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Life of Pi

Yann Martel

3.93 · Rating details · 1,526,632 ratings · 50,814 reviews

Life of Pi is a fantasy adventure novel by Yann Martel published in 2001. The protagonist, Piscine Molitor "Pi" Patel, a Tamil boy from Pondicherry, explores issues of spirituality and practicality from an early age. He survives 227 days after a shipwreck while stranded on a boat in the Pacific Ocean with a Bengal tiger named Richard Parker. ...more

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Paperback, 460 pages

Published August 29th 2006 by Seal Books (first published September 11th 2001)

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Mar 02, 2008 Trevor rated it it was ok

Shelves: literature, religion

I found a lot of this book incredibly tedious. I tend to avoid the winners of the Man / Booker – they make me a little depressed. The only Carey I haven’t liked won the Booker (Oscar and Lucinda), I really didn’t like the little bit of Vernon God Little I read and I never finished The Sea despite really liking Banville’s writing. So, being told a book is a winner of the Booker tends to be a mark against it from the start, unfortunately.

I’m going to have to assume you have read this book, as if I ...more

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Nov 17, 2007 Eva rated it it was amazing

It is not so much that The Life of Pi, is particularly moving (although it is). It isn’t even so much that it is written with language that is both delicate and sturdy all at once (which it is, as well). And it’s certainly not that Yann Martel’s vision filled passages are so precise that you begin to feel the salt water on your skin (even though they are). It is that, like Bohjalian and Byatt and all of the great Houdini’s of the literary world, in the last few moments of your journey – after yo It is not so much that The Life of Pi, is particularly moving (although it is). It isn’t even so much that it is written with language that is both delicate and sturdy all at once (which it is, as well). And it’s certainly not that Yann Martel’s vision filled passages are so precise that you begin to feel the salt water on your skin (even though they are). It is that, like Bohjalian and Byatt and all of the great Houdini’s of the literary world, in the last few moments of your journey – after you’ve felt the emotions, endured the moments of heartache, yearned for the resolution of the characters’ struggle – that you realize the book is not what you thought it was. The story transforms, instantly, and forever.

And in those last few chapters, you suddenly realize that the moral has changed as well.

You feel Martel’s words lingering, suggesting, and you find yourself wondering whether you are his atheist who takes the deathbed leap of faith – hoping for white light and love? Or the agnostic who , in trying to stay true to his reasonable self, explains the mysteries of life and death in only scientific terms, lacking imagination to the end, and, essentially, missing the better story?

There is no use in trying to provide a brief synopsis for this ravishing tale of a young boy from India left adrift in the Pacific in a lifeboat with a tiger who used to reside in his father’s zoo in Pondicherry. There is no use because once you finish the book you might decide that this was not, indeed, what the book was about at all. There is no use because, depending on your philosophical bent, the book will mean something very different to your best friend than it will to you. There is no use because it is nearly impossible to describe what makes this book so grand.

Read this book. Not because it is an exceptional piece of literary talent. It is, of course. But there are many good authors and many good books. While uncommon, they are not endangered. Read this book because in recent memory - aside from Jose Saramago’s arresting Blindness – there have been no stories which make such grand statements with such few elements. As Pi says in his story “Life on a lifeboat isn’t much of a life. It is like an end game in chess, a game with few pieces. The elements couldn’t be more simple, nor the stakes higher.” It is the same with Martel’s undulating fable of a book about a boy in a boat with a tiger. A simple story with potentially life altering consequences for it’s readers.

As Martel writes, "The world isn't just the way it is. It is how we understand it, no? And in understanding something, we bring something to it, no?" Like Schroedinger's cat in the box, the way this book is understood, the way it is perceived affects what it is. There has been some talk that this book will make it’s readers believe in god. I think it’s a question of perspective. To behold this gem of a novel as an adventure of man against the elements (the “dry, yeastless factuality” of what actually happened) is certainly one way to go about it. But to understand this piece to be something indescribable, something godlike, is by far the greater leap of faith.

Oh, but worth the leap, if the reader is like that atheist, willing to see the better story.

...more

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Jan 15, 2008 Mary rated it it was ok

Shelves: gave-up

It's not that it was bad, it's just that I wish the tiger had eaten him so the story wouldn't exist.

I read half of it, and felt really impatient the whole time, skipping whole pages, and then I realized that I didn't have to keep going, which is as spiritual a moment as I could hope to get from this book. ...more

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Nov 14, 2010 Jason rated it it was amazing

Shelves: for-kindle, 2011, reviewed, thrill-me-chill-me-fulfill-me

LITTLE INDIAN BOY GOES ON WEIRD BOAT RIDE WITH MEAN CAT.

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May 17, 2011 Kirstine rated it really liked it

Shelves: fantasy, magical-realism, reviewed

I was extremely surprised by this book. Let me tell you why (it's a funny story):

On the Danish cover it says "Pi's Liv" (Pi's Life), but I hadn't noticed the apostrophe, so I thought it said "Pis Liv" (Piss Life) and I thought that was an interesting title at least, so perhaps I should give it a go. So I did. And... what I read was not at all what I had expected (I thought it was a book about a boy growing up amidst poverty and homelessness). It wasn't until I looked up the book in English I re ...more

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Jun 12, 2012 jessica rated it it was amazing · review of another edition

Shelves: favourites

‘life is so beautiful that death has fallen in love with it - a jealous, possessive love that grabs at what it can.’

and sometimes stories are so beautiful that souls have fallen in a love with them - a tender, quiet love that nurtures what it can.

this is one of those stories.

its a story that will always have a special place in my heart. its one of the only books that has ever made me re-evaluate my beliefs on faith, it helped me further realise the impact and importance of the connection be ...more

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Jul 28, 2007 Malbadeen rated it it was ok · review of another edition

Sift a pinch of psychology with a scant tablespoon of theology, add one part Island of the Blue Dolphin with two parts philosophy, mix with a pastry blender or the back of a fork until crumbly but not dry and there you have Pi and his lame-o, cheesed out, boat ride to enlightenment.
Actually I liked the beginning of this book- loved Pi's decleration and re-naming of himself, his adding religions like daisy's to a chain, and was really diggin on the family as a whole and then....then, then, then ...more

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Nov 07, 2017 Miranda Reads rated it really liked it

Shelves: audiobook

Big Bois.

Everyone's heard of them. The Libraries are full of them. But are they worth it?

Click the link for my video review of the big bois in my life.

The Written Review:

The beginning is rough.

It's all like - Why do we keep going on and on about religion? Where's the boat? Where's the tiger?

Stop and enjoy the roses.

The book will get to the tiger part when it wants to.

Young Pi ( Piscine "Pi" Patel ) spends the first part of the book joining the Christian, Muslim and Hindu faiths.

It's not a ...more

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Jul 14, 2008 Jesse rated it really liked it · review of another edition

This review has been hidden because it contains spoilers. To view it, click here. Life of Pi was a fairly engaging story in terms of plot and character, but what made it such a memorable book, for me at least, was its thematic concerns. Is it a "story that will make you believe in God," as Pi claims? I'm not sure I'd go that far, but I would recommend it to people who enjoy thinking about the nature of reality and the role of faith in our lives.

To me, the entire thrust of the book is the idea that reality is a story, and therefore we can choose our own story (as the author h Life of Pi was a fairly engaging story in terms of plot and character, but what made it such a memorable book, for me at least, was its thematic concerns. Is it a "story that will make you believe in God," as Pi claims? I'm not sure I'd go that far, but I would recommend it to people who enjoy thinking about the nature of reality and the role of faith in our lives.

To me, the entire thrust of the book is the idea that reality is a story, and therefore we can choose our own story (as the author himself puts it). So if life is a story, we have two basic choices: we can limit ourselves only to what we can know for sure - that is, to "dry, yeastless factuality" - or we can choose "the better story." I suppose in Pi's world the "better story" includes God, but he doesn't say this is the only meaningful possibility. In fact, Pi calls atheists his "brothers and sisters of a different faith," because, like Pi, atheists "go as far as the legs of reason will carry them - and then they leap."

Pi's point, in my opinion, is that human experience always involves interpretation, that our knowledge is necessarily limited, that both religious belief and atheism require a leap of faith of one kind or another - after all, there's so little we can know for sure. For Pi, then, we shouldn't limit ourselves only to beliefs that can be proven empirically. Instead, we should make choices that bring meaning and richness to our lives; we should exercise faith and strive for ideals (whatever the object of our faith and whatever those ideals might be). Or, as Pi says in taking a shot at agnosticism: "To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation."

In the end, however, I didn't necessarily read this book as an invitation to believe in God. Instead, I saw it as a mirror held up to the reader, a test to see what kind of worldview the reader holds. That is, as Pi himself says, since "it makes no factual difference to you and you can't prove the question either way, which story do you prefer? Which is the better story, the story with the animals or the story without the animals?" Or, as I took it: Is it my nature to reach for and believe the better but less likely story? Or do I tend to believe the more likely but less lovely story? What view of reality do I generally hold?

Another equally important question is this: How did I come by my view of reality? Do I view the world primarily through the lens of reason? Or do I view it through the lens of emotion? For Pi, I think it's safe to say his belief comes by way of emotion. He has, as one reviewer noted, a certain skepticism about reason (in fact, Pi calls it "fool's gold for the bright"). Pi also has what I would call a subtle but real basis for his belief in God, namely, "an intellect confounded yet a trusting sense of presence and ultimate purpose." But belief still isn't easy for him. Despite his trusting sense of purpose, Pi acknowledges that "Love is hard to believe, ask any lover. Life is hard to believe, ask any scientist. God is hard to believe, ask any believer." So it's not that a life of faith is easier, in Pi's opinion, it's that for him belief is ultimately more worthwhile.

This is not to say, however, that Pi holds a thoroughly postmodern view of God or that he believes as a matter of art rather than in a sincere way. True, Pi suggests that whether you believe his story had a tiger in it is also a reflection of your ability to believe in something higher. And of course it's easy to read Pi's entire story as an attempt to put an acceptable gloss on a horrific experience. Still, there are a number of clues throughout the book that give the reader at least some reason to believe Pi's story did have a tiger in it (for instance, the floating banana and the meerkat bones).

As such, Pi's two stories could be seen as an acknowledgement that both atheism and belief in God require some faith, and therefore it's up to each of us to choose the way of life that makes us the happiest. He's not necessarily saying that the truth is what you make it, he's saying we don't have unadulterated access to the truth: our imagination, personalities, and experiences unavoidably influence the way we interact with the world. But that's not the same as saying whatever we imagine is true. I think Pi, for instance, knows which of his stories is true. It's not Pi but the reader who is left with uncertainty and who therefore has to throw her hands up and say "I don't know," or else choose one story or the other. And to me, this isn't too far off from the predicament we all find ourselves in.

And that's what makes Life of Pi such a challenge to the reader: Pi's first story is fantastic, wonderful, but hard to believe. Yet there's some evidence that it happened just the way he said it did. And Pi's second story is brutal, terrible, but much easier to accept as true. Yet it's not entirely plausible either, and it leaves no room for the meerkat bones or Pi's "trusting sense of presence and ultimate purpose." If the reader personally dismisses the tiger story out of hand, I suppose that's another way of saying the reader, by nature, tends to believe the more likely but less lovely story. In the same way, if the reader gets to the story's payoff and still believes there was a tiger in the boat, the reader is probably inclined to believe the more emotionally satisfying story. But it should be born in mind that Pi doesn't definitively state which story was true, something which only he can know for sure. All we can really be sure of, in Pi's universe, is that he was stuck on a lifeboat for a while before making it to shore. So which story do I believe? I struggled with that question for a long time. But after thinking about it for a couple of days, I'll end this review with the final lines from the book: "Very few castaways can claim to have survived so long at sea as Mr. Patel, and none in the company of an adult Bengal Tiger." ...more

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Oct 13, 2007 Annalisa rated it it was amazing · review of another edition

Shelves: religion-philosophy, classics, setting, book-club, unreliable-narrator, favorites, magical-realism, literary

I read this book two years ago, but when we discussed it this month for book club, I remembered how much I liked it. A good discussion always ups my appreciation of a novel as does an ending that makes me requestion my givens in the story. I find myself reading contradictory interpretations and agreeing with both sides. That's the beauty of symbolism: as long as you back up your cause, it's plausible.

Initially it took me several weeks to get into the book. The beginning reads more like a textbo I read this book two years ago, but when we discussed it this month for book club, I remembered how much I liked it. A good discussion always ups my appreciation of a novel as does an ending that makes me requestion my givens in the story. I find myself reading contradictory interpretations and agreeing with both sides. That's the beauty of symbolism: as long as you back up your cause, it's plausible.

Initially it took me several weeks to get into the book. The beginning reads more like a textbook with inserted clips of the main character's future self. While the knowledge I gained about zoology and theology was interesting, it wasn't intriguing enough to keep me awake for more than a few pages at a time and often I found the tidbits a confusing distraction. But with distance I enjoyed the backdrop information it offered. If you're struggling through the initial background, jump ahead to the second section. Yeah it's important, but it's not vital. And maybe once you've read the story you'll want to come back and appreciate his analysis.

I highly enjoyed this strange journey at sea and found it almost believable--until the castaways encounter the island at which point I wondered how much of his sanity wavered. Being shipwreck is one of a plethora of phobias I have. Throw on top my even stronger fear of tigers and this was a story straight out of a nightmare, one that kept me intrigued for a resolution. How could a boy keep the upper hand shipwrecked with a tiger? I had a picture in my head of Pi clinging to the side of the boat to avoid both the salty water infested with sharks and a foodless boat housing a hungry carnivore.

I found myself stuck in the unusual place where as a reader I find a story plausible with full knowledge that had this story been presented in real life I would have doubted its authenticity. I wanted to believe the story and all its fantasy. The end initially annoyed me, but if you look at the rich metaphors in the story, it becomes delectable for a story analyst like me. There is nothing I enjoy more than tearing apart a story and pulling out the intentions and symbols buried inside. Instead of just a fantastical story, you find a fable with a moral.

Spoilers here.
(view spoiler)[I want to reread the story now and analyze Richard Parker as Pi's alter ego, seeing that alpha and omega struggle as an internal one. Even the name Richard Parker is a hint at cannibalistic roots since it is the true account of a sailor who died at the hands of his cannibalistic crew members. I keep going back to that moment when Pi calls for Richard Parker to join him on the ship and then is appalled at what he has done. Once Richard Parker has joined his voyage, there is no banishing him. If they are one and the same, they beautifully represent that internal battle between the civilized vegetarian and the animalistic instinct to survive, showing the compartmentalization he needed to prevent madness.

You would not expect the small boy to conquer the beast (whether animal or himself), and yet he keeps the upper hand for an unimaginable 227 days. Had the cannibal overrun his pysche, he would have lost his battle and landed a madman. When the duo landed on the beaches of Mexico, Richard Parker took off, never to be noted by civilians again, but alive and surviving. Thus the horror of the incident will always live in Pi's memory but he chooses to repress it as it has no part in civilization.

I enjoyed the portrayal of the characters on the boat as animals. I could envision the quiet maternal sadness the orangutan gave his mother. Since the crew would be blamed for the demise of the ship, the wounded sailor as the zebra lying as prey to a demented and angry foreign chef who is just as crazy as we view the viscous hyena. The symbols were perfect and I think a second read would bring out their traits even stronger.

Some of the richest symbolism comes from the cannibal island and sailor. I think Pi's childlike mind could not deal with the cannibalism of a loved one and lets this theme leak into other story elements. The blind sailor is a second portrayal of the French chef, a character too big and conflicting to fit into one projection. At first he is the mean animal thinking only of his own survival, but as the journey progresses, Pi is conflicted with his friendship for the man. A bond is bound to happen between the only two survivors in limited space and Pi could not come to terms with his human feelings for the barbaric man. So he invents a second character, one whom he can make human, worthy of connection, but in the end is still untrustworthy and Pi must kill or be killed.

So what of the strange island? In his hallucinating state, it serves as a mirage where life is not as sweet as he suspected. The island parallels his own problems at sea with rich religious symbolism of the Garden of Eden. No matter what one's ethical code, the will to survive trumps one's moral haven. These vegetarians (person and island) don't want to harm, but are killing to survive. Something happened out at sea that his waning mind (and blindness both real and spiritual) could not substantiate and like all else he twisted it to a socially accepted tale. Since the island is discovered just after the sailor dies, maybe finding one of the chef's tooth on board turned him. Or maybe Pi happened upon a pile of garbage infested with rats and this boy, starving and demented enough to have tried his own waste, sees it as a heaven. His civilized nature knew he should scorn the filth but his barbaric needs were grateful for the nasty feast. The bones in the boat, proof that his experience was real, could have been rat bones.

Whatever the cause of his epiphany, he had to enter the depths of his own personal hell to realize this was not a heaven, or Garden of Eden, and a return to civilized behavior was vital for his own survival. Richard Parker was winning as he felt completely detached from civilization. He almost wished to stay and die at sea, to live at a level of base survival, instead of have to emotionally deal with his ordeal to progress. But his innate need to survive wins out as he realizes that as the lone castaway if he does not fight his mind's descent into madness, the sea will eat him mentally and literally.

One of my favorite interpretations of the island is a religious fork in the road. Whatever truly happened, the island cements your belief in the first or second account. Either you see the meerkat remains as proof that the beauty of the first story is true or the island is the point at which you start questioning the credence of his tale and believe he threw in this unbelievable turn of events to ready you to accept his alternate ending. As readers we are given the choice between two stories. We can pick the miraculous version of the first story, an icon of those who believe in God, or we can pick the grim atheist view of the pessimistic--although reasonable--second story, as do those who believe science disproofs God. In section one, Pi references religion to not only show where his beliefs give him strength but to give backbone to the religious allegory. He shows disdain for the indecisive agnostic (see quotes below) and bids you chose your path. The island serves to question your own religious devotion, but you have to pick what you think it represents, which story you care to believe.

Pi states this is a story that makes you believe in God. As a believer in God and the second story, I don't think there is merely an atheist interpretation to the second. Either you accept God with a leap of faith despite dissenting controversy or you take the bleak realism and see God saved him from death at sea and even more protected him from mental anguish by healing his soul from the horrors he experienced. Both stories can justify the belief in God or justify your belief in nothing. Just as I don't believe people who buy the second story are atheists, I do not believe people who chose the first story follow blindly or idiotically. It's a matter of interpretation. The story isn't going to make you believe or disbelieve God anymore than you now do.

At first I was annoyed he recanted his story because I wanted to believe his original story. It is imaginative and well written and I didn't like being called out for believing fantasy from the fantasy itself. But how could I not love an allegorical explanation to a literal story? So now I love that he presents both stories: the imaginative far-fetched one and the plausible horrific one and leaves you the reader to decide which one you want to buy into and let you ponder what it says about you. That is the point of the story. (hide spoiler)]

Some of my favorite quotes from the book:
"Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can."
"It was my luck to have a few good teachers in my youth, men and women who came into my dark head and lit a match."
"Doubt is useful for a while...But we must move on. To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation."
"All living things contain a measure of madness that moves them in strange, sometimes inexplicable ways."
"Memory is an ocean and he bobs on the surface."
"First wonder goes deepest; wonder after that fits in the impression made by the first."
"The main battlefield for good is not the open ground of the public arena but the small clearing of each heart." ...more

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Jun 06, 2008 Adrian Rush rated it did not like it

Shelves: fiction

This review has been hidden because it contains spoilers. To view it, click here. No need to reinvent the wheel. Here's my Amazon.com review:

It doesn't matter whether what you tell people is truth or fiction, because there's no such thing as truth, no real difference between fantasy and reality, so you might as well go with the more interesting story. That's "Life of Pi" in a nutshell. Sorry to spoil it for anyone who hasn't read it yet.

Remember that season of the TV series "Dallas" that turned out to be just a dream? That's kind of how you feel after you've invested hours o No need to reinvent the wheel. Here's my Amazon.com review:

It doesn't matter whether what you tell people is truth or fiction, because there's no such thing as truth, no real difference between fantasy and reality, so you might as well go with the more interesting story. That's "Life of Pi" in a nutshell. Sorry to spoil it for anyone who hasn't read it yet.

Remember that season of the TV series "Dallas" that turned out to be just a dream? That's kind of how you feel after you've invested hours of your time reading page after page of a quite engrossing survival narrative, only to find out that it was all something the survivor made up.

Or was it? Ah, there's the twist that we're supposed to find so clever. But the officials from the ship company who tell Pi they don't believe his story are such hopelessly weak strawmen that the author pretty much forces you to accept the "better story." Pi, and, by extension, Martel, have no patience for the "dry, yeastless factuality" that the ship officials want, you see. Never mind whether it's closer to the truth -- it's just too boring, and we need colorful stories to make our lives richer. Besides, Pi and Martel say, as soon as something leaves your mouth, it's no longer reality -- it's only your interpretation of reality. So why bother grasping for the truth? You prefer the Creation story to the Big Bang? Then go with the Creation story, even if it defies logic and scientific discovery.

That's all well and good. Everyone likes a good story. But there's a time and a place for them, and the ship officials didn't need a story -- they needed to know what happened to their ship. To that end, Pi's entire tale is irrelevant anyway. And that, in turn, makes you wonder what the whole point of the book was. Other than, maybe, to laud the power of storytelling in a really hamfisted manner. Or to advocate for taking refuge in fantastical fiction when reality is too harsh. Or to champion shallow religious beliefs ("Why, Islam is nothing but an easy sort of exercise, I thought. Hot-weather yoga for the Bedouins. Asanas without sweat, heaven without strain."). Or to bash agnostics. Or something.

Be advised that this is not a book for children or the squeamish. Pi's transformation from vegetarian to unflinching killer, and Richard Parker's dietary habits, are rife with gratuituously gory details about the manner in which animals suffer and are killed and eaten.

The story promises to make you believe in God. Yet with Martel's insistence that a well-crafted story is just as good as or even preferable to reality, he leaves us not believing in a god of any kind, but rather suggesting that we embrace the stories that religions have made up about their gods, regardless of those stories' relation to scientific knowledge, since the stories are so darn nice, comfy, warm, and fuzzy in comparison with real life. Whether the God in the stories actually exists, meanwhile, becomes totally irrelevant. So ultimately, Martel makes a case for why he thinks people SHOULD believe in God -- it's a respite from harsh reality, we're told, a way to hide from life rather than meet it head-on with all of its pains and struggles -- and that's quite different from what he ostensibly set out to do. He trivializes God into a "nice story," a trite characterization sure to offend many readers.

Pi sums up this postmodern worldview by telling the ship investigators, "The world isn't just the way it is. It is how we understand it, no?" Well, no, the world IS just the way it is, in all of its highs and lows, triumphs and tragedies, happiness and sadness. But Pi and Martel's solution is to avoid the whole messy thing altogether, pretend that the way things are don't really exist, and pull a security blanket of fiction over your head. Create your own reality as you see fit. That's called escapism. It's fine when you want to curl up with a good book on a rainy day and get lost in the story for a few hours, but it's a lousy way to try to deal with real life.

Pi would tell me that I lack imagination, just as he told the investigators they lacked imagination when Pi claimed he couldn't "imagine" a bonsai tree since he's never seen one, as a way of mocking the investigators' reluctance to believe in Pi's carnivorous island. (Nice cultural stereotyping with the bonsai, by the way -- the investigators are Japanese.) But you see the problem, right? It's not a matter of lacking imagination. It's a matter of conflating things that are obviously imaginary with things that are obviously real. They're not one and the same. It's ludicrous to suggest otherwise. You might as well say that the story of Frodo and the Ring is every bit as real as the American Revolution.

Pi also tells us, quite pointedly, that choosing agnosticism is immobilizing, while atheists and religious folks make a courageous leap of faith. Yet immobility is precisely where Pi places us, so that by the time the book ends, you're stuck not knowing what to think about what you've just read. Do you accept the original shipwreck story just because it's more engrossing, even if it's less believable? Or do you accept the plausible but boring story Pi gives to the officials after he's rescued? Fanciful religious allegories or cold, scientific recitation of facts that might come from the mouth of an atheist -- we're expected to pick one or the other.

But it's a false dichotomy. We needn't make a choice between embracing religious tales merely because they're more interesting or settling for the sobering realities of science and reason. We can go as far as our reason will take us and then leave ourselves open to further possibilities -- just as Pi himself suggests. That's not immobility. That's intellectual honesty -- an admission that I don't know all the answers but am willing to keep an open mind about whatever else is presented to me.

Seems better than saying you might as well just accept the better story since it really makes no difference. That's laziness. And it doesn't make for a very good story. ...more

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Feb 24, 2018 Sean Barrs rated it really liked it · review of another edition

Shelves: magical-realism, 4-star-reads, man-booker-prize-winners

On the surface Life of Pi is a funny little book, heart-warming and audacious, but dig a little deeper and you’ll see how complex the story actually is.

The magically real elements make the story doubt itself; they call into question the probability of these events actually happening because they are so ridiculously unrealistic. As Pi says to those that disbelieve him:

"I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you ...more

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Mar 05, 2013 Ahmad Sharabiani rated it really liked it · review of another edition

Shelves: culture, canadian, pdfs, 21th-century, fiction, india, adventure, literature

Life of Pi, Yann Martel

Life of Pi is a Canadian fantasy adventure novel by Yann Martel published in 2001. The protagonist is Piscine Molitor "Pi" Patel, an Indian boy from Pondicherry who explores issues of spirituality and practicality from an early age. He survives 227 days after a shipwreck while stranded on a lifeboat in the Pacific Ocean with a Bengal tiger named Richard Parker. Life of Pi, according to Yann Martel, can be summarized in three statements: "Life is a story... You can choos Life of Pi, Yann Martel

Life of Pi is a Canadian fantasy adventure novel by Yann Martel published in 2001. The protagonist is Piscine Molitor "Pi" Patel, an Indian boy from Pondicherry who explores issues of spirituality and practicality from an early age. He survives 227 days after a shipwreck while stranded on a lifeboat in the Pacific Ocean with a Bengal tiger named Richard Parker. Life of Pi, according to Yann Martel, can be summarized in three statements: "Life is a story... You can choose your story... A story with God is the better story."

تاریخ نخستین خوانش: هشتم ماه سپتامبر سال 2005میلادی

عنوان: زندگی پی؛ نویسنده: یان مارتل؛ مترجم: گیتا گرکانی؛ تهران، علم، 1383؛ در 530ص؛ شابک 9643053559؛ موضوع داستانهای نویسندگان کانادا - سده 21م

نقل از آغاز: (پی، پسرکی ست که به دنبال حقیقت میگردد؛ یعنی همان کاری که هزاران هزار انسان در سراسر جهان به آن دلمشغول هستند؛ بعضیها پیروز میشوند و خیلیها شکست میخورند؛ در این میان کسانی نیز گمان میکنند پیروز شده اند؛ در صورتی که هنوز سر سوزنی هم به حق و حقیقت نزدیک هم نشده اند؛ اما یک نکته در همه ی این آدمها مشترک است؛ هر کس راه خودش را میرود؛ هر کس به شیوه ی خود کوشش میکند؛ تا به ذات جهان نزدیک شود؛ به تعداد انسانهای روی کره ی زمین راه وجود دارد؛ هرچند هیچکس نمیتواند به سرانجام رسیدن راهی را تضمین کند)؛ پایان نقل؛

داستان با پاراگراف بالا آغاز میشود، و «پی» برای پاسخ به سرگشتگی انسانی؛ راه تازه ای مییابد؛ و ...؛

زندگی «پی» درباره ی پسر جوانی بنام «پی پاتل»، فرزند یک صاحب باغ وحش در «هندوستان» است؛ «پی پاتل» در شانزده سالگی همراه خانواده‌ اش از «هند» به «کانادا» کوچ می‌کنند؛ خانواده «پی» در قسمت بار یک کشتی «ژاپنی»، در کنار جانوران «باغ‌ وحش»، به سوی خانه ی تازه ی خود سفر می‌کنند؛ در میانه ی راه، کشتی غرق می‌شود، و «پی» خودش را در قایق نجاتی به همراه یک «کفتار»، یک «اورانگوتان»، یک «گورخر» زخمی، و یک «ببر بنگال» دویست کیلوگرمی تنها می‌بیند؛ در هفته ی نخست سفرِ «پی»، با قایق نجات، تنها چیزی که بر همه چیز چیره است؛ کشمکش برای زندگی است؛ ادامه ی کتاب یادمان دویست و بیست و هفت روز گمشدگی «پی»، در دریاست

تاریخ بهنگام رسانی 19/08/1399هجری خورشیدی؛ 23/06/1400هجری خورشیدی؛ ا. شربیانی ...more

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Sep 29, 2022 Lisa of Troy rated it it was amazing

Richard Parker Is Unforgettable

Very rarely does a character stay with you for life. But this story is one that I will carry with me.

Life of Pi starts in India with a boy named Piscine Molitor Patel, also known by his nickname Pi. His family historically has operated a zoo but decides to relocate to Canada. Things don’t go quite as expected when the ship carrying them to Canada sinks.

Pi spends 227 days searching for land with a tiger named Richard Parker.

Parallels to Real Life

Did you know that J ...more

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Apr 16, 2012 F rated it it was amazing · review of another edition

Shelves: seen-movie, 2013, india

I loved this book! I watched the film before reading the book and I loved both of them.
I enjoy short chapters so this was good for me. Best scene was the 3 religious men arguing about Pi's religion. Found it really smartly done and funny. ...more

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Apr 10, 2013 Vit Babenco rated it it was amazing

Life full of dangers… The heroic and exotic adventures… Are those adventures truly heroic?
Life of Pi is about the origin and nature of lying – in a hypocritical society heroic lies are preferable to the bitter truth.
A romantic and cloudless childhood…

To me, it was paradise on earth. I have nothing but the fondest memories of growing up in a zoo. I lived the life of a prince. What maharaja’s son had such vast, luxuriant grounds to play about? What palace had such a menagerie? My alarm clock durin

...more

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Jan 11, 2013 Mohammed Arabey rated it really liked it · review of another edition

ليست رواية قدر ماهي رحلة روحية..رحلة البحث عن الذات..و الله

والفيلم المقتبس عنها ليس مجرد مؤثرات وتمثيل..بل لوحة فنية قدمت جزء من روحانية الرواية بشكل فني بديع

لذا لا تكتفي بواحدة وتترك الأخري
It's One big journey into the Pacific Ocean.
Just you ,an Indian small boy and a royal Bengal Tiger.

But before you're thrown to that small life boat into the wide ocean...you learn so much about your companion Indian boy.. his curiosity about Life, the Creator, Ultimate Reality, Brahman, God ,Allah..

Little Pi ...more

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Jan 31, 2017 Justin rated it it was amazing

People often see me walking down the street, casually, minding my own business, and they always stop and ask me, "Yo, Justin, what are you reading these days?"
And I'm always happy to stop and engage in conversation about what I'm reading, and I share a few thoughts about the book.
"Yeah, it's not bad. Pretty good so far."
"Really enjoying it! Better than I expected!"
"Oh man, it's alright I guess. Kinda slow."
I like to keep my comments pretty general in nature.
Also, that never actually happens t People often see me walking down the street, casually, minding my own business, and they always stop and ask me, "Yo, Justin, what are you reading these days?"
And I'm always happy to stop and engage in conversation about what I'm reading, and I share a few thoughts about the book.
"Yeah, it's not bad. Pretty good so far."
"Really enjoying it! Better than I expected!"
"Oh man, it's alright I guess. Kinda slow."
I like to keep my comments pretty general in nature.
Also, that never actually happens to me.
Or does it?

Anyway, I did tell a few people I was reading Life of Pi and every single one of them said, "Oh yeah, isn't that the book about the guy and a tiger on a raft?" Because that's what everyone thinks of when they think of Life of Pi. The book about some guy on a boat with a tiger. And they are absolutely right. I mean, if you needed a one sentence synopsis of Life of Pi you would say it's about some dude floating around on a raft or a boat or something with a tiger, and that would be it. You nailed it.

Except Pi isn't on a lifeboat with Richard Parker (the tiger) until about halfway through the book. So that synopsis isn't enough because there is so much more going on in Life of Pi. So much more.

So let's start with the biggest reason this book gets a coveted five star rating from me: I got to learn all about zoos and the animals that inhabit them. I'm kidding, a little, kind of, but the beginning of the book is just fascinating to read. Pi weaves in stories of his childhood with facts about India, religion, animals, zoos, family, and all kinds of other stuff. One scene in particular that I loved was when Pi was trying to determine his religion and the choice that follows. Just humorous, insightful stuff all around, and I forgot all about what the book is really about. I won't remind you.

The story moves from all of that stuff, like a memoir I guess, to an adventure story. Now, I'm not a huge adventure story kind of guy, but the writing was so engaging and the audiobook narration was so intoxicating that I kept plugging along with all the craziness Pi finds himself in. It gets pretty violent and a little disgusting at times, but you're reading about wild animals and about a guy who is caught in a horrible tale of survival. It's not too bad.

Then, the end of the book comes along, and oh my god I can't even tell you about the end of the book. It's awesome though. Just trust me on this one if you haven't read it already. You've probably read it already. You've probably seen the movie, too, you awesome person you. Look at you go, all awesome and stuff.

I'm gonna watch the movie as soon as possible. Looking forward to it. This was a fantastic audiobook that I spent almost a month listening to during my morning commute. Whatever I pop in next has a tough act to follow.

January has been a pretty solid month of reading for me. Definitely ended it on a high note. I don't rate books five stars very often because I'm am overly critical book critic, but this is a five star read that deserves a little bit of your time. ...more

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Aug 20, 2012 s.penkevich rated it liked it

Shelves: animals, high_sea_adventure, man_booker_prize

’ Life is a peephole, a single tiny entry onto a vastness.’

We have all heard the phrase ‘you can’t judge a book by it’s cover.’ While this is a good life lesson, especially when taken as a metaphor that extends beyond books and into people, places, foods, etc., sometimes the cover of a novel is very telling of what lies within. Yann Martel’s Life of Pi wears it’s heart on it’s sleeve. A quick glance at the cover shows the overzealous stamp of ‘Winner of the Man Booker Prize’, INTERNATIONAL BESTS ...more

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Apr 14, 2018 J.L. Sutton rated it really liked it

“It is true that those we meet can change us, sometimes so profoundly that we are not the same afterwards, even unto our names.”

Summary of Life of Pi by Yann Martel

As a sort of parable on the value of storytelling, Yann Martel's fantastical adventure, Life of Pi, is astonishing. In the most desperate of circumstances, while Pi is on his lifeboat with a Bengal tiger named Richard Parker, imagination and storytelling are the keys to Pi's incredible story of survival. Issues about believability, what really happened on the boat, take ...more

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Aug 30, 2007 Jenny rated it did not like it

Shelves: fiction

This review has been hidden because it contains spoilers. To view it, click here.

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Jan 17, 2020 Baba rated it really liked it · review of another edition

Shelves: fantasy-let-it-be-your-fantasy

2004 review: I've always remembered this book leaving a deep lasting impact on me; appearing from the start to be one thing, and being by the end something completely different! My naïve younger self labelled this as a horror read, which I understand - but this a lot more than that.

Yann Martel's expert and peerless mix of fact and fiction, and of adventure and magical realism, is a joy to behold. Ultimately this book has one of those ideas, that some readers may struggle with - that only you can ...more

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Aug 11, 2007 Teresa Jusino rated it really liked it

Shelves: readandreviewed

On the surface, it's the story of a 16 year old Indian boy named "Pi" who, when he and his zookeeping family decide to transplant themselves and some animals to Canada, ends up stranded on a lifeboat with a hyena, a zebra, an orangutan, and a 450-lb Bengal tiger named "Richard Parker."
Don't let the Rudyard Kipling-ness of the plot fool you! In reality, this book is an examination of faith in all its forms. Young Pi loves God, and to prove it he becomes Christian and Muslim in addition to his nat On the surface, it's the story of a 16 year old Indian boy named "Pi" who, when he and his zookeeping family decide to transplant themselves and some animals to Canada, ends up stranded on a lifeboat with a hyena, a zebra, an orangutan, and a 450-lb Bengal tiger named "Richard Parker."
Don't let the Rudyard Kipling-ness of the plot fool you! In reality, this book is an examination of faith in all its forms. Young Pi loves God, and to prove it he becomes Christian and Muslim in addition to his native Hinduism. He also loves animals, and much of the book examines animal psychology and its relationship to human psychology in a vibrant, interesting way.

This book had me asking questions about my life, my beliefs, and my society on just about every page....and when the reader gets to the end (which I won't spoil here), the reader is forced to ask themself the kind of person they really are. If ever there was a novel that could be called a litmus test, it's this one. "The Life of Pi" will, at the very least, entertain through its sharp storytelling, but it can also help a reader examine how they see the world - and isn't that the point of great literature?

Favorite quotes:

"I felt a kinship with him. It was my first clue that atheists are my brothers and sisters of a different faith, and every word they speak speaks of faith. LIke me, they go as far as the legs of reason will carry them - and then they leap."

"But I don't insist. I don't mean to defend zoos. Close them all down if you want (and let us hope that what wildlife remains can survive in what is left of the natural world). I know zoos are no longer in people's good graces. Religion faces the same problem. Certain illusions about freedom plague them both."

"And so, when she first heard of Hare Krishnas, she didn't hear right. She heard 'hairless Christians', and that is what they were to her for many years. When I corrected her, I told her that in fact she was not so wrong; that Hindus, in their capacity for love, are indeed hairless Christians, just as Muslims, in the way they see God in everything, are bearded Hindus, and Christians, in their devotion to God, are hat-wearing Muslims."

"Christianity is a religion in a rush. Look at the world created in seven days. Even on a symbolic level, that's creation in a frenzy. To one born in a religion where the battle for a single soul can be a relay race run over many centuries, with innumerable generations passing along the baton, the quick resolution of Christianity has a dizzying effect. If Hinduism flows placidly like the Ganges, then Christianity bustles like Toronto at rush hour. It is a religion as swift as a swallow, as urgent as an ambulance. It turns on a dime, expresses itself in the instant. In a moment, you are lost or saved. Christianity stretches back through the ages, but in essence it exists only at one time: right now."
...more

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Oct 05, 2011 Richard Derus rated it it was ok

UPDATE: Some will see this as good news...there is a movie based on this piffling 21st-century Kahlil Gibran ripoff, directed by Ang Lee, coming out...trailer here. As one can readily see, no smarm or treacle has been spared.

The whole world has a copy of this book, including me...but not for long. Over 100,000 copies of this on GR, so how many trees died just for our copies alone? Don't go into the forest, ladies and gents, the trees will be lookin' for revenge after they read this book.

There is UPDATE: Some will see this as good news...there is a movie based on this piffling 21st-century Kahlil Gibran ripoff, directed by Ang Lee, coming out...trailer here. As one can readily see, no smarm or treacle has been spared.

The whole world has a copy of this book, including me...but not for long. Over 100,000 copies of this on GR, so how many trees died just for our copies alone? Don't go into the forest, ladies and gents, the trees will be lookin' for revenge after they read this book.

There is no question that Martel can write lovely sentences: "Those first hours were associated in my memory with one sound, not one you'd guess, not the yipping of the hyena or the hissing of the sea: it was the buzzing of flies. There were flies aboard the lifeboat. They emerged and flew about in the way of flies, in great, lazy orbits except when they came close to each other, when they spiralled together with dizzying speed and a burst of buzzing." (p118, paper ed.) Good, good stuff, nicely observed and handsomely rendered, and not enough to lift this dreary pseudo-philosophical rehash of Jonathan Livingston Seagull into greatness.

Piscine Molitor (Pi) Patel does not wring my heartstrings on his spiritual quest across the vasty deep, accompanied by a tiger named Richard Parker, to a carnivorous island, thence to Mexico to answer to a pair of noxious Japanese stereotypes and, ultimately, to Canada...sort of an anodyne for all the adventure he's been through, the way the author presents it. If I were Canadian or Torontoid (or whatever they call themselves), I'd be livid with fury over this crapulous insult to my homeland.

But hey, I'm Texan and Murrikin, if they don't care enough to run this yahoo outta town, why should I? The yodeling of joyous awakening that fogged this book on its debut..."a story to make you believe in the soul-sustaining power of fiction" ugh!; "could renew your faith in the ability of novelists to invest even the most outrageous scenario with plausible life" oh really?; "a fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient" *retch*...made my "oh yeah?" follicle erect its sturdy little hair, so I avoided it. But, in all fairness, people I love and respect lived it, so it's a mitzvah to read it, right?

Public notice: My spiritual debt to the opinions of others is, with the reading of this ghastly book, herewith Paid In Full For Good. Most strongly and heartily NOT RECOMMENDED.

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. ...more

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Sep 04, 2015 Kevin Ansbro rated it really liked it · review of another edition

Shelves: contemporary-fantasy, escapism, magical-realism, human-emotions, coming-of-age, gorgeous-covers, modern-fable, indian-fiction

I'm a huge fan of Yann Martel's allegorical story.
I read Life of Pi shortly after it had won the Booker, heavily intrigued by the story's improbable premise (boy in lifeboat with Bengal tiger). I was keen to see how the author could pull this off.
But pull it off he did, taking me back to a wondrous childhood of adventure tales and fables.
And you are welcome to whack me over the head with a leather-bound copy of War and Peace, but I am such a sucker for exotic book covers!
Please read the book, do ...more

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Oct 05, 2013 Jim Fonseca rated it really liked it

For years I noticed this book on display, particularly its cartoonish paperback cover. Was it a children's book? This Pi stuff -- was it something about math? It's a castaway story and like all castaway and shipwreck stories it's about human endurance, indomitable spirit and man vs. nature. The things that distinguish this story from Robinson Crusoe or Tom Hanks in Cast Away, is that the main character (Pi, short for Piscine) is trapped in a lifeboat with a Bengal tiger. He's Indian and multi-re ...more

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Nov 26, 2021 Kimber Silver rated it really liked it

Shelves: delicious-writing, epic-reads, nature, family-drama, magical-realism, coming-of-age, inspiring, travel

"It's important in life to conclude things properly. Only then can you let go. Otherwise, you are left with words you should have said but never did, and your heart is heavy with remorse."
― Yann Martel, Life of Pi

I have struggled to write this review. Not because I didn’t love Life of Pi, because I absolutely did, but because it is difficult to put into words where this incredible tale has taken me.

Throughout the reading, I have found myself utterly horrified and fascinated in equal measure. I ...more

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Oct 03, 2012 Apatt rated it it was amazing

Shelves: favorites

This is not a story of a boy and his BFF tiger.
This is nothing like Calvin and Hobbes.
The tiger is nothing like Tigger or Lassie.
This is not a YA book.

That is worth pointing out I think, because the movie poster and trailer gave me this impression.

This book has teeth.

My initial thoughts on Life of Pi is that it is a book that demands to be read slowly due to a rambling nonlinear narrative in the first few chapters. Actually it is not, it can be read fairly quickly once you hit your stride with i ...more

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Sep 27, 2007 Paul Bryant rated it liked it

Shelves: novels, bookers

Oh finally I get it. I read this a couple of years ago and it was supposed to be all about God. But no, it's not a religious allegory at all. It's about the collapse of communism. As the ocean liner of communism sinks under the weight of its own massive incompetence (a good idea, but the captain was drunk and the crew were sticky-fingered rascals), you leap overboard, clamber on to the only available boat (capitalism) only to find that there's a giant tiger on board which will eat you unless you ...more

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Jul 27, 2012 Ted rated it liked it · review of another edition

Shelves: fantasy, have, beach-fun-fiction, reviews-most-liked, lit-canadian

As near as I can say, this should probably be 3.141592654 stars.

I was disappointed in this novel, but not really surprised at this. Rather I was somewhat prepared for it, because the ratings for it, specifically by my GR friends and reviewers (people I follow), are all over the place. While over half of these ratings are good (4s and 5s), fully 28% are bad (1s and 2s). This is the highest percent of bad ratings for a Booker award winner since 2000 among these people.

And, as indicated by my own r ...more

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About Yann Martel

Yann Martel

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Yann Martel is the author of Life of Pi, the #1 international bestseller and winner of the 2002 Man Booker (among many other prizes). He is also the award-winning author of The Facts Behind the Helsinki Roccamatios (winner of the Journey Prize), Self, Beatrice & Virgil, and 101 Letters to a Prime Minister. Born in Spain in 1963, Martel studied philosophy at Trent University, worked at odd jobs—tre ...more