Portal:Record production

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The Record Production Portal

P:RECORD

This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

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Featured articles - load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

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"Baby Boy" is a song by American singer Beyoncé featuring Jamaican dancehall rapper Sean Paul from Beyoncé's debut solo studio album, Dangerously in Love (2003). Both artists co-wrote the song with Scott Storch, Robert Waller and Shawn "Jay-Z" Carter; the former also co-produced the song. Containing a lyrical interpolation of "No Fear" by hip hop group O.G.C, "Baby Boy" is an R&B and dancehall song with Caribbean and Asian influences; its lyrics detail a woman's fantasies.

Columbia Records and Music World Entertainment released "Baby Boy" as the second single from Dangerously in Love on August 3, 2003. "Baby Boy" topped the US Billboard Hot 100 for nine consecutive weeks and was Beyoncé's longest-running number-one single until 2007, when it was surpassed by "Irreplaceable". It reached the top ten in many countries and was certified platinum by the Australian Recording Industry Association (ARIA) and the Recording Industry Association of America (RIAA). It also reached the top 10 in Australia, Belgium, Denmark, France, Germany, Ireland, the Netherlands, New Zealand, Norway, Spain, Sweden, Switzerland, and the United Kingdom. (Full article...)
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Red is the fourth studio album by American singer-songwriter Taylor Swift. It was released on October 22, 2012, by Big Machine Records. The album's title refers to the tumultuous, "red" emotions Swift experienced during the album's conception; its songs discuss the complex and conflicting feelings resulting from fading romance.

Hoping to experiment with new sounds that would expand her music beyond its traditional country pop style, Swift engaged new producers such as Dann Huff, Max Martin, Shellback, Jeff Bhasker, Dan Wilson, Jacknife Lee, Butch Walker, alongside her long-time collaborator Nathan Chapman. The final product was an album coalescing country, pop, and rock with folk and electronic elements, drawing from sub-genres such as arena rock, Britrock, dance-pop, and dubstep. Big Machine promoted Red as a country album but many critics disputed this categorization, calling it a straightforward pop record. The album was supported with seven singles, four of which peaked inside the top 10 of the US Billboard Hot 100; the lead single "We Are Never Ever Getting Back Together" topped the chart, while "Begin Again", "I Knew You Were Trouble", and "Red" reached numbers seven, two, and six, respectively. (Full article...)
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Aftermath is a studio album by the English rock band the Rolling Stones. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. It was released in the United Kingdom on 15 April 1966 by Decca Records and in the United States on 2 July by London Records. It is the band's fourth British and sixth American studio album, and closely follows a series of international hit singles that helped bring the Stones newfound wealth and fame rivalling that of their contemporaries the Beatles.

Aftermath is considered by music scholars to be an artistic breakthrough for the Rolling Stones. It is their first album to consist entirely of original compositions, all of which were credited to Mick Jagger and Keith Richards. Brian Jones emerged as a key contributor and experimented with instruments not usually associated with popular music, including the sitar, Appalachian dulcimer, Japanese koto and marimbas, as well as guitar and harmonica. Along with Jones' instrumental textures, the Stones incorporated a wider range of chords and stylistic elements beyond their Chicago blues and R&B influences, such as pop, folk, country, psychedelia, Baroque and Middle Eastern music. Influenced by intense love affairs and a demanding touring itinerary, Jagger and Richards wrote the album around psychodramatic themes of love, sex, desire, power and dominance, hate, obsession, modern society and rock stardom. Women feature as prominent characters in their often dark, sarcastic, casually offensive lyrics. (Full article...)
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Sir Adrian Cedric Boult, CH (/boʊlt/; 8 April 1889 – 22 February 1983) was an English conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London for the Royal Opera House and Sergei Diaghilev's ballet company. His first prominent post was conductor of the City of Birmingham Orchestra in 1924. When the British Broadcasting Corporation appointed him director of music in 1930, he established the BBC Symphony Orchestra and became its chief conductor. The orchestra set standards of excellence that were rivalled in Britain only by the London Philharmonic Orchestra (LPO), founded two years later.

Forced to leave the BBC in 1950 on reaching retirement age, Boult took on the chief conductorship of the LPO. The orchestra had declined from its peak of the 1930s, but under his guidance its fortunes were revived. He retired as its chief conductor in 1957, and later accepted the post of president. Although in the latter part of his career he worked with other orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Royal Philharmonic Orchestra, and his former orchestra, the BBC Symphony, it was the LPO with which he was primarily associated, conducting it in concerts and recordings until 1978, in what was widely called his "Indian summer". (Full article...)
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Fijación Oral, Vol. 1 (English: Oral Fixation, Vol. 1) is the sixth studio album by Colombian singer and songwriter Shakira. It was released on 3 June 2005 by Epic Records. After attaining international success in 2001 with her first English record, Laundry Service, Shakira wanted to release a fifth Spanish-language project as its followup. In the vein of her earlier work, Fijación Oral, Vol. 1 is a Latin pop album. Shakira enlisted Rick Rubin as executive producer, also working with Gustavo Cerati, Lester Mendez, Luis Fernando Ochoa and Jose "Gocho" Torres.

At its release Fijación Oral, Vol. 1 received generally favorable reviews from music critics, who complimented Shakira's evolution from her earlier work. The album debuted at number four on the US Billboard 200, with first-week sales of 157,000 copies. It set the record for the highest debut for a full-length Spanish-language album in the country. Internationally, the album topped the charts in Argentina, Germany, Mexico and Spain. Fijación Oral, Vol. 1 was the Best Latin Rock/Alternative Album at the 2006 Grammy Awards, and the Album of the Year and the Best Female Pop Vocal Album at the Latin Grammy Awards. Fijación Oral, Vol. 1 became the highest selling Latin pop album of the decade in the United States and the second highest selling Latin album overall. As of May 2013, over five million copies of the album were sold worldwide and it is the eighth best-selling Latin album in the United States. (Full article...)
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Santiago performing in 2017

Joseph Alberto Santiago (born June 10, 1965) is a Filipino-American guitarist and composer. Active since 1986, Santiago is best known as the lead guitarist for the American alternative rock band Pixies. His signature style changed the sound of alt-rock and has served as a major influence in music to this day. After the band's breakup in 1993, Santiago produced musical scores for film and television documentaries, and he formed The Martinis with his ex-wife, Linda Mallari. He also contributed to albums by Charles Douglas and former Pixies band-mate Frank Black. Santiago resumed his role as the Pixies' lead guitarist when they reunited in 2004.

Santiago has described his guitar technique as "angular and bent", and he cites Les Paul, George Harrison, Chet Atkins, Wes Montgomery, Joe Pass and Jimi Hendrix as major influences on his style. His guitar playing, as part of the Pixies' sound, was held in high regard by critics: MTV's Laurel Bowman commented that Santiago's "sonic plow was the key element in the Pixies' monstrous presence". (Full article...)
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"Speechless" is a song by the American recording artist Michael Jackson, included on his tenth studio album, Invincible (2001). It was only released as a promotional single in South Korea. The singer was inspired to write the ballad after a water balloon fight with children in Germany. Jackson collaborated on the production with musicians such as Jeremy Lubbock, Brad Buxer, Novi Novoq, Stuart Bradley and Bruce Swedien. Andraé Crouch and his gospel choir provided backing vocals.

Executives at Jackson's record label, Epic Records, responded positively to the track when given a preview several months before Invincible's release. "Speechless" was issued as a promotional single. Music critics focused on the track's a cappellas, lyrics and music. A clip of Jackson singing "Speechless" was included in the 2009 documentary-concert film Michael Jackson's This Is It. (Full article...)
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"Single Ladies (Put a Ring on It)" is a song recorded by American singer Beyoncé, from her third studio album, I Am... Sasha Fierce (2008). Columbia Records released "Single Ladies" as a single on October 13, 2008, as a Double A-side alongside "If I Were a Boy", showcasing the contrast between Beyoncé and her aggressive onstage alter ego Sasha Fierce. It explores men's unwillingness to propose or commit. In the song, the female protagonist is in a club to celebrate her single status.

"Single Ladies" won three Grammy Awards in 2010, including Song of the Year, among other accolades. Several news media sources named it as one of the best songs of 2008, while some considered it one of the best songs of the decade. It topped the US Billboard Hot 100 chart for four non-consecutive weeks and has been certified quadruple-platinum by the Recording Industry Association of America (RIAA). The song charted among the top ten within the singles category in several other countries. Globally, it was 2009's seventh best-selling digital single with 6.1 million copies sold. (Full article...)
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Kids See Ghosts is the only studio album by American hip hop duo Kids See Ghosts, composed of rapper-producers Kanye West and Kid Cudi. It was released on June 8, 2018, through Wicked Awesome Records and GOOD Music, and distributed by Def Jam Recordings. Prior to the release, West and Cudi had collaborated on each others' work since 2008, although they experienced personal quarrels due to creative differences. The first studio sessions for the album began after the two reunited in late 2016.

Guest contributions are included on Kids See Ghosts from Pusha T, Yasiin Bey, and Ty Dolla Sign, as well as a vocal sample of Louis Prima, who is credited posthumously as a featured artist. Kids See Ghosts handled the majority of the stylistically fragmented production that includes varying elements, with further contributions by Dot da Genius, Mike Dean, and Plain Pat, among others. The album was the third of five records produced by West in Jackson Hole as a part of the "Wyoming Sessions", each being released weekly in the summer of 2018. It succeeded the release of Pusha T's Daytona and West's Ye, while preceded the release of Nas' Nasir and Teyana Taylor's K.T.S.E. (Full article...)
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(L–R): Florence Ballard, Mary Wilson, and Diana Ross performing "My World Is Empty Without You" on The Ed Sullivan Show in 1966

The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their breakthrough made it possible for future African American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.

Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, the original group, were all from the Brewster-Douglass public housing project in Detroit. They formed the Primettes as the sister act to the Primes (with Paul Williams and Eddie Kendricks, who went on to form the Temptations). Barbara Martin replaced McGlown in 1960, and the group signed with Motown the following year as The Supremes. Martin left the act in early 1962, and Ross, Ballard, and Wilson carried on as a trio. (Full article...)
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Misterioso is a 1958 live album by American jazz ensemble the Thelonious Monk Quartet. By the time of its recording, pianist and bandleader Thelonious Monk had overcome an extended period of career difficulties and achieved stardom with his residency at New York's Five Spot Café, beginning in 1957. He returned there the following year for a second stint with his quartet, featuring drummer Roy Haynes, bassist Ahmed Abdul-Malik, and tenor saxophonist Johnny Griffin. Along with Thelonious in Action (1958), Misterioso captures portions of the ensemble's August 7 show at the venue.

One of the first successful live recordings of Monk's music, Misterioso was produced by Orrin Keepnews of Riverside Records. According to Keepnews, the pianist played more distinctly here than on his studio albums in response to the audience's enthusiasm during the performance. Misterioso's title was meant to evoke Monk's reputation as an enigmatic, challenging performer, while its cover art was part of Riverside's attempt to capitalize on his popularity with intellectual and bohemian audiences; it appropriated Giorgio de Chirico's 1915 painting The Seer. (Full article...)
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Audioslave performing at Montreux Jazz Festival in 2005

Audioslave was an American rock supergroup formed in Glendale, California, in 2001. The four-piece band consisted of Soundgarden's lead singer and rhythm guitarist Chris Cornell with Rage Against the Machine members Tom Morello (lead guitar), Tim Commerford (bass/backing vocals), and Brad Wilk (drums). Critics first described Audioslave as a combination of Soundgarden and Rage Against the Machine, but by the band's second album, Out of Exile, it was noted that they had established a separate identity. Their unique sound was created by blending 1970s hard rock and 1990s alternative rock, with musical influences that included 1960s funk, soul and R&B. As with Rage Against the Machine, the band prided themselves on the fact that all sounds on their albums were produced using only guitars, bass, drums, and vocals, with emphasis on Cornell's wide vocal range and Morello's unconventional guitar solos.

In their six years together, Audioslave released three albums, received three Grammy nominations, sold more than eight million records worldwide and became the first American rock band to perform an open-air concert in Cuba. They disbanded in February 2007 after Cornell issued a statement announcing that he was leaving the band. Later that year, Cornell and Morello released solo albums, and Morello, Commerford, and Wilk reunited with Zack de la Rocha for the Rage Against the Machine Reunion Tour. (Full article...)

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Did you know (auto-generated) - load new batch

... that audio engineer Bill Hare has been called "the Dr. Dre of a cappella recording"?
... that the death of NME music journalist Dele Fadele was not known within the music industry for more than two years after the fact?
... that the Guns N' Roses debut studio album Appetite for Destruction was recorded at a recording studio founded by 1970s pop duo Captain & Tennille?
... that Castle Recording Laboratory, Nashville's first commercial recording studio, was established in a repurposed hotel banquet room?
... that Lisa Nishimura started out in the music industry before producing Netflix documentaries including Chef's Table and Making a Murderer?

Born this day

Birthdays in Music: June 18

Paul McCartney, English singer and songwriter for The Beatles, turns 80.
Raffaella Carrà, Italian presenter and singer, turns 79.
Sandy Posey, American popular music and country singer, turns 78.
Dizzy Reed, American musician and keyboardist for Guns N' Roses, turns 59.
Trippie Redd (born Michael Lamar White IV), American rapper and singer, turns 23.
Ella Chen, Taiwanese mandopop singer with S.H.E, turns 41.
Josh Dun, American drummer for Twenty One Pilots, turns 34.

Jackie Leven (Record production, 1950 –November 14, 2011), Scottish folk music singer and songwriter, would have turned 72 this year.
Lincoln Thompson (Record production, 1949 –January 23, 1999), Jamaican singer and songwriter, would have turned 73 this year.
Carl Radle (Record production, 1942 –May 30, 1980), American bassist, would have turned 80 this year.
Hans Vonk (Record production, 1942 –August 29, 2004), Dutch conductor, would have turned 80 this year.
Claude Helffer (Record production, 1922 –October 27, 2004), French pianist, would have turned 100 this year.
Sammy Cahn (Record production, 1913 –January 15, 1993), American composer, would have turned 109 this year.
Ray McKinley (Record production, 1910 –May 07, 1995), American jazz drummer and bandleader, would have turned 112 this year.
Manuel Rosenthal (Record production, 1904 –June 05, 2003), French conductor and composer, would have turned 118 this year.
Jeanette MacDonald (Record production, 1903 –January 14, 1965), American actress and singer, would have turned 119 this year.
Sara Martin (Record production, 1894 –May 24, 1955), American blues vocalist, would have turned 128 this year.
Ignaz Pleyel (Record production, 1757 –November 14, 1831), Austrian composer and piano manufacturer, would have turned 265 this year.

List of musical events • Anniversaries • More birthdays...

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.

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Cartoon Medley is a compilation album produced by Kid Rhino for Cartoon Network and released on July 6, 1999. First unveiled in early 1999, it serves as a collection of songs from the channel's programs and anthological series, including those from Hanna-Barbera and others like Cow and Chicken and The Powerpuff Girls. In addition to the material, the album also includes six downloadable games and features for the listener. Critically, Cartoon Medley was awarded three out of five stars by AllMusic while "The Powerpuff Girls (End Theme)" was singled out by Billboard's Moira McCormick for being a "breakout" track. (Full article...)
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ATLiens is the second studio album by American hip hop duo Outkast. It was released on August 27, 1996, by Arista Records and LaFace Records. From 1995 to 1996, OutKast recorded ATLiens in sessions at several Atlanta studios—Bosstown Recording Studios, Doppler Recording Studios, PatchWerk Recording Studio, Purple Dragon Studios, and Studio LaCoCo—as well as Chung King Recording Studio and Sound On Sound Recording in New York City.

The record features outer space-inspired production sounds, with Outkast and producers Organized Noize incorporating elements of dub and gospel into the compositions. Several songs feature the duo's first attempts at producing music by themselves. Lyrically, the group discusses a wide range of topics including urban life as hustlers, existential introspection, and extraterrestrial life. The album's title is a portmanteau of "ATL" (an abbreviation of Atlanta, Georgia) and "aliens", which has been interpreted by critics as a commentary about the feeling of being isolated from American culture. (Full article...)
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The Astonishing is the thirteenth studio album by American progressive metal band Dream Theater, released on January 29, 2016 through Roadrunner Records. It is the band's second concept album, with a story conceived by guitarist John Petrucci and music written by Petrucci and keyboardist Jordan Rudess. Composer David Campbell assisted with orchestrating the album's strings and choirs. The band recorded their parts for the album throughout 2015 at Cove City Sound Studios in Long Island, New York, with the exception of vocals, which were recorded in Canada. Mixing and sound engineering were performed by the band's longtime collaborator, Richard Chycki, with Petrucci producing.

The Astonishing is set in a dystopian future United States and follows the Ravenskill Rebel Militia in their efforts to defy the Great Northern Empire of the Americas using the magical power of music. It was inspired by contemporary fantasy and science fiction franchises such as Game of Thrones and Star Wars, as well as Petrucci's observations on the ubiquity of technological automation in modern-day society. In their effort to match the album's narrative, Dream Theater wrote songs in a wide variety of styles ranging from mellow ballads to their more conventional progressive metal sound. (Full article...)
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The Love Club EP is the debut extended play (EP) by New Zealand singer-songwriter Lorde. At the age of 12, she was discovered by Universal Music Group scout Scott MacLachlan, and began writing songs. In December 2011, MacLachlan paired Lorde with producer Joel Little, and within three weeks, the pair had co-written and produced all five songs on the EP. In November 2012, Lorde self-released the EP for free download via SoundCloud. On 8 March 2013 the record was commercially released by Universal Music Group and Virgin Records.

An indie rock-influenced electronica and electropop album, The Love Club EP was well received by music critics, who praised its production and compared its style to works by Sky Ferreira, Florence and the Machine and Lana Del Rey. The release peaked at number two in New Zealand and Australia, and was certified platinum and 9 times platinum in those two countries respectively. In the US, the record charted at number twenty-three on the Billboard 200 chart and has sold 60,000 copies as of August 2013. To promote The Love Club EP, Lorde performed during various concerts, and "Royals" was released as a single. (Full article...)
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Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or simply Lola, is the eighth studio album by the English rock band the Kinks, recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically Lola Versus Powerman is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling tour de force", containing some of Ray Davies' strongest songs.

Although it appeared during a transitional period for the Kinks, Lola Versus Powerman was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album. It contained two hit singles: "Lola", which reached the top 10 in the US and UK, and "Apeman", which peaked at number five in the UK. (Full article...)
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Bedtime Stories is the sixth studio album by American singer Madonna. It was released on October 25, 1994, by Maverick and Sire Records. In order to move into a more mainstream sound, Madonna collaborated with Dallas Austin, Babyface, Dave Hall and Nellee Hooper, wanting to soften her image following the critical and commercial backlash she faced after releasing sexually explicit projects in the previous two years, notably the Erotica album, the Sex book and her leading role in the erotic thriller Body of Evidence. This image transformation was preceded by the ballad "I'll Remember" from the soundtrack to the 1994 film With Honors.

A hip hop, R&B and pop album, Bedtime Stories explores lyrical themes of love, sorrow and romance, but with a toned-down, less sexual approach. Critics described the album as "autobiographical", as the song "Human Nature" addresses the controversy surrounding her previous projects. Madonna also worked with Icelandic singer Björk on the track "Bedtime Story", as she wanted to explore the British club musical scene, where genres such as dub had been growing in popularity. (Full article...)
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The Beacon Street Collection is the second studio album by American rock band No Doubt. It was released on March 25, 1995, by Beacon Street Records. Produced by the band and recorded in a homemade studio in the garage of their house on Beacon Avenue in Anaheim, California, from which the album takes its name, The Beacon Street Collection was released during a period when the band was receiving little attention from their label Interscope Records, and were not getting a chance to record a second album, as the label was disillusioned with them after the commercial failure of their 1992 eponymous debut. No Doubt had written large numbers of songs and knew that they would not make it onto any Interscope album, so they built their own studio and recorded the album there. Two singles were released: "Squeal" and "Doghouse".

The album sold over 100,000 copies, over three times as many as their first album sold. Its success ensured that Interscope financed the band's third album Tragic Kingdom, which was a massive success, selling 16 million copies worldwide and attracting extensive interest in the band. The Beacon Street Collection was re-released in 1997 as part of the band's back catalog. The album charted in Australia on the ARIA Charts in 1998. (Full article...)
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Let's Get It On is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.

Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles. Serving as Gaye's first venture into the funk genre, Let's Get It On also incorporates smooth soul and doo-wop styles alongside sexually suggestive lyrics, leading to one writer's description of it as "one of the most sexually charged albums ever recorded". Gaye infused ideas of spiritual healing in songs about sex and romance, in part as a way of coping with childhood abuses from his father Marvin Gay Sr., which had stunted his sexuality. (Full article...)
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Where You Go I Go Too is the first studio album by Norwegian electronica artist Hans-Peter Lindstrøm. It was first released in the United Kingdom on 18 August 2008 and was subsequently released the next day in the United States. The album comprises three tracks, roughly 30, 10, and 15 minutes in length. Where You Go I Go Too is usually labeled "space disco" due to its "spacey, psychedelic" feel and four-to-the-floor beats.

Production of the album followed the 2006 release of It's a Feedelity Affair, a compilation of singles. Lindstrøm had become dissatisfied with simply producing remixes and average length songs, which led to experimentation with lengthy tracks. The album received positive reviews from critics, who praised its slick production values and epic scope. At the 2009 Spellemannprisen award ceremony in Norway, the record won the award for "best electronica album". (Full article...)
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Jumper is a 2008 American science fiction action film loosely based on the 1992 novel of the same name by Steven Gould. Directed by Doug Liman, the film stars Hayden Christensen as a young man capable of teleporting, as he is chased by a secret society intent on killing him. Jamie Bell, Rachel Bilson, Max Thieriot, AnnaSophia Robb, Diane Lane, Michael Rooker, and Samuel L. Jackson also star.

The script went through a rewrite prior to filming, and the roles for the main characters were changed during production. Jumper was filmed in 20 cities and 14 countries from 2006 to 2007. The film was released on February 14, 2008. The film grossed $225 million worldwide and received generally negative reviews from critics, mostly because of the many changes to Gould's novel, rushed plot, and anticlimactic ending. (Full article...)
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Wave 1 is the third extended play released under synthwave musician Seth Haley's pseudonym Com Truise. Haley described his releases as Com Truise as parts of a story about the world's first "Synthetic Astronaut" on his adventure to a planet, and Wave 1 is where he lands on a kind-of replica of Earth. Musically, Haley had to get inspiration from several artists as this part of the story is also where the music starts to change.

The EP is a combination of styles including synth soul, drum and bass, synth funk and electro, and retains the bright and danceable vibe from Com Truise's debut album Galactic Melt (2011). Promoted with two pre-EP track releases, a music video for the track "Subsonic" and a February–March 2014 tour, the EP was issued on the Ghostly International label in February 2014 to generally positive reviews, with critics praising the record's creativity. Commercially, it also landed in the top ten of the American Billboard Dance/Electronic and Heatseekers album charts. (Full article...)
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Skinny Jeanz and a Mic is the debut studio album by jerkin' crew and rap duo New Boyz, Legacy and Ben J. It was released on September 15, 2009, via Shotty Music, Asylum Records and Warner Bros. Records. The album was heavily influenced by jerkin' music. It received generally positive reviews, being called the sixth best album of 2009 by The New York Times. The album was released after the duo brought jerkin' to national attention with their viral hit "You're a Jerk", which later became a commercial success and the first single off their album. The second single "Tie Me Down", featuring Ray J, was released and also was successful. The album debuted at fifty-six on the Billboard 200, and at number twelve on Top R&B/Hip-Hop Albums and eight on Top Rap Albums. The album was produced by New Boyz member, Legacy, and also contributions from producers, Jay-Nari, D&D and DJ Felli Fel. (Full article...)

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The following are images from various record production-related articles on Wikipedia.

Image 1The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
Image 2Korg D888 eight-track digital recorder (from Multitrack recording)
Image 3A Mexican son jarocho singer recording tracks at the Tec de Monterrey studios (from Recording studio)
Image 4An audio production facility at An-Najah National University (from Recording studio)
Image 5Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip hop production)
Image 6Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)
Image 7Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)
Image 8Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)
Image 9Danny Knicely records with Furnace Mountain Band in Virginia (2012) (from Recording studio)
Image 10A selection of instruments at a music studio, including a grand piano (from Recording studio)
Image 11The Siemens Studio for Electronic Music ca. 1956. (from Recording studio)
Image 12Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)
Image 13Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
Image 14The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 16 or even 8 tracks on the same tape width, for greater fidelity. (from Multitrack recording)
Image 15Allen & Heath GS3000 analog mixing console in a home studio (from Recording studio)
Image 16The studio at Ridge Radio in Caterham, England (from Recording studio)

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Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.

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Jim Reeves had his first number one in 1953.

In 1953 Billboard magazine published three charts covering the best-performing country music songs in the United States: Most Played in Juke Boxes, National Best Sellers, and Most Played By Jockeys. The three charts had been published since 1944, 1948 and 1949 respectively. All three charts are considered part of the lineage of the multimetric Hot Country Songs chart, which was first published in 1958.

In the issue of Billboard dated January 3, Hank Williams was at number one on both the best sellers and jockeys charts with "Jambalaya (On the Bayou)", retaining a position it had held on both listings since the final issue of 1952. Williams thus held the top spot when he died in the early hours of January 1, 1953. Following his death, Williams achieved considerable chart success in the first half of 1953, particularly on the best sellers chart. He returned to number one on that listing later in January with the final single released in his lifetime, "I'll Never Get Out of This World Alive", and went on to have two further posthumous number ones with "Take These Chains from My Heart" and "Kaw-Liga", the latter of which spent 13 consecutive weeks at number one, the year's longest unbroken run atop any of the three charts. His total of 19 weeks at number one on the retail listing (including one when he tied for the top spot) was the most achieved by any act, and he achieved the same feat on both the juke box and jockeys charts, with 10 and 15 weeks at number one respectively. "Your Cheatin' Heart", which fell short of the number one position on the best sellers chart, topped both the other listings, meaning that five songs by Williams reached number one on one or more of the charts in 1953. Regarded as one of the most influential musicians in country music history, Williams was among the inaugural class of entrants to the Country Music Hall of Fame in 1961. (Full article...)
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Tanya Tucker had her first chart-topper in 1973 at the age of 14.

Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1973, 36 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

At the start of the year, the number one song was "She's Got to Be a Saint" by Ray Price, which had reached number one the previous week, and remained atop the chart for two weeks in 1973. Price returned to the top spot for a single week later in the year with "You're the Best Thing That Ever Happened to Me". This marked his final appearance at the top of the Hot Country Singles chart, fifteen years after he had been at number one on the very first combined country sales and airplay chart published by Billboard. Conway Twitty spent the highest number of weeks at number one by any artist in 1973 with six, including one week at the top with a duet with Loretta Lynn. Twitty and Lynn had a run of success with duet recordings in the early 1970s alongside their ongoing solo careers, and each had three number one singles during the year, tying with Charley Pride, Tammy Wynette and Merle Haggard for the most number ones by an artist. Despite being banned by some radio stations due to its lyrical content, Twitty's "You've Never Been This Far Before" spent three weeks at number one, tying for the longest unbroken run of the year with "The Most Beautiful Girl" by Charlie Rich. (Full article...)
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The Bellamy Brothers had their first number-one country single in 1979 with "If I Said You Had a Beautiful Body Would You Hold It Against Me".

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1979, 33 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

Waylon Jennings, Anne Murray, Kenny Rogers, and Conway Twitty tied for the highest total number of weeks spent at number one in 1979, each spending five weeks at the top of the chart. Jennings, Murray and Twitty each had a run of three consecutive weeks at number one with "Amanda", "I Just Fall in Love Again" and "Happy Birthday Darlin'" respectively. The three songs tied for the longest unbroken run in the top spot during 1979 with "Every Which Way but Loose" by Eddie Rabbitt, "Golden Tears" by Dave & Sugar and "If I Said You Had a Beautiful Body Would You Hold It Against Me" by the Bellamy Brothers, each of which also spent three weeks atop the listing. Murray, Rogers and Twitty each had three number ones in 1979, the most by an individual act. (Full article...)
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Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1983, 50 different releases topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

One of only two singles to spend more than one week at number one in 1983 was "Islands in the Stream", a collaboration between two of country's leading solo singers, Kenny Rogers and Dolly Parton. The song was a considerable crossover success, also topping the Adult Contemporary chart and reaching number one on the all-genres Billboard Hot 100. In 2005 the song topped a poll run by country music television channel CMT of the best country duets of all time. The only other multi-week number one was "Houston (Means I'm One Day Closer to You)" by Larry Gatlin and the Gatlin Brothers, which ended the year in the top spot. Five acts tied for the most number ones of the year, with three each, including Alabama, Crystal Gayle and John Anderson. Mickey Gilley achieved two solo number ones and also teamed with Charly McClain on the chart-topping duet "Paradise Tonight" and Merle Haggard similarly gained two solo number ones and spent a week at the top with "Pancho and Lefty", a collaboration with Willie Nelson. (Full article...)
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Conway Twitty reached number one for the first time in 1968. He would go on to achieve a record-breaking 40 chart-toppers.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1968, 24 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

At the start of the year the number-one single was "For Loving You" by Bill Anderson and Jan Howard, its third week in the top spot. It remained at number one until the issue dated January 20, when it was replaced by Merle Haggard's single "Sing Me Back Home". Haggard spent the highest number of weeks at number one in 1968, topping the chart for a total of eight weeks with "Sing Me Back Home", "The Legend of Bonnie and Clyde" and "Mama Tried". He was one of three artists to take three different singles to number one during the year, the most by any act. Sonny James reached number one with "A World of Our Own", "Heaven Says Hello" and "Born To Be With You", and Tammy Wynette topped the chart with "Take Me to Your World", "D-I-V-O-R-C-E" and "Stand by Your Man". The longest run at number one by a single was the five weeks which Henson Cargill spent in the top spot with "Skip a Rope" in February and March. Two of 1968's country number ones also topped Billboard's all-genre singles chart, the Hot 100. Bobby Goldsboro's single "Honey" had already had a run atop the Hot 100 when it reached number one on the country chart in May. Jeannie C. Riley's "Harper Valley PTA" topped the Hot 100 in September and reached the peak position on the country chart the following week. Although it did not achieve the same level of crossover success, Wynette's November chart-topper "Stand by Your Man" has come to be regarded as one of the greatest country songs of all time. In 2003 it topped a poll of critics, journalists and industry insiders to find the top song of the genre, and in 2010 the song was added by the Library of Congress to the National Recording Registry, which selects recordings annually that are "culturally, historically, or aesthetically significant". (Full article...)
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Three songs by Bob Wills reached number one in 1946, including "New Spanish Two Step", which spent 15 consecutive weeks in the top spot.

From 1944 until 1957, Billboard magazine published a chart that ranked the top-performing country music songs in the United States, based on the number of times a song had been played in jukeboxes; until 1948 it was the magazine's only country music chart. In 1946, nine different songs topped the chart, which was published under the title Most Played Juke Box Folk Records. The chart was compiled based on a survey of jukebox operators nationwide, and its methodology allowed for the possibility of records tying for a position. On several occasions during 1946 two or more songs tied for the number-one spot, including the issue of Billboard dated February 2, when four songs tied for the peak position. The Juke Box Folk chart is considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.

In 1946 the top spot was dominated by two songs which each spent 16 weeks at number one and which between them topped the chart from February to September. In the issue of Billboard dated February 2, "Guitar Polka" by Al Dexter reached number one for the first time, albeit jointly with three other songs. After one week out of the top spot it returned to number one, where it spent fifteen consecutive weeks, one of them jointly with "New Spanish Two Step" by Bob Wills, widely known as the "King of Western swing". After Dexter's run at number one ended, Wills's song returned to the top spot and also spent fifteen consecutive weeks atop the chart. Wills had topped the chart earlier in the year with "Silver Dew on the Blue Grass Tonight" and "White Cross on Okinawa" and was the only artist to take three different songs to number one in 1946. Dexter, however, had the highest number of total weeks at number one, spending 21 weeks in total (including two tied weeks) atop the chart with "Guitar Polka" and "Wine Women and Song". Wills and Dexter were the only acts with more than one chart-topper during the year. (Full article...)
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Will Young had the best-selling single of the 2000s in the UK, "Evergreen"/"Anything Is Possible".

The UK Singles Chart is a music chart compiled by the Official Charts Company that calculates the best-selling singles of the week in the United Kingdom. Since 2005, the chart has been based on the sales of both physical and digital singles, originally on the condition that the single was available in both formats. In 2007, the rules were changed so that legal downloads of all songs, irrespective of whether a physical copy was available, were eligible to chart.

Between 2000 and 2009, ten singles that reached the top of the singles chart sold more than 1 million copies in the United Kingdom. At the end of the decade, a retrospective chart was compiled by the Official Charts Company to determine the best-selling single of this ten-year period. The title was won by Will Young, the winner of the televised talent competition Pop Idol in 2001, with his double A-side single "Evergreen"/"Anything Is Possible", released in 2002. The single sold just under 1.8 million copies and saw Young finish ahead of fellow Pop Idol finalist Gareth Gates, whose debut single "Unchained Melody" sold 1.34 million copies. Young's single included sales of 1,108,269 copies in its first week, at the time a first-week total that had been bettered only by Elton John's "Candle in the Wind 1997". The X Factor winners Alexandra Burke (5th), and Shayne Ward (8th) and the band formed on Popstars in 2001, Hear'Say (9th), also reached the top ten. Kylie Minogue, Shaggy and Tony Christie were the other solo artists who made the top ten of best-selling singles; Christie's best-seller was a charity single recorded for Comic Relief in 2005. Children's television character Bob the Builder's "Can We Fix It?", voiced by Neil Morrissey, and Band Aid 20's cover of "Do They Know It's Christmas" made up the rest of the top ten singles. (Full article...)
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Lynn Anderson (pictured in 2011) had three number ones in 1971.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1971, 21 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports supplied by stores.

The first number one of the year was Lynn Anderson's "Rose Garden", which was in its second week at number one in the issue of Billboard dated January 2, and remained at the top for three further weeks before being displaced by "Flesh and Blood" by Johnny Cash. Charley Pride had the highest total number of weeks at number one in 1971, topping the chart for 11 weeks with "I'd Rather Love You", "I'm Just Me" and "Kiss an Angel Good Mornin'". Lynn Anderson and Sonny James also each had three number ones during the year, as did Conway Twitty, who reached the top of the chart with one solo single and two duets with Loretta Lynn. The two singers would go on to achieve a string of duet hits in the 1970s and 1980s. The longest unbroken run at number one in 1971 was achieved by Jerry Reed with "When You're Hot, You're Hot", which spent five consecutive weeks at number one during the summer. (Full article...)
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Randy Travis spent four weeks at number one in 1988.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1988, 49 different songs topped the chart, then published under the title Hot Country Singles, in 53 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

Only four songs spent more than a single week at number one in 1988: "Eighteen Wheels and a Dozen Roses" by Kathy Mattea, "I Told You So" by Randy Travis, "I'll Leave This World Loving You" by Ricky Van Shelton and "When You Say Nothing at All" by Keith Whitley. Travis and Shelton each scored two other number ones during the year to give them a total of four weeks in the top spot. This figure was matched by Rosanne Cash, who achieved three solo number ones and one in collaboration with her then-husband Rodney Crowell, making her the only artist to take four different songs to number one in 1988. Highway 101, Restless Heart, George Strait and Tanya Tucker each topped the chart with three different songs. (Full article...)
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The UK Singles Chart is the official record chart in the United Kingdom. In the 1970s, it was compiled weekly by the British Market Research Bureau (BMRB) on behalf of the British record industry with a one-week break each Christmas. Prior to 1969 many music papers compiled their own sales charts but, on 15 February 1969, the BMRB was commissioned in a joint venture by the BBC and Record Retailer to compile the chart. BMRB compiled the first chart from postal returns of sales logs from 250 record shops. The sampling cost approximately £52,000 and shops were randomly chosen and submitted figures for sales taken up to the close of trade on Saturday. The data was compiled on Monday and given to the BBC on Tuesday to be announced on Johnnie Walker's afternoon show and later published in Record Retailer (rebranded Music Week in 1972). However, the BMRB often struggled to have the full sample of sales figures returned by post. The 1971 postal strike meant that data had to be collected by telephone but this was deemed inadequate for a national chart, and by 1973 the BMRB was using motorcycle couriers to collect sales figures.

In terms of number-one singles, ABBA were the most successful group of the decade having seven singles reach the top spot. The longest duration of a single at number-one was nine weeks and this was achieved on three occasions: "Bohemian Rhapsody" by Queen in 1975; "Mull of Kintyre" / "Girls' School" by Wings in 1977 and "You're the One That I Want" by John Travolta and Olivia Newton-John in 1978. Thirteen records were released that sold over one-million copies within the decade and "Mull of Kintyre" also became the first ever single to sell over two-million copies. In doing so it became the best-ever selling single beating the benchmark set by The Beatles' song "She Loves You" in 1963. "Mull of Kintyre" was also the biggest selling song of the decade and was not surpassed in physical sales until 1984 when Band Aid released "Do They Know It's Christmas?". (Full article...)