Pulp noir
Pulp noir is a subgenre influenced by various "noir" genres, as well as (as implied by its name) pulp fiction genres; particularly the hard-boiled genres which help give rise to film noir.[1] Pulp noir is marked by its use of classic noir techniques, but with urban influences. Various media include film, illustrations, photographs and videogames.
In film[edit]
Whereas film noir directly involves characters living bleak existences to accomplish a goal with odds against them, pulp noir often portrays a grittier, one-man army. Typically, the main character has no distinguishing abilities, but can hold ground against seemingly impossible odds. Pulp noir locations are often seedy, run-down and degradated urban landscapes, where the lack of law, morals and even the proliferation of crime and drugs are common themes. Another common trend in pulp noir is the glorification and/or demonization of its urban locations.
Examples[edit]
- Cat People (1942)[2]
- Double Indemnity (1944)[3]
- Detour (1945)[4]
- Gilda (1946)[5]
- The Killers (1946)[6]
- Out of the Past (1947)[7]
- The Naked City (1948)[8]
- Thieves Highway (1949)[9]
- Pickup on South Street (1953)[10]
- Kiss Me Deadly (1955)[11]
- Shock Corridor (1963)[12]
- The Naked Kiss (1964)[13]
- Bonnie and Clyde (1967)[14]
- Batman (1989)[15]
- Dick Tracy (1990)[16][17]
- The Rocketeer (1991)[18]
- Pulp Fiction (1994), which itself is an ode to the classic pulp noir/pulp fiction genre.[19]
- Million Dollar Baby (2004)[20]
- The film adaptation of Frank Miller's Sin City (2005)[21]
- The Paperboy (2012)[22]
- The Wild Goose Lake (2019)[23]
In other media[edit]
Some illustrations and photographs are described as being pulp noir. Recently, some video games, such as the Max Payne third-person shooter series, have been portrayed in a film noir style, using heavy, gritty, dirty urban themes. SF Weekly journalist Matt Smith used the term to describe the act of "sprinting to the crime scene, skidding on my heels, and yelling at everyone and nobody in particular: 'Who's in charge here?'" [24]
See also[edit]
Notes[edit]
- ^ Influences of Film Noir - American Pulps
- ^ Black & White & Noir: American Pulp Modernism - Google Books (pgs.11-12)
- ^ Black & White & Noir: America's Pulp Modernism on JSTOR
- ^ Black & White & Noir: America's Pulp Modernism on JSTOR
- ^ Black & White & Noir: America's Pulp Modernism on JSTOR
- ^ Black & White & Noir: America's Pulp Modernism on JSTOR
- ^ Black & White & Noir: America's Pulp Modernism on JSTOR
- ^ Black & White & Noir: America's Pulp Modernism on JSTOR
- ^ Ten Great Movies for Placemakers —— Project for Public Spaces
- ^ The Paris Review - Revisiting "Pickup on South Street" - Paris Review
- ^ The Paris Review - Revisiting "Pickup on South Street" - Paris Review
- ^ Noir nightmare 'Shock Corridor' ramps up the pulp and reminds us: We're all a little wacky —— Film Noir Blonde
- ^ The Naked Kiss (1964)|Film Noir of the Week
- ^ Bonnie and Clyde Movies: A History of the Criminal Duo in Film|Decider
- ^ Why 'Batman,' Not 'Star Wars,' Was The Box Office Blockbuster That Ruined Hollywood - Forbes
- ^ 15 June, 1990, an exceptionally unhinged day in Hollywood history - Little White Lies
- ^ Passionate About Pulp: Revisiting Dick Tracy (1990) - Criminal Element
- ^ Creating a Pulp and Noir Heroverse for the Big Screen - The Loftus Party
- ^ Bonnie and Clyde Movies: A History of the Criminal Duo in Film|Decider
- ^ Bonnie and Clyde Movies: A History of the Criminal Duo in Film|Decider
- ^ Sin City (2005) - Roger Ebert.com
- ^ Movie Review: What The Paperboy Says (Or Doesn't) About Sex in The South - D Magazine
- ^ Awesome Trailer for the Chinese Pulp Noir Gangster Thriller THE WILD GOOSE LAKE —— GeekTyrant
- ^ Noir You See It, Noir You Don't|Matt Smith|SF Weekly
