ''TIME'' magazine wrote: "If only Mariah Carey's music had the drama of her life. Her songs are often sugary and artificial—NutraSweet soul. But her life has passion and conflict." Jim Faber, of ''New York Daily News'', makes a similar comment, according to him, "For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening." ''The Village Voice'' wrote in 2001 that, in that respect, Carey compared unfavorably with singers such as Mary J. Blige, saying "Carey's Strawberry Shortcake soul still provides the template with which teen-pop cuties draw curlicues around those centerless [Diane] Warren ballads [...] it's largely because of [Blige] that the new R&B; demands a greater range of emotional expression, smarter poetry, more from-the-gut testifying, and less unnecessary notes than the squeaky-clean and just plain squeaky Mariah era. Nowadays it's the Christina Aguileras and Jessica Simpsons who awkwardly oversing, while the women with roof-raising lung power keep it in check when tune or lyric demands."

Carey's output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano music, and she was given piano lessons when she was six years old. Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique. Some of her arrangements have been inspired by the work of musicians such as Stevie Wonder, a soul pianist to whom Carey once referred as "the genius of the [twentieth] century", but she has said, "My voice is my instrument; it always has been."

Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey several times, starting with "Dreamlover" (1993), which popularized the tradition of remixing R&B; songs into house records, and which ''Slant'' magazine named one of the greatest dance songs of all time. From "Fantasy" (1995) onward, Carey enlisted both hip hop and house producers to re-imagine her album compositions. ''Entertainment Weekly'' included two remixes of "Fantasy" on a list of Carey's greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol' Dirty Bastard. The latter has been credited with popularizing the R&B;/hip hop collaboration trend that has continued into the 2000s through artists such as Ashanti and Beyoncé. Combs said that Carey "knows the importance of mixes, so you feel like you're with an artist who appreciates your work—an artist who wants to come up with something with you". She continues to consult on remixes by producers such as Morales, Jermaine Dupri, Junior Vasquez and DJ Clue, and guest performers contribute frequently to them.

Voice and timbre

Mariah Carey possesses a five-octave vocal range, and was ranked first in a 2003 MTV and ''Blender'' magazine countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll, "What it really means is voice of the MTV generation. Of course, it's an enormous compliment, but I don't feel that way about myself." She also placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists". Regarding her voice, Carey has stated, My doctors showed me my vocal cords and why I can hit those high notes. It's a certain part of the cord that not many people use—the very top. My natural voice is low. I have a raspy voice. I'm really more of an alto. But my airy voice can be high if I'm rested. [...] When I was little, I'd talk in this really high whisper, and my mom would be like, "You're being ridiculous." I thought if I can talk like that I can sing like that. So I started [she goes higher and higher and higher] just messing around with it. I'd practice and practice, and she'd be like, "You're gonna hurt yourself." I'd tell her, It doesn’t hurt. If I were to try and belt two octaves lower than that, that would be a strain. She also explains that it was Minnie Riperton who influenced her to use the whistle register.

Regarding her voice type, Carey said that she is alto, while French-American baritone and singing teacher in the Conservatoire de Paris Malcolm Walker states that she is light lyric soprano, "because the upper register is much more healthier [''sic''] than the lower register." However, within contemporary forms of music, singers are classified by the style of music they sing. There is currently no authoritative voice classification system within non-classical music. Attempts have been made to adopt classical voice type terms to other forms of singing, but they are controversial, because the development of classic voice categorizations were made with the understanding that the singer would amplify his or her voice with their natural resonators, without a microphone.

Baritone Malcolm Walker and vocal pedagogue Jeannette Lo Vetri describes Carey's voice as "pure, full, rounded and warm", adding that belting and head voices has a great brightness. Malcolm Walker praise her belting voice, saying it "works very well" and states that Carey "passes easily in head voice. It's her true voice." on the other hand, Walker,

Voice experts praise Carey's vocal technique, stating that she can deliver very fast and controlled staccatos "always keeps a neutral larynx position—except sometimes in her lower register" and "glides effortlessly from bottom to top and vice versa." Her mastery of melismas and legato is also very praised. Malcolm Walker adds her vocal lines are "very well led, especially in piano register." Jon Pareles also praise her musicianship, writing, "she can linger over sensual turns, ... syncopate like a scat singer [and sing] with startlingly exact pitch."

Influences

Carey has said that from childhood she has been influenced by R&B; and soul musicians such as Billie Holiday and Sarah Vaughan. Her music contains strong influences of gospel music, she attends an Episcopal church and her favorite gospel singers include The Clark Sisters, Shirley Caesar and Edwin Hawkins. In ''She Bop II: The Definitive History of Women in Rock, Pop and Soul'' (2002), writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection". Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR". Some have noted that unlike Houston and Dion, Carey co-writes her own songs, and the ''Guinness Rockopedia'' (1998) classified her as the "songbird supreme". Despite the fact that Carey is often credited with co-writing her material, she has also been accused of plagiarism on several occasions. Many of these cases were eventually settled out of court.

Legacy

Carey's vocal style and singing ability have significantly impacted popular and contemporary music. Music critic G. Brown from ''The Denver Post'' wrote, "For better or worse, Mariah Carey's five-octave range and melismatic style have influenced a generation of pop singers." According to ''Rolling Stone'', "Her mastery of melisma, the fluttering strings of notes that decorate songs like "Vision of Love", inspired the entire ''American Idol'' vocal school, for better or worse, and virtually every other female R&B; singer since the Nineties." Jody Rosen of ''Slate Magazine'' wrote of Carey's influence in music saying "Carey is the most influential vocal stylist of the last two decades, the person who made rococo melismatic singing—the trick of embroidering syllables with multiple no-o-o-o-o-o-tes—the ubiquitous pop style." Rosen further commented on Carey's proof of influence saying "Exhibit A is American Idol, which has often played out as a clash of melisma-mad Mariah wannabes. And, today, nearly 20 years after Carey's debut, major labels continue to bet the farm on young stars such as the winner of Britain's X Factor show, Leona Lewis, with her Generation Next gloss on Mariah's big voice and big hair." Sean Daly of St. Petersburg Times wrote, "Depending on how you feel about public humiliation, the best/worst parts of American Idol are the audition shows, which normally break down into three distinct parts:(1) The Talented Kids.(2) The Weird Kids.(3) The Mariahs." Daly further commented, "The Mariahs are the hardest ones to watch, mainly because most of them think they're reeeaaally good. The poor, disillusioned hopefuls plant themselves in front of judges Simon Cowell, Paula Abdul and Randy Jackson – then proceed to stretch, break and mutilate every note of a song, often Mariah's Hero, a tune that has ruined more throats than smoker's cough." ''New York Magazine's'' editor Roger Deckker said that in regarding Carey as an influential artist in music, he commented that "Whitney Houston may have introduced melisma (the vocally acrobatic style of lending a word an extra syllable or twenty) to the charts, but it was Mariah—with her jaw-dropping range—who made it into America’s default sound." Deckker also added that "Every time you turn on American Idol, you are watching her children". Despite her vocal prowess, Carey's vocal technique particularly with the use of melisma and belting, has been subject to public scrutiny mainly because of young singers such as from talent shows have been overly imitating her singing technique in which critics commented "Mariah Carey is, without a doubt, the worst thing to happen to amateur singing since the karaoke machine".

Carey has influenced numerous singers throughout her career. Her work continues to influence numerous hip hop, pop and R&B; artists, including Beyonce, Christina Aguilera, Rihanna, Kelly Clarkson, Nelly Furtado, Leona Lewis and Missy Elliot, among others. Beyoncé Knowles credits Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal "runs" as a child, as well as helping her pursue a career as a musician. Rihanna has stated that Carey is one of her major influences and idol. Christina Aguilera has cited in her early stages of her career that Carey is a big influence in her singing career and being one of her idols. According to Pier Dominguez, author of ''Christina Aguilera: a star is made : the unauthorized biography'', Aguilera has stated how she loved listening to Whitney Houston, but it was Carey who had the biggest influence on her vocal styling. Carey's carefully choreographed image of a grown woman's image struck a chord on Aguilera. Her influence on Aguilera also grew from the fact that both were of mixed heritage. Philip Brasor, editor of "The Japan Times", expressed how Carey's vocal and melismatic style even influenced Asian singers. He wrote regarding Japanese superstar Utada Hikaru, "Utada sang what she heard, from the diaphragm and with her own take on the kind of melisma that became de rigueur in American pop after the ascendance of Mariah Carey." In an article called "Out With Mariah's Melisma, In With Kesha's Kick", writer David Browne of The New York Times discusses how the ubiquitous melisma pop style has suddenly fall down from pop culture in favor of young stars who uses the now ubiquitous autotune in which the first mentioned was heavily popularized into mainstream pop culture with the likes of Mariah Carey and Whitney Houston. Browne had commented "But beginning two decades ago, melisma overtook pop in a way it hadn’t before. Mariah Carey’s debut hit from 1990, “Vision of Love,” followed two years later by Whitney Houston’s version of “I Will Always Love You,” set the bar insanely high for notes stretched louder, longer and knottier than most pop fans had ever heard." Browne further added "A subsequent generation of singers, including Ms. Aguilera, Jennifer Hudson and Beyoncé, built their careers around melisma. (Men like Brian McKnight and Tyrese also indulged in it, but women tended to dominate the form.)"

Carey is also credited for introducing R&B; and hip hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs. Sasha Frere-Jones, editor of ''The New Yorker'' commented, "It became standard for R&B;/hip-hop stars like Missy Elliott and Beyoncé, to combine melodies with rapped verses. And young white pop stars—including Britney Spears, 'N Sync, and Christina Aguilera—have spent much of the past ten years making pop music that is unmistakably R&B.;" Moreover Jones concludes that "Her idea of pairing a female songbird with the leading male MCs of hip-hop changed R&B; and, eventually, all of pop. Although now anyone is free to use this idea, the success of “Mimi” suggests that it still belongs to Carey." Judnick Mayard, writer of ''TheFader'', wrote that in regarding of R&B; and hip hop collaboration, "The champion of this movement is Mariah Carey." Mayard also expressed that "To this day ODB and Mariah may still be the best and most random hip hop collaboration of all time", citing that due to the record "Fantasy", "R&B; and Hip Hop were the best of step siblings." Kelfa Sanneh of ''The New York Times'' wrote, "In the mid-1990's Ms. Carey pioneered a subgenre that some people call the thug-love duet. Nowadays clean-cut pop stars are expected to collaborate with roughneck rappers, but when Ms. Carey teamed up with Ol' Dirty Bastard, of the Wu-Tang Clan, for the 1995 hit "Fantasy (Remix)", it was a surprise, and a smash." Aside from her pop culture and musical influence, Carey is credited for releasing a classic Christmas song called "All I Want For Christmas Is You". In a retrospective look at Carey's career, Sasha Frere-Jones of ''The New Yorker'' said, the "charming" song was one of Carey's biggest accomplishments, calling it "one of the few worthy modern additions to the holiday canon". ''Rolling Stone'' ranked "All I Want for Christmas Is You" fourth on its Greatest Rock and Roll Christmas Songs list, calling it a "holiday standard." Following the release of her ''Greatest Hits'' album, Devon Powers of Popmatters has said in his review that "She has influenced countless female vocalists after her. At 32, she is already a living legend—even if she never sings another note."

Honors and awards

Throughout Carey's career, she has collected many honors and awards, including the World Music Awards' Best Selling Female Artist of the Millennium, the Grammy's Best New Artist in 1991, Billboard's Special Achievement Award for the Artist of the Decade during the 1990's. In a career spanning over 20 years, Carey has sold over 200 million albums, singles, and videos worldwide, making her one of the biggest-selling artists in music history. Carey is ranked as the best-selling female artist of the Nielsen SoundScan era, with over 52 million copies sold. Possessing a five-octave vocal range, Carey was ranked first in MTV and ''Blender'' magazine's 2003 countdown of the 22 Greatest Voices in Music, and was placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists". Aside from her voice, she has become known for her songwriting. Yahoo Music editor Jason Ankeny wrote, "She earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material." According to ''Billboard'' magazine, she was the most successful artist of the 1990s in the United States. At the 2000 World Music Awards, Carey was given a Legend Award for being the "best-selling female pop artist of the millennium", as well as the "Best-selling artist of the 90s" in the United States, after releasing a series of albums of multi-platinum status in Asia and Europe, such as ''Music Box'' and ''Number 1's''. She is also a recipient of the Chopard Diamond Award in 2003, recognizing sales of over 100 million albums worldwide. Additionally, the Recording Industry Association of America (RIAA) lists Carey as the third-best-selling female artist, with shipments of over 63 million units in the U.S. In Japan, Carey has the top four highest-selling albums of all time by a non-Asian artist.

Carey has spent a record 79 weeks at the number-one position on ''Billboard'' Hot 100, becoming the artist with the most weeks at number-one in U.S. chart history. On that same chart, she has accumulated 18 number-one singles, which ties her with Elvis Presley for the second most number-one singles in the chart's history (after only The Beatles). In 1994, Carey released her holiday album ''Merry Christmas'', which became the best selling Christmas album of all time, selling over 15 million copies worldwide. It also produced the successful single "All I Want for Christmas Is You", which became the only holiday song and ringtone to reach multi-platinum status in the U.S. In Japan, ''Number 1's'' has sold over 3,250,000 copies and is the best-selling album of all time in Japan by a non-Asian artist. Her hit single "One Sweet Day", which featured Boyz II Men, spent sixteen consecutive weeks at the top of ''Billboard''s Hot 100 chart in 1996, setting the record for the most weeks atop the Hot 100 chart in history. After Carey's success in Asia with ''Merry Christmas'', ''Billboard'' estimated Carey as the all-time best-selling international artist in Japan. In 2008, ''Billboard'' magazine listed "We Belong Together" ninth on The ''Billboard'': All-Time Hot 100 Top Songs and the most successful song of the first decade of the 21st century. In 2009, Carey's song "Obsessed" became her 12th Platinum single, the most by any female artist. Also in 2009, Carey's cover of Foreigner's song "I Want to Know What Love Is" became the longest-running number-one song in Brazilian singles chart history, spending 27 consecutive weeks at number-one. Additionally, Carey has had three songs debut at number-one on the ''Billboard'' Hot 100: "Fantasy", "One Sweet Day" and "Honey", making her the artist with the most number-one debuts in the chart's 52-year history. Also, she is the first female artist to debut at number 1 in the U.S. with "Fantasy". In 2010, Carey's 13th album and second Christmas album, ''Merry Christmas II You'', debuted at No.1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top that chart. On November 19, 2010, ''Billboard'' magazine named Carey in their "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" chart at number four.

Philanthropy and other activities

Carey is a philanthropist who has donated time and money to organizations such as the Fresh Air Fund. She became associated with the Fund in the early 1990s, and is the co-founder of a camp located in Fishkill, New York, that enables inner-city youth to embrace the arts and introduces them to career opportunities. The camp was called Camp Mariah "for her generous support and dedication to Fresh Air children", and she received a Congressional Horizon Award for her youth-related charity work. She is well-known nationally for her work with the Make-A-Wish Foundation in granting the wishes of children with life-threatening illnesses, and in November 2006 she was awarded the Foundation's Wish Idol for her "extraordinary generosity and her many wish granting achievements". Carey has volunteered for the New York City Police Athletic League and contributed to the obstetrics department of New York Presbyterian Hospital Cornell Medical Center. A percentage of the sales of ''MTV Unplugged'' was donated to various other charities. In 2008, Carey was named Hunger Ambassador of the World Hunger Relief Movement. She is giving a free download of her song, "Love Story", to customers who donate to the organization at participating restaurants. In February 2010, the song, "100%", which was originally written and recorded for the film, ''Precious'', was used as one of the theme songs for the 2010 Winter Olympics, with all money proceeds going to Team USA.

One of Carey's most high-profile benefit concert appearances was on VH1's 1998 ''Divas Live'' special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success, and Carey participated in the Divas 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception. She appeared at the ''America: A Tribute to Heroes'' nationally televised fundraiser in the aftermath of the September 11 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special ''At Home for the Holidays'', which documented real-life stories of adopted children and foster families, and she has worked with the New York City Administration for Children's Services. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon "Shelter from the Storm". In August 2008, Carey and other singers recorded the charity single, "Just Stand Up" produced by Babyface and L. A. Reid, to support "Stand Up to Cancer". On September 5, the singers performed it live on TV.

Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire's and Icing stores. During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including "Time of Your Life". She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she released her own fragrance, "M". According to ''Forbes'', Carey was the sixth richest woman in entertainment , with an estimated net worth of US $225 million. Carey directed or co-directed several of the music videos for her singles during the 1990s. ''Slant'' magazine named the video for "The Roof (Back in Time)", which Carey co-directed with Diane Martel, one of the twenty greatest music videos of all time. In 2008, Carey made ''Time'''s annual list of 100 most Influential people. In January 2010, Carey announced via Twitter that she is launching a new rosé champagne brand called Angel Champagne. On November 29, 2010, Mariah debuted a collection on HSN, the collection range included jewelry, shoes and fragrances. She returned on Friday, February 11, 2011 with newly released products.

Filmography

! Year	! Title	! Role	Notes
1999		Ilana
2001		Billie Frank
2002	''WiseGirls''	Raychel
2003	''Death of a Dynasty''	Herself	Cameo appearance
2005	''State Property 2''	Dame's Wifey
2008	''You Don't Mess with the Zohan''	Herself	Cameo appearance
2009		Krystal
2009		Mrs. Weiss	Breakthrough Performance Award at the Palm Springs International Film FestivalSupporting Actress of the Year at the Capri Hollywood International Film FestivalNominated –
! Year	! Title	! Role	Notes
2002	''[[Ally McBeal">Black Reel Awards

! Year	! Title	! Role	Notes
2002	''[[Ally McBeal''	Candy Cushnip
2003	''The Proud Family''	Herself	Voice role

Discography

''Mariah Carey'' (1990)

''Emotions'' (1991)

''Music Box'' (1993)

''Merry Christmas'' (1994)

''Daydream'' (1995)

''Butterfly'' (1997)

''Rainbow'' (1999)

''Glitter'' (2001)

''Charmbracelet'' (2002)

''The Emancipation of Mimi'' (2005)

''E=MC²'' (2008)

''Memoirs of an Imperfect Angel'' (2009)

''Merry Christmas II You'' (2010)

See also

List of artists who reached number one on the Hot 100 (U.S.)

List of artists who reached number one on the U.S. dance chart

List of awards received by Mariah Carey

List of best-selling music artists

List of best selling music artists in U.S.

List of Mariah Carey tours

Notes

References

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Mulholland, Garry. ''The Illustrated Encyclopedia of Music'' (2003). pg. 57. UK: Flame Tree Publishing. ISBN 1-904041-70-1.

''Guinness Rockopedia'' (1998). pg. 74. UK: Guinness Publishing Ltd. ISBN 0-85112-072-5.

Larkin, Colin. ''The Encyclopedia of Popular Music Volume II: 3rd Edition'' (1998). pg. 934. UK: Muze UK Ltd. ISBN 0-333-74134-X.

O'Brien, Lucy. ''She Bop II: The Definitive History of Women in Rock, Pop and Soul'' (2002). pg. 29, 476–481. UK: Continuum. ISBN 0-8264-5776-2 (paperback).

[ Mariah Carey – Credits]. ''Allmusic''. Retrieved April 22, 2006.

U.S. charts and sales compiled by ''Billboard'' magazine and Nielsen SoundScan ; see http://web.archive.org/web/20080409233339/http://www.mariahdaily.com/corantofiles/news-archive-1-2006.shtml. Retrieved February 7, 2007.

"Mariah Carey – Artist Chart History". ''Billboard''. Retrieved March 12, 2006.

UK charts compiled by The Official UK Charts Company ; see http://www.mariah-charts.com/chartdata/UKTop40.htm. Retrieved February 7, 2007.

Canadian charts compiled by Jam Canoe and Nielsen SoundScan; see http://www.mariah-charts.com/chartdata/Canada.htm. Retrieved February 7, 2007.

Australian charts compiled by the Australian Recording Industry Association ; see http://www.mariah-charts.com/chartdata/Australia.htm.

Japanese charts compiled by Oricon; see http://www.oricon.co.jp/artists/163336/. Retrieved February 7, 2007.

''People in the News''. CNN. Airdate: April 30, 2005. ''Larry King Live''. CNN. Airdate: December 19, 2002.

"Mariah Carey to Receive Congressional Award for Charity Efforts". MTV.com. April 13, 1999. Retrieved April 22, 2006.

Duffy, Mike. "Mariah Carey leads heartfelt holiday special to promote adoption". ''Detroit Free Press''. December 21, 2001. Retrieved from the Wayback Machine on April 22, 2006.

"The fall and rise of Mariah Carey". Bbc.co.uk. February 8, 2006. Retrieved March 12, 2006.

Norris, John. "Mariah: Remixes, Reunions and Russia". MTV.com. October 2003. Retrieved March 12, 2006.

Frere-Jones, Sasha. "On Top: Mariah Carey's record-breaking career". ''The New Yorker''. April 3, 2006.

"Awards". MariahCarey.com. Retrieved April 22, 2006.

''Fred Bronson's Billboard Book of Number 1 Hits, 5th Edition'' (ISBN 0-8230-7677-6)

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Sixties'' (ISBN 0-89820-074-1)

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Nineties'' (ISBN 0-89820-137-3)

Additional information concerning Carey's chart history can be retrieved and verified in ''Billboard's'' online archive services and print editions of the magazine.

External links

Official website

[ Mariah Carey] at Allmusic

Mariah Carey at LAUNCHcast

}}

Category:1970 births Category:Actors from New York Category:African American actors Category:African American female singers Category:African American female singer-songwriters Category:African American musicians Category:African American songwriters Category:American dance musicians Category:American female singers Category:American film actors Category:American musicians of Irish descent Category:American music video directors Category:American people of Venezuelan descent Category:American philanthropists Category:American pop singers Category:American record producers Category:American rhythm and blues singer-songwriters Category:American sopranos Category:English-language singers Category:Grammy Award winners Category:Hip hop singers Category:Island Records artists Category:Living people Category:Musicians from New York Category:People from Long Island Category:Singers with a five octave vocal range Category:Spanish-language singers Category:World Music Awards winners

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name	Ric Ocasek
background	solo_singer
birth name	Richard T. Otcasek
born	March 23, 1949Baltimore, Maryland United States
instrument	Vocals, guitar, keyboards, bass
genre	Rock, Powerpop, New Wave, protopunk, garage rock,
occupation	Musician, songwriter, music producer, record producer
years active	1976–present
label	Elektra, Reprise, Rhino
associated acts	The Cars
website	Ric Ocasek Official website
notable instruments	}}

Ric Ocasek (born Richard T Otcasek on March 23, 1949 in Baltimore, Maryland) is an American musician and music producer. He is best known as lead vocalist (formerly one of two and now the only) and rhythm guitarist for the rock band, The Cars.

Ocasek's father, a computer analyst for NASA, was transferred to Cleveland, Ohio when he was 16. After graduating from high school in Cleveland, Ocasek then attended Bowling Green State University near Toledo, Ohio. He is married to model Paulina Porizkova.

The Cars

Ric Ocasek's breakout success was as a founding member of the new wave band The Cars, which had numerous hit songs from 1976 to 1988. He played rhythm guitar and sang lead vocals on many tracks, as well as playing keyboard instruments and bass. Ocasek was the principal songwriter of the band, and wrote nearly all of The Cars material, sharing credit on only a few songs with fellow bandmate Greg Hawkes as co-writer. During his time with The Cars, Ocasek developed a reputation as a successful producer, and took this role for many up-and-coming bands of differing genres including, but not limited to Weezer, Bad Brains, Bad Religion, Nada Surf, No Doubt, Guided by Voices, Bran Van 3000, and Suicide, as well as some of The Cars albums and singles. In 2010, Ocasek reunited with the surviving original members of The Cars to record their first album in 24 years, titled ''Move Like This'', which came out on May 10, 2011.

Solo career

The singer released his first solo album in 1982. ''Beatitude'' is a somewhat more experimental variation of The Cars' New Wave rock sound. A more synthesizer-heavy follow up, ''This Side Of Paradise'', was released in 1986. A #15 hit single, "Emotion in Motion", accompanied the album.

The Cars disbanded in 1988, and he disappeared from the public eye for a couple of years, resurfacing in 1990 with ''Fireball Zone''. One track, "Rockaway", enjoyed a brief stay on the charts, but his solo albums have seen disappointing sales, especially compared to his success with the Cars. He subsequently released other solo works throughout the decade, including 1993's ''Quick Change World'', 1996's ''Getchertikitz'' (a collaboration with Suicide's Alan Vega comprising only beatnik poetry set to music, sound effects, etc.), and 1997's Billy Corgan-produced ''Troublizing'' (which Ocasek supported with a very brief tour, his first since leaving the Cars). In 2005, Ocasek released another album, ''Nexterday'', to little fanfare, but positive reviews.

Producing

Ocasek has produced many records, both while working with The Cars and since then, such as Bad Brains' ''Rock for Light'' and Guided by Voices' ''Do the Collapse''. His other production credits include Weezer's Blue Album & Green Album (both multi-platinum), Suicide, Romeo Void, Hole, Bebe Buell, No Doubt, Nada Surf, Irish folk-punk band Black 47, Bad Religion, Johnny Bravo, D Generation, The Wannadies, Possum Dixon, Martin Rev, Jonathan Richman, and, most recently, the 2006 album by The Pink Spiders titled ''Teenage Graffiti''. He also produced a portion of the third Motion City Soundtrack album, Even If It Kills Me.

In other media

Ocasek wrote a book of poetry, 1993's ''Negative Theatre''. It was at one time expected to be incorporated into an album and multimedia incarnation of the same name, but these plans were dropped abruptly. For many years Ocasek had a side hobby of making drawings, photo collages, and mixed-media art works which, in 2009, were shown at a gallery in his home town of Columbus, Ohio.

Ocasek had a cameo role in the John Waters feature film ''Hairspray'', and had a bit part in the 1987 movie ''Made in Heaven'' in which he played a mechanic.

Ocasek stated in a 2005 interview in ''Rockline'' that he hated touring and it was unlikely that he would do so again. He also stated he would not be reuniting with The Cars again, but gave the okay to his former fellow bandmates to do so with Todd Rundgren replacing him on vocals (the resulting band is called The New Cars).

On April 17, 2006, Ocasek appeared on ''The Colbert Report'' and volunteered to put Todd Rundgren "on notice". He appeared again on the July 26, 2006, episode to cheers from the audience as he volunteered to lead a commando mission to "rescue" Stephen Jr., the baby eagle at the San Francisco Zoo named after Stephen Colbert. He also appeared again on April 18, 2007, in order to support his wife during her appearance on the show, after remarks that she found Colbert "extremely attractive". He has been mentioned many times in other episodes as well.

The Cars, with Ocasek, appeared on ''The Colbert Report'' on August 9, 2011, to promote their new album, ''Move Like This''.

Personal life

Ocasek has been married three times; he married early in life, but divorced and was married to his second wife, Suzanne Ocasek in 1984. Ocasek was still married to Suzanne when he met model Paulina Porizkova during filming of the music video for The Cars' song "Drive" (directed by Timothy Hutton) later that same year. At that time, Porizkova was 19 years old and Ocasek was 35. He also stated he was Bi-sexual in a 1986 interview stating "I like beautiful women. Tall, thin, beautiful women. Fat little ugly women. I like all kinds of women. I'm always attracted to the opposite sex. I'm attracted to both sexes, actually. But not only beautiful men -- I think I like weird men."

Five years after meeting, in 1989, Ocasek and Porizkova married. This was Ocasek's third marriage, and Porizkova's first. In 2009, the couple celebrated their 20th wedding anniversary and their 25th anniversary since they first met.

Ocasek has a total of six sons, two from each of his three marriages.

He and co-founder of The Cars, Benjamin Orr, were known to be close friends. Their friendship was commemorated in a song Ocasek wrote as a dedication to Orr upon his death in 2000 ("Silver", from ''Nexterday'').

Discography

Solo albums

''Beatitude'' (1982 Geffen Records)

''This Side of Paradise'' (1986 Geffen Records)

''Fireball Zone'' (1991 Reprise Records)

''Quick Change World'' (1993 Reprise Records)

''Negative Theater'' (1993 Warner EU; European release only)

''Getchertikitz'' (1996 Sound Effects)

''Troublizing'' (1997 Sony Entertainment)

''Nexterday'' (2005 Sanctuary / Inverse)

Singles

! Year	! Song	! Australia	! Canada	Billboard Hot 100>US Hot 100	Mainstream Rock Tracks>US MSR	Adult Contemporary chart>US A.C.	Hot Dance Music/Club Play>US Dance	! Album
	"Something to Grab For"	style="text-align:center;"
style="text-align:center;"
		style="text-align:center;"
style="text-align:center;"
"Jimmy Jimmy"	style="text-align:center;"
style="text-align:center;"
style="text-align:center;"
	style="text-align:center;"
"Connect Up to Me"	style="text-align:center;"
style="text-align:center;"
style="text-align:center;"
style="text-align:center;"
style="text-align:center;"
							style="text-align:center;"
"True to You"		style="text-align:center;"
		style="text-align:center;"
style="text-align:center;"
1991	"Rockaway"	style="text-align:center;"
	style="text-align:center;"
	style="text-align:center;"
style="text-align:center;"
''Fireball Zone''

References

External links

Ric Ocasek VH1 Artist Page

Ric Ocasek AOL Artist Page

Ric Ocasek Billboard Artist Page

[ Ric Ocasek Allmusic Artist Page]

Category:1949 births Category:People from Baltimore, Maryland Category:American male singers Category:American record producers Category:American rock guitarists Category:The Cars members Category:American rock singers Category:Musicians from Maryland Category:Living people Category:American New Wave musicians

cs:Ric Ocasek de:Ric Ocasek es:Ric Ocasek fr:Ric Ocasek it:Ric Ocasek nl:Ric Ocasek no:Ric Ocasek pl:Ric Ocasek pt:Ric Ocasek fi:Ric Ocasek sv:Ric Ocasek