1954]]

Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of both tonality and rhythm. A person who sings is called a singer or vocalist. Singers perform music known as songs that can either be sung a cappella (without accompaniment) or accompanied by musicians and instruments ranging from a single instrumentalist to a full symphony orchestra or big band. Singing is often done in a group of other musicians, such as in a choir of singers with different voice ranges, or in an ensemble with instrumentalists, such as a rock group or baroque ensemble. Nearly anyone who can speak can sing, since in many respects singing is a form of sustained speech.

Singing can be informal and done for pleasure; for example, singing in the shower or karaoke; or it can be very formal, as in the case of singing during a religious ritual such as a Mass or professional singing typically done on stage or in a recording studio. Singing at a high amateur or professional level usually requires instruction, and regular practice. Professional singers usually build their careers around one specific musical genre, such as Classical or rock, and they typically take voice training provided by a voice teacher or vocal coach throughout their career.

The human voice

or cords.]] In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply, or bellows; on the larynx, which acts as a reed or vibrator; on the chest and head cavities, which have the function of an amplifier, as the tube in a wind instrument; and on the tongue, which together with the palate, teeth, and lips articulate and impose consonants and vowels on the amplified sound. Though these four mechanisms function independently, they are nevertheless coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort. Exhalation may be aided by the abdominal, internal intercostal and lower pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles. The pitch is altered with the vocal cords. With the lips closed, this is called humming.

The sound of each individual's singing voice is entirely unique not only because of the actual shape and size of an individual's vocal cords but also due to the size and shape of the rest of that person's body. Humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, and the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body, and an individual's size and bone structure can affect the sound produced by an individual.

Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation. Another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of laryngeal function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singer's Formant; which has been shown to match particularly well to the most sensitive part of the ear's frequency range.

Vocal registration

Vocal registration refers to the system of vocal registers within the human voice. A register in the human voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, and possessing the same quality. Registers originate in laryngeal function. They occur because the vocal folds are capable of producing several different vibratory patterns. Each of these vibratory patterns appears within a particular range of pitches and produces certain characteristic sounds. The term "register" can be somewhat confusing as it encompasses several aspects of the human voice. The term register can be used to refer to any of the following:

A particular part of the vocal range such as the upper, middle, or lower registers.

A resonance area such as chest voice or head voice.

A phonatory process (phonation is the process of producing vocal sound by the vibration of the vocal folds that is in turn modified by the resonance of the vocal tract)

A certain vocal timbre or vocal "colour"

A region of the voice which is defined or delimited by vocal breaks.

In linguistics, a register language is a language which combines tone and vowel phonation into a single phonological system. Within speech pathology the term vocal register has three constituent elements: a certain vibratory pattern of the vocal folds, a certain series of pitches, and a certain type of sound. Speech pathologists identify four vocal registers based on the physiology of laryngeal function: the vocal fry register, the modal register, the falsetto register, and the whistle register. This view is also adopted by many vocal pedagogists.

Chest voice and head voice

Chest voice and head voice are terms used within vocal music. The use of these terms varies widely within vocal pedagogical circles and there is currently no one consistent opinion among vocal music professionals in regards to these terms. Chest voice can be used in relation to a particular part of the vocal range or type of vocal register; a vocal resonance area; or a specific vocal timbre. The terms were later adopted within bel canto, the Italian opera singing method, where chest voice was identified as the lowest and head voice the highest of three vocal registers: the chest, passagio and head registers.

However as knowledge of human physiology has increased over the past two hundred years, so has the understanding of the physical process of singing and vocal production. As a result, many vocal pedagogists, such as Ralph Appelman at Indiana University and William Vennard at the University of Southern California, have redefined or even abandoned the use of the terms chest voice and head voice. However, the use of overly strong chest voice in the higher registers in an attempt to hit higher notes in the chest can lead to forcing. Forcing can lead consequently to vocal deterioration.

Classifying singing voices

In European classical music and opera, voices are treated like musical instruments. Composers who write vocal music must have an understanding of the skills, talents, and vocal properties of singers. Voice classification is the process by which human singing voices are evaluated and are thereby designated into voice types. These qualities include but are not limited to: vocal range, vocal weight, vocal tessitura, vocal timbre, and vocal transition points such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal registration. The science behind voice classification developed within European classical music has been slow in adapting to more modern forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. There are currently several different systems in use within classical music including: the German Fach system and the choral music system among many others. No system is universally applied or accepted.

However, most classical music systems acknowledge seven different major voice categories. Women are typically divided into three groups: soprano, mezzo-soprano, and contralto. Men are usually divided into four groups: countertenor, tenor, baritone, and bass. When considering voices of pre-pubescent children an eighth term, treble, can be applied. Within each of these major categories there are several sub-categories that identify specific vocal qualities like coloratura facility and vocal weight to differentiate between voices.

Within contemporary forms of music (sometimes referred to as Contemporary Commercial Music), singers are classified by the style of music they sing, such as jazz, pop, blues, soul, country, folk, and rock styles. There is currently no authoritative voice classification system within non-classical music. Attempts have been made to adopt classical voice type terms to other forms of singing but such attempts have been met with controversy. The development of voice categorizations were made with the understanding that the singer would be using classical vocal technique within a specified range using unamplified (no microphones) vocal production. Since contemporary musicians use different vocal techniques, microphones, and are not forced to fit into a specific vocal role, applying such terms as soprano, tenor, baritone, etc. can be misleading or even inaccurate.

Vocal pedagogy

: Concert, c. 1490]] Vocal pedagogy is the study of the teaching of singing. The art and science of vocal pedagogy has a long history that began in Ancient Greece and continues to develop and change today. Professions that practice the art and science of vocal pedagogy include vocal coaches, choral directors, vocal music educators, opera directors, and other teachers of singing.

Vocal pedagogy concepts are a part of developing proper vocal technique. Typical areas of study include the following:

Human anatomy and physiology as it relates to the physical process of singing

*Vocal health and voice disorders related to singing

*Breathing and air support for singing

*Phonation

* Vocal resonation or Voice projection

*Vocal registration: a particular series of tones, produced in the same vibratory pattern of the vocal folds, and possessing the same quality, which originate in laryngeal function, because each of these vibratory patterns appears within a particular range of pitches and produces certain characteristic sounds.

* Voice classification

Vocal styles: for Classical singers, this includes styles ranging from Lieder to opera; for pop singers, styles can include "belted out" a blues ballads; for jazz singers, styles can include Swing ballads and scatting.

* Techniques used in styles such as sostenuto and legato, range extension, tone quality, vibrato, and coloratura

Vocal technique

Singing when done with proper vocal technique is an integrated and coordinated act that effectively coordinates the physical processes of singing. There are four physical processes involved in producing vocal sound: respiration, phonation, resonation, and articulation. These processes occur in the following sequence: #Breath is taken #Sound is initiated in the larynx #The vocal resonators receive the sound and influence it #The articulators shape the sound into recognizable units Although these four processes are often considered separately when studied, in actual practice they merge into one coordinated function. With an effective singer or speaker, one should rarely be reminded of the process involved as their mind and body are so coordinated that one only perceives the resulting unified function. Many vocal problems result from a lack of coordination within this process.

Since singing is a coordinated act, it is difficult to discuss any of the individual technical areas and processes without relating them to the others. For example, phonation only comes into perspective when it is connected with respiration; the articulators affect resonance; the resonators affect the vocal folds; the vocal folds affect breath control; and so forth. Vocal problems are often a result of a breakdown in one part of this coordinated process which causes voice teachers to frequently focus in intensively on one area of the process with their student until that issue is resolved. However, some areas of the art of singing are so much the result of coordinated functions that it is hard to discuss them under a traditional heading like phonation, resonation, articulation, or respiration.

Once the voice student has become aware of the physical processes that make up the act of singing and of how those processes function, the student begins the task of trying to coordinate them. Inevitably, students and teachers will become more concerned with one area of the technique than another. The various processes may progress at different rates, with a resulting imbalance or lack of coordination. The areas of vocal technique which seem to depend most strongly on the student's ability to coordinate various functions are:

Vibrato

Vibrato is used by singers (and many instrumentalists; for instance, string instruments that are played with a bow can produce vibrato tones) in which a sustained note wavers very quickly and consistently between a higher and a lower pitch, giving the note a slight quaver. Vibrato is the pulse or wave in a sustained tone. Vibrato occurs naturally, and is the result of proper breath support and a relaxed vocal apparatus. Some singers use vibrato as a means of expression. Many successful artists have built a career on deep, rich vibrato.

Vocal music

Vocal music is music performed by one or more singers, with or without instrumental accompaniment, in which singing provides the main focus of the piece. Vocal music is probably the oldest form of music, since it does not require any instrument besides the human voice. All musical cultures have some form of vocal music and there are many long standing singing traditions throughout the world's cultures.

Music which employs singing but does not feature it prominently is generally considered as instrumental music. For example, some blues rock songs may have a simple call-and-response chorus, but the emphasis in the song is on the instrumental melodies and improvisation. Vocal music typically features sung words called lyrics, although there are notable examples of vocal music that are performed using non-linguistic syllables or noises, sometimes as musical onomatopoeia. A short piece of vocal music with lyrics is broadly termed a song.

Genres of vocal music

Ian Gillan performing live with Deep Purple in 2006.]] Vocal music is written in many different forms and styles which are often labeled within a particular genre of music. These genres include: Art music, Popular music, Traditional music, regional and national music, and fusions of those genres. Within these larger genres are many sub-genres. For example, popular music would encompass blues, jazz, country music, easy listening, hip hop, rock music, and several other genres. There may also be a sub-genre within a sub-genre such as vocalese and scat singing in jazz.

Popular and traditional music

In many modern pop musical groups, a lead singer performs the primary vocals or melody of a song, as opposed to a backing singer who sings backup vocals or the harmony of a song. Backing vocalists sing some, but usually not all, parts of the song often singing only in a song's refrain or humming in the background. An exception is five-part gospel a cappella music, where the lead is the highest of the five voices and sings a descant, and not the melody. Some artists may sing both the lead and backing vocals on audio recordings by overlapping recorded vocal tracks.

Popular music includes a range of vocal styles. Hip-hop uses rapping, the rhythmic delivery of rhymes in a rhythmic speech over a beat or without accompaniment. Some types of rapping consist mostly or entirely of speech and chanting, like the Jamaican "toasting". In some types of rapping, the performers may interpolate short sung or half-sung passages. Blues singing is based on the use of the blue notes–notes sung at a slightly lower pitch than that of the major scale for expressive purposes. In heavy metal and hardcore punk subgenres, vocal styles can include techniques such as screams, shouts, and unusual sounds such as the "death growl".

performs in Las Vegas.]]

One difference between live performances in the popular and Classical genres is that whereas Classical performers often sing without amplification in small- to mid-size halls, in popular music, a microphone and PA system (amplifier and speakers) are used in almost all performance venues, even a small coffee house. The use of the microphone has had several impacts on popular music. For one, it facilitated the development of intimate, expressive singing styles such as "crooning" which would not have enough projection and volume if done without a microphone. As well, pop singers who use microphones can do a range of other vocal styles that would not project without amplification, such as making whispering sounds, humming, and mixing half-sung and sung tones. As well, some performers use the microphone's response patterns to create effects, such as bringing the mic very close to the mouth to get an enhanced bass response, or, in the case of hip-hop beatboxers, doing plosive "p" and "b" sounds into the mic to create percussive effects.

While some bands use backup singers who only sing when they are onstage, it is common for backup singers in popular music to have other roles. In many rock and metal bands, the musicians doing backup vocals also play instruments, such as rhythm guitar, electric bass, or drums. In Latin or Afro-Cuban groups, backup singers may play percussion instruments or shakers while singing. In some pop and hip-hop groups and in musical theater, the backup singers may be required to perform elaborately choreographed dance routines while they sing through headset microphones.

Careers in singing

The salaries and working conditions for vocalists vary a great deal. While jobs in other music fields such as music education tend to be based on full-time, salaried positions, singing jobs tend to be based on contracts for individual shows or performances, or for a sequence of shows (e.g., a two-week series of performances of an opera or musical theater show). Since income from singing jobs can be unsteady, singers often supplement their performing income with other singing-related jobs, such as vocal coaching, voice lessons, or as working as a choral director in a church. Due to the large number of aspiring vocalists, it can be very competitive to get jobs in singing. Church choir soloists can make from $30 to $500 per performance (all figures in US dollars). Performers in a community choral group can earn from $200–$3,000 yearly; members of a professional concert choral group can make $80 and up per performance. Singers who perform on radio or TV shows can make $75 and up per show on a local station and $125 and up per national network show (e.g., CBS or NBC). Jazz or pop singers who perform with dance bands or nightclub show groups can make $225 and up per week. Professional opera chorus singers can make from $350–$750 per week. Opera soloists, for which the number of job openings is very limited, can make from $350 to $20,000 per performance for the most elite performers. Classical concert soloists, for which the number of job openings is very limited, have approximate earnings of $350 per performance and up.

Aspiring singers and vocalists must have musical talent and skill, an excellent voice, the ability to work with people, and a sense of showmanship and drama. Additionally, singers need to have the ambition and drive to continually study and improve, However, one much older study of lung capacity compared those with professional vocal training to those without, and failed to back up the claims of increased lung capacity. Singing may positively influence the immune system through the reduction of stress. One study found that both singing and listening to choral music reduces the level of stress hormones and increases immune function. A multinational collaboration to study the connection between singing and health was established in 2009, called Advancing Interdisciplinary Research in Singing (AIRS).

Singing in non-human species

Scholars agree that singing is strongly present in many non-human species. Wide dispersal of singing behavior among very different animal species (like birds, gibbons, whales, and humans) strongly suggests that singing appeared independently in different species. Currently there are about 5400 species of animals that can sing. At least some singing species demonstrate the ability to learn their songs, to improvise and even to compose new melodies. In some animal species singing is a group activity (see, for example, singing in gibbon families), although humans are the only singing species which has the sense of rhythm and can be rhythmically precisely united.

Singing in different natural environments

Joseph Jordania suggested that singing behavior is very unevenly distributed among animal species, living in different environments (on the ground, in the water, in trees). Most of the singing species live on the trees (like many bird species, or gibbons), some live in the water (whales, dolphins, seals, sea lions), and there are no animal species who live on the ground and sing except for humans. This uneven distribution of singing can be crucial for our understanding of the origins of the singing behavior in animals and humans. Jordania explains this fact as the result of the pressure from natural selection. Singing is a very costly behavior, not only because of the energy to produce sounds, but primarily for the security reasons, as all the possible predators can easily learn the whereabouts of a singing animal. Singing species that live on the trees are in a much more favourable situation, as trees allow different species to live according to their body weight. So different animals with different body weight live on different "levels" of the tree branches. For example, a 50 kilo leopard can see and hear the sounds produced by a 15 kilo monkey, but as a lighter monkey can live much higher on the tree branches, it is out of reach of a heavier leopard. Therefore tree living (or arboreal) species feel quite secure to sing or to communicate with a wide range of vocal signals. On the other hand, all the ground living (or terrestrial) animal species, despite the huge weight differences between them (ranging from rabbits to lions and elephants) live on the same "ground level", and maintaining silence is crucially important for them. Even most of the birds, the most ardent singers, stop singing and producing other sounds when they sit on the ground. Therefore, predator threat might be a primary reason why tree living species are generally much noisier than ground living species.

See also: art music

A cappella

Aria

Bel canto

Chanson

Chiaroscuro (music)

Choral music

Fach

Group singing

Human voice

Opera

Overtone singing

Recitative

Singer–songwriter

Sprechgesang

Throat singing

Voice pedagogy

Voice projection

Voice type

Yodeling

Winsingad

See also: popular music

Beat boxing

Belt (music)

Death growl

Humming

Lead vocalist

Rapping

Screaming (music)

Vocoder

References

External links

A Brief History of Singing

Category:Occupations in music *

Name	Avicii
Background	non_vocal_instrumentalist
Birth name	Tim Bergling
Alias	Tim Berg, Avicii
Born	September 08, 1989
Origin	Stockholm, Sweden
Genre	House, Electro house, Progressive house
Occupation	Electronic musician, DJ, record producer
Years active	2008–present
Label	Strike Recordings, Joia Records, Vicious Vinyl, Ministry of Sound Australia
Url

Avicii, (born 8 September 1989) also known as Tim Berg, is a DJ, remixer, and record producer from Sweden. His single "Bromance" has charted in the top 20 on the national Belgium, Netherlands, and Sweden. A new version with lyrics called "Seek Bromance" has also charted on the UK charts and #1 on the international Beatport DJ charts. His most well-known singles include "Bromance" and "My Feelings for You".

In October 2010, he signed with the European A&R; team with EMI Music Publishing, which is the largest music publisher in the world. Based in London and New York City, EMI is the fourth-largest business group and family of record labels in the recording industry, making it one of the "big four" record companies and a member of the RIAA.

Influences

His influences include Laidback Luke, Steve Angello, Axwell, Eric Prydz, and Daft Punk. Avicii's first big track "Manman", was released on Pete Tong's label, Bedroom Bedlam, after winning Pete Tong's Fast Trax with 70 percent of the votes.

World tour

In 2010, Avicii embarked on his first world tour, primarily encompassing North America and western Europe.

In North America, he has played at Club Glow in Washington D.C.; SET and Nikki Beach in Miami; Club Pacha in New York City; Electric Zoo Festival at Randall's Island in New York; Electric Daisy Carnival at the Los Angeles Memorial Coliseum; Ruby Skye in San Francisco; Vision Night Club in Chicago; The Guvernment in Toronto, Canada; Beta in Waterloo, Canada; Muzique in Montréal, Québec; Club Mansion in London,Ontario, Canada and Wet Republic's Daylife in Las Vegas, Nevada.

Several of his concerts have been recorded for Sirius XM Radio's Trance and Progressive House channel. On 23 October 2010, in support of his world tour, Avicii presented his work in an exclusive hour-long set on Channel 38 of the Electric Area on Sirius XM Radio.

Discography

Singles

References

External links

Category:Living people Category:Remixers Category:Swedish house musicians Category:Swedish record producers Category:1989 births

Name	Beyoncé Knowles
Background	solo_singer
Birth name	Beyoncé Giselle Knowles
Born	September 04, 1981
Origin	Houston, Texas, United States
Instrument	Vocals, piano
Genre	R&B;, soul, pop
Occupation	Singer, songwriter, record producer, actress, dancer, entertainer, choreographer, model, video director
Associated acts	Destiny's Child, Jay-Z, Solange Knowles, Suga Mama, Lady Gaga
Years active	1997–present
Spouse	Jay-Z (2008-present)
Label	Columbia
Url

Beyoncé Giselle Knowles (born September 4, 1981), commonly known simply by the mononym Beyoncé ( ), is an American Pop/R&B; singer, songwriter, actress and fashion designer. Born and raised in Houston, Texas, she enrolled in various performing arts schools and was first exposed to singing and dancing competitions as a child. Knowles rose to fame in the late 1990s as the lead singer of the R&B; girl group Destiny's Child, one of the world's best-selling girl groups of all time.

During the hiatus of Destiny's Child, Knowles released her debut solo album Dangerously in Love (2003), which spawned the number one hits "Crazy in Love" and "Baby Boy" and became one of the most successful albums of that year, earning her a then record-tying five Grammy Awards. Knowles is one of the most honored artists by the Grammys, and third among female artists, with 16 awards—13 as a solo artist and three as a member of Destiny's Child.

Knowles began her acting career in 2001, appearing in the musical film . In 2006, she starred in the lead role in the film adaptation of the 1981 Broadway musical Dreamgirls, for which she earned two Golden Globe nominations. Knowles launched her family's fashion line, House of Deréon, in 2004, and has endorsed such brands as Pepsi, Tommy Hilfiger, Armani and L'Oréal. In 2010, Forbes ranked Knowles at number two on its list of the 100 Most Powerful and Influential Celebrities in the world; she was also listed as the most powerful and influential musician in the world. Time also included Knowles on its list of the "100 Most Influential People in the World". She is listed at number 52 on VH1's list of the 100 Greatest Artists of All Time and is named the second most influential artist of the 2000s decade by BET.

Knowles is currently the only artist in history to have all her studio albums win the Grammy Award for Best Contemporary R&B; Album. She has attained five Billboard Hot 100 number one singles as a solo performer and four with Destiny's Child. In the United States, Knowles' has sold over 11.2 million albums and nearly twenty-five million singles. According to Columbia Records her record sales, when combined with Destiny's Child, have surpassed 130 million. On December 11, 2009, Billboard listed Knowles as the most successful female artist of the 2000s decade and also the top Radio Artist of the decade. In February 2010, the RIAA listed her as the top certified artist of the decade.

Early life and career beginnings

Knowles was born in Houston, Texas, the daughter of Mathew Knowles, a professional record manager, and Tina Knowles, a costume designer and hair stylist. Knowles' father is African American and her mother is of Creole (African, Native American, and French) descent. Knowles was baptized after her mother's maiden name, as a tribute to her mother. Knowles' interest in music and performing began after participating in a school talent show. She sang John Lennon's Imagine and won the competition. At age seven, Knowles started gaining attention from the press, having been mentioned in the Houston Chronicle as a nominee for the local performing arts award The Sammy. In the fall of 1990, Knowles enrolled in Parker Elementary School, a music magnet school in Houston, where she would perform on-stage with the school's choir. and later went to Alief Elsik High School, located in the Houston suburban munincipality, Alief. Knowles was a soloist in the choir of her church, in St. John's United Methodist Church.

At the age of eight, Knowles met LaTavia Roberson while in an audition for an all-girl entertainment group. They, along with Knowles' friend Kelly Rowland, were placed into a group that performed rapping and dancing. Originally named Girl's Tyme, they were eventually cut down to six members. Knowles had her first "professional setback" after that defeat but regained confidence after learning that pop stars Britney Spears and Justin Timberlake had also the same experience. He dedicated his time and established a "boot camp" for their training. The move reduced Knowles' family's income by half and her parents were forced to move into separated apartments.

Music and film career

1997–2001: Destiny's Child era

.]] The group changed its name to Destiny's Child in 1993, based on a passage in the Book of Isaiah. To date, Survivor has sold over ten million copies worldwide, over forty percent of which were sold in the U.S. alone. The album spawned other number-one hits—"Bootylicious" and the title track, "Survivor", the latter of which earned the group a Grammy Award for Best R&B; Performance by a Duo or Group with Vocals. After releasing their holiday album, 8 Days of Christmas, the group announced a hiatus to pursue solo projects. In 2002, Knowles co-starred in the comedy film Austin Powers in Goldmember, playing Foxxy Cleopatra, opposite of Mike Myers. Knowles recorded her first solo single, "Work It Out", for the film's soundtrack. The following year, Knowles starred opposite Cuba Gooding, Jr. in the romantic comedy film, The Fighting Temptations, and recorded numerous songs for the film's soundtrack, including "Fighting Temptation" and a cover version of "Fever". During this time, Knowles was featured on her then-boyfriend Jay-Z's hit single, "'03 Bonnie & Clyde". She also recorded a version of 50 Cent's "In Da Club" and released it in March 2003. Luther Vandross and Knowles remade the duet "The Closer I Get to You", which was originally recorded by Roberta Flack and Donny Hathaway in 1977. Their version won a Grammy Award for Best R&B; Performance by a Duo or Group with Vocals the following year, and Vandross' "Dance with My Father", which also featured Knowles, won the Grammy for Best Male R&B; Vocal Performance.

After Williams and Rowland released their solo efforts, Knowles released her début solo album, Dangerously in Love, in June 2003. The album also topped seven charts worldwide, while it reached number two in Australia. It remains as Knowles' best-selling album to date, with sales of 4.7 million copies in the United States, as of July 2009. Worldwide, the album has sold more than eleven million copies.

The album yielded two number one singles. "Crazy in Love", featuring Jay-Z, was released as the album's lead single, which peaked at number one on the Billboard Hot 100 for eight consecutive weeks, as well as topping many charts worldwide. The song's music video won three awards at the 2003 MTV Video Music Awards in the categories of Best Female Video, Best R&B; Video, and Best Choreography. The second single, "Baby Boy" with dancehall singer Sean Paul, spent nine weeks at number one on the 'Hot 100, one week longer than "Crazy in Love". In support of the album, Knowles embarked on her first solo concert tour, the Dangerously in Love Tour, in November 2003. The tour only reached Europe, before Knowles joined Alicia Keys, Missy Elliott, and Tamia for the Verizon Ladies First Tour in March 2004. At the 46th Grammy Awards, Knowles received a then record-tying five Grammy Awards, which included the Grammy for Best Contemporary R&B; Album, Best Female R&B; Vocal Performance for "Dangerously in Love 2", Best R&B; Song for "Crazy in Love", and an additional two awards with Luther Vandross. Knowles shared this distinction with four other female artists: Lauryn Hill, Alicia Keys, Norah Jones and Amy Winehouse, up until 2010, when she won six Grammy Awards in one night.

2004–2007: Destiny's Child reunion and B'Day

In 2004, Knowles planned to release a follow-up to Dangerously in Love, which would feature some of the left-over recordings. However, her musical aspirations were put on hiatus due to conflicting schedules, including her recording with Destiny's Child for what would be their final album. After a three-year journey that involved concentration on individual solo projects, Knowles rejoined Rowland and Williams for their final album, Destiny Fulfilled in November 2004. The album spawned three hit singles, "Lose My Breath", "Soldier" and "Cater 2 U". In support of the album, Destiny's Child embarked on the 2005 Destiny Fulfilled ... And Lovin' It world tour, which began in April 2005; culminating in September of that year. During the Barcelona, Spain stop of their tour, Rowland announced they would disband after the end of their final North American leg in September 2005. In October 2005, Destiny's Child released a compilation album, #1's, which included all of their number-one hits and most of their well-known songs. It also included three new tracks, including the song "Stand Up for Love", released from the album. #1's debuted at number one on Billboard 200 and certified platinum by the RIAA. In March 2006, Destiny's Child reunited to accept a star on the Hollywood Walk of Fame.

In late 2005, Knowles once again put her second album on hold, after landing a role in Dreamgirls, the film adaptation of the 1981 hit Broadway musical about a 1960s singing group, loosely based on Motown all-female group, The Supremes. Released in December 2006, Dreamgirls starred Jamie Foxx, Eddie Murphy, and Jennifer Hudson. Knowles recorded several songs for the film's soundtrack, including the original song, "Listen". In the film, she portrays the Diana Ross-based character, Deena Jones. In 2007, Knowles received two Golden Globe Award nominations for the film; Best Actress - Motion Picture Musical or Comedy and Best Original Song for "Listen". Continuing her film career, Knowles co-starred in the film, The Pink Panther, playing the role of Xania, an international pop star, opposite Steve Martin, who plays Inspector Clouseau. Released on February 10, 2006, the film débuted at number one at the box office, doing $21.7 million in ticket sales in its first week of release. She worked on the album with previous musical collaborators, Rich Harrison, Rodney Jerkins and Sean Garrett, at the Sony Music Studios in New York City. She co-wrote and co-produced nearly all songs included on the album, which was completed in three weeks. The album titled, B'Day was released in the United States on September 5, 2006, to coincide with the celebration of her twenty-fifth birthday. It débuted at number one on the Billboard 200, giving Knowles her second consecutive number one album in the US. It also peaked in the top-ten in eighteen charts worldwide. To date, the album has sold more than six million copies worldwide. It earned Knowles the Grammy Award for Best Contemporary R&B; Album at the 49th Grammy Awards.

Its lead single, "Déjà Vu" featuring Jay-Z, topped the Hot R&B;/Hip-Hop Songs and Hot Dance Club Songs charts in the United States. and became Knowles' second UK solo number-one single. The album's second international single, "Irreplaceable", topped the charts in five countries, while reaching the top-five in the UK, Canada and Netherlands. The song received a Grammy nomination for Record of the Year at the 50th Grammy Awards. On April 3, 2007, Knowles re-released B'Day, as a deluxe edition, featuring five new tracks and Spanish-language versions of "Irreplaceable", and "Listen". Her following single, "Beautiful Liar" with Colombian singer Shakira, was the first single released from the deluxe edition. The song became another number one hit for Knowles, topping eleven charts worldwide. It won the award for Most Earthshattering Collaboration at the 2007 MTV Video Music Award. In support of the album, Knowles embarked on her lengthy The Beyoncé Experience concert tour, visiting over ninety venues worldwide, which was made into the concert DVD The Beyoncé Experience Live!. Knowles made history at the 35th Annual American Music Awards for being the first woman to win an International Artist Award. Upon its release, it received generally mixed to positive reviews from most music critics; according to the music review aggregation of Metacritic, the album received an average score of 62/100. The album debuted at number one on the US Billboard 200, giving Knowles her third consecutive number one album in the US. Eventually, she became the third female artist of the 2000s decade to have her first three albums debut at the top spot of the US Billboard 200 albums chart. To date, I Am... Sasha Fierce has sold over six million copies worldwide.

The album was proceeded with the release of its two lead singles, "If I Were a Boy" and "Single Ladies (Put a Ring on It)". The first single, "If I Were a Boy" topped eight charts worldwide, including the United Kingdom and reached the top-ten in many other charts. "Single Ladies (Put a Ring on It)" peaked at number one on the US Billboard Hot 100, becoming Knowles' fifth number-one single and was also successful in other international markets, peaking in top-ten positions around the world. The song's music video has achieved fame for its intricate choreography, which has been credited as having started the "first major dance craze of both the new millennium and the Internet". This prompted a legion of imitations and parodies from men and women all around the world, including celebrities such as pop singers Justin Timberlake, Joe Jonas, US President Barack Obama and actor Tom Hanks. It received nine nominations at the 2009 MTV Video Music Awards and ultimately won the award for Video of the Year, and an additional two awards, though its loss in the Best Female Video category to Taylor Swift's "You Belong with Me" led to controversy during the ceremony.

On January 18, 2009, Knowles performed at the Lincoln Memorial in honor of the inauguration of Barack Obama. Knowles also sang her cover of the R&B; classic most famously sang by Etta James, "At Last", as President Obama and his wife Michelle had their first dance as President and First lady of America, on January 20, 2009, at the Neighborhood Inaugural Ball. During this time, Knowles released the fourth single off I Am... Sasha Fierce, "Halo". The song peaked at number five on the Billboard Hot 100, becoming Knowles' twelfth top-ten single on the Hot 100 as a solo artist. With this feat, Knowles achieved the most top tens on the Hot 100 among any other female artists in the 2000s. In support of the album, Knowles headlined her second worldwide concert tour, the I Am... Tour, which began in March 2009; culminating in February 2010. In April 2009, Knowles starred opposite Ali Larter and Idris Elba in a thriller film called, Obsessed. The film proved to be a commercial success, and grossed $11.1 million on its first day of release, and ended its opening weekend at number one, with a total of $28.5 million. "Video Phone", was released as the eighth single from I Am... Sasha Fierce in November 2009 and featured pop singer Lady Gaga. The song's music video received two nominations at the 2010 BET Awards for "Video of the Year" and "Best Collaboration", winning the former category on April 27, 2010. It also received five nominations at the 2010 MTV Video Music Awards, in the categories of Best Choreography, Best Collaboration, Best Pop Video, Best Female Video and Best Art Direction.

Knowles led the 52nd Grammy Awards, receiving ten nominations, including Album of the Year for I Am… Sasha Fierce, Record of the Year for "Halo", and Song of the Year for "Single Ladies (Put a Ring on It)". She also received two other nominations for, Best Traditional R&B; Vocal Performance for "At Last" and Best Song Written for a Motion Picture, Television or Other Visual Media for "Once in a Lifetime" from the soundtrack, . This tied her with Lauryn Hill for most Grammy nominations in a single year by a female artist. Knowles ultimately set the record for the most Grammy awards won on a single night by a female artist, when she won six awards from her ten nominations; Song of the Year, Best R&B; Song, and Best Female R&B; Vocal Performance for "Single Ladies (Put a Ring on It)", Best Female Pop Vocal Performance for "Halo", Best Contemporary R&B; Album and Best Traditional R&B; Vocal Performance for "At Last". In February 2010, Knowles featured on Lady Gaga's song, "Telephone". The song reached number one on the US Pop Songs chart, thus becoming the sixth number-one on the chart for both Knowles and Gaga. With this, they both tied with Mariah Carey for most number-ones since the Nielsen BDS-based Top 40 airplay chart launched in 1992. It received a Grammy nomination for Best Pop Collaboration with Vocals at the 53rd Grammy Awards.

2010-present: Untitled fourth studio album

During the final UK stop of her I Am... Tour at the Trent FM Arena in Nottingham, England in 2009, Knowles announced plans to release a new album in 2010. She said, "This is my last show for this tour in the UK, so hopefully, I'll see you all in a year with a new album." Producer Rodney "Darkchild" Jerkins also confirmed the news on twitter, posting he is working on some tracks for the album. In an interview with MTV News, Jonsin noted that while he wants to go even more '80s than their collaboration on "Sweet Dreams", he's also looking to try out other genres with Knowles, saying "Even some sexy mid-tempos, see if she likes that and I'll try that too."

In July 2010, it was revealed that Knowles had expressed interest in recording a song for the album that was written by Irish band, The Script. She heard a song the band recorded for their second album, when it was passed around their record company, Sony Music. In August 2010, singer-songwriter Ne-Yo tweeted that he was excited to work with Knowles immediately following his session with Mary J. Blige. In an interview with Access Atlanta, Ne-Yo spoke of the album saying, "It’s coming along nicely. I can’t speak too much on it, but it’s another direction for her, and she’s carving out her own niche. In a minute nobody will be in Beyonce’s lane. They really can’t get in her lane now, but they really can’t get in her lane after this album." He also had the following to say about working with Knowles in an interview with MTV News:

"The thing about working with Beyoncé is that she definitely has her own agenda ... she's an artist that knows exactly what she wants to do. ... She's going to give you directions [like] 'Here's where I'm going, so here's where I need you to be' ... and, you know, I'm a person that follows direction well. [And she'll be like], 'So this is the sound, this is the vibe; make it happen.' And I write and she likes it or she doesn't. And in this case she did, and there you have it."

On September 17, 2010, producer Sean Garrett told Popeater.com that the album "[is] going to be her biggest album ever", and said "We're going to take it to a whole other level." In an interview with Entertainment Weekly at the 2010 MTV Video Music Awards, Garrett stated "I think we are doing a lot of up-tempo records for this one. She’s in such a good place right now in life that she is interested in making party music, definitely." During this time, producer Los Da Mystro tweeted that he heard a new track from Knowles that was written by The Dream, who worked with Tricky Stewart on "Single Ladies (Put a Ring on It)". When asked to clarify what she meant by creating her own genre, in an interview with MTV during the New York screening of her I Am... World Tour DVD release, Knowles replied "Well, I wouldn't say I'm inventing a new genre ... I'm mixing every type of genre that I love and I'm inspired by every type of genre. ... It's not R&B;. It's not typically pop. It's not rock. It's just everything I love all mixed together in my own little gumbo of music." She also revealed that Fela Kuti, The Stylistics, Lauryn Hill, Stevie Wonder and Michael Jackson's Off the Wall have inspired the album. Rap-Up has confirmed the album will be released in 2011.

Musical style and performance

Music and voice

Knowles' music is generally contemporary R&B;, but she also incorporates pop, funk, hip hop, and soul genres into her work. While she almost exclusively releases English songs, Knowles did record several Spanish records for the re-release of B'Day. Destiny's Child had already recorded a Spanish song and received favorable responses from their Latin fans. Knowles took Spanish in school when she was young, but can now only speak a few words of the language. Prior to recording the Spanish titles on the re-released version of B'Day, she was coached phonetically by American record producer Rudy Perez.

Since Destiny's Child, Knowles is artistically involved in her career. Some of her songs are autobiographical, which she has admitted are taken from personal experiences, as well as her friends'. Knowles has also received co-producing credits for most of the records in which she has been involved, especially during her solo efforts. However, she does not formulate beats herself, but typically comes up with melodies and ideas during production, sharing them with producers. Knowles was recognized as a songwriter during the run of Destiny's Child in the 1990s and early to mid-2000s. She won the Pop Songwriter of the Year award at the 2001 American Society of Composers, Authors, and Publishers Pop Music Awards, becoming the first African-American female and second female songwriter of all time to accomplish the feat.

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Knowles possesses a mezzo-soprano vocal range that spans more than three octaves. She has often been identified as the centerpiece of Destiny's Child. Jon Pareles of The New York Times commented that she has the voice that defines the group, writing that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Other critics praise her range and power. In reviewing her second album B'Day, Jody Rosen of Entertainment Weekly writes "Beyoncé Knowles is a storm system disguised as a singer. On her second solo album, B'Day, the songs arrive in huge gusts of rhythm and emotion, with Beyoncé's voice rippling over clattery beats; you'd have to search far and wide—perhaps in the halls of the Metropolitan Opera — to find a vocalist who sings with more sheer force...No one—not R. Kelly, not Usher, to say nothing of her rival pop divas—can match Beyoncé's genius for dragging her vocal lines against a hip-hop beat." Chris Richards of the The Washington Post writes, "Even when she's coasting, she soars above her imitators. It's all in her voice—a superhuman instrument capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars. Smitten, scorned, amorous, antagonistic—Beyoncé sings from all of these vantage points with undeniable virtuosity." Cove magazine ranked Knowles seventh on their list of "The 100 Outstanding Pop Vocalists", giving her 48 out of 50 points based on several criteria ranging from her vocal ability to range to harmony.

Knowles has often been criticized for oversinging. A prominent employer of melisma, she earns frequent comparison to such artists as Mariah Carey, whose vocal embellishments have been known to detract from the melody of their songs. Eye Weekly writes, "There’s no question that Beyoncé is one of the best singers in pop, maybe one of the best alive...[However] as judicious as her singing can be, the effect in sum is still like being hit in the head with a fist in a velvet glove."

Stage and alter ego

In 2006, Knowles introduced her all-female tour band Suga Mama, which includes bassists, drummers, guitarists, horn players, keyboardists and percussionists. They débuted at the 2006 BET Awards and re-appeared in the music videos for "Irreplaceable" and "Green Light". Babara Ellen of The Guardian writes, "whether charismatic and soulful, or teasing and flirty, Beyoncé is, above all, in charge. Probably the most "in charge" of any female artist I've seen onstage". In reviewing her I Am... Tour, Alice Jones of The Independent writes, "Watching Beyoncé sing and strut her stuff can feel at best overawing, at worst, alienating. She takes her role as entertainer so seriously she's almost too good." The New York Times writes, "there is a breathtaking elegance in her acute desire to entertain". The Daily Mail writes, "many industry experts have been tipping Beyoncé as the next Michael Jackson. While it’s far too early for such comparisons, she certainly proved that she is one of the most exciting and talented performers around and may well go down in history as such".

Althought Knowles has been criticized for lip-synching in some of her performances, reviewers have praised her live vocal performances. In reviewing one of her performances, Jim Farber of The Daily News writes "Beyoncé showed off pipes of steely power. As the song's signature horn riff pumped away, she soared over the melody with athletic ease. The way Beyoncé used her body intensified the sense of triumph. With her hair teased into Medusa-like tresses, a pelvis in perpetual churn and legs long enough to make Tina Turner proud, Beyoncé's presence punctuated her singing like an exclamation point." Stephanie Classen of the Star Phoenix declares "Beyoncé is no ordinary performer... from note one, the 27-year-old powerhouse rose above all the gimmicks, mastering the show like a sexy alien overlord princess. Nothing but extraterrestrial origins could explain that voice....[Beyoncé] could perform circles around any other pop star today." Newsday writes, "she proves that hot choreography and strong vocals don't have to be mutually exclusive... No worries of lip-synching here."

Known for being sexy, seductive and provocative when performing on stage, Knowles has stated that's her alter ego, Sasha Fierce.

Public image

" during her I Am... Tour]] Knowles has stated, "I like to dress sexy and I carry myself like a lady," but she has said that the way she dresses on stage is "absolutely for the stage". As someone who is fond of fashion, Knowles combines its artistic elements with her music videos and performances. According to Italian fashion designer Roberto Cavalli, she uses different styles and tries to harmonize it with the music while performing. The B'Day Anthology Video Album showed many instances of fashion-oriented footage, depicting classic to contemporary wardrobe styles. People magazine recognized Knowles as the best-dressed celebrity in 2007. Knowles' mother wrote a 2002-published book, titled Destiny's Style: Bootylicious Fashion, Beauty and Lifestyle Secrets From Destiny's Child, an account of how fashion had an impact on Destiny's Child's success.

As one of the most media-exposed black celebrities in the United States, Knowles has often received criticism that some believe is due to racism and sexism. Toure of Rolling Stone stated that since the release of Dangerously in Love, "[Beyoncé] has become a crossover sex symbol a la Halle Berry ..." In 2007, Knowles was featured on the cover of the Sports Illustrated Swimsuit Issue, the first non-model and non-athlete woman to pose on the issue and the second African American model after Tyra Banks. In the same year, Knowles appeared on billboards and newspapers across the United States showing her holding an antiquated cigarette holder. Taken from the back cover of B'Day, the image provoked response from an anti-smoking group, stating that she did not need to add the cigarette holder "to make herself appear more sophisticated". During the release of pop singer Rihanna's second album, A Girl Like Me, many critics felt that her image was too heavily similar to Knowles'. Amina Taylor of The Guardian, noted Rihanna as the "Bajan Beyoncé". In March 2009, comparisons were made between the fashions of Knowles and R&B; singer Ciara, when the latter released the music video of her single, "Love Sex Magic". In the video, Ciara is seen wearing a black leotard and metallic glasses, similar to those worn by Knowles in both her "Single Ladies (Put a Ring on It)" and "Diva" videos. However, Ciara stated that her outfits were "inspired by the Vegas shows" she attended.

On April 24, 2009, Knowles appeared on Larry King Live, where she gave herself a more political image and talked about everything from singing at President Barack Obama's inauguration, to racism that she has faced being an African-American. In September 2010, Knowles made her runway modelling debut at Tom Ford’s Spring/Summer 2011 fashion show, walking down the catwalk in a sequined dress with va va voom hair.

Influences and legacy

Knowles has cited various artists who have influenced her musical style. She grew up listening to songs of Anita Baker and Luther Vandross, the latter of whom she eventually collaborated with, but often credits her pop music hero, Michael Jackson, as the reason why she does music. Knowles credits Mariah Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal "runs" as a child, as well as helping her pursue a career as a musician. She was also exposed to the jazz music of Rachelle Ferrell, after singing Ferrell's songs during her voice lessons and cites her as a musical influence. Knowles also cites influences from American artists such as Tina Turner, Prince, Aaliyah, Diana Ross, and Janet Jackson.

Aside from her musicial influences, Knowles has also influenced various contemporary artists, including pop singer Rihanna, who stated Knowles is "one of the artists that I admire a lot." With the release of Rihanna's sophomore album, critics noted that it was too similar to Knowles'. The media even made negative reviews comparing her music, music videos and performances to Knowles'. Knowles is also cited as a musical influence to X Factor UK winners, Alexandra Burke. and Leona Lewis, who stated Knowles' "definitely inspiring for females." Actress and comedian Mo'Nique who was inspired by Knowles, hosted the BET Awards in 2004 and opened the ceremony performing Knowles' song, "Crazy in Love". She also hosted in 2007 and performed, "Déjà Vu". Actress Gwyneth Paltrow made her live television singing debut at the 2010 Country Music Awards and told Access Hollywood that she got her inspiration from Knowles', stating "I studied Beyoncé a lot and her concerts for her kind of confidence… and I’m lucky that I know some singers in real life." Pop singer Miley Cyrus told Seventeen magazine that she "want[s] to be like Beyoncé", stating "She is the ultimate woman. You look at her and you don't think, I wonder what her personal life is like. You look at her and you go, That girl on the stage is a superstar. You don't care about anything else; you only care about her music. So I would hope that would be me in the future." Furthermore, British singer Cheryl Cole told Hello! magazine that she thinks Knowles "is what every woman should aspire to be." Knowles' music video for "Single Ladies (Put a Ring on It)" has achieved fame for its intricate choreography, which has been credited as having started the "first major dance craze of both the new millennium and the Internet". Celebrities have also tried the choreography, including pop singers Justin Timberlake Stephen Thomas Erlewine of Allmusic found American pop singer Katharine McPhee's songs on her, self-titled, début album to have heavy influences from Knowles' music.

Knowles served as the lead singer of one of the world's best selling girl groups of all time, Destiny's Child. She currently has a total of 41 Grammy Award nominations, which is more than any other female artist in history. She was one of six female artists, along with Lauryn Hill, Alicia Keys, Norah Jones, Amy Winehouse and Alison Krauss, who held the record for the most number of Grammys won by a female artist in a single night; the record being five awards, which she accomplished in 2004. At the 2008 World Music Awards, Knowles was honored the legend award for Outstanding Contribution To The Arts. Her début studio album, Dangerously In Love was listed as one of the top 200 definitive albums in music history by the Rock & Roll Hall of Fame. On December 11, 2009, Billboard listed Knowles as the most successful female artist of the 2000s decade and also the top Radio Artist of the decade. Knowles has several wax figures of herself at Madame Tussauds Wax Museums in major cities around the world, including New York, Washington, D.C., Amsterdam, Bangkok and Hollywood.

Other ventures

Clothing lines

Knowles and her mother introduced House of Deréon, a ready-to-wear contemporary women's fashion line, in 2005. The concept is inspired by three generations of women in their family, with the name Deréon paying tribute to Knowles' grandmother, Agnèz Deréon, who worked as a seamstress. According to Tina Knowles, the overall style of the line best reflects Knowles' taste and style. Launched in 2006, products of House of Deréon received public exhibitions during the group's shows and tours during the Destiny Fulfilled era. The store, which is available across the United States and Canada, sells sportswear, denim along with fur, outerwear and accessories including handbags. Knowles also teamed up with House of Brands, a local shoe company, to produce a range of footwear for House of Deréon.

In 2004, Knowles and her mother founded their family's company Beyond Productions, which provides the licensing and brand management for House of Deréon. In early 2008, they launched Beyoncé Fashion Diva, a mobile game with an online social networking component, featuring House of Deréon. The organization said it had previously attempted to reach Knowles through faxes, letters and rallies outside her concerts. However with no reply from Knowles, PETA confronted her at a dinner in New York. The clothing line was picked up by department stores including Macy’s and Dillard’s and specialty stores, Jimmy Jazz and Against All Odds.

Products and endorsements

In 2002, Knowles signed a promotional deal with Pepsi, which included appearances on TV commercials, radio and Internet advertisements, as well as in-store promotional materials. A 2004 Pepsi TV commercial in the theme of "Gladiators" featured Knowles with singers Britney Spears, Pink, and Enrique Iglesias, and the following year with Jennifer Lopez and David Beckham entitled "Samurai".

Knowles' range of commercial deals and products also includes beauty care products and perfumes. Knowles has worked with L'Oréal since the age of 18. She launched Tommy Hilfiger's True Star fragrance, in 2004. Knowles sang a cover version of "Wishing on a Star" for the True Star commercials, for which she earned $250,000. She also launched Hilfiger's True Star Gold in 2005 and Emporio Armani's Diamonds in 2007. Forbes reported that Knowles earned $80 million between June 2007 and June 2008, combined with her album, tour, fashion business, and promotional deals. This made her the world's second best-paid music personality for this span of time. In 2009, Forbes listed Knowles fourth on its list of the 100 Most Powerful and Influential Celebrities in the world, third on its list of the top-grossing musicians, and number one on the list of top Best-Paid Celebs Under 30 with over $87 million dollars in earnings between 2008 and 2009. In June 2010, Forbes placed Knowles at number three on its 2010 Celebrity Power List with $87 million in grosses thanks to a 93-date world tour, deals with Nintendo and L'Oréal and her House of Deréon clothing line. Knowles was also listed at number two on the list of the 100 Most Powerful and Influential Celebrities in the world and subsequently turned out to be the best paid female artist. On October 7, 2010, Forbes recognized Knowles as the ninth most overall powerful woman in the world. In December 2010, Forbes reported that Knowles earned $87 million from January 2010 to December 2010 and eventually ranked her at the ninth place on its list of the "Hollywood's 20 highest-earning men and women of 2010". Knowles was the only artist to break the top ten.

In February 2010, Knowles launched her debut fragrance, Heat. As part of the scent's advertising campaign, Knowles re-recorded her cover version of "Fever" for the fragrance's television commercial. In an interview with WWD Beauty, Knowles explained the concept behind the fragrance, stating "A lot of my performances have had fire involved, so we thought ‘Heat.’ Also, red is one of my favorite colors, as is gold. Everything, from the bottle design to the name and the ideas for the commercials—that’s me". In November 2010, it was revealed that the fragrance's television commerical had been banned from UK daytime TV, after it received 14 viewer complaints. The commercial, which begins with an image of the Knowles appearing to lie naked in a room, has been deemed "too sexually provocative" to be seen by young children and has not be shown on British TV before 7.30pm.

Philanthropy

Knowles has been exposed to issues of social awareness since a young child, as her father would sometimes take her into the community, including African-American society. In 2005, music producer David Foster, his daughter Amy Foster-Gillies, and Knowles wrote "Stand Up for Love", which would serve as the anthem of World Children's Day, an event which takes place annually around the world on November 20 to raise awareness and funds for children's causes worldwide. Destiny's Child lent their voices and support as global ambassadors for the 2005 World Children's Day program.

On October 4, 2008, Knowles attended the Miami Children's Hospital Diamond Ball & Private Concert at the American Airlines Arena in Miami, where she was inducted into the International Pediatric Hall of Fame. Seven-year-old Ethan Bortnick dedicated and performed "Over the Rainbow" to Knowles. After completing work on Cadillac Records, Knowles donated her entire salary to Phoenix House, an organization of rehabilitation centers around the country. Knowles visited a Brooklyn, New York, site in preparation for portraying singer Etta James, who was once addicted to heroin. During this time, she recorded with various artists for "Just Stand Up!", a charity single for the Stand Up to Cancer charity. Joining Knowles on the song was Mariah Carey, Leona Lewis, Rihanna, Leann Rimes and Mary J. Blige, among others. Knowles also teamed up with the "Show Your Helping Hand" hunger relief initiative and General Mills Hamburger Helper. The goal was to help Feeding America deliver more than 3.5 million meals to local food banks. Knowles encouraged her fans to bring non-perishable groceries to her U.S. concert tour stops.

In January 2010, Knowles participated in the . She appeared in London with Jay-Z, Rihanna, and U2's Bono and The Edge, where she performed a piano version of her song "Halo". Knowles was named the official face of the limited edition "Fashion For Haiti" T-shirt by the Council of Fashion Designers of America. The shirt, which reads: "To Haiti With Love", was designed by Peter Arnell, who also created the "Fashion for America" T-shirt which raised $2 million after 9/11. On March 5, 2010, Knowles and her mother, Tina Knowles, opened the Beyoncé Cosmetology Center at the Brooklyn Phoenix House. The program offers a seven-month cosmetology training course for men and women there. L'Oréal has donated all the products to be used at the center, and Knowles, along with her mother, have pledged to donate $100,000 annually.

Personal life

In 2010, a 60 Minutes segment aired, revealing Knowles was homeschooled as a child and prays before every performance. Knowles' has stated several times that when she's at home, she is a rather messy person and doesn't worry about her appearance at all, stating "I don't have any shoes on. No makeup. My shoes are left at the door. My purse is in the kitchen ... I'm relaxed!"

Depression

During the turmoil of Destiny's Child in 2000, Knowles had admitted in December 2006 that she had experienced depression from an accumulation of struggles: the publicized split of LeToya Luckett and LaTavia Roberson, being publicly attacked by the media, critics and blogs for causing the split-up, and a longstanding boyfriend (that she had dated from age 12 to 19 years) leaving her. The depression was so severe it had lasted for a couple of years, while she had kept herself in her bedroom for days and refused to eat anything. Knowles stated that she struggled to speak about her depression because Destiny's Child had just won their first Grammy Award and she feared no one would take her seriously. All of these events had made her question herself and who her friends were, describing the situation she said, "Now that I was famous, I was afraid I'd never find somebody again to love me for me. I was afraid of making new friends." In 2005, rumors began to spread about the marriage of the couple. Knowles closed the speculation stating that she and Jay-Z were not even engaged. Laura Schreffler, senior writer for OK! magazine, said, "They are intensely private people". On April 4, 2008, Knowles and Jay-Z were married in New York City. It became a matter of public record on April 22, 2008. Knowles did not publicly début her wedding ring until the Fashion Rocks concert on September 5, 2008, in New York City. Knowles finally revealed their marriage through an opening montage video at the listening party for third album, I Am... Sasha Fierce in Manhattan's Sony Club. Knowles and Jay-Z were listed as the most powerful couple for Time magazine's 100 most influential people of 2006. In January 2009, Forbes ranked them as Hollywood's top-earning couple, with a combined total of $162 million. They also made it to the top of the list the following year, with a combined total of $122 million between June 2008 and June 2009.

Discography

2003: Dangerously in Love

2006: B'Day

2008: I Am... Sasha Fierce

See also

Destiny's Child discography

Beyoncé Knowles videography

List of Beyoncé Knowles songs

List of Beyoncé Knowles concert tours

List of best-selling music artists

List of awards and nominations received by Beyoncé Knowles

List of artists who reached number one in the United States

Filmography

References

External links

Official American website

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Ane Trolle (born 1979) is a Danish singer and songwriter. She contributes notably on Trentemøllers album The Last Resort in “Moan”. She has since brought her voice to the new downtempo Ubiquity signing Peder; on “White Lillies”. Now, Ane joined forces with fellow Copenhagenite Pato Siebenhaar for “Sweet Dogs” under the name Trolle//Siebenhaar. Ane’s textured and urban voice glides above a weathered reggae production.She is working with Martin Siebenhaar (Pato) in duo. White Lilies has been featured on Hôtel Costes, Vol. 10 a compilation CD mixed by Stéphane Pompougnac.

In August 2007 was released her CD Rainbow Express. In September 2007, Ane Trolle and Steffen Brandts appeared in concert series off-season on Bornholm with trumpeter Palle Mikkelborg, poets Jørgen Leth and Lone Hørslev, musician Mads Mouritz and Others.

In autumn 2008, she recorded a song for one of the The Danish Electricity Saving Trust's (Elsparefondens) commercials.

In June 2010, her song "I feel lucky" became the theme song for Telus' new internet/tv service "Optik" in Canada.

References

Sangerens hjemmeside

Ane Trolle på Myspace

http://da.wikipedia.org/wiki/Ane_Trolle

Notes

Category:1979 births Category:Living people Category:Danish female singers Category:Danish singers