Richard Bratby

Grey, grey and more grey: Aida, at the Royal Opera House, reviewed

Grey. More grey. So very, very grey. That’s the main visual impression left by Robert Carsen’s new production of Verdi’s Aida. Possibly a few older operagoers still think of Aida as a fabulous spectacle: horses, temples, caparisoned elephants and all the gilded splendour of the Pharaohs. But if you cut your opera-going teeth more recently […]