Articles from May 2012

Adobe has launched final versions of Photoshop Lightroom v4.1 and Adobe Camera Raw v7.1 that include support for the Fujifilm X-Pro1. Both versions include the advanced defringing tools introduced in the Release Candidate versions they replace as well as promising to address 'performance issues.' Both versions include support for the Fujifilm X-Pro1 non-Bayer color filter array. They can be downloaded from the Adobe website now. Adobe Camera Raw 7.1 works with Photoshop CS6.

Panasonic has release firmware v2.0 for its DMC-FX90 Wi-Fi compact, adding a series of features to allow its use with smartphones. The FX90, launched in August 2011 featured the ability to upload images to smartphones, but the latest firmware adds the option to remotely view the camera's live view, zoom the lens and trigger the shutter. These features, which can be used with the associated iOS and Android smartphone apps, bring it into line with the latest 'smart cameras' from Samsung.

Nikon has updated the firmware of both the D4 and D800 professional DSLRs. The D4 receives updates to v1.01 for both firmware A and B, while the D800 and D800E only have B firmware v1.01. In both cases the firmware corrects minor operational glitches, including one that could cause the cameras to occasionally lock up. The updates can be downloaded from Nikon's websites.

Snapseed started life as an iOS app that married Nik Software's 'U Point' localized effect controls with a touch-based interface. The app has now stepped back across the mobile divide and is available for desk-bound Macs. Lauren Crabbe investigates whether the $20 desktop version is a useful addition to your image-editing arsenal.

Facebook has announced a free app called Camera that focuses on viewing and sharing photos. Instead of showing what your friends are doing and thinking, it just dives straight to their photo galleries. The app also allows you to share multiple photos at a time, including descriptions and tagging. There are also tools for cropping and applying filters to your images. The app allows Facebook to be used in a much more Instagram-like manner (and it seems too soon for this to be a product of the Facebook buyout). Updated with first impressions.

Olympus has released more details about the M.Zuiko Digital ED 75mm F1.8 lens it announced alongside the E-M5, back in January 2012. The relatively compact large-aperture lens offers a 150mm-equivalent field-of-view and a fast internal-focus design. The 75mm will be available from 'Summer 2012' at an expected selling price of around $899.99.

Fujifilm has officially unveiled its promised adapter to allow the use of Leica M-mount lenses on the X-Pro1. Unlike third-party versions, the adapter has electronic contacts for communication with the camera body, and a Function button that allows quick setting of the lens in use. To make full use of the adapter, a firmware update for the X-Pro1 (version 1.10) will be made available in June 2012. This will allow the user to create up to six lens profiles to correct distortion, vignetting and corner colour shading (in a similar manner to the Ricoh GXR Mount A12). The camera can show framelines in its unique hybrid viewfinder for 21mm, 24mm, 28mm, and 35mm lenses; for other focal lengths the electronic viewfinder or rear screen will show a preview with 100% coverage of the field of view.

Apple has issued Digital Camera Raw Compatibility Update 3.13, adding compatibility for six extra cameras, allowing their Raw files to be opened by software on the Mac, including Aperture and iPhoto. The latest update brings support for the Canon EOS-1D X, Nikon D800E, Nikon D3200, Olympus OM-D E-M5, Panasonic Lumix DMC-GF5 and Sony SLT-A57. The update means Apple is the first major software maker to support some of these models.

Accessory maker NEX-Proshop has launched its ISO hotshoe adapter for Sony's NEX series of mirrorless cameras. The adapter screws into the NEX accessory port and adds a standard hotshoe and PC-Sync socket. It is designed for use with radio flash triggers (as the NEX accessory port is not designed to support a full-size flashgun), allowing much more flexible flash use with the NEX cameras. The adapter is available now for a cost of $79.99.

DxO Labs has updated DxO Optics Pro to v7.5, which now runs natively as a 64-bit application for both Mac and Windows. The latest version can handle larger images than previous versions - the 200 megapixel limit means the addition of D800 support prove no challenge. 60 of the extra 200 lens/camera profiles are for the Nikon. The latest version is available for free to existing DxO Optics Pro v7 users, with a 33% discount available for new customers until June 30th.

Just Posted: Our Canon EOS 5D Mark III review. The 22.3MP 5D Mark III appears to offer similar specifications to 2008's 5D Mark II. However, sensor and processing developments, along with a host of user-interface revisions mean the Mark III is a much more capable camera. It also gains a greatly-improved autofocus system. So do these changes justify the considerably higher price tag? Read our full review to find out.

Most of us associate studio photography with complex lighting setups requiring lots of equipment. Yet you can get great results using just a single light. Professional photographer Thomas Park takes you through a range of single-light scenarios. Read his article to learn how close attention to the position of both subject and light source can improve your own studio portraits.

Pentax has announced the DA 50mm f/1.8, an affordable telephoto prime lens for APS-C interchangeable lens cameras. The lens offers a 76.5mm equivalent field of view on the company's DSLRs or K-01 cameras. The lens is designed to look like Pentax's premium 'Limited' prime lenses but features a plastic lens mount. The lens is only 38.5mm long at its shortest, and will sell for around $249.95/€269/£249, making it a small and relatively inexpensive addition to a camera bag.

Apple has taken the well-known iPhoto app that’s bundled with Apple computers and adapted it for the iPad and iPhone. Although the iPhoto app offers a range of image editing tools including global and localised adjustment control (using multi-touch tools) there’s a lot more to it than that. Joanne Carter takes a look.

Photographer Andrew Kane found himself having to report damage to the Nikon D4 he'd rented this weekend, after it was attacked by a grizzly bear. Kane had the presence of mind to document the attack, using his D700 and 70-300VR that he had slung around his neck - grabbing some impressive sharp images of the bear mauling the rented kit. LensRentals seem satisfied with his explanation - Roger Cicala has blogged that replacement gear is already on the way to Kane.

Just Posted: our hands-on preview of the Panasonic 12-35mm F2.8 fast standard zoom for Micro Four Thirds. It's the first constant-aperture standard zoom for a mirrorless system - helping strengthen the position of the system developed by Panasonic and Olympus. We've been using a pre-production version of the lens on both makers' cameras, and have prepared a hands-on preview and a small gallery of sample images.

Panasonic has formally announced a 12-35mm F2.8 lens for the Micro Four Thirds system. The LUMIX G X VARIO 12-35mm/F2.8 ASPH./POWER O.I.S offers a traditional 24-70mm equivalent field-of-view, and is the first constant-aperture standard zoom for a mirrorless system. The lens is the latest in Panasonic's premium 'X'-branded range and uses the company's latest Power O.I.S optical stabilization system. It will be available in August, pricing details are not yet available.

Just Posted: our hands-on preview of the Sony NEX-F3. The F3 is Sony's latest entry-level model, replacing the NEX-C3. It's built around the company's second-generation 16MP CMOS sensor, as featured in the NEX-5N and gains a built-in flash. It's also the first NEX to feature a screen that flips all the way into a vertical position, to make it easier to shoot self-portraits. We've been using an F3 for a couple of days - read our hands-on preview to find out what we thought and to see the images we shot.

Just Posted: Our Sony SLT-A37 hands-on preview. The A37 is Sony's latest entry-level SLT camera - offering DSLR capability in a full-time live view camera. The A37 retains the small body of the original SLT cameras and helps create an easy-to-understand four-model lineup. It gains 1080p24 HD video shooting and features such as lens correction and focus peaking from the more recent SLT models, offering a strong feature set. And, with a recommeded price of $599 with 18-55mm zoom, it's $150 cheaper than the A33 was. Read our hands-on preview to discover more.

Sony has launched the SLT-A37 entry-level 16MP SLT camera and the enthusiast-grade 18-135mm F3.5-5.6 SAM standard zoom. The A37 is a refreshed replacement for the A35, bringing the entry-level model into line with the rest of the SLT lineup. Meanwhile the 18-135mm F3.5-5.6 SAM lens offers Alpha mount users a more flexible upgrade option over the entry-level 18-55mm without having to stretch to the 16-50mm F2.8. The A37 will be available from June at a cost of $600 with 18-55mm kit zoom. The 18-135mm lens will follow in July for $500 or as a $200 premium over the basic zoom kit cost with any of the company's SLT cameras.

Sony has announced the NEX-F3 entry-level 16MP mirrorless camera and lightweight 18-200mm F3.5-6.3 OSS stabilized superzoom lens with for the E-mount. The NEX-F3 gains a built-in flash, along with the updated 16MP sensor from its NEX-5N big brother. Its big party trick is undoubtedly its LCD, whose image automatically mirrors when it's flipped up for taking self-portraits. Meanwhile, the E18-200mm F3.5-5.6 LE OSS is a more compact, lighter 11x superzoom lens for the NEX system. Starting in June, the NEX-F3 will have an MSRP of around $600, while the SEL18200LE will sell for around $850 from July.

The Atlantic's 'In Focus' photo blog has collected a fascinating series of images from the Russian space program. Looking at both Zvyozdny gorodok, the training center just outside Moscow better known as 'Star City,' as well as  the Baikonur Cosmodrome in Kazakhstan, the pictures give an insight into post-Shuttle space flight. Astronauts and scientists from different countries train together, as do entrepreneurs preparing for their paid trips into space. The collection uses a variety of photographic styles and beautifully conveys the faded futurism of space travel. (from The Atlantic)

Fujifilm has announced the WCL-X100 wide-angle adapter lens for its X100 large sensor, fixed-lens compact. The 0.8x adapter extends the camera's 35mm equivalent field of view out to 28mm equivalent. It is designed to match the X100 in terms of both appearance and quality, sharing the camera's Fujifilm's Super EBC coating and made-in-Japan construction. The WCl-X100 will be available from June at a price of around $350. To enable use of the converter, the company has also issued firmware v1.30 which adds a function for its use as well as fixing two minor operational bugs.

Just posted: Canon PowerShot SX150 IS review. The PowerShot SX150 IS is a mid-priced compact superzoom - it's not as slim or stylish as the Panasonic TZ (ZS) models that have helped define the class, but it still boasts a 28-336mm equivalent zoom range and a comprehensive set of features, both in terms of special effects and manual controls. It also differentiates itself through the use of AA batteries and a CCD sensor - both helping to keep costs down. So has Canon cut too many corners in pursuit of cut-price capability?

Leica has combined with luxury fashion house Hermès to create the M9-P Edition Hermès. The camera is coated in ocre-colored calfskin leather and features a matching shoulder strap. The camera also features a redesigned, smoother top-plate and control points, designed by the automotive designer, Walter de’Silva, previously responsible for the M9 Titanium. Only 300 of the cameras will be made. A yet more exclusive series of 100 'Edition Hermès – Série Limitée Jean-Louis Dumas' kits will also be sold, in honor of the former president of Hermès. These kits will include a 28mm f/2, 50mm f/0.95 and 90mm f/2 lens, and a exclusive Hermès camera bag. The limited editions will cost $25,000 and $50,000 respectively.

We've prepared a hands-on preview of the Leica M-Monochrom 18MP black-and-white rangefinder. The M-Monochrom has no color filter array in front of the sensor, meaning it captures more of the available light but cannot perceive color. It also means there is no need for demosaicing (the process of combining color information from adjacent pixels), so higher levels of detail are retained. Our preview includes real-world samples we shot with the M-Monochrom, to show just what that means in-use.

Leica has announced the M-Monochrom, a black-and-white version of its M9 full-frame rangefinder.  In most other respects, the M-Monochrom shares its hardware with the M9. It can add three toning colors to its monchrome output or its uncompressed DNG files can be edited using the included copy of Photoshop Lightroom. A full version of the mono processing software Silver Efex 2 is also included. It will cost around $7,950.00.

Leica has announced the X2, a 16MP APS-C compact camera with a fixed 36mm equivalent F2.8 lens. The camera is an updated version of its X1, with the biggest changes being the use of a 16.2MP CMOS sensor and the addition of an accessory socket for adding an optional 1.44M dot 'Viso-Flex' electronic viewfinder. An add-on handgrip is also available. Leica says it has improved the autofocus system (one of our biggest criticisms of the X1), but has retained the rather low-resolution 230,000 dot rear LCD. The X2 has a list price of $1,995.00. (Updated with first impressions of AF performance)

Leica has released the V-Lux40, a 14MP, 20X compact superzoom camera. It is the second V-Lux model to feature GPS and appears to very closely resemble the Panasonic DMX-TZ30/ZS20. This gives it a 24-480mm equivalent zoom range and 14.1MP output (from a 15.3MP CMOS sensor). It also means it's capable of capturing 1080 video. The camera also features the highest-res screen in the Leica range - a 460k dot 3.0" LCD. Unlike the similar Panasonic, the Leica V-Lux 40 includes Adobe Photoshop Elements 10 and Premier Elements 10.

Adobe has announced a release candidate version of Adobe Camera Raw 7.1 and DNG Converter 7.1. The latest near-release version of the Raw processing plugin only works with Photoshop CS6 and brings support for the same 21 cameras that were added to Camera Raw 6.7 in the most recent update. This includes the Nikon D800m Canon EOS 5D Mark III, Olympus OM-D E-M5 and the most recent releases from Samsung.

We've just posted our Nikon D800 review. At 36MP, the D800 is the highest resolution camera you can buy without making the step up to medium format, it's also one of the first DSLRs to offer uncompressed video output. Despite these drastic increases in capability over the D700, Nikon's latest full-frame offering will be immediately familiar to any one who's shot with one of the company's high-end cameras. So what's the D800 like to shoot with and does all that resolution render its competition redundant?

Olympus has announced the Tough TG-1 iHS, a high-end rugged, waterproof compact camera. The main selling point of the camera is its 25-100mm equivalant F2.0-4.9 zoom lens. The TG-1 is tougher than previous Tough models, being waterproof to 12m (40ft) and shockproof from a height of 2m (6.6ft) and will have optional waterproof fisheye and telephoto converter lenses available. The TG-1 iHS is built around a 1/2.3"-type 12MP back-lit CMOS sensor and a TruePic VI processor to make the most of its output.

We've prepared a user guide to the Olympus OM-D E-M5, uncovering some of the more interesting features that might not be immediately apparent to new users. As part of reviewing the camera, and detailing its menus, we found a couple of settings combinations and obscure options that we think are worth knowing about. So, if you've recently received an E-M5, or are thinking about parting with your hard-earned cash for one, we hope you'll find this article useful.

Novoflex has announced a range of mount adapters for the Fujifilm X-Pro1's X mount. The adapters allow the use of a wide range of non-XF lenses with the 16MP mirrorless camera. The range supports a broad cross-section of current and legacy lenses, including Canon FD, Nikon, Contax, Olympus OM and Minolta MD and AF mounts. There is also an adapter to allow use of Leica M-mount lenses, if you can't wait for the one Fujifilm said it is developing. The adapters will be available from the end of May 2012 at prices range from around €89 to €169, depending on the complexity of the adapter (there are also adapters for medium-format lenses that can cost as much as €350). (via Photoscala)

Nikon has confirmed to PDN that it is investigating a problem that can cause the D800 and D4 to lock-up while shooting. The company says that the issue - identified while PDN was reviewing the camera - can be avoided by disabling Highlights and RGB Histogram on the display. At present the lock-ups require the battery to be removed to restart the camera but PDN thinks it likely that Nikon will be able to come up with a permanent fix.

Bag maker Think Tank has announced an update to its Airport series of camera bags. Designed to meet the restrictions imposed by airlines on carry-on luggage, the series includes a model designed for international flight as well as smaller versions for space-limited short-haul flying. The three bags are all designed with room for an iPad and increasingly large laptops, and give clear indications of the camera bodies and lenses they will accommodate. All three come with a seam-sealed rain covers.

The ever-inquisitive Roger Cicala at LensRentals has dismantled a light-leak-fixed Canon EOS 5D Mark III and compared it to an unmodified version. The solution, as proposed by every tool-shed tinkerer, appears to be a piece of black electrical tape, which Cicala says successfully stops stray light reaching the camera's metering sensor. When asked if he'd send his own Mark III back to be modified, Cicala points out that he doesn't 'do long exposure night photography with autometering.' But, in the unlikely event that you do, you can rest assured that Canon can fix your camera for you.

DxO Labs has updated DxO Optics Pro to v7.2.3, adding support for the Canon EOS 5D Mark III and Pentax's K-01. The latest version includes 70 camera and lens combination modules for the 5D III and 26 for the Pentax K-mount mirrorless camera. As usual, a 30-day free trial of the software is available.

Adobe has released the finalized version of Adobe Camera Raw v6.7, the last update that will work with Photoshop CS5. The final version include support for Canon's EOS 5D Mark III, Nikon's D800 and the Olympus E-M5, as part of a list of 21 cameras added. The update includes the most recent NX cameras from Samsung as well as coverage for a range of Fujifilm models. No support is yet included for the Fujifilm X-Pro1, however.

Slovakian startup 84.5mm has announced it range of filters for photography and cinematography. The company's name is a reference to the size of its filters, which are designed to be compatible with Cokin's 'P' filter holders. Initially 84.5mm will offer a series of predominantly handmade ND Grads and colored filters, made from CR-39 (often called 'organic glass').

Joel Sternfeld was one of the photographers that pushed for the acceptance of color photography in fine art and documentary photography. Adam Koplan looks at a 'First Pictures,' a collection of his early work (1969-1980) and how it foreshadows his work that was to follow.