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Rossi
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Austria
Austria or (), officially the Republic of Austria (German: ), is a landlocked country of roughly 8.3 million people in Central Europe. It is bordered by Germany and the Czech Republic to the north, Slovakia and Hungary to the east, Slovenia and Italy to the south, and Switzerland and Liechtenstein to the west. The territory of Austria covers and has a temperate and alpine climate. Austria's terrain is highly mountainous due to the presence of the Alps; only 32% of the country is below , and its highest point is . The majority of the population speaks German, which is also the country's official language. Other local official languages are Croatian, Hungarian and Slovene.
http://wn.com/Austria -
Cesare Sterbini
Cesare Sterbini (1784 – January 19, 1831) was an Italian writer.
http://wn.com/Cesare_Sterbini -
Charles X of France
:"Charles X" redirects here. For the King of Sweden, see Charles X Gustav of Sweden, for the Catholic claimant of 1589, see Charles, Cardinal de Bourbon.
http://wn.com/Charles_X_of_France -
Claudio Scimone
Claudio Scimone (born December 21, 1934) is an Italian conductor.
http://wn.com/Claudio_Scimone -
Domenico Barbaia
Domenico Barbaia (sometimes spelled Barbaja; 1778 - October 16, 1841) was an Italian impresario.
http://wn.com/Domenico_Barbaia -
Dorothea Lieven
Countess, later HSH Princess Dorothea von Lieven (, Daria Khristoforovna Liven), née Benckendorff (17 December 1785 - 27 January 1857), a Russian noblewoman and wife of Prince Khristofor Andreyevich Lieven, Russian ambassador to London, 1812 to 1834, was a political force in her own right.
http://wn.com/Dorothea_Lieven -
Faust
Faust or (Latin for "auspicious" or "lucky") is the protagonist of a classic German legend. Though a highly successful scholar, he is unsatisfied, and makes a deal with the devil, exchanging his soul for unlimited knowledge and worldly pleasures. Faust's tale is the basis for many literary, artistic, cinematic, and musical works. The meaning of the word and name has been reinterpreted through the ages. Faust, and the adjective Faustian, are often used to describe an arrangement in which an ambitious person surrenders moral integrity in order to achieve power and success: the proverbial "deal with the devil." The terms can also refer to an unquenchable thirst for knowledge.
http://wn.com/Faust -
Ferdinando Paer
Ferdinando Paer (1 July 1771 - 3 May 1839) was an Italian composer.
http://wn.com/Ferdinando_Paer -
Gaetano Rossi
Gaetano Rossi (May 18, 1774 – January 25, 1855) was an Italian writer who wrote opera libretti for several composers including Mayr, Rossini, Donizetti, and Meyerbeer.
http://wn.com/Gaetano_Rossi -
Giovanni Paisiello
Giovanni Paisiello (or Paesiello) (May 9, 1740 – June 5, 1816) was an Italian composer of the Classical era.
http://wn.com/Giovanni_Paisiello -
Giovanni Tadolini
Giovanni Tadolini (18 October 1789 – 29 November 1872) was an Italian composer, conductor and singing instructor, who enjoyed a career that alternated between Bologna and Paris. Tadolini is probably best known for completing six sections of Rossini's 1833 version of the Stabat mater after the latter fell sick. However, he also composed eight operas as well as sinfonias, sonatas, chamber music, and numerous pieces of religious music and art songs.
http://wn.com/Giovanni_Tadolini -
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. Although his work was sometimes criticized for using a generally diatonic rather than a chromatic musical idiom and having a tendency toward melodrama, Verdi’s masterworks dominate the standard repertoire a century and a half after their composition.
http://wn.com/Giuseppe_Verdi -
Horace Vernet
Émile Jean-Horace Vernet (30 June 1789 - 17 January 1863) was a French painter of battles, portraits, and Orientalist Arab subjects.
http://wn.com/Horace_Vernet -
Isabella Colbran
Isabella Colbran (2 February 1785, Madrid—7 October 1845, Bologna) was a Spanish opera singer, who was known in her native country as Isabel Colbrandt. Many sources note her as a dramatic coloratura soprano but, some believe that she was a mezzo-soprano with a high extension, a soprano sfogato. Her range was a strong G below middle C to a very agile and ringing E above high C. In addition to singing, she also composed four collections of songs throughout her lifetime. Each group of songs was dedicated to either the Empress of Russia; her teacher, Crescenti; the Queen of Spain; and Prince Eugènie de Beauharnais.
http://wn.com/Isabella_Colbran -
James Galway
Sir James Galway OBE (born December 8, 1939) is a Northern Ireland–born virtuoso flutist from Belfast, nicknamed "The Man With the Golden Flute". Following in the footsteps of Jean-Pierre Rampal, he became one of the first flute players to establish an international career as a soloist.
http://wn.com/James_Galway -
Joseph Haydn
Franz Joseph Haydn (31 March 173231 May 1809), known as Joseph Haydn (; ), was an Austrian composer, one of the most prolific and prominent composers of the classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these genres. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
http://wn.com/Joseph_Haydn -
Ludwig van Beethoven
Ludwig van Beethoven ( (US) or (UK); ; baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is considered to have been the most crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most famous and influential composers of all time.
http://wn.com/Ludwig_van_Beethoven -
Mauro Giuliani
Mauro Giuseppe Sergio Pantaleo Giuliani (July 27, 1781 – May 8, 1829) was an Italian guitarist and composer, and is considered by many to be one of the leading guitar virtuosi of the early 19th century.
http://wn.com/Mauro_Giuliani -
Napoleon I of France
http://wn.com/Napoleon_I_of_France -
Ottorino Respighi
Ottorino Respighi (; July 9, 1879, Bologna - April 18, 1936) was an Italian composer, musicologist and conductor. He is best known for his orchestral Roman trilogy: Fontane di Roma - "Fountains of Rome"; Pini di Roma - "Pines of Rome"; and Feste Romane - "Roman Festivals". His musicological interest in 16th-, 17th- and 18th-century music led him to also compose pieces based on the music of this period.
http://wn.com/Ottorino_Respighi -
Philip Gossett
Philip Gossett (born New York, 27 September 1941) is an American musicologist and historian, and recently officially retired from the post of Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago. His lifelong interest in 19th century Italian opera, which began with listening to the Metropolitan Opera broadcasts in his youth, most recently led to the publication of a major book on the subject, Divas and Scholars: Performing Italian Opera, which won the Otto Kinkeldey Award of the American Musicological Society as the best book on music of 2006.
http://wn.com/Philip_Gossett -
Pierre Beaumarchais
Pierre-Augustin Caron de Beaumarchais (; 24 January 1732 – 18 May 1799) was a watchmaker, inventor, musician, diplomat, fugitive, spy, publisher, arms dealer, and revolutionary (both French and American). He was best known, however, for his theatrical works, especially the three Figaro plays.
http://wn.com/Pierre_Beaumarchais -
Prince Metternich
http://wn.com/Prince_Metternich -
Saverio Mercadante
Giuseppe Saverio Raffaele Mercadante (baptised 17 September 179517 December 1870) was an Italian composer, particularly of operas.
http://wn.com/Saverio_Mercadante -
Stanislao Mattei
Stanislao Mattei (10 February 1750, Bologna17 May 1825, Bologna) was an Italian composer, musicologist, and teacher. A pupil of Giovanni Battista Martini, Mattei's music bares a close resemblance to his style of composition. He succeeded Martini in the post of maestro di cappella at the San Petronio Basilica in 1784.
http://wn.com/Stanislao_Mattei -
Stanley Sadie
Stanley Sadie CBE (30 October 1930 – 21 March 2005) was a leading British musicologist, music critic, and editor. He was editor of the sixth edition of the Grove Dictionary of Music and Musicians (1980), which was published as the first edition of the New Grove Dictionary of Music and Musicians.
http://wn.com/Stanley_Sadie -
Tournedos Rossini
Tournedos Rossini is a French steak dish, purportedly created for the composer Gioachino Rossini by Auguste Escoffier, although the identity of the creator of the dish remains a matter of dispute. The dish comprises a tournedos (filet mignon) of beef, pan-fried in butter, served on a crouton, and topped with a slice of whole foie gras. The dish is garnished with slices of black truffle, and finished with a Madeira demi-glace sauce.
http://wn.com/Tournedos_Rossini -
Voltaire
François-Marie Arouet (; 21 November 1694 – 30 May 1778), better known by the pen name Voltaire (), was a French Enlightenment writer and philosopher famous for his wit and for his advocacy of civil liberties, including freedom of religion and free trade. Voltaire was a prolific writer and produced works in almost every literary form including plays, poetry, novels, essays, historical and scientific works, more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken supporter of social reform, despite strict censorship laws and harsh penalties for those who broke them. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma and the French institutions of his day.
http://wn.com/Voltaire -
Walter Scott
Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832) was a Scottish historical novelist, playwright, and poet, popular throughout much of the world during his time.
http://wn.com/Walter_Scott
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Adriatic Sea
The Adriatic Sea () is a body of water separating the Italian Peninsula from the Balkan peninsula, and the system of the Apennine Mountains from that of the Dinaric Alps and adjacent ranges. The Adriatic Sea is a part of the Mediterranean Sea.
http://wn.com/Adriatic_Sea -
Austria
Austria or (), officially the Republic of Austria (German: ), is a landlocked country of roughly 8.3 million people in Central Europe. It is bordered by Germany and the Czech Republic to the north, Slovakia and Hungary to the east, Slovenia and Italy to the south, and Switzerland and Liechtenstein to the west. The territory of Austria covers and has a temperate and alpine climate. Austria's terrain is highly mountainous due to the presence of the Alps; only 32% of the country is below , and its highest point is . The majority of the population speaks German, which is also the country's official language. Other local official languages are Croatian, Hungarian and Slovene.
http://wn.com/Austria -
Florence
Florence ( , ; alternative obsolete spelling: Fiorenza, Latin: Florentia) is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with 367,569 inhabitants (1,500,000 in the metropolitan area).
http://wn.com/Florence -
Naples
Naples ( , , Neapolitan: Napule) is a city in Italy; it is the capital of the region of Campania and of the province of Naples. Known for its rich history, art, culture, architecture, music, and gastronomy, Naples has played an important role in the the Italian peninsula and beyond for much of its existence, which began more than 2,800 years ago. Situated on the west coast of Italy by the Gulf of Naples, the city is located halfway between two volcanic areas, Mount Vesuvius and the Phlegraean Fields.
http://wn.com/Naples -
Novara
Novara (Nuàra in Western Lombard) is the capital city of the province of Novara in the Piedmont region in northwest Italy, to the west of Milan. With c. 103.602 inhabitants, it is the second most populous city in Piedmont after Turin and it is the second urban area of the Region Piedmont with 190,000 inhabitants. It is an important crossroads for commercial traffic along the routes from Milan to Turin and from Genoa to Switzerland. Novara lies between the rivers Agogna and Terdoppio in northeastern Piedmont, 38 km from Milan and 95 km from Turin.
http://wn.com/Novara -
opera
http://wn.com/opera -
Pesaro
Pesaro () is a town and comune in the Italian region of the Marche, capital of the Pesaro e Urbino province, on the Adriatic. According to the 2007 census, its population was 92,206.
http://wn.com/Pesaro -
Romagna
Romagna is an Italian historical region that approximately corresponds to the south-eastern portion of present-day Emilia-Romagna. Traditionally, it is limited by the Apennines to the south-west, the Adriatic to the east, and the rivers Reno and Sillaro to the north and west. The region's major cities include Ravenna, Cesena, Faenza, Forlì, Imola, Rimini and City of San Marino (San Marino is a separate landlocked nation inside the Romagna historical region). The region has been recently formally expanded with the transfer of seven comuni (Casteldelci, Maiolo, Novafeltria, Pennabilli, San Leo, Sant'Agata Feltria, Talamello) from the Marche region, all of which are comuni where Romagnolo dialect is spoken.
http://wn.com/Romagna -
Teatro Argentina
The Teatro Argentina is an opera house and theatre located in the Largo di Torre Argentina, a square in Rome, Italy. It is one of the oldest theatres in Rome, and was inaugurated on January 31, 1732 with Berenice by Domenico Sarro.
http://wn.com/Teatro_Argentina -
Teatro di San Carlo
The Real Teatro di San Carlo is an opera house in Naples, Italy. It is the oldest continuously active such venue in Europe and it is recognized as a UNESCO World Heritage site.
http://wn.com/Teatro_di_San_Carlo -
Vienna
Vienna (; ; ) is the capital of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.7 million (2.3 million within the metropolitan area, more than 25% of Austria's population), and is by far the largest city in Austria, as well as its cultural, economic, and political centre. It is the 10th largest city by population in the European Union. Vienna is host to many major international organizations such as the United Nations and OPEC.
http://wn.com/Vienna
- 1940
- Adriatic Sea
- Angelo Tesei
- Armand Marrast
- Austria
- bel canto
- Bologna
- cantata
- cello
- Cesare Sterbini
- chamber music
- Charles X of France
- Cinderella
- Claudio Scimone
- composer
- Crescendo
- Demetrio e Polibio
- Domenico Barbaia
- Dorothea Lieven
- Faust
- Ferdinando Paer
- Florence
- French Revolution
- Gaetano Rossi
- Giovanni Paisiello
- Giovanni Schmidt
- Giovanni Tadolini
- Giuseppe Cassioli
- Giuseppe Prinetti
- Giuseppe Verdi
- gourmand
- harpsichord
- Helmuth Rilling
- Hippolyte Bis
- Horace Vernet
- I Solisti Veneti
- Il signor Bruschino
- Isabella Colbran
- James Galway
- Joseph Haydn
- July Revolution
- Kenilworth (novel)
- L'italiana in Algeri
- La Cenerentola
- La scala di seta
- Legion of Honour
- libretto
- Ludwig van Beethoven
- Mauro Giuliani
- Messa per Rossini
- Mosè in Egitto
- Moïse et Pharaon
- Naples
- Napoleon I of France
- Novara
- Olympe Pélissier
- opera
- Operabase
- ostinato
- Otello (Rossini)
- Ottorino Respighi
- Passy
- Pesaro
- Philip Gossett
- piano
- Pierre Beaumarchais
- Prince Metternich
- Péchés de vieillesse
- Red Sea
- Requiem (Verdi)
- Romagna
- Rossiniana
- sacred music
- Saverio Mercadante
- singing
- Stanislao Mattei
- Stanley Sadie
- string quartet
- Tancredi
- Teatro Argentina
- Teatro del Fondo
- Teatro di San Carlo
- Théâtre des Italiens
- Tournedos Rossini
- Vienna
- Voltaire
- Walter Scott
- William Tell (opera)
- World War II
- Zelmira
Rossi, Antero Filmography
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Daniele De Rossi 2011 NEW
- Order: Reorder
- Duration: 3:59
- Published: 24 Jan 2011
- Uploaded: 22 Dec 2011
- Author: dajechecco
Goals and Skills taken from the first part of season 2010-2011 and other previous seasons
http://wn.com/Daniele_De_Rossi_2011_NEW
Valentino Rossi hands out a racing masterclass at the Monza Rally Show 2011
- Order: Reorder
- Duration: 4:14
- Published: 30 Nov 2011
- Uploaded: 22 Dec 2011
- Author: monsterenergy
Valentino Rossi and Monster Energy put together a 3 car team and partnered up to shoot VR's exploits at the wheel of a WRC Fiesta for the 2011 edition of the Monza Rally Show. The MotoGP GOAT doesn't get a load of time to throw a rally car round with a co-driver barking out calls but let's face it, he's got a knack of being super fast on in any kind of race format. Over the course of the weekend, Valentino come a close second (in 2 race formats) to multiple WRC champ Seb Loeb and even beat the ace in the 2 stages he topped. Behind him sat last year's winner Dindo Capello and WRC great Dani Sordo. Che spectaculo! Music by The Bloody Beetroots 'Rombo' and "Welcome' - Étienne de Crésy
http://wn.com/Valentino_Rossi_hands_out_a_racing_masterclass_at_the_Monza_Rally_Show_2011
Valentino Rossi's Day At The Office
- Order: Reorder
- Duration: 4:10
- Published: 02 Jul 2009
- Uploaded: 20 Dec 2011
- Author: YamahaMotorUSA
What do Yamaha's MotoGP riders do with all the time between their races? yamaha-motor.com
http://wn.com/Valentino_Rossi's_Day_At_The_Office
Valentino Rossi at the Isle Of Man TT 2009
- Order: Reorder
- Duration: 3:17
- Published: 08 Jun 2009
- Uploaded: 21 Dec 2011
- Author: RossiTT2009
Valentino Rossi pays a visit to the Isle Of Man TT, 2009
http://wn.com/Valentino_Rossi_at_the_Isle_Of_Man_TT_2009
Valentino Rossi BURNOUT with his Ford Fiesta WRC - 2011 Monza Rally Show
Full HD 1080p Special Video from 2011 Monza Rally Show: Valentino Rossi makes an awesome burnout with his Ford Fiesta WRC!! "Like" my Facebook page: www.facebook.com Follow me on Twitter: twitter.com
http://wn.com/Valentino_Rossi_BURNOUT_with_his_Ford_Fiesta_WRC__2011_Monza_Rally_Show
Rossi pays tribute to SuperSic with special helmet
Valentino Rossi sports a special helmet decoration for the MotoGP season-closer in Valencia as a tribute to his close friend Marco Simoncelli who passed away two weeks ago in Malaysia.
http://wn.com/Rossi_pays_tribute_to_SuperSic_with_special_helmet
Andrea Rossi says: "Yes It's a Breakthrough". E-Cat 1 MW Unit Test, October 28, 2011
- Order: Reorder
- Duration: 1:51
- Published: 28 Oct 2011
- Uploaded: 15 Dec 2011
- Author: PESNetwork
Here is a brief excerpt from the approximate 1-hour results announcement and question and answer session held this evening in Bologna. He points out that hot fusion has yet to acheive overunity at all (and doesn't expect to for at least another 5 million), despite billions spent in R&D. So getting 470 kilowatts of continuos power while in self-sustaining mode (no external input) is indeed a breakthrough. Here's a transcription: "Mister [Paolo] Soglia has asked me if I think that the test of today is a breakthrough. I think yes, because I think today we have seen enough. No more small five or ten kilowatt units, but now we have overcame the difficulties connected with the basic engineering to make something that.... You know, to go in self sustain mode and make 400 [actually 479] kilowatt hours per hour... To understand that this is a breakthrough... " You can also think that hundreds of millions of dollars have been spent to try to have a COP [coefficient of performance] of 1.1 with nuclear fusion. Today we have made a theoretically endless COP making 470 kilowatt hour per hour of completely free energy, free of fuel. Yes, I think this is a breakthrough." "Of course this is the first step, but it is a very important first step...." Video shot by Sterling D. Allan of Pure Energy Systems News. See pesn.com
http://wn.com/Andrea_Rossi_says_Yes_It's_a_Breakthrough_E-Cat_1_MW_Unit_Test,_October_28,_2011
daniele de rossi tribute.avi
- Order: Reorder
- Duration: 5:45
- Published: 03 Aug 2011
- Uploaded: 18 Oct 2011
- Author: SuperLouis16
the best midfielder
http://wn.com/daniele_de_rossi_tributeavi
Vasco Rossi - Eh...già
- Order: Reorder
- Duration: 3:59
- Published: 03 Feb 2011
- Uploaded: 23 Dec 2011
- Author: VascoRossiVEVO
Music video by Vasco Rossi performing Eh...già. Directed by Jako. (P) 2011 The copyright in this audiovisual recording is owned by EMI Music Italy srl
http://wn.com/Vasco_Rossi__Ehgià
The Magic of Mr. Rossi
The story of the invention which promises to change the world by Angelo Saso In Greece there's a company ready to bet on it 200 Millions euros, in the United States the industrial production is allegedly already started and there's a plan to put the device on the market later this year. The Energy Catalyzer, created by the Italian inventor Andrea Rossi, is still a mysterious prototype but it promises to become soon an international case and even a revolution in our way of life and in our approach to energy generation. E-Cat is a small device apparently able to convert few grams of nickel powder and a small amount of high pressure hydrogen in electric power for many months. The application for a patent is still pending: therefore Mr. Rossi has not revealed the secrets of the process still. Many tests confirmed that the measured power output cannot be the result of any chemical process. Two authoritative Swedish physicists, who took part in one of the tests, said: "the explanation is that there is necessarily a nuclear reaction" and: "If it's true, their inventors would deserve the Nobel Prize". But there is not any scientifically viable theory on what really happens in E-cat's reaction chamber. Is this a hoax? A collective hallucination? Or a radical innovation instead? Rainews reporter Angelo Saso has interviewed the main players and experts in order to reveal the backstage of such an invention "which promises to change the world".
http://wn.com/The_Magic_of_Mr_Rossi
Valentino Rossi's 2011 Ducati unveiled
- Order: Reorder
- Duration: 2:01
- Published: 12 Jan 2011
- Uploaded: 22 Dec 2011
- Author: motorcyclenewsdotcom
This is the first look at the factory Ducati GP11 Valentino Rossi hopes will help him capture a tenth Grand Prix world title this year.
http://wn.com/Valentino_Rossi's_2011_Ducati_unveiled
Giuseppe Rossi ~ Just Incredible HD
SUBSCRIBE for more videos! Leave a LIKE/COMMENT and FAVOURITE if you like this video Thanks for watching. mrConti77 Music: The All American Rejects - Dirty Little Secret
http://wn.com/Giuseppe_Rossi_~_Just_Incredible_HD
Ducati DesmosediciGP12 first time on track with Rossi
- Order: Reorder
- Duration: 1:24
- Published: 08 Apr 2011
- Uploaded: 22 Dec 2011
- Author: DucatiMotorHolding
The Ducati Desmosedici GP12 for the first time is on the track at Jerez with Valentino Rossi!
http://wn.com/Ducati_DesmosediciGP12_first_time_on_track_with_Rossi
Vasco Rossi - I soliti
- Order: Reorder
- Duration: 3:41
- Published: 26 Aug 2011
- Uploaded: 23 Dec 2011
- Author: VascoRossiVEVO
Music video by Vasco Rossi performing I soliti. (P) 2011 The copyright in this sound recording is owned by EMI Music Italy srl
http://wn.com/Vasco_Rossi__I_soliti
Vasco Rossi - Stammi vicino
- Order: Reorder
- Duration: 5:24
- Published: 02 Dec 2011
- Uploaded: 23 Dec 2011
- Author: VascoRossiVEVO
Music video by Vasco Rossi performing Stammi vicino. (P) 2011 The copyright in this audiovisual recording is owned by EMI Music Italy srl
http://wn.com/Vasco_Rossi__Stammi_vicino
Andrea Rossi Ecat Test Bologna October 6
- Order: Reorder
- Duration: 5:21
- Published: 10 Oct 2011
- Uploaded: 18 Dec 2011
- Author: Ecatdotcom
This is a short summary of the Ecat test in Bologna October 6, 2011. Interviews conducted with Roland Pettersson, University of Uppsala, Mats Lewan of Nyteknik and Andrea Rossi. More videos and interviews to be released soon. Consider this a teaser.
http://wn.com/Andrea_Rossi_Ecat_Test_Bologna_October_6
Daniele De Rossi - The Gladiator Of Rom
- Order: Reorder
- Duration: 4:09
- Published: 10 Oct 2011
- Uploaded: 21 Dec 2011
- Author: DanceMichael1
Pro Football Daniele De Rossi !
http://wn.com/Daniele_De_Rossi__The_Gladiator_Of_Rom
Giuseppe Rossi's 32 Goals of 10/11 in 2 Minutes (HD)
- Order: Reorder
- Duration: 2:04
- Published: 25 May 2011
- Uploaded: 21 Dec 2011
- Author: jackmcrobert
Giuseppe Rossi's 32 Goals of the 2010/11 season shown in 2 minutes. Playing for Villarreal, he had 18 League Goals and 11 in the Europa League. Only beaten by Messi and Ronaldo in Spain. My Europe's Top 7 Vids Messi's 53 - www.youtube.com Ronaldo's 53 - www.youtube.com Gomez's 39 - www.youtube.com Eto'o's 37 - www.youtube.com Cavani's 33 - www.youtube.com Rossi's 32 - www.youtube.com Di Natale's 28 - www.youtube.com
http://wn.com/Giuseppe_Rossi's_32_Goals_of_10/11_in_2_Minutes_HD
Meet the Artists '11: Andrew Rossi
Meet the Artists: Andrew Rossi on his documentary film "Page One: A Year Inside the New York Times" premiering at the 2011 Sundance Film Festival.
http://wn.com/Meet_the_Artists_'11_Andrew_Rossi
Rossi vs Biaggi 2001
- Order: Reorder
- Duration: 3:18
- Published: 27 Jul 2011
- Uploaded: 22 Dec 2011
- Author: 12arsenal4eva
Rossi and Biaggi during the 2001 Season. Credit too the original uploader. The footage is from the Faster Documentary. The Song is 'Whatever Happened To My Rock n Roll' By Black Rebel Motorcycle Club. What a way to end the 500cc era!
http://wn.com/Rossi_vs_Biaggi_2001
October 28 2011 Test of the 1 MW E-Cat Cold Fusion Device by Andrea Rossi.mpg
- Order: Reorder
- Duration: 1:41
- Published: 28 Oct 2011
- Uploaded: 22 Dec 2011
- Author: PESNetwork
A walk-around of Andrea Rossi's one megawatt E-cat cold fusion unit during the test of its operation on October 28, 2011 in Bologna. U starts and ends with radiators A brief walk along the building and into the building where people were waiting for their turn to see the unit. See RossiColdFusion.com for more coverage
http://wn.com/October_28_2011_Test_of_the_1_MW_E-Cat_Cold_Fusion_Device_by_Andrea_Rossimpg
2011 - Andrea Rossi Explains His Energy Catalyzer
- Order: Reorder
- Duration: 13:24
- Published: 20 Jun 2011
- Uploaded: 22 Dec 2011
- Author: StevenKrivit
"Steam": 11:30 tinyurl.com
http://wn.com/2011__Andrea_Rossi_Explains_His_Energy_Catalyzer
![Pavlovsk Palace, end of 19th century.Pavlovsk, the largest landscape park in 18th century Russia (1,500 acres),[28] is attributed to a succession of architects, starting with Cameron and ending with Carlo Rossi.](http://web.archive.org./web/20111227120200/http://cdn2.wn.com/pd/02/c0/d8fdf61544c1bf04ca621a10a7ac_medium.jpg "Pavlovsk Palace, end of 19th century.Pavlovsk, the largest landscape park in 18th century Russia (1,500 acres),[28] is attributed to a succession of architects, starting with Cameron and ending with Carlo Rossi.")
photo: AP / Alberto Pellaschiar
26 Dec 2011
Manchester City boss Roberto Mancini has ruled out a January move for Italy midfielder Daniele de Rossi. De Rossi has been touted as a potential City purchase for some time. And, with Mancini...
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photo: AP / Vadim Ghirda
26 Dec 2011
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Gioachino Antonio Rossini ( (Giovacchino Antonio Rossini in the baptismal certificate) (February 29, 1792 – November 13, 1868) was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces. His best-known operas include the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola and the French-language epics Moïse et Pharaon and Guillaume Tell (William Tell). A tendency for inspired, song-like melodies is evident throughout his scores, which led to the nickname "The Italian Mozart." Until his retirement in 1829, Rossini had been the most popular opera composer in history.
Fisher, Burton D., The Barber of Seville (Opera Classics Library Series). Grand Rapids: Opera Journeys, 2005.
Gossett, Philip, "Rossini, Gioachino" in Grove Music Online (Oxford Music Online, November 17, 2009)
Osborne, Richard, Rossini: His Life and Works (Oxford: Oxford University Press, 2007)
Osborne, Richard, "Rossini" in The Musical Times, Vol. 127, No. 1726 (December 1986), 691 (Musical Times Publications Ltd.) http://www.jstor.org/stable/964669
Steen, Michael, The Lives and Times of the Great Composers (NY: Oxford University Press, 2004)
Weinstock, Herbert, Rossini: A Biography (New York, 1968)
Gioachino Rossini biography
Fondazione G. Rossini
List and text of the songs on the website of the German Rossini Society
Rossini Opera Festival
Rossini in Wildbad – Belcanto opera festival
The Center for Italian Opera Studies: Rossini critical edition
[] – Riccardo Caramella performs Quatre Mendiants, Quatre hors d'oeuvres
Memoirs of Rossini by Marie Henri Beyle, Gioacchino Rossini, published in 1824
Books with "Rossini" as author (at Google Books)
Books with occurrences of "Rossini" (at Google Books)
Texts with occurrences of "Rossini" (at archive.org)
La vie de Rossini (fr) by Stendhal, tome I (at gutenberg.org)
La vie de Rossini (fr) by Stendhal, tome II (at gutenberg.org)
Rossini cylinder recordings, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.
Recent and future performances of Rossini operas from Operabase
1867 Caricature of Rossini by André Gill
Biography
Gioachino Antonio Rossini was born into a family of musicians in Pesaro, a town on the Adriatic coast of Italy. His father, Giuseppe, was a horn player and inspector of slaughterhouses. His mother, Anna, was a singer and a baker's daughter. Rossini's parents began his musical training early, and by the age of six he was playing the triangle in his father's musical group.Rossini's father was sympathetic to the French Revolution and welcomed Napoleon Bonaparte's troops when they arrived in northern Italy. When Austria restored the old regime in 1796, Rossini's father was sent to prison and his mother took him to Bologna, making a living as a leading singer at various theatres of the Romagna region. Her husband would ultimately join her in Bologna. During this time, Rossini was frequently left in the care of his aging grandmother, who had difficulty supervising the boy.
He remained at Bologna in the care of a pork butcher while his father played the horn in the orchestras of the theatres at which his wife sang. The boy had three years of instruction in the playing of the harpsichord from Giuseppe Prinetti, originally from Novara, who played the scale with two fingers only; Prinetti also owned a business selling beer and had a propensity to fall asleep while standing. These qualities made him a subject for ridicule in the eyes of the young Rossini.
Education
He was eventually taken from Prinetti and apprenticed to a blacksmith. In Angelo Tesei, he found a congenial music master, and learned to sight-read, play accompaniments on the piano and sing well enough to take solo parts in the church when he was ten years of age. Important from this period are six sonate a quattro, or string sonatas, composed in three days, unusually scored for two violins, cello and double bass. The original scores were found in the Library of Congress in Washington DC after World War II, dated from 1804 when the composer was twelve. Often transcribed for string orchestra, these sonatas reveal the young composer's affinity for Haydn and Mozart, already showing signs of operatic tendencies, punctuated by frequent rhythmic changes and dominated by clear, songlike melodies.In 1805 he appeared at the theatre of the Commune in Ferdinando Paer's Camilla, his only public appearance as a singer. He was also a capable horn player, treading in the footsteps of his father. Around this time, he composed individual numbers to a libretto by Vincenza Mombelli called Demetrio e Polibio, which was handed to the boy in pieces. Though it was Rossini's first opera, written when he was thirteen or fourteen, the work was not staged until the composer was twenty years old, premiering as his sixth official opera.
In 1806 Rossini became a cello student under Cavedagni at the Conservatorio di Bologna. The following year he was admitted to the counterpoint class of Padre Stanislao Mattei (1750–1825). He learned to play the cello with ease, but the pedantic severity of Mattei's views on counterpoint only served to drive the young composer's views toward a freer school of composition. His insight into orchestral resources is generally ascribed not to the strict compositional rules that he learned from Mattei, but to knowledge gained independently while scoring the quartets and symphonies of Haydn and Mozart. At Bologna, he was known as "il Tedeschino" ("the Little German") on account of his devotion to Mozart.
Early career
Through the friendly interposition of the Marquis Cavalli, his first opera, La cambiale di matrimonio (The Marriage Contract), was produced at Venice when he was a youth of 18 years. But two years before this he had already received the prize at the Conservatorio of Bologna for his cantata Il pianto d'Armonia sulla morte d’Orfeo. Between 1810 and 1813 at Bologna, Rome, Venice and Milan, Rossini produced operas of varying success, most notably La pietra del paragone and Il signor Bruschino, with its brilliant and unique overture. In 1813, Tancredi and L'italiana in Algeri were even bigger successes, and catapulted the 20-year-old composer to international fame.The libretto for Tancredi was an arrangement by Gaetano Rossi of Voltaire's tragedy Tancrède. Traces of Ferdinando Paer and Giovanni Paisiello were undeniably present in fragments of the music. But any critical feeling on the part of the public was drowned by appreciation of such melodies as "Di tanti palpiti... Mi rivedrai, ti rivedrò", which became so popular that the Italians would sing it in crowds at the law courts until called upon by the judge to desist. By his 21st birthday Rossini had established himself as the idol of the Italian opera public. He continued to write operas for Venice and Milan during the next few years, but their reception was tame and in some cases unsatisfactory after the success of Tancredi. In 1815 he retired to his home in Bologna, where Domenico Barbaia, the impresario of the Naples theatre, contracted an agreement that made him musical director of the Teatro di San Carlo and the Teatro del Fondo at Naples. He would compose one opera a year for each. His payment was to be 200 ducats per month; he was also to receive a share from the gambling tables set in the theatre's "ridotto", amounting to about 1000 ducats per annum. This was an extraordinarily lucrative arrangement for any professional musician at that time.
He visited the Naples conservatory, and, although less than four years senior to Mercadante, he said to the Director Niccolò Zingarelli, "My compliments Maestro – your young pupil Mercadante begins where we finish."
Some older composers in Naples, notably Zingarelli and Paisiello, were inclined to intrigue against the success of the youthful composer, but all hostility was rendered futile by the enthusiasm that greeted the court performance of his Elisabetta, regina d'Inghilterra, in which Isabella Colbran, who subsequently became the composer's wife, took a leading part. The libretto of this opera by Giovanni Schmidt was in many of its incidents an anticipation of those presented to the world a few years later in Sir Walter Scott's Kenilworth. The opera was the first in which Rossini wrote out the ornaments of the airs instead of leaving them to the fancy of the singers, and also the first in which the recitativo secco was replaced by a recitative accompanied by a string quartet.
The Barber of Seville (Il barbiere di Siviglia)
Rossini's most famous opera was produced on February 20, 1816, at the Teatro Argentina in Rome. The libretto, a version of Pierre Beaumarchais' stage play Le Barbier de Séville, was newly written by Cesare Sterbini and not the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how quickly Rossini's opera was written, scholarship generally agreeing upon two or three weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello's admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.Later in 1822, a 30-year-old Rossini succeeded in meeting Ludwig van Beethoven, who was then aged 51, deaf, cantankerous and in failing health. Communicating in writing, Beethoven noted: “Ah, Rossini. So you’re the composer of The Barber of Seville. I congratulate you. It will be played as long as Italian opera exists. Never try to write anything else but opera buffa; any other style would do violence to your nature.”
Marriage and mid-career
Between 1815 and 1823 Rossini produced 20 operas. Of these Otello formed the climax to his reform of serious opera, and offers a suggestive contrast with the treatment of the same subject at a similar point of artistic development by the composer Giuseppe Verdi. In Rossini's time the tragic close was so distasteful to the public of Rome that it was necessary to invent a happy conclusion to Otello.Conditions of stage production in 1817 are illustrated by Rossini's acceptance of the subject of Cinderella for a libretto only on the condition that the supernatural element should be omitted. The opera La Cenerentola was as successful as Barbiere. The absence of a similar precaution in construction of his Mosè in Egitto led to disaster in the scene depicting the passage of the Israelites through the Red Sea, when the defects in stage contrivance always raised a laugh, so that the composer was at length compelled to introduce the chorus "Dal tuo stellato soglio" to divert attention from the dividing waves.
In 1822, four years after the production of this work, Rossini married the renowned opera singer Isabella Colbran. In the same year, he moved from Italy to Vienna where his operas were the rage of the audiences. He directed his Cenerentola in Vienna, where Zelmira was also performed. After this he returned to Bologna, but an invitation from Prince Metternich to come to Verona and "assist in the general re-establishment of harmony" was too tempting to refuse, and he arrived at the Congress in time for its opening on October 20, 1822. Here he made friends with Chateaubriand and Dorothea Lieven.
In 1823, at the suggestion of the manager of the King's Theatre, London, he came to England, being much fêted on his way through Paris. In England he was given a generous welcome, which included an introduction to King George IV and the receipt of £7000 after a residence of five months. The next year he became musical director of the Théâtre des Italiens in Paris at a salary of £800 per annum. Rossini’s popularity in Paris was so great that Charles X gave him a contract to write five new operas a year, and at the expiration of the contract he was to receive a generous pension for life.
End of career
During his Paris years, between 1824 and 1829, Rossini created the comic opera Le Comte Ory and Guillaume Tell]] (William Tell). The production of Guillaume Tell in 1829 brought his career as a writer of opera to a close. He was thirty-eight years old and had already composed thirty-eight operas. Guillaume Tell was a political epic adapted from Schiller’s play (1804) about the thirteenth century Swiss patriot who rallied his country against the Austrians. The libretto was by Étienne Jouy and Hippolyte Bis, but their version was revised by Armand Marrast. The music is remarkable for its freedom from the conventions discovered and utilized by Rossini in his earlier works, and marks a transitional stage in the history of opera, the overture serving as a model for romantic overtures throughout the 19th century. Though an excellent opera, it is rarely heard uncut today, as the original score runs more than four hours in performance. The overture is one of the most famous and frequently recorded works in the classical repertoire.In 1829 he returned to Bologna. His mother had died in 1827, and he was anxious to be with his father. Arrangements for his subsequent return to Paris on a new agreement were temporarily upset by the abdication of Charles X and the July Revolution of 1830. Rossini, who had been considering the subject of Faust for a new opera, did return, however, to Paris in November of that year.
Six movements of his Stabat Mater were written in 1832 by Rossini himself and the other six by Giovanni Tadolini, a good musician who was asked by Rossini to complete the work. However, Rossini composed the rest of the score in 1841. The success of the work bears comparison with his achievements in opera, but his comparative silence during the period from 1832 to his death in 1868 makes his biography appear almost like the narrative of two lives—the life of swift triumph and the long life of seclusion, of which biographers give us pictures in stories of the composer's cynical wit, his speculations in fish culture, his mask of humility and indifference.
Later years
His first wife died in 1845, and on August 16, 1846, he married Olympe Pélissier, who had sat for Vernet for his picture of Judith and Holofernes. Political disturbances compelled Rossini to leave Bologna in 1848. After living for a time in Florence, he settled in Paris in 1855, where he hosted many artistic and literary figures. Rossini had been a well-known gourmand and an excellent amateur chef his entire life, but he indulged these two passions fully once he retired from composing, and today there are a number of dishes with the appendage "alla Rossini" to their names that were either created by or specifically for him. Probably the most famous of these is Tournedos Rossini, still served by many restaurants today.In the meantime, after years of various physical and mental illnesses, he had slowly returned to music, composing obscure little works intended for private performance. These included his Péchés de vieillesse ("Sins of Old Age"), which are grouped into 14 volumes, mostly for solo piano, occasionally for voice and various chamber ensembles. Often whimsical, these pieces display Rossini’s natural ease of composition and gift for melody, showing obvious influences of Beethoven and Chopin, with many flashes of the composer’s long buried desire for serious, academic composition. He died at the age of 76 from pneumonia at his country house at Passy on Friday, November 13, 1868. He was buried in Père Lachaise Cemetery in Paris, France. In 1887, his remains were moved to the Basilica di Santa Croce di Firenze, in Florence, at the request of the Italian government.
Honors and tributes
Rossini was a foreign associate of the institute, grand officer of the Legion of Honour and recipient of innumerable orders.Immediately after Rossini's death, Giuseppe Verdi proposed to collaborate with twelve other Italian composers on a Requiem for Rossini, to be performed on the first anniversary of Rossini's death, conducted by Angelo Mariani. The music was written, but the performance was abandoned shortly before its scheduled premiere. Verdi re-used the "Libera me, Domine" he had written for the Rossini Requiem in his 1872 Requiem for Manzoni. In 1989 the conductor Helmuth Rilling recorded the original Requiem for Rossini in its world premiere.
In 1900 Giuseppe Cassioli created a monument to Rossini in the Basilica of Santa Croce, Florence.
Rossiniana
Mauro Giuliani (who died in 1829) wrote six sets of variations for guitar on themes by Rossini, Opp. 119–124. Each set was called "Rossiniana", and collectively they are called "Rossiniane". This was the first known tribute by one composer to another using a title of the form -ana.In 1925, Ottorino Respighi orchestrated four pieces from Péchés de vieillesse as the suite Rossiniana (he had earlier used pieces from the same collection as the basis of his ballet La Boutique fantasque).
Notes
In his compositions, Rossini plagiarized freely from himself, a common practice among deadline-pressed opera composers of the time. Few of his operas are without such admixtures, frankly introduced in the form of arias or overtures. For example, in Il Barbiere there is an aria for the Count (often omitted) "Cessa di più resistere", which Rossini used (with minor changes) in the cantata Le Nozze di Teti e di Peleo and in La Cenerentola (the cabaletta for Angelina's rondo is almost unchanged). Moreover, four of his best known overtures, (La cambiale di matrimonio, Tancredi, La Cenerentola and The Barber of Seville), share operas apart from those with which they are most famously associated.A characteristic mannerism in Rossini's orchestral scoring is a long, steady building of sound over an ostinato figure, creating "tempests in teapots by beginning in a whisper and rising to a flashing, glittering storm," which earned him the nickname of "Signor Crescendo".
A few of Rossini's operas remained popular throughout his lifetime and continuously since his demise; others were resurrected from semi-obscurity in the last half of the 20th century, during the so-called "bel canto revival."
According to Herbert Weinstock's 1968 biography (see below), the composer's estate was valued at 2.5 million francs upon his death in 1868, the equivalent of about 1.4 million US dollars. Apart from some individual legacies in favour of his wife and relatives, Rossini willed his entire estate to the Commune of Pesaro. The inheritance was invested to establish a Liceo Musicale (Conservatory) in the town. When, in 1940, the Liceo was put under state control and turned into the Conservatorio Statale di Musica "Gioachino Rossini", the corporate body to which Rossini’s inheritance had been conveyed, assumed the style of Fondazione G. Rossini. The ends of the institution which is still in full activity, are to support the Conservatorio initiatives and to promote the study and the spread worldwide of the figure, the memory and the works of Rossini. The institution has collaborated since the beginning with the Rossini Opera Festival.
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Category:1792 births Category:1868 deaths Category:People from Pesaro Category:Burials at Père Lachaise Cemetery Category:Honorary Members of the Royal Philharmonic Society Category:Italian composers Category:Légion d'honneur recipients Category:Opera composers Category:Classical era composers Category:Romantic composers Category:Romanticism
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