In this video from Vox (produced by none other than Estelle Caswell, who does the excellent Earworm series), scholar and musician Jake Blount runs us through a quick history of early Black folk music, using the banjo as a rough through-line. If you’d like to read more about Black stringband music, Blount has compiled some recommended resources.
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The flamingo’s vibrant color makes it a particularly striking bird to take photographs of, especially from the air — the pink really pops against the dark background of the water. Photographer Raj Mohan showcases this in his beautiful photos of flamingos at Pulicat Lake in India.
The annual flamingo festival is held in the month of January, and it is said that about 18 to 20 flamingo groups are distributed across the lake with each group having 700 to 800 birds. This pink flock congregation makes lake Pulicat a pink heaven.
You might remember that flamingos get their pink color from eating halophile dunaliella salina algae and shrimp that feel on algae. (via colossal)
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As I said in my recent media diet post, I really enjoyed Top Gun: Maverick. It’s a movie that’s made to be seen on a big screen with a loud sound system — I ended up seeing it in the theater twice. The movie just felt…good. Like a really well-crafted pop tune. In this video, Evan Puschak takes a look at the first scene in the film where (spoilers!) test pilot Maverick needs to achieve Mach 10 in an experimental plane and compares it to the structure of a pop song. His comparison really resonated with me because I listen to music and watch movies (particularly action movies) in a similar way: how movies and music feel and how they make me feel is often more important than plot or dialogue or lyrics.
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Neural Radiance Fields (NeRFs) is a relatively new technique that generates well-lit, complex 3D views from 2D images. If you’ve seen behind-the-scenes looks at how image/motion capture is traditionally done, you know how time-consuming and resource intensive it can be. As this video from Corridor Crew shows, NeRFs changes the image capture game significantly. The ease with which they play around with the technology to produce professional-looking effects in very little time is pretty mind-blowing. (via waxy)
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Steven Hawking came up with a simple and clever way of seeing if time travel is possible. On June 28, 2009, he threw a party for time travellers from the future…but didn’t advertise it until after the party was already over.
In an effort to improve the chances of the party invite being noticed by future generations, Peter Dean, working with approval from Hawking, has made this gorgeous hand-printed poster of the party invitation:
There’s also a smaller less-expensive version of the poster in grey and a fetching yellow/orange.
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Activist Greta Thunberg is coming out with a new book about the climate crisis called The Climate Book: The Facts and the Solutions (kindle).
In The Climate Book, Greta Thunberg has gathered the wisdom of over one hundred experts — geophysicists, oceanographers and meteorologists; engineers, economists and mathematicians; historians, philosophers and indigenous leaders — to equip us all with the knowledge we need to combat climate disaster. Alongside them, she shares her own stories of demonstrating and uncovering greenwashing around the world, revealing how much we have been kept in the dark. This is one of our biggest challenges, she shows, but also our greatest source of hope. Once we are given the full picture, how can we not act? And if a schoolchild’s strike could ignite a global protest, what could we do collectively if we tried?
The book is already out in Europe (I actually included the European cover above because, unsurprisingly, it’s better than the US cover), but will be released in the US in February.
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The New York Public Library maintains a collection of literary paraphernalia (which they call “realia”) that has gathered almost by accident and includes items like a lock of Walt Whitman’s hair, the death mask of E.E. Cummings, and Vladimir Nabokov’s butterfly drawings. The collection is only available by appointment, but the New Yorker snuck in for a look.
On the third floor of the New York Public Library, off of a quiet, marble-tiled hallway, is the Berg Reading Room. Mary Catherine Kinniburgh is one of the literary-manuscript specialists in charge of the cache of artifacts, which includes a lock of Walt Whitman’s hair, Jack Kerouac’s boots, and Virginia Woolf’s walking cane-all guarded by a buzzer and a strict protocol for appointment-only visits. “You can’t help but be a person in space and time in history, particularly in this room. It’s an opportunity to encounter an object in a very physical way, to generate meaning that transcends the shape of time,” Kinniburgh said.
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Science fiction and fantasy artists could labor for a thousand years and never come up with something as beautiful and unbelievable as the aurora borealis. Nature: still undefeated. Those two shots are from the 2022 Northern Lights Photographer of the Year awards — the top one was captured by Tor-Ivar Næss in Norway and the bottom one was taken in Denmark by Ruslan Merzlyakov.
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There are plenty of problematic things about this year’s World Cup, starting with the human rights situation in the host country, but for US viewers, Fox Sports’ coverage is really stinking up the joint. Aaron Timms burns them down in The Guardian:
In these circumstances you might expect Fox’s coverage of the matches, untroubled by politics, to be razor-sharp. You would be mistaken. From its Orientalist redoubt on the Doha Corniche (Arabesque motifs, casino lighting, no actual Arabs unless they’re from the Qatari tourism agency), the Fox team has set about its task with vigor: to beam all the tournament matches into the living rooms of America while being maximally patronizing to the country’s soccer fans. In those rare moments when Fox is not jamming a brand down our throats (“Here’s the player to watch segment, presented by Coca-Cola”, “Your first-half moment, sponsored by Verizon”, “Our player spotlight is hosted by the Volkswagen ID.4”), the network’s hosts, analysts, and match commentators seem determined to mansplain the sport as if we, the soccer-watching public of the United States, have spent the past four decades with our heads in the desert sands surrounding Lusail Iconic Stadium.
Insults to our collective intelligence have come from all angles: the constant, tedious analogies to American sports (stepovers and feints described as “dekes” and “hesis”, corners constantly compared to “pick and rolls”); the neverending quest to “contextualize” the world game by comparing whole countries to American states (“Qatar is the size of Connecticut,” we were told repeatedly on the opening day); the network’s embrace and promotion of the interminable “it’s called soccer” cause (who cares?); the strange extended segment in the run-up to USA v England about how much Harry Kane likes American football (ditto); the employment of Piers Morgan as a special guest pundit (no thanks).
The “it’s called soccer, no it’s football” thing is beyond stupid — it’s the sort of debate that 4th graders have on the playground. I watched the Netherlands vs. USA match the other day with my friend David and it was so bad we switched the channel to Telemundo even though neither of us speaks Spanish — and you know what, it was better because you could just enjoy the game. (Also, my pet peeve about the coverage: when showing the starting lineups and formations, they do not list the possible subs. The bench players matter, especially on these deep international teams! They come on late in games and score winning goals! Tell us who these people are!)
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Creative coder Neal Agarwal has launched his newest project: Asteroid Launcher. You can choose the asteroid’s composition (iron, stone, comet, etc.), size, speed, angle of incidence, and place of impact. Then you click “launch” and see the havoc you’ve wrought upon the world, with all kinds of interesting statistics. I bombarded Los Angeles with an iron asteroid a half-mile across moving at 50,000 mph and the results were significant, as you can see from the fireball it created:
Some of the most interesting bits about the impact:
- The crater is 2,087 ft deep.
- Clothes would catch on fire within 86 miles of the impact.
- An estimated 4,343,300 people would die from the 249 decibel shock wave.
- Winds would reach 13,373 mph; within 105 miles it would feel like being inside an EF5 tornado.
Crikey! See also the description of the much more massive meteorite that slammed into the Yucatan peninsula 66 million years ago:
The meteorite itself was so massive that it didn’t notice any atmosphere whatsoever,” said Rebolledo. “It was traveling 20 to 40 kilometers per second, 10 kilometers - probably 14 kilometers — wide, pushing the atmosphere and building such incredible pressure that the ocean in front of it just went away.
And The World’s Loudest Sound:
The sound made by the Krakatoa volcanic eruption in 1883 was so loud it ruptured eardrums of people 40 miles away, travelled around the world four times, and was clearly heard 3,000 miles away.
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Trials rider and mountain biker Danny MacAskill is one of my long-running obsessions here — I first posted about him all the way back in 2009 and if there’s ever a kottke.org konference, you’d better believe MacAskill will be performing at it. Anyway, MacAskill recently visited San Francisco with Red Bull and explored some of that beautiful city’s most iconic locations on his bike. Wow, the tennis net ride at 2:45 — BONKERS.
This video is actually a trailer of sorts for a 4-episode series that’s available on Red Bull’s site:
Watch as Danny lands a host of new tricks — some five years in the making — in spectacular spots around San Francisco. Then go behind the scenes and learn what this deeply personal edit means to him.
Super Rider (another trials rider) also did a behind-the-scenes video with MacAskill where they go in-depth on the tennis court setup.
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Based on an illustration she did for a tech blog in 2014, Hallie Bateman is selling the NOW clock, a timepiece that reminds you whatever time it happens to be, it’s also always the present moment.
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Dang, look at these new mosaics by Kiki Smith and Yayoi Kusama for Grand Central Madison, the MTA’s newest LIRR station.
As a former (and future?) New Yorker, I know a lot of the city’s dwellers appreciate the MTA’s commitment to public art and to mosaics in particular. Like the Dude’s rug, it really ties the city together.
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Gabrielle Schwarz at The Guardian has gathered 20 of the most iconic and meaningful photographs of the effects of the climate crisis. Metaphors abound. I think often of Kristi McCluer’s photograph of the golfers casually playing a round in proximity to 2017 Eagle Creek fire in the Pacific Northwest. As David Simon said at the time, “In the pantheon of visual metaphors for America today, this is the money shot.” (Iceberg photo by Magnus Kristensen and sled dog photo by Steffen Olsen.)
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